Russia has vowed to retaliate against a plan by Norway to more than double the number of U.S. Marines stationed in the country.
The Russian Embassy in Oslo issued the warning on June 14, 2018, two days after Norway announced it will ask the United States, its NATO ally, to send 700 Marines starting 2019.
The move came amid increasing wariness among nations bordering Russia following Moscow’s annexation of Ukraine’s Crimea Peninsula in 2014.
The Russian Embassy said that Norway’s plan, if realized, would make Norway “less predictable and could cause growing tensions, triggering an arms race, and destabilizing the situation in northern Europe.”
“We see it as clearly unfriendly, and it will not remain free of consequence,” it said in a statement.
Some 330 U.S. Marines currently are scheduled to leave Norway at the end of 2018 after an initial contingent arrived in January 2017 to train for fighting in winter conditions. They were the first foreign troops to be stationed in Norway, a member of NATO, since World War II.
(DOD photo by Navy Petty Officer 1st Class Dominique A. Pineiro)
Norwegian Foreign Minister Ine Eriksen Soereide told reporters on June 12, 2018, that the additional U.S. troops would be based closer to the border with Russia in the Inner Troms region in the Norwegian Arctic, about 420 kilometers from Russia, rather than in central Norway.
Soereide also said that the decision to increase the U.S. presence has broad support in parliament and does not constitute the establishment of a permanent U.S. base in Norway.
The initial decision to welcome the Marines irked Russia, with Moscow warning that it would worsen bilateral relations with Oslo.
Russian Foreign Minister Sergei Lavrov has met with North Korean leader Kim Jong Un and the country’s foreign minister ahead of a planned summit between U.S. President Donald Trump and Kim in June 2018.
Lavrov’s May 31, 2018 visit — his first to North Korea since 2009 — was seen as an attempt by Moscow to ensure its voice is heard in Pyongyang’s diplomatic overtures with the United States and South Korea.
Lavrov met Kim in Pyongyang, Russia’s Foreign Ministry tweeted, and extended an invitation from Russian President Vladimir Putin for the North Korean leader to visit Russia.
In Moscow, Kremlin spokesman Dmitry Peskov said it was too early to know whether there would be a Putin-Kim meeting in Russia.
Lavrov began his visit to North Korea by meeting with Foreign Minister Ri Yong Ho.
“We welcome contacts between North and South Korea, as well as between North Korea and the United States,” Lavrov said on May 31, 2018, after meeting with North Korean Foreign Minister Ri Yong Ho, according to Russia’s TASS news agency.
The Russian minister called on “all the parties involved to fully realize their responsibility for preventing the failure of such an important but fragile process.”
Moscow is interested in implementing joint economic projects with Pyongyang and Seoul, including railway construction, Lavrov also said.
Russia and North Korea share a small border that is only a few kilometers from the Far East city of Vladivostok and they enjoy relatively cordial relations.
Lavrov’s trip to Pyongyang comes amid a flurry of diplomatic activity to organize a historic summit between U.S. President Donald Trump and North Korean leader Kim Jong Un.
U.S. Secretary of State Mike Pompeo met Kim’s right-hand man, General Kim Yong Chol, in New York late on May 30 2018, to discuss the matter.
Kim Yong Chol, the most senior North Korean to visit the United States in nearly 20 years, dined with Pompeo and the two were due to meet again on May 31, 2018.
“Good working dinner with Kim Yong Chol in New York tonight. Steak, corn, and cheese on the menu,” Pompeo tweeted.
Trump previously cancelled the summit scheduled for June 12, 2018, in Singapore, but both sides have since made fresh efforts to hold it as planned.
Washington is seeking the complete denuclearization of the Korean Peninsula in exchange for certain economic and security benefits for Pyongyang.
The Navy successfully completed its first Joint Air-to-Ground Missile (JAGM) flight test on the AH-1Z helicopter on Dec.5 at Patuxent River.
During the flight, aircrew aboard the AH-1Z navigated the missile through various operational modes and exercised its active seeker to search and/or acquire targets, demonstrating its compatibility with the aircraft.
“Initial results from the flight indicate the missile performed as planned,” said Liam Cosgrove, JAGM flight test lead. “We will continue to conduct a series of tests to prepare for live fire testing of the JAGM off the AH-1Z scheduled for early this year.”
JAGM, a joint program with the Army, is a precision-guided munition for use against high-value stationary, moving, and relocatable land and maritime targets. It utilizes a multi-mode seeker to provide targeting day or night in adverse weather, battlefield obscured conditions and against a variety of countermeasures.
“This missile will provide increased lethality and better targeting capabilities, beyond the Hellfire’s laser point designating capability that the AH-1Z currently has in theater today,” said Capt. Mitch Commerford, Direct and Time Sensitive Strike (PMA-242) program manager.
JAGM is managed by the Program Executive Office for Missiles and Space, Redstone Arsenal, Alabama. It will initially be employed on the AH-64 Apache and Marine Corps’ AH-1Z helicopters and is compatible with any aircraft that can carry Hellfire missiles. The Army will complete a 48 shot test matrix by May 2018 on AH-64 Apache aircraft in support of Milestone C.
The Art of War by Sun Tzu is an ancient classic. There are free versions of the masterpiece available everywhere, from Wikipedia to Amazon, but let’s face it: Sometimes, depending on the translation, it can be hit-or-miss in terms of readability. It was written in the 5th century BC, after all.
Thankfully, there’s an alternative. On YouTube, someone’s been distilling the essence of this military classic. Each chapter has its own video.
The video here discusses one of the most important aspects of war: terrain. If you’ve seen the 1993 movie Gettysburg, you might remember the early portion of the film where John Buford recognizes the terrain that would dominate the battlefield, to wit, Cemetery Ridge. As history shows, Buford tactically deployed his troops, buying time for the Union to take control of Cemetery Ridge. With that control, they eventually won the battle, marking the last time that the Confederate Army invaded the North. Combined with the fall of Vicksburg on July 4, 1863, the defeat of the South was only a matter of time.
Battles can be won or lost depending on how land is used. These are the 9 terrains, as described by Sun Tzu, that can dramatically influence the tide of battle.
9. Dispersive Ground
This is defined as territory you control at the start of the war. Sun Tzu advises never fighting here, simply because battles are destructive. Make the mess on the enemy’s territory. Joan of Arc used what Sun Tzu called the proper strategy for this terrain by always taking the fight elsewhere.
8. Facile Ground
This is the initial portion of enemy territory. When you’re in this space, keep moving. Otherwise, you could find yourself in a lot of trouble.
7. Contentious Ground
This is ground that can provide a force with a serious advantage in a battle. The aforementioned Cemetery Ridge and its effect on the Battle of Gettysburg is a prime example of contentious ground. You want to identify this terrain and defend it.
6. Open Ground
This is ground where you (and the enemy) can move easily. Think the deserts of Iraq and Saudi Arabia. You don’t want to try to block the enemy, because any attempts can be easily outmaneuvered. Saddam Hussein made that mistake in Desert Storm.
5. Ground of Intersecting Highways
This is where three or more countries meet. In this situation, make like a contestant on Survivor or Big Brother and form alliances. The one who’s left out… well, you wouldn’t want to be them.
4. Serious Ground
When you’ve gone deep into enemy territory, leaving fortified cities behind, you’re in a serious situation. Your best bet is to just loot, plunder, and then get out.
3. Difficult Ground
As it suggest, this is very tough terrain to travel through. Think forests, mountains — that sort of stuff. This is ground you just want to march on through. These are places where guerrillas can wreak havoc, so be cautious.
2. Hemmed-In Ground
This is also called a ‘chokepoint.’ A prime example is the pass at Thermopylae, where King Leonidas and 300 Spartans famously held off the Persian Army. In this case, your best bet is to come up with a stratagem (or find someone who’s willing to betray the other side).
1. Desperate Ground
This is terrain where you can’t exactly retreat. Your only strategy is to fight — and it will likely be a battle to the death.
Bishop and motion capture actors for EA’s Battlefield4 video game.
Greg Bishop advanced from private in the Army to Lieutenant Colonel, across a spectrum of specialties from Infantry to the Signals Corps and finally to Public Affairs. He had a dream to work in Hollywood when he was young which he fulfilled through his military service. Bishop runs MUSA Consulting now for the entertainment industry advising on different projects. Bishop has produced his own feature Ktown Cowboys and worked on projects such as Transformers: Revenge of the Fallen, The Day the Earth Stood Still, GI Joe: The Rise of Cobra, Battlefield4 and Snitch.
1. Can you share about your family and your life growing up?
I grew up in the suburbs of Louisville, KY, in a normal, all-American, middle-class family and experience. I was the third of four boys, I had loving parents who are still married today. My father, who was a Marine Corps officer and Vietnam Veteran, was tough but a great role model. My mother took great care of us boys and she was our superhero. We grew up in the pre-home-video game era, so we spent most of our time outside, playing sports, riding bikes, chasing girls and getting into normal boyhood trouble complete with skinned knees and elbows, broken bones and hearts.
2. What values were stressed at home?
With my father being a Marine, and having four boys within six years of one another, discipline, hard work and personal responsibility were paramount in the Bishop household. A strong work ethic was instilled in all of us, so all of the Bishop Boys worked as soon as we were big enough to rake leaves, shovel snow, or cut grass. Our family also pretty much had a newspaper delivery dynasty in the neighborhood for several years. All of us delivered papers until we were old enough to have a regular job, and that was back in the days when newspapers were delivered two times a day. Once old enough, we all had after school jobs washing dishes, busing tables, working in fast food, or whatever we could do to make money legally.
We all went to private Catholic high schools and we were expected to pay half of our tuition for the first three years; our parents covered all of it in our senior year. At the time it was tough. My friend’s parents were giving them money for their hobbies and entertainment while I had to work to pay for the things I wanted or wanted to do. My Mom would slide us a couple bucks if she knew we were tight on cash, but for the most part if I wanted to go to the arcade and play video games, those were my quarters going in the machine. I bought my first car at 15 before I even had a driver’s license. It was a lot of work for a kid, but in the end, my parent’s lessons paid off. All of my brothers currently work for themselves in one capacity or another.
3. What made you want to become a soldier and what was your experience like?
I wasn’t the best student in high school. I had to go to summer school my freshman year, and I think I only had two A’s in my four years…one in Physics and one in Film Appreciation. Don’t ask me to explain that. In my junior year I was cast as an actor in a local educational video on teen suicide. The director allowed me to tag along throughout the production and post-production process. That was my first taste of video production and I really loved it. My senior year, in the film appreciation class, I made a Super-8 movie as the final project, and that’s when I really fell in love with film and video production. I loved the process and everything about it. I knew I needed to go to film school.
Now, there were no film schools in Louisville, so I attended a couple regional colleges for a couple of years, but it wasn’t really doing anything for me. I desperately wanted to go to film school. Then one day I saw an Army commercial promoting the GI Bill and the Army College Fund which just so happened to be the amount of money I needed. I went to see a recruiter; told him I wanted the college money and if I was going to join the Army, I also wanted to paint my face green and run through the woods with a gun. I signed up for the infantry and I shipped off to Basic Training February 27, 1989. While at Fort Benning, I was offered the opportunity to apply for Army OCS (Officer Candidate School). I was accepted and made it through OCS. I was commissioned a year and a day after I arrived at Basic Training and spent the first half of my career as an Army Signal Officer serving in Korea, Fort Campbell and Germany. I wasn’t really thrilled with being a Signal Officer.
While at Fort Campbell I met, fell in love and married my amazing wife, and then the Army let me finish my degree through their Degree Completion Program. I got my bachelor’s degree from Austin Peay State University, which is right outside of Fort Campbell. I studied public relations there and did a summer internship in an advertising firm. At this point the film school dreams began to dwindle, but I enjoyed advertising because it was still very creative. So while still serving I took the GMAT, applied for MBA programs, all with the intention of getting out of the Army and going to work in advertising.
I still owed the Army a few years because of the time they gave me to finish my degree, so fast forward a couple of years, in the mid-90’s, I was stationed in Germany and deployed to Bosnia. One day I stumbled on an article in the Stars and Stripes, about Army Advertising, that changed my life. I learned that I could do advertising IN the Army. I loved being a Soldier, I just didn’t like the Signal Corps. I learned I needed to become a public affairs officer to get that job, so after my company command time in the Signal Corps, I transitioned over to Army Public Affairs, and my first job in that career field was with Army Recruiting Command’s Advertising Directorate at Fort Knox.
While stationed at Fort Knox I was accepted into the Army’s Advanced Civil Schooling program and I went to USC (University of Southern California) where I got my MA in Strategic Public Relations. While there, I learned about this awesome job in LA where a Public Affairs Officer served as the Army’s liaison to the entertainment industry. I really wanted THAT job one day.
While at USC, OIF and OEF started, so after graduating I was assigned to Fort Campbell and deployed to Iraq with the 101st Airborne Division from ’05-’06. I was one of the first brigade combat team PAOs during the Army’s “Transformation” period. I had a great team, an important mission, and was part of one of the best divisions in the Army. It was a tough but rewarding year.
After Iraq I was assigned as the Deputy PAO for the Headquarters of the U.S. Army Corps of Engineers in downtown DC. After serving there for a couple of years it was again time for a reassignment. I learned an important lesson from a senior officer once and it was to not just accept any assignment the Army offers you. If you want something, you have to fight for it. I fought very hard to get the PAO job in Hollywood. My branch manager told me that the entertainment office position was open, but he would not fill the slot because the Chief of Public Affairs (2-star general) believed it didn’t need to be filled. I told my branch manager that that position was one of the most important public affairs jobs in the Army, but he assured me the general had made his decision, and it was “final.” I told him that I was going to write a white paper on why it was such a critical position and why I was the right guy for it…I asked him to promise me that he’d read it. He did, and he agreed, but now had to go change the mind of a 2-star general to put me into that position.
The general called me into his office a couple weeks later, told me my white paper made sense and he thanked me for keeping him from making a mistake. I admired him for his humility. He told me to pack my bags, you’re going to Hollywood. A few months later, I was on the set of Transformers: Revenge of the Fallen and I thought to myself, “Holy shit, the Army got me to Hollywood.” It was a surreal experience. I retired from the Army about 10-years ago and have been working in the entertainment industry ever since.
Bishop with his Drill Sergeant on Basic Training graduation day.
4. What are you most proud of from your service in the Army?
I am most proud of just being a soldier and serving. I am proud to represent our country. I’m proud that I began my Army career as a Private First Class with no degree and finished as a Lieutenant Colonel with a master’s degree. My proudest achievement in service was the year I spent in Iraq where I like to say we fought the information war. Serving as a PAO doing media relations with major news agencies was interesting but working with the Iraqi people to set up their own newspapers and media outlets was the most rewarding. I helped Iraqi citizens run their own businesses, instructing them on how to create a revenue model for their newspapers, radio and TV stations. I also helped my two interpreters create a market research company that helped the local government, the U.S. Army and the U.S. State Department understand the concerns and opinions of local Iraqi citizens. We advised the police, fire and government public affairs of what it means to tell their citizens the truth. We were there for the first election in Iraq and I got to be a small part of it. It was an incredible experience.
Bishop (top left) deployed in Bosnia.
5. What values have you carried over from the Army into Hollywood?
The military and entertainment business are very similar. I told Michael Bay once that, “you shoot film and we (the Army) shoot bullets, everything else is the same.” People in entertainment might be shocked to hear this, but both industries require teamwork, leadership, planning, and even OPSEC. You deal with fiefdoms, budgets and timelines. Hard work and discipline are key. Understanding the commander’s intent, or the director’s vision, it’s the same. Neither culture suffers fools for very long. Both are meritocracies for the most part. I think it’s more so in the military than in Hollywood, and Hollywood is more nepotistic that the military, even though that exists in both worlds. But if you’re good at what you do, you’ll succeed. I knew the Army trained me to be a producer, I just needed to learn the entertainment industry language.
6. What project did you most enjoy doing while working in Hollywood?
I worked in Hollywood as a soldier and as a civilian. As a soldier, Transformers: Revenge of the Fallen was the most fun. It was a Michael Bay movie, so we blew things up and we fired thousands of rounds on set. We had nearly everything in the Army inventory in that movie. There were so many explosions. We shot live rounds from Abrams tanks and Bradley Fighting Vehicles on set. The set caught on fire a couple times. Everybody was out there putting the fire out. Even Michael Bay had a hose in his hand putting out the fire. Every day was just a blast.
As a civilian, it has to be producing my first movie Ktown Cowboys with my business partner Brian Chung. We took it from script all the way to distribution. It premiered at SWSX (South-by-Southwest) in 2015 and it was a nerve-racking experience having so many strangers watching our film. But there’s nothing more rewarding than watching an audience laugh and enjoy a film that your team made. Finishing a movie is very tough. Making a bad movie is hard, making a great film is almost impossible. The military trained us to face challenges and solve difficult situations. That’s true in a military operation and it’s true in the film business.
MLRS from the Army in Transformers Revenge of the Fallen. Photo credit Paramount Studios.
MLRS from the Army in Transformers Revenge of the Fallen. Photo credit Paramount Studios.
The film that Greg produced. Photo credit IMDB.com
7. What was it like transitioning to Hollywood?
Even though I had worked in the Entertainment industry for the Army it was harder than you may think. The industry doesn’t have the time to help anybody else achieve their dreams unless it’s a family member. Most people stop returning my phone calls once I no longer “had the keys” to Army helicopters, troops, vehicles, locations, etc.
I knew some people at Electronic Arts who worked on the Battlefield franchise. Working with them was one of our first gigs. One of the early challenges we had was knowing how much to charge for our services. As a Soldier, you work as long as it takes to accomplish the mission and your pay is the same regardless of outside circumstances. There’s really no relationship between pay and time in the military. I remember in one of our early phone calls with EA one of the producers asked us how much we charge for our services. At the time we had no idea what our time and expertise was worth. We threw out a number and the EA guys laughed at us. They literally said, “We can pay you more than that!” Lesson learned.
We probably wasted a lot of money and time starting a business immediately after retirement because we were career military guys and not trained businessmen. We made some mistakes, learned a lot, but we’ve been doing this for more than 10-years now.
One other similarity between Hollywood and the military is both cultures tend to slap labels on people. In the military we literally wear those labels on our uniform. That’s one of the things that always bothered me about the military culture. Promotions and career paths tend to be very rigid and bureaucratic. In the civilian world there are 25-year old CEOs and they’re judged on performance of their leadership and the company. There aren’t any 25-year-old generals. The entertainment industry is similar though because if you’re a consultant, in their mind you’ll always be a consultant. It’s tough to use that role as a stepping stone into something bigger like acting, or directing, or producing.
Our consulting company was essentially our film school. It helped us learn the language of the industry. In 2012 we created our production company, and while our consulting company is still operating and growing, our production company is our primary focus these days.
Bishop working with Norman Lear on Netflix’s reboot of “One Day at a Time”.
Keanu Reeves in The Day the Earth Stood Still. Photo credit IMDB.com
A screenshot of Battlefield 4. Photo credit imdb.com.
GI Joe: The Rise of Cobra released in 2009. Photo credit IMDB.com.
8. What leadership lessons in life and from the Army have helped you most in your career?
I have a few leadership lessons.
For big challenges, eat the elephant one bite at a time. Don’t let the scope of the challenge intimidate you. Take it on incrementally.
You have to do the work. A lot of young people think accomplishing something is as easy as Googling it. It isn’t. You have to do the work, and oftentimes the work is more difficult than you imagine.
Don’t take “no” for an answer. Write the white paper telling the two-star general he is making a mistake.
Teamwork. It’s critical that you come together to achieve a common mission or objective. You won’t do it alone.
For those getting out of the military soon, I recommend that you find and do something you’re passionate about. Do something that excites you. Do something that will make you look at weekends as a distraction and look forward to Monday mornings. Whatever you are passionate about and love doing, find a way to do it and make money from it. If it doesn’t work, you can always get a government job or contracting job or whatever job other retired military people do.
9. As a service, how do we get more veteran stories told in the Hollywood arena?
In 1927 the first Academy Award for Best Picture went to the Army for a movie called Wings. The military has been part of Hollywood ever since and military stories have always been a part of the DNA of filmmaking and storytelling in Hollywood. For decades Hollywood was patriotic and told mostly pro-American stories portraying our troops against foreign enemies. Yes, it was probably borderline propaganda, but it was a unifying effort from people who loved their country. After the Vietnam War, and even more so after 9/11, most films and television programs about our troops were about fighting their own government, their chain of command or themselves. The politics in the industry shifted along with the way Hollywood portrayed our military. Hollywood struggles with telling authentic stories about our military. It seems we’re mostly portrayed as superheroes or broken mental patients. To answer your question, the only way we can change Hollywood is to do it ourselves. That is the only way it is going to get done authentically. We need to work to become the writers, or producers, or financiers to fund our own content. It’s easier to do that today than it’s ever been, but it’s still extremely difficult.
A scene from Wings in 1927 that won the first Oscar for Best Picture. Photo credit Paramount Studios.
10. What are you most proud of in life and your career?
Personally, I am most proud of my marriage to my wife of 25 years. She is my life’s purpose. Career wise, building three businesses with my business partner Brian Chung. But I am not done yet, so we will see what comes next.
September 11, 2001 means different things for different Americans. For some, the events of that date will forever be seared in their memories. For others, they were too young to know what was going on, yet they sensed something big had happened. For a younger generation, 9/11 is history. They read about it in textbooks that are absent the feelings of fear, anxiety, and stress that plagued so many Americans on that morning and the days following.
But, it’s an important date. It’s a date that represents sacrifice. Many people died, putting the lives of others before theirs. It’s a date that represents unity. Americans came together to offer up support to the families of the fallen. It also represents mistakes. Following the events of 9/11, Muslims and Middle-Eastern Americans had to weather the racial blowback that came from 19 men flying planes into the Twin Towers, the Pentagon and a field in Pennsylvania.
What’s important is that we remember. And that our kids know what happened that day, so the sacrifices, the story of Americans coming together, as well as the mistakes we made are not forgotten. And a great way to share memories is through stories. In her debut middle-school novel, Caroline Brooks DuBois gives us The Places We Sleep. It’s a story about a young girl navigating a new school (because her dad is in the Army) during the events of September 11, 2001. I recently interviewed Caroline to learn more about her book.
WATM: This novel touches on so many different themes: 9/11, racism, being a military kid, being a middle schooler, and being a young girl in middle school. Could you talk a little bit about the story you tell in The Places We Sleep?
Caroline: With Abbey, I attempted to create a middle school character who is as multifaceted as the pre-teens and teens I know and teach (and adore). Middle schoolers currently are living through very complex times, yet they are still concerned about their complexion, their hair, what to wear, who said what to whom, getting embarrassed in front of their peers, and so much more. In the story, Abbey navigates challenging world events along with the struggles of middle school and adolescence. Currently, teens and children are facing their own difficult world events, so I hope readers will see how Abbey perseveres and strives to be a good friend, to be kind, and to express empathy and tolerance to others.
Although I did not grow up in a military family, both of my grandfathers served in the military, as well as both of my brothers, my brother-in-law, and my sister-in-law. In the years that followed 9/11, my brothers and my brother-in-law were all called into active duty and deployed to Afghanistan and Iraq. These events were the seed for Abbey’s story. I knew I wanted to write about how world events have rippling effects on individuals and families in unexpected ways. But I also wanted to tell a story about a girl with whom readers could relate. Abbey’s story is about being a military child, but it’s also about identity, loss and grief, creating art in the face of tragedy, and friendship.
WATM: Who should pick this book up? Is this a book a parent could read with their middle schooler to talk about 9/11?
Caroline: Middle grade students I’ve taught have had only a fuzzy understanding of the events of 9/11 and are curious and want to know more. There are several great books for young readers on 9/11 that I’ve incorporated into my teaching over the years, as I’ve found reading stories offers an opening to difficult subjects. I hope The Places We Sleep will spark curiosity in young readers about 9/11 and the monumental lessons we learned and are still learning from that tragedy.
Although the story is written for middle-school age kids, adults have told me the story resonates with them as well. It allows readers to visit, or revisit, 9/11 in the safe space of a story. The current national trauma of the Coronavirus pandemic may have a similar traumatic impact on youth and adults. Reading with a child about a dark time in our history is one way to open up conversation on important topics such as resiliency, strength, attitude, and hope. My hope is that the book will leave readers with a memorable story about a girl who may not be all that different from themselves. If they see Abbey journey through difficult times and come out stronger, they too may be inspired and optimistic in the face of their generation’s own difficult times.
WATM: You chose to tell the story in Verse. Could you talk about that decision and why you think it will appeal to readers?
Caroline: As a teacher and parent, I’ve noticed the appeal of shorter and/or alternative forms of story-telling (e.g., books in verse, flash fiction, graphic novels, epistolaries, etc.), undoubtedly influenced by technology and reading online. Even though I have a love for long form and traditional novels, I’ve noticed how books in verse can create more white space between scenes as well as playful or dramatic visual messages with syntax, punctuation, and form, which can motivate or hook adolescent readers.
Abbey’s story came to me naturally in poetry, perhaps as a lyrical way to process 9/11 and my brothers’ deployment, but also likely because I’d recently completed my MFA in poetry. The snapshots or scenes that poems allow you to write provided me with the perfect medium for Abbey’s story.
Books in verse make great shared read-aloud opportunities. You’re never too old to be read to or to enjoy reading aloud to someone else. Where you may not have time to read an entire chapter with someone, there’s always time for a poem or two.
WATM: On top of all the other crazy events in the book, Abbey also deals with the struggle of puberty. A lot of middle school books gloss over this. But, it’s a main part of Abbey’s story. Could you discuss why you chose to address it in your novel?
Caroline: When I was a pre-teen, one of the few sources for making sense of puberty was Judy Blume novels, which we passed covertly between friends (Think: Are You There God? It’s Me, Margaret and Then Again, Maybe I Won’t). Changing bodies were cringe-worthy and carried heavy feelings of shame. Not enough has changed since then. I should know: I taught 7th grade for three years recently, and I saw it when girls cornered me at my desk to signal with their eyes they needed an emergency bathroom break, or when boys shut down in class conversations, avoiding branding themselves as not part of the pack. Novels that talk about puberty openly and other difficult issues are lifesavers for youth. Now more than ever, young readers need to be able to see themselves in books. Sometimes it takes a character in a book to show a reader they are not alone. Forewarning, my second reason is a little cerebral and a slight spoiler regarding Abbey’s character arc. Through her journey, Abbey makes a connection between coming of age (a.k.a, getting her period) and possessing the power to create life. She contemplates how the terrorists on 9/11 chose to destroy life. Coming of age brings with it many choices about how to act, and sometimes acting with integrity and authenticity means not following your peers—and that’s a true test of character.
WATM: Outside of classical literature, this is the first time I’ve ever read a novel in verse. Since you got your MFA in poetry, what are some of the must-reads in this genre?
Caroline: In this space, I’ll mainly mention notable middle-grade novelists who write in verse, but there are also numerous young adult novelists who write in verse as well. Disclaimer: These are a few of my own personal favorites and there are many others not included: Kwame Alexander (sports-themed Crossover and Booked), Sharon Creech (Love that Dog and Hate that Cat), Thanhha Lai (Inside Out Back Again), and Jacqueline Woodson (Brown Girl Dreaming). Additionally, Ellen Hopkins is a must-read author of books in verse for young adults; she tackles challenging topics such as drug addiction and mental illness in her unapologetic, in-your-face verse. One of my all-time favorite novels in verse is Out of the Dust by Karen Hesse, which tells the story of 14-year-old Billie Jo, who struggles to help her family survive the Dust Bowl.
Remember that awesome scene in “Saving Private Ryan” where the paratroopers and Rangers make bombs out of their socks, stick them to tanks, and blow the treads off?
Well, the British and Germans actually had devices that did that, and no one had to take his socks off. Americans would have had to improvise to create the same effect, but there’s little sign that they did this regularly since even the best sticky bombs had some serious drawbacks.
The British had one of the first sticky bombs, the Number 74 Mk. 2. It was developed thanks to the efforts of British Maj. Millis Jefferis and a number of civilian collaborators. Their goal was to create a device which would help British infantry fight German tanks after most of the British Army’s anti-tank guns were lost at the evacuation of Dunkirk.
The glass broke when the bomb hit the tank and deformed against the surface, allowing enough of the sticky fabric to attach for it to stay on the armor. When the handle was released, a five-second fuse would countdown to the detonation.
Obviously, getting within throwing and sticking distance of a tank is dangerous work. And, while the bomb was sent to the infantry in a case that prevented it from sticking to anything, it had to be thrown with the case removed. At times, this resulted in the bomb getting stuck to the thrower, killing them.
The Germans had their own design that used magnets instead of an adhesive, making them safer for the user. It also featured a shaped charge that allowed more of the explosive power to penetrate the armor.
But the German version featured the same major drawback that the British one did, the need for the infantryman to get within sticking distance of the tank.
Javelins and TOW missiles may be heavy, but they’re probably the better choice than running with bombs.
US fighters and bombers conducted a deterrence patrol over the Persian Gulf on May 12, 2019, as a warning to Iran, which the US has accused of plotting attacks on US interests in the region.
During the mission, US Air Force B-52H Stratofortress heavy, long-range bombers were accompanied by F-15C Eagles and F-35A Lightning II Joint Strike Fighters. The bombers and escorts were supported by a KC-135 Stratotanker providing aerial refueling.
US Central Command explained to Business Insider that the flight was intended to send a message to Iran and others that the US military is ready to defend its interests.
A U.S. Air Force B-52H Stratofortress aircraft assigned to the 20th Expeditionary Bomb Squadron takes off from Al Udeid Air Base, Qatar, May 12, 2019.
(U.S. Air Force photo by Staff Sgt. Ashley Gardner)
The bombers were deployed to the CENTCOM area of responsibility last week after the US reportedly received intelligence showing “clear indications that Iranian and Iranian proxy forces were making preparations to possibly attack US forces in the region,” a US Central Command spokesman said.
Source: US Central Command
A U.S. Air Force B-52H Stratofortress aircraft assigned to the 20th Expeditionary Bomb Squadron takes off from Al Udeid Air Base, Qatar, May 12, 2019.
(U.S. Air Force photo by Tech. Sgt. Nichelle Anderso)
May 12, 2019’s patrol was the first mission for the four B-52s deployed to the CENTCOM area. “They’re here to defend our forces and interests,” a US Air Forces Central Command spokesperson told Stars and Stripes.
(U.S. Navy photo by Mass Communication Specialist Seaman Zachary S. Welch)
A U.S. B-52H Stratofortress aircraft assigned to the 20th Expeditionary Bomb Squadron refuels from a KC-135 Stratotanker assigned to the 28th Expeditionary Air Refueling Squadron, at an undisclosed location in Southwest Asia, May 12, 2019.
(U.S. Air Force photo by Senior Airman Keifer Bowes)
While emphasizing that the US does not seek war with Iran, the White House has stressed that any attack by Iran will be met with “unrelenting force.”
(U.S. Air Force photo by Senior Airman Keifer Bowes)
As CENTCOM bolsters its firepower, Iran has issued several warnings, at one point calling the USS Abraham Lincoln aircraft carrier a “target” rather than a threat. Iran has not yet, it appears, escalated beyond rhetoric though.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Three US Army noncommissioned officers in the White House Communications Agency were reportedly reassigned after they allegedly had improper contact with foreign women during President Donald Trump’s trip to Vietnam, The Washington Post reported Nov. 21.
The three soldiers reportedly broke curfew while Trump visited the country, one of several stops he made during his 12-day tour of Asia, earlier this month.
“We are aware of the incident, and it is currently under investigation,” Defense Department spokesman Mark Wright said in The Post.
The White House Communications Agency is a multi-branch military unit “dedicated to providing … vital information services and communications support to the president and his staff,” according to the US Defense Information Systems Agency.
The news comes on the heels of similar allegations of misconduct from a White House Communications Agency detail assigned to Vice President Mike Pence during his trip to Panama in August.
Two soldiers and two Airmen on Pence’s communications team were reportedly caught on camera bringing women back to their hotel, a secure area, NBC News reported at the time. Pence was reportedly still in the US when the incident occurred.
As I sit in my concrete bunker surrounded by hand sanitizer and disinfectant wipes, a wall of toilet paper ready to thwart any potential Coronavirus threats, I feel the need to press pause on regularly scheduled mortgage education and address a topic that has flared up in newsfeeds over the past few days: investing when the market has “crashed”.
Although I joke about my bunker stash (I can’t even find hand sanitizer to stock), personal finance is a highly individualistic and serious subject full of licensing requirements and government regulations. I did what any person not wanting to bring the Financial Industry Regulation Authority fire down upon them and called in the experts. Long-time trusted advisors Nick Stone and Craig Harris were both able to offer some advice to my investment-curious audience who feel that they may be missing out on a Golden Goose Egg during this bear market.
Stone provided examples over the history of time where markets have typical cycles of ebb and flow, and this was bound to come full circle even before the Coronavirus scare (which surely did compound the effect). Putting our economy into the analogy of a marathon, no one sprints 26.2 miles to a finish line. Instead, there are steady-set paces accompanied by throttles and breaks. We may not have seen the bottom of this yet since stocks are priced on what expected earnings are, and companies have yet to report on their current quarter. It could be speculated that markets will dip even a little more. Only time can tell. A piece of advice offered is to maximize on your current contributions such as 401K, IRA and other tax-friendly opportunities versus a narrow lump-sum investment to allow for dollar-cost averaging.
Harris emphasized a good time to invest when the market is in a down point. “Buy low and sell high” is not a catch-phrase but a pillar of investing. Regardless of market conditions, ANY time is a good time to start investing, but there is certainly an advantage when we are in a low market since you can get a little more with your cash. Even at the highest point, like where we just were, there is still a good strategy to be employed for investing your money. Nothing is ever guaranteed, but the market is designed in a way that, over a long enough period of time, your money should grow. He stressed that individual situations and goals are the primary driving factor in how the portfolio is built and how your money can be invested wisely.
Both discourage dumping money blindly into crashing stocks today in hopes of getting rich next week. The singular most important thing you can do with your money is to have a goal in mind versus chasing performance returns. It can be retirement, paying for a child’s college, purchasing a home, etc. but you HAVE to know what you’re working towards in order to get there. The last thing you want to do is be cash-poor and investment-rich without a plan if you need access to that money in the short term. This knowledge is especially important for my mortgage clients who may need to hang on to some cash to close on a new home.
There’s a big myth out there that financial advisors are expensive, but they’re really not. There are traditional brokerage accounts where you pay a small commission on everything bought and put into your account and every transaction made on your behalf. There are also fee-based accounts where you forego commissions and pay an annual fee that varies between firms, typically averages out to be less than 1.5 percent of your invested assets. If you find yourself shopping around for a financial advisor, ask about their cost, make sure they are also a licensed stockbroker so you are diversified instead of pigeonholed into one certain commodity, and ask them if they would invest you like they would invest their own family. It’s a relationship of trust, and you have the ability to establish how you want that relationship to be shaped, whether it be by twice a year comprehensive reviews, weekly phone calls or somewhere in-between.
Important to remember when you see big movement in the economy is this: What do you want to invest FOR, not what do you want to invest IN. That mind shift will help you make smart financial decisions for your future.
War movies are a dime a dozen. The ones that truly stay with us are ones through which we connect to the characters as if they’re members of our own unit — like they could be our own best friends or beloved commanding officers.
So, when that character is killed off, it hurts – even when the movie is based on a true story and we know it’s coming. And we never forget it.
Check out our first list (linked below) and then read on to see more military movie deaths that shocked us.
One minute, everyone aboard the Alabama is dancing to “Nowhere to Run” and the next, a Chief close to retirement is fighting a huge galley fire.
You don’t realize it, but the death of Chief Marichek is the tipping point of the whole movie. No one really cares about some faceless Russian nutjob. Hunter’s disagreement with Captain Ramsey doesn’t turn to real anger until Chief Marichek dies.
Admit it, we were all thinking the same thing Lt. Cmdr. Hunter was when Ramsey callously described Marichek’s horrible death.
5. Sgt. 1st Class Randy Shughart and Master Sgt. Gary Gordon – Black Hawk Down
You see what the Somalis do when a helicopter goes down in this movie. So when Shughart and Gordon demand to be landed to help extract pilot Mike Durant, knowing full well they probably won’t make it out alive, you really hope against the odds that they can pull of some heroics and survive.
This is all the sadder because, like most characters in Black Hawk Down, Shughart and Gordon were real men who really did ask three times to land and secure Durant — even though they knew it would be suicide.
These two stone-cold operators held off the entire city of Mogadishu long enough for the mob to spare Mike Durant, who was captured, released, and survived his deployment. Shughart and Gordon posthumously received Medals of Honor.
4. Captain Vasili Borodin – The Hunt for Red October
*sniff* Montana is so nice to see, Borodin. IT’S SO NICE.
Someone show this guy Montana. No! You’re crying!
3. Lt. Billy “A-Train” Roberts – The Tuskegee Airmen
Fresh from taking down enemy planes and a Nazi destroyer (not to mention forever tearing down an immense racial barrier), Hannibal Lee and Lt. Billy Roberts were such a good team, all the white bomber pilots couldn’t believe it. Prejudices couldn’t stop Lee and Roberts.
Lee and Roberts sing as Roberts slowly loses consciousness and altitude and, when they’re finally taken out, a small part of my youth died forever.
2. Staff Sgt. Don “War Daddy” Collier – Fury
We grew to love War Daddy as the movie Fury rolled on. And, eventually, we understand and support his determination to stand his ground in the tank that became his home.
Unlike the Fury version, however, the real War Daddy – Army Tanker Lafayette G. Pool – survived the war. His 81-day combat career saw 1,000 dead Nazis, 250 enemy POWs captured, 12 downed enemy tanks, and some 250-plus other vehicles destroyed.
1. Captain John Miller – Saving Private Ryan
Capt. Miller was in North Africa at the Kasserine Pass, then at the Italian campaign’s landing at Anzio, and then (as if that wasn’t enough), he led most of his men alive through Operation Overlord.
So, knowing he survived so much just to get stuck defending some podunk town because there’s one bridge in it only to get mortally wounded as the Army Air Forces show up and ice the Nazis… it’s just… goddammit.
This is why a chain of command exists, so privates like Ryan will do as they’re told and go home instead of arguing with a captain who’s a genuine war hero and getting everyone in a platoon killed as they try to keep his disobedient ass alive.
The Armata family of vehicles, with the flagship T-14 main battle tank, were supposed to be the future of armored warfare, tipping the balance of conventional forces in Europe back towards Russia and ensuring the country’s security and foreign might. But now, Russia has announced that it will be buying only 100 of them, far from the 2,300 once threatened and a sure sign that crippling economic problems are continuing to strangle Putin’s military.
Russia’s T-14 Armata main battle tank was supposed to put Russian armor back on top, but the design and tech are still questionable and Russia is only buying 100 of them, meaning very few of them will be available for operations at any one time.
(Photo by Vitaly V. Kuzmin)
All of this will likely be welcome news for U.S. armored forces who would have faced the T-14s in combat if Russia used them against American allies and NATO forces.
The signs of trouble for the Armata tank were hidden in the project’s debut. It’s always suspicious when a tank or other weapon project seems too good to be true. Snake oil salesmen can profit in the defense industry, too. And there were few projects promising more revolutionary breakthroughs for less money than the T-14.
It is supposed to weigh just 70 percent of the Abrams (48 tons compared to the Abrams’ 68) but still be able to shake off rounds from enemy tanks thanks to advanced armor designs. Its developers bragged of an extremely capable autoloader, a remote turret, and an active protection system that could defeat any incoming missile.
When something sounds too good to be true, maybe check the fine print.
Still, it wouldn’t have been impossible to come up with a breakthrough design to shake up the armored world. After all, while the Abrams was expensive to develop, it featured some revolutionary technology. Its armor was lighter and more capable thanks to ceramic technology developed in Britain, and its engines, while fuel-hungry, delivered massive amounts of power. These factors combined to create a fast, agile beast capable of surviving nearly any round that enemy tanks could shoot at it.
Russia’s Su-57 has design flaws and under-strength engines, causing many to wonder if it would really rival American fifth-generation fighters if it even went into serial production.
(Photo by Anna Zvereva)
None of this money problem is a surprise. Russia is subject to a slew of international sanctions resulting from actions like the invasions of Georgia and Ukraine and meddling in European and U.S. elections. While sanctions generally act as a minor drag on healthy economies, they have a compounding effect on weak economies.
And make no mistake: Russia’s economy is weak. It is heavily tied to oil prices which, just a few years ago, would’ve been great news. From 2010 to 2014, oil often peaked above 0 per barrel for days or weeks at a time and was usually safely above a barrel. Now, it typically trades between and a barrel and has slumped as low as .
Keep in mind that, typically, military strength trends with economic strength; more money, more might. But Russia has struggled to maintain its world-power status after the collapse of the Soviet Union. Its annual GDP is actually smaller than that of Texas, California, or New York. That’s right. If Russia was a state, it would have the fourth largest economy in the country.
Still, Russia can’t be written off. It’s either the second or third most powerful military in the world, depending on who you ask. And the other slot is held by China, another rival of American power. With thousands of tanks and fighters in each country’s arsenal, as well as millions of service members, both countries will remain major threats for decades or longer.
Citing military sources with knowledge of the J-20’s development, the South China Morning Post reported that the jets that entered service didn’t feature the engine China custom-built for the platform but used an older one instead.
The Posts’ sources pinned the jet’s troubles on a test in 2015 in which the custom-built engine, the WS-15, exploded — something they attributed to China’s inability to consistently build engines that can handle the extreme heat of jet propulsion.
“It’s so embarrassing to change engines for such an important aircraft project several times … just because of the unreliability of the current WS-15 engines,” one of the sources told the Post. “It is the long-standing core problem among home-grown aircraft.”
How an old engine makes the J-20 fight like an old fighter
The older engine, the WS-10B, is basically the same kind used in the J-11 and J-10 fighters in 1998 and 2002.
Without the new engine, the J-20 can’t supercruise, or fly above the speed of sound, without igniting its afterburners like the U.S.’s F-22 and F-35 can.
“Afterburners do make any fighter much easier to detect, track, and target using Infrared and Electro-Optical systems at closer ranges when in use,” Justin Bronk, a combat-aviation expert at the Royal United Services Institute, told Business Insider.
Experts have assessed that the goal of the J-20 platform is to launch long-range missiles at supersonic speeds, but they won’t perform as well if they can’t fire at such speeds, Bronk said.
“The major drawback from not having the ability to supercruise in this case would be having to choose between using a great deal of fuel to go supersonic or stay subsonic and accept shorter effective range from the fighter’s missiles and an inferior energy position compared to a supercruising opponent,” he said.
A senior scientist working on stealth aircraft who requested anonymity because of the sensitive nature of their work previously told Business Insider that the J-20’s design had a decent stealth profile from the front angle but could be exposed from others.
According to Bronk, the older engine may exacerbate that problem.
Did they even really deploy the thing?
A U.S. Air Force affiliate researching the Chinese People’s Liberation Army Air Force told Business Insider that an analysis of imagery suggested the service’s 9th Brigade traded its Russian-made Su-30s for J-20s, but they disputed whether the jet was operational in the way Western militaries use the word.
“The aircraft and its pilots and maintenance group need to master the type before it can be sent on a ‘real’ mission, not a training mission,” said the researcher, who spoke on condition of anonymity because their employer’s report has not been released.
The researcher said that even for planes that aren’t stealth and as radically different as the J-20, that could take up to a year, adding that the new WS-15 engines most likely won’t be added until 2020.
So while China claims it has become the only nation other than the U.S. to field a fifth-generation stealth jet, at the moment it looks as if it’s hardly stealth, hardly fifth-generation, and a long way from the field.