‘A War,’ directed by Tobias Lindholm, is a Danish film nominated for an Oscar for Best Foreign Language this year. The movie follows Danish army commander Claus Pedersen, played by Pilou Asbæk, as he leads his men in Afghanistan. Claus struggles with the complexities of rules of engagement during a firefight, and has to deal with the consequences of his decisions in a murky military trial back home.
Tobias and Pilou came to the WATM offices in Hollywood to share their experiences and behind-the-scenes insights.
Check out the trailer here, and be sure to keep an eye on your local theaters – ‘A War’ will begin limited theatrical release starting February 12.
After you sink money into travel, tickets, and blue milk at Star Wars: Galaxy’s Edge you might not have much cash left over for a customized lightsaber or droid. Thankfully, there’s one souvenir you can take home that won’t cost you a dime: an only-available-at-Galaxy’s Edge drink coaster.
The coasters are available at Oga’s Cantina. As you can see in the images below, shared by some of the lucky few who’ve experienced the park pre-opening day, there are several different designs to choose from, with Star Wars icons like Ewoks and Banthas. Designs featuring a Rancor and the T-16 Skyhopper are also available.
There’s already a fairly vibrant market on eBay for the coasters, along with the souvenir mugs you can also pick up at the bar. There’s the Endor mug that holds the Yub Nub, a concoction of pineapple and spiced rums, citrus juices, and passion fruit, and the Cliff Dweller, a kid-friendly blend of citrus juices, coconut, hibiscus-grenadine, and Ginger Ale.
Parents who don’t want the upcharge of a souvenir mug can sip on cocktails like the Jedi Mind Trick, the Dagobah Slug Slinger, and Fuzzy Tauntaun. There are also beers brewed especially for the bar with names like White Wampa Ale, Gamorrean Ale, and Bad Motivator IPA.
And if you don’t feel like getting tipsy at a theme park, opt for a sugar rush from non-alcoholic beverages like the Hyperdrive (Punch It!), a mixture of Mountain Berry Blast Powerade, white cranberry juice, black cherry puree, and Sprite. (Your kids will probably like those too.)T
his article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
It’s now safe to say that Disney+ has a bonafide hit on its hands with their new Star Wars series, “The Mandalorian,” and it’s pretty easy to see why. The gritty worlds depicted in the series are ripe with believable characters, well shot and choreographed action sequences, and of course, an adorable (and highly meme-able) character just begging to become a hit toy this Christmas. I’ll admit, as the sort of guy that tends to prefer Kirk over Solo, I wasn’t all that excited ahead of time about “The Mandalorian,” but three episodes in, it’s safe to say that I’m a convert.
What won me over? Well, I’m a sucker for a space western (I am, after all, a card carrying Browncoat), but it’s not just the “shootout at the OK Corral” vibe of the show that gets me; it’s also the weapons tech. Star Wars may take place a long time ago in a galaxy far, far away, but the technology depicted in the franchise has always been more about the future than the past, and much like “Star Trek: The Next Generation,” “The Mandalorian” is choke full of technology that may seem at home in the 24th century, but is actually on the verge of becoming a reality right here and now.
While I’ll try my best to avoid them, here’s fair warning: spoilers ahead.
What sort of tech is that? Well there’s…
Weapons that can see through walls
In episode 3 of “The Mandalorian,” Mando is doing a bit of reconnaissance on a building he may want to blow his way into (trying my best to avoid spoilers here), so he shoulders his breach-loading doom-rifle and syncs it with his helmet, using the rifle to help him see the heat signatures of people through the walls of the building. This sort of gear would certainly come in handy for galactic bounty hunters, but is also finding its way into use with first responders and the U.S. military already.
Systems like Lumineye will soon allow soldiers to use a handheld device to identify targets and locate potential threats on the other side of an opaque barrier using wall penetrating radar.
This system won’t work from a few hundred yards away like Mando’s, but his setup seems to be FLIR based rather than using radar technology. As FLIR themselves point out, most walls are actually too thick or well insulated to allow the detection of heat signatures, putting Mando’s version a bit further into the realm of science fiction… unless those walls are made out of some really thin space dirt or something.
Jet Packs that actually work
Boba Fett, the character that’s arguably responsible for the existence of “The Mandalorian” (despite never actually doing anything cool in any of the movies) may have become a pop-culture icon thanks to nothing more than a kickass helmet and a jet pack, which made it sort of disappointing when the protagonist of this new series was shown hoofing it everywhere. By the end of episode 3, we do get to see some jet-pack-packing Mandalorians take to the sky in one hell of an action sequence, proving that there’s more to being able to fly than just falling in a Sarlacc pit.
While not quite the same in practice, British Royal Marine-turned-inventor Richard Browning has been raking in headlines for a few years now with his own jet pack suit that often draws comparisons to Iron Man (the first installment of which was helmed by John Favreau — the same guy that created “The Mandalorian”). Recently, Browning made a pretty damn cool looking flight off of the HMS Queen Elizabeth.
Take on Gravity Jet suit demo with HMS Queen Elizabeth
Granted, the “Gravity Jet Suit” isn’t just a pack you wear on your back like you see in “The Mandalorian,” so Browning doesn’t have two free hands to dual-wield pistols… but dual wielding is a pretty dumb thing to do in a fight anyway. Instead, Browning and co. developed an M16 mount for the jetpack that, honestly, comes with its own problems.
A grappling cable that works
Mando uses his grappling cable for a number of things, from climbing moving vehicles to killing bad guys, and while the U.S. military isn’t quite ready to start spearing dudes with grappling hooks in the field, they have already begun fielding machines that assist in climbing (or reverse-repelling) up walls. These systems aren’t quite small enough to be wrist-mounted like Mando’s, but are pretty damn effective when it comes to climbing. I had a chance to try out a version of this technology at Shot Show a few years ago, but I didn’t look quite as cool as the Mandalorian when I did it.
A system similar to this one has already found its way into SOCOM’s inventory, and the exact system I used has since been contracted to the Chinese government for their special operators.
Being deployed during the holidays can put a damper on the season’s celebrations. Great holiday movies tend to relieve and mentality transport your loved ones back home, even if only just for a few hours.
So the next time you visit a department store that sells DVDs, make sure you toss these films into your cart and send them to your favorite troop serving overseas.
Directed by Terry Zwigoff, the film focuses on an alcoholic con man (Billy Bob Thornton) who dresses up as Santa to rob the department stores who hire him during the holiday season.
The film isn’t considered your typically holiday movie, but the comedy perfectly fits our dark military humor.
6. Elf (2003)
Directed by Jon Favreau, the comedy features a rambunctious and tall elf named Buddy (Will Ferrell) who grew up in the north pole and sets out on a mission to the Big Apple to reconnect with his long-lost father.
5. A Christmas Story (1983)
This is the epic movie that plays for 24-hours straight on TBS every season (just in case you didn’t know). Directed by Bob Clark, this classic follows a young boy named Ralphie whose sole mission is to get a Red Ryder BB gun for Christmas – even if he shoots his eye out.
4. National Lampoon’s Christmas Vacation (1989)
The Jeremiah Chechik-directed comedy follows ambitious family man Clark Griswold (Chevy Chase) and his crazy family as they gather together under one roof to celebrate Christmas. Spoiler alert: a lot of things break and catch on fire — that’s why we like it.
3. Jingle all the Way (1996)
After a father vows to get his only son the incredibly hard-to-find action figure Turbo-Man, he embarks on the ultimate foot race across town to find the famous toy while competing with a hilarious mailman.
2. The Nightmare Before Christmas (1993)
Directed by Hollywood icon Tim Burton, this animated feature film follows Jack Skellington — aka the Pumpkin King from Halloweenland — as he stumbles Christmastown and gains a new perspective on life.
Recently, we delved into the 5 best military movies of the 1990s, so it only seemed right that we give the 1980’s the same treatment, especially now that most of us are stuck in our houses without much else to do than take a trip down cinema’s memory lane.
Whenever you’re compiling a list of movies like this, it’s inevitable that you’ll miss some really good picks. In a decade like the 1980s, when there was a laundry list of great films depicting military service or a time of war, the chances that you’ll miss a doozy becomes that much more significant. After all, how do you choose between Clint Eastwood’s “Heartbreak Ridge,” and Robin Williams’ “Good Morning Vietnam?” Easy, I didn’t include either — and I’m sure that’ll ruffle some feathers.
That’s what’s so great about film and analyzing its value or impact. A movie that means the world to you may not have had any impact at all on the next guy. It’s value to you isn’t diminished by his opinion and it doesn’t have to be. Everybody can have their own favorites.
So with the understanding that this list won’t be exhaustive and will probably make some folks mad — here’s my list of the best military movies of the 1980s.
Right out of the gate, including this movie on the list requires a disclaimer: In order to be a good military movie, you don’t need to be realistic. “Iron Eagle” is a lot of things, but realistic isn’t one of them.
For those who haven’t seen it, “Iron Eagle” is the story of a young man named Doug Masters who aspires to be a pilot like his father, U.S. Air Force fighter pilot Col. Ted Masters. When Col. Masters is shot down over the fictional Arab nation of Bilya, Doug enlists the help of another fighter pilot, Colonel “Chappy” Sinclair. The two hatch a scheme to steal two F-16 Fighting Falcons and somehow fly them all the way to the Middle East, take on an entire Air Force, land on an enemy airstrip, and fly Doug’s dad home.
This movie is about as realistic as my chances of being elected president in 2020, but that doesn’t matter. This silly romp is a blast to watch, especially if you enjoy ironically watching ridiculous movies.
While it maybe a bit slow paced compared to high budget action movies of today, “Red Dawn” earns its spot on this list thanks to solid acting from its young cast (some of whom went on to successful careers in Hollywood) and its semi-serious approach to depicting an America that’s not only at war… but losing it.
“Red Dawn” can certainly be categorized as pro-American propaganda, but if you ask me, that just makes it all the more fun. Despite the fall of the Soviet Union, Russia remains one of America’s primary diplomatic opponents on the world’s stage, making it that much easier to revel in the Wolverine’s efforts to take back their town from the combined Cuban and Soviet occupational forces.
If you can watch this movie and not scream “Wolverines” at the top of your lungs, you’re a better movie-goer than I am.
What do you get when you take two future governors, a Hollywood script writer, and Apollo Creed and stick them in the jungle with a bunch of guns? You get what is perhaps the greatest piece of action satire of all time.
You might be surprised to hear me refer to “Predator” as a satire film, but when you take a step back and really look at the framework of this movie, you’ll realize that it is a pretty clever deconstruction of the big-budget action movies of the 80’s. It’s got all the same ingredients of an 80’s thrill ride, but delivered in a way that takes the wind right out our action hero’s sails. After using traditional action movie tactics to easily wipe out a village of bad guys, Dutch’s vaguely special operations crew are then faced with a far worthier opponent: a monster that doesn’t yield to the tropes of action movie heroes.
What follows is a rapid transition from action movie to slasher flick, and a movie that doesn’t just hold up over time, but offers an insightful critique of movie culture in general.
While “Top Gun” may take the number two spot on this list, it’s ranked number one in terms of recruiting. “Top Gun” offered many Americans their first glimpse into the world of Naval aviation, and in particular, the Navy’s very real Strike Fighter Tactics Instructor Program.
With a long awaited sequel slated to drop later this year, Top Gun’s appeal clearly stands the test of time, even if Maverick is admittedly a pretty bad pilot that has no place in the cockpit of an F-14 Tomcat. This movie led to a boon in Navy recruiting, with some recruiters setting up tables right outside cinema doors to engage with excited young aspiring pilots while their blood pressure was still high.
Once again, “Top Gun” proved that you don’t have to be realistic to be great. Here’s hoping the new one can do the same.
After the massive hit that was “Alien,” the much anticipated sequel somehow managed to add a platoon of Space Marines and still retain the chilling vibe the “Alien” universe is known for. Now, this movie may not take place in a fictional Arab nation or involve existing military branches, but who doesn’t love a story about Space Marines fighting alien monsters?
This movie might be the least “military” of the lot, but it’s also the most fun to re-watch again and again, which earns it a whole lot of extra credit in my book. For Marines like me, we may not want to associate with the cowardly yelps of Bill Paxton’s Pvt. Hudson, but let’s all be honest with ourselves… a few yelps are warranted when you’re being hunted by a slimy space monster with acid for blood.
That does it for my list of the best military movies of the 1980s, so the question is: what’s on your list?
On August 27, the All American Riders held a motorcycle ride and charity event to raise awareness for veteran assistance programs. The event was called the “Silkies Slow Ride.”
We Are The Mighty’s Weston Scott joined other veterans in a patriotically revealing event where riders donned their “silky” workout shorts for the ride. Let’s just say that they were showing a lot of … freedom.
The purpose of the silkies on motorcycles was to encourage curious onlookers to ask questions and prompt a conversation about veterans issues — particularly the high rate of veteran suicides.
According to some stats, approximately 22 U.S. military veterans take their own lives each day. The men and women of All American Riders invited all veterans with motorcycles to ride through various cities in Southern California in their PT shorts to catch the public eye.
The United States Army recently demonstrated some new killer robots at Fort Benning, near the city of Columbus, Georgia. While these robots are new, some of the gear they used looks awfully familiar to grunts.
While it might seem odd to use the older vehicles as the basis for robots, keep this in mind: The military has thousands of M113s and thousands of HMMWVs on inventory. The vehicles have also been widely exported. In fact, the M113 is so widely used, it’s hard to imagine anyone would want the used M113s the United States Army has to offer. The same goes for the HMMWV.
Furthermore, while these vehicles may not be ones that you can keep troops in during combat, they can still drive. They can carry cargo. Or, they can carry some firepower. With today’s ability to either drive vehicles by remote control, or to program them to carry out missions, these vehicles could have a lot of useful service left to give.
An Army release had details about how the old platforms helped. One M113 was used to deploy other robots from its troop compartment – one that could hold 11 grunts. Another M113 was used to provide smoke – and conceal a pair of M1A2 Abrams tanks. An unnamed HMMWV demonstrated its ability to use a remote weapon station and a target acquisition system.
That’s not all. The military also had a modified Polaris all-terrain vehicle show its stuff. The ATV also featured an unmanned aerial vehicle on a tether. Such an eye in the sky can have huge benefits. Furthermore, the ATV has a much lower profile.
If these experiments are any indication, American grunts will still be seeing the M113 and HMMWV on the battlefield. This time, though, they will be fighting alongside them, not riding in them.
“Whiskey Tango Foxtrot” was an ambitious project for Tina Fey to undertake for a couple of reasons: First, it’s a drama and not a comedy. Second, she plays a journalist embedded with the U.S. military in Afghanistan, which means the movie tees up a lot of military details that Hollywood has a history of getting wrong — much to the chagrin of the military community.
But fortunately for Ms. Fey, the production team behind “Whiskey Tango Foxtrot” knew a few things about making a movie that deals with military subjects, not the least of which was understanding how to navigate the Pentagon’s approval process.
“Because of this script we had a need from the beginning to get the U.S. military to support the project,” producer Ian Bryce said. “The military does quite well to make these movies great.”
Bryce approached the Department of Defense’s director of entertainment media, Philip Strub, a guy he’d worked with before on other military-related movies. Strub had some reservations about whether “Whiskey Tango Foxtrot” ultimately presented the U.S. military in the right light.
“But we talked it through,” Bryce said.
Ultimately Bryce was able to convince Strub that “Whiskey Tango Foxtrot” was an accurate, positive portrayal of the American military experience, and so the effort got the green light from the Pentagon for direct U.S. military support. The crew wound up using Kirtland Air Force Base in New Mexico to replicate Bagram Air Force Base as well as the surrounding lands to replicate the wilds of Afghanistan.
The movie features Air Force pararescue airmen and their assets including H-60 helicopters and CV-22 tiltrotors. And although access to the real people and machinery made the shoot easier (and provided a greater guarantee of accuracy), Bryce pointed out that it still took a great deal of coordination to get the job done while honoring the fact that making movies wasn’t the U.S. Air Force’s primary duty.
“We recognized and embraced the fact that we were guests on a military facility,” Bryce said. “They are doing much more serious stuff.”
The digital HD version of “Whiskey Tango Foxtrot” has just been released and contains special features including an interview with the author of the original book, in-depth looks at life in Afghanistan and how war correspondents cope with stress, and deleted scenes. Look for the Blu-Ray version on June 28.
Check out more about “Whiskey Tango Foxtrot” here and here.
After Action Report | World of Tanks from WATM on Vimeo.
World of Tanks” has a simple premise: Get into a tank and go kill stuff. And yes, it’s as fun as it sounds.
The game starts off with a tutorial level that gives the absolute basics of tank driving in World of Tanks before allowing players to fight bots for practice. After that, players are thrown into the deep end with other players.
And that’s when it gets really fun. After all, “World of Tanks” is a multiplayer game, and the best parts happen when fighting in the massive 15-on-15 tank battles. Playing in random groups gives you the chance to drop right into the action. But players can set up platoons with friends so that they can go into the battle and fight as a team.
Fighting as a team is very valuable considering the game has 120 million players worldwide, some of whom have been gaining experience since the game launched five years ago.
These teams are built around a mix of tank types. Players can drive light, medium, and heavy tanks as well as tank destroyers and self-propelled guns.
No matter which tank type you try driving, you get the feeling that you’re moving out in a true, multi-ton weapon of war, driving over trees and through buildings in battle.
But, you learn that the enemy is just as strong as you the first time a medium or heavy tank starts pounding on your hull with anti-tank rounds or an SPG hits you with artillery through your soft top armor.
Each kind of tank has its own strengths and weaknesses, and “World of Tanks” does a good job making them feel unique while teaching players how to tactically use each tank on its own and in a platoon.
Tactics are very important in “World of Tanks.” The game’s physics discourage firing from slopes down onto the enemy, a big no-no in real tank combat as well.
Each vehicle has specific weak points that players learn to protect. Players also have to quickly learn to fire from behind cover and to use concealment when maneuvering.
Juggling all of this can be hectic but is exciting in matches, especially when the enemy missteps and you’re able to blast them away with a shot in the rear armor.
To make your mission a little easier, the game lets you recruit and train crew members, allowing for faster reloads or better tank handling in combat. Players can also upgrade their tanks. Researching a new gun may give a semi-automatic capability or buying a new engine will get a tank around the battlefield faster. The eight research trees are split by nationality and each country’s armor strategy feels unique.
With all eight tech trees combined, the game features 450 tanks complete with their own handling, armor, and weapons characteristics as well as notes about their history and development.
Historical accuracy is important to “World of Tanks,” and the tanks and weapons are carefully created to match their real-world counterparts. The game does take some liberties with the historical accuracy, though, tweaking some weapons and stats to keep the game balanced and fun.
Basically, everything is kept true to history unless one tank starts being able to run roughshod over everyone else. When that happens, the designers make a few small changes to rebalance the game.
While 15-on-15 tank battles are the default, the game does have other modes like Clan Stronghold or Global Map, where clans of tankers fight each other for resources.
Wargaming.net is even bringing Football Mode back for a short time to celebrate Euro 2016. Basically, it’s soccer with tanks:
The game is free to play, but the premium version allows players to more quickly upgrade their tanks. Players can also opt to buy awesome, premium tanks in one-time transactions.
Today, Adam Driver is one of the hottest actors in Hollywood with a career-defining role as Kylo Ren in the revived Star Wars series and a lead in the upcoming Martin Scorsese movie Silence. Plus he’s still playing Hannah’s weird ex-boyfriend Adam on Girls. Back in the summer of 2001, he was an aimless high school graduate wondering what to do next. September 11 inspired him to join the Marines.
In this clip from TED Talks: War Peace(airing Monday, May 30th on PBS stations nationwide) talks about why he joined the military. In his full talk, he shares how the world of theater recreated the camaraderie he missed after the military, and how drama can be used to help returning veterans transition to civilian life.
The complete program includes talks from:
Journalist Sebastian Junger, who believes that the prevalence of PTSD may have more to do with the angry and fractured America that vets come home to than their actual combat experiences.
Jamila Raqib, who promotes effective strategies of non-violent protest to people living under tyranny and shares encouraging examples of successful change around the world.
Humanitarian Samantha Nutt, who has been to some of the most war-torn places on earth and draws parallels between conflict zones in the world’s poorest nations and the proliferation of cheap automatic weapons and small arms; and
Parent Christianne Boudreau, who conveys the emotional story of her son’s conversion to radical Islam and subsequent death while fighting for ISIS in Syria.
The program also features three original short films:
Talk of War, by Geeta Gandbhir and Perri Peltz, featuring parents and their children talking about the strain that deployment takes on military families;
All Roads Point Home, by Michèle Stephenson and Joe Brewster, about Major General Linda Singh, Maryland’s highest-ranking soldier, who served in Afghanistan and Kosovo and was called upon to use her skills in the Baltimore riots of 2015; and
Bionic Soldier, by Anna Bowers, Mark Mannucci and Jonathan Halperin, about new advances in biotechnology that allow severely wounded vets to once again lead active lives.
Finally, there’s a musical performance by singer/songwriter Rufus Wainwright.
As with all PBS programs, check with your local station for an exact time and date when they’re airing the program.
Another bullet slammed into the rocky slope beside journalist Mike Boettcher. The Taliban sniper fired again, sending another large-caliber bullet whizzing between the Americans who were scattered among the boulders. Boettcher kept his camera rolling but worried his son Carlos might have been hit. The father-and-son team was embedded with soldiers of the 101st Airborne Division, but getting good footage was now the last thing on his mind.
Eventually the paratroopers forced the sniper to displace, and Mike and Carlos Boettcher were reunited, both unscathed.
“I told you don’t leave my side! This is a damn war zone, Carlos,” Mike can be heard screaming off-camera.
When it comes to documentaries about the war in Afghanistan, Restrepo still reigns supreme. But while the award-winning documentary from Sebastian Junger and Tim Hetherington is the most acclaimed film of its kind, The Hornet’s Nest is a must-watch for anyone seeking a closer look into America’s longest war.
Mike Boettcher describes the documentary as a “real-life narrative feature.” The feeling that his film is more than a documentary comes from the added drama of Mike and Carlos’ strained relationship. Their final attempt to bond amid the war that surrounds them provides an additional storyline that unfolds like a scripted feature film.
Between 2010 and 2011, the duo embedded with three Army brigades and one Marine battalion on their deployments to Afghanistan. While the filmmakers survived their extended stay in Afghanistan, 44 members of the units they embedded with did not. The combat footage they recorded is as intense as any existing documentary, but the audio surpasses them all. The sounds of bullets snapping and whizzing overhead are so clear it’s hard to believe they weren’t created in a studio and added during editing.
While the combat footage is jarring and the Boettchers’ relationship is compelling, it’s the documentary’s ending that transforms The Hornet’s Nest from an average film to a must-watch. The Boettchers were present at the Battle of Barawala Kalay Valley: a two-day mission that devolved into nine days of heavy fighting. Before the Americans prevailed, six US soldiers were killed in action.
The entire battle unfolds in the film’s final act, concluding with an emotionally devastating battlefield memorial service. The final scene provides a rare glimpse into one of the most sacred military traditions. As the final roll call is read and the surviving soldiers fight to keep their bearings, it becomes difficult to watch. The heart-wrenching conclusion serves as an uncomfortable reminder of the steep cost of the war in Afghanistan.
It doesn’t matter if you’re on a speeding boat, jumping off a building, or zooming through the air on a fighter; Gyro-stabilized Systems (GSS) makes some of the best gear for action film shoots.
The common stabilizing system for aerial filming is made to withstand speeds up to 135 knots and usually helicopter-mounted. But when Swedish aerial specialist, Peter Degerfeldt at Blue Sky—one of Scandinavia’s premier aerial filming companies—challenged GSS to build something that could withstand at least 300 knots, aerial filming took a giant leap forward.
GSS’s calling came when Saab Defense and Security required a film shoot from a Gripen fighter.
“Our philosophy is to push boundaries in everything we do,” said Jonas Tillgren, Brand and marketing manager at Saab, according to the film’s description. “In this case, we needed to do both still photography and footage at the same time to maximize outcome. One advantage of this system is that we can fly in speeds where Gripen flies more naturally.”