World War I, The Seminal Catastrophe of the 20th Century, hasn’t spawned nearly as many films as did the Second World War that was to follow only 20 years later. For every Warhorse, Lawrence of Arabia, and All Quiet on the Western Front, there are troves of iconic films like Schindler’s List, Dunkirk, Thin Red Line, Saving Private Ryan, Sands of Iwo Jima, The Longest Day, etc…
Perhaps this is related to the good versus evil rationale on which WWII was fought, whereas WWI had a much more nuanced and convoluted reason for its existence, i.e. a series of binding treaties that exploded into a global war.
In the newest WWI film, 1917, the overarching causes behind why the soldiers are in trenches become irrelevant thanks to an expertly-crafted, human story that envelops the viewer with a common principle found in all wars and in the films that depict it; you fight for the soldiers next to you. Along with sharp performances and thoughtful writing, the filmmakers enlist a technique as difficult to achieve as it is powerful in its reception; a simulated single camera shot following the action from mission-start to mission-finish.
The film’s use of one continuous shot (or perhaps a few hundred stitched-together shots) is designed for one specific reason; to put the audience in the shoes of two young British soldiers, tasked with carrying an urgent message of life or death to the frontlines. Effectively nullifying the safety blanket of the traditional editor where multiple shots can be combined into a film, 1917’s continuous shot leaves very little room for error with the director, cinematographer, and other crew on set. In military terms, to make this film a blockbuster, Director Sam Mendez took a chance with a 0 million sniper shot, and he nailed it.
When Mendez and cinematographer Roger Deakins (both Oscar winners) decided to craft 1917 using only one shot and rely on the edit only to mask or stitch the various sequences together, they set out to bring the audience into the world of frontline war-fighting. There are no breaks. There are no pauses between frames or shots or scenes to give your brain time to catch up. The viewer is embedded with these men from mission-start to mission-finish and thus given a proximity not often afforded to audiences. The result is a visceral and captivating glimpse into the heartbreakingly painful agonies of war; especially a war as devastating as WWI. Yet, in doing so, it also provides the audience with a heightened sense of triumph as the young soldiers conquer insurmountable odds.
Whereas the creative choice of using one shot adds elemental gravitas and depth to 1917, it’s execution also proves the filmmakers’ dedication to this story. Due to the complexity and continuous nature of the one-shot format, the planning of every shot, performance, movement, light, wardrobe detail, effect, etc. called for the utmost military precision.
Employing the preparation, foresight, ingenuity, and assiduousness needed to lead an army into battle, Mendez and his lieutenants triumphed.
A new video of ISIS recruits trying to pledge their allegiance to the caliphate shows a recruit fluffing his lines and being interrupted by screeching bird calls.
A video of a recruits in Yemen, unearthed by Dr Elisabeth Kendall, a senior research fellow at Oxford University’s Pembroke College, shows a bearded youth coming struggling to get through his vows.
The footage was recorded in 2017, when ISIS still held territory in Iraq and Syria, and was attracting recruits from further afield.
Kendall told Business Insider the clip was released this week by Hidaya Media, a broadcaster associated with al-Qaeda’s operations around the Red Sea.
ISIS and al-Qaeda are rival jihadist organizations and have been known to insult and belittle each other.
Although ISIS has been deprived of its former territory in Syria and Iraq, the organization continues. Both ISIS and al-Qaeda are currently fighting over territory in Yemen.
In the video the insurgent, identified by The Independent as Abu Muhammad al-Adeni, trips over his lines, prompting a fellow recruit to say: “Stay calm, keep cool”.
On two occasions his speech is cut short by loud, intrusive bird calls. The man has a Janbiya knife tucked into his belt.
The footage may have been found by al-Qaeda operatives when they took over an ISIS camp in northwestern al-Bayda, Yemen, earlier this summer, Kendall told Business Insider.
Footage from a different part of the shoot later made it into an actual ISIS propaganda video, released in September 2017. It shows a series of young recruits gathering together, celebrating, affirming their vows to the caliphate, and eating.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
This may seem like blasphemy to some, but Popeye started his professional career as a civilian mariner and then Coast Guardsman. The famous sailor did join the Navy, but as of 1937, Popeye was firmly in the Coast Guard. A two-reel feature titled Popeye the Sailor meets Ali Baba’s Forty Thieves introduces Popeye serving at a Coast Guard station. The sailor man’s creator did not live to see the United States enter World War II, but it was in 1941 that his creation joined the Navy and the legend of Popeye the rough and tumble U.S. Navy sailor was born.
Popeye the Sailor meets Ali Baba’s Forty Thieves wasn’t Popeye’s first feature. He started life as a character in the comic strip Thimble Theater in 1929, a comic actually centered around his off-and-on girlfriend, Olive Oyl. When it became obvious that Popeye was the real star, he made a jump to feature films. In the aforementioned 1937 film is when we see Popeye in the Coast Guard, on guard duty and deploying to intercept “Abu Hassan” (aka Bluto), who is terrorizing the Middle East.
It was during WWII that Popeye reached his incredible popularity. After enlisting in the Navy in 1941’s The Mighty Navy, Popeye’s clothing changed and reflected his status as a U.S. Navy sailor, wearing the distinctive white crackerjack uniform. Popeye would remain in uniform until 1978, when new cartoons put him back in his original outfit, with one exception: the white yachting cap he used to wear was replaced with a standard issue Navy “Dixie Cup” cap.
It should be noted that Popeye and Bluto once attempted to join the Army in a 1936 film short called I’m In the Army Now, but they really just ended up fighting in the recruiter’s office. Popeye left the office after beating Bluto to a surrender, but without actually joining. Popeye also regularly beats Bluto to the tune of “The Army Goes Rolling Along.”
Despite his dedication to service, Popeye never once tried to join the Air Force.
Cargo containers of coronavirus tests being unloaded from a Korean Air flight.
Maryland has National Guard troops and state police guarding coronavirus tests at a secret location because of concerns that they might be seized, Maryland Gov. Larry Hogan told The Washington Post Thursday.
“We spent about 22 days and nights dealing with this whole transaction with Korea. We dealt with the Korean embassy, folks at the State Department, and our scientists on both sides trying to figure out these tests,” Hogan said. “And then at the last moment, I think 24 hours before, we got the sign-off from the FDA and Border and Customs to try to make sure that we landed this plane safely.”
The Maryland governor said when the Korean Air jet carrying the 500,000 tests flew into Baltimore/Washington International Thurgood Marshall Airport, it was met by National Guard troops and state police.
Hogan said it landed there “with a large contingent of Maryland National Guard and Maryland state police because this was an enormously valuable payload. It was like Fort Knox to us because it’s going to save the lives of thousands of our citizens.”
Maryland @GovLarryHogan on whether he was concerned that the federal government would seize the tests the state procured from South Korea. He says the tests are being guarded by the National Guard at an undisclosed location. https://youtu.be/PjkMyHbyhro pic.twitter.com/15BhHmLzql
Hogan, who is a Republican, said he had heard reports from other states of the federal government confiscating supplies. He specifically pointed to an incident in Massachusetts.
After 3 million masks purchased for the state were confiscated in New York, state leaders in Massachusetts turned to New England Patriots owner Robert Kraft to help bring in coveted N95 masks from China on a private plane.
“There were a couple of other states that had similar stories,” Hogan said.
He said the tests were “so important to us that we wanted to make sure that plane took off from Korea safely, landed here in America safely, and that we guarded that cargo from whoever might interfere with us getting that to our folks that needed it.”
The governor added that the test protection was ongoing, saying that “the National Guard and state police are both guarding these tests at an undisclosed location.”
Maryland’s decision to purchase coronavirus tests from South Korea drew criticism from President Donald Trump, who said the governor could have made use of available labs to help boost testing capacity. “I don’t think he needed to go to South Korea. I think he needed to get a little knowledge, would have been helpful,” the president said at a recent briefing.
Hogan later responded on MSNBC, saying that if there had been “an easier way” to get the necessary tests, “we certainly would have taken it.”
Kyle Lamb has lived a life most couldn’t even dream of. He grew up in a small town in South Dakota, but by the age of 24 he had been selected into the most elite special operations unit in the military. He went on to serve in “The Unit” for the next 15 years with deployments to Somalia, Bosnia, and Iraq on multiple occasions (among many others).
Since Lamb’s retirement from the U.S. Army, he has authored two books on topics ranging from marksmanship to leadership and founded Viking Tactics, Inc., which specializes in tactical training and equipment. You may have even seen some of his articles in Guns & Ammo magazine or his face on the Outdoor Channel.
Coffee, or Die Magazine recently caught up with the retired sergeant major to talk about everything from combat in Mogadishu to his passion for history. Check it out:
Lamb while serving overseas.
(Photo courtesy of Kyle Lamb)
You spent the vast majority of your career as a member of the military’s premiere special missions unit. There’s a lot of mystique that (rightfully) surrounds that world, but what is the one thing that would surprise most people about what it’s like to live that life?
Probably how normal those guys are. Not everyone there is like that, but there are a lot of really normal husbands and dads. They go to work in street clothes, then put on their commando costume and go do crazy stuff. Everyone expects those guys to look and act a certain way, but a lot of them aren’t like that at all. Their neighbors don’t even know what they do. It’s just a different world.
Looking back, what was the scariest “oh-shit” moment in your career?
I think probably the one that stands out the most was being in Somalia in a big gun fight and thinking, We’re done, we’re not gonna make it out of this. I said a prayer and decided to just do the best I can and not be a coward. That doesn’t mean you don’t have the pucker factor though. I don’t think you ever get to the point where you know how you’re gonna act in that sort of situation.
Once you get to a certain level in your training, and once I became a troop sergeant major, my biggest scare then was when we were getting ready to go out. I didn’t want anything to happen to my guys. Not so concerned about myself — I knew I was with the best group of guys, best medics, best equipment — I just didn’t want anyone to get jacked up on the mission.
Lamb performing shooting drills at a range.
(Photo courtesy of Kyle Lamb/Viking Tactics, Inc.)
What was your plan when you retired from the military?
I was scared to death but what helped me was that I had prepared myself pretty well before I got out. I already had 42 weeks of range classes booked before I got out. So I knew the first year I was gonna be working, making decent money, and I just hoped I would survive after that.
Well, the first year was difficult, but not because of work — I mean, I worked my butt off — it was because of separation anxiety and not having a mission. Luckily, I was around a lot of law enforcement and military guys though, which helped.
You seem to be a student of history. With the U.S. on its 17th straight year at war, how do you think this era will be viewed in future history books?
I’m a diehard history reader, studier, listener — whatever I can do. I haven’t always been that way though. I had a guy on my team named Earl Fillmore who died in Somalia. He would ask me questions about the Civil War, and I didn’t know the answers. He would say, “Man, you’re dumb.” So he gave me this book about Nathan Bedford Forrest. I read this book and thought, This is awesome, and it’s a true story.
So that really got me going with all history. I think being military guys, we definitely need to be students of history so we don’t repeat the same mistakes. And if you don’t like to read books, then listen to podcasts or audiobooks.
Lamb while serving overseas.
(Photo courtesy of Kyle Lamb)
I think the war is one thing, but what we do at home during that war is the important thing. We’ve always had good warriors out doing good things, but now we have good warriors that are a smaller percentage of the population. And we said we’re gonna do this, and we went out and did this stuff for God and country, and I think the people who read history will say we had the greatest army in the world.
Yet we have more problems at home than a lot of other countries. I feel like we are so separated right now. It’s gonna read one of two ways: “Wow, they had the greatest army,” or “They ruined it with social experiments.” Where are we gonna be at? I just don’t know.
Finally, if you’re an American and you don’t feel that America should be No. 1, how can you call yourself an American?
Lamb with an elk he felled on a hunting trip.
(Photo courtesy of Kyle Lamb)
Was coffee a part of your daily routine while in the military? What’s the craziest place you’ve ever enjoyed a cup?
My love of coffee comes from the Army. That’s when I really got into coffee. When I went to Bosnia, I had some really good coffee there. It was really strong, kind of jacked me up. But it was smooth, had the smell, the aftertaste. When I would deploy, I would take an espresso machine with me, a small basic one and a grinder, too. I would take whole beans with me and grind ’em up. I would brew it, and guys would look at me like a I was a weirdo. But by my fifth trip to Iraq, half my troop was bringing an espresso machine with them.
Everything’s relative though. Normal to me is strange to you. Probably the best places I like it is at a high altitude while hunting elk. Water boils at a lower temperature, which makes a difference with your coffee. I enjoy the coffee with that vantage point, that sun coming up.
You’ve written a few books, including one on leadership. During your tenure, you led specially selected, elite humans performing at the pinnacle of their profession. Do you think your leadership philosophy is better or worse because of that?
Leading smart people is more challenging than leading stupid people. I was leading a lot of intelligent guys who were physically fit; top performers. People like that you can’t just bully them into following you.
Watching how some people lead in the civilian world, I feel bad for them. They try to bully and don’t define their mission. They are so politically correct that they’re ineffective. I want the truth, even if it hurts. Our guys were super honest because we wanted to be the best; we wanted our unit to be the best. If you have thin skin, you’ll get eaten alive. You want performers on the team, not people who believe in status or entitlement.
You need to look at all the people you are working with or for and figure out their strengths and weaknesses. Build on their weaknesses and utilize their strengths. People who aren’t out of control but are pushing the envelope.
Lamb working with a student on a pistol range.
(Photo courtesy of Kyle Lamb/Viking Tactics, Inc.)
Many guys who serve in special operations and then go on to live public lives face criticism from their military peers for stepping out of the shadows of the “quiet professional.” Have you faced those criticisms, and if so, how have you dealt with it?
The difference is that I haven’t let any secrets out of the bag. The other difference is that I had my books approved by the unit. Any redactions that they asked for, I did it. I did have one TV show that I did — I never said anything about the unit, but one guy wanted to string me up for that. What that really did for me, at that point in my career as a washed-up military dude doing my thing, is upset me for a while. I was like, Why did I do that? Then I got mad. So, I called up the unit commander and said, “Hey man, what’s going on? This dude’s trying to throw me under the bus.” He said nothing’s wrong, don’t worry about it.
But here’s the deal: Eventually you’re going to get out of the military, and you’re allowed to use the term “Delta.” They tell you that when you get out, but I never used it. I’m glad that happened though because it was a real learning and growing experience. I’m just not gonna sweat it anymore, but I’ll still abide by all the rules. When you get that one dude out of a thousand who attacks you, it just shows he was never your friend to begin with.
Most guys coming out of the military are much better with a rifle than a pistol. If you had to narrow it down, what’s the one thing that will improve a pistol shot more than anything else?
You need to train. There’s not one specific little task that you can perform, it’s a total package. You gotta draw safely, present the weapon, squeeze the trigger straight to the rear, follow through on the shot, and repeat as necessary. One mag, one kill. Get out and train on your own, and once you hit that plateau, go seek professional training from someone who is a better shooter than you. Then take it to the next level. If you were in the military, you might be familiar with weapons or comfortable with them, but you may not be the best shot so get out and train. The pistol is much more difficult to shoot than the rifle for most military people.
No matter where you served in the military, one thing is certain: Veterans have a special bond. These shared experiences draw former service members to careers working with fellow veterans. As you might’ve guessed, VA is a great place to do exactly that.
You still may have a lot of questions about what it’s like to work here. Will it be the right cultural fit? How do the benefits stack up? What support is available day to day?
There are plenty of resources to help you answer these and other questions. Here are six ways you can explore what it’s like to work at VA before you make the choice to apply:
1. Visit the VA Careers website.
The VA Careers site is chock full of information about what it’s like to work at VA, including employee video stories about VA’s workplace culture, an informational deep dive into some of the positions we’re hiring for (think: physicians, nurses and mental health counselors), a summary of benefits we offer employees, and details on how we work with veterans to build rewarding careers.
2. Check out the Veteran Employment Services Office (VESO).
VESO is a wealth of information for veterans seeking employment opportunities. Get details on upcoming veteran hiring events, access free virtual training on how to navigate USAJOBS or write an effective resume, and learn more about the federal hiring process.
3. Attend a VA recruitment event.
Visit the VA Careers event webpage for days and times of recruiting events we’ll be attending all around the country. You’re invited to register for an event and ask recruiters questions about a future career with VA.
4. Participate in a virtual career fair.
If you can’t make it to one of our events, go digital! Through virtual career fairs, VA brings recruiters and job seekers together online so they can exchange information without having to worry about distance or travel. Find out about the next virtual career fair by following the VA Careers blog or visiting the events site.
5. Reach out to a recruiter directly.
Do you have specific questions? Reach out to VA recruiters via email for guidance on finding the opportunity that best matches your skillset, preparing your resume and planning for interviews.
6. Get more information about the transitioning military program.
The Transitioning Military Personnel program aims to raise awareness about civilian careers for former service members at VA. If you’ve served in military healthcare — as a physician, nurse, mental health provider, medic, hospital corpsmen, health service technician, para rescue specialist or another occupation — find an array of VA opportunities across the country where you can put your professional training and skills to work.
After you’ve done your research and fully explored VA careers, think about applying for an opening. Be sure to look into special programs such as Veterans Preference that can help you get hired more quickly.
This article originally appeared on VAntage Point. Follow @DeptVetAffairs on Twitter.
The Walt Disney Company announced another — and very exciting — streaming series for Disney+. Straight from Black Panther director Ryan Coogler himself, we are getting a series all about the kingdom of Wakanda.
With the devastating death of Chadwick Boseman in 2020, the fate of the Black Panther sequel is currently unknown. Disney has promised not to recast the role of T’Challa, but as we learned in the first installment, the Black Panther is a title and legacy that can be passed along to other people. All we know is the Coogler is currently writing the sequel, which has a release date of July 8, 2022.
And now, as part of a five-year deal with Disney, Coogler will begin to explore other stories.
Danai Gurira, Lupita Nyong’o, and Florence Kasumba in a scene from Black Panther. (Matt Kennedy / Disney / Marvel Studios)
“It’s an honor to be partnering with The Walt Disney Company. Working with them on Black Panther was a dream come true. We look forward to learning, growing, and building a relationship with audiences all over the world through the Disney platforms,” stated Coogler.
In his statement, he also mentioned the possibility of multiple shows. “We are especially excited that we will be taking our first leap with Kevin Feige, Louis D’Esposito, Victoria Alonso, and their partners at Marvel Studios where we will be working closely with them on select MCU shows for Disney+. We’re already in the mix on some projects that we can’t wait to share,” he shared.
Black Panther grossed $1.34 billion and earned a best picture nomination at the Academy Awards. Not only that, it inspired millions around the world with its celebration of African talent, music, languages and culture. As of this publishing date, WandaVision is more than delivering a compelling story for fans, with The Falcon and the Winter Soldier hot on its heels. Signs are promising that Coogler’s Wakanda series won’t be one to miss!
Hanson at the GI Film Festival San Diego. Photo credit BH.
Brian Hanson has lived a few lives and succeeded in some of the harder endeavors known to man: earning a Ranger tab and making a movie. He grew up in Southern California, worked in Hollywood for awhile and then felt called to serve in the U.S. Army. He left Hollywood and became a Ranger serving on multiple deployments to Afghanistan. Upon returning from his service he fulfilled his dream by writing, directing and producing his first film, The Black String, starring Frankie Muniz.
WATM: Can you share about your family and your life growing up?
I was born in Detroit then my parents moved to San Diego. They were tired of the snow and wanted a new lifestyle on the West Coast. My father has always been a huge TV, film and history buff. I grew up in Escondido which is a suburb of San Diego. I had a sister that unfortunately was killed in a car accident when she was sixteen so that was a life changing moment in our lives. It was a paradigm shifter. My parents worked hard, and my youth was in many ways the normal SoCal life — riding bikes with friends, enjoying summers and playing sports. I had a real fascination toward movies and telling stories. It was always in me. I played football and baseball in high school. I also did student government. We did a field trip when I was a senior in high school to see a talk show at Paramount Studios to see The Kathy Lee Gifford Show. Seeing the stage, PAs and cameramen showed me that showbiz was a real industry and that I could do it. Even though I did (short) films with my friends it made me aware that I could direct myself toward the industry. It is a real thing.
I graduated that summer and my sister died, so all bets were off on going into the industry at that time. I did one year at San Diego State and then decided to travel abroad with a friend. We worked as bartenders and lived in the United Kingdom. It is what 18 year olds should do— go see the world. I started reading Syd Field books and Robert Rodriguez books like Rebel Without a Crew, watching El Mariachi, Swingers, Reservoir Dogs, Clerks, Blair Witch, The Following…I was really into the big studio movies (Saving Private Ryan, Back to the Future, The Matrix) and the independents. It was like you can do this, get a camcorder and you can do it. I knew I wanted to join the military, but not at that moment in my life so I came back from Europe and transferred up to Cal State Northridge. I graduated and got my proper film school bachelor’s degree. I knew I wanted to be a Writer/Director. My parents were very supportive of my endeavor in making it in Hollywood and telling stories.
Once US Forces entered Iraq in 2003, I had read voraciously about 9/11 and the invasion of Afghanistan. I knew I was going to join the military at some point, but when? I would be pouring drinks for young, good looking Hollywood people at a bar making hundreds of dollars a night where over their shoulder would be a TV on reporting the Battle of Fallujah. I started to not feel right about that, and I wanted to be an honest storyteller. I would like to be a storyteller that speaks truthfully and authentically and didn’t want to be the person that imitates. I didn’t want to be an imitator of Goodfellas or Full Metal Jacket. I knew I needed that life experience to be an authentic storyteller. I did a TV Pilot with some friends that we raised money for, and Brandon Routh was in it. This was right before he was cast as Superman in Superman Returns. Brandon and I bartended together at that time. He was a great guy to work with. I was also bartending at the Playboy mansion during the end of the glory days for Hefner and the Mansion. It’s tough to just walk away from all of that and you are making decent money in Hollywood. You are just one step or script away from “it” happening.
After not much happened with the TV Pilot I started to realize that Hollywood and LA are still going to be here. I wrestled a year or two of how to leave it behind after I had started a life. As I approached 30, I looked in the mirror and decided to join the Army because if I waited longer, the military wouldn’t let me join – I’d be too old. I would have regretted to my dying day if I did not serve. There were no questions in life. I knew joining as an older guy would be different when compared to most recruits. But I wanted to volunteer my time and some of the years of my life to serve my country, but I had to step up and go do it. I gotta do this and gotta do it now. I knew my goal was to come back to LA with this accomplishment and service to my country being complete.
Hanson at Fort Benning. Photo credit BH.
WATM: What made you want to become a Ranger and what was your experience like?
I didn’t know all the details when I enlisted as an 11Bravo (infantry), but I knew that Rangers and Green Berets were the high-speed special-operations units. One day in Basic Training at Fort Benning, the Ranger recruiters came out to ask for volunteers and my Drill Sergeant SFC Metcalfe looked at me and said, “Hanson, you better f’n volunteer.” So, I volunteered on the spot and a few months later I was reporting to Ranger Assessment Selection Program. Unfortunately, SFC Metcalfe was killed in action a year later when he deployed to Afghanistan with the 173rd. I thank SFC Metcalfe for pushing me to go Ranger.
I was stationed at Fort Benning with 3rd Ranger Battalion where it is a high-speed training cycle. You train for six months and then deploy for about 3 to 4 months. There is always a Ranger Battalion deployed. Just operating at that tempo, at all times, is exciting and inspiring to see your NCOs, squad leaders and platoon sergeants are on their sixth or tenth deployment. It was very inspiring to see their commitment to the unit at the cost of their family and personal time. When you are a single young, enlisted person it is very inspiring to see that level of motivation. Rangers hold themselves up to the highest standard of leading the way. You are always being tested. It is uncomfortable and you never have a chance to relax. It is a great way to stay sharp. It is a tough head space to always be in. You are always being watched. The young (new) guys compete like professional athletes to deploy, like trying to make the starting roster. Once you deploy you want to be on that mission every time. I deployed to FOB Salerno in Afghanistan on the border real close to Pakistan. My second deployment was at Camp Leatherneck/Camp Bastion and then my last deployment I was at FOB Shank aka “Rocket City”. That place was hit like all day with nonstop rockets. It’s funny how used to it you get.
The Taliban used a lot of ingenious guerrilla tactics like setting ice on the mortars to eventually melt and then go off at some point during the day. Apaches would launch to try and find the culprits however they were not there. We ran the night shift out there for High Value Targets (HVT) where we went on night raids. To see how targets were acquired and track and intel was gathering where the strike force commander was the CO. From top to bottom the whole thing was a collection of assets. We worked with the Air Force, Navy, Marines, big Army, DIA and had civilians running the drones. It is amazing to see people come together for these task forces where all of these people work together on the fly. Being 30 and seeing this strike force run by young soldiers/civilians is amazing because in Hollywood most 23-year olds close to me are up and coming bartenders/actors/writers/directors. In Afghanistan we had 23-year-old Forward Observers bringing in Chinook helicopters into dangerous LZs to pick us up for a night raid. 24-year-old squad leaders are ensuring that everyone is accounted for and that no one is left behind on the side of a mountain in Afghanistan. It is amazing to see what young people can do where they have been trained at such a high level and have high expectations. They achieve and are motivated. I think Hollywood is an amazing place where things get done, but I think a lot of it is a 10-year delay. It is a bit of an arrested development sometimes.
In a training incident I was a towed jumper. We were doing our yearly training for airfield seizures which is an entire battalion operation to seize an airfield. I was the last guy to jump out of a C-17 at night with a full combat load and got hung up on the plane which made me a towed jumper. I was hanging outside of a C-17 at 1000 to 1500 feet circling Fort Benning banging against the side of the plane and fully conscious. Thinking that I might die at any moment and this is not a normal thing to happen to people. My static line wrapped around my weapons case where when you are jumping your weapons case is attached to your thigh and your harness. Somehow there was too much slack in the static line to where it wrapped around the weapons case so it wouldn’t release me. The static line stays clipped inside the plane and it is supposed to pull the back of the pack tray. You jump and it pulls it out, but it got wrapped around and it pulled me.
I was okay with a tight body position and covered my reserve chute, so it didn’t release. I was out there for six minutes. I thought they were going to cut me loose to where all I have left is my reserve chute to land on some trees at night next to the Chattahoochee River. Then I started looking at my boots flying through the air and thought this is what parasailing must be like. Then I thought, did they forget about me and is the C-17 going to try to land? Do they not know I am out here, and I am going to do some high-speed combat roll on a tarmac as the C-17 lands? You are trained to keep a tight body position out there, so they know you are not unconscious. I kept slamming against the side of the C-17 behind a gigantic turbine engine. I hit the plane and stayed there where I started to get dragged across the skin of the plane. I felt hands underneath my arms and they pulled me in. Everybody was so glad to see I was alive and in one piece. I was just relieved as I was out there so long, I went beyond any initial shock, concern to just cut me loose guys so I can land on a tree with my reserve shoot.
They pulled me in and did a great job making sure I was okay. I had to retell the story for weeks to a lot of soldiers, especially Sgt Majors at the DFAC wanted to hear the story of a towed jumper. It was a very bizarre story because no one wants to be a towed jumper. It is a total nightmare scenario short of both chutes failing. It all ended well and twelve stitches in my chin was it. After all of that my 1stSgt checked on me and made sure I was alright. He then told me, “Get ready you are jumping tomorrow.” We had another jump the next day. The 3rd Ranger Battalion was like you are jumping tomorrow to get over any fear of jumping again. Just get out there and do it. I jumped not 24 hours later and believe me I was concerned. I said, “There is no way that can happen twice.” I got out the door and was fine. There is not a lot of pity or sympathy it is like get back up and do it again unless you are truly hurt, alright get up and do it as there is no time to think about. That is something I take with me to this day.
All of the pre-jump training you do these repetitive and boring things you already know, and I did one of those things without even thinking about it. It dawned on me why I do this training every single time. When that one time does happen, you are ready and have gone over the worst-case scenario. You will be that much quicker to save your own life or someone else. It seems so mundane and so repetitive and a waste of time until you need it. That repetitive action like weapons malfunctions….but when you need that instantaneous second nature habit it is the most important thing you could have known at that point.
Hanson at Camp Leatherneck. Photo credit BH.
Hanson on his last mission at FOB Shank. Photo credit BH.
Paratroopers jumping from C-17 Globemasters.
View of Camp Salerno. Photo credit wikipedia.com.
WATM: What are you most proud of from your service in the Army?
I am proud I stepped up to the challenge of 75th Ranger Regiment (thank you SFC Metcalfe) and made the team. Severing with my Ranger buddies was like the saying goes: “I was no hero, but I walked amongst a few.” I did my part and I know guys that are still out there doing it. I know squad leaders that are now getting their own platoons. Some guys have gone into elite units like Delta Force and the 160th Special Operations Aviation Regiment. I still think about them often and stay in touch. I want to make them proud because of the work they are still doing…I try to keep pushing myself in a way that would do right by the effort they are putting on…I am proud to have been on a team with those guys and seen what leadership means…and at such a young age and for so many people. I am proud to have seen it and been associated with that level of person.
Frankie and Paige Muniz, Kayli, Chelsea and Brian at Dances with Films. Photo credit BH.
WATM: What values have you carried over from the Army into Hollywood?
One thing that you see among some twenty something bartenders or Hollywood newbies that is unacceptable in the Ranger Regiment and also unacceptable in the Army are excuses. It is the same on production, there are no excuses. There are just no excuses. I don’t want to hear it other than a solution. Maybe an, “I’m sorry,” and that is it where I don’t even want to hear an excuse. Unless there is something disastrous you need to untangle. No excuses, just solutions. The high-level professional types of productions have that mentality where I really appreciate it. I do see the correlation between military units and productions. You have one mission where everyone comes together to accomplish it.
Also, you see this in the military and it is a career everything, keep moving forward just like a twenty-mile ruck march. You worry about the next step, then the next phone pole, then the next quarter mile where they will all add up. You can be overwhelmed by all of it if you look at it all at once where if you do it one step at a time you see that you can do it. Those are two crucial lessons I learned in the Army.
Hanson, Frankie and crew at Dances With Films. Photo credit BH.
WATM: What was one of the toughest lessons to learn coming from the service to Hollywood?
Even though I had worked in Hollywood before leaving, I came back a veteran, and still had to learn that there is a system in Hollywood. The system is not as rigid perhaps as the military. It isn’t just this artistic endeavor where you get to be a genius and be Quentin Tarantino or you are Steven Spielberg because you say you are. There is a hierarchy and there is a smart way to navigate. There is a way to get oriented and to a very real map of how this town works and have very realistic expectations. I think that veterans and others think of their prior accomplishments, whether a lawyer or a company commander of an infantry company, where you are not going to be a 1st AD. That is a ten-year path that is very regimented. The biggest challenge is understanding what the path to success is and how to realistically pursue those things. Know that they all take time and embrace that.
***Since leaving the Army I have learned so much by working as a Production Assistant on HBO’s Barry, Silicon Valley, Room 104 and worked as Assistant to Matthew Rhys on Perry Mason. Being on set and working for top level professionals has been an incredible learning experience and given me insight to become a better filmmaker on my own projects. I also greatly appreciate the film/tv mentorships, education and opportunities I was given through Veterans in Media Entertainment (VME), USVAA and WGF. It has been very important to find mentors and work for professionals.
Hanson with members of the cast and production staff at the Austin Film Festival. Photo credit BH.
WATM: What was it like writing, producing and directing your own feature film, The Black String?
The story was percolating for a long time before making the film such as Donnie Darko, Repulsion, Jacobs Ladder, which does a great job of blending horror and military, and Rosemary’s Baby. It was conceived with my bartending buddy Andy Warrener before I joined the Army. We wanted to explore in that story what it is like to be on that edge where you are experiencing something and no one else believes. It is you against the world. How do you convince someone of something that crazy of a witch conspiracy or a coven of witches? Or some really wild, evil cabal? The moment you say those words you already sound like you are having mental problems. Doctors will definitely not be going to believe.
The challenge we wanted was for a character to have to convince his family, his friends and his doctors of something that is inconceivable where no one in the real world is going to believe that. We put that in a genre we enjoyed which was horror. Now we thought maybe we would make that movie, but I joined the Army and Andy got married and moved to Florida. The wild thing is that you never know what you write today may be a movie in five or ten years. I lived a whole crazy life in between thinking of the story while tending bar with my buddy and then going into the Army. The difference in the time gap was about seven years. I could not have guessed that would have happened, especially with Frankie Muniz.
The creative part I was very comfortable with in the directing and writing having made many short films. I got an MFA from Mt. Saint Mary’s University with the GI Bill, which is a beautiful thing, loves the GI Bill. I owe so much to the GI Bill. So, I got very comfortable with the directing portion where you get very creative to bring this vision and feeling and this emotion you have to life in a very technical way. It is running the business, the producing part of things, to where you are starting a business, you are an entrepreneur. My producing partner Richard Handley, he is a Navy veteran and was an officer and Physician’s Assistant, he runs a contracting business with the DoD. We ran a business together where many purely creative types don’t understand what that level of dedication and commitment is.
To this day I have had probably had equal amounts of discussions about corporate taxes, LLCs, investor shares and running a business as I have about storyboarding shots. When you are doing an independent film like this, truly a passion project, you are building a team that is not a whole lot different…then opening a small company. You and your business partner are shouldering the burden if not for months, but for years. You have to love it and I do where it has been a great journey to where we had such great crew members and other producers that have helped us along the way. It is a multiple year endeavor when you do something like that in the independent world. You really are from the very beginning of raising money all the way to negotiating with distributors and foreign distributors and how you cut checks to your investors. It’s a true business education and kind of feels like I got this mini MBA education.
That was unexpected but the directing part was just amazing. Working with such talented people and friends that I had before joining the Army…we really were able to bring a lot of relationships such as Ravi Patel I bartended with as well. Cullen Douglas and Ravi and I did a TV pilot in like 2008. It was amazing to be able to reach back to my pre-Army friends that are so talented and my post Army, new team of filmmaking friends and bring everybody together. We called on so many favors. We had such great support from Mt. Saint Mary’s, VME and Vega Baby. We called in every favor where it is such a positive experience. When we landed in Frankie Muniz where he is a champ.
He brought his “A game” even for the tiny movie it was. He loved the character and the chance to do something different. He gave everything to our tiny project as he would have to our multi-million-dollar project. He treated us with respect, and he treated the script with respect. He came to set daily with a big folder of his personal notes. He was meticulous like a pro and his level of preparation and how he kept track of everything and what he brought was just amazing. He took that movie and made it really something different than perhaps something we thought. Frankie made it his Breaking Bad character. Like his Malcolm in the Middle dad, Bryan Cranston did on Breaking Bad. He was still kind of that funny person but had a much darker take on it. It is a dark twist on that guy you already know. Frankie imbued the role in the film with his Malcolm in the Middle persona, but whoa that is the dark side of it. What happened? Like Breaking Bad, what went wrong? To work with a pro, I learned.
To be able to work with actors like Ravi, Frankie, Cullen, Oded and Chelsea where they are people that do this for a living to be able to work with people like that and be creative partners with them for my first feature was inspiring. To see how a team can really work with everybody really contributing some high-level creativity. Everyone on the team had so much to add. You have to shepherd the project to where everyone stays on track, but still allow personal creative contributions from cast members. A director is like a manager of a company. You have to work with the talent, resources and the money of your company. You still have to get to the goal, but you can’t be resistant to some things that are great new ideas.
Poster for The Black String. Photo credit IMDB.com.
Screen capture of The Black String. Photo credit BH.
Rich and Mari Handley with Yani and Brian. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
Hanson and Handley on stage at the GI Film Festival. Photo credit BH.
WATM: What leadership lessons in life and from the Army have helped you most in your career?
“No excuses” and intense preparation for a project. It is preparing like you are the best and spending hours a day preparing. Don’t assume, always do pre-combat inspections. It is having everything truly ready to go. Because once you arrive on set and once you arrive at that location it needs to be ready and needs to be operational. If not you, need to have a back-up plan. Research and having contingency plans. Checking your equipment and your team. It can be seen as micromanaging, but it doesn’t have to be that bad. In the military everybody checks their troops. It’s just how it is to make sure your guys and your buddies are ready to go. I think that can be transferred to the civilian world and film production.
Frankie Muniz and Richard Handley in The Black String. Photo credit IMDB.com.
More of Muniz in The Black String. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
WATM: As a service, how do we get more veteran stories told in the Hollywood arena?
We need support from great organizations to promote veteran voices and veteran creators. Such organizations as We Are The Mighty, Veterans in Media and Entertainment (VME), of which I volunteer heavily with, the USVAA, United States Veteran Artistic Alliance, and the WGA Writer’s Guild Foundation do support veterans. We need the support from industry professionals and organizations. They are out there, and they are growing. I think that with the people in the position in power right now, the producers and executives that can green light things, I do think they do a really good job where there is always a presence of the military and law enforcement. There are always more and different perspectives. To keep in mind and do the rote, stereotypical type of story lines. There are a lot of really nuanced, interesting and unexpected perspectives that veterans can bring to the time-honored tradition of military inspired entertainment. The producers, executives and showrunners should be open to finding those unexpected angles to veteran stories.
Hanson with Steve Fiorina and Handley at the GI Film Festival. Photo credit BH.
WATM: What would you like to do next in your career?
I plan on directing my second film in 2021. My first one was the horror genre where my next one is likely going to be a thriller with a military character. I always want to do things that are thought provoking. I definitely want to challenge viewers and explore philosophies. …Christopher Nolan makes great entertainment and with challenging ideas and philosophies. He is an independent filmmaker making giant movies, which is something to strive for. Since I have completed my first film…I have been working to get on great television shows as a writer. There are so many stories to tell and I joined the Army and lived this life to help tell authentic stories. I would love to be in day in and day out be in a room with other story tellers creating an amazing show. Creating stories with a team. I will continue directing but would love to be in that writer’s room doing innovative television.
Brian Matthew Rhys on “Perry Mason”. Photo credit BH.
WATM: What are you most proud of in life and your career?
I am most proud of serving in the 75th Ranger Regiment. In a sense in my career I may never do anything as meaningful as that even if I make ten more movies or even if nominated for an Academy Award. I don’t think that I’ll ever be prouder than spending those days with my Ranger buddies in Afghanistan or sweating in Fort Benning. I am also proud of making that first movie and everyone that contributed to that colossal effort from nothing. Rich Handley and I being these recent film graduates decided to make a movie where we built that coalition from the ground up. It is an effort we are very proud of and what we did and everybody that was able to help us achieve that.
On the back end we got distribution through Grindstone and Lionsgate to where we had to find everything from scratch. The studio didn’t fund this. Movie making is a risky endeavor and long commitment over many years. The movie has been out now over a year and we are still making producer phone calls and receiving emails four years later. When you divide the money, you might make on the back end of an indie film and divide the hours by what you put in it, there might not be much money so that passion that drives you to keep working. There is a bond between people that have that level of passion to work 15-hour days. You are not really thinking about the paycheck where you are there to get the job done because you believe it is similar to the military mindset.
My wife Yani Navas-Hanson is from Venezuelan; she left the country and I met her in Atlanta when I was at Fort Benning and she was studying at Georgia Tech. She was the accountant by trade and then was our accountant on the movie. She left her country, learned English here in the US and transitioned from corporate accounting to entertainment accounting and from taking on the challenges of an independent film. What someone like her can accomplish if they are driven and keep pushing forward and to be able to accomplish that in a few years is amazing. People do have to surround themselves with the right people. If you are in a relationship with someone who is not supportive with this career path or your family is not supportive, then you might have a tough time during the ups and downs. Family and friend support is crucial. I have fantastic and supportive friends and family.
Brian and Yani at Sitges Film Festival. Photo credit BH.
The United States military has relied on drone aircraft for years, but to date, few other automated platforms have made their way into America’s warfighting apparatus — that is, until recently anyway. After achieving a number of successes with their new 132-foot submarine-hunting robot warship the Sea Hunter, the Navy is ready to pony up some serious cash for a full-sized drone warship, and the concept could turn the idea of Naval warfare on its head.
Earlier this month, the Navy called on the shipbuilding industry to offer up its best takes on their Large Unmanned Surface Vehicle (LUSV) ship concept, and they mean business. According to Navy officials, they want to have ten of these drone warships sailing within the next five years. The premise behind the concept is a simple one: by developing drone ships that can do what the Navy refers to as “3-D” work (the stuff that’s Dull, Dirty, or Dangerous) they’ll be freeing up manned vessels for more complex tasks.
The Navy expects these ships to be between 200 and 300 feet long with about 2,000 tons of water displacement, making them around half to two-thirds the size of an Arleigh Burke-class guided-missile destroyer, potentially landing in the light frigate classification. To that end, the Navy has already requested $400 million in the 2020 budget for construction of the first two vessels for the purposes of research and development.
The Sea Hunter, a Medium Displacement Unmanned Surface Vehicle (MDUSV)
US Navy Photo
In order to manage a variety of tasks, the Navy wants its robot warship to be modular, making it easier to add or remove mission-specific equipment for different sets of circumstances.
“The LUSV will be a high-endurance, reconfigurable ship able to accommodate various payloads for unmanned missions to augment the Navy’s manned surface force,” The Navy wrote in their solicitation.
“With a large payload capacity, the LUSV will be designed to conduct a variety of warfare operations independently or in conjunction with manned surface combatants.”
The Navy also requires that the vessel be capable of operating with a crew on board for certain missions. That capability, in conjunction with a modular design, would allow the Navy to use LUSV’s in more complex missions that require direct human supervision simply by installing the necessary components and providing the vessel with a crew.
The solicitation included no requests for weapons systems, but that doesn’t mean the LUSV would be worthless in a fight. The modular design would allow the Navy to equip the vessel with different weapons systems for different operations, or leave them off entirely during missions that don’t require any offensive or defensive capabilities.
Swapping drone ships in for monotonous work could free up the Navy’s fleet of manned vessels for more important tasks.
(U.S. Navy photo by Mass Communication Specialist 3rd Class Kenneth Abbate)
By equipping these ships with modular vertical launch systems, for instance, a fleet of LUSVs could enhance the Navy’s existing fleet of destroyers and cruisers in a number of combat operations, and eventually, they could even be equipped with the ship-based Aegis Ballistic Missile Defense System, allowing them to bolster or even replace destroyers currently tasked with steaming around in defensive patterns amid concerns about North Korean or Chinese ballistic missile attack.
Like the Sea Hunter, the LUSV represents little more than the Navy dipping its toe in the proverbial drone waters, but if successful, it could revolutionize how the Navy approaches warfare. Manning a ship remains one of the largest expenses associated with maintaining a combatant fleet. Capable drone ships could allow the Navy to bolster its numbers with minimal cost, tasking automated vessels with the monotonous or dangerous work and leaving the manned ships to the more complex tasks.
In May 1941, the United States was on the brink of war.
President Franklin Delano Roosevelt proclaimed an “unlimited national emergency” and ordered American forces to prepare “to repel any and all acts or threats of aggression directed toward any part of the Western Hemisphere.”
While the situation seemed grim, at least one commanding officer decided to lighten the mood. He allowed his men to grow their beards in what would be the most hirsute event in the U.S. military until Robin Olds headed to Vietnam.
Japan attacked the Philippines on December 8th, 1941. Six months later, the Philippines fell and the American troops who survived were submitted to the harshest treatment of any POWs in the Pacific War. The Allies did not retake the Philippines until October 1944.
With Extraction director Sam Hargrave set to direct, Combat Control will tell the story of the late Medal of Honor recipient John Chapman. Based on the book Alone at Dawn by Dan Schilling and Lori Chapman Longfritz, the film tells the true story of Air Force Combat Control Technician Chapman, who was killed in action on March 4, 2002 in Afghanistan. It would take another 16 years before he was posthumously awarded the Medal of Honor.
Schilling, who was also a Combat Control Technician within Air Force special operations, will serve as a military advisor for the film.
In March 2002, in conjunction with Operation Anaconda, Chapman was tasked to establish observation posts in strategic locations in Afghanistan. Chapman and his reconnaissance team were ordered to Takur Ghar to report al Qaeda movement in the Shi-Kowt area.
“This was a very high profile, no-fail job, and we picked John,” said retired Air Force Col. Ken Rodriguez, Sergeant Chapman’s commander at the time. “In a very high-caliber career field, with the highest quality of men – even then – John stood out as our guy.”
During the initial insertion onto the Takur Ghar mountaintop, Chapman and his team were ambushed when an RPG struck their Chinook, throwing Navy Petty Officer 1st Class Neil Roberts into enemy territory. The crew managed to perform a controlled crash landing and began a rescue mission in a second MH-47 for Roberts, drawing heavy enemy fire.
In the battle that commenced, Chapman repeatedly maneuvered himself to protect his team, even at his own risk. He was struck and critically wounded by gunfire but continued to fight for over an hour before he died. His actions saved the lives of his teammates, who remember him for his selflessness and his valor.
Chapman was originally awarded the Air Force Cross for his actions, but was recommended for an upgrade to the Medal of Honor. In 2018, he finally received the recognition he deserved and, in accordance with Air Force policy whereby Medal of Honor recipients are promoted one grade, he was posthumously promoted to the rank of master sergeant.
A U.S. Air Force B-52H Stratofortress crew from the 20th Expeditionary Bomb Squadron, stationed at Barksdale Air Force Base, Louisiana, and deployed to Andersen Air Force Base in Guam are being hailed as heroes. The B-52H located the lost crew of an open ocean Polynesian-style canoe after they were missing at sea for six days.
The traditional Pacific Island-style canoe carrying six paddlers had become lost after sailing from nearby Piagailoe Atoll on June 19, 2018. The journey from the atoll to Guam was only supposed to take one day — meaning the paddlers, who had minimal supplies had been missing at sea for nearly a week.
Following the location of the canoers from the USAF B-52H, the six-member crew of the ocean-going canoe rendezvoused with a merchant vessel in the area that was directed to their location to effect rescue. The merchant vessel provided the canoers with water, food and navigational assistance so they could safely return to land.
The eight-engine, long range B-52H bomber joined the search when the crew from Barksdale Air Force Base, La., was on a routine flight during a deployment to Guam. The heavy bomber crew responded to a call from the Coast Guard for assistance in the search on June 25, 2018.
Crew members flying a B-52H Stratofortress assigned to the 20th Expeditionary Bomb Squadron, stationed at Barksdale Air Force Base, La., and deployed to Andersen AFB, Guam, successfully located six passengers who had been missing for six days and relayed their location to the U.S. Coast Guard.
“This was a unique situation for us,” Capt. Sean Simpson, one of the bomber’s crew, said in an Air Force statement. “It’s not every day the B-52 gets called for a search and rescue.”
Initially the crew of the B-52H was unfamiliar with the type of vessel they were searching for. Coast Guard personal compared the small, difficult to spot indigenous canoe with the boat from the Disney cartoon “Moana”. Capt. Simpson told media, “We asked for more details about the vessel and the dispatcher told us, ‘It’s just like the boat from [the Disney film] ‘Moana.'”
The B-52H crew were able to locate the canoe and its crew at sea only three hours after being called into the search and rescue operation.
“We spotted this vessel from about 19,000 feet,” 1st Lt. Jordan Allen told Air Force media in the statement. “It’s really a small miracle that we were able to see it, because there was quite a bit of clouds.”
The lost canoe was located by the crew from one of the B-52H after it was compared to a similar one that appeared in a Disney cartoon.
“Search and rescue isn’t something people typically think of when they talk about the B-52, but our training and adaptability really paid off,” Lt. Col. Jarred Prier, the bomb squadron’s director of operations, said in the statement. “Being a part of this successful search and rescue operation speaks to the diversity of our skill set and shows our importance here in the Pacific.”
While the 63-year old Boeing B-52 Stratofortress, first flown in 1952 and accepted into the Air Force in 1955, is oddly well suited for the maritime search and rescue role even though it was introduced as a global reach strategic nuclear bomber. The aircraft has an extremely long combat radius of 4,480 miles, meaning it can search out in a straight line 4,480 miles and return the same distance without refueling. Given midair refueling availability, the B-52’s endurance is limited mostly by its crew’s physical endurance.
In January 1957 three USAF B-52s set an endurance record by becoming the first jet aircraft to circle the earth on a non-stop flight. The early version B-52Bs flew continuously for 45 hours and 19 minutes. In total the planes flew 24,345 miles without landing.
This article originally appeared on The Aviationist. Follow @theaviationist on Twitter.
On his second deployment to Afghanistan, then-Sgt. Sean Karpf led his squad along a narrow pathway between two streambeds in Kandahar.
Up ahead, about 300 meters, a group of suspicious men scrambled on the rooftop of a building. He and his squad moved in closer to pull security.
As he walked on the pathway, which had been previously cleared, his left boot stepped on a pressure plate. A buried bomb exploded.
In a daze, Krapf remembered looking down at the cloud of smoke. He had ringing in his ears; he could taste the chemicals from the bomb.
“It was just chaos,” he recalled of the June 2012 incident. “I could hear people yelling my name, but I was still stunned at that point and I really did not know what was going on.”
Today, Karpf, 33, wears a prosthetic on his left leg that was later amputated below the knee.
Former Sgt. Sean Karpf, who lost his lower left leg after he stepped on a pressure plate that detonated a buried bomb in Afghanistan, now works as a strength and conditioning associate for the Jacksonville Jaguars.
He can often be seen in the weight room or on the practice field for the Jacksonville Jaguars — his favorite NFL team since he was 10 when they began to play in his hometown.
In his first year as a full-time strength and conditioning associate for the team, Karpf has found a new purpose in life that drives him.
Helping players get ready for each weekly battle on the gridiron against opposing teams reminds Karpf of his days as an Army sergeant.
“I love the preparation that goes into the games,” he said in a phone interview Dec. 18, 2018. “It brings me back to military training.”
Former Sgt. Sean Karpf was a squad leader with the 82nd Airborne Division.
Once the smoke cleared, the squad leader with the 82nd Airborne Division saw his injured leg and began to push himself out of the crater the bomb had left.
A medic put a tourniquet on him and he was placed onto a litter. As a medevac helicopter began to land, the Taliban insurgents fired a machine gun toward it and it lifted back up.
A firefight ensued and Karpf, who was still calling out orders to his squad, said an Army attack helicopter swooped in to make a few gun runs so the other helicopter could pick him up.
Karpf, who had played linebacker for a semipro football team in North Carolina, was about to face the biggest test in his life.
He spent over a year at Walter Reed National Military Medical Center in Bethesda, Maryland, and had more than 20 surgeries.
The following year, he returned to sports. He competed in several swimming and track and field events in the Warrior Games and took home four gold medals.
“When I was working with the physical therapist, I made sure I got in extra work,” he said. “I had that goal in mind and I think it helped with my recovery.”
He also received a presidential send-off at the White House for a four-day bicycle ride that he and other wounded warriors participated in.
To the sergeant’s surprise, then-President Barack Obama spoke of his recovery and training in his speech.
“I didn’t even know that he was going to talk about me,” Karpf said, laughing. “I was sitting there on the bike and he mentioned my name and told the crowd I was competing in Warrior Games. I was like, wow, that was pretty cool.”
Former Sgt. Sean Karpf, left, who lost his lower left leg after he stepped on a pressure plate that detonated a buried bomb in Afghanistan, now works as a strength and conditioning associate for the Jacksonville Jaguars.
Once he left the Army after almost six years, Karpf moved back to Jacksonville. No longer in uniform, depression began to set in and he stopped staying active.
He then started a program through a nonprofit that allowed him to take college courses and do an internship in the local community. He chose his favorite sports team.
At first, he did various office jobs for the Jaguars but then gravitated toward the weight room to help out players.
When his brief internship ended, the father of two was asked to come back to intern for the entire season in 2017.
Following the Jaguars loss to the New England Patriots in the AFC Championship game, Karpf came in for his last time with the team to clean out his locker.
Karpf was asked to report to Tom Coughlin, a two-time Super Bowl-winning head coach who now serves as the Jaguars’ executive vice president of football operations.
Coughlin decided to take on the former soldier full time.
“I thought this would be a heck of a guy to hire for our strength and conditioning program because of what he brings to the table,” Coughlin said in a recent ESPN video about Karpf. “And also for our players to maybe get to know a young man who had made those kind of sacrifices for his country.”
Former Sgt. Sean Karpf, a strength and conditioning associate for the Jacksonville Jaguars, gave U.S. flags encased in shadow boxes to players who support the local community, including veterans and their families.
(Photo by Alex Brooks)
Being able to be around the game he loves has been therapeutic for Karpf, who has just started on a master’s degree in injury prevention.
“As far as with the [post-traumatic stress disorder], it’s made it easier,” he said.
He also shares a special bond with those on the team, a similar connection he once had with his fellow soldiers.
“You can see a brotherhood, but it’s not as prevalent as in the military,” he said. “But it’s still that team atmosphere and everybody coming together with that same goal in mind.”
As he was preparing to leave after last season’s final game, he gave folded U.S. flags encased in shadow boxes to players who volunteer in the community, some of those efforts helping veterans and their families.
“I did that before I realized that I was coming back,” Karpf said. “It was my way of saying thank you for everything you do in the community.”
As an honor to Karpf, some players even kept the flags on display in their lockers.
“It’s pretty cool going through the locker room and seeing the flags,” he said. “It means a lot to me.”