America’s favorite Gunny Sergeant, R. Lee Ermey was famous for his portrayal of Senior Drill Instructor Gunnery Sergeant Hartman in Full Metal Jacket. Ermey also went on to host a History Channel show called Mail Call, where he answered viewer questions about weapons, equipment, and military culture.
Lucky for us, the bloopers from Mail Call are available to watch — and they’re amazing. In Ermey’s own words,
“Now a SNAFU [Situation Normal: All F***ed Up] can come at any time at any size and at any shape and when things get screwed up, well, the Gunny just can’t hold his tongue… and that’s why you’re never gonna see this stuff during prime time!”
Check out this video to catch some incredible bloopers, in which Ermey somehow manages to make the f-bomb as wholesome as it is hilarious:
One of my favorite moments is at 2:20 when Ermey says, “Well, John, the answer to your damn, stupid-ass f***in’ question here…” before he dissolves into laughter.
The best thing about blooper reels is how they show the real personality of the actor — in this case, we get to see that Ermey had a great sense of humor in addition to abundant intelligence and a good nature. The video feels like hanging out with an old friend. Every time Ermey cracks up, I crack up.
At 17:35, he tackles a malfunctioning Browning Automatic Rifle and it’s glorious — he’s not even phased. “A little malfunction. Pull. Push. Aim.” The gun goes off and he cackles victoriously.
The man knew what he was talking about, and he had fun doing it.
Watching the video, I had fun, too. It’s a must see, so raise a toast to Ermey and enjoy.
(U.S. Marine Corps photo by Cpl. Patrick M. Johnson-Campbell)
“Almost overwhelming, the urge to say jack s***, you know? Isn’t it?”
As Hollywood’s awards season wraps up with the Oscars, it’s easy to believe that Hollywood glamour and military might are like oil and water: Two very separate worlds that only intersect on the screen.
While Hollywood might love taking military stories and putting them up on the screen, the military involvement is usually all but forgotten when the red carpets are rolled out and the glitterati are all dressed up in their tuxedos and gowns with the flash bulbs popping.
Like the military, for every high-profile celebrity, there’s a couple hundred crew members supporting them, from the always present agents and assistants, to the camera and lighting crews, and even the guys who drive the trucks and cook the food every day on set. Just as any admiral or general could never win a battle without the hard work of the brave men and women in their command, every big-name actor and director also owes their celebrity on the work of the often under-appreciated crew behind the scenes.
One of those valuable yet often under-appreciated components is that provided by the US military, which could fill an article on its own, but we’ll leave that for another day.
Among the many awards offered by Hollywood this year, one award deserves special recognition.
The California On Location Awards recognizes the contributions of the logistical backbone of Hollywood: the location professionals and public employees responsible for making filming possible. Without the contributions of location managers and public employees, Hollywood could never venture off the studio lot, and it’s the location managers who negotiate with the city, state, and federal employees in order to facilitate access to public roads, gritty alleys, exquisite mansions, alien landscapes, and the tanks, aircraft carriers, and military transports required to give any military-based project the level of realism viewers expect.
One man has been responsible for providing much of the military hardware seen on screen.
Phil receives his award from the California On Location Awards.
(Courtesy of Kent Matsuoka)
That man is Phil Strub, the recently retired Department of Defense’s Entertainment Liaison. A former Navy cameraman and Vietnam vet, he used his GI Bill to earn a film degree from USC, and was appointed to the Entertainment Liaison Desk at the Pentagon in 1989 following the phenomenal success of Top Gun; not only for Hollywood, but for DoD as well.
As the Department of Defense’s point person for any project wishing to use US military assets on screen, Phil has provided a constant bridge to Hollywood for almost 30 years. From his first project, Hunt For Red October to the new Top Gun, Phil has been a true asset to Hollywood and America.
This year, the COLAs recognized Phil’s contributions to Hollywood with its Distinguished Service Award. Presented by David Grant, Marvel’s VP of Physical Production, he praised Phil’s efforts on their films, from the first Iron Man to the eagerly awaited Captain Marvel.
While Hollywood loves to honor themselves for their own contributions, this award is a testament to Hollywood’s appreciation of all that DoD and the brave men and women who serve can provide, and for that reason, was one of the most important, under-reported award given out this year due to the morale value such awards have in sustaining Hollywood’s continued relationship with its government partners.
If there’s one thing the military does well, it’s recognizing the immense value of each and every member of its chain of command. Whether it be the individual qualification certificates, promotion ceremonies, retirement shadow boxes, or the fruit salad of ribbons on a soldier’s chest, they make a point of recognizing every individual from the lowest enlisted recruit to the five star brass, and understand that such recognition is important to unit cohesiveness and morale.
It’s a lesson Hollywood would do well to remember. It’s not just the big names that deserve recognition, but the hundreds of lesser known craftsmen behind the scenes who also deserve their 15 minutes of fame. Without them, the big names wouldn’t have anything to celebrate.
Chaplains are some of the most misunderstood troops in the formation. While they’re exempt from the minor stresses of the military, like going to the range or pointless details, they’re not above doing the one thing every troop is expected to do: deploy.
This puts them in a unique position. Sure, they have an assistant that’s kind of like a mix between an altar boy and an armed bodyguard, but they themselves are not allowed to pick up a weapon of any kind to remain in accordance with the Geneva Convention.
But that minor detail has never held any chaplains back from serving God and country on the front lines.
It doesn’t matter which religion is on your dog tag, everyone gets the same respect.
Their main objective is to facilitate the religious and emotional needs of all troops within their “flock.” Even if a chaplain was, say, a Roman Catholic priest back in the States, they accept anyone from any faith into their makeshift place of worship down range. They remain faithful to their personal denomination and preach in accordance with their own faith, but they must also learn enough about every religious belief in the formation to properly accommodate each and every troop.
This is because there is no alternative for deployed troops. Chaplains are few and far between in a given area of operation. When the worst happens and a soldier falls in combat, that Catholic chaplain needs a complete understanding of how to perform funeral rites in accordance with that troop’s faith, no matter what that faith may be.
“Oh father, who art in Heaven, have mercy on this F-16’s enemies, for it shall not.”
(U.S. Air Force photo by Tech. Sgt. Eugene Crist)
Given that there are so few chaplains deployed, and even fewer of any single denomination, they will travel the battlefield — sometimes an entire region command will be under the care of a single chaplain.
It’d be far too costly to send each and every troop around theater each week for a single religious service, so chaplains will come to them. It’s not uncommon for a chaplain to travel to a remote location to give a sermon to just three or four troops. And since there’s only one chaplain performing the ceremonies across the theater, this often means that Easter Mass won’t be given exactly on Easter Sunday, but sometime around then.
Being named as a Servant of God by the Pope means he’s on the first step to sainthood. If the church canonizes the miracles done in his name or designates him as a martyr, he could become the Patron Saint of the Soldier.
(Father Emil Kapaun celebrating Mass using the hood of a Jeep as his altar, Oct 7, 1950, Col. Raymond Skeehan)
A chaplain and their escort never go out looking for trouble, but trouble often finds them. They’re constantly on the move and, as a result, many chaplains have been tragically wounded or killed in action over the years. To date, 419 American chaplains have lost their lives while on active duty.
Captain Emil Kapaun, an Army chaplain, was said to be one of the few Catholic chaplains in his area during the Korean War. He personally drove around the countryside to administer last rites to the dead and dying, performed baptisms, heard confessions, offered Holy Communion, and conducted Mass — all from an altar that rested on the hood of his jeep. He’d often dodge bullet fire and artillery just to make it to a dying soldier in time to give them their final rites.
He was captured and taken prisoner by the Chinese during the Battle of Unsan in November, 1950. While prisoner, he often defied orders from his captors to lift the fighting spirits of the troops in the prison with him. Even while captive, he’d perform ceremonies — but was also said to have swiped coffee, tea, and life-saving medicines from guards to give to his wounded and sickly troops.
Father Emil would die in that prison, but not before giving one last Easter sunrise service in 1951. For his actions that saved the lives of countless troops in captivity, he was posthumously awarded the Congressional Medal of Honor. He became the ninth military chaplain to be bestowed the Medal of Honor, along with being named a Servant of God by Pope John Paul II.
For more in the dangerous, righteous life of an Army chaplain, be sure to catch Indivisible when it hits theaters on October 26, 2018.
We’ve talked before about the bizarre Hollywood phenomenon of Twin Films – essentially films with near identical premises inexplicably released around the same time – and all of the machinations that can lead to them existing. Today, rather than focusing on an industry wide trend, we’re going to discuss a specific example of something similar — the bizarre tale of the time two comic artists based in the UK and US respectively somehow both created “Dennis the Menace” at almost the same time, with the first editions of each published on the exact same day, despite neither one knowing anything about what the other was doing.
While it’s commonly misstated that the UK version of “Dennis the Menace,” which debuted in Beano #452, came out on March 17, 1951, in truth both “Dennis the Menace” comics hit the shelves on March 12, with the incorrect date for the British version coming from the fact that this date was on the original cover. As to why, a common practice at the time was to post-date editions to try to keep them on the shelves longer.
Beyond sharing a name, both characters own dogs that usually aid in their mischief, with American Dennis having a snowy white Airedale mix called Ruff, and British Dennis owning a “Abyssinian wire-haired tripehound” called Gnasher. Like their owners, each dog has a distinct personality, Gnasher being decidedly more violent than Ruff, with his favourite pastime being chasing and biting postman. Another similarity between the two Dennises is their penchant for causing mischief with a slingshot, which is considered to be a trademark of each character in their respective home markets.
Dennis the Menace and his dog Gnasher.
That said, it should be noted for those unfamiliar that the British Dennis is an intentional menace who relishes in the mayhem he causes, whereas the U.S. version tends to be over all good natured and ends up being a menace in many cases via trying to do something good, but having it all go wrong.
Nevertheless, given the similarities, it should come as no surprise that soon after each comic hit the stands on the same day in 1951, news of each other’s comics quickly reached the two creators. While initially foul play was suspected, it became clear to all parties involved that the whole thing couldn’t possibly be anything but a massive, inexplicable coincidence.
In the end, both creators agreed to continue as if the other comic didn’t exist and the only real change made to either comic was that as both comics gained in popularity, the name of the British version evolved, initially just in foreign markets, but eventually everywhere to Dennis and Gnasher.
During discussions about how each creator came up with the idea of “Dennis the Menace,” it was revealed that British Dennis was the brainchild of Beano editor, George Moonie. Moonie was inspired to create the character after hearing the lyric “I’m Dennis the Menace from Venice” while visiting a music hall. With this lyric in mind, Moonie tasked artist David Law with creating a character called, you guessed it, Dennis the Menace, saying simply that the character was a mischievous British schoolboy.
Although Law was responsible for drawing Dennis from his conception until 1970 when Law fell ill, the now iconic look of Dennis was first suggested by Beano Chief Sub Ian Chisholm who is said to have sketched a rough drawing of what would come to be Dennis’ default look on the back of a cigarette packet while Chisholm and Law were at a pub in St Andrews, Scotland.
Billed as “The World’s Wildest Boy!” in his debut strip, proto British Dennis looked markedly different from his modern counterpart, with some of his more iconic features, such as his pet dog and bestest pal Gnasher or his iconic red and black striped sweater, not being introduced until later comics.
In the end, “Dennis the Menace” played a big part at revitalizing Beano, as noted by Beano artist Lew Stringer, “‘Dennis the Menace’ was like a thunderbolt. The Beano was flagging by 1950 and no longer radical. But there was an energy to ‘Dennis the Menace,’ it was modern and became one of the first naughty kids characters of the post-war period.”
As for American Dennis the Menace, he was the creation of Hank Ketcham. Ketcham briefly attended the University of Washington in Seattle, but had a passion for drawing from a very young age when a family friend had showed him his, to quote Ketcham, “magic pencil”, and how it could draw things like cartoon characters such as Barney Google.
Fast-forward to his freshman year of college in 1938, after seeing “The Three Little Pigs” Ketcham promptly dropped out of school and left Seattle, stating,
I had one thing on my mind: Walt Disney. I hitchhiked to Hollywood and got a job in an ad agency, changing the water for the artists for [about 9 today] a week. Which was OK because I lived at a rooming house on Magnolia – three meals a day and a bike to ride to work – for a week. Then I got a job with Walt Lantz at Universal, assisting the animators, for . It was the tail end of the glory days of Hollywood and I loved it! I was on the back of the lot, where W.C. Fields, Bela Lugosi, Crosby, Edgar Bergen were all parading around. My neck was on a swivel! Marvelous!
As he notes there, he eventually achieved his goal, doing some work for Disney on movies like Fantasia, Bambi, and Pinocchio.
When the U.S. entered WWII, he found himself in the Navy drawing military posters for things like War Bonds and the like. By 1950, he was working as a freelance cartoonist. On a fateful day in October of that year, his toddler son, Dennis, did something that changed the family’s fate forever.
His wife, Alice, went to check on the toddler who was supposed to be napping, but instead she found Dennis’ dresser drawers removed and contents unceremoniously dumped out, his curtain rods removed and dismantled, mattress overturned and just a general mess everywhere.
Ketcham would recount in an interview with the Associated Press on the 50th anniversary of his comic that Alice remarked in an exasperated tone after witnessing the destruction, “Your son is a menace!”
This statement resonated with Ketcham who quickly devised and refined the idea of a mischievous toddler who accidentally causes wanton destruction wherever he goes. Dennis the Menace was born, and a mere five months later debuted in 16 newspapers. This is despite the fact that Ketcham himself would later state, “Oh, the drawings were terrible! Even when I started with Dennis they were just wretched! How any editor ever bought that junk…”
Hank Ketcham in 1953.
Nevertheless, within a year of its debut, 245 newspapers across the world had picked it up representing a readership of over 30 million people. At its peak, the number of outlets that carried “Dennis the Menace” grew to over 1,000.
Unfortunately, things did not have a happy ending for the real Dennis. Much like with Christoper Robin Milne, who A.A. Milne based his character of Christopher Robin on, Dennis came to loathe the fact that his father had created a famous character after himself. Unlike Christoper Robin, Dennis never got over it.
That said, despite his son’s accusations, Ketcham vehemently denies ever using anything from his son’s childhood as fodder for the comic other than the name, noting he almost always used a team of writers to come up with the comics’ content, stating, “Anyone in the humor business isn’t thinking clearly if he doesn’t surround himself with idea people. Otherwise, you settle for…mediocrity — or you burn yourself out.”
Whatever the case, the comic was perhaps just a side issue. You see, as her husband’s fame grew, Dennis’ mother became an alcoholic and by 1959 she filed for divorce. Around the same time, with Alice no longer capable of taking care of Dennis, he was shipped off to a boarding school. Said, Dennis, “I didn’t know what was going on except that I felt Dad wanted me out of the way.”
Very soon after, his mother died after mixing barbiturates with a lot of alcohol. As for Dennis, Ketcham didn’t end up getting him from boarding school to attend the funeral, nor did he tell him about his mother’s death until weeks later, reportedly as he didn’t know how to break it to him, so delayed as long as possible. Said Dennis of this, “Mom had always been there when I needed her. I would have dealt with losing her a lot better had I been able to attend her funeral.”
Things didn’t improve when mere weeks later, Ketcham married a new woman, then moved the family off to Switzerland where he once again placed Dennis in a boarding school, which ultimately didn’t work out. To begin with, his new wife and Dennis weren’t exactly pals. Said Ketcham, “Jo Anne was unused to children. and she and Dennis didn’t get along.”
Seeing his son struggling academically because of a learning disability, combined with being in a foreign country and issues between his new wife and Dennis, Ketcham sent Dennis off to a different boarding school back in the United States where he hoped he’d be more comfortable.
After graduating two years later than most, Dennis joined the Marines for a tour in Vietnam and subsequently suffered from severe post-traumatic stress disorder.
As for his relationship with his father, it never improved, with Ketcham even losing track of him completely at one point. As Ketcham stated when asked about his son, “He’s living in the East somewhere doing his own thing. That’s just a chapter that was a short one that closed, which unfortunately happens in some families… He checks in about twice a year. And if he needs something, I try to help him.”
As you might imagine from all this, Ketcham would come to greatly regret using his son’s name for his character because of how he felt it negatively impacted him. “These things happen, but this was even worse because his name was used. He was brought in unwillingly and unknowingly, and it confused him.”
He also regretted not being there for his son. “Sometimes, young fathers scrambling to make a living, to climb the ladder, leave it to the mother to do all the parental things. But you get back what you put into a child. It’s like a piano. If you don’t give it much attention, you won’t get much out of it… I’m sure Dennis was lonely. Being an only child is tough.”
He goes on, “In my family now. I’m much more active with the kids and their schooling than I was before. I listen better. And I think I’m more patient. Maybe not. But I’d like to think so.”
As for Dennis’ side, he stated, rather than a successful, famous father, “I would rather have had a father who took me fishing and camping, who was there for me when I needed him… Dad can be like a stranger. Sometimes I think that if he died tomorrow, I wouldn’t feel anything.”
When Ketcham died on June 1, 2001, Dennis didn’t show up for the funeral and a family spokesman stated they hadn’t heard from him in years and didn’t know where he was.
To finish on a much lighter note, in 1959, Ketcham was invited to visit the Soviet Union as a part of a cartoon exchange trip. Never ones to miss an opportunity, the CIA asked Ketcham if he wouldn’t mind sketching anything significant he saw while in the Soviet Union. Said Ketcham, “We were flying from Moscow to Kiev, and it was during the day and I looked out the window and I saw some shapes. I had my sketch book, and I would put them down, and the flight attendant would walk by, and I would put a big nose and some eyes and make the whole thing into a funny face. So I had a whole book of funny-face cartoons at the end that I didn’t know how to read.” Needless to say, the CIA didn’t exactly appreciate his work.
“Dennis the Menace” creator Hank Ketcham.
Going back to British Dennis, Kurt Cobain was known to wear a jumper remarkably similar to that of the British Dennis the Menace on stage. As it turns out, the jumper was a genuine piece of official Dennis the Menace merchandise, though the singer didn’t know this. Apparently Courtney Love bought the jumper for Kurt for for £35 (about £70 or today) from a fan called Chris Black at a concert in Northern Ireland in 1992 after taking a liking to it.
Speaking of having to find a way to be original week after week in comics, Charles Schulz, creator of Peanuts, once sagely stated, “A cartoonist is someone who has to draw the same thing every day without repeating himself.” That’s a tall order for someone who created nearly 18,000 strips- and it wasn’t always easy. On this note, Cathy Guisewite, creator of the comic strip Cathy, revealed in an interview that Schulz once called her in something of a panic as he couldn’t think of anything to draw and was doubting whether he’d be able to come up with anything. Exasperated, she stated, “I said, ‘What are you talking about, you’re Charles Schulz!’… What he did for me that day he did for millions of people in zillions of ways. He gave everyone in the world characters who knew exactly how we felt.”
Bill Watterson, creator of “Calvin and Hobbes,” famously not only passed up but fought vehemently against merchandising of “Calvin and Hobbes,” costing himself many tens of millions of dollars in revenue. He stated of this that it wasn’t so much that he was against the idea of merchandising in general, just that “each product I considered seemed to violate the spirit of the strip, contradict its message, and take me away from the work I loved.” Despite this, it’s not terribly difficult to find merchandise of “Calvin and Hobbes,” but all are unauthorized copyright infringements, including the extremely common “Calvin Peeing” car stickers. Despite never having earned a dime from these, Watterson quipped in an interview with mental_floss, “I figure that, long after the strip is forgotten, those decals are my ticket to immortality.”
Most of the characters and names in “Winnie the Pooh” were based on creator A.A. Milne’s son’s toys and stuffed animals with the exception of Owl, Rabbit, and Gopher. Christopher Robin Milne’s toy teddy bear was named Winnie after a Canadian black bear he saw at the Zoo in London. The real life black bear was in turn named after the hometown of the person who captured the bear, Lieutenant Harry Colebourn, who was from Winnipeg, Manitoba. The bear ended up in the London Zoo after Colebourn was sent to England and then to France during WWI. When he was sent to France, he was unable to bring the bear so gave it to the London Zoo temporarily and later decided to make it a permanent donation after the bear became one of the Zoo’s top draws. The “Pooh” part of the name was supposedly after a black swan that Christopher Robin Milne saw while on holiday. A black swan named Pooh also appears in the “Winnie-the-Pooh” series.
This article originally appeared on Today I Found Out. Follow @TodayIFoundOut on Twitter.
One of the few perks of quarantine is watching the entertainment community rally around those of us at home by providing us with incredible content to consume while we’re eating all of our quarantine snacks and longing for the days of simply being around other people.
If you’re going to be in social isolation, you might as well be laughing through it. And tonight, thanks to the great folks at the Armed Services Arts Partnership, you absolutely will be when you watch renowned comedian Rob Riggle interview Seth Herzog and other veteran comics perform. Here’s how to watch.
Tune in to ASAP’s live-stream show featuring a conversation with Rob Riggle and Seth Herzog, and stand-up comedy from ASAP veteran comics. Tonight’s event is just one in a series of great performers. For the full list, visit ASAP’s website.
Rob Riggle is a comedian, actor, and Marine Corps veteran best known for his roles on The Daily Show, Saturday Night Live, The Hangover, and The Other Guys.
Seth Herzog is a NYC-based stand-up comedian featured on The Tonight Show Starring Jimmy Fallon and Late Night with Conan O’Brien.
Access to the live-stream will be provided to ticket holders after registering. Space is limited. Here’s where you can purchase tickets for only . Stage Pass holders gain free access. All proceeds from ticket sales support ASAP’s community arts programs.
The Armed Services Art Partnership’s mission is to cultivate community and growth with veterans, service members, military families, and caregivers through the arts. Learn more here.
Michael Garvey and Liberty perform at The White House in Oct. 2016.
For one, this show is going to be awesome. Also, ASAP has an incredible mission. Here’s their story:
We believe that trauma and loss breeds creativity and discovery.
The veterans and military families in Armed Services Arts Partnership (ASAP)’s community prove this point. But, it also holds true for our founder, Sam Pressler. After losing a family member to suicide while in high school, Sam turned to comedic expression to cope. When he later learned about mental health challenges affecting veterans through his college research at William Mary, Sam felt compelled to act. While at WM, he launched the country’s first comedy class for veterans, as well as the largest veterans writing group in the Southeast. Within a year, a supportive community formed – one that gave veterans permission to process and express, connect and grow, heal and serve others.
After receiving the Echoing Green Fellowship, Sam converted the student organization into ASAP, a 501(c)3 non-profit. Today, ASAP is thriving in the D.C. Metro area and Hampton Roads, VA, serving thousands of veterans and military families, and empowering its alumni to become artistic leaders in their communities. As a result of our impact in the communities we serve, we have received significant attention. We have performed at The White House, have been featured on a PBS documentary, and have been recognized by Forbes 30 Under 30 list for “Social Entrepreneurship.”
The reintegration of our nation’s veterans is not just a veterans issue. It involves veterans and civilians, community arts organizations and local health providers, military recruiting and VA care. It requires social, physical, and artistic outlets just as much as it demands traditional medical care. Through our collaborative, community-driven, and deeply focused program model, we are forging a new path for veterans to reintegrate into civilian life, and for our communities to welcome them home.
“When I was behind on an episode of ‘WandaVision,’ my 14-year-old was mad at me.”
Are men hilarious? Or are men tragic? If you’ve watched something directed by Anthony and Joe Russo in the past two decades, the answer to that question will be both. From Arrested Developmentto Community to the Marvel films The Winter Solider, Civil War, Infinity War, and Endgame, the Russo Brothers have not only directed funny fictional men, but they’ve also, helped those same fictional men seem tragic. Say what you will about the perceived bombast or dominant market share of the Avengers and their Marvel pals, but part of the reason the MCU is so big is that we simultaneously believe in the quirkiness of Thor and the jerkiness of Iron Man.
Recently, the Russo Brothers have walked away from the Marvel Cinematic Universe, seemingly never to return. Were they consulted on WandaVision or any other future Marvel project, including The Falcon and the Winter Soldier? “No. I mean look, we had a seven-year process from Winter Soldier to Endgame where we were nonstop telling Marvel stories,” Anthony Russo says. “That was a very focused run for us. And it was among the most amazing experiences of our lives doing that, telling those stories. But it was also hard and immersive and a long run. And I think part of the catharsis of making Endgame for Joe and I was the fact that we didn’t have to carry the story forward beyond Endgame.”
But will they return? “I mean, we may do something with Marvel, again, some time,” he says. “Who knows? But, our, our process was to, pass the baton and step away.”
Back in 2019, the Russos described the theme of Avengers: Endgame as “the cost of being a hero.” Seen from a certain point of view, Cherry is similar, albeit not about superheroes, but instead, about real person, adrift in a drug crisis that Joe Russo points out have “gone fairly unchecked” in the US.
“[Cherry is] a movie about cost. And it’s about the cost of the choices that we make in the modern age,” Joe Russo explains. “There are many complicated issues that surround us as human beings in the modern age from technology to drugs. This is a drug era that is unlike any other drug era. It doesn’t have the romanticism of the hippie vibe culture of the late ’60s and early ’70s with mushrooms and marijuana and psychedelics. These are drugs that are scientifically engineered to make you addicted. And in addicting they can most likely kill you. So there’s a fatalism to this capitalistic endeavor of making these drugs.”
As a recent New Yorker piece pointed out, the profit made by unscrupulous corporations is astounding, with the wealthy Sackler family being one of the biggest profiteers of opioids. “The government is acutely aware of this and doctors are acutely aware of it, yet it still gets prescribed,” Joe Russo says. “And prescribed in ridiculous and copious amounts. And people recovering from surgery who are never the same again. ”
“I think it’s slightly more complex than, what we’re doing with the Marvel characters,” Anthony says. “I don’t know that he’s a hero per se so much as he is a, is an individual who, as a kid who makes one or two decisions that he doesn’t have a life experience to make and that costs him 15 years of his life.”
After providing escapism across four of the greatest Marvel films, and making us laugh for a decade before that, the Russo Brothers are coming back down to Earth and facing reality. That said, they’re still involved with the impending live-action remake of the animated Disney movie Hercules. What will their version be like? The Emma Watson Beauty and the Beast? The recent live-action Lion King?
“Our approach certainly would be to do something more in the category of the male characters who lack self-awareness,” Joe Russo says with a laugh. “We’re trying to find humor, in that version of Hercules. Something inspired by that film and that brings some of old with it along and bringing something new to it as well.”
Anthony has a 14-year-old daughter who is “WandaVision obsessed.” For a while, he was behind an episode. “She was mad at me,” he says. “But my ten-year-old son loves cooking and he’s obsessed with Gordon Ramsey.”
“We just finished watching Your Honor,” Joe Russo says. “But my kids are older, so you can watch thrillers with them. It’s fun.”
Pairing athletes with military veterans just makes sense. Both have a team mentality, dedication to their uniform and all the meaning associated with it, and — most importantly — a deep connection to their fellow teammates. It may (or may not) surprise some to learn that making film and television is very much a team sport as well. The cast and crew have to operate in tandem and rely on one another for success. Physical fitness is also a very important aspect to all three lifestyles.
So, it makes sense that movie stars are getting into the latest social media trend: push-ups for veterans.
In 2015, FOX NFL insider Jay Glazer created the nonprofit Merging Vets and Players to match separated combat veterans and former professional athletes to help the vets deal with transitioning out of their old team — the U.S. military — and into civilian life. He wanted to show that the country cared about what happens to them when the uniform comes off, that the skills they picked up in service to the United States are still applicable in their new lives, and that professional athletes could help show them their true potential.
Glazer was soon joined by Nate Boyer, a U.S. Army Special Forces veteran and player for both the Texas Longhorns and Seattle Seahawks who is very active in the veteran community. He believes the two worlds have a lot in common.
“Both war fighters and football players need something to fight for once the uniform comes off, and your service to country or time on the field is over,” Boyer says. “Without real purpose for the man on your right and left, it can be easy to feel lost.”
With Glazer’s access to the world of the NFL and its players combined with Boyer’s impeccable credentials in the military-veteran community and unique knowledge of the struggles returning veterans face, the nonprofit offers peer support between the athletes and veterans, as well as physical training and challenges at locations across America.
One of those challenges recently caught on with another group: movie stars. Glazer challenged all the members of his elite LA-based training center, Unbreakable Performance, to a 25 push-up challenge. For every member who publicly posts their 25 push-ups, TV personality and NFL alum Michael Strahan will donate fitness equipment to Merging Vets and Players. It immediately got a response.
Chris Pratt, star of Guardians of the Galaxy and Jurassic World was challenged by Strahan specifically. He answered the call, then challenged Jack Ryan star, John Krasinski, who challenged both Captain America Chris Evans and The Rock to pump out 25 for Merging Vets and Players.
They both did their 25. In the days that followed, Pratt’s Guardians of the Galaxy co-star Dave Bautista answered the call, as did Caleb Shaw, and Sylvester Stallone. Recently challenged stars include Mark Walhberg, LeBron James, and even Snoop Dogg.
The 25 push-up challenge didn’t stop with celebrities, though. Veterans who follow Merging Vets and Players, as well as MVP alumni, are also posting their 25 push-up challenge videos on Instagram and Twitter.
This article should probably start off with a spoiler warning. Then again, if you’re reading things about “Game of Thrones,” you are either caught up, have no intentions of watching the show, or don’t care about spoiler warnings.
If by some reason you aren’t any of those and wouldn’t want this week’s episodes spoiled, here’s an article about MREs.
The final shot of this week’s episode finished with Jon Snow, Gendry, Jorah, The Hound, Tormund, Beric, and Thoros all headed beyond the wall to capture a wight to prove that the dead are a threat.
One thing I noticed was how perfectly everyone in lined up with a modern unit composition.
Bear in mind, they are undermanned compared to an actual fire team, with only seven men out in the field, one garrisoned at Eastwatch, and another in Winterfell. A full SFOD-A team consists of twelve men on mission. Normally, there would also be two communications experts, a medical doc, and an engineering sergeant on the team.
In this exercise at least, all of the key positions are at least filled. Here’s how:
Detachment Commander (18A) — King Jon Snow
Every team needs a dedicated leader. A voice everyone can rally behind. Someone with a clear vision of what the objective is and how to achieve it.
Being King of the North and the one who brought them all together definitely qualifies Jon Snow as the leader of this team.
Assistant Detachment Commander (180A) — Lord Beric Dondarrion
The second in command needs to be a skilled warfighter. If the team separates, the second would step in to lead a group. They must also be willing to assume control of the whole unit if the worst happens to the commander.
Beric lead the Brotherhood Without Banners until they reached the Wall. If anything, he’s still in charge of both Thoros and The Hound.
Operations Sergeant (18Z) — Ser Davos Seaworth
The Operations Sergeant is responsible for the overall organization and functionality of the team. They are also the senior most enlisted advisor on the team.
Although Davos didn’t join them beyond the wall, he was still pivotal in assembling the team and advising Jon Snow on how to carry out the mission.
Assistant Operations and Intelligence Sergeant (18F) — Tormund Giantsbane
The Assistant Operations and Intelligence Sergeant ensures the team is war-fighting capable. They also gather and analyze all the mission-critical information.
Tormund lived his life Beyond the Wall. No one knows the area and the enemy better than him.
Weapons Sergeants (18B) — Sandor “The Hound” Clegane and Ser Jorah Mormont
Weapons Sergeants must be experts in a wide variety of weapon systems. Any weapon they get their hands on can and will be used.
Both Sandor and Jorah are some of the best fighters in Westeros. They have each proven to be lethal no matter what weapon they had — and in any arena.
Engineering Sergeant (18C) — Gendry
Engineering Sergeants are masters of construction and destruction. They can build a bridge just as flawlessly as they can destroy one.
Gendry trained many years under the greatest blacksmith in the series. If Valerian Steel weapons are needed to fight the dead, he’s ready. Afterall, he was trained under Mott (the guy that reforged Ned Stark’s sword into two more Valerian Steel swords.)
Medical Sergeant (18D) — Thoros of Myr
Special Operations Medical Sergeants are experts in treating battlefield trauma. They are tasked with providing life-saving aid to the team.
The Lord of Light has brought back the dead many times in the books, making Thoros a handy guy to have around in battle. It’s not perfect, with each resurrection taking a part of the person that dies, but it is invaluable to keeping his men in the fight.
Communications Sergeant (18E) — Lord Bran Stark the “Three-Eyed Raven”
The Communications Sergeant is the life blood between fire teams and command. They are required to maintain a constant flow of information between all troops.
In the show, Bran wasn’t seen joining the group. He’s still in Winterfell. But in the same episode the group was formed, he was flying around the enemy in raven form.
We may find out until next episode that he’ll be assisting Jon’s team.
All told, it was exciting to see this rag-tag group come together to go beyond the wall.
On Sept. 11, 2012, a retired SEAL sniper took a small team to Blackwater’s former facility in the swamps of Virginia where he shot at a target from 911 yards 79 times — once for every Naval Special Warfare casualty since 9-11, those killed in both combat and training.
Until It Hurts features the target with the 79 bullet holes highlighted in red. (Photo: Eric Wickham)
He sent the first round downrange at 8:46 AM, the time the first airliner hit the North Tower of the World Trade Center, in honor of Petty Officer First Class Neil Roberts — the first SEAL killed during the war in Afghanistan. The shot found the target, and the bullet hole was labeled with Roberts’ name by a volunteer spotter downrange.
“I’d take the shot, and they’d find the bullet hole,” the sniper recalled. “They’d write the name down next to the hole. I’d hand the brass to my wife who had the list of names and she’d label it. It was kind of a sacred process.”
Several days after the shoot, the SEAL sniper’s wife convinced him to show the target to one of the contractors working on their house who had a brother who supposedly did “target art.” The SEAL Googled him — Ellwood T. Risk — and realized the guy was the real deal.
The contractor called his brother on the spot, and without hesitation the artist said, “I’m in; I’ll do it for free.”
Risk had been saving military-related front pages of major newspapers since 9-11, waiting for just such an opportunity. The result is a powerful piece of art called Until It Hurts.
Until It Hurts features the target with the 79 bullet holes highlighted in red. The target is flanked by the front pages with headlines announcing the news of the wars over the years. At the bottom of the piece the 79 names of the fallen are listed in chronological order.
Former Navy SEAL Jason Redman, a well-known wounded warrior, author, and founder of Wounded Wear, a company that specializes in providing free clothing to wounded vets, heard about the artwork and contacted Norfolk-area businessman Todd Grubbs, who eventually bought the piece at auction for $10,000. That money was put towards clothing for wounded vets and the Navy SEAL Foundation, a non-profit that funds education for the dependents of fallen SEALs.
Redman and Grubbs see the sale of the piece as just the beginning of its utility.
“The art should be perceived as a celebration of life,” said Grubbs, who has no desire to let Until It Hurts languish on a wall in his home.
“My biggest fear is we give guys clothing and they kill themselves in it,” Redman said. “We’re not helping them find their purpose. The American people aren’t helping. You see nothing on the news anymore. Even those we’re still losing guys. We have to keep the discussion going, to contextualize the sacrifice for the entire country. This artwork helps.”
Among Grubbs’ business concerns is film production, so naturally he thought of turning the artwork and the events surrounding it into a film. He enlisted the help of director Scott Hanson and together they created Until It Hurts, which premiered in Norfolk, Virginia on Feb. 21.
“Doing this documentary gave me the chance to work with SEALs and learn more about their families and what they do,” Hanson said following the premiere. “It makes me way more appreciative that I can do what I do.”
“It hits everybody in different ways,” Redman said. “A wounded warrior sees one thing, a Gold Star family member sees something else, and a civilian sees something else. And that’s what’s so great about it.”
“This was the first showing to a civilian audience,” Jake Healy, son of Senior Chief Dan Healy who was killed when the Chinook attempting to extract four SEALs trapped on a mountain was hit by an RPG — a tragedy well-documented in Marcus Luttrell’s book Lone Survivor and the associated major motion picture. “Their response to the movie tonight was powerful and reassuring.”
“I hope it will…highlight the sacrifice of Americans who understand what it took to make this country.” Redman said.
You can watch the full documentary right here:
WATM field correspondent Briggs Carroll contributed to this article.
The first trailer for Avengers 4 is finally here. We’ve got a real-deal title, too: Avengers: Endgame. Captain America has shaved his beard, Tony Stark is lonely, Hawkeye is back, and it looks like Ant-Man is going to be the key to it all, just as we predicted!
Be warned this trailer is super-emotional and we’re already crying. Watch the trailer a few times, and then take a breath. Okay, you good? Let’s dig into this a little bit.
First of all, even though “Endgame” is a really boring and generic subtitle, the trailer itself is excellent, possibly more thrilling than any other Marvel trailer ever. Unlike the Captain Marvel trailers (which are fine by the way) this trailer really gives the audience what they want without actually spoiling the movie. Though if you somehow missed Infinity War, this trailer weirdly makes watching that movie slightly unnecessary because Black Widow sums up the plot of the previous installment with one line “Thanos did exactly what he said he was going to do: he wiped-out 50 percent of all living creatures.” (Side question: does this include cockroaches, rats, and pigeons? Is there a vermin-version of the Avengers who are grieving right now, too? I mean we all cried for Spider-Man, what about actual spiders?)
Anyway, where was I? Oh yeah, this trailer is really great. Chris Evans is clearly going to give the performance of his life in this movie and its rad to see him clean-shaven, like pretty much saying to the audience that yeah, he’s back and he’s going to do whatever it takes to fix all of this stuff. The return of Hawkeye is super-dope, too, and that coda with Ant-Man pulling up in his van is great and totally teases the idea that the post-credits scene of Ant-Man and the Waspwill be the key to saving all the Avengers.
Seems like May 3, 2019, can’t get here fast enough.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
As we reach the halfway point for The Falcon and the Winter Soldier, we’ve been given some great character moments and intriguing details into a post-Blip world. A Global Repatriation Council attempts to help the billions of people who have returned from the dead after five years, one of them being a doctor who perfected the Super Soldier Serum.
Let’s dive in — spoilers ahead.
The new Captain America takes a bit of a back seat in this week’s episode, but we do get a glance at his short fuse when he confronts some of Karli Morgenthau’s contacts and is rewarded with spit in his face. John Walker and his more even-tempered partner Lemar will remain a step behind Bucky and Sam this week.
As the last episode hinted, Bucky and Sam decide to contact Helmut Zemo and Bucky, unbeknownst to Sam, makes quick work of freeing Zemo from his cell. Maybe not a great decision, considering the man bombed the UN and killed Wakanda’s King T’Chaka before framing Bucky for the crimes — and he’s reading Machiavelli — but Zemo has knowledge about the Super Soldier Serum.
Daniel Bruhl’s performance also makes Zemo a character who is entertaining to have around.
They begin their search in Madripoor, a classic Marvel Comics location (primarily for mutant story-lines). There, they go undercover, delivering some excellent character fun. Sam is forced to drink “the usual” drink of his colorful alias — some kind of cocktail with raw snake organs (DEAR GOD WHY) — much to our amusement. Later when they flee the scene, he shouts, “I can’t run in these heels!” It’s a great writing touch.
Bucky, meanwhile, plays the Winter Soldier, following Helmut’s commands — even when they are violent. Sebastian Stan’s performance as a battle-weary veteran is constantly impressive; Bucky’s inner turmoil is right there beneath the surface.
When Sam’s cover is blown by a phone call from his sister, the unlikely trio flee with bounties on their heads. They’re saved by none other than Sharon Carter, albeit a much grittier, pissed off Sharon Carter, who has been on the run since giving Steve Rogers his shield (although with a brief five-year hiatus, as she was disintegrated in the Snap). And yo, she’s pissed about it.
Her outfit slaps, though. I want her pants. She agrees to help Sam and Bucky find Super Soldier Serum Dr. Nagle while Sam promises to clear her name. They head to Nagle’s secret lab in a shipment container yard, where they learn that Morgenthau stole his 20 vials of perfected serum. Zemo kills the doctor and the lab is attacked and destroyed, giving us impressive fight sequences from Carter and Zemo.
Carter parts ways with Bucky and Sam, but based on her final interaction with her bodyguard, we can expect to see her again. Bucky, Sam, and Zemo follow another lead, but rather than join them inside, Bucky announces that he’s going to take a walk. He follows a few devices that turn out to be Wakandan, and the episode ends with another familiar face.
Ayo, second-in-command of the Dora Milaje, has come for the man who killed T’Chaka. What will happen on the Falcon and the Winter Soldier next?
Montel Williams hosts “Military Makeover with Montel” on Lifetime. The show is currently seeking nominations for veterans in need of home makeovers. Photos by Caitlyn Martin, BrandStar, courtesy of the Kristen Rose Agency.
Saying thank you for your service is not enough, according to veteran and talk show icon Montel Williams. But he does have a few ideas on other ways to show gratitude for military service.
He’s teamed up with WWE to find the next veteran for a home makeover that will be featured on Lifetime TV’s “Military Makeover with Montel.”
“We take these veterans and we literally make their home over from top to bottom,” Williams said during a phone interview. “We do, not just a facelift, but everything, from the floors, the ceilings to you name it, to make sure the veteran has what we call a forever home once we get done.”
Since 2015 the show has worked with one veteran family per quarter to makeover their home within 10 days, with 20 homes completed to date. Most episodes, Williams said, have featured families who have been in the midst of transitioning from military to civilian life. A few have featured veterans who have already left the military, but Williams adds any deserving veteran family will be considered as long as they own their own home.
He’s personally been involved in making over six homes, having taken over the show after the death of Military Makeover’s previous host Lee Ermey.
Williams said the reactions on the show have been great, not just from the service members, but from everyone in the community. The show uses volunteers and donations from local vendors to renovate the homes.
“Everybody is uplifted,” Williams said.
Hosting a home makeover show is also a good way to show appreciation for a group Williams describes as underappreciated.
“I think it’s a really good way to do more than say ‘thank you for your service,'” Williams said.
Williams is a 22-year veteran who served in the Marine Corps and Navy before starting his television career. Like many veterans, he’s come to see the phrase ‘thank you for your service’ as hollow and meaningless.
“I’ve been saying this for over a year. When people say ‘thank you for your service’ it’s lip service or a passing phrase, like you say ‘good morning’ to people when you walk by and don’t even wait for a person’s response,” he said.
In addition to his own service, Williams is a longtime veterans’ advocate. He serves on the board of directors for the Fisher House — a charity providing lodging near DOD and VA facilities for the families of those receiving care. He also works with an organization that help veterans suffering from traumatic brain injury and has an upcoming project designed for veterans with post-traumatic stress disorder.
Williams launched a new national campaign to makeover the home of a veteran. (Photo courtesy of Military Families Magazine.)
Williams said he believes the current coronavirus pandemic has put showing genuine gratitude to veterans even further from the forefront of people’s minds.
“Right now, while we’re suffering through this COVID-19 pandemic, every day of the week people applaud our first responders. When they think about people on the frontline, they think about doctors, nurses and first responders to this virus here on U.S. soil,” Williams said. “We have ships and submarines and aircraft carriers and airplanes and deployed forward bases where people don’t have the same luxury of being able to social distance. These guys are out there every single day putting their lives on the line for us.”
While not everyone has the resources of a television legend, Williams insists there are things average people can do to show their appreciation to veterans.
“You don’t have to makeover a veteran’s home to contribute to a veteran’s life,” Williams said. He said providing meals, volunteering to babysit or mowing an injured veteran’s lawn are great ways for people to show their appreciation.
“Why not go out and do a gesture, not just of being a good neighbor, but deliberately doing something to help out our veterans?” Williams asked. “Remember that there’s a military family on every block in every community across this country. Reach out and do a little bit more than just say ‘thank you for your service.'”
Another way people can show appreciation is by going to Tag A Hero and nominating a veteran for a home makeover before May 31.
Williams has joined forces with WWE star Lacey Evans, a Marine veteran, to gain awareness for the new national campaign, but they are in need of more nominations.
“Lacey Evans, who is one of their stars, has become one of our team members on Military Makeover. She convinced [WWE] to reach out to their viewers to nominate veterans in their community,” Williams said.
The application submission deadline for the latest campaign is May 31st. On July 13, Montel Williams and WWE Superstar Lacey Evans will appear on Facebook and Instagram announcing the home makeover recipient.