Bob Hope was a British-born, American immigrant born on May 29, 1903, and died on July 27, 2003. This comedian was instrumental in keeping American troops entertained overseas throughout his career. He dedicated his life to U.S. troops in areas of conflict that other entertainers did not dare venture to. He worked on Broadway, in radio and feature films. Hope was the star of his own TV show in the 1950s with NBC. Later in his career he won an Emmy in 1966 for one of his Christmas specials. He started entertaining troops in 1941 and entertained Marines, soldiers and sailors in the Pacific throughout theWWII.
In Vietnam, where the horrors of war were an everyday reality for volunteer troops and draftees, he was able to distract them – even if it was temporary. He travelled with beautiful women to ‘remind the troops what they’re fighting for.’
He was an American patriot that was crucial to lifting the morale of veterans. An extraordinary example of the impact an immigrant can have on the lives of those who keep our country free.
Families of GIs who died would send a letter to Dad writing that the last thing they heard from their loved one was they had seen the Hope show and what a fun time that was, how grateful they were Dad had given them that respite from the awful conditions.
Linda Hope, Producer and daughter, USO
It wasn’t all fun and games, when forward deployed, active duty troops see the worst side of humanity. Hope would go out of his way to accommodate troops who missed his show because they were out on a mission or on duty. He would do one man shows and arrived unannounced due to security concerns.
This year marks the 48th anniversary of his last show in Vietnam.
The 1972 show marked Hope’s ninth consecutive Christmas appearance in Vietnam. Hope endorsed President Nixon’s bombing of North Vietnam to force it to accept U.S. peace terms, and received South Vietnam’s highest civilian medal for his “anti-communist zeal.”
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Bob Hope was also a humanitarian that advocated for the release of POWs held by the North Vietnamese. Troops would write to him to negotiate their release on their behalf and it’s alleged Hope would sometimes be successful in brokering an agreement.
At Fort Springfield on The Simpsons, Bob Hope played himself entertaining the troops by making fun of the mayor.
On Oct. 29, 1997, he became the first American designated by Congress as an ‘Honorary Veteran of the United States Armed Forces.’
Bob Hope’s career stretched almost 80 years and he lifted the spirits of troops across three generations of war fighters. He took an active role in entertaining our troops in Vietnam and did everything in his power to aid them. He was known for getting as close to the fighting as possible, in fact, in some of his recorded shows you can hear combat in the background. The airport in Burbank, California is named after Bob Hope and so are other roads, buildings — and even a Navy ship. Bob Hope was important to the war effort in Vietnam and gave the troops…hope.
Over the past eight years, we’ve seen two reboots of some of our favorite T.V. shows from the last century: Hawaii Five-O and MacGyver. In September of this year, we’re getting another, Magnum, P.I., and we think the veteran community is going to appreciate it, just like they did the original, which ran from 1980 to 1988.
Unfortunately, this time around, it looks like we’re going to enjoy less mustache.
For those who need a quick refresher before they jump back into the world of Thomas Magnum IV in September, the show follows a former Navy SEAL turned private investigator as he lives the good life on the island of Oahu, Hawai’i. As he solves his cases, he’s assisted by his friends Orville “Rick” Wright and Theodore “TC” Calvin, both of whom are former U.S. Marines.
The fact that all of the central characters are veterans is almost reason enough to be exciting, but after getting a sneak peek at the pilot during 2018 Comic-Con International: San Diego, we’re even more excited.
This reboot allows people to see the true, human side of all of us.
(U.S. Marine Corps photo by James H. Frank)
It depicts combat veterans in a positive light
All too often, veterans are made to look like violence-hungry, damaged goods. Much like the original, the intent of the show is to depict veterans in a more human way. We’ve gotten a lot better at doing this over the years, but we’re not quite there yet. Magnum P.I. is going to give us a story that revolves around veterans. It’ll showcase the characteristics that make us veterans, without all of the unnecessary drama.
You’ll love it, trust us.
There’s plenty of action
Based on the pilot alone, we can be certain thatthe stories will featureaction throughout. Get ready for a show that deliverstons of high-octane excitementwithout too much overt cheesiness.
Just like the original — minus the sweet ‘stache.
The main characters are veterans
As mentioned above, the Thomas Magnum and his friends are all veterans — and they show it. More than just simply talking about their service, the characters act and carry themselves in a way that genuinely feels like they are who they claim to be. The Marines have attitudes that are very reflective of real Marines.
Chances are, if you’re not already a fan of the original, you didn’t know it featured so many veterans. That’s because the show isn’t trying to use it as a selling point, but rather as a real, authentic-feeling character trait.
The dogs are actually a really funny piece of the show.
It’s going to be hilarious
With so many veteran characters, you can expect a hefty dose of witty banter. There’re plenty of light moments that provide an opportunity to laugh, whether it’s the veterans talking trash or Magnum getting chased by Doberman Pinschers.
Don’t worry, there’re plenty more where that one came from.
Although modern, the reboot intends to keep with the original feel from the 1980s series. As such, they’re keeping the Ferraris.
But if you’re a car enthusiast with a particular fondness for Ferrarris, be prepared to watch a few get destroyed.
A few weeks ago I posted a video by DCS player Forest Rat who recreated the aerial scenes in the very first minutes of “Top Gun” (when the two F-14s piloted by Mav and Goose and Cougar and Merlin are vectored by the aircraft carrier to intercept the incoming aircraft that will turn out to be MiG-28s) using the famous Digital Combat Simulator World combat flight simulator.
Forest Rat did it again.
This time he’s recreated the first official trailer for “Top Gun: Maverick”, the sequel of the original 1980s blockbuster that will hit theaters in June 2020, released on Jul. 18, 2019.
Once again, some details are not exactly the same as the trailer, but the work Forest Rat has done is remarkable and shows the realism that DCS world is able to offer.
A comparison between the official trailer (below) and the one recreated in DCS World (top).
(Image credit: Forest Rat/Youtube and Paramount Pictures)
Noteworthy, the new clip is split into two parts: the first one shows the trailer recreated in DCS World except for the last few seconds, when the F-14 (in CGI) makes a cameo flying over snow-topped mountains; the second one, from mark 02:27, provides a scene-for-scene comparison too. At the end of the second part you can also see the final Tomcat scene. To be honest, I enjoyed very much the very last scene of the trailer, the one that shows the somewhat mysterious F-14 Tomcat (04:39 mark), that in my opinion looks better the way Forest Rat has recreated it in DCS World than it appears in the official trailer…
Here’s what I wrote about DCS World in the previous article:
“DCS World is fundamentally a deep, authentic and realistic simulation designed also to offer a more relaxed gameplay to suit the user and his particular level of experience and training. The ambition is to hand hold users from novice pilot all the way to the most advanced and sophisticated operator of such complex weapons systems as the A-10C Warthog or the F/A-18C Hornet. The only next step is the real thing!” says its official website.
DCS is expandable through additional modules as well as user-made add-ons and mods and this is one of the reasons why the are hundred websites, forums, Reddit Communities and Youtube channels dedicated to the “the most authentic and realistic simulation of military aircraft, tanks, ground vehicles and ships possible.”
Just Google “DCS World” and a microcosm of interesting content (that can also be useful to learn more about combat aircraft!) will appear in front of your eyes.
As pointed out by some readers, while baseline DCS World is technically free, additional stuff (including aircraft, maps, etc.) has to be paid for.
This article originally appeared on The Aviationist. Follow @theaviationist on Twitter.
Since the 1960s TV version of Batman there have been a lot of Jokers, Riddlers, Penguins, and Commissioner Gordons. And now, the new version of The Batman will reportedly add two more versatile actors to the Robert Pattinson take on the caped-crusader. Biff! Pow! Get ready for Jonah Hill and Jeffrey Wright! But holy casting riddle Batman, who are they playing?
Variety reports that Jonah Hill and Jeffrey Wright are in talks to play the as-yet-unknown villain in the film and Commissioner Gordon, respectively. No one has signed on the dotted line as of yet but, at least in Hill’s case, “both sides are engaging” in talks. Director Matt Reeves, who helmed the last two Planet of the Apes films, paused casting of supporting roles until he’d found his Batman. Pattinson signed on in May 2019, so Reeves was free to fill in a cast around him.
For our money, both are inspired choices. Wright, known for his role on HBO’s Westworld, has the raspy baritone and comforting presence to play Batman’s greatest Gotham PD ally. He seemed to confirm his involvement with a cryptic tweet in response to Reeves.
Hill has not posted any such evidence to social media, but he has shown remarkable chops in everything from juvenile comedies (Superbad, 21 Jump Street) to prestige dramas (The Wolf of Wall Street, which got him an Oscar nomination) to sci-fi (Netflix’s Maniac).
All in all, we’d see an indie drama starring these three, as Pattinson has moved on from his Twilight days to more serious fare like The Lighthouse, an intense black-and-white indie that will premiere next month. To have them in a film set in such a rich fictional universe should be seen as good news to anyone rooting for a quality reboot.
The biggest question prompted by the news: which villain would Hill play? The Penguin was widely speculated, but Collider reports that The Riddler is actually the more likely part, given the prominence of the role in the script and Hill’s longtime admiration for Jim Carrey.
The Batman will hit theaters on June 25, 2021.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Recently, four skydivers from FullMag decided to step up their game by jumping out of the bomb bay doors of a World War II B-17 bomber using wingsuits.
The skydivers are all equipped with go-pros, parachutes, and the American flag.
The B-17 Flying Fortress has lived up to its name. Primarily, it saw combat during WWII for allied bombing runs in Europe. Originally developed for the U.S. Army Air Corps, this behemoth had as many as 13 machine guns attached.
But what its known for is the devastating 9,600-pound bomb load that it could bring into battle.
The 14 men of the ‘Memphis Belle’ were among the most famous B-17 Bomber crews. It was one of the first bombers to complete 25 combat missions and bring all of her men back.
The tales of this beauty have been made into a documentary in 1944 and a feature film in 1990. In May 2018, the aircraft will be restored and placed in the National Museum of the United States Air Force. This will be done in celebration of the 75th anniversary of it’s final combat mission.
There’s an extraordinary brotherhood that exists among us but few will ever actually meet these honored members. Like our sacred flag, woven together by humility, valor and extreme courage, this is a community of men who never sought recognition — rather earned it — through their own strength, service and sacrifice. These incredible heroes are the recipients of the Medal of Honor.
In the military community, these men are treated with an indescribable reverence; a gratitude that runs deep because of the understanding of the gravity of the citation. Most of these men shouldn’t be alive and many who have earned the Medal never lived to see it. But in the civilian community, the awards often blend together, confusing hearts with crosses, silver with purple.
Now, a major motion picture is closing that information gap, educating the public on the Medal of Honor while pulling at your heartstrings. The Last Full Measure, in theaters nationwide on January 24, has an all star cast that tells the incredible, true story of William H. Pitsenbarger. Pitsenbarger was a U.S. Air Force Pararescueman credited with saving over 60 men after an ambush on the Army’s 1st Infantry Division during a battle in Vietnam. The story couples his heroic actions with the relentless efforts, spanning three decades, made by the men he saved to ensure he was posthumously honored.
Following the Washington, D.C. premiere screening of The Last Full Measure, We Are The Mighty had the opportunity to sit with Medal of Honor recipient First Lieutenant Brian M. Thacker and Medal of Honor Foundation Vice President of External Affairs Dan Smith, to get their take on the movie.
WATM: Tell me your thoughts on the movie.
Thacker: This fills in so many blanks. I knew the Pitsenbarger story and then all of a sudden it kind of happened. In the story, it becomes very clear. The question you have is what was the Air Force guy doing with a leg unit in the first place? And then you think about it and yeah, it’s exactly how it works: the guys closest respond to the call. They were doing joint operations back then and they didn’t even know it. The movie is no frills, a straight story of not just Pitsenbarger, but the whole unit that kept the dream of the award moving forward. It’s a story that needs to be told. There’s a story like that behind every Medal of Honor ever presented.
If you were over there, you know there are many other stories that deserve to be recognized. For a long time, Pitsenbarger was one of them.
WATM: I understand why this story is so important for the Medal of Honor brotherhood and to the veteran population. Why do you think it’s critical for civilians to see as well?
Thacker: First of all, they need to learn what the Medal means. It’s not a me award. Pitsenbarger is the medic with the award, but it really goes to all of the men in that company that were put in an untenable situation. The stories that came out of what happens as a result are equally as important. It’s not over when the shooting stops. The camaraderie and the close bond of serving together is what gets us through.
WATM: There’s a great line in the movie about how the medal means so much more than a battle; it’s the story behind it that connects us all. What story does your medal tell?
Thacker: The other half of the story behind mine is that of a Recon Sergeant that got an assignment he didn’t want but came out with a DSC. My guess is that his citation, like mine, was written at the highest level. But our unit was a Joe six pack, a bunch of people from all over the country that didn’t realize how untenable our situation was really going to be until the first shot was fired. Then it was, ‘Oh Lord, just let us hang on. We just need to get through this day.’ It all comes down to everyone just trying to help each other get through the day. Certainly you don’t do it by yourself.
WATM to Smith: What does having a MOH recipient in the audience tonight mean to you?
Smith: It’s beyond special. Young airman Pitsenbarger’s story is inspiring and remarkable. What we try to do and what our mission is, is to raise resources to let recipients tell their stories and to bring that and the legacy of the Medal to the communities. The most senior leaders in our military and our government talk about the less than one percent who serve and this growing civilian and military divide.
For these gentlemen to be able to tell their stories, not just to the military but to the community will close this gap. I’m hopeful that everyday people will see this movie, hear these heroic stories and change the ambivalence that often comes without knowing the impact of the award. So many men came home from Vietnam and weren’t able to tell their stories. I’m hopeful this will reach not just veterans of that generation but the younger generations as well.
WATM: What do you think this film teaches the next generation?
Thacker: We did everything we could to bury Vietnam. The young people that were born after the war grew up in the dark, unless you were living with a Vietnam veteran and you were living it right with your dad. It’s very symbolic. We see the same thing with young people who volunteered after 9/11; this mentality that I need to be a part of this. It’s 50 years later but it’s the same ethic that bubbles up.
You can take that notion of service far beyond the military. It’s in the fire departments, police departments and even the teaching community; this sense of service above self. You see bits and pieces of that in this movie and I hope it’s one the kids will watch because it’s living history.
WATM: Was there any particular scene in this movie that really resonated with you?
Thacker: When Pitsenbarger realized he had to go down to help them to teach them how to use the litter. Being in that position does something to your pucker factor. People who have been there, you can ask them: ‘Do you remember what it felt like?’ They’ll tell you they were very afraid. Knowing you are in over your head and wondering who you turn to for help, that happens all the time. There will be a lot of people who understand that feeling of all of a sudden being in charge.
WATM: As a MOH recipient, I imagine you’re invited to events like this all of the time. Is there a particular event you have been a part of that has had a profound impact on your life?
Thacker: Being able to attend an Inauguration and to witness the peaceful transfer of power was an incredible experience. I don’t think people understand how truly special and uniquely American that is.
WATM: Is there anything else you want people to know about either you or the Medal of Honor Foundation?
Thacker: We still have something to say. I remember when the Baby Boom generation wasn’t going to amount to much. Now we’re saying the same thing about Millenials, and I promise you, we’ll be as wrong about them as our parents were about us. That willingness to stand up and take the risk is fairly common.
Smith: These men have incredible stories to tell. My hope is that through films like The Last Full Measure we’ll be able to connect communities with this heroism.
The Last Full Measure will be in theaters January 24. These stories deserve to be told and the valor of The Medal of Honor should live on through all of us. Perpetuating the legacy should be our collective Last Full Measure.
Peter with his platoon at Army boot camp. He is third row from bottom, far right. Photo credit Peter Markle.
Peter Markle grew up during a period of intense change for the country with the Civil Rights Movement and the Vietnam War etched into his mind. His father proudly served in WWII in the Pacific where he brought those hard-learned lessons and values back to the family, which greatly impacted Peter. After time in the U.S. Army Reserves and on the USA Hockey Team, Markle decided to become a filmmaker. He has directed many great films, especially military and historical ones, to include Bat 21, Faith of my Fathers, Flight 93, Saving Jessica Lynch, Nightbreaker and Youngblood. Markle has also directed numerous episodes for hit shows including the X-Files, CSI, Without a Trace, Life, NYPD Blue, Burn Notice, Rescue Me, ER and Homicide: Life on the Street.
WATM: Tell me about your family and your life growing up?
I was born in Danville, PA. in the Geisinger Hospital that my mother’s father started. We lived on a farm outside Hazelton, PA. I have vivid memories from my first years there. The barn and particularly the hay loft, the fresh fruit that was picked daily in season, the creek where one of the workers killed a water moccasin one day. In first grade we moved to Minneapolis where my father got a job at a bank and I was introduced to a real winter. And the rink directly across the street in the park where I discovered ice hockey.
When I grew up there was no social media and absolutely no restrictions what you did with your free time when not in school. We had a black lab that left the house in the morning with us, went on his own way when he got bored with our activities which included exploration, sports, fishing etc. My dad hung a huge bell that could be heard
a half a mile away which was rung for lunch and dinner. The dog was always the first one back. Times have changed. We had enormous freedom and there was no temptation to bury our faces in smart phones. All activity was self-created.
I distinctly remember being fascinated the movies and got completely lost in them at the local cinema which is still there today. One of my favorites was Shane with Alan Ladd. Years later his son, Alvan Ladd, Jr. greenlit one of my films (Youngblood).
Markle with Flint Generals (IHL). Photo credit PM.
I continued hockey throughout high school and my senior year was asked to join the Olympic Hockey development program which ran through the summer. I played at Yale, had a tryout after my senior year with Boston, played minor league hockey and then three years with the US National team participating in two World tournaments.
Markle with the USA team. First row second from the right. Photo credit PM.
WATM: What is the most distinct memory of your mother and your father?
My parents were very social and community involved. My dad was one of the founders the youth hockey program in our area which started with one team and expanded in a few years into 500 participants. My mother worked throughout her life for hospitals concentrating on rehabilitation. Her interest in health care no doubt emanated from her father who was first assistant surgeon to Will and Charlie Mayo and at one point in his career became President of the American College of Surgeons. They were both extremely social and the vast majority of their best friends served in some way during WW2, many as Naval pilots. My dad was interested in everyone he met. He was the best listener I’ve known. That did not imply he didn’t have a point of view. His advice was judicious and more than often accepted. My mother was a community organizer. That would include in her community as well as her hospital work. Her friends would call her in the morning for their marching orders for the day.
WATM:What values were stressed at home?
It was the traditional ‘Golden Rule’. It’s a timeless aphorism and sometimes hard to follow in a competitive world like film but being honest and empathetic wins out in the short and long run. My mother also told me that lying not only was reprehensible but far more difficult to keep track of than the truth. Both underscored that failure was the inevitable pathway to success. It all depends on how you react to it.
WATM: What influenced you to join the US Army, what was your experience and what lessons did you take away from your service?
I graduated from college at the height of the Vietnam conflict and joined the rest of my class in deciding what was the next move. A significant number of the class including myself applied for the Naval OCS (officer candidate school) in the language division which was in Monterey, Ca. The sample copy of the test which was based on a made-up language was circulated around the campus. I remember looking at it and getting the gist of the concept. Apparently, the other students there got the gist as not one of several hundred who took it missed a question. There was some sort of investigation by the Navy, but it was dropped. I did not attend OCS and assumed upon graduating I would be drafted. I was playing professional hockey when I was told to report to Fort Snelling where the Minnesota Army Reserve was located. I was with four other players at the end of a 200-person line when our names were called, and we were told to report to the front. We were all inducted into the Reserves and told that we would all get time off when playing for the US National hockey team including world tournaments. A month later I was in Stockholm.
Peter lining up for the action shot even before becoming a director. Photo credit PM.
I did basic training at Fort Leonard Wood in the middle of the summer. It was incredibly hot and humid. I made fast friends in my platoon and had a great drill sergeant. It was a lot like summer football camp but with longer hours. Up at 4am for a 5-mile run in army boots to lights out at 10pm. I was told that you had to learn how to stand in formation while asleep. Done. We had soldiers who gained 80 pounds (never had more than one meal a day) and others who lost 80 (never ran over 10 yards in their lives before). It was a very different mix from my fraternity in college where we had 4 Olympic Swimmers (including Don Schollander who won 5 gold medals and Calvin Hill who was All Pro in the NFL. As a footnote The President of the frat my sophomore year was Fred W. Smith, founder/CEO of FedEx and decorated US Marine in Vietnam, and for my senior year it was George W. Bush who also ended up in the Air Force Reserves.
The harassment was handed out pretty democratically until the PT contest. Parallel bars, low crawl, 100-yard man carry, the 6-minute mile in army boots, push ups etc. I scored the only perfect score in my company (200 men) and was given the weekend off. That would not have happened if my 98-pound roommate, Eddie Pragg, didn’t let me use him for the man carry.
I have to underscore that my boot camp experience on every level was positive. It was tough but extremely well organized. The officers were exacting but fair. The staff was totally professional. It ran like clockwork at a time when so many were going through the turnstile each day. There are some correlations to making a film where it demands a unified front and an ability to make quick adjustments according to the situation at hand. I was just a grunt in the machine but there were numerous examples among the staff on every level as well as my fellow platoon mates that have stayed with me my entire life.
No one knew other than a small handful of reservists as to whether they would end up in Vietnam. I did not have to confront the prospect of being shipped out. I realized that I was uniquely privileged. I did OJT (on the job training) at Fort Ord in Chicago before ending back in Minneapolis for weekend duty once a month at Fort Snelling. Motor pool, clerical work, city public projects. No riots or disasters to contend with. We did summer camp at Fort McCoy in Wisconsin and in addition to my normal duties and drills I was an editor of the camp newspaper distributed the last day. I decided to take a somewhat satirical angle on the experience and was surprised at the reception. There was laughter, soldiers reading bits out loud and fortunately no reprisals from the brass. I was encouraged to write by my freshman English professor in college and never took it seriously until listening to the reception of my version of ‘The Onion’ distributed around camp.
I would be remiss not to mention that it was my father who was the real soldier. He dropped out of the University of Pennsylvania to join the Navy. He got his pilot license at 17 and became one the youngest flight instructors in the armed forces during WW2. He was assigned to the USS Bataan, a light aircraft carrier, and fought in the last years in the Pacific through the surrender which he witnessed being docked next to the Missouri in Tokyo Bay. Because of his flight experience he was put in charge of the CIC (combat information center) directing planes when airborne, spotted bogies (enemy planes) and skunks (unidentified surface ships) basically directing aerial combat operations along with the brass. They were in the middle of the kamikaze blitz and had numerous close calls. He witnessed both the Bunker Hill and the Franklin take direct hits some less than 200 meters away with the loss of over 1000 sailors. During one Kamikaze attack a sister ship got hit and 19 soldiers were thrown overboard. Dad marked his ship’s position using the DTR (dead reckoning system) and he convinced the brass to take 8 ships after dark for a search. They implemented a staggered zig zag course for six hours and miraculously found the sailors within 10 minutes of the search stop order. To be noted as well, his brother, Alvan, landed on Omaha Beach, fought 5 major battles in the Bulge as an artillery captain and was honored the Chevalier of the Legion of Honneur by the French. He attended the 70th Anniversary of Normandy.
Peter’s father (Thomas) during WWII. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
WATM: What values have you carried over from the Army into directing and writing?
It’s a tiresome analogy but it would be teamwork. I’ve been on series where one show had 4 stages in use at the same time. One devoted primarily to build sets designed for a particular episode, another three with sets for shooting a current episode, pickups from previous episodes and for the next one. Well over 100 people will be working to accomplish the same goal. Each department head is crucial to the mission (production; accounting; director and assistant directors; art; camera; casting; catering; construction; costume; lighting; grip; locations; makeup/hair; medic; post-production; property; publicity; research; script supervision; set dressing; sound; special effects; stand-ins; stunts; transportation; video playback; visual effects. The similarity to the chain of command in the military is obvious. Lots of departments. Lots of personnel. And all interdependent with one another. I guess the ‘weakest link in the chain’ is a prevalent dynamic in both film and the armed forces. I was shooting a film in Borneo (Bat 21) and the special effects department head had set a series of explosions along a path through the jungle Gene Hackman and Danny Glover would run by. This was primarily done using a nail-board which each nail represented an explosion. After going hot contacting the individual nails with metal (could be a screwdriver) set off the blast. The department head said that he was going to use a computer program instead of the old system, the ‘eyeball approach’. I questioned whether it made sense to switch now but he said it was safer. I called action and Danny and Gene started running along a riverbank. An explosion (representing a bomb) goes off so close to them that they both instinctively duck and cover their faces but continue running. The second explosion is closer, and we get the same reaction for the talent. I look over at effects and he is white as a ghost. The shot was incredible, but we almost lost two actors. Back to the nail board. We never told Gene or Danny.
WATM: What is the most fulfilling project you have done and why?
I guess it’s always the first one because you actually pulled off the impossible. It was a low budget comedy called The Personals where no one was paid. It got great reviews and a crazy learning experience. Bat 21 was up there for the subject matter, the location and working with Gene and Danny. Flight 93 was the first 9/11 film and it was done for AE TV. It was nominated for and won a bunch of Emmys. It was also a challenge to write because the majority of the account took place on the plane. The 9/11 Commission report had just come out and had a great deal of information that I was able to incorporate into the film. We covered not only the drama on the plane but also the families as well as the air traffic controllers and military involvement on the ground.
WATM: What was your experience like in working with such talents as Gene Hackman, Danny Glover, Senator John McCain, Kiefer Sutherland, Dennis Hopper, Daryl Hannah, Rob Lowe, Patrick Swayze, Keanu Reeves, Cynthia Gibb, John Candy, Jerry Reed, Joe Pantoliano, Ed Lauter and the like?
After a tryout with the New York Islanders and being assigned to a farm team I made the abrupt decision to become a filmmaker. A good friend of my parents told me something that I never forgot – ‘If you do something you love you increase the odds a hundred-fold that you will be happy and successful.’ I gave it a shot. I ended up doing several military related projects including Bat 21 with Gene Hackman, Faith of my Fathers with Scott Glenn and Shawn Hatosy, Saving Jessica Lynch, Flight 93 and Nightbreaker with Martin Sheen and Emilio Estevez.
All were based on true stories. Bat 21 chronicled the rescue of a 52-year-old Air Force Colonel who was flying a mission to identify through electronic surveillance SAM missile sites that would be knocked out by fighter jets prior to a B52 carpet bombing. His plane was hit by a SAM and he ended up in enemy territory with no ground combat experience. He was guided to his rescue by a spotter plane that flew daily missions tracking him. Gene Hackman played the Colonel and Danny Glover the pilot. Both actors were terrific to work with. Gene prepped at night and arrived early in the day to walk the ‘set’ (only locations in our case). I don’t think I ever did more than 3 takes with him in a scene. Danny is a natural and had great insights into his character. All day aerial shooting was done with him in the plane. It was 95 degrees, humid and our takes had to be limited to seconds in some cases. It was major hazard duty, but Danny embraced it. At times he had control of the stick and relied on our stunt pilot in the other seat to let him know when to bank away.
On the set of Bat 21 with Gene Hackman and Peter. Photo credit Peter.
Clayton Rohner and Danny Glover in Bat 21. Photo credit IMDB.com
Faith of my Fathers was based on John’s McCain’s early days at Annapolis through his release from the Hanoi Hilton where he was imprisoned for 5 years. Shawn Hatosy was remarkable as he had to age 20 years over the course of the film in portraying John. Scott Glenn was perfect, giving an understated yet powerful performance as his father who was commander of all U.S forces in the Vietnam theater. McCain himself visited the set in New Orleans where we reconstructed an abandoned brewery into the prison. One day I watched him walk over to a cell by himself and enter. I joined him and asked him what he thought. His reply, ‘it’s identical. But you know at times I actually miss it.’ Perplexed, I asked, ‘miss what?’ John replied, ‘being there. I made some great friends. It was one of those shared experiences that forms you for the rest of your life.’ That summed up John McCain for me.
Peter, Shawn Hatosy and Senator John McCain on the set of Faith of my Fathers. Photo credit Peter.
Saving Jessica Lynch was a jingoistic, short of the facts script when I received it. I did extensive research which included interviewing soldiers who were in Iraq and one we hired as an extra who was part of the actual rescue effort. The final product told the real story: A convoy consisting of essentially non-combat personnel (cooks and clerks) made a couple of bad decisions and ended up driving through a town inhabited by Fedayeen. The New York Times and other reputable news outlets broke stories that our film debunked. Lynch did not shoot back during the attack. Eleven American soldiers died. She was taken to a hospital and was on her back through her rescue. The Times wrote a retraction after the film aired praising the film for its authenticity.
Laura Regan in Saving Jessica Lynch. Photo credit IMDB.com
Pete and Laura on set. Photo credit PM.
A scene from Saving Jessica Lynch. Photo credit IMDB.com.
Peter directing a scene of Saving Jessica Lynch. Photo credit PM.
Just before filming starts on the set of Saving Jessica Lynch. Photo credit IMDB.com
An action sequence from Saving Jessica Lynch. Photo credit PM.
Nightbreaker was a pet project of Martin Sheen. It chronicled the use of army soldiers as guinea pigs to determine the short- and long-term effects of being exposed to a nuclear blast. This was a story from the 50s when nuclear proliferation was at its apex. Emilio plays Martin role as a young man during the actual tests. It tracks the character in middle age trying to come to terms with his involvement. Both actors were terrific to work with and inhabited the pervasive guilt from being involved in the malignant endeavor. Joey Pantoliano played a Sergeant who was in charge of a platoon of guinea pig soldiers and brought the entire range of conflicted emotions to his part.
Peter with Martin Sheen on the set of Nighbreaker. Photo credit Peter.
Joe Pantaliano, Peter and Emilio Estevez on set for Nightbreaker. Photo credit IMDB.com
Peter and Martin on set. Photo credit Peter.
Flight 93 was the first film about 9/11. Obviously, there was a military component as soon as it was discovered that it was a coordinated terrorist attack. I remember someone seeing the film and mentioning that it must have been harrowing to make. I noted that our fuselage (the real interior of a 757) was flying at an altitude of one meter, zero knots and within a 15 second walk to craft services (snacks). The best we could do would imagine how we would have reacted in the situation. Would we have been that heroic? Would we be at the head of the conga line attacking the cockpit or hiding in the bathroom in the back? Maybe somewhere in the middle? The coordination between the military and the civilian air services was impressive even though three of the four targets were hit. The passengers on 93 had more time to gather information and communicate with ground control so enable them to coordinate an attack.
Peter on the set of Flight 93. Photo credit IMDB.com
What the outside of the set looked like. Photo credit PM.
Peter working with the cast on Flight 93. Photo credit IMDB.com
More on set work for Flight 93. Photo credit IMDB.com
93 was an intense journey as are all films. Lots of moving parts, decisions, conflicts and compromises. But ultimately it is teamwork that wins out.
Rob Lowe, Pete and Patrick Swayze on set for Youngblood. Photo credit IMDB.com
Pete (bottom center) with the cast and some crew of Youngblood. Photo credit IMDB.com
Youngblood was a passion project and a blast to make. It was about a young hockey player from the US trying out for an elite Canadian junior team. Rob Lowe, Pat Swayze and Cindy Gibb were the leads. Keanu Reeves played a goalie and it was his first job in a film. Goalies are characters because it’s such an insane position and he was totally quirky in the audition. Rob was great to work with. He had no previous experience skating but progressed quickly enough for us to make it work. He had two doubles who filled in the action scenes who were both elite players.
Pat was a figure skater and quickly adjusted to hockey skates. Rob would agree with me that Pat was a force of nature. He’d be working on 10 other personal projects when not on the set. He composed the song ‘She’s like the Wind’ in his hotel room using a portable mixing setup. We had two scrimmages a week during prep with crew and our hockey extras. Our extras were elite players (two went into the NHL a month after wrap and had huge careers). An executive from MGM came up to make sure I wasn’t participating in the games for obvious reasons and was taken to the rink and just as he sat down, he saw me collide with another player. Pat who knew the exec was there skated over to me and said ‘stay down. He’ll have a heart attack.’
Rob, Peter, Ed Lauter and Ken James. Photo credit PM.
Pete on the ice with his DP Mark Irwin. Photo credit PM.
Tony Danza, Pete, Nick Tuturro and Samuel L. Jackson on the set of Dead and Alive: The Race for Gus Farace. Photo credit IMDB.com
Frank Vincent, Tony Danza and Pete on Dead and Alive: The Race for Gus Farace. Photo credit IMDB.com
Danny Glover and Pete sharing a moment. Photo credit PM.
Dayton Callie, Michael Madsen, Pete and Dennis Hopper on the set of The Last Days of Frankie the Fly. Photo credit IMDB.com
Pete on the set of “The X-Files” with David Duchovny. Lily with the poncho, Pete, David and Melinda (Pete’s wife) Photo credit IMDB.com
Peter and Louis Gossett Jr. on the set of El Diablo. Photo credit IMDB.com
Pete and Daryl Hannah taking a break on The Last Days of Frankie the Fly. Photo credit IMDB.com
WATM: As a veteran, how do we get more veteran stories told in the Hollywood arena?
There are so many diverse stories that can be told. The multiple perspectives include what branch of service, when, the mission, the soldiers involved, fact or fiction etc. Like any project it depends on the strength of the narrative and its ability to attract the actors that help finance the project and the studio/production company to green light it. Personally, I think the number is infinite. All conflicts are different just like every individual is different.
Dennis Hopper, Pete and Kiefer Sutherland on The Last Days of Frankie the Fly. Photo credit IMDB.com
Gillian Anderson and Peter on the set of “The X-Files”. Photo credit IMDB.com
WATM: What are you most proud of in life and your career?
First would be having a family which I did at an advanced age. I met my wife, Melinda, while casting a television film. I guess you could call it an acceptable version of the casting couch. That is to say I wasn’t the only one in the room and it wasn’t at the Peninsula Hotel. She was the best actress for the part, and I was immediately attracted to her by her performance and presence. We laughed and argued (about the role) in the room. I knew she was going to be a challenge, but it has made our lives infinitely interesting. And, of course, I’m a guy and like most of our species have not progressed that much from the stone age. We have two kids, Lily and Lucas. As moms and dads know, when children make an appearance, life as you knew it evaporates. But in a good and challenging way. When they got into their teens, I learned so much. Such as I was a horrible dresser and not to yell at basketball or soccer officials. We taught them both to ski and the progression of literally carrying them down the hill to not being able to ski any of their favorite double black runs with them is humbling. You realize that you can give them some direction but that they are on their own paths and need to fumble and fall and learn to pick themselves up again.
Per career I think it would be not willing to quit. To keep trying. I never had a film gross 100 million and did not play one game in the NHL, but I was rewarded in countless ways for my efforts. I have met so many wonderful, dedicated, talented people along the way which is one of the most valid ways to judge one’s life. And I can say that my time spent in the Army was an integral part of the on-going journey.
At the end of The Dark Knight Rises, Batman is not only alive but happily drinking wine with Anne Hathaway. It seems impossible, but it’s been 11 years since the final Christian Bale and Christopher Nolan Batman movie hit theaters. Since then, Ben Affleck has played Batman and now Robert Pattinson has slipped into the Batsuit for the highly anticipated 2021 film, The Batman. But what if it had all happened differently? What if Christian Bale had done one more turn as Batman?
Speaking to the Toronto Sun about his new film, Ford v. Ferrari, Bale makes it clear that a fourth Batman film was 100 percent in the cards, and certainly something Warner Bros. wanted from both him and director Christopher Nolan.
“Chris [Nolan] had always said to me that if we were fortunate to be able to make three we would stop,” Bale explains, saying the director always wanted it to be a trilogy, no matter what. Though Nolan and Bale always felt lucky each time they were able to make a new installment in their version of Batman. These days, we consider the Dark Knight trilogy to be a modern classic in the superhero genre; movies that stand apart from the Marvel versus cinema debate. But, at the time, Bale points out that doing a new version of Batman was considered to be a fairly risky gamble.
Christian Bale in The Dark Knight Rises.
(Warner Bros. Pictures)
“I literally had people laugh at me when I told them we were doing a new kind of Batman,” Bale says. “I think that the reason it worked was first and foremost Chris [Nolan’s] take on it.”
Still, when the studio wanted a sequel to The Dark Knight Rises, Bale said Nolan turned it down. “Let’s not stretch too far and become overindulgent and go for a fourth…That’s why we, well Chris, stepped away. After that, I was informed my services were no longer required.”
Though this interview makes it sound like Bale was in solidarity with Nolan, that last detail also suggests he would have done another Batman movie in a different capacity if asked. Though Christopher Nolan produced The Man ofSteel and Batman eventually appeared in its sequel, Batman v. Superman, it’s an interesting thought experiment to consider what would have happened if it was Bale’s Batman and not Ben Affleck who battled with Superman? It’s an alternate dimension we’ll never visit; one starring a Batman that we didn’t need, per se, but certainly, the Batman we still think we all deserve.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
The most recent episode of “South Park,” called “Band in China,” mocked Hollywood’s submission to the country. Now the long-running Comedy Central animated series has seemingly been banned in China itself.
Episodes, clips, and online discussions of the show have been removed from the Chinese internet, according to The Hollywood Reporter. THR reviewed the Chinese social network Weibo and found zero mention of the series; clips and episodes on Chinese streamer Youku didn’t work; and “South Park” discussion forums on Tieba had been closed.
“According to the relevant law and regulation, this section is temporarily not open,” a note on the platform says when you search for a “South Park” discussion thread, according to THR.
In the episode, Hollywood wants to make a biopic of Stan Marsh’s band, but must alter the movie to fit China’s regulations. Meanwhile, Stan’s dad, Randy, attempts to sell marijuana in the country after people in South Park stop buying his and start growing their own.
The Return of Fingerbang – “Band in China” – s23e02 – South Park
China is currently the second-largest theatrical market in the world and Hollywood has increasingly relied on the country’s box office to give potential blockbusters a boost. A report from Ampere Analysis last year predicted that China would surpass the US as the world’s box office leader by 2022.
The “South Park” episode is heavily critical of China’s censorship and references the country’s crackdown on Winnie the Pooh imagery. After China’s ruling Communist Party announced it wanted to eliminate presidential term limits last year, photos comparing its leader Xi Jinping to Pooh popped up online.
Disney’s “Christopher Robin,” a live-action take on the Winnie the Pooh characters, was not released in China last year because the character was such a symbol of resistance, according to THR.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Hollywood loves to make old fashion bloody war movies that have plenty of entertaining explosions and dramatic death scenes. While entertaining, these can hit pretty close to home for someone who’s been in the fight.
The graphic ones can be particularly realistic, but no matter what, they all represent the sucktitude of war.
Here are five you may want to stay away from before deploying to a combat zone.
1. Saving Private Ryan
Known as one of the most authentic and gruesome openings to a film ever, this Steven Spielberg-directed classic put audiences inside the minds of war-hardened characters as they storm the beaches of Normandy.
I think that guy had eggs for breakfast. (Image by Giphy)
2. Casualties of War
Marty McFly, I mean Michael J. Fox, plays an Army soldier who is coerced by Sgt. Tony Meserve (Sean Penn) to take advantage of a Vietnamese hostage-turned-sex-slave. When he refuses, the whole squad turns against him.
We guess they missed those team building exercises stateside. (Image via Giphy)
3. Hamburger Hill
John Irvin’s 1987 war epic depicts one of the most disastrous friendly fire accidents in the military in the Vietnam war.
Could you imagine that sh*t. (Image via Giphy)
4. The Deer Hunter
Because no one wants to think about the dangers of being a prisoner of war and playing Russian roulette at the same time.
No one wants to get left behind and eventually gunned down by the bad guys.
WHY ME?! (Image via Giphy)
Bonus: Pearl Harbor
This is a good one if you join the service with a buddy. In Micheal Bay’s “Pearl Harbor,” two childhood friends join the military as pilots. As one is off fighting in an aerial dogfight, the other stays back keeping his girlfriend company — eventually knocking her up.
Spoiler alert — he takes about a half dozen bullets for his buddy to buy himself some redemption. That is all.
It’s actually a good way to make things even. (Image via Giphy)
Hugh Hefner, the iconic founder, Editor-in-Chief, and Chief Creative Officer of Playboy — and one time U.S. Army veteran — is dead at 91.
His military service is a testament to the mentality of vets from the Greatest Generation. Despite an IQ 0f 152, he still opted to join the U.S. Army right out of high school in 1944, a time when victory in Europe wasn’t necessarily assured.
But Hef never made it to Europe. Instead, he was an infantry clerk stationed in Oregon and then Virginia. While he did learn the basics of using the M1 Garand and tossing grenades, he never had to do it on the battlefield. He spent the war drawing cartoons for Army-run newspapers.
He left the military in 1946, honorably discharged and destined for greater things — notably supplying reading material for U.S. troops (and everyone else) for every American war since 1953.
“I came out [of the Army] like a lot of other fellas believing that somehow we had, we had fought in a war, the last really moral war and that we would celebrate that in some form,” Hefner once said in an interview. “I expected something comparable [to the Jazz Age] after world war two and we didn’t get that, all we got was a lot of conformity and conservatism.”
Hefner left the Army to encounter the Cold War as a civilian and he didn’t like what it was doing to American society. He blamed things like Senator Joseph McCarthy and the House Un-American Activities Committee as a sign of repression in the U.S.
“When I was in college at the university of Illinois the skirt lengths dropped instead of going up as they had during the roaring twenties and I knew that was a very bad sign,” Hefner said. “It is symbolic and reflective of a very repressive time.”
In Hef’s mind, sexual repression and dictatorship went hand-in-hand, and he opted to do his part. His work helped fuel the sexual revolution of the 1960s — and fight an element of feminism he sees as a “puritan,” “prohibitionist,” and “anti-sexual.” Hefner funded challenges to state regulations that outlawed birth control and he sponsored the court case that would become Roe v. Wade.
“One of the great ironies in our society is that we celebrate freedom and then limit the parts of life where we should be most free,” he told Esquire in 2015.
In that same Esquire interview — at age 76 — he said of his death: “My house is pretty much in order. When it comes, it comes.” But he also said, “I wake up every day and go to bed every night knowing I’m the luckiest guy on the fucking planet.”
There’s a constant debate within the nerd-o-sphere about which superhero film is best. Some score points for being accurate to the source material, some are of a higher quality than others, and some are just downright enjoyable to sit through while munching down a tub of popcorn.
In the end, this debate always boils down to personal preference, but there’s no denying that just one film truly cemented the audience’s desire for more superhero films — and that’s 2002’s Spider-Man, starring Tobey Maguire. Sure, it’s not the best filmmaking that the genre’s ever seen, nor is it even close to being the highest grossing, but what this film can claim that no other superhero film can is a crucial role in American pop culture following the horrific events that occurred the morning of September 11th, 2001.
I mean, the guy is so down on his luck that he has to live with his aunt.
For anyone unfamiliar with his role in the comic books, Peter Parker was never some big, strong superhero. He never wore a cape and he he was never really a permanent member of some greater superhero alliance. In fact, he was generally the opposite of what most people would assume a superhero would be. He’s a quiet, shy nerd who works a low-paying, entry-level job for a boss that hates him.
In both the films and the comics, Peter Parker is actually the stand-in for the audience. The general public isn’t made up of rich billionaire philanthropists or Norse gods — they’re just average Joes trying to make ends meet.
We told ourselves we would rebuild. And we did.
The film was in production for years and, just like in the comics, it showcased New York City a character, as much as anyone else in the film. So, in much of the film’s advertisements, they used the two most iconic buildings in the New York skyline: the Twin Towers. In promotional posters and even a stand-alone story trailer that showed Spider-Man stopping bank robbers in a getaway helicopter, the Towers placed a fairly central role.
Then, the day that none will forget came. Four passenger airliners were hijacked. Two successfully struck their target, the World Trade Center in New York City, and another hit the Pentagon. The fourth was brought down in Shanksville, Pennsylvania.
What seemed like an eternity to onlookers took one hour and seventeen minutes. There’s no denying that, in this moment, all American felt scared and, for once, vulnerable.
America was hurting bad. Meanwhile, certain scenes had to be re-shot that featured the New York skyline. This, of course, shuffled the release date back. But in the process, Sam Raimi, the director of the film, added one iconic moment that made the most lasting impression on pop culture — the very last twenty seconds of the film.
Spider-Man had saved the day, saved a hurting New York City, swung up to the top of the Empire State Building, and stood in front of a proud, billowing American flag.
It was exactly what most people, especially the film’s target demographic — a younger crowd that couldn’t really comprehend what had happened — needed to hear. Your average, everyday guy who just happened to be bit by a radioactive spider, is there to save the day.
You know the old saying, “don’t judge a book by its cover”? That’s precisely what you should remember when you meet singer-songwriter, Brandon Mills.
The six-foot-tall dirty blonde haired blue-eyed Mills isn’t just another pretty face; behind those blue eyes, there is a bad ass who was once known as Sergeant Brandon Lanham, Marine Corps reconnaissance scout sniper.
He goes by Mills because, as he puts it, “Mills is my middle name, all my favorite singer songwriter’s names are 3 syllables, not sure why but I think there is a method to their madness.”
Mills joined the Marine Corps with his brother and they attended boot camp together and were later reunited in the Recon community.
Mills served his first tour in Afghanistan with Golf Co. 2nd Battalion 3rd Marines out of Hawaii. After some continued motivation from his brother, he took the leap, passed the requirements and indoctrination process, and got to 1st Recon Battalion, with whom he would deploy to his second tour in Iraq.
All along the way, Mills was writing lyrics and honing his craft as a musician.
“I just wanted to travel and play music for everyone,” Mills said about his desire to perform.
“My youngest memory of recorded music is a Beach Boys greatest hits tape that I spent my lawn mowing money on,” reflects Mills as he explains his earliest passion for music that has stuck with him since playing the saxophone in school.
The love of music and the desire to create it has been a lifelong aspiration for Mills even before he joined, so it would make sense that he leave the Marine Corps and become a musician. Right?
Even after all his success and accolades in the Corps, Mills was not ready to aimlessly jump straight into the music scene when he left the Marines. He admits he was nervous — even scared — to chase the dream without a safety net, so he did what many Veterans do: he became a contractor.
Eventually, the bug bit harder and he found it impossible to not take the risk and pursue his true first love.
Now managing his own gigs, website, and social media, Mills has made his transition from Marine to musician rather successfully.
He has played shows all over the country, supporting non-profits like Intersections International, Force Blue, and Society of Artistic Veterans. He has recorded several tracks and even shot a few music videos of himself performing.
Recently Mills finished a residency at Umami burger in Brooklyn and Manhattan, “That was just me hustling, literally going from business to business asking, do you guys do live music? If not, why? If you do, how do I get involved?”
That’s the work ethic and resolve all warriors take to their tasks.
(Brandon Mills | YouTube)It might go without saying that the persistence, determination, and even stubbornness are strong character traits in most, if not all, of our elite warriors.
You don’t make it into our military’s special units without being resilient, steadfast, and dedicated — Mills without a doubt carries those same values and characteristics into his music career.
I asked Mills if the transition was hard, going from stone cold warrior to writing and performing love songs. I wondered if there was any identity crisis there and how he dealt with it.
He explained that it was difficult dealing with other ideas of masculinity and letting that warrior machismo block his flow, but he has learned to temper those instincts and allow himself to feel the positive vibes and let his creativity through, not worrying about what others think and only focusing on great storytelling through song.
I don’t think Brandon would mind the comparison of his sound being somewhere between John Mayer in his vocal delivery and Jack Johnson in his light-hearted muted acoustic. Mills’ vocals have that bluesy, gravely register that urges the listener to lean in and feel the lyrics, while his guitar style is playful and rhythmic like a campfire sing-a-long.
Mills isn’t commercially successful yet, or famous for that matter; however, he understands that it’s a long road in the music industry, requiring a ton of work — but he feels he has all that in him.
He wants to help veterans tell their stories through music and let them know that it’s okay to express themselves through art, using himself as an example. Brandon’s music is all about spreading positivity, uplifting spirits, and connecting people with passion.
“I hope that I can give some people what they need,” Mills said, when discussing his forthcoming album. “I’m so critical of myself, I know what I want — if it’s not good enough I will do it again.”
It’s relentless drive and focus like this that will push Mills into the spotlight, eventually.
The strength, tenacity, and perseverance saturated in his warrior spirit will undoubtedly meld with his passion and creativity to help Brandon Mills become a renowned singer-songwriter for years to come.