Actor, NYPD Captain (ret.) and Marine shares his incredible journey to his dream of acting

Left side: A young man in a white Marine Corps dress cap with a black visor and the Marine Corps emblem on the front. Right side: A red shirt with yellow footprints, the Marine Corps emblem above them, and the text "NYPD MARINES" above and "'BEEN THERE'" below the footprints.

Veteran actor and former Marine Corporal Joe Lisi gives us a no-holds-barred interview about his life before the Corps, times on the streets with the NYPD and what he holds true to today about his service. We Are The Mighty spoke with Lisi on growing up in NYC, serving there as a police officer in elite units and then moving on to show business based on his childhood dream.

Lisi was born in Brooklyn and raised in NYC by a native-born family of the city. His father was Italian, his mother was Irish and both were in the Navy during World War II. His dad came back home from the Navy and had married his mom during the war. The Lisi family settled in Queens and Lisi went to a parochial elementary school. The family was a household of eight. As siblings they played in the neighborhood with kids of Irish, Italian, Jewish, Mexican and Puerto Rican heritage. His family then sent him to public high school which he graduated from in June 1968. In August of that year, he went to work for NYPD. There were a lot of Vietnam Veterans in his academy class in ’68 and they were early veterans of the war. Lisi was officially hired into the police trainee program. 

Lisi’s Captain’s Shield & NYPD Decorations. Notice the USMC Service Bar (red). Photo courtesy of Joe Lisi.

Lisi joined the department as a civilian employee in his trainee capacity. He shared, “The only thing that kept us from being cops was we were 18 where you had to be 21 to be a cop. We were cocky then too.” He did clerical work and met an administrative aid that only had one leg. The disabled individual was dependable, low-key, didn’t have much of an ego and was driven. Lisi found out he was a Vietnam veteran and a Marine and his name was John Devine. Lisi said, “I just admired him and the way he composed himself. I decided I wanted to be like him and I had to get permission from the police commissioner to enlist in the reserves.” There was a noticeable difference between Lisi before and after. “I was told by an NYPD Sergeant that the difference was stark, where before I went to Parris Island and after where the sergeant couldn’t believe the change in me. The Sergeant was impressed with my work ethic and character even more so upon my return.” The NYPD Sergeant was a World War II veteran as well.

Lisi undergoing chemotherapy treatment at Sloan Kettering in Manhattan. (Lejeune Water). Photo courtesy of Joe Lisi.  

Lisi went to boot camp that was only eight weeks long because of Vietnam. He was promoted to PFC out of boot camp and his MOS was as a Radio Relay Operator since he was joining the 11th Communications Battalion in NYC. It is currently the 6th Communications Battalion in the Marine Corps Reserves. He went to radio school at the original Montford Point, worked in the motor pool for 8th Marines in CLNC on vehicles and drove Marines around the base. He stated, “I remember walking around Manhattan in my Alphas and having people spit at me. Thankfully, that has changed due to President Reagan reinstilling pride in the military.” Lisi stayed in the Reserves for three years.

Almost Home poster at the Acorn Theatre. Written by Marine Vietnam Veteran Walter Anderson. Photo courtesy of Joe Lisi.

He was called to active duty for the 1970 Postal Strike, “We protected the mail and did an outstanding job. My Marine friends call me the postal warrior.” There was a point where Lisi had to do undercover work for the NYPD and ran into an issue with the Marine Corps Reserve. “I had to do an undercover assignment and needed to keep my long hair, where the Marines said that wasn’t going to be allowed and they honorably discharged me. I got a letter from my police commanding officer asking my battalion commander for lax grooming standards.” He goes on further, “I also offered to go to drills in my civilian clothes to keep my hair long for police work and keep the honor of the Marine uniform. The battalion commander said no and the Marines needed to downsize post the war anyways.” 

Lisi said, “I wanted to be an NYPD officer and an actor when growing up. I was inspired by The Untouchables TV series with Robert Stack as Elliot Ness. We used to play The Untouchables in the street as kids where I was the only kid that wanted to be Elliott Ness.” He stated, “I asked my father for his blessing to be a cop where I told him, ‘If I don’t become a cop then who will?’ He understood that and gave me his blessing.”

Four middle-aged men stand closely together, smiling. The man on the far left wears a light beige jacket over a black shirt with sunglasses hanging from the collar. The second man from the left wears a dark jacket over a gray t-shirt. The third man wears glasses, a black blazer, and a white striped shirt. The man on the far right wears a light gray blazer over a black shirt. The background appears to be an indoor setting with a staged room and dim lighting.
On stage at Acorn Theater (42nd) after the performance. Left, former NYPD Commissioner Bernie Kerik (Army). Right playwright Marine Walter Anderson. Photo courtesy of Joe Lisi.

Many values carried over from his service in the Corps to the NYPD. He stated, “Honor, courage and commitment are hallmark traits that go in hand with integrity, perseverance, honesty and always doing the right thing. Even if no one is looking at you. Be goal-oriented as well.” Lisi goes into troop welfare with, “The most important thing is to take care of your Marines first. I ran my undercover units the same way, I took care of my officers. I grew the unit based on being tough, fair and taking care of my officers where I credit the Corps with those standards.” He ran the undercover unit for the NYPD for a while and the special projects unit in the narcotics division. He grew the unit from five officers to over forty officers. He believes his reputation was as a “tough and fair boss based on (his) Marine Corps training.”

A wall display features nine framed theater posters arranged in a 3x3 grid. The posters include titles such as "Mamma Mia!," "Vanya Sonia Masha Spike," "It's Only Kickball, Stupid," "Broadway Flea Market & Grand Auction," "Almost Home," "First Date," "I Forgive You, Ronald Reagan," "Clybourne Park," "No Man's Land / Waiting for Godot," and "Once." Each poster showcases distinct artwork and typography related to the respective productions.
Almost Home poster on display in Sardi’s Restaurant. Photo courtesy of Joe Lisi. 

His first acting role came in the stage play Arsenic and Ole Lace and he auditioned for a role. He got the part of a small role of a uniformed cop. Lisi didn’t know much about acting and he learned a lot from being part of the production. He said, “I had such a great time and loved it so much. My wife at the time encouraged me to be an actor because of my experience.” He studied acting at the HB Studio, Stella Adler and with Bill Esper at the Neighborhood Playhouse. He would go to an audition during lunch and run lines with a fellow detective while driving to the appointment. Lisi was a Captain in the NYPD in 1989 and was cast as a Captain in a police TV show set in NYC at the same time. The show was called True Blue. He said, “I had a lot of responsibility as a police officer running different divisions to include a narcotics unit where I made more money in a day playing a TV cop than I did in a week as a real police officer.”

Three men are gathered around a table with drinks and candy canes, accompanied by a person in a large brown dog costume wearing a beige trench coat. The setting appears to be indoors with a marble wall in the background. The men are smiling and engaging with the dog character.
Lisi with fellow actors John Doman and Vinny Pastore at NYPD Widows and Children’s Christmas Party. Photo courtesy of Joe Lisi.

Lisi was given his break by a fellow police officer and retired detective Sonny Grosso as he hired Lisi on his first job which got him his SAG card. Grosso is most known for being the basis for, and an advisor, on the book turned film The French Connection. Grosso was a Korean War veteran and worked on The Godfather as an advisor and he then turned to producing in his later career. Lisi met Sonny in the 1970s before Lisi had started moonlighting as an actor and then they reconnected in the 1980s when Grosso was producing TV and he was acting.

He said, “Being on set and working with the crew you become close. It has similarities to a unit or my time in the Corps.”  Lisi said his favorite projects include The Sopranos, Third Watch and Take Me Out, for which won the Tony Award for Best Play, in London and on Broadway. Lisi shared that the most fun project he has worked on was Almost Home on 32nd street written by a Marine named Walter Anderson. It was about a Marine coming home from Vietnam. “I played the alcoholic father and a World War II veteran. It was a wonderful play with great reviews.” 

Embroidered design on black fabric featuring the United States Marine Corps emblem with an eagle, globe, and anchor. Above the emblem is the text "SEMPER FIDELIS," and below it reads "ROMEO UNIT #1 NEW YORK CITY" in white thread.
ROMEO (Retired Old Marines Eating Out) Unit Patch. Photo courtesy of Joe Lisi.

He shared about hiring veterans if given the opportunity: “Absolutely, running police department units I definitely wanted veterans, especially Marines where they already had a leg up. I knew veterans were dependable and we could count on them. I had a bunch of Marines in my unit in the department. One of my best detectives was an Army Airborne Vietnam veteran. We know they know how to be part of a team. Veterans are more reliable and responsible where even if things go awry you will get the truth from them in most cases.” He further elaborated, “Veterans are also usually loyal people who are truthful. If the boss needs to know something you have to tell them the tough news. Marines are definitely like that with the boss and will tell them the real deal even if it’s not pretty.” He shared emphatically, “If the differentiator is military or not, you have to go with the veteran. On Third Watch, my stand-in John on the show was a Vietnam veteran where he was the first guy in and last guy out. A stand-in job can be very tedious where he was the best.”

A framed black and white illustration of the iconic photograph of United States Marines raising the American flag on Iwo Jima, dated February 23, 1945. The illustration is surrounded by numerous handwritten signatures and messages. The frame is ornate with a detailed, carved design in a bronze or gold tone.
Flag Raising lithograph signed by Iwo survivors at Manducatis Restaurant in Long Island City. Site of our annual Iwo Jima Dinner. Photo courtesy of Joe Lisi.

He is very proud of his continued friendship with fellow veteran and Medal of Honor recipient, Colonel Jack Jacobs, U.S. Army (ret.). He stated, “Jack hangs out with a lot of Marines. He loves Marines and comes to all of our dinners. I recommended he be made an honorary Marine. It went up to all the channels and came back denied, unfortunately.” Lisi has now been retired from the NYPD for over 30 years and he still keeps in touch with some of his friends from the department, especially the veterans.  He also speaks with the local officers at a station that is right on his block. A lot of Marines are on the local station’s force and he has relationships with them.

Lisi believes we need more Marines in show business and publications. He shared, “Marines need to write their stories and do the veteran writing workshops. Fordham University offers a veteran writing workshop. Today there are more ways to get it out than ever before. Once you have a story, it needs to get sent to a studio or development house by an agent. Marines have to learn how to write, write with them or for them where it’s all about exposure. There are a lot of military shows and special ops shows that need Marine writers.” He said about hosting an Iwo Jima dinner every year in Queens, “We get about 85 Marines there and we still have a few Iwo Jima survivors. I got to tell you, these Iwo Jima survivors come in hunched over and using canes where we have two Marines helping them to their table. Once they are in the presence of those young Marines for about 10 minutes, they turn back to being 20 years old again. You get to see them come to life!” He said, “The young Marines are like in awe of them.”

Clear rectangular glass plaque with the inscription: "Joseph E. Lisi, Captain, June 16, 1989," placed on a windowsill with a blurred outdoor background.
Tiffany Crystal signifying Lisi’s promotion to captain (NYPD).  Photo courtesy of Joe Lisi.

He shared about his next goals with, “I never want to retire from acting. I am going to be 70 in November and want to just keep working.” Lisi talked about his new business venture with, “My current entrepreneurial pursuit outside of acting is where I am involved in a cocktail lounge that serves pizza named Bar Dough in NYC. The opportunity was offered to me while driving back from Camp Lejeune North Carolina with Pete Fitzpatrick who was a corporal of Marines.” Fitzpatrick was in Beirut when the barracks were bombed. He shared, “Pete says we’re gonna open a bar and I said, ‘Okay.’”

88th Precinct (Brooklyn) Anti-Crime Unit. Circa 1973. Lisi is on the extreme right one from the top. Photo courtesy of Joe Lisi.

He stated, “A lot of Marines go there where we had a two-star Marine General come in who enjoyed the place.” Lisi is thrilled about the restaurant and the clients it attracts, “I am getting fan mail from people that remember Third Watch‘ and The Sopranos where they are sending the fan mail to Bar Dough, so it’s kind of a revival! I am getting three or four letters a week with some of it coming from overseas.” He shared about the bar’s charitable work as well with, “We sent 500 pizzas to USNS Comfort while in port, we sent pizzas to Sloan Kettering and the Army units in town staying in the hotels, we sent pizzas to the Army mortuary soldiers at Bellevue dealing with like 300 deaths a day. A lot of friends and fellow Marines made those donations possible.” 

Dialogue with Veteran Acting Students at New York Film Academy (Manhattan Campus). Photo courtesy of Joe Lisi.

The Corps made a strong imprint on Lisi’s mind, body and soul — it has made a lasting overall effect on his life and for those around him.

Seven people dressed formally stand in front of a large wall display featuring a historical newspaper headline that reads "KENNEDY OFFERS TO NEGOTIATE IF REDS ABANDON MISSILE SITES." The group includes men in tuxedos and a military dress uniform, and women in elegant dresses and jackets, one wearing a black beret and glasses. The setting appears to be an indoor event or museum with dim lighting and red accent lights in the background.
Lisi (left) with CMC General Robert Neller (center), Gerry Byrne(far right) and beautiful ladies aboard USS Intrepid in NYC for Birthday Gala (2018). Photo courtesy of Joe Lisi.
Six framed caricature portraits of different individuals are displayed on a wall. The top row features three men: the first with brown hair and a serious expression, the second with short dark hair and a slight smile wearing a checkered jacket, and the third with short hair and a goatee smiling. The bottom row shows three individuals: a woman with large pink hair and a neutral expression, a man with glasses and thinning hair, and a woman with short black hair, large hoop earrings, and a wide smile. Each caricature is signed or has writing near it.
 Lisi (top center) on the wall at Sardi’s the world-famous Broadway Restaurant. Photo courtesy of Joe Lisi.
Lisi with Medal of Honor Recipient Colonel Jack Jacobs, U.S. Army (ret.).  
Headstone with a cross at the top, inscribed with the name Harold Dennis Rector, rank GYSGT, US Marine Corps, Vietnam. Dates of birth and death are Jan 4, 1936, and Feb 18, 2015. The inscription ends with "Our Beloved Pop Pop." The headstone is set in a grassy cemetery with other similar headstones visible in the background.
The headstone of Lisi’s drill instrictor at Arlington National Cemetery. Lisi stated, “He changed my life.” Photo courtesy of Joe Lisi.
A group of military recruits in uniform standing on bleachers and grass, arranged in rows for a formal platoon photo. Three drill sergeants stand in front, with the center one holding an American flag. Two sets of rifles with red flags are positioned on either side of the group. The text below reads: "Third Recruit Battalion, SSGT. H. D. Rector, Platoon 378, SSGT. H. R. Cummings, Graduated 28 July 1969, M.C.R.D., Parris Island, S.C., SSGT. W. D. Para.
Lisi’s Recruit Platoon photo, July 1969. Photo courtesy of Joe Lisi.
Red fabric with a design featuring two yellow footprints outlined in black. Above the footprints is the text "NYPD MARINES" in yellow with a black outline, and between the footprints is a small black Marine Corps emblem. Below the footprints is the phrase "BEEN THERE" in the same yellow and black style. A ruler is placed vertically to the right of the design.
NYPD Marine Corps Assn Poster. Photo courtesy of Joe Lisi.
Marines of New York marching in NYC Veterans Parade (2018). Photo courtesy of Joe Lisi.
Four men dressed in formal attire stand together smiling at an event. The background features a stage with a large illuminated sign reading "USO 75 YEARS." The men wear tuxedos and suits, with one man wearing a medal around his neck. The atmosphere suggests a celebratory or commemorative occasion.
At the NYC USO Gala with Marine, Wayne Miller (far left) who is George Clooney’s stunt double and MOH recipient Jack Jacobs (second from left). 
Four middle-aged men stand closely together on a rooftop with a cityscape of tall buildings in the background. The man on the far left wears glasses and a light beige shirt, holding a glass with a lemon slice. Next to him, a man in a blue button-up shirt and a navy blue baseball cap is smiling widely. The third man wears glasses and a black shirt, smiling gently. The man on the far right wears a black shirt with a yellow flower design on the sleeve and holds a bottle, also smiling. The atmosphere appears casual and friendly.
Retired NYPD Detectives Cigar Night from left Vinny Pastore (USN) Sopranos, Rob O’Neal (USN), the SEAL who shot Bin Laden, Lisi and John Doman. Photo courtesy of Joe Lisi.
Two men are saluting each other outdoors. The man on the left is wearing a military uniform and cap, standing in front of a flag. The man on the right is dressed in a black suit with a red Marine Corps League cap and sunglasses. They are on a grassy area with a large tree and buildings in the background.
Lisi Rendering 1st salute to his cousin, former Gunny, Second Lieutenant Matt DiPasqua. Photo courtesy of Joe Lisi.
Second Lieutenant DiPasqua and Lisi in Quantico.
Two men in military camouflage uniforms stand on either side of a man wearing a black button-up shirt with a Marine Corps emblem and khaki pants. They are indoors at a crowded event with people in the background, and all three are smiling. The men in uniform have their sleeves rolled up and are wearing tan boots.
The corporal and the generals. From the left are General Robert Neller (CMC), Lisi and Brigadier General James Glynn at Parris Island. Lisi shared, “Who said General Neller never smiles!” Photo courtesy of Joe Lisi.
Joel Searls Avatar

Joel Searls

Contributor, Marine Corps Veteran

Joel Searls is a journalist, writer, and creative who serves as a major in the Marine Corps Reserve as a civil affairs officer and COMMSTRAT officer. He works in entertainment while writing for We Are The Mighty, Military.com, and The Leatherneck. Joel has completed the Writer’s Guild Foundation Veterans Writing Project, is a produced playwright (Antioch), a commission screenwriter, and Entertainment consultant. His most recent feature film-producing project is “Running with the Devil,” a top 10 film on Netflix written and directed by Jason Cabell, a retired Navy SEAL. He is a graduate of The Ohio State University. You can check out more of his work on his blog and on The Samurai Pulse.


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