The new Charlie’s Angels trailer dropped today. Written and directed by Elizabeth Banks (The Hunger Games), who will also star as the timeless ‘Bosley’ character, the film stars Kristen Stewart (Snow White and the Huntsman), Naomi Scott (Aladdin), and Ella Balinska (Run Sweetheart Run) as the three angels.
After recently writing about the Hobbs & Shaw trailer, I couldn’t help but notice how different the advertising is for female-driven and male-driven films.
Fast & Furious Presents: Hobbs & Shaw – Official Trailer
“We’re gonna need the best trackers in the business. We’re gonna need to operate outside of the system,” said an operative with more substantial priorities.
If you had to boil down these two trailers, this is what they’re communicating about their films:
Charlie’s Angels: Fun, pretty girls fight bad guys.
Hobbs Shaw: Strong, funny men fight bad guys.
The comparison between these two trailers highlights a subversive social construct: in order for men to be heroes, they need to be strong (a feature that can be developed through will and dedication); in order for women to be heroes, they need to be beautiful (something outside of their control without painful surgery, or, I guess, wigs, toys, and clothes?).
I will at least acknowledge that the 2019 Charlie’s Angels description has been improved since the 2000 one:
2000: They’re beautiful, they’re brilliant, and they work for Charlie. In a smart, sexy update of the 70’s TV show from celebrated music video director McG. CHARLIE’S ANGELS revolves around three female detectives as intelligent and multi-talented as they are ravishingly gorgeous and utterly disarming.
(WE GET IT. YOU’D BONE THEM. CALM DOWN.)
2019: In Banks’ bold vision, Kristen Stewart, Naomi Scott, and Ella Balinska are working for the mysterious Charles Townsend, whose security and investigative agency has expanded internationally. With the world’s smartest, bravest, and most highly trained women all over the globe, there are now teams of Angels guided by multiple Bosleys taking on the toughest jobs everywhere.
Now here’s the description for Hobbs Shaw:
Ever since hulking lawman Hobbs (Johnson), a loyal agent of America’s Diplomatic Security Service, and lawless outcast Shaw (Statham), a former British military elite operative, first faced off in 2015’s Furious 7, the duo have swapped smack talk and body blows as they’ve tried to take each other down.
But when cyber-genetically enhanced anarchist Brixton (Idris Elba) gains control of an insidious bio-threat that could alter humanity forever — and bests a brilliant and fearless rogue MI6 agent (The Crown’s Vanessa Kirby), who just happens to be Shaw’s sister — these two sworn enemies will have to partner up to bring down the only guy who might be badder than themselves.
Just imagine if The Rock were on a super secret mission that involved coordinated dancing.
These are meant to be fun tentpole films, but stories have always impacted society and culture. These two films clearly have different target demographics, but they each seem to be straying from the path of the hero’s journey against evil. They stray in completely different, but I’d argue equally concerning, directions: for girls, it’s that excessive beauty is the answer to our problems and for men, it’s excessive violence.
What do you think? Are these films saying something about our society or are they just here to show us a good time? Leave a comment and keep the conversation going.
On July 7, 1919, a group of U.S. military members dedicated Zero Milestone — the point from which all road distances in the country would be measured — just south of the White House lawn in Washington, D.C. The next morning, they helped to define the future of the nation.
Instead of an exploratory rocket or deep-sea submarine, these explorers set out in 42 trucks, five passenger cars and an assortment of motorcycles, ambulances, tank trucks, mobile field kitchens, mobile repair shops and Signal Corps searchlight trucks. During the first three days of driving, they managed just over five miles per hour. This was most troubling because their goal was to explore the condition of American roads by driving across the U.S.
Participating in this exploratory party was U.S. Army Captain Dwight D. Eisenhower. Although he played a critical role in many portions of 20th-century U.S. history, his passion for roads may have carried the most significant impact on the domestic front. This trek, literally and figuratively, caught the nation and the young soldier at a crossroads.
Returning from World War I, Ike was entertaining the idea of leaving the military and accepting a civilian job. His decision to remain proved pivotal for the nation. By the end of the first half of the century, the roadscape — transformed with an interstate highway system while he was president — helped remake the nation and the lives of its occupants.
For Ike, though, roadways represented not only domestic development but also national security. By the early 1900s it become clear to many administrators that petroleum was a strategic resource to the nation’s present and future.
At the start of World War I, the world had an oil glut since there were few practical uses for it beyond kerosene for lighting. When the war was over, the developed world had little doubt that a nation’s future standing in the world was predicated on access to oil. “The Great War” introduced a 19th-century world to modern ideas and technologies, many of which required inexpensive crude.
Prime movers and national security
During and after World War I, there was a dramatic change in energy production, shifting heavily away from wood and hydropower and toward fossil fuels – coal and, ultimately, petroleum. And in comparison to coal, when utilized in vehicles and ships, petroleum brought flexibility as it could be transported with ease and used in different types of vehicles. That in itself represented a new type of weapon and a basic strategic advantage. Within a few decades of this energy transition, petroleum’s acquisition took on the spirit of an international arms race.
Even more significant, the international corporations that harvested oil throughout the world acquired a level of significance unknown to other industries, earning the encompassing name “Big Oil.” By the 1920s, Big Oil’s product – useless just decades prior – had become the lifeblood of national security to the U.S. and Great Britain. And from the start of this transition, the massive reserves held in the U.S. marked a strategic advantage with the potential to last generations.
As impressive as the U.S.’ domestic oil production was from 1900-1920, however, the real revolution occurred on the international scene, as British, Dutch and French European powers used corporations such as Shell, British Petroleum and others to begin developing oil wherever it occurred.
During this era of colonialism, each nation applied its age-old method of economic development by securing petroleum in less developed portions of the world, including Mexico, the Black Sea area and, ultimately, the Middle East. Redrawing global geography based on resource supply (such as gold, rubber and even human labor or slavery) of course, was not new; doing so specifically for sources of energy was a striking change.
When the war broke out, military strategy was organized around horses and other animals. With one horse on the field for every three men, such primitive modes dominated the fighting in this “transitional conflict.”
Throughout the war, the energy transition took place from horsepower to gas-powered trucks and tanks and, of course, to oil-burning ships and airplanes. Innovations put these new technologies into immediate action on the horrific battlefield of World War I.
It was the British, for instance, who set out to overcome the stalemate of trench warfare by devising an armored vehicle that was powered by the internal combustion engine. Under its code name “tank,” the vehicle was first used in 1916 at the Battle of the Somme. In addition, the British Expeditionary Force that went to France in 1914 was supported by a fleet of 827 motor cars and 15 motorcycles; by war’s end, the British army included 56,000 trucks, 23,000 motorcars and 34,000 motorcycles. These gas-powered vehicles offered superior flexibility on the battlefield.
Government airplane manufactured by Dayton-Wright Airplane Company in 1918.
In the air and sea, the strategic change was more obvious. By 1915, Britain had built 250 planes. In this era of the Red Baron and others, primitive airplanes often required that the pilot pack his own sidearm and use it for firing at his opponent. More often, though, the flying devices could be used for delivering explosives in episodes of tactical bombing. German pilots applied this new strategy to severe bombing of England with zeppelins and later with aircraft. Over the course of the war, the use of aircraft expanded remarkably: Britain, 55,000 planes; France, 68,0000 planes; Italy, 20,000; U.S., 15,000; and Germany, 48,000.
With these new uses, wartime petroleum supplies became a critical strategic military issue. Royal Dutch/Shell provided the war effort with much of its supply of crude. In addition, Britain expanded even more deeply in the Middle East. In particular, Britain had quickly come to depend on the Abadan refinery site in Persia, and when Turkey came into the war in 1915 as a partner with Germany, British soldiers defended it from Turkish invasion.
When the Allies expanded to include the U.S. in 1917, petroleum was a weapon on everyone’s mind. The Inter-Allied Petroleum Conference was created to pool, coordinate and control all oil supplies and tanker travel. The U.S. entry into the war made this organization necessary because it had been supplying such a large portion of the Allied effort thus far. Indeed, as the producer of nearly 70 percent of the world’s oil supply, the U.S.’ greatest weapon in the fighting of World War I may have been crude. President Woodrow Wilson appointed the nation’s first energy czar, whose responsibility was to work in close quarters with leaders of the American companies.
Infrastructure as a path to national power
When the young Eisenhower set out on his trek after the war, he deemed the party’s progress over the first two days “not too good” and as slow “as even the slowest troop train.” The roads they traveled across the U.S., Ike described as “average to nonexistent.” He continued:
“In some places, the heavy trucks broke through the surface of the road and we had to tow them out one by one, with the caterpillar tractor. Some days when we had counted on sixty or seventy or a hundred miles, we could do three or four.”
Eisenhower’s party completed its frontier trek and arrived in San Francisco, California on Sept. 6, 1919. Of course, the clearest implication that grew from Eisenhower’s trek was the need for roads. Unstated, however, was the symbolic suggestion that matters of transportation and of petroleum now demanded the involvement of the U.S. military, as it did in many industrialized nations.
The emphasis on roads and, later, particularly on Ike’s interstate system was transformative for the U.S.; however, Eisenhower was overlooking the fundamental shift in which he participated. The imperative was clear: Whether through road-building initiatives or through international diplomacy, the use of petroleum by his nation and others was now a reliance that carried with it implications for national stability and security.
Seen through this lens of history, petroleum’s road to essentialness in human life begins neither in its ability to propel the Model T nor to give form to the burping plastic Tupperware bowl. The imperative to maintain petroleum supplies begins with its necessity for each nation’s defense. Although petroleum use eventually made consumers’ lives simpler in numerous ways, its use by the military fell into a different category entirely. If the supply was insufficient, the nation’s most basic protections would be compromised.
After World War I in 1919, Eisenhower and his team thought they were determining only the need for roadways — “The old convoy,” he explained, “had started me thinking about good, two lane highways.”
At the same time, though, they were declaring a political commitment by the U.S. And thanks to its immense domestic reserves, the U.S. was late coming to this realization. Yet after the “war to end all wars,” it was a commitment already being acted upon by other nations, notably Germany and Britain, each of whom lacked essential supplies of crude.
As if Avengers: Endgame wasn’t dramatic enough, health officials in California are now warning moviegoers who attended the midnight screening of the flick at the AMC Movie Theater in Fullerton on April 25, 2019, that they may have been exposed to measles.
According to the Orange County Health Care agency, a 20-something woman, who did not know at the time that she had measles, was in the audience for the April 25, 2019 show. She was later diagnosed as the first confirmed case of measles in Orange County.
Since the highly contagious virus can stay in the air for up to two hours after the infected person has left, the agency advises anyone who was at the theater between the hours of 11 p.m. and 4 a.m. to check their vaccination history and keep an eye out for common measles symptoms which include a runny nose, fever, and a red rash.
Officials are also reminding people who think they may have the measles to call their doctor before going to the physician’s office to prevent infecting others.
After learning about the possible exposure, one of the movie theater employees, Carlee Greer-McNeill, told NBC Los Angeles that he never thought to feel unsafe at his job or anywhere in Orange County. She said, “If you know you have the measles, please don’t come to a movie theater, let alone a public place.”
Currently, the U.S. is in the middle of the worst measles outbreak since 1994, with 704 cases reported so far this year across 22 states. California, in particular, has been hit hard by the infectious disease, with 38 confirmed cases. The Health Care Agency urges people to get vaccinated if they aren’t already. “The MMR vaccine is a simple, inexpensive, and very effective measure to prevent the spread of this serious virus,” Dr. Nichole Quick, Interim County Health Officer, said in a press release.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Predicting the future through popular fiction is always a headache. One specific (and inevitable) war, however, has been the setting for many works of exploratory fiction. Everyone has come up with their own unique twist on how the World War Trilogy is going to end because global audiences demand an over-the-top-ending to their trilogies.
Video games set in a fictional World War III span the range of plausibility and, accordingly, audience reception. Early games, like 1981’s Missile Command, were simple enough as to not raise eyebrows and breathtaking, modern games, like Battlefield 4 and Arma 3, take a more down-to-earth approach.
But then there are the absolutely ridiculous games that hinge on insane premises, like that the next World War will involve us fighting our would-be robot overlords by the distant year 2010.
6. Terminator: Salvation (2009)
Yes, we were not-so-subtly pointing at this game. To the Terminator franchise’s credit, they were pretty optimistic about how advanced future technology would be back when the series kicked off in 1984.
But when this game references its own timeline as being “13 years after Judgement Day,” which, according to the films, was on Aug. 29, 1997, they effectively put all of one year between the game’s release and the over-the-top, dystopian futurescape… there’s just no excuse for that silliness.
We could forgive the game’s plot if it wasn’t so bad… even by 2009 standards.
5. Chromehounds (2006)
Like some of the other games on this list, alternate history is used to explain away inconsistencies. Chromehounds is a giant robot simulator that pits three fictional nations against each other that are totallynot based on America, the USSR, and the Middle East.
You could customize your mech and choose a nation to fight under in real time against other players. The game was enjoyable while it lasted, but the servers shut down in 2010.
The world needs more customizable mech simulators.
4. Call of Duty: Modern Warfare 3 (2011)
Compared to many of the other first-person shooters set in WWIII, Call of Duty: MW3 upped the ante. Sure, the story follows many of the standard tropes for WWIII — some Russian guy is evil, Europe gets invaded again, and *gasp* nuclear war is threatened.
What made 2011’s installment of Call of Duty so spectacular was that, during the single-player campaign, you got to live out all the action in various roles throughout the world. You play as several characters, all with unique backstories, while you hunt down the big bad.
The ending is just so, so satisfying.
3. Homefront: The Revolution (2016)
Based off the premise that North Korea takes over the world, this game is set in an alternate history where the hermit kingdom’s tech industry isn’t as laughable as it is in our timeline. The game places you in a Red Dawn-esque world where you need to start an underground resistance against Communist invaders.
The game wasn’t without faults — mainly in the narrative and character-development departments — but immersive open-world gameplay, complete weapon customization, and a level of difficulty that made you think through every action made the game stand out.
2. Raid Over Moscow (1984)
Cold War-era games about the Cold War were the best. Originally released on the Commodore 64, Raid Over Moscow‘s story begins when three Soviet nukes launch and you’re the only space-pilot able to stop it. You fight your way through to the Kremlin (which, apparently, was the missile silo for all of the USSR’s nukes) before blowing it up. The most unbelievable thing about this game is that it goes out of its way to explain that America can’t just nuke them back because all US nukes were dismantled.
At the time, the game was fairly controversial. European nations were uneasy about selling a game that directly portrayed the destruction of the Kremlin. Unfortunately for them, the controversy only made European citizens want the game more.
Ahh, the good ol’ days when people feared 8-bit graphics could start an international incident.
1. Command & Conquer: Red Alert 2 (2001)
No WWIII game comes close to offering the same level of enjoyment and ridiculousness as Command & Conquer: Red Alert 2. To cut a very long and very confusing story short, Albert Einstein creates a time machine to kill a young Hitler. This leads the Soviets to grow unchecked and, in their liberty, research mind-control technology. And that’s just the first game.
This time around, you need to fight a psychic Rasputin stand-in — or you could choose to play as the Soviets. This game and its expansion pack, Yuri’s Revenge, are considered classics. You’ll need to play through it to understand, really.
The silly live-action cutscenes just make the game that much more hilarious.
Warning: Major spoilers below. Do not read if you haven’t seen “Spider-Man: Far From Home.”
Director Jon Watts calls “Spider-Man: Far From Home” a “con movie,” and if you’ve seen it already, you know exactly why. The movie uses the audience’s collective knowledge of the Marvel Cinematic Universe to present a story that completely messes with their heads.
From the real motives of the movie’s villain, Quentin Beck (aka, Mysterio; played by Jake Gyllenhaal), to the surprise cameos, “Far From Home” is a rapid-fire series of twists, all the way to the post-credit scene.
And Watts said that sleight-of-hand feel was ingrained in the project from the development phase — which began just weeks after “Spider-Man: Homecoming” opened in theaters in 2017 — because of the movie’s villain.
“It was such a core concept because it’s Mysterio’s whole philosophy,” Watts told INSIDER. “When you’re dealing with a character who works in illusions and deception, that’s going to be one of the major themes.”
So Watts beefed up on his con movies, specifically spending a lot of time studying “The Sting” and “The Usual Suspects,” and embarked on telling a unique Marvel movie, one where almost everything is not what it seems.
Below, Watts gave INSIDER insight on 6 of the biggest spoilers in “Far From Home,” including stuff you may not catch until you see the movie again.
(Jay Maidment/Sony Pictures)
1. The moment Watts knew the bar scene, in which Peter Parker hands over the E.D.I.T.H. glasses to Mysterio, would work.
Halfway through the movie — after Spider-Man (Tom Holland) and Mysterio defeat one of the Elementals — the two have a celebratory drink at a bar. The scene gradually becomes a dramatic moment in which Peter Parker questions if he has what it takes to be a superhero like his idol, Iron Man. He even doubts if he’s worthy to have the high-tech E.D.I.T.H. glasses that Tony Stark had Nick Fury give him earlier in the movie. By the end of the scene, Parker hands Mysterio the glasses, which have an AI embedded in them that can power all of Stark Industries’ weapons.
But once Parker walks out of the bar, it’s revealed that Mysterio played a huge trick on him. The bar was actually an illusion. Many of the patrons were working for Mysterio and the decor was all artificially projected by clones (they were actually sitting in an abandoned storefront). It was all a con job to get the glasses from Parker so Mysterio could have control of Stark’s high-tech weapons. Even the Elementals Spidey was battling was an illusion put together by Mysterio.
The ambitious scene was one Watts knew had to hit perfectly with the audience if the movie was going to work.
“The movie hinges on that scene,” Watts said. “It’s a culmination of Mysterio’s con. I anticipate that a lot of people will know that Mysterio is the villain, they aren’t just exactly sure how or why.”
Watts said there were not multiple versions of the scene shot. What you see in the movie is how the scene was scripted. And though he spent months with the screenwriters getting the scene to feel right, he wasn’t convinced it would work until Holland and Gyllenhaal got their hands on it.
“What’s great about working with actors like Tom and Jake is that they bring it to life,” he said. “They have to make sure that none of it feels false. I remember the first time we ran it, we tweaked a couple of lines but as soon as they started going through it between the two of them, it was a huge relief for me. It was one of those moments where you have talked about it a lot and prepared so much, but it has to come to life with the actors or the whole movie feels false.”
2. The bar scene is also filled with hidden messages to influence Peter Parker to give up the glasses.
The whole trick with the bar scene is Mysterio has to get the glasses without ever asking for them. Peter has to be the one who hands them over. Watts said to drive that home, along with watching how classic con movies from the past have done it, he also studied how deception is done on people in real life. And his major takeaway was visual persuasion.
“You may not have caught this, but all the things on the wall behind Quentin [in the bar scene] are things that feed into the idea that Peter would hand the glasses over to him,” Watts said. “So even the art direction is part of the con. There’s military medals, that sort of helps remind Peter what Quentin said about being a hero soldier. There’s a picture of glasses, again, embedding that idea. So there are all these things in the background of the bar in Peter’s eye line that will subconsciously motivate him to hand these glasses over.”
Did you catch any of those visuals? Keep an eye out for them in the bar scene next time you see the movie.
3. The origin of “The Blip” term.
One of the funniest moments in the opening of the movie is the reveal of the term “The Blip,” which refers to people who were affected by Thanos’ snap that happened in “Avengers: Infinity War” and then came back after the events in “Avengers: Endgame.”
Watts said it was something that they came up with while writing the movie.
“We had our own logic,” he said. “‘The Snap’ was what made everyone disappear, but for everyone who came back it was like no time had passed. So we felt, ‘It’s just like a blip to them.’ That’s just how we started talking about the passage of time. And we also felt it was just a funny phrase to refer to this devastating event.”
And thanks to the term, a running joke came out of it.
Though The Blip felt like just moments for people affected, they were actually gone for five years. So they came back five years older. It does wonders for one of Peter Parker’s high-school classmates, Brad (Remy Hii). Pre-blip he was a short geek, but in those five years, he hit puberty and post-blip he’s a hunky stud clashing with Parker for MJ’s (Zendaya) affection.
4. Quentin Beck is behind some of the most memorable Stark Industries tech, but never got the credit.
Another great thing about the bar scene is that it gives us Mysterio’s backstory. And it’s steeped in MCU lore.
It turns out he’s the one who created B.A.R.F., the binary augmented retro-framing tech Stark shows off in the beginning of “Captain America: Civil War” — though it was Stark who came up with the silly name (and took the credit).
Mysterio’s past in the movie is a little different than his origin in the comics. In the pages of “The Amazing Spider-Man,” Quentin Beck is a special-effects wiz and stunt man who turns to crime when his dreams of making it big in Hollywood fizzle out. But for the movie, Watts realized that Beck would fit perfectly in the MCU if he made him a bitter former employee at Stark Industries.
“The idea around that was we knew Quentin would have a relationship with Tony,” he said. “The illusion tech that Quentin uses, we’ve actually seen it in the Marvel universe from the beginning. Tony has always dealt with holographic tech, but it’s never been said who made it. And then it really comes to the fore in ‘Civil War.’ But Tony didn’t make it. He doesn’t build all the Stark tech on his own, there’s a whole organization that does it. So we thought that would be how Mysterio pulls this all off. Once that clicked, then we just decided he would have a team of disgruntled Stark Industries employees. We used that B.A.R.F. flashback as a jumping-off point.”
5. The return of J. Jonah Jameson.
The mid-credit scene in “Far From Home” is a fun moment for those who were fans of the Sam Raimi movies, as the beloved character J. Jonah Jameson makes a cameo. And like those movies from the early aughts, actor J.K. Simmons returned to play the role.
In the scene, Jameson is not the loud-mouthed editor of the Daily Bugle, but a loud-mouthed host of an Alex Jones-like TV show. In the middle of Manhattan, Jameson appears on a billboard and shows shocking footage of Mysterio, just before his death (which he doctored to make it look like Spider-Man killed him), revealing the true identity of Spider-Man: Peter Parker.
“It made so much sense in the context of the story we were telling,” Watts said of bringing back Jameson. “We knew we wanted Mysterio to be the one who revealed Peter’s identity and it had to be on the news, so we felt if it’s on the news it has to be the Daily Bugle, and if it’s going to be the Daily Bugle, it has to be J.K. Simmons. There was never any question about. And if he didn’t do it, we weren’t going to do it. We would have come up with something else.”
But why make Jameson a TV personality? Watts said putting him on TV instead of overseeing a newspaper was just commenting on the times we live in today.
“He’s still doing a very similar character to what he was doing in the Sam Raimi movies, but now there’s just a real-world comparison that there wasn’t before,” he said. “It’s less that he has changed and more that the world has changed.”
6. Nick Fury and Maria Hill were really Skrulls.
“You didn’t see that one coming, right?” Watts asked with a laugh.
We certainly did not. In the scene that immediately follows the end credits, we are given the movie’s biggest con: Nick Fury (Samuel L. Jackson) and fellow S.H.I.E.L.D. member Maria Hill (Cobie Smulders) were really Skrulls the entire movie. Yes, Skrulls, those shape-shifting beings we were introduced to in “Captain Marvel.”
It turns out Talos (Ben Mendelsohn) and one of his compatriots came to Earth with instructions from Fury (who we learn is lounging out in space on a big ship) to hand deliver the E.D.I.T.H. glasses to Peter Parker. Clearly things got a little complicated. But it is a fun coda for a movie that completely messes with the audience.
“Once you get into the vocabulary of a con man movie like this, I feel you have more leeway to just keep doing reversals like that,” Watts said. “Everyone is lying. Everyone is hiding something. No one is who they seem. It just made sense that at the end of it we would do this. As we were developing the story, there was always a lingering question of, ‘But, how could anyone fool Nick Fury? His super power is being skeptical.’ But we knew he needed to be fooled in order to make the story work. So as soon as I saw ‘Captain Marvel’ it became obvious how we do it.”
Watts added: “When you watch the movie again with this knowledge about the Skrulls there are some fun things you will catch, especially Fury’s dialogue.”
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
Just two weeks after American forces landed at Normandy on D-Day, Jack Leroy Tueller, one of those Americans, was taking sniper fire with the rest of his unit. Tueller played the sniper a beautiful song from his trumpet.
He was orphaned at age five, but before World War II, Jack Tueller would play first-chair trumpet in the Brigham Young University orchestra. After going to war as a pilot, his trumpet skills would serve him well, along with at least one German soldier and both their families.
Jack Tueller served in the Army Air Forces in the European Theater, flying more than 100 combat missions in a P-47 Thunderbolt. He earned the Silver Star and the Distinguished Flying Cross, among others. After the war, he became a missilier in the newly-formed U.S. Air Force and would serve in Korea and Vietnam as well. But his most memorable military moment would always be a night in Normandy when the power of music risked — and saved — his life.
It was a dark, rainy night in Northern France when then-Capt. Tueller decided to play his trumpet for everyone within earshot. The only problem was that not everyone in the area would be very receptive to a song in the dead of night — especially not the sniper trying to shoot him dead.
That wasn’t about to deter a man like Tueller, who took his trumpet on every combat mission. If he was ever shot down, he wanted to use it to play songs in the POW camps.
Tueller had been grounded for the night. His unit already cleared most of the area of snipers, but there was one left. Tueller’s commander told him not to play that night because at least one sniper was still operating in the area. The sniper had a sound aimer, which meant he didn’t have to to see his target, only hear it.
But the pilot insisted. He needed a way to relieve his own stress. His commander told him, “it’s your funeral.”
Jack Tueller thought to himself that the sniper, suddenly being on the losing end of World War II in Europe, was probably as scared and lonely as he was. And so he decided to play a German love song on the trumpet, Lili Marlene, and let the melody flow through Normandy’s apple orchards and into the European night.
The airman played the song all the way through and nothing happened.
Listen to Tueller, who would live on to be a Colonel in the Air Force after the war, play his version of the tune in the video below (58 seconds in).
The very next morning a U.S. Army Jeep leading a group of captured Wehrmacht soldiers approached Tueller and his cohorts. The military policemen told Capt. Tueller that one of the POWs, who was on their way to England, wanted to know who was playing the trumpet the night before.
The captured German, just 19 years old, burst into tears and into the song Tueller played the night before. In broken English, the man told Tueller he thought about his fiancée and his entire family when he heard his trumpet — and he couldn’t fire. It was the song he and his fiancée loved and sang together. The man stuck out his hand.
Captain Jack Tueller shook the hand of his captured enemy.
“He was no enemy,” Tueller says, looking back. “He was scared kid, like me. We were both doing what we were told to do. I had no hatred for him.”
Jack Tueller died in 2016 in his native state of Utah at age 95, still playing the same trumpet he carried on all of his World War II air sorties.
The Lockheed Martin F-35 Joint Strike Fighter is frequently touted as the most advanced fighter ever to take to the skies, and soon it will be certified to carry nuclear bombs.
Like all fifth generation fighters, the F-35 is a stealth platform designed to avoid detection and engagement from air defense systems. As a result, the aircraft must carry its weapons payload internally, in the belly of the aircraft, rather than on external pylons like we’ve all come to expect on fourth generation jets like F-16 Fighting Falcon or the F/A-18 Super Hornet.
Fourth generation fighters like this F-16 carry their bombs, missiles, and external fuel tanks under their wings. (Air Force photo by Tom Reynolds)
(F-35 Joint Program Office)
External pylons allow fighters to carry far more ordnance into a fight than the F-35 can internally (and indeed, even the F-35 has external pylons that can be used when detection is not a concern).
(F-35 Joint Program Office)
The F-35 goes nuclear
While most people tend to think of heavy payload bombers like the B-2 Spirit and B-52 Stratofortress when talking about the airborne leg of America’s nuclear triad, the role of dual purpose “nuclear fighters” has long been a part of the strategy. Currently, both the F-15E Strike Eagle and F-16 Fighting Falcon fill the role of “nuclear fighter” in America’s stable, alongside their aforementioned nuclear bomber sister platforms.
Americans’ nuclear triad, for those who aren’t aware, is comprised of nuclear ICBMs on the ground, nuclear missile subs in the water, and nuclear-capable aircraft in the air. The premise of maintaining this triad is simple: by keeping America’s nuclear weapons dispersed and utilizing multiple forms of delivery, it makes it all but impossible to stop American from launching a nuclear counter-attack against an aggressive state that started lobbing nukes America’s way. In other words, America’s nuclear triad is the backbone of Uncle Sam’s part in the “mutually assured destruction” doctrine.
For now, the “nuclear” title is going to remain with the F-15s and F-16s, but the U.S. intends to certify the F-35 for nuclear duty by 2023 and it will likely carry that title well beyond the retirement dates for its two nuclear predecessors.
But before it can be certified, the Air Force needs to test the F-35’s ability to deploy these weapons thoroughly, and that’s where these incredible new photos come in. Ever since last June, the F-35 Joint Program Office has been overseeing drops of inert B61-12 nuclear bombs. These bombs have already seen testing with the F-15E, and will soon replace a number of older nuclear bomb variants.
(F-35 Joint Program Office)
These bombs may be inert, but they are designed to look and act like the real thing, giving the Pentagon all the information it needs to assess the F-35’s capabilities as a nuclear strike platform.
These tests are all being conducted with an F-35A, which is the standard takeoff and landing variant of the platform utilized primarily by the United States Air Force. The Navy’s F-35Cs are designed to take off and land on the deck of aircraft carriers, and the F-35B employed by the Marine Corps can take off on extremely short runways and even land vertically on the decks of ships. At least to date, it appears that the Pentagon has no intentions of mounting nuclear weapons in the F-35B or C variants.
Each year, hundreds of movies are released for audiences to enjoy worldwide. A small fraction of those films fall under the “war movie” genre and, of those, an even smaller fraction are worth heading out to your local cineplex to watch.
Critics could debate for days on which movies are the best acted and directed of all time. However, the majority of them don’t have the military resumés to properly judge levels of authenticity.
So, we asked several veterans what war movies of the last decade they loved the most.
Written and directed by Martin Zandvliet, Land of Mine takes place in post-World War II Denmark as a group of hated, young German POWs are ordered to clear thousands of landmines under the watch of a Danish sergeant who slowly learns to appreciate their worth.
9. War Horse (2011)
Brought to the big screen by Hollywood legend Steven Spielberg, this film captures the story of a young man who enlists in the military after his horse is sold off to the cavalry. The story takes audiences through deadly World War 1 trenches and dazzles with stunning imagery and incredible performances.
(Image via DreamWorks)
8. 12 Strong (2018)
Directed by Nicolai Fuglsig, the film chronicles one of the first deployments of a Special Forces teams to Afghanistan after 9/11. The team joins forces with the Afghan resistance and rides into battle against the Taliban on horseback.
The film stars our friend Rob Riggle, Chris Hemsworth, Michael Pena, and Michael Shannon.
7. American Sniper (2015)
Directed by a filmmaker who needs no introduction, Clint Eastwood is one of the creative minds behind bringing the real-life story of former Navy SEAL Chris Kyle to the big screen. The story chronicles Kyle’s multiple combat deployments and his tragic, untimely death.
After crashing their plane in WWII, Olympian Louis Zamperini spends 47 days on a life raft with two fellow crewmen. Eventually, he’s caught by the Japanese and sent to a prisoner-of-war camp where he’s tortured and forced to endure hard labor — but he never gives up.
5. Lone Survivor (2014)
Based on the heroic tale of Navy SEAL Marcus Luttrell, the film showcases the power of human will and man’s ability to push forward against incredible odds.
4. Fury (2014)
When David Ayer’s World War II film debuted in theaters, the realistic and diverse cast of characters, including the likes of Gordo, Bible, and the seasoned Don “War Daddy” Collier, made the dangers of being a tanker feel real to enraptured audiences.
3. Dunkirk (2017)
Directed by Christopher Nolan, this epic story covers the enormous evacuation of allied soldiers from Belgium as the German Army surrounded them during “Operation Dynamo.” The detailed account puts extreme human courage on display on multiple levels.
Directed by Mel Gibson, the story follows an American Army Medic, Desmond T. Doss, as he serves in the Battle of Okinawa, becoming the first man in American history to earn the Medal of Honor without ever firing a shot.
1. 13 Hours (2016)
Directed by Hollywood powerhouse Michael Bay, this movie focuses on a security team who struggles to make sense out of chaos during an attack on a U.S. compound in Libya. Based on actual events, the team members do everything they can under strict, Libyan rule.
The KV-1 and KV-2 are recognized as being amongst the most heavily armoured tanks deployed during WW2. At least initially largely impervious to anything less than a direct, point-blank hit from a dedicated anti-tank weapon, the KV series was so formidable that the first time the Wehrmacht encountered them, Soviet soldiers destroyed dozens of anti-tank guns by simply driving towards them in a straight line and running them over.
Introduced in 1939 and named for famed Soviet officer Kliment Voroshilov — a man who once personally tried to attack a German tank division with a pistol — the KV series was designed to replace the T-35 heavy tank, which was somewhat mechanically unreliable and costly to produce. The extremely heavily armoured KV series was first deployed during the Soviet Union’s 1939 war with the Finnish and then subsequently used throughout WW2.
The KV series was effectively designed with a single feature in mind — survivability. Towards this end, it was equipped with exceptionally thick armor. While this thickness varied somewhat based on model, for reference the KV-1 boasted armor that was 90 millimeters thick (3.5 inches) on the front and 70 millimeters (2.8 inches) on the rear and sides.
Of course, there’s always a trade-off in anything, and the thickness and weight of the KV’s armor came at the expense of almost everything else. The tank was slow, had limited maneuverability and firepower relative to what you’d expect from a tank this size, and, to top it all, had exceptionally poor visibility. In fact, it’s noted that Soviet commanders frequently complained about the tank, despite the defensive protection it offered. These sentiments weren’t echoed by the German troops who initially encountered this moving shield.
A 1939 KV-1 model.
The KV-1 and KV-2 (the two most popular models of the tank) were nearly invincible during initial skirmishes with the Germans, as few anti-tank weapons they possessed could punch a hole through the armor, and even the ones that could required uncomfortably close range to do it.
As noted by an unspecified German solider in a 1949 report compiled by the U.S. Army’s Historical Division,
…there suddenly appeared for the first time a battalion of heavy enemy tanks of previously unknown type. They overran the armored infantry regiment and broke through into the artillery position. The projectiles of all defense weapons (except the 88-mm. Flak) bounced off the thick enemy armor. Our hundred tanks were unable to check the twenty enemy dreadnaughts, and suffered losses. Several Czech-built tanks (T 36’s) that had bogged down in the grain fields because of mechanical trouble were flattened by the enemy monsters. The same fate befell a 150-mm. medium howitzer battery, which kept on firing until the last minute. Despite the fact that it scored direct hit after direct hit from as close a range as two hundred meters, its heavy shells were unable to put even a single tank out of action…
The KV-1 and KV-2, which we first met here, were really something! Our companies opened fire at about 800 yards, but [they] remained ineffective. We moved closer and closer to the enemy, who for his part continued to approach us unconcerned. Very soon we were facing each other at 50 to 100 yards. A fantastic exchange of fire took place without any visible German success. The Russian tanks continued to advance, and all armour-piercing shells simply bounced off them. Thus we were presently faced with the alarming situation of the Russian tanks driving through the ranks of 1st Panzer Regiment towards our own infantry and our hinterland. Our Panzer Regiment therefore about turned and rumbled back with the KV-1s and KV-2s roughly in line with them.
The former report also notes that a lone KV tank (the exact model isn’t clear) simply parked in the middle of the road blocking the main supply route and sat there soaking up anti-tank rounds for several days. “There were practically no means of eliminating the monster. It was impossible to bypass the tank because of the swampy surrounding terrain.”
Among the initial armament brought against the troublesome tank were four 50mm anti-tank guns. One by one the tank took them all out suffering no meaningful damage itself.
Frustrated, the Germans commandeered a nearby 88mm anti-aircraft gun, positioning it a few hundred feet behind the tank (basically pointblank range for a gun design to rip planes in half). While this weapon was capable of piercing the tank’s armor at that range, before they could fire, the KV turned the gun’s crew into a pink smear.
A KV-1 on fire, knocked out near Voronezh in 1942.
Next up, the Germans decided to send an engineer crew in under cover of darkness to try to take it out up close and personal. While they did manage to get to the KV and attach demolition charges, it turned out they underestimated the needed explosive power and only a few pieces of the tank’s track were destroyed, leaving the tank still fully functional.
As for the tank crew themselves, they initially received needed supplies to continue their barrage on the Germans via cover of night. However, ultimately the Germans were able to cut off supply access to the tank and then sent a whopping 50 of their own tanks in to take it out, or that was seemingly their plan; while the massive number of tanks were approaching and occupying the attention of the KV crew with their limited visibility, the Germans were able to, according to the 1949 account from the unnamed German soldier, “set up and camouflage another 88-ram. Flak to the rear of the tank, so that this time it actually was able to fire. Of the twelve direct hits scored… three pierced the tank and destroyed it.”
Of course, all good things must come to an end and the KV line’s many limitations saw it quickly go from a near impervious mobile fortress to a virtual sitting duck, with German forces reacting to it by developing new explosive anti-tank rounds fully capable of taking the KV’s out.
While still used throughout the war, once this happened, the KV’s were largely replaced by the more well-rounded T-34 tank. Still, it’s impossible to argue that the KV didn’t make one hell of a first impression, even if, ironically enough, it didn’t have staying power.
This article originally appeared on Today I Found Out. Follow @TodayIFoundOut on Twitter.
The most recent episode of “South Park,” called “Band in China,” mocked Hollywood’s submission to the country. Now the long-running Comedy Central animated series has seemingly been banned in China itself.
Episodes, clips, and online discussions of the show have been removed from the Chinese internet, according to The Hollywood Reporter. THR reviewed the Chinese social network Weibo and found zero mention of the series; clips and episodes on Chinese streamer Youku didn’t work; and “South Park” discussion forums on Tieba had been closed.
“According to the relevant law and regulation, this section is temporarily not open,” a note on the platform says when you search for a “South Park” discussion thread, according to THR.
In the episode, Hollywood wants to make a biopic of Stan Marsh’s band, but must alter the movie to fit China’s regulations. Meanwhile, Stan’s dad, Randy, attempts to sell marijuana in the country after people in South Park stop buying his and start growing their own.
The Return of Fingerbang – “Band in China” – s23e02 – South Park
China is currently the second-largest theatrical market in the world and Hollywood has increasingly relied on the country’s box office to give potential blockbusters a boost. A report from Ampere Analysis last year predicted that China would surpass the US as the world’s box office leader by 2022.
The “South Park” episode is heavily critical of China’s censorship and references the country’s crackdown on Winnie the Pooh imagery. After China’s ruling Communist Party announced it wanted to eliminate presidential term limits last year, photos comparing its leader Xi Jinping to Pooh popped up online.
Disney’s “Christopher Robin,” a live-action take on the Winnie the Pooh characters, was not released in China last year because the character was such a symbol of resistance, according to THR.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Moving to a new base is a family decision as much as it is a career move. When considering where to go, there is so much to think about beyond career path; for instance, health and well-being, proximity to family, available health services and more.
Besides, sometimes it’s just fun to live somewhere new! As a military family, you’re likely used to frequent moves. But you can also find the right move that suits your interests, career changes, and more. Moving is a given, but when you get a say in where to go, it can make all the difference in mindset and family unity.
Consider finding a duty base that best suits your family needs for your next stop by:
Fulfilling family needs
First things first, what does your family need? Do you have a family member with certain medical needs? What type of amenities need to be nearby? Look at the proximity and quality of services close to each possible duty station. This information should be available online, with reviews so you can consider a move from afar. Military bases themselves might also offer this information, letting you know in advance what types of treatments are approved at each base. Or, find those who live there already and ask around.
Other things to consider include unique aspects to an area, preferences for climate, distance to important landmarks in your life (family, facilities, etc.).
Of course, moving somewhere new can be a great deal of fun! If you’re ready to try out a new location, think about what can be done and how it’s different from your current duty station. What activities are available that you can’t do now? (Snow skiing, hockey, sailing, rock climbing, and more.) Can you easily travel to landmarks that interest your family? Will you be able to adapt to weather changes easily?
Look at the option for adventure when considering your next base and what type of activities each family member can take on. Keep fun and adventure in mind so you can experience new cultures as well as all there is to be seen.
Looking at career moves
It’s also important to keep career changes in mind with a potential PCS. How will the move affect your military member’s career path? Is there a compromise for their best move that will also help the family? Look toward a solution that helps — or at least doesn’t hurt — a career projection in years to come.
This, of course, is based on you or your spouse’s job in the service. Some jobs will have more location choices than others, while others might head to various bases, depending on the point they are at in their career.
Taking a vote!
If your kids are old enough, consider a family vote to decide where you might PCS. After all, they’re being affected by this move, too, so it’s only fair to consider their wants! It may or may not make a difference in the long run, but it’s worth having a discussion.
Besides, a good old fashioned family vote just seems fun! While parents have final say (and ultimately the military has final final say), it can help kids to feel included and welcomed as part of the family when voting on upcoming PCS locations.
All in all, there is much to consider when looking at military moves. Look at responsible aspects, such as infrastructure and promotion path, but also consider just how much fun is to be had at potential addresses.
How does your family decide where to move next? Tell us below.
Like most general officers commissioned right after the Vietnam War ended, Gen. Martin Dempsey’s firsthand experience of dealing with combat losses came relatively late in his career. During the summer of 2003, then-Major General Dempsey was commanding “Task Force Iron” in Iraq when the post-invasion lull ended and the insurgency began going after American troops.
“We started taking casualties,” Gen. Dempsey recounted. “And during the morning briefing, after we talked about the high-level mission items and what we called ‘significant incidents,’ we’d flash up the names of the fallen and have a moment of silence.
“The names were up there on the screen and then, whoosh, they were gone,” he said. “After about two or three weeks of the same thing, I became really uncomfortable with that. One minute it was there and real, and then the next minute it was somebody else’s problem.”
Gen. Dempsey attended a number of the memorial services held at the forward operating bases downrange for those killed in action.
“They were both heart wrenching and inspirational,” the general said about the services. “To see the love that these soldiers had for each other made me take my responsibilities that much more seriously.”
But as he greeted the battle buddies of the fallen, Gen. Dempsey wasn’t sure what to say to them that would help at those moments. “I had nothing,” he said. “I mean, I’d say, ‘hang in there’ or ‘we’re really sorry about what happened’ . . . I felt so superficial.”
Then it hit him one morning after he was just waking up in his quarters in Baghdad. “A phrase was echoing in my head,” he remembered. “Make it matter.”
He did two things immediately after that: First, he had laminated cards made for every soldier who had been killed to that point. The cards were carried by all the general officers in theater as a constant physical reminder of the human cost of the war. In time the number of casualties became so great that it was impractical to carry the cards at all times, so he had a mahogany box engraved with “Make it Matter” on the top and put all but three of the cards inside of it. He would constantly rotate the three he carried in his pocket with the ones in the box.
Second, from that point forward when he would address the soldiers in units that had experienced losses, he’d simply say, “Make it matter.”
“They knew exactly what I meant,” Gen. Dempsey said.
Five years after Gen. Dempsey’s introduction to the challenges a two-star leader faces during periods of significant combat losses, Marine Corps Major David Yaggy, a veteran of three combat deployments, was an instructor flying in the rear cockpit of a Navy T-34C trainer on a cross-country flight between Florida and South Carolina when the airplane went down in the hills of Alabama. Yaggy and his flight student at the controls in the front cockpit were both killed in the crash.
The day of that crash is burned into the memory of Maj. Yaggy’s widow, Erin. She first heard from a realtor friend that a helicopter had gone down, and she immediately went online and saw a report that, in fact, a T-34 had crashed in Alabama. Fearing the worst, she put her 18-month-old daughter Lizzy in a stroller and went for a walk, in denial and hoping to avoid any officials who might show up to tell her that her husband had been killed.
During the walk, she received a phone call from her cousin. “Where are you?” she asked.
“I’m at your house,” he replied. That was all he said.
Erin ran home pushing the stroller, in her words, “like a crazy person.” When she arrived she caught a glimpse of a uniform, and she broke down, hysterical. “That didn’t go so well,” she said.
She had a long period of vacillating between shock, anger, and sorrow. “I felt like other people wanted me to cry,” she said. “I was like, ‘I don’t want permission to cry, I just want him here.”
The sister of the flight student killed with Erin’s husband convinced her to get involved with Tragedy Assistance Program for Survivors (TAPS), and she wound up making the short trip from Baltimore to Washington DC to attend her first Good Grief Camp — the organization’s signature gathering — when Lizzy was four years old.
General Dempsey had just taken over as Chief of Staff of the U.S. Army when his aide briefed him that he was scheduled to address the TAPS Good Grief Camp attendees gathered in a hotel ballroom across the interstate from the Pentagon. Although the general had heard of TAPS and was armed with the requisite three-by-five cards filled with talking points provided by his staff, when he got there he realized he wasn’t fully ready for what he was walking into.
“I walked into this room with 600 kids all wearing big round buttons with images of their parents, and I knew I was ill-prepared,” Gen. Dempsey said. “It was emotionally overwhelming. It’s hard enough meeting a single family that’s had a loss. It’s another thing altogether meeting 600 families.”
Gen. Dempsey started his appearance with a question-and-answer session, and after a couple of innocent ones like “do you have your own airplane?” and “do you like pizza?” a little girl dramatically shifted the mood by asking, “Is my daddy an angel?”
“I was stunned,” Gen. Dempsey recalled. “How do you answer that question?”
The general thought for a few moments before calling an audible of sorts. Fearing that he could well break down if he tried to talk he decided to attempt something else.
“I knew I could sing through emotion instead of trying to speak,” he said.
So he answered that, of course, her father was an angel — like the fathers of everyone there — and that the entire group should sing together because singing is joyful and the fact that their fathers were angels should bring them great joy.
Then he launched into the Irish classic, “The Unicorn Song,” including a lesson in the proper hand gestures required during the chorus. Soon the entire room was singing.
After his appearance, General Dempsey asked Bonnie Carroll, the founder of TAPS, if he could meet the little girl who’d asked the question and her family, so Bonnie introduced him to the Yaggys. The general was immediately struck by Lizzy’s spark, and, as Erin put it, Lizzy was drawn to the man with lots of silver stars on his Army uniform who’d raised her spirits by singing with all of the kids.
“His timing was perfect,” Erin said. “Before [General Dempsey’s singalong], Lizzy had just said, ‘I don’t want to talk about daddy being dead anymore.’ Her attitude changed after she met General Dempsey.”
At the following year’s Good Grief Camp, they began what blossomed into a tradition: Lizzy introduced him as the keynote speaker.
“She stood up and said, ‘this is General Dempsey. We love him, and he loves to sing, and he makes us feel good,'” the general recalled. “And she finished with, ‘and now my friend, General Dempsey.'” With that, once again, General Dempsey had to fight back tears as he faced hundreds of military survivors.
General Dempsey and his wife Deanie stayed in touch with the Yaggys, exchanging email updates and Christmas cards. The third year Lizzy introduced the general he’d taken over as Chairman of the Joint Chiefs of Staff, the Pentagon’s senior-most position. Before they got on stage together she gave him a little box with an angel-shaped medallion in it, saying, “You’re my guardian angel.”
The general was deeply moved and wanted to return the gesture, but all his aide had in his possession was a ballcap with the numeral “18” on the front of it, signifying the 18th CJCS. He wrote in black ink on the bill: “To Lizzy — From your chairman friend. Martin E. Dempsey.”
“It was so cute to see her wearing that hat for the rest of the night,” Deanie Dempsey said. “Here was this little girl in this long green dress with a ballcap on.”
“She wore that hat all the time after that,” Erin said. “She even took it to bed with her.”
The entire time General Dempsey served as the chairman he only had two things on his desk in the Pentagon: The mahogany “Make it Matter” box full of the laminated cards that profiled those who were killed under his command in Iraq and the guardian angel medallion Lizzy gave him.
When it came time for the general to retire, the Pentagon’s protocol apparatus sprang into action — after all, a Chairman of the Joint Chiefs of Staff change of command is like the Super Bowl of military ceremonies. As the officials were coordinating all the moving parts, including the details surrounding President Obama’s attendance, they were surprised to learn who the outgoing chairman wanted to introduce him. They pushed back, but the general was insistent.
The day arrived and at the appropriate moment in the event, a little girl on the dais confidently strode by the dignitaries and political appointees and the President of the United States and stood on the box positioned behind the podium just for her.
And without any hesitation, Lizzy Yaggy delivered her remarks to the thousands in attendance, and finished with, “Please welcome my friend, General Dempsey . . .”
We’ve all been lectured about what parts of military life are most relevant in the civilian world — things like showing up on time and being respectful. Those things are mostly nonsense and ingredients in a recipe for disaster when you make the transition. Here’s WATM’s list of 7 skills you learned that got you by during your time in uniform — military “life hacks” — that’ll make life on the outside easier and more productive:
1. DOING MORE WITH LESS
Former Defense Secretary Donald Rumsfeld (in)famously said, “You go to war with the army you have, not the army you might want.” But that reality isn’t an excuse for failure. The American people still expect their military to win the war. (They don’t always act like it, but they do.) Same deal in civilian life. You won’t have all the resources you need to make the sale or close the campaign, but the company still expects you to get it done.
2. EMBRACING THE SUCK
Remember how you started each deployment with optimism and enthusiasm? Remember how those things were crushed by the end of the first month in theater? But about that same time you realized that sitting around and complaining about it wasn’t going to make the rest of the time any easier. The same thing is true in civilian life. Every job has its suck. You want to play golf for a living? Get ready to spend ninety percent of your time away from home. But don’t sit around the clubhouse bitching about it.
3. BEING RESOURCEFUL ON THE ROAD
Even at the combat outpost in Paktika Province – without running water or air conditioning – you managed to whip up your favorite tuna slider recipe, figure out that Jason Aldean song, and keep your Facebook status updated. Those mad skills will come in handy when the company sends you on that client roadshow or to that training seminar. The complimentary wifi won’t work. The treadmill in the hotel gym will be broken. The conference room will run out of electrical outlets. Tough luck. Get it done, soldier. And keep your toes tapping.
4. STEPPING UP TO SOLVE PROBLEMS BEYOND YOUR BILLET DESCRIPTION
It was a party foul to say “that’s not my job” during your time in uniform. Many times you had to come out of your lane to make sure things got done in the face of others inadvertently overlooking their responsibilities. Same thing happens on the outside. Somebody’s about to forget the glossy brochures for that key client presentation. Somebody forgot to do Item No. Three on the “Night Shift Shipping Procedures” checklist. If you see it, solve it.
5. REALIZING THAT EVERYONE ABOVE YOUR PAYGRADE IS DANGEROUSLY CLUELESS
At times it seemed like the sole purpose of the chain of command was to try and kill you. Your watch section tried to wash you overboard. Your flight lead tried to fly you into the ground. Your skipper assigned you for a mission with no real idea of what it was going to take to get you safely back. Welcome to the business world. While the consequences of ineptitude might be less life threatening, that same healthy paranoia regarding those in charge is a good idea.
6. KNOWING THE VALUE OF A GOOD WINGMAN
The buds got you back to the ship after a big night of liberty. They kept you out of jail in Turkey. They gave you that timely heads up when the Gunny was about to come down on you with both feet. Those same kinds of folks will come in handy in civilian life. (And your regional manager might have gunny-like tendencies from time-to-time).
7. KEEPING YOUR SENSE OF HUMOR WHEN THINGS GET BAD
You know how you stayed sane in the military by laughing stuff off? Don’t lose your sense of humor when you trade multicam for mufti. You’re going to need it for the same reasons you needed it when things got rough in uniform.