He’s the new Capt. Kirk and won the affection of Diana Prince as the World War I airman and superspy Maj. Steve Trevor in the latest “Wonder Woman” blockbuster. He’s pretty funny and the ladies sure dig him.
And turns out he’s also a hell of a shot.
Chris Pine is the child of a Hollywood family of actors and filmmakers who really broke out onto the silver screen as the young James T. Kirk in 2009’s “Star Trek” prequel. His career has gone ballistic since then, with two more Star Trek movies and a stint as the Tom Clancy hero Jack Ryan.
But in what looks like a part of his preparation for “Wonder Woman,” Pine spent some time on the range with legendary 3-gun competitor and tactical trainer to the stars Taran Butler, plinking steel and punching paper like he’d just come off the stealth helo from Abbottabad.
With some ninja help from “Warrior” champ Jessie Graff, Pine double taps his race Glock like he was born to it. We’re particularly impressed with his prowess on the dueling tree with his AR — not an easy feat when you’re calculating sight over bore under time.
We all loved Keanu Reeves’ gunslinging for “John Wick,” and likewise here we’re prepared to dole out some respect to Capt. Kirk for his display of ballistic badassery.
This weekend, a sequel to a movie series that you kind of like is trying to have it both ways. “Terminator: Dark Fate” is many things, but the easiest way to describe it a sequel to “Terminator 2: Judgement Day” and also the start of a new franchise of Terminator movies in a new timeline.
Right now, there are a ton of spoilers out there about the movie, but we’re not going to do that. (Though seriously, be careful, because there is some crazy stuff that happens in like the first few minutes.) The big question is right now, does “Terminator: Dark Fate” have a post-credits scene? And does that post-credits scene set-up a sequel? Here’s the non-spoiler answer.
No! “Terminator: Dark Fate” does not have a post-credits scene of any kind, though the ending of the film does strongly imply a sequel is coming. The director of Dark Fate, Tim Miller has gone on record saying that he thinks a post-credits scene is a “Marvel thing.”
Terminator: Dark Fate – Official Trailer (2019) – Paramount Pictures
Hanson at the GI Film Festival San Diego. Photo credit BH.
Brian Hanson has lived a few lives and succeeded in some of the harder endeavors known to man: earning a Ranger tab and making a movie. He grew up in Southern California, worked in Hollywood for awhile and then felt called to serve in the U.S. Army. He left Hollywood and became a Ranger serving on multiple deployments to Afghanistan. Upon returning from his service he fulfilled his dream by writing, directing and producing his first film, The Black String, starring Frankie Muniz.
WATM: Can you share about your family and your life growing up?
I was born in Detroit then my parents moved to San Diego. They were tired of the snow and wanted a new lifestyle on the West Coast. My father has always been a huge TV, film and history buff. I grew up in Escondido which is a suburb of San Diego. I had a sister that unfortunately was killed in a car accident when she was sixteen so that was a life changing moment in our lives. It was a paradigm shifter. My parents worked hard, and my youth was in many ways the normal SoCal life — riding bikes with friends, enjoying summers and playing sports. I had a real fascination toward movies and telling stories. It was always in me. I played football and baseball in high school. I also did student government. We did a field trip when I was a senior in high school to see a talk show at Paramount Studios to see The Kathy Lee Gifford Show. Seeing the stage, PAs and cameramen showed me that showbiz was a real industry and that I could do it. Even though I did (short) films with my friends it made me aware that I could direct myself toward the industry. It is a real thing.
I graduated that summer and my sister died, so all bets were off on going into the industry at that time. I did one year at San Diego State and then decided to travel abroad with a friend. We worked as bartenders and lived in the United Kingdom. It is what 18 year olds should do— go see the world. I started reading Syd Field books and Robert Rodriguez books like Rebel Without a Crew, watching El Mariachi, Swingers, Reservoir Dogs, Clerks, Blair Witch, The Following…I was really into the big studio movies (Saving Private Ryan, Back to the Future, The Matrix) and the independents. It was like you can do this, get a camcorder and you can do it. I knew I wanted to join the military, but not at that moment in my life so I came back from Europe and transferred up to Cal State Northridge. I graduated and got my proper film school bachelor’s degree. I knew I wanted to be a Writer/Director. My parents were very supportive of my endeavor in making it in Hollywood and telling stories.
Once US Forces entered Iraq in 2003, I had read voraciously about 9/11 and the invasion of Afghanistan. I knew I was going to join the military at some point, but when? I would be pouring drinks for young, good looking Hollywood people at a bar making hundreds of dollars a night where over their shoulder would be a TV on reporting the Battle of Fallujah. I started to not feel right about that, and I wanted to be an honest storyteller. I would like to be a storyteller that speaks truthfully and authentically and didn’t want to be the person that imitates. I didn’t want to be an imitator of Goodfellas or Full Metal Jacket. I knew I needed that life experience to be an authentic storyteller. I did a TV Pilot with some friends that we raised money for, and Brandon Routh was in it. This was right before he was cast as Superman in Superman Returns. Brandon and I bartended together at that time. He was a great guy to work with. I was also bartending at the Playboy mansion during the end of the glory days for Hefner and the Mansion. It’s tough to just walk away from all of that and you are making decent money in Hollywood. You are just one step or script away from “it” happening.
After not much happened with the TV Pilot I started to realize that Hollywood and LA are still going to be here. I wrestled a year or two of how to leave it behind after I had started a life. As I approached 30, I looked in the mirror and decided to join the Army because if I waited longer, the military wouldn’t let me join – I’d be too old. I would have regretted to my dying day if I did not serve. There were no questions in life. I knew joining as an older guy would be different when compared to most recruits. But I wanted to volunteer my time and some of the years of my life to serve my country, but I had to step up and go do it. I gotta do this and gotta do it now. I knew my goal was to come back to LA with this accomplishment and service to my country being complete.
Hanson at Fort Benning. Photo credit BH.
WATM: What made you want to become a Ranger and what was your experience like?
I didn’t know all the details when I enlisted as an 11Bravo (infantry), but I knew that Rangers and Green Berets were the high-speed special-operations units. One day in Basic Training at Fort Benning, the Ranger recruiters came out to ask for volunteers and my Drill Sergeant SFC Metcalfe looked at me and said, “Hanson, you better f’n volunteer.” So, I volunteered on the spot and a few months later I was reporting to Ranger Assessment Selection Program. Unfortunately, SFC Metcalfe was killed in action a year later when he deployed to Afghanistan with the 173rd. I thank SFC Metcalfe for pushing me to go Ranger.
I was stationed at Fort Benning with 3rd Ranger Battalion where it is a high-speed training cycle. You train for six months and then deploy for about 3 to 4 months. There is always a Ranger Battalion deployed. Just operating at that tempo, at all times, is exciting and inspiring to see your NCOs, squad leaders and platoon sergeants are on their sixth or tenth deployment. It was very inspiring to see their commitment to the unit at the cost of their family and personal time. When you are a single young, enlisted person it is very inspiring to see that level of motivation. Rangers hold themselves up to the highest standard of leading the way. You are always being tested. It is uncomfortable and you never have a chance to relax. It is a great way to stay sharp. It is a tough head space to always be in. You are always being watched. The young (new) guys compete like professional athletes to deploy, like trying to make the starting roster. Once you deploy you want to be on that mission every time. I deployed to FOB Salerno in Afghanistan on the border real close to Pakistan. My second deployment was at Camp Leatherneck/Camp Bastion and then my last deployment I was at FOB Shank aka “Rocket City”. That place was hit like all day with nonstop rockets. It’s funny how used to it you get.
The Taliban used a lot of ingenious guerrilla tactics like setting ice on the mortars to eventually melt and then go off at some point during the day. Apaches would launch to try and find the culprits however they were not there. We ran the night shift out there for High Value Targets (HVT) where we went on night raids. To see how targets were acquired and track and intel was gathering where the strike force commander was the CO. From top to bottom the whole thing was a collection of assets. We worked with the Air Force, Navy, Marines, big Army, DIA and had civilians running the drones. It is amazing to see people come together for these task forces where all of these people work together on the fly. Being 30 and seeing this strike force run by young soldiers/civilians is amazing because in Hollywood most 23-year olds close to me are up and coming bartenders/actors/writers/directors. In Afghanistan we had 23-year-old Forward Observers bringing in Chinook helicopters into dangerous LZs to pick us up for a night raid. 24-year-old squad leaders are ensuring that everyone is accounted for and that no one is left behind on the side of a mountain in Afghanistan. It is amazing to see what young people can do where they have been trained at such a high level and have high expectations. They achieve and are motivated. I think Hollywood is an amazing place where things get done, but I think a lot of it is a 10-year delay. It is a bit of an arrested development sometimes.
In a training incident I was a towed jumper. We were doing our yearly training for airfield seizures which is an entire battalion operation to seize an airfield. I was the last guy to jump out of a C-17 at night with a full combat load and got hung up on the plane which made me a towed jumper. I was hanging outside of a C-17 at 1000 to 1500 feet circling Fort Benning banging against the side of the plane and fully conscious. Thinking that I might die at any moment and this is not a normal thing to happen to people. My static line wrapped around my weapons case where when you are jumping your weapons case is attached to your thigh and your harness. Somehow there was too much slack in the static line to where it wrapped around the weapons case so it wouldn’t release me. The static line stays clipped inside the plane and it is supposed to pull the back of the pack tray. You jump and it pulls it out, but it got wrapped around and it pulled me.
I was okay with a tight body position and covered my reserve chute, so it didn’t release. I was out there for six minutes. I thought they were going to cut me loose to where all I have left is my reserve chute to land on some trees at night next to the Chattahoochee River. Then I started looking at my boots flying through the air and thought this is what parasailing must be like. Then I thought, did they forget about me and is the C-17 going to try to land? Do they not know I am out here, and I am going to do some high-speed combat roll on a tarmac as the C-17 lands? You are trained to keep a tight body position out there, so they know you are not unconscious. I kept slamming against the side of the C-17 behind a gigantic turbine engine. I hit the plane and stayed there where I started to get dragged across the skin of the plane. I felt hands underneath my arms and they pulled me in. Everybody was so glad to see I was alive and in one piece. I was just relieved as I was out there so long, I went beyond any initial shock, concern to just cut me loose guys so I can land on a tree with my reserve shoot.
They pulled me in and did a great job making sure I was okay. I had to retell the story for weeks to a lot of soldiers, especially Sgt Majors at the DFAC wanted to hear the story of a towed jumper. It was a very bizarre story because no one wants to be a towed jumper. It is a total nightmare scenario short of both chutes failing. It all ended well and twelve stitches in my chin was it. After all of that my 1stSgt checked on me and made sure I was alright. He then told me, “Get ready you are jumping tomorrow.” We had another jump the next day. The 3rd Ranger Battalion was like you are jumping tomorrow to get over any fear of jumping again. Just get out there and do it. I jumped not 24 hours later and believe me I was concerned. I said, “There is no way that can happen twice.” I got out the door and was fine. There is not a lot of pity or sympathy it is like get back up and do it again unless you are truly hurt, alright get up and do it as there is no time to think about. That is something I take with me to this day.
All of the pre-jump training you do these repetitive and boring things you already know, and I did one of those things without even thinking about it. It dawned on me why I do this training every single time. When that one time does happen, you are ready and have gone over the worst-case scenario. You will be that much quicker to save your own life or someone else. It seems so mundane and so repetitive and a waste of time until you need it. That repetitive action like weapons malfunctions….but when you need that instantaneous second nature habit it is the most important thing you could have known at that point.
Hanson at Camp Leatherneck. Photo credit BH.
Hanson on his last mission at FOB Shank. Photo credit BH.
Paratroopers jumping from C-17 Globemasters.
View of Camp Salerno. Photo credit wikipedia.com.
WATM: What are you most proud of from your service in the Army?
I am proud I stepped up to the challenge of 75th Ranger Regiment (thank you SFC Metcalfe) and made the team. Severing with my Ranger buddies was like the saying goes: “I was no hero, but I walked amongst a few.” I did my part and I know guys that are still out there doing it. I know squad leaders that are now getting their own platoons. Some guys have gone into elite units like Delta Force and the 160th Special Operations Aviation Regiment. I still think about them often and stay in touch. I want to make them proud because of the work they are still doing…I try to keep pushing myself in a way that would do right by the effort they are putting on…I am proud to have been on a team with those guys and seen what leadership means…and at such a young age and for so many people. I am proud to have seen it and been associated with that level of person.
Frankie and Paige Muniz, Kayli, Chelsea and Brian at Dances with Films. Photo credit BH.
WATM: What values have you carried over from the Army into Hollywood?
One thing that you see among some twenty something bartenders or Hollywood newbies that is unacceptable in the Ranger Regiment and also unacceptable in the Army are excuses. It is the same on production, there are no excuses. There are just no excuses. I don’t want to hear it other than a solution. Maybe an, “I’m sorry,” and that is it where I don’t even want to hear an excuse. Unless there is something disastrous you need to untangle. No excuses, just solutions. The high-level professional types of productions have that mentality where I really appreciate it. I do see the correlation between military units and productions. You have one mission where everyone comes together to accomplish it.
Also, you see this in the military and it is a career everything, keep moving forward just like a twenty-mile ruck march. You worry about the next step, then the next phone pole, then the next quarter mile where they will all add up. You can be overwhelmed by all of it if you look at it all at once where if you do it one step at a time you see that you can do it. Those are two crucial lessons I learned in the Army.
Hanson, Frankie and crew at Dances With Films. Photo credit BH.
WATM: What was one of the toughest lessons to learn coming from the service to Hollywood?
Even though I had worked in Hollywood before leaving, I came back a veteran, and still had to learn that there is a system in Hollywood. The system is not as rigid perhaps as the military. It isn’t just this artistic endeavor where you get to be a genius and be Quentin Tarantino or you are Steven Spielberg because you say you are. There is a hierarchy and there is a smart way to navigate. There is a way to get oriented and to a very real map of how this town works and have very realistic expectations. I think that veterans and others think of their prior accomplishments, whether a lawyer or a company commander of an infantry company, where you are not going to be a 1st AD. That is a ten-year path that is very regimented. The biggest challenge is understanding what the path to success is and how to realistically pursue those things. Know that they all take time and embrace that.
***Since leaving the Army I have learned so much by working as a Production Assistant on HBO’s Barry, Silicon Valley, Room 104 and worked as Assistant to Matthew Rhys on Perry Mason. Being on set and working for top level professionals has been an incredible learning experience and given me insight to become a better filmmaker on my own projects. I also greatly appreciate the film/tv mentorships, education and opportunities I was given through Veterans in Media Entertainment (VME), USVAA and WGF. It has been very important to find mentors and work for professionals.
Hanson with members of the cast and production staff at the Austin Film Festival. Photo credit BH.
WATM: What was it like writing, producing and directing your own feature film, The Black String?
The story was percolating for a long time before making the film such as Donnie Darko, Repulsion, Jacobs Ladder, which does a great job of blending horror and military, and Rosemary’s Baby. It was conceived with my bartending buddy Andy Warrener before I joined the Army. We wanted to explore in that story what it is like to be on that edge where you are experiencing something and no one else believes. It is you against the world. How do you convince someone of something that crazy of a witch conspiracy or a coven of witches? Or some really wild, evil cabal? The moment you say those words you already sound like you are having mental problems. Doctors will definitely not be going to believe.
The challenge we wanted was for a character to have to convince his family, his friends and his doctors of something that is inconceivable where no one in the real world is going to believe that. We put that in a genre we enjoyed which was horror. Now we thought maybe we would make that movie, but I joined the Army and Andy got married and moved to Florida. The wild thing is that you never know what you write today may be a movie in five or ten years. I lived a whole crazy life in between thinking of the story while tending bar with my buddy and then going into the Army. The difference in the time gap was about seven years. I could not have guessed that would have happened, especially with Frankie Muniz.
The creative part I was very comfortable with in the directing and writing having made many short films. I got an MFA from Mt. Saint Mary’s University with the GI Bill, which is a beautiful thing, loves the GI Bill. I owe so much to the GI Bill. So, I got very comfortable with the directing portion where you get very creative to bring this vision and feeling and this emotion you have to life in a very technical way. It is running the business, the producing part of things, to where you are starting a business, you are an entrepreneur. My producing partner Richard Handley, he is a Navy veteran and was an officer and Physician’s Assistant, he runs a contracting business with the DoD. We ran a business together where many purely creative types don’t understand what that level of dedication and commitment is.
To this day I have had probably had equal amounts of discussions about corporate taxes, LLCs, investor shares and running a business as I have about storyboarding shots. When you are doing an independent film like this, truly a passion project, you are building a team that is not a whole lot different…then opening a small company. You and your business partner are shouldering the burden if not for months, but for years. You have to love it and I do where it has been a great journey to where we had such great crew members and other producers that have helped us along the way. It is a multiple year endeavor when you do something like that in the independent world. You really are from the very beginning of raising money all the way to negotiating with distributors and foreign distributors and how you cut checks to your investors. It’s a true business education and kind of feels like I got this mini MBA education.
That was unexpected but the directing part was just amazing. Working with such talented people and friends that I had before joining the Army…we really were able to bring a lot of relationships such as Ravi Patel I bartended with as well. Cullen Douglas and Ravi and I did a TV pilot in like 2008. It was amazing to be able to reach back to my pre-Army friends that are so talented and my post Army, new team of filmmaking friends and bring everybody together. We called on so many favors. We had such great support from Mt. Saint Mary’s, VME and Vega Baby. We called in every favor where it is such a positive experience. When we landed in Frankie Muniz where he is a champ.
He brought his “A game” even for the tiny movie it was. He loved the character and the chance to do something different. He gave everything to our tiny project as he would have to our multi-million-dollar project. He treated us with respect, and he treated the script with respect. He came to set daily with a big folder of his personal notes. He was meticulous like a pro and his level of preparation and how he kept track of everything and what he brought was just amazing. He took that movie and made it really something different than perhaps something we thought. Frankie made it his Breaking Bad character. Like his Malcolm in the Middle dad, Bryan Cranston did on Breaking Bad. He was still kind of that funny person but had a much darker take on it. It is a dark twist on that guy you already know. Frankie imbued the role in the film with his Malcolm in the Middle persona, but whoa that is the dark side of it. What happened? Like Breaking Bad, what went wrong? To work with a pro, I learned.
To be able to work with actors like Ravi, Frankie, Cullen, Oded and Chelsea where they are people that do this for a living to be able to work with people like that and be creative partners with them for my first feature was inspiring. To see how a team can really work with everybody really contributing some high-level creativity. Everyone on the team had so much to add. You have to shepherd the project to where everyone stays on track, but still allow personal creative contributions from cast members. A director is like a manager of a company. You have to work with the talent, resources and the money of your company. You still have to get to the goal, but you can’t be resistant to some things that are great new ideas.
Poster for The Black String. Photo credit IMDB.com.
Screen capture of The Black String. Photo credit BH.
Rich and Mari Handley with Yani and Brian. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
Hanson and Handley on stage at the GI Film Festival. Photo credit BH.
WATM: What leadership lessons in life and from the Army have helped you most in your career?
“No excuses” and intense preparation for a project. It is preparing like you are the best and spending hours a day preparing. Don’t assume, always do pre-combat inspections. It is having everything truly ready to go. Because once you arrive on set and once you arrive at that location it needs to be ready and needs to be operational. If not you, need to have a back-up plan. Research and having contingency plans. Checking your equipment and your team. It can be seen as micromanaging, but it doesn’t have to be that bad. In the military everybody checks their troops. It’s just how it is to make sure your guys and your buddies are ready to go. I think that can be transferred to the civilian world and film production.
Frankie Muniz and Richard Handley in The Black String. Photo credit IMDB.com.
More of Muniz in The Black String. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
WATM: As a service, how do we get more veteran stories told in the Hollywood arena?
We need support from great organizations to promote veteran voices and veteran creators. Such organizations as We Are The Mighty, Veterans in Media and Entertainment (VME), of which I volunteer heavily with, the USVAA, United States Veteran Artistic Alliance, and the WGA Writer’s Guild Foundation do support veterans. We need the support from industry professionals and organizations. They are out there, and they are growing. I think that with the people in the position in power right now, the producers and executives that can green light things, I do think they do a really good job where there is always a presence of the military and law enforcement. There are always more and different perspectives. To keep in mind and do the rote, stereotypical type of story lines. There are a lot of really nuanced, interesting and unexpected perspectives that veterans can bring to the time-honored tradition of military inspired entertainment. The producers, executives and showrunners should be open to finding those unexpected angles to veteran stories.
Hanson with Steve Fiorina and Handley at the GI Film Festival. Photo credit BH.
WATM: What would you like to do next in your career?
I plan on directing my second film in 2021. My first one was the horror genre where my next one is likely going to be a thriller with a military character. I always want to do things that are thought provoking. I definitely want to challenge viewers and explore philosophies. …Christopher Nolan makes great entertainment and with challenging ideas and philosophies. He is an independent filmmaker making giant movies, which is something to strive for. Since I have completed my first film…I have been working to get on great television shows as a writer. There are so many stories to tell and I joined the Army and lived this life to help tell authentic stories. I would love to be in day in and day out be in a room with other story tellers creating an amazing show. Creating stories with a team. I will continue directing but would love to be in that writer’s room doing innovative television.
Brian Matthew Rhys on “Perry Mason”. Photo credit BH.
WATM: What are you most proud of in life and your career?
I am most proud of serving in the 75th Ranger Regiment. In a sense in my career I may never do anything as meaningful as that even if I make ten more movies or even if nominated for an Academy Award. I don’t think that I’ll ever be prouder than spending those days with my Ranger buddies in Afghanistan or sweating in Fort Benning. I am also proud of making that first movie and everyone that contributed to that colossal effort from nothing. Rich Handley and I being these recent film graduates decided to make a movie where we built that coalition from the ground up. It is an effort we are very proud of and what we did and everybody that was able to help us achieve that.
On the back end we got distribution through Grindstone and Lionsgate to where we had to find everything from scratch. The studio didn’t fund this. Movie making is a risky endeavor and long commitment over many years. The movie has been out now over a year and we are still making producer phone calls and receiving emails four years later. When you divide the money, you might make on the back end of an indie film and divide the hours by what you put in it, there might not be much money so that passion that drives you to keep working. There is a bond between people that have that level of passion to work 15-hour days. You are not really thinking about the paycheck where you are there to get the job done because you believe it is similar to the military mindset.
My wife Yani Navas-Hanson is from Venezuelan; she left the country and I met her in Atlanta when I was at Fort Benning and she was studying at Georgia Tech. She was the accountant by trade and then was our accountant on the movie. She left her country, learned English here in the US and transitioned from corporate accounting to entertainment accounting and from taking on the challenges of an independent film. What someone like her can accomplish if they are driven and keep pushing forward and to be able to accomplish that in a few years is amazing. People do have to surround themselves with the right people. If you are in a relationship with someone who is not supportive with this career path or your family is not supportive, then you might have a tough time during the ups and downs. Family and friend support is crucial. I have fantastic and supportive friends and family.
Brian and Yani at Sitges Film Festival. Photo credit BH.
Every time a new Hollywood blockbuster comes out about the military, veterans and active duty service members get defensive — and for good reason.
The military is very detail-oriented and the veteran community can spot every mistake in technique, procedure, or uniform wear. It pains us watching films that can’t even get the amount of flags on our uniform correct.
As much of a master craftsman as Stanley Kubrick was when creating films, he’s not without his flaws. For instance, that scene in Full Metal Jacket when Joker is doing pull-ups and then Private Pyle gets hell for not being able to do one.
But Gunny Hartman should have been on Joker’s ass just as much since none of his should have counted (although it could be argued that it was a character choice by late, great R. Lee Ermey, a former Marine Corps Drill Instructor and Hollywood’s truest bad ass, just so he could f*ck with Pyle sooner.)
The film doesn’t exactly shine the best light on the reality of the Vietnam War, but at least in Full Metal Jacket, the uniforms are on point. According to the original Title 10, Chapter 45 section 772 line (f), actors may wear armed forces uniforms as long as it does not intend to discredit that armed force, and in 1970 that condition was removed altogether.
Back in 1967, Daniel Jay Schacht put on a theatrical street performance in protest of the Vietnam War. He and two other actors put on a skit where he “shot” the others with squirt-guns filled with red liquid. It was highly disrespectful but he did manage to get the uniform correct. After being sentenced with a $250 fine and six months in prison, he brought it up to the Court of Appeals and eventually to the Supreme Court.
It was ruled that, as distasteful as it was, his performance was protected under the First Amendment. The Vietnam War protester inadvertently helped troops by taking away any excuse to not get our uniforms right in film, television, and theatrical performances. Now there is no gray area. Hollywood has no excuse to not get the uniforms right.
So what gives? There are far more films that try to portray troops as righteous as Superman, but have them pop their collar.
The reason films like Full Metal Jacket, Forrest Gump, American Sniper, and Thank You For Your Service get it right is because they handle the military with respect. The producers, director, and costume designers listen when the military advisor speaks. They hire costume designers like Keith Denny who have handled military films before to do it right.
Military advisors have been gaining more and more respect in the industry. Because without them, well, the film turns into a drinking game for troops and vets — and they do not hold back their vitriol.
Everyone’s favorite Game of Thrones badass — Kit Harrington — will make his mark on Marvel movies when he appears as “Black Knight” in The Eternals. But, will his character actually be a back-door way to get new versions of Wolverine and the rest of the X-Men into the ever-expanded Marvel Cinematic Universe? Here’s what’s going on.
Kit Harrington and Eternals co-star Salma Hayek posted a behind-the-scenes photo of themselves on the set of the next Marvel movie. If you’re confused about what The Eternals even are, that’s fine. Here’s cheat-sheet: They’re a group of immortal beings who sort of pre-date regular history in the Marvel universe. Remember Star Lord’s dad, as played by Kurt Russell in Guardains of the Galaxy 2? Yeah, he was one of the Eternals.
ANYWAY. Salma Hayek’s photo was just a sweet Instagram photo, but at the exact same time, comic book fans began theorizing that there’s a lot more going on with Harrington’s character than previously thought.
If your eyes glazed over when you read “comic book fans started theorizing,” I’ll cut to the chase: in the complicated mythology of Marvel Comics, Harrington’s character Black Knight is loosely connected with the origin of the mutants who are later known as X-Men. Basically, Black Knight ran into some early versions of the Mutants, but the legit explosion of mutants didn’t happen on Earth until the 20th century, partially because the mutant gene was stimulated by outside forces.
Okay, so what the hell does that mean for the MCU right now? Well, up until this point, the MCU movies haven’t depicted any of the X-Men for legal reasons, with the notable exception of Scarlet Witch and Quicksilver. Also, as was revealed last week, an outtake of the famous Iron Man post-credits scene would have hinted at the existence of X-Men in the background of the MCU. No one really knows what the plot of the Eternals will be about yet, but it’s totally possible that Black Knight might discover the “origin” of the new version of Mutants in the MCU. (Reminder: post- Fox/Disney merger, the X-Men can now appear in the regular Marvel movies.)
In other words, because of some crazy ancient history magical shenanigans, Marvel’s The Enternals could end with a post-credits scene that teases the new X-Men. That is, only if we’re lucky.
The Eternals hits theaters Nov. 6, 2020.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
The Tiger tank had brutally efficient front armor. (Credit: Sony Pictures Releasing)
Out of nowhere, a shot cuts through the last Sherman tank in the column, blowing its turret off. The three remaining Shermans reverse from the road as another shot whizzes into the dirt, narrowly missing them. Backed into a wood line, the Shermans spot their ambusher – a German Tiger I tank. With no way out, the Shermans return fire and charge the Tiger. The shots from the Shermans bounce off of the Tiger’s 100mm frontal armor with no effect.
Undeterred, the Tiger fires an 88mm shell straight through the front of a second Sherman. Continuing their charge toward the Tiger, a third Sherman is hit, its turret blown off of its hull. The last surviving Sherman finally gets around the Tiger and traverses its gun to aim at the weaker armor at the rear of the tank. Only after taking two shots through its vulnerable engine compartment does the deadly Tiger grind to a halt. With their tank ablaze, the surviving German crew members abandon the Tiger and are cut down by Sherman’s hull-mounted .30-cal machine gun.
This scene from Sony Pictures’ Fury has been viewed by millions of people online. Produced with the help of The Tank Museum in Bovington, UK, the scene features the only operating Tiger I tank in the world today.
Officially called the Panzerkampfwagen VI, Tiger I, Sd.Kfz. 181, the Tiger tank was heavily armored and equipped with the deadly 88mm gun. Paired with a well-disciplined crew, the Tiger was a menace to the allied armies during WWII. However, it was prone to track failures and mechanical breakdowns. The Tiger’s operational range was also restricted by its high fuel consumption.
Built in February 1943, Tiger 131 was issued to the German 504th Heavy Tank Battalion and was shipped to Tunisia in March 1943 to reinforce the German defense of North Africa. As the allies prepared a major push toward Tunis, German forces launched a spoiling attack in April. On April 24, the British 2nd Battalion Sherwood Foresters, a line infantry regiment, took a location known as Point 174. The Germans immediately counter attacked with armor, including Tiger 131.
During the counter attack, British tanks of the 142nd Regiment Royal Armoured Corps and 48th Royal Tank Regiment arrived to reinforce the Foresters. German and British tank shells streaked past each other as the two sides vied for control. During the exchange, Tiger 131 was hit by three 6-pounder solid shot shells from British Churchill tanks.
A British Churchill Mk IV tank like the ones used at Point 174. (Credit: Imperial War Museum)
The first shot hit the Tiger’s barrel and ricocheted into its turret ring. The shell jammed the turret’s traverse, destroyed the radio, and wounded the driver and radio operator. The second shell disabled the gun’s elevation device when it hit the turret lifting lug. The third shot hit the loader’s hatch and deflected shrapnel fragments into the turret. Unable to aim their main gun and continue the fight, the crew of Tiger 131 abandoned their tank.
Tiger 131 with its damaged loader’s hatch. (Credit: Imperial War Museum)
After repelling the German counter attack, British forces discovered Tiger 131 on the battlefield and were surprised to find it intact and drivable—the first Tiger to be captured in such a state. Using parts from destroyed Tigers, British engineers repaired Tiger 131 to be inspected and evaluated. The tank was displayed in Tunis where it was shown to Prime Minister Winston Churchill and King George VI. In October 1943, Tiger 131 was sent to England and displayed around the country as a trophy to boost morale and fundraise before it was turned over to the School of Tank Technology. There, it was thoroughly inspected and assessed in order to aid future British tank design and evaluate its weaknesses to be exploited by allied troops on the front.
King George VI inspects Tiger 131 in Tunis. (Credit: Imperial War Museum)
On September 25, 1951, Tiger 131 was transferred from the British Ministry of Supply to The Tank Museum in Bovington, UK, where it was put on display. In 1990, the tank was given a complete restoration by museum staff and the Army Base Repair Organisation, an executive agency of the UK’s Ministry of Defence. In 2003, Tiger 131 returned to the museum in a fully functional state, making it the only working Tiger tank in the world. After further work and a repainting in period colors, the restoration was completed in 2012.
Because of its rarity, Tiger 131 has been the subject of many books, toys, and models. As previously stated, the tank gained further fame after it was used in the 2014 film Fury. It has also been featured in the popular online tank game World of Tanks. The Tank Museum keeps Tiger 131 well-maintained, taking it out for a “Tiger Day” exhibition at least once a year for the public to see it in motion.
Tiger 131 on display. (Credit: The Tank Museum)
The Tiger tank inspired confidence in its crew and fear in its enemies. Today, Tiger 131 serves not as a weapon of war, but as a well-preserved piece of history for people to see and learn from. The stewards of this history at The Tank Museum take great pride in their work and hope to continue to share it with the world for many decades to come.
The second coming of Deadpool to the Marvel Cinematic Universe comes just a few weeks after the long-awaited, much-anticipated third installment of the Avengers series. And honestly, I’m a lot more excited for the Merc with the Mouth.
Avengers: Infinity War was a long time in the making. An incredible 18 films since 2008 have led to this moment, a tribute to the idea of truly building a complex series of interwoven stories that often collide — just like in comic books. The D.C. Universe should take note: Wonder Woman is awesome, but she’s not going to carry an entire franchise that viewers aren’t truly invested in.
But there’s something to be said for brevity, especially in terms of wit, and that’s something Wade Wilson (and the Deadpool series) has in spades. Audiences new to the character won’t need a week-long primer to understand every character and nuance of Deadpool 2. They probably won’t even need to see the first Deadpool movie (but totally should).
In the new trailer, Deadpool makes digs at DC (of course, that’s easy) but also makes fun of Marvel, calling Josh Brolin’s character Cable by the character Brolin plays in Infinity War, Thanos.
That’s just true to the character. In the recent Deadpool comic series, ‘The Marvel Universe Kills Deadpool,’ he also makes a dig a Marvel’s failed Inhumans series.
We all knew the MCU’s X-Force was unlikely to include the lineup found in the original Deadpool comics, whch was Deadpool, Psylocke, Archangel, Fantomex, E.V.A., and freaking Wolverine. Just take look at how much Hugh Jackman costs — ain’t gonna happen. But that’s not important. The X-Force is a super duper f-ing group and though there aren’t as many big names in Deadpool 2, there are many reasons to be pumped to see the second incarnation of the Regenerating Degenerate.
First off, Josh Brolin as Cable? Awesome. Secondly, the time-traveling psychokinetic cyborg has tangled with Deadpool so many times in the comics (Deadpool even killed Cable recently in The Despicable Deadpool), watching the two actually fight onscreen is going to be action-sequence gold.
The goofy, powerless dad who “just saw the ad” is right there with the X-Force when they get into action.
Negasonic Teenage Warhead needs her own movie.
2. The MCU X-Force
Stefan Kapicic’s Colossus was so awesome in Deadpool, It’s great they brought him (and Negasonic Teenage Warhead, of course) back for the sequel. Zazie Beetz and Terry Crews as Domino and Bedlam (respectively) are awesome choices to round out the X-Force.
1. Deadpool isn’t for everyone and doesn’t pretend to be.
He’s called “The Merc With the Mouth” for a reason. Wade Wilson has never been politically correct, polite, entirely ethical, or even likable. And that’s the way it should be.
Author’s Note: For the sake of simplifying, we’re gonna go with Marvel Cinematic Universe origin stories — which can differ from comic book history — sprinkled with a few bits of comic book lore to fill in movie gaps. This article therefore contains spoilers from Marvel (and X-Men) films.
Superheroes are a wildly popular storytelling archetype — and for good reason. They are ordinary people pulled into an extraordinary world, where special abilities or extensive training help them in the fight against evil.
Just think — any one of us could get zapped with radiation and become flying ninja rock stars with the ability to save the world or the entire universe…isn’t that exciting?
But some heroes felt the call to serve before being recruited by special agencies — some even before having heightened abilities.
Here’s a list of five superheroes you should buy a drink on Veterans Day:
1. Steve Rogers AKA Captain America (obviously)
Steve Rogers is the ultimate example of patriotism, bravery, and sense of duty. In fact, that’s why he was chosen for Super Soldier Serum project in the first place.
During World War II, Rogers made multiple attempts to enlist, but failed to meet the physical requirements. But his tenacity caught the eye of Dr. Abraham Erskine, who recognized that Rogers’ attitude made him the perfect Project Rebirth candidate.
Rogers began his career doing propaganda to support the war effort, but he would eventually be unleashed in Europe in the fight against the Nazi faction, HYDRA.
His military service ended when he sacrificed himself to save the United States from a HYDRA-coordinated WMD attack.
2. Sergeant James Buchanan “Bucky” Barnes AKA Winter Soldier
A childhood friend of Steve Rogers, Bucky served in the Army during World War II with the 107th Infantry Regiment. While fighting HYDRA, Bucky was taken as a prisoner of war before being rescued by Rogers; the two subsequently formed the elite combat unit known as the Howling Commandos.
During a mission to capture a HYDRA scientist, Bucky was thrown from a moving train, plummeting to his presumed death. Unbeknownst to the Commandos, Bucky survived, and would become a brainwashed HYDRA operative known as Winter Soldier.
3. Nick Fury
While perhaps best known for his role as the Director of S.H.I.E.L.D., Nick Fury first served in the U.S. Army during the Cold War, achieving the rank of colonel.
His skills and experience with espionage were put to use against the Soviet Union and primed him for his position at S.H.I.E.L.D. and the Avengers Initiative.
4. James Howlett AKA Logan AKA Wolverine
Wolverine’s a Canadian, but we’re not gonna hold that against him, eh?
His mutation — accelerated healing powers and longevity; heightened senses, speed, and stamina; and retractable bone claws (later replaced with nearly indestructible adamantium) — render him a powerful fighting machine.
Born in 1832, Wolverine fled his childhood home and fought as a soldier in the American Civil War, both World Wars, and the Vietnam War (that’s a century of combat, btw).
When he was discovered by Maj. William Stryker — a military scientist biased against mutants and intent on destroying them — Wolverine’s military career came to an end, leading him on a path towards the X-Men.
5. Charles Xavier AKA Professor X
Okay. So that whole “cinematic universe” statement at the beginning? We’re gonna ignore it for this one (COME AT ME). In the comic books, Charles Xavier served in the Army during the Korean War. His mutation made him particularly skilled with search and rescue missions.
But even badass mind-reading Professor X isn’t safe from Jody — while away at war, Xavier receives a “Dear John” letter from his girlfriend, who leaves him for an old flame.
Did we leave out any of your favorites? Leave a comment and let us know!
Real grenades are puffs of smoke with a bit of high-moving metal. Why not give troops mobile fireballs that instill fear and awe in the hearts of all that see them? Why not arm our troops with something akin to Super Mario’s fire flower?
First, we should take a look at what, exactly is going on with a real grenade versus a movie grenade.
The grenades you’re probably thinking of when you hear the term “grenade” are likely fragmentation grenades, consisting of strong explosives wrapped up in a metal casing. When the explosives go off, either the case or a special wrapping is torn into lots of small bits of metal or ceramic. Those bits fly outwards at high speed, and the people they hit die.
The U.S. military uses the M67 Fragmentation Hand Grenade. 6.5 ounces of high explosive destroys a 2.5-inch diameter steel casing and sends the bits of steel out up to 230 meters. Deaths are commonly caused up to 5 meters away from the grenade.
U.S. Army soldiers throw live grenades during training in Alaska.
That’s because grenades are made to maximize the efficiency of their components. See, explosive power is determined by a number of factors. Time, pressure, and temperature all play a role. Maximum boom comes from maximizing the temperature and pressure increase in as little time as possible.
That’s actually a big part of why M67s have a steel casing. The user pulls the pin and throws the grenade, starting the chemical timer. When the explosion initiates, it’s contained for a fraction of a second inside that steel casing. The strength of the steel allows more of the explosive to burn — and for the temperature and pressure to rise further — before it bursts through the steel.
As the pressure breaks out, it picks up all the little bits of steel from the casing that was containing it, and it carries those pieces into the flesh and bones of its enemies.
Movie grenades, meanwhile, are either created digitally from scratch, cobbled together digitally from a few different fires and explosions, or created in the physical world with pyrotechnics. If engineers wanted to create movie-like grenades, they would need to do it the third way, obviously, with real materials.
The explosion is easy enough. The 6.5 ounces in a typical M67 would work just fine. Enough for a little boom, not so much that it would kill the thrower.
But to get that movie-like fire, you need a new material. To get fire, you need unburnt explosives or fuel to be carried on the pressure wave, mixing with the air, picking up the heat from the initial explosion, and then burning in flight.
And that’s where the problems lie for weapon designers. If they wanted to give infantrymen the chance to spit fire like a dragon, they would need to wrap something like the M67 in a new fuel that would burn after the initial explosion.
Makers of movie magic use liquid fuels, like gasoline, diesel, or oil, to get their effects (depending on what colors and amount of smoke they want). Alcohols, flammable gels, etc. all work great as well, but it takes quite a bit of fuel to get a relatively small fireball. The M1 flamethrower used half a gallon of fuel per second.
But liquid fuels are unwieldy, and even a quart of gasoline per grenade would add some serious weight to a soldier’s load.
So, yeah, there’s little chance of getting that sweet movie fireball onto a MOLLE vest. But there is another way. Instead of using liquids, you could use solid fuels, especially reactive metals and similar elements, such as aluminum, magnesium, or sodium.
The military went with phosphorous for incendiary weapons. It burns extremely hot and can melt its way through most metals. Still, the AN-M14 TH3 Incendiary Hand Grenade doesn’t exactly create a fireball and doesn’t even have a blast. Along with thermite, thermate, and similar munitions, it burns relatively slowly.
But if you combine the two grenades, the blast power of something like the M67 and the burning metals of something like the AN-M14 TH3, and you can create actual fireballs. That’s how thermobaric weapons work.
U.S. Marines train with the SMAW, a weapon that can fire thermobaric warheads.
(U.S. Marine Corps Cpl. Brian J. Slaght)
In thermobaric weapons, an initial blast distributes a cloud of small pieces of highly reactive metal or fuel. Then, a moment later, a secondary charge ignites the cloud. The fire races out from the center, consuming the oxygen from the air and the fuel mixed in with it, creating a huge fireball.
If the weapon was sent into a cave, a building, or some other enclosed space, this turns the secondary fire into a large explosion of its own. In other words, shoot these things into a room on the first floor of a building, and that room itself becomes a bomb, leveling the larger building.
But throwing one of these things would be risky. Remember, creating the big fireball can turn an entire enclosed space into a massive bomb. And if you throw one in the open, you run the risk of the still-burning fuel landing on your skin. If that’s something like phosphorous, magnesium, or aluminum, that metal has to be carved out of your flesh with a knife. It doesn’t stop burning.
So, troops should leave the flashy grenades to the movies. It’s better to get the quick, lethal pop of a fragmentation grenade than to carry the additional weight for a liquid-fueled fireball or a world-ending thermobaric weapon. Movie grenades aren’t impossible, but they aren’t worth the trouble.
And the holidays just makes it even more impactful and meaningful, which is why celebrities and talk shows often reach out and give back to troops during this time of year. Ellen is no different — but this “Greatest Night of Giveaways” just got better and better.
I watched the whole thing. With the sound on. I recommend you do the same:
Robert Downey Jr. and Ellen DeGeneres Give USMC’s Roy Gill and His Mom a New Car and House! (Part 2)
The contest awards one superfan the chance to sleep over at the stadium and wake up in a suite on the day of the NFL’s biggest game of the year — the Super Bowl.
To secretly get Courey to show up for the big reveal, he was under the impression he was attending a photo shoot for the contest’s finalists.
Standing in front of a large Courtyard Hotel backdrop, Courey posed for photographers while taking instructions from an unexpected and concealed director, future NFL Hall-of-Famer Peyton Manning.
After calling a play at a fake line of scrimmage, Manning finally revealed himself from his curtained location to surprise the longtime fan.
Manning handed over the two Super Bowl tickets to Courey and wife, Chelsea, who was also at the shoot, and informed him of his ‘sleepover’ privileges.
“It’s a dream come true,” Marshall happily stated.
Courey served in the Navy from 2008 to 2012 as a divisional officer and oversaw approximately 45 sailors who served as “operations specialists.” Their roles consisted of aiding and helping execute the ship’s combat missions.
BILOXI, Miss. — The airmen of Keesler Air Force Base were treated to a special screening of the upcoming film ‘Deepwater Horizon,’ as well as a visit from stars Kate Hudson, Kurt Russell and director Pete Berg (‘Lone Survivor’).
“Deepwater Horizon” tells the story of an explosion and oil spill on an offshore oil rig of the same name. The 2010 incident in the Gulf of Mexico was one of the world’s largest man-made disasters. Berg’s film honors the brave men and women whose heroism would save many on board. Along with Russell and Hudson, the film stars Mark Wahlberg, John Malkovich, Gina Rodriguez, and Dylan O’Brien.
In addition introducing the screening, Hudson, Russell, and Berg spent time touring the base, meeting troops and their families along top ranking military officials and got an up close view WC-130J aircraft.
‘Deepwater Horizon’ opens nationwide September 30. Watch the trailer below.
“It was inevitable.” After breaking the internet with a twitter storm of announcements, Disney finally dropped the next projects coming from the Marvel Cinematic Universe. Phase Three wrapped itself up with Avengers: Endgame and Spider-Man: Far from Home and now, my friends, it’s time for Phase Four.
Marvel has been teasing its unusual launch into Disney+ streaming series, which will begin with WandaVision on Jan. 15, 2021. On Dec. 10, Marvel Studios released a second trailer for the show, which places Elizabeth Olsen’s Scarlet Witch in some kind of alternate dimension that opens in a 50s sitcom and progresses through the next few decades. The fate of Vision seems sealed after Avengers: Infinity Wars, but Wanda is set to make a showing in Doctor Strange in the Multiverse of Madness.
Speaking of which…
2. Doctor Strange and the Multiverse of Madness
Set to debut on March 25, 2022, Benedict Cumberbatch’s Doctor Strange will return to the big screen alongside an incredible cast that includes Rachel McAdams, Chiwetel Ejiofor, and Xochitl Gomez, who will play America Chavez, a new fan-favorite from the comics.
3. The Falcon and the Winter Soldier
Bucky Barnes and Sam Wilson finally have a fun trailer for fans to enjoy. It has some banter, some levity, and its own take on a canyon flight sequence. At the end of Avengers: Endgame, Captain Steve Rogers gave the mantle of Captain America to Sam Wilson, who must now learn how to carry its legacy. Meanwhile, Barnes is fresh out of therapy in Wakanda and ready for adventures with his new buddy.
4. Black Widow
Originally set to premiere in the summer of 2020, Black Widow is now set to be released on May 7, 2021. There are a few MCU pieces that feature heroes who have since died in the timeline, and Black Widow is one of them. When we first met Natasha Romanoff, she had “red in her ledger” and was trying to make her past right. In sacrificing herself for her friend, and for everyone Thanos snapped out of existence, she did just that.
Now, her feature film will give us a little more insight into that ledger of hers.
Loki is another character who was killed in the Infinity Wars; a trickster demi-god who wormed his way into our hearts…and then stole the Tesseract in an alternate timeline and ended up…well…in his own series coming to Disney+ in May 2021.
Dead Loki is in a strange dimension. Dead Vision and living Wanda are in a strange dimension. Doctor Strange will be in a Multiverse of Madness. I’m sensing a trend in Phase Four.
6. What If…?
“Why stop at one world when we can show you all of them?” asks Yondu Udonta, the adoptive father of Peter Quill aka Star-Lord aka Chris Pratt in Guardians of the Galaxy. What If…? Will explore alternate Marvel Cinematic Universes where one tiny thing changed the whole world. “For instance, what if it was Peggy Carter who received the Super Soldier Serum instead of Steve Rogers? What if T’Challa traveled the galaxy as a young boy with space outlaw Yondu and was the man who became Starlord?” poses Polygon.
Of all the trailers and announcements Disney dropped this week, this one has the most amount of Easter Eggs to look for.
7. Shang-Chi and the Legend of the Ten Rings
Shang-Chi is an incredibly advanced martial artist with proficiencies in many different weapon types. In the comics, he also has the ability to duplicate himself, leading him on a path to the Avenger Initiative. Simu Liu (Blood and Water) plays the titular character in the film, which is now set to be released on July 9, 2021.
8. Ms. Marvel
“Ms. Marvel is a new kind of superhero but at the core of it, she’s so universal,” observed Bisha K. Ali, the showrunner and head writer for Ms. Marvel. Played by Iman Vellani, Kamala Khan is a Muslim Pakistani-American teenager from New Jersey with latent Inhuman lineage. The series will follow the young superhero-to-be as she transforms with her powers.
Take another look:
9. Captain Marvel
Iman Vellani will reprise her role as Kamala Kahn in Captain Marvel 2, directed by Nia DaCosta (Little Woods). Here’s what we know about the film so far: ummmm not much. Brie Larson will return and Teyonah Parris will reprise her upcoming WandaVision role of a grown-up Monica Rambeau, the child of Carol Danvers’ best friend and wingwoman.
Eternals is going to be a fun one to look out for. Not only is the cast fantastic (an MCU standard at this point — major props to Sarah Finn Casting) but the director Chloé Zhao is fresh off a successful critical run of Nomadland so we can expect great things from her. According to Marvel, this film will “feature an exciting new team of Super Heroes in the Marvel Cinematic Universe, ancient aliens who have been living on Earth in secret for thousands of years. Following the events of Avengers: Endgame, an unexpected tragedy forces them out of the shadows to reunite against mankind’s most ancient enemy, the Deviants.”
Hawkeye is cool but are you familiar with Kate Bishop? Hailee Steinfeld will make her Marvel debut as the fan-favorite superhero. We’ve seen images of Hawkeye in production and we know it’s set to release in late 2021, but other than that, the show is pretty much a mystery.
Tatiana Maslany (Orphan Black) will officially portray Jennifer Walters/She-Hulk and Mark Ruffalo will join her as the Hulk. Directed by Kat Coiro and Anu Valia with Jessica Gao listed as the head-writer, She-Hulk definitely makes it clear that Marvel is getting the message that women want to tell women’s stories. Can’t wait to see this one.
13. Moon Knight
Moon Knight is another grittier Marvel character. Marc Spector struggles with multiple personalities and amoral inclinations — this makes sense given that he’s also a U.S. Marine (wink). In the comics he was also a CIA operative before turning to a mercenary path that would lead him to his dark alias.
Marvel wasn’t done yet. With not much more information than a title announcement and maybe some cast members, here are some more projects we can see down the line from the MCU: Secrete Invasion, starring Samuel L. Jackson’s Nick Fury and Ben Mendelsohn’s Skrull Talos; Ironheart, a story about the inventor Riri Williams, whose suit of armor might even compete with Iron Man’s; Armor Wars, starring Don Cheadle’s James Rhodes aka War Machine; I Am Groot, an original series of shorts starring Baby Groot and several “new and unusual characters;” Thor: God of Love and Thunder just announced its new villain: Gorr the God Butcher — and don’t forget that Natalie Portman is slated to play Lady Thor; Blade, a new feature film about the daywalking vampire slayer played by Mahershala Ali; Ant-Man and the Wasp: Quantumania, starring Paul Rudd, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Kathryn Newton as Cassie Lang, and Jonathan Majors as Kang the Conqueror; Black Panther 2, which will explore the world of Wakanda without recasting the role of T’Challa, played by the late and remarkable Chadwick Boseman; Fantastic Four — yes, another one.
And last but not least, it’s true: there will be a Guardians of the Galaxy Holiday Special directed by James Gunn. Because why the hell not?