Ah yeah, ladies and gentlemen. Veteran’s Day weekend is upon us! You know what that means! It’s time for some long ass safety briefs, plans you made weeks out that you’re going to sleep through on Saturday, Sunday drinking if you’re a Marine or Sunday drinking if you’re just bored, and an entire day of free pancakes/Chipotle burritos/chicken wings!
I know this is usually our plan every year but this year is special. I know, some of you might know but it’s also the 100th anniversary of Veteran’s Day this weekend. And I think that’s kind of a cool milestone.
So take that time to celebrate. You earned it! Just, for the love of Uncle Sam, don’t do anything stupid this weekend. Save that for a regular pay-day weekend. Anyways, here are some memes.
When a newly-minted Marine Corps Scout Sniper graduates from the sniper school where they learn their trade, they will be presented with a 7.62 round, the ammunition commonly used by the Marines’ elite scout sniper corps. But earning the actual HOGs Tooth is a much, more difficult task – because a Marine will be squaring off against another sniper looking for a HOGs Tooth of his (or her) own.
Before graduating sniper school, Marines are called “PIGs” – professionally instructed gunmen.
(Photo by Lance Cpl. Emmanuel Ramos)
Before we all drown in Facebook comments, let it be known that the point of this isn’t to make one tradition seem greater or more badass than the other. We’re talking about two different traditions that just have similar superstitious origins. It was once said there was a round out there destined to end the life of any sniper – the bullet with your name on it. The idea behind the HOG’s Tooth is that if anyone could acquire the bullet with their name on it, they would be invincible.
For a sniper to acquire the tooth of a “Hunter Of Gunmen,” a sniper must go through three steps, each more difficult than the last. The first step is to become an actual sniper, not just someone who’s really good at shooting. This means snipers need to go through a sniper school and deploy to an active combat zone. Don’t worry, deploying to a combat zone definitely won’t take long.
The third step is a doozy.
Candidates for Scout Sniper Platoon dig deep to complete the two-week preparation course.
(U.S. Marine Corps photo by Sgt. Austin Long)
The third step to getting that HOG’s Tooth trophy actually has a few sub-steps. It starts with forcing a duel against another sniper (preferably an enemy). Once a sniper defeats an enemy sniper in sniper-on-sniper combat, they must then make it over to the enemy position where they will hopefully find the scene undisturbed. This will likely be difficult because they’re supposed to be in hostile territory. If they get there before anyone else, they should capture the enemy’s rifle. But more important to the trophy process is capturing what’s in that rifle: the round in the chamber.
That round is the “bullet with your name on it.”
If a sniper captures this bullet, superstition says, that sniper cannot be killed by gunfire on the battlefield because no one there has the bullet that is destined to kill them. Separate the bullet from the cartridge and use 550-cord or some other tried-and-true stringing method and feel free to use the round as a necklace. The bullet meant for you will always be around the neck of its potential victim rather than inside him somewhere.
1. The Army has more aircraft than the Air Force and more boats than the Navy.
This is something that gets passed around Army circles with pride and is occasionally mentioned by other services with embarrassment. Well, buck up little sailors and airmen, the top rankings actually do go to their respective services.
The Army has 5,117 aircraft which is surprisingly high, but the Air Force still wins with 5,199 according to the 2015 Aviation Plan from the Department of Defense. Sometimes, the myth says the Navy has the most aircraft, but even when counting the Marine Corps helicopters and planes, the Department of the Navy comes in third with 3,847.
This is one of the claims we can’t outright debunk, but it’s still ridiculous. The story goes that at the United States Bullion Depository at Fort Knox, Kentucky, there is actually just an empty vault. A former head of the mint claims the gold is all there and points out that a full audit in 1953 found that all of the gold was present, a visit by Congressional leaders and the news media in 1974 found nothing suspicious, and annual inspections by the Treasury Department and the U.S. Mint always report that the gold is in place.
4. At base flagpoles, there are items to destroy the flag with honor in case the base is overrun.
The story goes that military installation flags are supposed to be destroyed if a base is overrun, and there is a kit with each flagpole to accomplish the task. The items stored at the flagpole change depending on who’s telling the story. Generally, there is a razor or match for destroying the flag, a set of printed instructions, and a pistol round. Either these items are in the truck, the ball at the top of the flagpole, or they are buried in a footlocker nearby. There is supposedly also a pistol, almost always in a buried footlocker, that the service member uses with the pistol round to kill themselves when they’re done destroying the flag.
This is insane for a few reasons. First, if a base is being overrun, the military has bigger problems than the flag. Flags are important symbols, but the tanks, ships, classified documents, and personnel on military bases are typically more important. The military Code of Conduct orders service members to resist the enemy as long as they can, so they should use the pistol round to kill the enemy rather than themselves. Finally, as a military historian pointed out to Stars and Stripes, few service members would actually be able to climb the flagpole which can be as high as 75 feet tall.
5. There are self-destruct buttons on bases and ships.
The idea that military bases, ships, or manned vehicles have self-destruct buttons likely comes from Hollywood, which uses the trope a ridiculous amount. Some foreign military vehicles have had self-destruct charges in rare instances, but the U.S. military typically guards its secrets in other ways.
Navy ships can be scuttled and the Air Force can bomb any downed airplanes or damaged vehicles. Modern computers can be “zeroized” to get rid of sensitive information. Any infrastructure on a military post that might need to be quickly destroyed could be destroyed with incendiary grenades nearly as quickly as with a built-in self-destruct mechanism.
The thing about your regular habits in the military is that they are sometimes literally drilled into you. Chances are good you still have the urgent desire to remove your hat when you walk into a building. You probably fall into lock-step when anyone starts walking next to you and feel incredibly uncomfortable with the idea of putting your hands in your pockets. These are just the little things you’ve done for years, things you may not even notice.
There are many, many other things you probably do notice that you probably wish you could break – because you look ridiculous.
“I don’t know what you have planned for the weekend, Wayne, but I’m out.”
The bug-out bag in your trunk.
This one isn’t that big a deal. You’re basically ready to deploy to somewhere at a moment’s notice, even though you don’t need to be. Luckily, only the people who see inside your trunk (and probably also in your closet) will know about this one. But lo and behold, you are prepared for almost any eventuality, no matter when it happens. House fire? All set. Earthquake? Ready to go. Zombie apocalypse? Absolutely. Your go-bag contains food (probably an MRE), important papers, a water filter, and anything else you’ll need to survive or walk away with in case stuff hits the fan. Even if you don’t have this, you think you need to get one.
To the rest of the world, you might look like a crazy survivalist, but they’ll be dead, and you’ll be alive so who cares?
Does the driver of the vehicle you’re riding shotgun in need to know if he or she is clear on the right or left? That doesn’t matter because you’re going to tell them, and probably do it a little louder than your indoor voice. If, for some reason, there is some kind of vehicle or other object on the way, you’ll be sure to let them know exactly what it is and how far away it is from the vehicle. If not you’re letting them know: CLEAR RIGHT.
Extra points if you feel the need to fill up at half a tank and/or check the pressure of every tire, including the spare.
How to gain credibility in one easy photo.
Staring at everyone’s shoes.
Sure, that guy who interviewed you was the senior reporter for the local news channel, but it looks like he polished his shoes with a Hershey bar and was thus slightly less deserving of your respect. He probably also has terrible attention to detail as all people with rough-looking shoes must have, right? You know who those people are because you’re staring at shoes for a few seconds upon meeting literally anyone and everyone.
Eating too fast.
How does it taste? We may never know. Veterans could eat an entire Thanksgiving dinner during a Lions-Packers commercial break.
Carrying everything in your left hand.
When you’re in the military, this is not only a regulation, it just makes sense. How are you supposed to salute when your right hand is full? The answer is that your right hand should always be empty. When you’re out of the military, this is so ingrained in your muscle memory that you’ll carry a whole week’s groceries in one hand while your right is completely free.
When you find out White Castle has a free meal for veterans.
Moving with a sense of purpose for things that don’t warrant it.
There’s no reason to make a beeline for the prime rib at Golden Corral, but the actions of hundreds of veterans on Veterans Day would make one think otherwise. There’s a high probability veterans get annoyed at civilians who don’t move through the taco bar fast enough.
Commander, Submarine Force, US Pacific Fleet (COMSUBPAC) in partnership with the University of Hawaii, tested their unmanned aerial vehicle (UAV) capabilities by delivering supplies onto a submarine off the coast of Oahu, Hawaii, Oct. 10, 2019.
The UAV took a 5-pound payload consisting of circuit cards, medical supplies, and food to the Virginia-class fast-attack submarine USS Hawaii (SSN 776) while it was underway.
“What started as an innovative idea has come to fruition as a potentially radical new submarine logistics delivery capability,” said Lt. Cmdr. Christopher Keithley, assigned to COMSUBPAC. “A large percentage of parts that are needed on submarines weigh less than 5 pounds, so this capability could alleviate the need for boats to pull into ports for parts or medical supplies.”
An unmanned aerial vehicle delivers a 5-pound package to the USS Hawaii during an exercise off the coast of Oahu, Oct. 10, 2019.
(US Navy photo by Mass Comm Specialist 1st Class Michael B. Zingaro)
The concept itself came from the Commander, Submarine Force Innovation Lab (iLab) one year ago. Since then the iLab, in partnership with the University of Hawaii Applied Research Lab, has worked on developing the means to make it possible.
“Our sailors are visionaries. Their ideas benefit the submarine force, making an incredible difference,” said Rear Adm. Blake Converse, commander, Submarine Force, US Pacific Fleet. “We are already seeing the impact that this one idea can have on the entire fleet. The joint effort between the sailors at COMSUBPAC and the University of Hawaii has resulted in delivering necessary supplies to submarines that can save time and money, allowing us to stay in the fight.”
This idea led to the creation of the Submarine Force’s first UAV squadron at CSP. Submarine sailors stationed at Pearl Harbor volunteered to attend weekly training at Bellows Air Force Station, in Waimanalo, Hawaii, to become proficient drone pilots and to develop the concept of converting a UAV and a submarine sail into a package delivery and receiving platform.
Outrigger Canoe Club members escort the USS Hawaii as it arrives at Joint Base Pearl Harbor-Hickam, June 6, 2019.
(Navy Photo by Mass Communication Specialist 2nd Class Charles Oki)
“Members of University of Hawaii Applied Research Lab worked alongside COMSUBPAC sailors to develop a ‘snag’ pole and payload release mechanism from the drone, practicing the concept using the prototypes on the back of trucks and jeeps,” said Keithley. “As the training progressed and the drone innovations became more reliable, the team was able to demonstrate the capability onto a small patrol boat out of Pearl Harbor.”
After final adjustments and last-minute training, the team assembled on the shore of western Oahu and flew a small 5-pound payload over a mile offshore to USS Hawaii.
“The snag pole and drone delivery mechanisms performed perfectly as the payload of parts was safely delivered onboard the submarine, making history as the first ever drone delivery onboard an underway submarine,” said Keithley.
“I am very proud of the joint effort and the capability they have created out of nearly thin air. The success of this project is a true testament to the ingenuity of our team and I am very thankful for them and our submarine sailors, who volunteered their time to make it a success.”
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
“We were driving down I-5 in California heading back to Marine Corps Base Camp Pendleton and a car pulled out in front of us, swerved, hit a wall going about 65 mph and then rolled a couple of times,” said Peach.
Peach then pulled in front of the vehicle and rushed to the man’s aid.
“I was scared the entire time but I saw a lifeless body sitting in the car and I wasn’t just going to turn my head and do nothing about it,” said Peach. “Then I saw the smoke and knew I only had a certain amount of time before the car caught on fire.”
Peach then tried, without success, to break the windows of the car.
“One of my best friends and I ripped off the back hatch and I just barreled right in there,” said Peach. “The whole time I was feeling around for other people because I couldn’t see anything. Once I found him he was tangled up in his seat belt and I couldn’t get him loose.”
Peach then left the car and grabbed a flare from another driver who had pulled over to help. He then went back into the vehicle, cut the seat belt and fireman-carried the man out. He attended to the injured man until paramedics arrived.
Following the incident, Peach was hospitalized for smoke inhalation.
“Sgt. Peach is the embodiment of what we look for in our [non-commissioned officers],” said Lt. Col. Reginald McClam, commanding officer of 1st Battalion, 8th Marine Regiment. “I’m proud of him and I know the family that he brought into the Marine Corps by saving their family, is happy he was there.”
After putting his life on the line Peach found himself gaining more than a new medal.
“I talk to the family every other day,” said Peach. “It feels good being able to help somebody out. It’s not about the awards. I never thought when this happened that I’d get this [award]. I’m just glad I was there and able to help.”
It’s easy to forget that, even in the midst of World War II, the Army’s administrative requirements marched on. Officers were quickly moved between billets, units were slotted into or pulled out of operational plans, and leaders had to be re-appraised often.
So it’s perhaps not surprising that even men like Lt. Gen. George S. Patton had to take breaks from whooping butt in order to rate other legends like Lt. Gen. Omar Bradley.
Lt. Gen. Omar Bradley poses with actor Marlene Dietrich during a USO tour during World War II.
The September 1943 “Efficiency Report” is remarkably brief. At the time, the Army didn’t have such strict form for evaluation reports. It’s basically a two-page memorandum with only a couple hundred words of text.
But Bradley had helped make 1943 a great year for the Army. He spent much of the year unsticking problems at the front in North Africa. And, after the defeat of II Corps at the Battle of Kasserine Pass, he pushed for an overhaul of the corps and later took command of it from Patton. It was Bradley who led the corps during the invasion of Sicily.
Patton and Eisenhower both wanted Bradley for their own commands, so it’s probably not surprising that he would receive a good rating from Patton.
Lieutenant Generals George S. Patton and Omar Bradley talk with Gen. Dwight D. Eisenhower in Bastogne, Belgium, in 1944.
And, indeed, when Patton rated Bradley on Sept. 12, 1943, he said that Bradley was “Superior” in manner of performance, physical activity, physical endurance, and knowledge of his profession. Four for four at the time. Bradley was a corps commander and Patton recommended him for command of an army.
But the most impressive endorsement of Patton came in question 10 “Of all general officers of his grade personally known to you, what number would you give him on this list and how many comprise your list?”
Patton responded “Number 1. I know all of them.”
The Army gets fairly small at the top, after all.
Lieutenant Generals George S. Patton and Omar Bradley talk with Gen. Dwight D. Eisenhower in Bastogne, Belgium, in 1944. There are a surprising number of photos of these three together.
Gen. Dwight D. Eisenhower, the North African Theater of Operations, United States Army, commander at the time, concurred with the report.
Thanks in part to the brief but strong recommendations of Patton and Eisenhower, Bradley received command of the U.S. First Army in time to command it against Utah and Omaha beaches and then the breakout into the rest of France. Despite some mistakes, he would take command of an Army Group and take the first major hits of the Battle of the Bulge.
He was a four-star general before the war ended and would later rise to lead the Veteran’s Administration and serve as Army Chief of Staff. He was the last person to be promoted to General of the Army, an Army five-star rank.
The entire September 1943 assessment of him by Patton and Eisenhower is available below:
Alexander Skarsgard and Jon Huertas in Generation Kill. Photo credit Jon Huertas
Jon Huertas is one of the most successful Latino actors of today. Having been a lead on shows such as Generation Kill, Castle, This Is Us, and in the military film The Objective, Huertas is well-known for the depth of his talent. Perhaps lesser known: He’s an Air Force veteran. Huertas served in the Air Force before transitioning over to acting where he comes at his craft and profession from a much deeper perspective than one might recognize at a quick glance. He shares his stories here about where he has been, where he wants to go and changes he believes are necessary in the Entertainment industry.
Photo credit IMDB.com
WATM: Tell me about your family and your life growing up?
My upbringing was sometimes tough at times, although my mom and grandparents tried their best to make family life easier. You are born what you’re born into, where you try to come out with a smile on your face.
WATM: What is the most distinct memory of your mother and your father?
My mother worked very hard and the best as she could for her family. I grew up with my grandparents where my grandfather was adamant about studying effectively and always being a student of life. You never really master anything and need to keep an open mind because nothing is solid and everything in life tends to be fluid. So, I always try to learn something new to be ready for life’s many changes. My grandmother had a good sense of humor and she didn’t take herself too seriously. She was always laughing and always having fun. Our life on this planet is super short, with how small of creatures we truly are in the universe. And in retrospect to how long the earth has been here.
WATM: What values were stressed at home?
In many ways I raised myself and made mistakes where I could have landed on a completely different path in life. I had a dream to be an actor and also a hero complex with a developing desire to also serve my country. These desires mostly kept me out of trouble growing up…”mostly,” but getting in trouble a few times steered me in the right direction. My goals kept me focused and not ending up in situations where I shouldn’t be. It was like I would have internal conversations with myself about my goals and which forced me to grow up.
WATM: What influenced you to join the US Air Force, what was your experience and what lessons did you take away from your service?
A lot of men in my family served, including my grandfather who was in the Navy, my uncle was in the Navy and I had several uncles that served in the Marine Corps as well. I saw pictures of them, especially the black and white picture of my grandfather in uniform, where I actually saw myself in that photo. I went to the Navy recruiter first then off to MEPS but then joined the Air Force after a conversation with a family member. I’d always loved flying, I loved airplanes and helicopters, so it was only natural that I joined the AF instead.
Serving your country is one of the last rites of passage in our country. And while I served, I identified and followed good leaders so I could aspire to one day become one myself. That’s my biggest take away from my time in the AF. You can find your family anywhere and when you’re in the military, you create this family around you at your duty stations. When you leave that one, you then have to find your new family at your next duty station. It’s actually fairly easy for humans to adapt in a situation where you have to find “your people”. I learned that I needed to surround myself with the people that were going to help me attain my goals. I got this from the AF, but I feel it can work for anyone whether the serve or not.
WATM: What values have you carried over from the USAF into acting?
The two most valuable things I took away from the AF is having a strong sense of initiative and discipline. It takes initiative to get your career started. Becoming an actor is one of the hardest careers. It is not even really a career; it is a lifestyle. So having the initiative to figure it all out was huge for me. And you have to have the discipline to stick with it and not give up. Knowing that being in constant training will keep you sharp and ready. In the military we are always improving on our training. It is the same with acting, I am constantly training. There are wonderful acting classes, books to read and films to watch. When you get the opportunity to finally go in for an audition, you should feel like you are the best that you think you can be, then show them that you are the best one for that job.
WATM: What is the most fulfilling project you have done and why?
My most fulfilling role is definitely in “Generation Kill” as Sgt. Tony Espera. This was because they had developed a wonderfully complex Latino character. It was unlike any other show that I had worked on. My character, Espera, wasn’t a narco trafficker or a low-level thug, he was someone who had chosen to serve his country. Probably the most developed Latino character I have ever played. HBO, David Simon, Ed Burns and Evan Wright showed gumption by making Espera one of the leads in the show. And it was so gratifying to portray a character like him — to tell an authentic story to the men and women who serve our country and to stay truthful to what happened during the invasion. The writer of the book, Evan Wright, was on set and would provide key advice. Evan had a micro recorder that he always had on him to where if we questioned some of the dialogue, he would pull out the recorder and we could hear our dialog being said, as it happened, by the real guys we were portraying. For advisors on the story, we had the real Rudy Reyes playing himself, with Jeff Carazales and Erick Kocher, also there but being portrayed by actors. Of course, we would them if, in these scripts, it was the way that it really happened, and they let us know it was.
The two biggest compliments I’ve ever received as an actor was when Tony Espera’s wife saw GK at the Camp Pendleton premiere and she asked me, “How was I able to be Tony?” and the other was Tony himself telling me, “I felt like I was watching memories, not a TV show.” Because of that, Generation Kill is the pinnacle of my career.
Jon Huertas, Alexander Skarsgard, and Lee Tergeson in “Generation Kill”. Photo credit IMDB.com
WATM: What was your experience like in working with such talents as Nathan Fillion, Stana Katic, Rob Bowman, Alex Skarsgard, Susana White, Simon Cellan Jones, Milo Ventimiglia, Mandy Moore, Dan Fogelman, and the like?
Castle is something that I had never experienced before. It is probably the most collaborative show I have ever worked on. They let me help develop Esposito, the character I played. He wasn’t a veteran in the pilot. I asked the producers if I could make him an Army veteran and they let me do it. The relationship I had with Nathan Fillion and Seamus Dever, where our characters, were normally the looser part of the story when compared with the Beckett character played by Stana Katic. We could play around a little more and Stana usually played the straight woman, mirroring the audience’s perspective. She was so good at portraying that character and bringing the three of us back to a more grounded place for the procedural aspect of the show. We were able to figure out how to play, what could’ve been repetitive tropes, differently by infusing character and humor into it that made us stick out. Rob Bowman directed our pilot and he is a mentor to me. He was my first teacher as a director, and he was so encouraging for us to bring more humor. He loved to laugh and wanted us to improve the story by having us not take ourselves too seriously which I think allowed the audience to root for us.
Jon Huertas and Seamus Dever in “Castle”. Photo credit IMDB.com
I can’t say enough about Seamus Dever who played my partner on the show. He is not only a loyal actor but an even more loyal friend. He was always protective of me and our work. He made my time on Castle the best time I could have had. Nathan is such a giving person and super generous. He wasn’t always trying to be the center of the show, he loved highlighting what the rest of us did. The most fun I had was trying to make Nathan laugh during a take, which I reprised when I got to guest with Nathan on The Rookie last year.
Stana Katic, Nathan Fillion, and Jon Huertas in “Castle”. Photo credit IMDB.com
After working on Generation Kill, it was amazing to see so many of the guys go off and do such wonderful work after the show. Alexander Skarsgard’s career has been amazing, from doing True Blood to Tarzan and tons of other amazing gigs. And to think he was thinking about quitting acting right before the GK?! Brad “Iceman” Colbert, who Alexander portrayed in Generation Kill, was super proud of Alexander’s work portraying him. Alex and I are still tight as well as most everyone from the show like, James Ransone, Stark Sands, Wilson Bethel, Michael Kelley, and many others. We’re all like brothers now. Almost every single guy from Generation Kill was at my wedding and it was a destination wedding in Mexico, I still can’t believe they all came there for me. I even flew with guys from Generation Kill to England to go to Stark Sands’ wedding. There have been several destination weddings from guys on that show. Everyone on Generation Kill was such a joy to work with, they pushed me, and I pushed them and their dedication in getting the story right made me very proud.
Kellan Lutz, Sal Alvarez, Jon Huertas, Pawel Szajda, and Stefan Otto in Generation Kill.
The experience was almost like being deployed. We shot for nearly eight months in Africa in the countries of Namibia, South Africa’s and in Mozambique. We were a cast made up of almost all guys and for Susana White to not only keep us all from killing each other, she did such an amazing job with the subject matter and was so open to getting the story right. She ended up nominated for Emmy for GK and, in fact, the show was nominated for eleven Emmys. Simon Kellan Jones is a blast to work with and made the set such a fun place to be. Even though we were telling a story that sometimes had us calling in an air strike on the civilian populace, Simon helped us process it so we didn’t bring in too much darkness where people may not watch it.
Now, This Is Us is a family show with no guns like a lot of shows I’ve done in the past. It does feel like a family and all that trickles down through Dan Fogelman. He sets the tone for the show. It is rare to be part of a show that has the impact that this show has. It’s another once in a lifetime experience to be on a show that has touched so many people in so many profound ways.
Jon Huertas, Milo Ventimiglia, Mandy Moore and Wynn Everett in “This Is Us”. Photo credit IMDB.com
All of the projects I’ve been a part of have been amazing in their own way. But working in this industry for the past 25 years, I’ve seen a lack of people behind the scenes that I can say have had similar experiences as an adult male Latino. Meaning…I’ve been working a lot of episodes of television from guest stars to series regulars to leads and I’ve only been directed by one adult male Latino. That is one a hole that still needs to be filled as well as TV writers, Show Runners, Producers and Executives.
After This Is Us ends, I’d like to spend more time behind the camera in the director’s chair and in writing. With the lack of Latino writers in TV, so many characters and storylines featuring Latinos are in roles of a negative stereotype or in menial roles like the gardener or cook instead of as heroes, champions, romantics and role models. So, until you can get people that are writing about it, producing it, developing it, greenlighting it or directing it you are not going to see it. I feel a responsibility to be a part of pushing that message forward. I see a lack of representation at the network, studio and production level for Latinos and I hope to be a part of changing that as well.
As a little kid I had this hero complex. I watched TV and movies, but rarely did I see anyone who looked or talked like me. I watched the old “Batman” TV series with Adam West and I loved Adam West but… he didn’t look like me. So in the back of my mind, I thought that I couldn’t be Batman because he was white. Marvel still hasn’t stepped up with Latino representation. In the TV world there was a recurring character called, Ghost Rider on Agents of Shield but for 20 plus years of doing Marvel in the cinematic universe, they’ve yet to have one adult male Latino as a superhero in his own title.
Erik Estrada was an influential to me while growing up as well as Esai Morales, who was another mentor of mine. I saw him for the first time in a Sean Penn movie called Bad Boys and I think that was the first time I saw someone who really looked like me. It took me seeing someone like me to have the confidence to aspire to become an actor. Latino characters need to be portrayed as the hero, the guy that gets the girl, and the wealthy guy. We have to force ourselves to tell stories that are an equal slice of life. The best bite of a stew is one with all of the pieces of the stew, not just the same three or four pieces.
WATM: What leadership lessons in life and from the USAF have helped you most in your career?
Instead of making emotional decisions allow your emotions to inspire a calculated decision. That is what shows a true leader: You are not letting your emotions speak for you are letting your emotions inspire you to make the best decision. Emotional decisions can be like gut punches where you just react. A person may not think a certain way where they lash out after being hurt.
As an actor your job is to convey an emotion so you can get an emotional response from your audience. If a director and another actor come in and they’re trying to guide your personal choices to benefit them and you feel they’re trying to manipulate your artistic vision for your character, you could become emotional. If you let your emotion take over, you might regret reacting the way you do and end up looking like the problem in the moment. Now there’s tension between actor and director or actor and actor. If you take just a moment and think internally, “How do I get what I want?” You say, “I see where you are coming from, but does this have any value?”You may get them to see it from your perspective and you help them make your decision for you. Now that is, “if” your decision does have value. If so, how can they deny it?
Good decision-making trickles down from the top. From the president to Chairman of the Joint Chiefs of Staff, to the Pentagon. Even on the unit level from the battalion commander to the platoon commander and on down.
WATM: As a veteran, how do we get more veteran stories told in the Hollywood and stage arena?
Think back to It’s a Wonderful Life with Jimmy Stewart where he was a WWII veteran. Stories are already being told that veterans like to watch but we need to encourage veterans to step up and write, direct, produce stories that speak not only to veteran audiences but also the general market. Veterans a lot of times make the focus of their stories completely from a veteran POV but instead need to create a story everyone will be into and then just happen to make the characters veterans. It’s almost like when you are laying out your characters and mark one with a green dot “veteran”. Back in the day, we just wouldn’t watch a lot of the TV shows or films that centered on veterans because Hollywood usually got it wrong. But now that’s changed. Some bars have been set high because some of the more recent military based projects, especially the higher quality ones, have hired advisors and/or worked with veterans from the inception of the projects. Just like I have to step out as a Latino and encourage others to do so, we need to encourage veterans to step out as well to write the stories.
Just like what I shared about training, not only when serving, when starting out as an actor but also veterans who want to tell their stories need to study creative writing and learn how to write a, treatments, out lines, pitches, log-lines and eventually an amazing screenplay. You have to write something that is not only a great story, but that is produce-able. The hope is that you can sell it somewhere and it’s given a proper budget so the integrity and authenticity can be upheld. As a veteran that wants to write a series about a veteran you may have to work as a staff writer on a show that is not about veterans, so you have to have an open mind. You have to have the skills to write a good script and then after a season or so you can talk to the producers about trying to introduce a character that is a veteran. You have to get into that writer’s room and win hearts and minds. Invest in the writer’s room and then move to the director’s chair and the executive’s chair at the studio, be in charge of what is getting made. You might be able to get into a position to inspire every project created at the studio level, who knows.
WATM: What are you most proud of in life and your career?
I’m proud to have been a working actor who happens to be Latino and also proud to be veterans who has represented veterans truthfully on screen. Portraying veteran and Latino characters positively has hopefully affected someone out there positively as well.
Jim Nabors made good on his last name when he brought Gomer Pyle to “The Andy Griffith Show.” His big-hearted, ever-cheery gas-pump jockey was a neighborly fit in the easygoing town of Mayberry.
But when Gomer enlisted in the Marines for five TV seasons, he truly blossomed. So did the actor who portrayed him.
Nabors, who died Nov. 30 at 87, made Pvt. Gomer Pyle a perfect foil for the immovable object of Marines boot camp: Grinning, gentle Gomer was the irresistible force.
On Gomer Pyle, U.S.M.C., a spin-off from The Andy Griffith Show that premiered in 1964, Gomer arrived in the fictional Camp Henderson with a happy attitude and eager innocence that flew in the face of everything he found awaiting him there, especially irascible Sgt. Vince Carter, played by Frank Sutton.
It’s a measure of Nabors’ skill in inhabiting the anything-but-militaristic Gomer that this character was widely beloved, and the show a Top 10 hit, during an era when the Vietnam War was dividing America. His trademark “Shazam,” ″Gollllll-lee,” and “Surprise, surprise, surprise” were parroted by millions.
But Nabors had another character to offer his fans: himself, a booming baritone. In appearances on TV variety programs, he stunned viewers with the contrast between his twangy, homespun humor (“The tornado was so bad a hen laid the same egg twice”) and his full-throated vocals.
He was a double threat, as he demonstrated for two seasons starting in 1969 on “The Jim Nabors Hour,” a variety series where he joshed with guest stars, did sketches with Sutton and fellow Gomer veteran Ronnie Schell, and sang country and opera.
Offstage and off-camera, Nabors retained some of the awed innocence of Gomer. At the height of his fame in 1969, he admitted, “I still find it difficult to believe this kind of acceptance. I still don’t trust it.”
After his variety show, Nabors continued earning high salaries in Las Vegas showrooms and in concert theaters across the country. He recorded more than two dozen albums and sang with the Dallas and St. Louis symphony orchestras.
During the 1970s, he moved to Hawaii, buying a 500-acre macadamia ranch. He still did occasional TV work, and in the late 1970s, he appeared 10 months annually at Hilton hotels in Hawaii. The pace gave him an ulcer.
“I was completely burned out,” he later recalled. “I’d had it with the bright lights.”
In the early 1980s, his longtime friendship with Burt Reynolds led to roles in “Stroker Ace,” ″Cannonball II,” and “The Best Little Whorehouse in Texas.”
He returned to concert and nightclub performances in 1985, though at a less intensive pace. Among his regular gigs was singing “Back Home Again in Indiana” at the Indianapolis 500 each year, which he first did in 1972. That first time, he wrote the lyrics on his hand so he wouldn’t forget.
“I’ve never thought of (the audience reaction) as relating to me,” Nabors said. “It is applauding for the tradition of the race and the excitement.”
Illness forced him to cancel his appearance in 2007, the first one he had missed in more than 20 years. But he was back performing at Indy in 2008, saying, “It’s always the main part of my year. It just thrills you to your bones.”
In 1991, Nabors was thrilled to get a star on Hollywood’s Walk of Fame. He was joined for the ceremony by pals Carol Burnett, Loni Anderson, Phyllis Diller, and Florence Henderson. His reaction? “Gollllll-lee!”
Nabors, who had undergone a liver transplant in 1994 after contracting hepatitis B, died at his home in Hawaii after his health had declined for the past year, said his husband, Stan Cadwallader, who was by his side.
“Everybody knows he was a wonderful man. And that’s all we can say about him. He’s going to be dearly missed,” Cadwallader said.
The couple married in early 2013 in Washington state, where gay marriage had recently been made legal. Nabors’ friends had known for years that he was gay, but he had never said anything to the media.
“It’s pretty obvious that we had no rights as a couple, yet when you’ve been together 38 years, I think something’s got to happen there, you’ve got to solidify something,” Nabors told Hawaii News Now at the time. “And at my age, it’s probably the best thing to do.”
An authentic, small-town, Southern boy, he was born James Thurston Nabors in Sylacauga, Alabama, in 1930, the son of a police officer. Boyhood attacks of asthma required long periods of rest, during which he learned to entertain his playmates with vocal tricks.
After graduating from the University of Alabama, he worked in New York City for a time, and later, in Chattanooga, Tennessee, where he was an assistant film editor and occasional singer at a TV station.
He moved on to Hollywood with hopes of using his voice. While cutting film at NBC in the daytime, he sang at night at a Santa Monica club.
“I was up there on the stage the night that Andy Griffith came in,” Nabors recalled in 1965. “He said to me afterward, ‘You know somethin,’ boy? You’re good. I’m going to bring my manager around to see you.'”
Nabors soon landed a guest shot on Griffith’s sitcom as Gomer Pyle. That grew into a regular role as Gomer proved a kindred spirit with other Mayberry locals. By then, he had proved he was also a kindred spirit with millions of viewers.
The ancient Spartans are legendary for their courage and discipline, but these warriors were also famous in their time for their dry, sarcastic humor. A “laconic phrase,” a phrase that is especially concise and blunt, is actually named after Laconia, the Greek region where Sparta was located. Some Greeks attributed the Spartan terseness to ignorance, but others thought differently. The Athenian philosopher Plato wrote, “If you talk to any ordinary Spartan, he seems to be stupid, but eventually, like an expert marksman, he shoots in some brief remark that proves you to be only a child.” Here are some of the best examples of Spartan wit.
1. King Demartus
According to the ancient Roman historian Plutarch, King Demaratus of Sparta was once being pestered by a man with endless questions, especially who was the best among the Spartans. The irritated king finally responded, “Whoever is least like you.”
2. King Pleistoanax
Plutarch also describes King Pleistoanax, who heard an Athenian orator claim that the Spartans had no education. Pleistoanax retorted, “True, we are indeed the only Greeks who have learned no evil from you.”
In Zack Snyder’s 300, after hearing from a Persian emissary that the Persian archers’ arrows would blot out the sun, the Spartan soldier Stelios jokes that the Spartans will fight in the shade. This actually comes from Herodotus’s Histories, the ancient source on the Persian War, except it is spoken by the soldier Deinekes. However, an ancient source from Plutarch does mention King Leonidas telling his men, “Eat well, for tonight we dine in Hades.”
4. Commander Pausanias
After the Spartans routed the Persian invasion at the Battle of Plataea, the Spartan commander Pausanias decided that the banquet the Persians had set out for themselves should be served to himself and his officers instead. Upon seeing the feast, Pausanias cracked that, “The Persian is an abominable glutton who, when he has such delicacies at home, comes to eat our barley-cakes.” Spartan food was notoriously disgusting. When a traveler from Sybaris visited Sparta and tasted their infamous “black broth” he exclaimed, “No wonder Spartans are the bravest of men. Anyone in their right mind would rather die a thousand times than live like this.”
5. Spartan women
It wasn’t just the Spartan men who cracked jokes. Unlike most Greek women who were expected to be subservient to their husbands, the women of Sparta held considerable political and economic power. The Spartan men were always preparing for a war or fighting one, so the women were expected to manage their households themselves. A non-Spartan woman once asked Queen Gorgo, wife of Leonidas, why the Spartan women were the only ones who could rule over men. Gorgo responded, “Because we are also the only ones who give birth to men.”
6. Short but sweet
When King Philip II of Macedon (father of Alexander the Great) invaded southern Greece, he sent a message to the Spartans asking if he would be received as a friend or enemy. The Spartans’ reply was brief: “Neither.” Offended, Philip sent a threat: “You are advised to submit without further delay, for if I bring my army into your land, I will destroy your farms, slay your people, and raze your city.” The Spartans’ reply was just as short as before: “If.”
7. Spartan response
The Macedonians eventually did conquer Greece, and the later Macedonian king Demetrius I offended many Greeks through his extravagance and prideful attitude. He even forced the ambassadors of Athens, his favorite of the Greek cities, to wait two whole years at court before speaking to them. Sparta resented the Macedonian rule, and sent only one ambassador to the court on behalf of the city. Demetrius was infuriated and demanded to know if Sparta had really sent only one man to speak with the king; the Spartan responded, “Aye, one ambassador to one king.”
8. King Agesilaus II
King Agesilaus II of Sparta was respected for his martial virtue as well as his wit. Someone asked him what the boundaries of Sparta were, as unlike most Greek cities Sparta had no defensive walls. Agesilaus drew his spear and extended it, claiming that the borders were “as far as this can reach.” When asked why Sparta had no walls, he pointed to the armored citizens and explained that “these are the Spartans’ walls.” After Agesilaus was wounded in a battle against Thebes, the Spartan warrior Antalcidas joked that “The Thebans pay you well for having taught them to fight, which they were neither willing nor able to do before.”
For the Spartans, humor was more than just entertainment. It taught them how to think on their feet, how to conserve resources by training them to be economical with their words, and encouraged camaraderie between the citizens. All of us have something to learn from this warlike people, not just from their wisdom, but from their wisecracks.
Combined Joint Task Force Operation Inherent Resolve officials said they welcome the commencement today of the Iraqi forces’ offensive to liberate Qaim district from the Islamic State of Iraq and Syria.
Qaim is ISIS’ final stronghold in Iraq and approximately 1,500 ISIS fighters are estimated to remain in the immediate vicinity.
The coalition provides Iraqi forces with training, equipment, advice, assistance, intelligence and precise air support. The coalition will continue to support Iraq’s government “as we recognize together the importance of a unified Iraq to the long-term security and prosperity of the Iraqi people,” officials said.
Rigorous coalition standards and extraordinary measures in the targeting process seek to protect noncombatants in accordance with the Law of Armed Conflict and the principles of military necessity, humanity, proportionality and distinction, task force officials said.
Qaim sits in the Middle Euphrates River Valley on the Syrian border where it connects with the Syrian town of Abu Kamal. Prior to ISIS’ control of the city, Qaim district’s population was around 150,000. “We anticipate a significant return of residents to the district upon Iraq’s liberation of [Qaim],” officials said.
Iraq’s government and the Iraqi forces, with the support of the global coalition, have liberated more than 4.4 million Iraqis and reclaimed over 47,769 square kilometers, approximately 95 percent of land once held by ISIS. Much work remains to consolidate gains as operations continue to destroy ISIS’ remaining capabilities, task force officials said.
The Taliban says it has appointed five militants who spent more than a decade in the U.S. military prison in Guantanamo Bay to be members of its political office in Qatar, where they will take part in any future Afghanistan peace talks.
The five former Taliban commanders — Mohammad Fazl, Mohammed Nabi, Khairullah Khairkhwa, Abdul Haq Wasiq, and Noorullah Noori — were settled in Qatar following their release from the U.S. detention center in Cuba in 2014, but until now had not been directly involved in political activities, Taliban spokesman Zabiullah Mujahid said on Oct. 31, 2018.
The men were released as part of a prisoner exchange in return for former Taliban captive, U.S. Army Sergeant Bowe Bergdahl.
The Taliban announcement came amid gathering momentum for talks to end the 17-year war in Afghanistan.
Qatar has emerged as a principal contact point between the Taliban and the U.S. government. In October 2018, Taliban officials met the recently appointed U.S. special envoy for Afghanistan, Zalmay Khalilzad, in the Qatari capital, Doha, where the militants have a political office that serves as a de facto embassy.
Recently appointed U.S. special envoy for Afghanistan, Zalmay Khalilzad.
They met there in 2018 with U.S. Principal Deputy Assistant Secretary of State Alice Wells.
Taliban officials said the five Taliban commanders were close to the militant group’s late founder, Mullah Mohammad Omar, and are also close to its current leader, Haibatullah Akhundzada.
One Taliban official told Reuters that as former Guantanamo prisoners, they had been subject to restrictions on their movements, but they are now free to travel and attend peace negotiations.
The appointments follow the release by Pakistan in October 2018 of senior Taliban figure Mullah Abdul Ghani Baradar.
A Taliban official told AFP the group had requested the release of Baradar and several others at the meeting with Khalilzad.
The United States started to deliver weapons to Kurdish fighters closing in on the Islamic State stronghold of Raqqa, Syria, the Pentagon said.
Spokesman Eric Pahon said the May 31 weapons delivery to the Syrian Kurds included small arms and ammunition. It marks the beginning of a campaign to better equip Kurdish allies that the U.S.-led coalition believes are the best fighting force against the Islamic State, even though arming them has infuriated NATO ally Turkey.
Turkey considers the Kurdish fighters to be terrorists. The U.S. has promised to mete out the equipment incrementally, based on the mission, to ensure weapons aren’t used by Kurdish groups in Turkey.
On May 30, Kurdish-led fighters in Syria closed within about 2 miles (three kilometers) of Raqqa, where they expect to face a long and deadly battle. Roadside bombs and other explosive devices are believed to be planted along their routes and inside the city.
U.S. officials have said the weapons deliveries will include heavy machine guns, ammunition, 120mm mortars, armored vehicles and possibly TOW anti-tank missiles. They said the U.S. would not provide artillery or surface-to-air missiles.
Separately May 30, the Pentagon ratcheted up threats against pro-Syrian government forces patrolling an area near the Jordanian border where the U.S.-led coalition is training allied rebels. Officials described the pro-government forces as Iranian-backed.
The U.S. dropped leaflets warning the forces to leave the area and American military officials said the same message was conveyed in recent calls with Russian commanders. Navy Capt. Jeff Davis, a Pentagon spokesman, said the leaflets told the pro-government forces to leave the established protected zone, which is about 55 kilometers around an area where U.S. and coalition forces have been operating.
Less than two weeks ago, the U.S. bombed Iranian-backed troops who were in that same area of Syria and didn’t heed similar warnings to leave.
According to Syrian and U.S. officials, the bombing killed several soldiers and destroyed vehicles and other weapons and equipment.
Davis said the U.S. has seen the militias operating in the desert around Tanf. The area has been considered a “deconflicted” zone under a U.S.-Russian understanding.
“Hundreds” of pro-government forces are in the region, Davis said, but he was unsure how many are actually inside the zone.
Pentagon officials said they were not certain if those troops are Syrian, Iranian, Hezbollah or from other militias fighting on Assad’s behalf. At the Tanf military camp near the Jordanian border, U.S. special operations forces have been working with a Syrian opposition group in operations against IS.