The cast of Discovery tuned in to perform a live read of the first act of Such Sweet Sorrow, Part 2 — the season 2 finale of the time-traveling, multiverse-exploring series. They then weighed in on where their characters left off at the end of season 2 and where they will begin in season 3, which will begin to air in October 2020.
Star Trek: Strange New Worlds – New Star Trek Series To Follow Captain Pike, Spock, and Number One
2. Star Trek: Strange New Worlds hints at the unknown
“We’re gonna get to work on a classic Star Trek show that deals with optimism and the future,” promised Strange New Worlds star Anson Mount, who will reprise his role as Captain Christopher Pike.
The Discovery spin-off leaves behind Pike, Ethan Peck’s Spock, and Rebecca Romijn’s Number One to share a new chapter in the Enterprise’s story.
With Pike having seen his future, Mount said that, “When you see how it’s all going to end, and it’s not so pretty, what do you do with that?” He continued, “How do you move forward? I think he’s probably going to wrestle with how he can best utilize the rest of his life for the good of the world, the universe.”
Star Trek: Lower Decks | Season 1 Official Trailer | CBS All Access
Lower Decks is a new half-hour animated comedy series from Emmy Award winner Mike McMahan (Rick and Morty). It will focus on the support crew serving on one of Starfleet’s least important ships, the USS Cerritos. Taking place in 2380, the show’s timeline rests “in the TNG era” between Star Trek: Nemesis and before Star Trek: Picard.
SDCC 2020 | Star Trek: Picard Panel | ComicCon@Home
Speaking of which, the cast of Picard reunited digitally to talk about Jean-Luc Picard’s crew aboard the La Sirena. Reflecting on the show’s (critically acclaimed) first season, Sir Patrick Stewart shared the challenges of bringing the iconic character back to life. “It was at first very challenging, because thanks to our brilliant team of writers we are living in a very different world, a very complex world, a profoundly troubled world, which might just be appropriate for the time we’re living in.”
As for what will come next for Picard and his companions, series creators are remaining tight-lipped.
Any time someone sets out to make a war film, he or she risks getting swept up into the action, the combat, the inherent drama that comes with the subject. The truly great war movies recognize the smaller elements, the ironies and subtleties of life during conflicts. Day One, a short film from U.S. Army veteran turned filmmaker Henry Hughes, is such a movie.
“We’re not having a lot of success in getting telling the soldier experience story,” says Hughes, an American Film Institute alum. “I don’t think we’ve changed much how we look at war and the stories that come out of it. Troops are portrayed as either victims or heroes. We still think war is ironic, that we go in and we’re surprised by the things that we find in war. Maybe there’s some bad things about it, and we’re like ‘oh that’s a surprise!’ But it’s not a surprise. War is a very mixed bag, but it can be spiritual and it can be fun and it can be dangerous and it can be morally wrong at times and it can also be one of the things you’re most proud of because you do some really good things.”
Day One is based on Hughes’ own experience with his translator while he was an infantry officer in 173d Airborne Brigade Combat Team. The movie follows a new female translator’s first day accompanying a U.S. Army unit as it searches for a local terrorist in Afghanistan. Her job brings up brutal complexities as gender and religious barriers emerge with lives hanging in the balance.
“Having a female interpreter definitely changed my perspective of fighting, particularly having been on two deployments,” Hughes says. “The first time, it feels very new and romantic and exciting. The second time, you aren’t seeing a lot of impact in the way you would like and so you start wondering if you’re doing the right thing. In this instance, I had this Afghan-American woman with me at all times, and she was the person I communicated with locals to and she had access to the Afghan women in a way that I have never had before.”
“In my first deployment we didn’t even look at the women,” Hughes continues. “I remember that was a thing we did as a company. When we were on a trail and a woman came by, we would clear the trail, turn out, and allow them to walk by. Now all of a sudden, I mean I’m not face to face with these women but my interpreter would tell me she just spoke with a woman that would give us a very different perspective from what we would usually get. It’s interesting in that way.”
Hughes’ Army perspective spans more than just his time as an Army officer. He was also a military brat, following his dad with the rest of the family, living in Germany and Texas. As an officer in the 173d, he went to Airborne and Ranger School, Armor School, and Scout Leaders Course to prepare for his time in Afghanistan during 2007 and 2008 and then again in 2010.
“I’m very interested in exploring the military stuff because it is such a hyperbolic life.” He says. “Things are just so condensed and so strange and powerful. It’s like the meaning of life is life hangs in balance sometimes. You get that moment in the military and most people don’t ever work in those types of absolutes.”
Hughes has always been the artistic type. He went to a high school that had a TV studio, which inspired the creative side of his personality. He’s also come to believe that the military is the perfect place to start a filmmaking career.
“You take so many lessons from your military experience and apply them into filmmaking because it is so team-oriented and team-based. The ability to communicate and draft up a single clear mission or objective. Those skills that I learned as a young officer are paying massive dividends now, being creative.”
Hughes also believes a good storyteller must step out of his or her comfort zone to empathize with the characters and relate them to the audience.
“With trying to express yourself artistically, you have to be a little bit more vulnerable. ‘What is actually at play here,’ as opposed to ‘How do I accomplish this?’ I think you have to be a little bit more introspective whereas in the military, we’re very external and action-driven. It’s just analysis but we all do tons of analysis in the military too. I think it’s a good thing.”
So many NFL players love the military and honor military service. Many players have gone overseas on tours with the USO to visit deployed troops and many more come from military families. They go the extra yard for those who served whenever possible.
During Super Bowl Weekend, the NFL hosts a “Super Bowl Experience,” a sort of pop-up, interactive theme park where fans and their families can view the Lombardi Trophy, see what it’s like to run the NFL combine, and so much more.
Military members, current and prior, get an enhanced experience at the Super Bowl, however, courtesy of USAA, one of the U.S. military’s favorite financial services companies. USAA sponsors the Salute to Service Military Appreciation Lounge within the Super Bowl Experience.
It’s a place exclusive to service members, veterans, and their families (who don’t need to be a USAA member). It’s where a series of NFL players with deep ties and affinities for the military and military service give families a more personal experience.
USAA’s Salute to Service Lounge was the only stop of its kind during the entire Super Bowl weekend. Veterans and families meet some of their favorite NFL personalities, get signed memorabilia, and listen to NFL stars talk about their experiences in football and with the military.
(We Are The Mighty | YouTube)The NFL’s annual Salute to Service Award recognizes exceptional efforts by members of the NFL in supporting U.S. service members, veterans, and their families. Former Minnesota Viking and Carolina Panthers Defensive End Jared Allen, who stopped by this year’s Salute to Service Lounge, is a recipient of this award.
Even though these NFL legends, past and present, have busy schedules during Super Bowl weekend, not one rushed or hurried military veterans through the autograph lines. They shared stories, hugs, and selfies with any veteran who came by.
Robert Duvall has had a remarkable career. With iconic roles in The Godfather I and II, Lonesome Dove, The Apostle, Tender Mercies, To Kill a Mockingbird, Apocalypse Now, Days of Thunder, and many more, Duvall is best known for his roles on screen and as an accomplished filmmaker. Perhaps lesser known is that he served in the Army for two years during the 1950s and comes from a military family where his father was a Rear Admiral.
WATM had the opportunity to speak with Duvall to hear about his fascinating life, from growing up as an Admiral’s son to working with some of the greatest minds in entertainment of all time.
WATM: What was your family like and your life like growing up?
We moved a lot because of being in a military family. We lived in San Diego and then Annapolis, MD, at the Naval Academy. I remember seeing a movie when I was really young at Camp Pendleton for a dime back in the 1930s when we lived in Mission Hills in San Diego. Right before WWII started, my dad was transferred from Pacific Fleet to the Atlantic Fleet, which led to our move to Annapolis for eight straight years. My father’s first ship was in the Atlantic. My grandmother lived with us for a while as well back then. As a young boy, I watched athletic events at the Academy and became inundated with their sports as a kid. I remember watching Army and Navy games when Army players such as Doc Blanchard and Glenn Davis were on the field.
My father was a good line officer and had a solid war record where he retired as a Rear Admiral. His first command was in San Pedro which was the USS Clark, which was a minesweeper. He was with destroyers from Europe to North Africa where his last command was USS Juno, which was a light cruiser. My father served on the USS Indianapolis (famous for delivering parts for Little Boy and then being sunk by the Japanese losing a large percentage of the crew to sharks) and carried President Roosevelt’s bags for him while he was on the ship. My father kept quiet about his service in retirement and didn’t go out on ships once retired..
We prayed and did our bit at home while he was abroad fighting in the war. One funny thing was how my father stopped smoking during the war, so we sent him chewing gum instead. My father worked with the British Navy and enjoyed serving with them. He told us how the British Navy would toast the Queen but not the President of the U.S. After they would have dinner and wine, the British would have wrestling matches where it was best two out of three falls. My dad respected the British and Churchill. Thank God for Churchill as he was likely the greatest man in the 20th century.
The USS Indianapolis- U.S. Navy photo 80-G-425615
As a young teen, me and my siblings went out to our uncle Harold Prescott’s 40,000-acre cattle and sheep ranch in Montana for two summers in a row. This happened at the end of WWII. These memories and experiences at the ranch I’ll never forget; they embedded in me a certain culture. We would go there by train on the Empire Builder of the Great Northern. It would take us from Chicago where we took the Baltimore Ohio the first way and my aunt would pick us up when the Empire Builder would stop in the open fields.
We rode horses, cleaned out the chicken coop, went camping in the mountains and fly fishing with my uncle. I met Jimmy Morrison, a great veterinarian and immigrant from Scotland, while at the ranch and learned a lot about handling animals from him. He was just good to be around where we pitched horseshoes every night with him. Jimmy roped a baby coyote from his horse once and he raced full speed on his quarter horse and touched a galloping antelope on the neck.
They would have big dances there in Montana where if you asked the wrong woman to dance the whole place would turn into a gigantic fist fight, thereby ending the dance. My uncle even gave us a salary at the end of the summer for the work we did around the ranch. He told us, “With your father off fighting the war the least I can do is pay you boys something for your work around here.” My uncle Harold fought in WWI in the Battle of Belleau Wood as a Marine.
Empire Builder of the Great Northern. Credit: Great Northern Railway Historical Society.
I went into a small college, Principia College where my military family pushed me into acting. I changed my major to drama after my first A in an acting course and found myself.
WATM: What is the most distinct memory of your mother and your father?
My mother ran the home while my father was away. My father could be gone for eight months and we respected him for his service. He was a good man and taught us work ethic by example. My mother ran a cotillion for dancing as we grew up where we learned social graces and how to interact with people, especially women. She made for us a good and stable home life with great experiences.
The US Naval Academy in the 1940s. Credit:HipPostcard.com
WATM: What values were stressed at home?
We were taught to believe in God, do good for other people and to be patriotic. We were taught to keep positive thoughts even in hard times.
Norman Rockwell’s “Saying Grace” painting. Credit Norman Rockwell.
WATM: What influenced you to join the U.S. Army and what lessons did you take away from your service?
I was drafted and went in for two years where the Army was okay. I did a lot of imitations of people I met in the Army which was shared with my family and friends. One experience really stuck with me was with a fellow soldier nicknamed 3-D, who was like six feet six inches tall and could hardly see. We were marching one night and he disappeared as he had fallen into a fox hole. It struck me as strange that Mickey Mantle was 4F, but that 3-D was considered service worthy. How is a star center fielder for the Yankees not able to serve but this guy is?
I really brought away humor and the ability to tell stories from the Army and served my time. It served me later for playing military roles and allowed me to have a respect for the part. I have a respect for the military, so I played those parts with credence and professionalism.
President George W. Bush stands with recipients of the 2005 National Medal of Arts, from left: Leonard Garment, Louis Auchincloss, Paquito D’Rivera, James DePreist, Tina Ramirez, Robert Duvall, and Ollie Johnston. Credit: White House photo by Eric Draper – whitehouse.gov
WATM: What are the best lessons that Sanford Meisner taught you?
I trained with Sanford on the GI Bill where he taught me how to be as simple as possible in connecting with people. He showed us how to be basic and get to the core of communication. He taught me a legitimate and helpful shortcut in acting. Meisner once said he was easier to please than Lee Strasberg at the Actors Studio. Meisner was friends with Horton Foote, who gave me my first film in “To Kill a Mockingbird.” Horton had seen me in a play that Meisner had directed at the Neighborhood Playhouse and liked what they saw, so from that I got Boo Radley. It was a wonderful part to start off with and Horton really helped me a lot in my career.
A photo of a young Robert. Credit unknown.
WATM: What was it like transitioning from stage actor to Film/TV actor?
I started out in the theatre and did summer stock. The main difference is you just speak up a little more on stage than you do in film and TV. You are still believing in an imaginary set of circumstances and going into an imaginary world. It is you doing it yourself where you are appearing as you are becoming something else as we have only one set of emotions and psyche. One of my favorite stage parts ever, American Buffalo, I did on Broadway, which is the Mamet play, it was the best. You do eight shows a week which can wear you down. I would nap between shows and just get up and stumble on stage from that deep nap. Rest is very important.
And Robert Duvall in the “Miniature” episode of the “Twilight Zone.” Credit IMDB.com
WATM: What are some of your best memories from your early to mid-career working on great shows and films?
There were parts I was able to grow in and was able to get better as I got older. There are always some parts you do better than other parts for whatever reasons. Eastwood was good to work with and I liked working with John Wayne as well. The Duke was just neat to be around. He did some good work and stuck up for me on the set of “True Grit.” I was having struggles working with the director of the film where Duke chimed in to balance the odds.
Ulu Grosbard was a close friend and gave me a lot of help early in my career. He directed me in Broadway and Off-Broadway plays. If I needed something from him, he would help me right away. He was a great guy.
Brando was the great one to work with and was so innovative. A memorable story is where I met a great English stage actor that went to see a Streetcar Named Desire when Brando was in it on Broadway. The English actor got embarrassed because he thought a stagehand had wandered on stage by mistake. The “stagehand” was so natural, but it turned out that it was just Brando on stage. The English actor went to see it seven times. Gene Hackman, Dustin Hoffman and I would meet at Cromwell’s drug store two or three times a week for an hour. We mentioned Brando nearly every day in those conversations. Working with Brando was amazing; he turned the world upside down when he came around.
Jimmy Caan is super funny and an extremely quick wit. James has a lot of talent and is a wonderful actor where we stay in touch with each other. De Niro was wonderful and I did summer stock with Gene Hackman. One note on Gene, when I busted my pelvis on set a long time ago, he offered me his last 0. I didn’t take it but he is a great guy to be around. Gene Hackman was a Marine and played on the USMC Football team with Joe Bartos, a Naval Academy grad and professional football player for the Redskins. Gene also served in Korea and stood duty in the cold there. He used to tell me stories about his time in Korea. Dustin Hoffman was my roommate and was a character where he belongs in the business. I kept in touch with Wilford Brimley as well when he was a bodyguard for Howard Hughes and a Marine.
Robert in his first feature film “To Kill a Mockingbird.” Credit IMDB.com
Francis Ford Coppola, Robert, and Marlon Brando on set for “The Godfather.” Credit IMDB.com
Robert with George Lucas and Donald Pleasance working on “THX 1138.” Credit IMDB.com
Robert and Tommy Lee Jones in “Lonesome Dove.” Credit IMDB.com
Robert Duvall with Clint Eastwood while filming Joe Kidd. Credit IMDB.com
WATM: What was your experience like working on the military films “Apocalypse Now” and “The Great Santini?”
When I went in to read for “Apocalypse Now,” the initial writing for the character I played wasn’t written very well. Colonel Carnage was the original name for LtCol Kilgore and was made more of a caricature of the Army than a realistic portrayal. It was just too much for me. Coppola allowed me to adjust the LtCol for the film and to find the uniform and the hat for the character. Coppola always allowed me to find the character and was very instrumental in my career. He helped me a lot. Coppola and I were so close, we would have arguments on the phone about artistic points, but we had a mutual respect. I really like working for him.
When I did “The Great Santini,” I went down early to location to get settled in Beaufort, South Carolina. I found a place to live and went into a real estate office where they thought I was a Marine. One funny memory was when I went up to a beautiful house on the hill when looking for a place to rent. I went up to the door with the real estate people where this sweet, little southern lady opened it and I asked her if she would allow me to rent the home from her. She had the most honest and funniest response with her draw, “Well where would I go?” I thanked her for her time, and we left.
I would get up at 5:30 in the mornings and go hang out with the drill instructors at MCRD Parris Island. They seemed more beat up and tired than the recruits were. They were hoarse and exhausted from their work training them. I went to the officers and non-commissioned officers’ ball while on base where I had a great time with them. I always try to be as accurate as I can with military parts, especially in “The Great Santini.” Overall, working with the Marines was great! I love Marines!
As LtCol Kilgore in “Apocalypse Now.” Credit IMDB.com
Robert Duvall with Francis Ford Coppola on set of “Apocalypse Now.” Credit unknown.
Robert Duvall in The Great Santini. Credit IMDB.com.
WATM: What are your favorite moments from your mid-career to now on such films?
“Tender Mercies” comes to mind where I insisted on Wilford being in the film with me where he had my back in dealing with the director. Wilford helped with the common distance between a foreign director and a native actor, which was taking place in my situation. One of the best memories from that set is when the director, Bruce Beresford, told us to, “pick up the pace,” on set. Wilford responded with, “I didn’t know anybody dropped it.” . Wilford’s retort drew laughter from the cast and crew.
I once walked into the dining room on “Lonesome Dove” and told them, “We were making the Godfather of Westerns.” I really believe that and playing Gus is probably my most favorite part to play overall.
“Days of Thunder” was a lot of fun working with Tom Cruise. Tom Cruise is a good guy to work with and he bought me a ,000 jumping horse. He really is a terrific and very giving guy. It was great to be with him again on “Jack Reacher.” I played a retired Marine in that film with him.
Working on “Falling Down” with Rachel Ticotin was wonderful. She is a smart and fun actress to work with. We had a great time on set for the film.
“The Apostle” was a wonderful film to make. Miranda Richardson was so talented in the film and we had Farrah Fawcett, who was underrated, in it as well. I put my own money in that film and we got it back. Marlon Brando loved it and so did Billy Graham, so I got praise on both sides from the secular and religious. Brando wrote me a letter that is framed on my wall and it still means a lot to me what he wrote.
Hank Whitman is another talented professional to work with where we worked together on “Wild Horses” in 2015. He is a Texas Ranger and served in the Marines. He is a classy guy and a man of his word.
My favorite film to work on recently was “Get Low,” just loved the character. It was just a nice production to work on, especially with Lucas Black who I worked with on “Sling Blade.”
Robert with Tess Harper in “Tender Mercies,” which he won the Oscar for Best Actor in 1984. Credit IMDB.com.
Susan Rinnell, Robert Duvall, Glenn Close, Jason Presson, Gail Youngs and Wilford Brimley in “The Stone Boy.” Credit IMDB.com.
Robert working on “The Natural.” Credit IMDB.com.
Robert with Tom Cruise while filming “Days of Thunder.” Credit IMDB.com.
Robert and Gene Hackman in Geronimo: An American Legend. Credit IMDB.com.
Rachel Ticotin and Robert Duvall in “Falling Down.” Credit IMDB.com.
Robert wrote, directed, produced and starred in “The Apostle.” Credit IMDB.com.
Robert with Nic Cage filming “Gone in 60 Seconds.” Credit IMDB.com.
On set in “Get Low” with Bill Murray. Credit IMDB.com.
WATM: What are you most proud of in your life and career?
I am proud of my wife Luciana and we have a nice relationship. She is a great cook, she is going for her brown belt in Brazilian Jiu-Jitsu and is studying Kali which is Filipino knife training. She has a great family she comes from in Argentina where she is the granddaughter of Argentinian aviation pioneer Susana Ferrari Billinghurst. We love our dogs and they are like kids.
Picture of Robert with his wife Luciana at an event for “The Judge.” Credit IMDB.com.
Usually, any mention of “computer-based training” leads to more groans from troops than any GI Party ever could. Not so for these military video games. These games are more like those marathon weekends playing “GoldenEye 64” during the junior high years. Bring out the military equivalent of Funyuns and Mountain Dew (Sunflower seeds and Rip-Its?) and settle in to become the best U.S. troop that ever roamed virtual Earth.
Developed by the U.S. Army and one of the most prolific developers of Super Nintendo (SNES) games, the Multipurpose Arcade Combat Simulator (MACS) used a light gun to rate how well a soldier shoots. MACS also aided in learning to zero a rifle and other basic aspects of marksmanship. The light gun isn’t the standard issue SNES weapon, it’s a replica of Jäger AP-74, which is itself styled after the M-16 rifle used by the U.S. military.
Virtual Reality Combat Training
The VIRTSIM System, created by Raytheon, is an immersive, open space, VR training ground. The basketball court-sized game pad keeps track of a soldier’s movements through the use of a rubber pad and a weapon-mounted controller. The limitations of the game and the environment allow for the troops to train on responses to incoming fire of different kinds, but they can’t jump for cover and they will never be as tired in the training simulator as they might be after days of dismounted patrols in the real world. The system’s benefit is that it is a way to train for scenarios that the Army cannot recreate and allows for troops to familiarize themselves with the weapons and equipment they’ll carry in a real-world situation.
Full Spectrum Warrior (Xbox)
In 2004, game producer THQ and The U.S. Army-funded Institute for Creative Technologies dropped “Full Spectrum Warrior.” Recognizing that millennials coming into the military since 2000 grew up playing video games, the Army’s Science and Tech community created this first attempt at leveraging video games for training purposes. There were two versions of “Full Spectrum Warrior,” the one released to the public, and the one used as a training tool. The Army’s version is unlocked via a static code (HA2P1PY9TUR5TLE) on the code input screen. The player issues orders and directions to virtual fire teams and squad members, over whom he does not directly control. Another version of the game, called “Full Spectrum Command,” would be introduced later for company-level commanders.
Tactical Iraqi (PC)
The “Tactical Iraqi Language and Culture Training System” brought scenario-based PC gameplay to the 3rd Battalion, 7th Marines before their Surge deployment to Iraq in 2007. The game was developed to teach Iraqi situational language and gestures as well as cultural nuances in a virtual world that could be applied to real-world deployments. It brought Marines face-to-face with Iraqis during simulated missions. The game reduced several months of cultural training to 80 hours of computer-based training.
America’s Army (PC, Xbox)
“America’s Army” is not just a game, it’s a series of games. The U.S. Army developed and published this first-person shooter to provide a virtual soldier experience that was “engaging, informative, and entertaining.” Since its initial inception on PC in 2002, it has grown to include iterations on Xbox, Xbox 360, arcade, and mobile apps. The platform has also extended to other government training platforms to further train troops. The latest iteration, “America’s Army: Real Heroes” featured specific, real-world soldiers who have distinguished themselves in combat. The series has won dozens of awards, including Best Action Game of E3 by GameSpy and Best First Person Shooter from Wargamer.
Virtual Battlespace 2
“Virtual Battlespace 2” (or VBS2) gives instructors the ability to create custom battlefield simulations that engage the players (read: soldiers) from multiple viewpoints. Like “Full Spectrum Warrior,” it also gives soldiers the ability to issue orders to squad members. As of 2012, the game was still being used for Basic Combat Training scenarios. It teaches land nav, combat scenarios, and platoon-level group strategies. The biggest advantage of using VBS2 is that new soldiers learn from their mistakes more easily and faster, with fewer consequences than say, getting lost in the woods in a land nav exercise.
On Thursday, October 11, more than 14,000 free tickets will be presented to U.S. veterans and active-duty service members for Universal’s First Man — at more than 500 Regal locations nationwide.
Each of the first 25 service members (per location) with valid, government-issued ID who request a ticket will be given free admission to the 7:00 p.m. preview screening (or first show). First Man, from Academy Award-winning director Damien Chazelle and star Ryan Gosling, arrives in theaters nationwide on October 12.
“During his career as a Naval aviator, our dad flew 78 combat missions in the Korean War,” said Mark and Rick Armstrong. “The friendships he forged during those critical years remained deeply important to him all of his days. Freedom — much like landing on the moon — is an achievement that is hard fought and hard won, and it cannot be accomplished without the sacrifice of our men and women in uniform and their loved ones. We’d like to join Universal and Regal in thanking all our current and past veterans, as well as their families, for their brave service to this great nation.”
“As an Air Force veteran, I am proud to see this historical achievement from other veterans and NASA featured on the big screen. These military heroes are an incredible example of the courage and determination that allowed us to reach new heights in space exploration,” said Ken Thewes, CMO at Regal. “As a tribute to the courageous men and women in the armed forces, we are honored to offer complimentary tickets for active-duty military and veterans to be the first to see First Man at any participating Regal theatres.”
The promotion will be available at all Regal theatres playing First Man. Free tickets will be available on a first-come, first-served basis and may be picked up at the Regal box office on October 11. Each guest must present a valid government-issued military ID to receive their ticket, with a limit of one free ticket for each military ID presented, while supplies last. This offer is valid for the 7:00 p.m. screening (or first showing) of the film on October 11, only.
“Neil Armstrong represents the best and bravest of humanity, and this film from director Damien Chazelle is stunning,” said Jim Orr, President, Distribution, Universal Pictures. “Early audiences have championed this new masterpiece, and we’re grateful that our partners at Regal have opened their doors to active-duty and retired service members with free tickets. We know these heroes will enjoy First Man, and we’re thrilled they’ll be among the first to experience it.”
A huge battle featuring the Battletoads, Ninja Turtles, Ultraman, Mechagodzilla, a team of Spartans from Halo, and about a thousand other beloved pop-culture and childhood icons is something we sadly had to leave behind once all our action figures were cleaned up and mom called us down to dinner.
Kinda like that — but not at all.
Well, not anymore.
Hundreds of pop culture references from the 1970s, 1980s, 1990s, and recent years are featured heavily in Steven Speilberg’s new film, Ready Player One. It’s a film the director says was three years in the making and required the coordination of hundreds of artists and creatives the world over — including author Ernest Cline. Cline’s 2011 sci-fi novel of the same name was also filled with these great easter eggs.
The film is about the quest for such an “easter egg,” which, for the unfamiliar, is an inside joke, hidden message, or secret feature created by the designer of a work. Watching or reading Ready Player One is a lot like trying to get to the center of the world’s largest Matryoshka nesting doll of easter eggs.
Set in a poor area of Columbus, Ohio in the year 2045, film centers around Wade Watts, a young gamer inside the Oasis, an open, massively multiplayer, online world – essentially, it’s a video game that has supplanted the real world in popularity. The Oasis is populated primarily by other gamers and almost everyone has a customized avatar. Wade’s avatar is called “Parzival” and, in the Oasis, he’s on the quest for the greatest easter egg in history.
The Oasis’ late creator, James Halliday, left a series of clues to help people find hidden keys. Once all three keys are collected, the winner can claim the easter egg – Halliday’s fortune and ownership of the Oasis. Watts, in his quest, stumbles upon another gunter (or “egg hunter”), Samantha (also known as Art3mis) and three gamers he knows only through the Oasis: Aech (pronounced “H“), a samurai called Daito, and a ninja called Sho.
Together, as they unlock the secrets to finding the keys, they have to contend with billionaire businessman Nolan Sorrento, CEO of Innovative Online Industries. IOI’s corporate villain has seemingly unlimited resources, unlimited lives, and a vast army of digital slaves helping him wrest ownership of and monetize the Oasis, an idea anathema to the god-like Halliday’s vision.
By the time we get to the Battle of Castle Anorak (Anorak being the name of the late Halliday’s avatar), Parzival has rallied the entire Oasis – the entire world – to fight to keep their digital world pure. Rolling in the DeLorean time machine from Back to the Future, wielding crowd-pleasing weaponry, like Monty Python’s holy hand grenade, and fighting alongside horror movie legend, Chucky, Parzival and friends take on IOI’s respawning army of employees.
I know, it seems like a lot — even if you’ve already read the book. But look: If you’re a fan of the pop culture of the 1980s, this is the movie for you (listen up, Gen-Xers). The film loves the 1980s as much as you do. More than that, Ready Player One is a throwback to the popcorn-peddling, fun, thrill-ride of movies from the 80s.
Even if you don’t love video games or cheeky 80s references, there’s still something for everyone to love in Ready Player One. This is a movie for your inner pop-culture fan.
Just make sure you’ve seen The Shining before you go.
With the long-awaited “Top Gun” sequel now delayed until the world is finished contending with the coronavirus, we’re left with no alternative but to revisit the 1986 classic for the millionth time, and as may come as no surprise to you, it still holds up. The story of Pete “Maverick” Mitchel has all the hallmarks of a modern blockbuster: fantastic action sequences, cheesy moments that make you smile despite yourself, and of course, topless volleyball.
There are, however, a few burning questions that set in as you watch Tom Cruise’s Maverick demonstrate very clearly that he should be immediately pulled from flight duty for the umpteenth time. The first is… Just who exactly are they fighting? The movie never clearly indicates whether the enemy fighters are Russian, Chinese, North Korean, or otherwise. As Brad Howard at Task & Purpose points out, even the red star on the tail of the enemy fighters doesn’t quite match any national Air Force… but it does match the color scheme utilized by the VFC-13 Aggressor Squadron. In other words, the terrifying enemy fighters may have been rocking aggressor colors because that’s exactly the role they fill in real life, just as they do in the movies.
With that mystery effectively solved, the next one to creep into your mind is… Wait a minute, are MiG-28s real?
When I was a kid, I knew the names of a handful of fighter jets, but practically nothing of the Mikoyan MiG production line. At the time, those little black MiG-28s just looked more acrobatic than the larger F-14 Tomcat, really emphasizing the idea in my mind that American pilots needed to be better than the competition in order to come out on top. It didn’t occur to me that Paramount Pictures probably didn’t get the Kremlin’s permission to borrow a few of their intercept fighters for what could arguably be called an American propaganda film.
The truth is, the MiG-28 that Maverick and Goose can’t tell you about (it’s classified) is not a real aircraft at all… it was made up specifically for the purposes of the movie.
Okay, so that’s not technically true: The aircraft you see depicted at the MiG-28 in “Top Gun” is a real aircraft, it’s just not a MiG. Heck, it’s not even Russian. It’s actually another fighter in the U.S. arsenal called the Northrop F-5 Tiger II.
The MiG-28 is supposed to be a twin-engine fighter that’s slightly slower than the F-14 Tomcat but considered to be far more maneuverable. In that regard, these fake MiGs are probably intended to stand in for the very real and similarly twin-engine Soviet MiG-29, which is indeed a bit slower than the F-14, but boasts a better thrust-to-weight ratio and is seen as more acrobatic. In video games based on the movie, the fictional MiG-28 is actually replaced by the real Mig-29, seemingly confirming its role as a stand in for the real jet.
On-screen, the small Northrop F-5 just looks more nimble than the larger F-14s, and with good reason. The F-5 measures up at just over 48 feet long, eight feet shorter than a real MiG-29, and more than 14 feet shorter than the F-14 Tomcat. Wingspan tells a similar story, with the F-5 (MiG-28) coming in at just under 27 feet, the MiG-29 at more than 37 feet, and the swing-wing F-14 measuring more than 64 feet. The decision to use the F-5 as a stand-in as the fictional MiG-28 definitely does the premise justice, making the MiG-28 and F-14 feel like two fighters with very different strengths on screen.
The F-5 may fit the aesthetic bill of a smaller and more maneuverable fighter, but when compared to its real-life counterpart in the MiG-29, the F-5 doesn’t quite keep pace. The MiG-29’s top speed is Mach 2.5, whereas the designer imposter F-5 can only reach a still respectable Mach 1.63. The Mi-29 can also cover far more ground, with a range of 890 miles compared to the F-5’s 554.
In terms of armament, the real MiG-29 isn’t that far off from its fictional cousin. The F-5 boasts the same number of hardpoints (seven) and carries, among other weapons, the AIM-9 Sidewinder missile for air-to-air engagements. According to the movie, the MiG-28 carries Vympel K-13 (NATO reporting name “AA-2 Atoll”) missiles, which are real Soviet missiles developed by reverse-engineering the America’s Sidewinder. Instead of a single 30mm cannon, however, the F-5/MiG-28 utilizes two 20mm M39A2 Revolver cannons.
It wasn’t just filmmakers who saw the Northrop F-5 as a worthy stand-in for Soviet aircraft. Throughout the 1970s and 80s, F-5s served in multiple aggressor squadrons, including the 64th and 65th aggressor squadrons out of Nellis Air Force Base in Nevada. Although, it’s worth noting that the F-5 was chosen not because of its similarities to the MiG-29, but rather because it was seen as a suitable stand-in for the older MiG-21. The U.S. Navy and Marine Corps also both operated the F-5 at one point or another.
There is no way you aren’t in some way, shape or form familiar with Regis Philbin. After all, he does hold the record for having the most hours on television in a career that spanned back to the 1950s.
He was known as a morning talk show host, a game show host, late night guest star, television sitcom guest star, sports fanatic, and wore many other hats. He was often called, in a title shared with James Brown, “The hardest working man in show business”.
But did you know he was also a Navy veteran and served our country in the 1950s?
Regis was born in New York City in 1931. His father was a United States Marine who served in the Pacific during the war. After graduating high school, Regis attended the University of Notre Dame, where he graduated with a sociology degree in 1953. His ties to the Irish often found a way to be mentioned on television where he lived and died by the Irish’s success and failure on the football field. Even when they struggled, he never lost faith as you can see here in this famous clip.
After Notre Dame, Regis became an officer in the United States Navy. He served in Coronado, California, as a supply officer and did two years on active duty before being honorably discharged.
After getting out of the Navy, Regis managed to get a job as a page on the Tonight Show with Jack Paar and from there moved to working in local news. When he got to San Diego, he was given a talk show in the morning to host and his career started to take off. The show, which didn’t have any writers, forced Regis to come up with material on his own. So he started doing what he did best, talking and ad-libbing his way through his monologue. He talked about his life, current events, sports and interacted with the audience which became a staple of his shows moving on.
Regis worked various roles on tv, from Joey Bishop’s sidekick to various late night shows to early morning variety shows. In the 80s, he was paired with Kathy Lee Gifford and the combo saw ratings rise for what was to become, “Live! With Regis and Kathy Lee.” The combo became a morning staple with both talking about families, personal stories and ad-libbing their way through the broadcasts. After Gifford left in 2000, a nationwide search landed Kelly Ripa as Regis’ new co-host. They continued the show until 2011 when Regis finally left.
Along the way Regis hosted various game shows, but one sticks out. Who Wants to Be a Millionaire took the country by storm and gave us phrases that we will use to this day. “Phoning a Friend” and “Using a Lifeline” have become staples in our lexicon along with Regis’ trademark, “Is that your final answer”?
Even younger Americans remember Regis from memorable bits, like this classic from “How I Met Your Mother”.
How I Met Your Mother | R.I.P Regis Philbin | You are loved by many and condolences to the family…
It should be said for Regis that considering he didn’t sing, dance, act or wasn’t a comedian by trade, it is impressive that he lasted as long as he did in the entertainment industry. But he bought a human element that people could relate to. Nothing says this better than one September in 2001. After the horrific attacks in New York on 9/11, the country struggled to get back to normalcy. Philbin, making one of his trademark appearances on the Letterman show, came on and bought a levity that the country needed. The back and forth between him and Letterman resonates to this day.
Regis Philbin on David Letterman’s first show after 9/11 [9/17/01] www.vinniefavale.com
Recently, four skydivers from FullMag decided to step up their game by jumping out of the bomb bay doors of a World War II B-17 bomber using wingsuits.
The skydivers are all equipped with go-pros, parachutes, and the American flag.
The B-17 Flying Fortress has lived up to its name. Primarily, it saw combat during WWII for allied bombing runs in Europe. Originally developed for the U.S. Army Air Corps, this behemoth had as many as 13 machine guns attached.
But what its known for is the devastating 9,600-pound bomb load that it could bring into battle.
The 14 men of the ‘Memphis Belle’ were among the most famous B-17 Bomber crews. It was one of the first bombers to complete 25 combat missions and bring all of her men back.
The tales of this beauty have been made into a documentary in 1944 and a feature film in 1990. In May 2018, the aircraft will be restored and placed in the National Museum of the United States Air Force. This will be done in celebration of the 75th anniversary of it’s final combat mission.
Carl Reiner, the comedic presence that was know for various roles across many generations passed away yesterday at the age of 98 according to a statement from his son, Rob Reiner via Twitter.
Reiner’s career spanned decades from TV to the movies and gave us all millions of laughs along the way. But before his legendary Hollywood career, Reiner, like many from his great generation served our country during one of its darkest hours and put a smile on soldiers’ faces while doing it.
Reiner was born in the Bronx, New York, in 1922 to an immigrant Jewish family. In 1943, Reiner joined the Army Air Forces. He was originally slated to be a radio operator but contracted pneumonia and was sent to the hospital to recover for several months.
After recuperating, Reiner was sent to train as a French translator. While there at Georgetown, he got his first taste of directing. After learning French, the Army decided to send Carl to the next best logical place…Hawaii. There, he worked as a teletype operator. One day before he was to be shipped off on assignment, he saw a Special Services production of Hamlet. He managed to do a quick audition and was immediately transferred into Special Services himself. He spent the rest of the war touring the South Pacific while performing for GIs in places like Guam, Saipan and Iwo Jima. He was honorably discharged as a corporal in 1946.
Reiner later wrote about his time in the military, including his famous audition and how his buddies almost got court martialed for passing on a message that Japan surrendered three days early.
After his time in military service, Reiner started two enduring partnerships. He was cast to work with Sid Caesar in “Your Show of Shows.” While working with Caesar, he also met another World War II veteran who was a writer on the show. Mel Brooks and Reiner hit it off and began a partnership that culminated in the legendary routine, “The 2000 Year Old Man.” The routine made its way into five comedy albums, numerous TV show appearances and an animated series.
2000 Year Old Man Mel Brooks Carl Reiner Hollywood Palace 1966
Reiner also started working on a show based on his life. It was later turned into the massively popular Dick Van Dyke Show. He worked as a writer but also started cutting his teeth as a director. He worked on two incredible comedies, “Oh God” and “The Jerk” starring Steve Martin. Reiner directed and/or co-wrote three other Steve Martin films, helping him when his career took up in the late 70s.
The Jerk (7/10) Movie CLIP – He Hates These Cans! (1979) HD
Gary Sinise has had a very successful film and television career spanning over four decades.
Sinise starred on the long-running TV series “CSI: NY” and worked on major motion pictures such as “Apollo 13” and “Ransom.” Sinise is a big supporter of the men and women who serve our nation in uniform. He frequently tours across military bases all around the world entertaining troops with his cover band “The Lt. Dan Band.”
Of course, the actor is most remembered for his portrayal of Lt. Dan Taylor in the 1994 Academy Award winning film “Forrest Gump.”
In the movie, Lt. Dan is a straight-forward Army officer who comes from a long line of military tradition. In the film, it was said that every one of his relatives had served and died in every American war.
Throughout the picture, we see the character evolve into various stages showing anger, depression, acceptance and redemption.
The character is an important part of Forrest Gump’s life and his own development throughout the film. The role earned Sinise his only Academy Award nomination for Best Actor in a Supporting Role.
Here are eight valuable life lessons from our favorite Lieutenant:
1. Take care of your feet
The first time we see Lt. Dan is in Vietnam when Gump, played by the legendary Tom Hanks, and his best friend Bubba report to their new unit.
Lieutenant Dan comes out of his quarters and introduces himself to the duo. After some small talk, the officer tells them that there is one item of GI gear that can be the “difference between a live grunt and a dead grunt.” He then say “socks” and he stresses the importance of keeping their feet dry when out on patrol.
Clearly Lt. Dan was a student of history. In World War I, many Soldiers suffered from trench foot, a serious problem when feet are damp and unsanitary. If left untreated trench foot can lead to gangrene and amputation.
Our feet are so vital in our everyday life. Listen to Lt. Dan! Change your socks and keep your feet dry.
It was Lt. Dan’s destiny to die in combat for his country. As morbid as it may sound, this is what the character envisioned as his life’s purpose.
Many people do not know what they were put on this earth to do. Many people give up on their dreams never achieving them. Say what you want about Lt. Dan’s destiny, but it was clear what he wanted to achieve in his life.
3. Overcoming self-doubt
After Forrest Gump saved Lt. Dan’s life, Sinise’s character felt cheated out of his purpose. Laying in a hospital bed after his legs were amputated, Lt. Dan holds a lot of self-doubt asking Gump “what am I going to do now?”
His feeling of hopelessness is something many of us experience in life for various circumstances and situations. His doubts remain throughout the movie as the character goes through changes in his life and gathers new perspectives along the way.
Eventually Lt. Dan recognizes that he cannot let his insecurities hinder him. As you will see later on, Lt. Dan sets out new goals to accomplish and eventually stops his self-loathing.
4. Sticking up for your friends
While it seemed Lt. Dan always gave Gump a hard time, deep down he valued the friendship of his former Soldier.
This is clear in a scene where Lt. Dan sticks up for Gump during a New Year’s Eve after party in a New York hotel room. The character backs up his friend after two women start to mock Gump by calling him “stupid.”
Lieutenant Dan kicks them out of the room and tells them to never call him stupid. That is a true friend!
5. Keeping your word
During their time in New York, Gump told Lt. Dan he was going to become a shrimp boat captain in order to keep a promise to his friend and fallen comrade Bubba.
Lieutenant Dan vowed if Gump became a shrimp boat captain the wounded warrior would become his first mate. As the movie progress, we find Gump on board his very own shrimp boat.
The new captain sees his longtime friend on the pier one day while on his boat. In one of the most iconic and hilarious scenes in the Academy Award winning picture, Gump jumps from his boat while it’s still steaming forward to greet Lt. Dan.
When Hanks’ character asked Lt. Dan what he was doing there, he said he wanted to try out his “sea legs” and would keep his word to become Gump’s first mate. It is important to keep your promises!
6. Making peace with himself
The Lt. Dan character lived in a world of bitterness and hatred for so many years. But serving as Gump’s first mate made him appreciate his life. Although the Lt. Dan character always seemed to be a bit rough around the edges, he showed his heartfelt side when he finally thanked Gump for saving his life during the war.
After thanking him, Sinise’s character jumps into the water and begins to swim while looking up to the sky. The symbolism in the scene is clear here as he washing away all of those years of hate and accepted a new path.
7. Invest your money
Lieutenant Dan invested the money from the Bubba Gump Shrimp Corporation in a “fruit” company. That company of course was Apple. This life lesson is pretty simple. If you can invest some money wisely go for it! You just might become a “gazillionaire.”
8. The joys of life
At the end of the film, we see a clean shaven Lt. Dan walking with his prosthetic legs, which Gump referred to as “magic legs.” With his fiancé by his side, Lt. Dan has a new lease on life.
Much like Lt. Dan, we all encounter ups and downs throughout our lives in one form or another. However, all of those experiences are part of the journey that can make life joyful in the end.
This is clear when Sinise’s character looks at Gump and gives him a big smile.
Well, we did and here are six reasons why we think the movie should have been about him.
6. We would have gotten the back story on how he got his epic scar. Just look at that thing and tell us you don’t want to know more about it. Is it from a hand grenade or did he knife fight someone or what?
5. Remember when he shot that woman? We’re not condoning executions, but seeing Sgt. Barnes interrogation methods a few more times could have been cool.
4. Besides the scene where Barnes threatens Chris with that cool looking blade, that knife doesn’t make another appearance. If that film were about him, we probably would have seen Barnes use in on the enemy troops once or twice in hand-to-hand combat.
You could slice and dice the enemy with this sharp and badass looking blade — no problem. (Source: Orion)
3. Pvt. Taylor (Charlie Sheen) would have just been a whiny boot replacement — which he was in the beginning — that no one cares about since the film would have been in Barnes’ perspective.
You just murdered the star of our fictional version of the film — you better cry. (Source: Orion)
2. Sgt. Barnes is a pretty lethal killer, but we could’ve gotten a glimpse of what made him that way. Although we discussed his epic scar earlier, it would be cool to get a flashback or two focusing on some of this bloody missions he was on before Taylor showed up.
1. Barnes would have eventually snapped and put his non-alpha male platoon leader Lt. Wolfe in his place — and audiences would have loved to see that sh*t go down.
It’s about to go down — if the movie was about Barnes. (Source: Orion)