Possibly the most popular TV show in late 2019 is one show that very few people have seen or know anything about. The first live-action Star Wars TV show ever — “Star Wars: The Mandalorian” — will hit Disney+ late 2019. But when does it actually come out? The answer is sooner than you think.
According to Entertainment Weekly and a few other sources, the first episode of “The Mandalorian” will hit Disney+ streaming service on Nov. 12, 2019. Right now, this means the series will not have all of its episodes released at once, but instead, most likely be released one at a time. It’s unclear if this kind of weekly release schedule will be the same for all the forthcoming Disney+ series (like the upcoming Marvel “Loki” series) will also be released weekly, but it’s a good bet.
For those who maybe forgot, “The Mandalorian” is a sort of space western adventure about a gunslinger in the Star Wars universe, set after “Return of the Jedi,” but taking place way before “The Force Awakens.” The title refers to the kind of crazy armor costume worn by the bounty hunter Boba Fett and his clone father Jango Fett. It’s not clear yet if the helmeted titular Mandalorian is a good guy or a bad guy or something in between. The show is being run by Jon Favreau, more famous as the guy who directed “Iron Man” and also plays Happy Hogan in the Marvel movies. But, unless you were a hardcore Star Wars person and you were at Star Wars Celebration this last spring, you probably haven’t seen a trailer.
The Mandalorian Star Wars Celebration 2019 trailer Footage
It’s rare for a film franchise to come out of nowhere and blow everyone away to the magnitude of Summit Entertainment’s John Wick. It’s a masterclass in storytelling through a character’s actions as opposed to pointless, exposition-heavy dialogue. The beautiful cinematography and the use of color to tell a story is, frankly, mind-blowing. But all of those elements pale in comparison to the breathtaking action sequences that make up the bulk of the series.
Today, the first trailer for the third installment dropped and it looks like it’s going to be an insane ride from the very beginning. In true John Wick fashion, the trailer doesn’t outright tell you what’s happening, but if you know what you’re looking for, you can piece together everything.
Even the poster basically tells you everything about the film if you’ve paid enough attention.
We last saw Keanu Reeves’ John Wick running away from the Bethesda Terrace in New York City’s Central Park. He had a -million bounty on his head after being forced into a hit-job he didn’t want to take. Eventually, Wick kills his mark, but does so in the Continental Hotel, a place designed to be a safe space for assassins. Suddenly, that -million bounty on his head doubled in value.
Now, he’s got to outrun every hitman looking to score a cool million and he no longer has access to any of the amenities offered by the Continental Hotel. The final film will take place moments after he was given a one-hour head start. In this hour, John Wick has to bandage up his wounds and get ready to fight (almost literally) everyone in the underworld.
In the freshly released trailer, John Wick is seen talking to Anjelica Huston’s character, simply known as The Director, who holds a presumably important position on the High Table (basically the UN for crime bosses). Wick asks for safe passage and is, of course, denied. The important detail to note here is that John is wearing the same outfit as he was when he was taking out every assassin in New York, so we can assume he’s still in the Big Apple, and he’s holding a rosary.
Next, we see him running into the New York Public Library and places that rosary along with his marker (a coin that can grant any desire, in the vein of asking a don on the day of his daughter’s wedding), several gold coins, and a photo of he and his wife inside a hollowed-out book. Wick knows he’s about to go to war, but this shows us he intends to return and claim his cache of prized possessions — and we all know that when Wick returns, he does so with a vengeance.
The clock strikes 6 P.M. and all hell breaks loose. The text, “If you want peace, prepare for war” flashes on screen between intense action shots and John Wick arrives in Morocco, where he meets Halle Berry’s character, Sophia, before the action rolls on.
To watch the trailer for yourself, check out the video below:
“Wonder Woman” hit theaters on June 2nd and has been a massive critical and box-office success. It’s a comic book/superhero movie, but it also happens to be a historical movie taking place in Europe during World War I.
So, while this movie’s main character is a bad-ass woman made of clay (she can also fly) who fights bad guys with a magical lasso, there are some things that are actually very real about who she’s fighting.
In the movie, General Ludendorff, played by Danny Huston, is a general in the Imperial German Army. He’s ruthless, ambitious, and will do whatever it takes to win the war for Germany, including using chemical weapons.
General Eric Ludendorff was a real German general in World War I. According to Uproxx, he was an advocate for “total war.” And from 1916 to 1918, he was the leader of Germany’s war efforts.
The real Ludendorff has been credited for coining the “stab in the back” myth. After World War I, right-wing Germans believed that the Germans didn’t lose the war on the battlefield, but instead that they lost the war because other Germans betrayed them on the homefront. Ludendorff blamed the Berlin government and German civilians for failing to support him.
In the 1920s, he became a prominent right-wing leader in Germany, serving in Parliament for the National Socialist Party. He also had associations with Adolf Hitler and other Nazis.
Ludendorff stood for war, and Wonder Woman stands for peace, so it makes sense that director Patty Jenkins and screenwriter Allan Heinberg turned to Ludendorff for their villain.
Here’s my question: if Sesame Street is meant to educate children, why does Cookie Monster use incorrect nominative pronouns? I am very confused about who the audience is for these videos! Are these videos for children or adults?
And can someone please bring me a cookie???
Sesame Street: Give it, live it, RESPECT feat. Common
Chris Hemsworth may be best known for his recurring role as Thor in the Marvel Cinematic Universe, but his new movie set to premier on Netflix called Extraction sees the leading man trade his magic hammers in for a different sort of nail driver: an M4.
The story, as depicted in this first trailer, seems to parallel plot points from the 2018 film Sicario: Day of Soldado, with Hemsworth playing a similar role to that of Benicio Del Toro’s “Alejandro.” Hemsworth is a mercenary tasked with rescuing the child of a drug lord from an unnamed (but desert-looking) city seemingly hell bent on the boy’s death.
As the trailer comes to a climax, Hemsworth’s character (named Tyler Rake) is presented with a choice: he can either desert the boy to be killed in order to escape the city, or choose to stay and continue protecting him with no clear way out. While the trailer doesn’t specifically show Hemsworth making a decision, the trailer (or movie tropes in general) make it pretty clear that he makes the good-guy call and sticks with the young man.
In another strange plot parallel with the Sicario sequel, Hemsworth’s character is depicted as a man with a death wish and singular purpose, broken inside over the loss of his own son years ago. In Day of Soldado, Alejandro spends the film saving a drug lord’s daughter–despite being broken inside over the death of his own family (which was ordered by the girl’s father).
So sure, the story may not be all that original, but when was the last time you saw an action flick break new ground in the plot department? This movie may have a lot in common with another tactical thriller, but that doesn’t mean it won’t be a blast to watch.
And in truth, the vibe of this movie seems pretty far off from the Sicario approach of leveraging darkness and quiet to create suspense. Instead, Hemsworth is shown fighting his way through a city in an action packed three minutes that managed to sell me on watching this movie despite that apparent re-tread of a plot.
That action and lighter tone may be credited to the movie’s producers: the Russo brothers that helmed some of the most successful Marvel films, like Avengers: Endgame and Captain America: Winter Soldier. The Russo brothers have mastered the art of delivering gut wrenching scenes in films that are otherwise little more than action-extravaganzas, and it seems likely that we’ll see more of that in Extraction.
Netflix’s Extraction starts streaming on April 24.
The Imperial Stormtroopers featured in Star Wars are a big deal. Culturally, they are one of the most recognizable henchmen and foot soldiers in all of American pop culture history. So when we see so many iterations of the iconic armor, it makes sense that so many want to know more about them… and that they care about what lies beneath.
Star Wars: The Force Awakens features new kinds of specialty Imperial troops as well as updates on the original, iconic Imperial Stormtrooper, not to mention Gwendoline Christie’s chrome-plated trooper armor she wears as Captain Phasma.
The First Order Flametrooper is a specialized Stormtrooper. They carry incendiary weapons that “turn any battlefield into an infernal blaze.” Flamethrowers are not exactly a battlefield innovation, though since this was “a long time ago,” it might have been for them. It does speak to the evil nature of the First Order since the weapon was banned by the Geneva Convention.
And then there’s the updated First Order Snowtrooper. Let’s be honest, the Snowtroopers were the only troops from the original trilogy who had any effectiveness on the battlefield. The Snowtroopers captured the Rebel base on Hoth, where regular Stormtroopers couldn’t duck while entering doorways and Imperial Scouts couldn’t even beat Ewoks on a planet they occupied long enough to build the Death Star.
But even though no one in the audience ever saw the faces underneath Stormtrooper armor in the previous films, the idea of a Stormtrooper being a black man caught a few people by surprise when audiences first saw actor John Boyega in the armor. It doesn’t make much sense for people to be surprised since the Armed Forces have historically led the way for racial and other forms of integration.
Finn (played by John Boyega) doesn’t think it’s important either.
“I really don’t care about the black stormtrooper stuff,” he said. “This is a movie about human beings, about Wookiees, spaceships, and TIE fighters, and it has an undertone and a message of courage, and a message of friendship, and loyalty. And I think that’s something that is ultimately important.”
Which is pretty much the same takeaway anyone who served had when President Truman signed Executive Order 9981 in 1948, which abolished racial discrimination in the U.S. military. Three years later, the U.S. was fighting in Korea. In war, as one Korea-era Marine Corps officer once told me, “after you’ve fought alongside a man, it doesn’t matter what color he is, you gotta respect his fighting ability.”
Joe Owen, then a Marine Corps lieutenant and author of Colder Than Hell, a retrospective about his time in the Battle of the Chosin Reservoir, remembered getting two young black men in his mortar company.
“We had some black guys who came to us who were named squad leaders. Some of our people objected to this. Two Marines from the first platoon approached me and asked for a transfer to my outfit because a black guy was their squad leader. They refused to take orderes from him,” Owen recalled. “I told them they were going to take orders from a Sergeant of Marines and that they were to go back to their outfit. After one night of fighting the Chinese, that squad leader was killed. I was on the detail of carrying the dead and wounded to battalion, and as I’m taking my column down, those same two Southerners came up to me and said they wanted to go with their squad leader and carry his body down because they said they wanted to pay proper respect to the best goddamn squad leader in the Marine Corps. That’s how that was settled.”
What the First Order Stormtrooper needs most is the ability to stop and aim. Kylo Ren was a Marine for crying out loud. Empire Fi.
“Bond. James Bond.” These are Sir Sean Connery’s first lines in 1962’s Dr. No as he brought Ian Fleming’s spy of mystique to life on the silver screen. Ironically, Fleming didn’t want the working-class, bodybuilding Scotsman to portray his suave and dapper British super-spy. However, Connery went on to play the role a total of seven times, and each time was met with critical acclaim. In 1964, Fleming even wrote Connery’s heritage into the Bond character, saying that his father was from Glencoe in Scotland. On August 25, 2020, the veteran actor celebrated his 90th birthday. What many people don’t know about him is that before he played Commander James Bond, Connery was a sailor himself.
“Bond. James Bond.” (United Artists)
In 1946, at the age of 16, Connery enlisted in His Majesty’s Royal Navy. He received training at the naval gunnery school in Portsmouth and was assigned to an anti-aircraft artillery crew. His first and only ship assignment was the Illustrious-class aircraft carrier HMS Formidable. After three years of naval service, Connery was medically discharged due to a duodenal ulcer.
After leaving the Navy, Connery went into bodybuilding and football (the European sort). Though he was offered a contract with Manchester United, the short-lived career of a footballer deterred him. “I realized that a top-class footballer could be over the hill by the age of 30, and I was already 23,” Connery recalled. “I decided to become an actor and it turned out to be one of my more intelligent moves.”
Connery started his acting career onstage in the 1953 production of South Pacific. Back in uniform, albeit a costume, Connery played a Seabee chorus boy before he was given the part of Marine Cpl. Hamilton Steeves. The next year, the production returned out of popular demand and Connery was promoted to the featured role of Lt. Buzz Adams.
When Connery made the transition to motion pictures, it wasn’t long before he was portraying military men again. Less than two weeks after Dr. No was released in the UK, The Longest Day hit theaters with Connery playing the role of Pte. Flanagan. After six Bond films, Connery traded his onscreen Naval rank for an Army one. The 1974 film Murder on the Orient Express featured Connery as British Indian Army Officer Colonel John Arbuthnot. Three years later, Connery took on one of his most iconic military roles in 1977’s A Bridge Too Far, portraying Major General Roy Urquhart and his command of the British 1st Airborne Division as they attempted to hold a bridge in Arnhem during the ill-fated Operation Market Garden.
Connery wearing the iconic paratrooper’s red beret (United Artists)
The 1980s would see Connery reprise the role of Commander James Bond one last time in 1983’s Never Say Never Again. The Scotsman also donned an American uniform, playing Lt. Col. Alan Caldwell in the 1988 film The Presidio. Serving as the Post Provost Marshal, Caldwell clashes with maverick SFPD detective and former Army MP Jay Austin, played by Mark Harmon.
Exploring the uniforms of other nations, Connery then went behind the Iron Curtain as Soviet Submarine Captain Marko Ramius in 1990’s The Hunt for Red October. If I have to explain this one, your weekend assignment is to watch it.
“One ping only” (Paramount Pictures)
1996 saw Connery play the role of a military man one last time in The Rock. As former British SAS Captain John Mason, Connery starred alongside Nicholas Cage and Ed Harris in this action thriller directed by Michael Bay and produced by Don Simpson and Jerry Bruckheimer, the production duo that brought us Top Gun.
Connery was knighted by Queen Elizabeth II at Holyrood Palace in Edinburgh on July 5, 2000. He also received a Lifetime Achievement Award from the American Film Institute when he announced his retirement from acting on June 8, 2006. When asked if he would return to acting to appear in Indiana Jones and the Kingdom of the Crystal Skull, Connery announced that he would not, saying, “Retirement is just too much damned fun.”
It’s actually amazing the Galactic Empire managed to control as much of the galaxy as they did. Logistically, they had the funds and the manpower of a giant imperial power but there were serious issues with the Imperial Defense Contractors.
Frankly, the Empire seemed to buy anything and everything.
Like the United States and Russia during the Cold War, the Galactic Empire obviously bought technology and weapon designs with little consideration for anything other than their ongoing effort to have the latest and greatest.
Some are just cumbersome and inefficient, like a moon-sized space station. Others were egregiously flawed from the start, reckless enough to be considered treasonous.
1. The Emperor’s Royal Guards’ Armor
With what armor do you equip the guys who guard the most powerful person in the universe? Bright red robes, of course. Then give them a giant, long, plastic helmet which restricts their neck movement and you’ve got a winner.
It’s a good thing the Emperor moves like a senior citizen walking out of a Golden Corral, because his Royal Guardsmen only have a six inch slit in those helmets for what looks like a 60-degree range of vision. But that hardly matters anyway, because even if they had to defend the Emperor for any reason, they’ve been issued what looks like pikes to fight with in a world full of lightsabers and blaster rifles. Their unit patches should probably just say “cannon fodder.”
2. TIE Fighters
When you need a fleet of superfast fighter spacecraft to defend your giant, lumbering Star Destroyers and planet-sized space stations, what better way to pump out a bunch of placeholders than the TIE Fighter, the galaxy’s most elite floating targets?
With only two chin-mounted cannons, dual ion engines, these pilots are expected to tackle fleets of superior X-Wing and A-Wing fighters head to head, with the only strategy employed in their use being the Empire’s ability to throw an overwhelming number of them at any given time. Also, there is not pilot ejection system.
On top of all that, they come fully equipped with a set of giant walls acting as blinders on either side of the craft, effectively restricting the pilot’s vision of roughly half of the battlespace.
This is another example of the Empire favoring numbers over combat ability. The Empire’s signature shock troops, the average Stormtrooper hasn’t successfully killed anything since the Clone Wars ended.
The only exception was the Snowtroopers at the Battle of Hoth but lets be honest – the Rebel Alliance depended completely on ONE giant ion cannon to protect the entire planet from an invasion.
You might defend the stormtroopers by blaming their rifles but that’s all the more reason to execute whomever procured the rifles and/or negotiated the clone trooper deal. The blasters would be a lot more effective if they didn’t come permanently set to “miss.”
Finally, the white PVC armor does nothing for them either. Why bother wearing bright white armor if it does nothing to protect you from the flaming death bolts the other side is shooting your way. Han Solo does just fine in combat and he’s wearing a vest.
4. AT-ST Walkers
The All Terrain Scout Transport, the two-legged version of The Empire Strikes Back’s famous four-legged snow invaders, are supposed to be an environment-adaptable version of the same. Except whomever convinced the Empire to deploy them on Endor didn’t tell the Imperial Army about the height of the trees being taller than that of the walkers. It doesn’t take a protocol droid to know how to bust into one of those from the treetops.
And if the AT-ST was the right tool for the job on Endor, it would have been able to navigate a series of rolling logs, the armor shouldn’t have crushed like an empty beer can between two trees, and the Empire wouldn’t have been beaten by an army of Care Bears.
5. Speeder Bikes for a Giant Forest World
While we’re on the Battle of Endor, who put it in the Empire’s mind that the ideal ground transport for scouts was a hyper-fast moving, one person bike in a world full of giant primeval trees? These bikes are begging to be wrecked left and right.
The Ewoks could have just set up random strings of rope all over the forest and taken out half these Imperial Scouts. Speeder Bikes on Endor are a safety brief waiting to happen. Even in Return of the Jedi, no one who drives a Speeder Bike ever lands one, they all just wreck or are punted off in some way.
6. Death Star Exhaust/Ventilation Systems
It’s actually difficult to blame an engineer for putting a thermal exhaust port on a giant, roving space station. The thing’s gotta have a tailpipe. Should it have led directly to the Death Star’s reactor core? Why isn’t there a few twists and turns leading up to the core?
They should have installed a few vents, maybe a more complex system would have worked better. Still, at only two meters, it’s hard for any engineer to predict the effects of what is essentially magic on the trajectory of a proton torpedo.
Who we can blame are the engineers who designed the second Death Star’s reactor core. Despite the lessons learned from the destruction of the first Death Star at the Battle of Yavin, the new team of engineers not only kept the big gaping hole design flaw, they made it so big it could fit the Millennium Falcon, two X-Wings, an A-Wing, and a few TIE fighters.
They didn’t need magic torpedoes the second time, the Rebels just flew right up to the reactor core and blew it to smithereens.
Update: The Star Wars film “Rogue One” covered #6 on the list. The design flaw was a purposeful attempt to give the rebels a chance against the space station.
The author stands by his assertion that the second Death Star didn’t need a hole leading directly to its core.
When Egypt bought the two Mistral-class amphibious assault ships that France declined to sell to Russia, one thing that didn’t come with those vessels was the armament.
According to the “16th Edition of Combat Fleets of the World,” Russia had planned to install a mix of SA-N-8 missiles and AK-630 Gatling guns on the vessels if France has sold them to the Kremlin. But no such luck for Egypt, which had two valuable vessels that were unarmed – or, in the vernacular, sitting ducks.
And then, all of a sudden, they weren’t unarmed anymore. A video released by the Egyptian Ministry of Defense celebrating the Cleopatra 2017 exercise with the French navy shows that the Egyptians have channeled MacGyver — the famed improviser most famously played by Richard Dean Anderson — to fix the problem.
Scenes from the video show at least two AN/TWQ-1 Avenger air-defense vehicles — better known as the M1097 — tied down securely on the deck of one of the vessels, which have been named after Egyptian leaders Gamel Abdel Nasser and Anwar Sadat. The Humvee-based vehicles carry up to eight FIM-92 Stinger anti-air missiles and also have a M3P .50-caliber machine gun capable of firing up to 1200 rounds a minute.
The Mistral-class ships in service with the French navy are typically equipped with the Simbad point-defense system. Ironically, the missile used in the Simbad is a man-portable SAM also called Mistral. The vessels displace 16,800 tons, have a top speed of 18.8 knots and can hold up to 16 helicopters and 900 troops.
You can see the Egyptian Ministry of Defense video below, showing the tied-down Avengers serving as air-defense assets for the Egyptian navy’s Mistrals.
Troy Nunley was 17 years old when he left the farm and joined the Navy. He was assigned to the USS Indianapolis (CA 35), and as he stood on the pier at Mare Island he couldn’t believe any man-made thing could be so massive.
“I’d never seen a tractor that big,” he says.
The recollections of Nunley and over a hundred others are the main thread of “The USS Indianapolis: The Legacy Project,” a documentary directed and produced by Sara Vladic who spent over ten years putting it together. Her choice to let the surviving crew members tell their own story has resulted in a powerful film, one that tells the story of a star-crossed surface combatant while also capturing the timeless themes of survival, courage, and the fight to set the record straight on behalf of the man who led them.
(Photo: U.S. Navy Historical Center)
The Indianapolis was very active in the early years of World War II, fighting in campaigns across the Pacific Ocean, from the Aleutian Islands and Iwo Jima where the ship was close enough to see what was going on ashore.
“They said they’re raising the flag, and I said big deal and walked away,” says Adolfo Celaya, who was a fireman’s apprentice aboard the big battle cruiser. “How did I know it was going to be famous?”
At Okinawa the Indianapolis’ luck ran out. After shooting dozens of Japanese kamikazes out of the sky, one got through and hit the ship on the fantail. The airplane’s bomb knifed through several levels until it exploded in the engine room, killing nine members of the crew and injuring 30 others. The ship was forced to limp back to San Francisco for repairs, sailing the entire leg of the journey with a 17-degree list.
As the ship was being repaired at Mare Island, the crew was given 30 days of leave, and when it was over many of them returned fearing what the next leg of their deployment might bring.
“The last day I was home my mother was sitting on the front porch, and she said, ‘I know something’s wrong. You don’t act like yourself,” Cleatus LeBow says. “And I said, ‘I’m dreading going back this time.”
The Indianapolis stopped by Hunter’s Point on the way out to sea and picked up a large crate that was heavily guarded and bolted to the passageway outside of the commanding officer’s cabin. Rumors started to fly among the crew about what the mysterious cargo might be.
Lebow says his guesses were, “Cadillac for MacArthur or whiskey for everybody to sell at the end of the war.”
“The best scuttlebutt I heard was that we were carrying was that we had 20,000 rolls of scented toilet paper for Douglas MacArthur,” adds Paul Murphy, who was a third class petty officer at the time.
As the Indianapolis sailed under the Golden Gate Bridge, one of the senior enlisted men turned to Buck Gibson and said, “Look at that bridge good. A lot of us will never see it again.”
The ship transited the Pacific at a record pace, averaging 29.5 knots between San Francisco and Tinian.
“There was more gold braid on that pier that I’ve ever seen before,” Clarence Hershberger says.
After unloading its mystery cargo, the Indianapolis headed west across the Philippine Sea for Leyte. The ship was sailing solo in spite of the fact that, as Hershberger says, “It is stated many times in Navy manuals that our ship our size must have a destroyer escort.”
At midnight on July 30, 1945, the Indianapolis was hit by several torpedoes fired from a lurking Japanese submarine. The first one sliced the bow off; the second ignited the aviation gas stores, causing many of the sailors to burn to death. The ship sank in 12 minutes.
“I had only been on the ship for 13 days,” Donald Blum remembers.
The crew spent five days and nights in the water, fighting thirst, sun, and sharks. Some men succumbed to madness and swam for a mirage only to drown or be attacked by sharks. Some drank seawater and died of dehydration.
On the fourth day, a lone PV-1 spotted the survivors. From that point forward, the pilot, Lt. Chuck Gwynn, would be known to them as “our angel.”
Another pilot landed a PBY seaplane and loaded 56 men aboard, including laying them across the top of the wing. Ships started arriving in the area, shining searchlights, which hazarded them in potentially enemy sub-infested waters but raised the spirits of the survivors.
The survivors were loaded aboard the rescue vessels, and only then — after the oil-soaked men identified the ship that they were attached to — did the rest of the fleet realize that the Indianapolis had been sunk. Of the 1,197 men who went into the water, only 317 were pulled out of the water alive.
In time, the survivors were taken to Guam to convalesce. In mid-August, one of the nurses showed a group of them a newspaper with the headline that the bomb had been dropped on Hiroshima. The mystery of their cargo was finally solved.
But their trial wasn’t over, literally. That fall the Indianapolis commanding officer, Capt. Charles McVeigh, was court-martialed for “failure to zigzag” and for waiting too long to give the order to “abandon ship.” In a wild twist of fate, the Navy called the commander of the Japanese submarine, Mochitsura Hashimoto, to testify.
Hashimoto said that zigzagging wouldn’t have saved the Indianapolis, but the court found McVeigh guilty anyway. Admiral Chester Nimitz later remitted his sentence, but the court of public opinion never did. McVeigh — harboring great guilt for those lost under his command — shot himself on his front lawn, holding a toy sailor in his other hand. He was 70 years old.
The remaining survivors, always of a mind that their skipper got a raw deal from the Navy, kept pushing for legislation that would clear his name. The finally found a champion in Cdr. Bill Toti, the CO of the new USS Indianapolis, a nuclear submarine. Toti invited the survivors to join him at the commissioning ceremony for his sub, and after sitting down with them and realizing their enduring love and respect for their skipper, he led an effort to get the Navy to exonerate Capt. McVeigh’s record. President Clinton signed the resolution in 2000, 55 years after the Indianapolis went to the bottom of the Pacific.
(Editor’s note: Sara Vladic won “Best Female Director” honors at this year’s GI Film Festival that was just held in the Washington, DC area. For more on “The Legacy Project” go here.)
Along with Flash Gordon, Joseph Campbell, and about a million other things, George Lucas was inspired by The Searchers when he created Star Wars. The director even slid a few subtle references to the film into A New Hope.
The star of The Searchers, of course, is John Wayne, so it’s cool in a full-circle kind of way that his grandson is now officially part of the Star Wars universe.
Brendan Wayne got his start in the family business in a 2001 episode of Angel, and since then he’s appeared in a lot of movies and TV shows, from Fast Furious to Agents of S.H.I.E.L.D. to Sons of Anarchy.
In The Mandalorian, the younger Wayne appears in episodes three through six as one of the doubles for the titular character. The Wayne family is now officially part of a blockbuster world their paterfamilias helped inspire.
All in all, this is very cool, but we’d be remiss if we didn’t mention another less cool way the Wayne family inadvertently altered the course of Star Wars history in a way that many fans did not appreciate.
George Lucas specifically cited John Wayne in the thought process behind altering the Han-Greedo standoff in A New Hope so that Han shoots second.
Han Solo was going to marry Leia, and you look back and say, “Should he be a cold-blooded killer?” Because I was thinking mythologically — should he be a cowboy, should he be John Wayne? And I said, “Yeah, he should be John Wayne.” And when you’re John Wayne, you don’t shoot people [first] — you let them have the first shot. It’s a mythological reality that we hope our society pays attention to.
John Wayne was such an influential actor that he was synonymous with a certain rugged moral masculinity, something many fans would argue led Lucas astray when he altered A New Hope to make Solo more Wayne-like. Lucas tinkered with the scene yet again, it became one of the biggest stories on Disney+ launch day, though you could hardly blame John Wayne for either kerfuffle.
You also can’t blame Brendan Wayne, whose presence in episodes 3 through 6 of The Mandalorian is the kind of cool trivia that will make fans happy, not angry.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Hollywood seems to have a skewed idea of veterans who return to the civilian world. They’re either over-the-top action junkies, like John Rambo (in movies outside of First Blood), or they’re a broken-down husk of who they once were, like, well, basically any character in any drama set after a war’s end.
In real life, veterans are cut from the same cloth as everyone else. You’ve got your outstanding, Captain America-types, your aggressive Punisher-types, and just about everyone in between. But all of the characteristics of your everyday veteran can be seen clearly in Chris Pratt’s character, Owen Grady, in 2015’s Jurassic World.
Grady’s service is barely hinted at in the movie. In the scene where Owen and Claire are trying to find her nephews, Claire implies that Owen could, simply, just track them down by their scent or footprints. Owen quickly (and hilariously) responds with, “I was with the Navy, not the Navajo.”
This one line gives a whole new meaning to everything that he does throughout the film.
Owen is reclusive, professional, mission-oriented, and reasonable — much like a real-life veteran. They don’t have him claim some overly badass job description — he just says that he was in the Navy. He, like 97% of the military, wasn’t a special operator.
In fact, his role in the military is never explicitly stated, but when you look at his skills in leading Blue and the raptors, he shows talents very similar to those of a dolphin and marine animal trainer — which makes sense since it explains why the film’s antagonist, Vic Hoskins, hired him directly out of the Navy. Vic also mentions Owen’s military service and refers him as a “dog of war,” which Owen shrugs off.
But what really defines Owen as a character is he demeanor. He’s smart enough to know the ins-and-outs of the island while also being jaded enough to only speak up once. This usually involves him telling people that raptors aren’t able to be controlled right before the raptors rips someone to shreds. Hey, at least he tried to tell ya.
It’s unclear if they will further elaborate on Owen’s backstory in the upcoming Jurassic World: Fallen Kingdom but, so far, Owen Grady’s character is an excellent, authentic representation of veterans that doesn’t make us look like heroes or broken men — but rather just like any other guy who’s good at surviving bad situations.
The craziest thing we could do for this franchise was to fly people and equipment to Hawaii and try to tell a story that has all the elements people love about Jurassic Park but from a tactical military perspective,” producer and Army veteran Gregory Wong told We Are The Mighty.
It was crazy — and somehow he pulled it off.
Wong brought members of the military, firearms, and Jurassic community together to execute his vision: an epic fan film for one of the most iconic franchises of all time.
Hold on to your butts.
“We had so many partners on this project and every one of them helped with different aspects of the film. Paradise Park welcomed us in to their home for two days in the most authentic ‘Jurassic Jungle’ any filmmaker could dream of,” said Wong.
The cast and crew had 5 days to get every shot they needed on the island. Like any indie filmmakers could attest, it meant a brutal schedule. Dogs of War helped with three locations and active duty service members stationed on the island helped transport cast and crew — and jumped in for stunts and background work.
Force Reconnaissance Marine Travis Haley, along with his company, Haley Strategic, was involved with development of prototype gear and equipment just for the film. Haley brought his Spec Ops background and weapons expertise to the film, and he got to learn first-hand how challenging it can be to navigate the military-Hollywood divide.
His knowledge brought authenticity to the film that’s often difficult for filmmakers to get right. Military operations might not always look dynamic on film, but Haley was up to the challenge of portraying realistic tactics while telling an entertaining story.
Many had never acted on-camera before. Jones, AKA Garand Thumb, has a thriving social media channel and enthusiastic fan base of his own, but traditional film-making was a new adventure for him.
“The filming schedule was rough but the people made it worthwhile. Most of us did this on our own dime and I hope the audience sees the passion we had for bringing this vision to life,” reflected Jones.
Baret Fawbush, a pastor and fundamental shooting instructor, was another social media influencer new to a narrative film set, but he was more than prepared to lend his expertise to the film, personally demonstrating the “manual of arms” for each cast member with a weapon.
Many, many brands came together to help Wong bring the film to the screen. A few of the major ones included Evike, JKarmy, PTS, Krytac, GP, and GG, who donated replica prop firearms and uniforms for the production. Ballahack Outdoor helped outfit the film’s leads with tip-of-the-spear footwear. There’s even a raptor puppet involved, created by Marco Cavassa, a prop builder for the film industry.
“I think a lot of people will appreciate the attention to detail and production value. Never before has a Jurassic fan film been so ambitious and daring. The making of such a project was a wild ride which we hope to embark on again soon,” said Wong.
Congratulations, Greg, you did it. You crazy son of a bitch, you did it.