Possibly the most popular TV show in late 2019 is one show that very few people have seen or know anything about. The first live-action Star Wars TV show ever — “Star Wars: The Mandalorian” — will hit Disney+ late 2019. But when does it actually come out? The answer is sooner than you think.
According to Entertainment Weekly and a few other sources, the first episode of “The Mandalorian” will hit Disney+ streaming service on Nov. 12, 2019. Right now, this means the series will not have all of its episodes released at once, but instead, most likely be released one at a time. It’s unclear if this kind of weekly release schedule will be the same for all the forthcoming Disney+ series (like the upcoming Marvel “Loki” series) will also be released weekly, but it’s a good bet.
For those who maybe forgot, “The Mandalorian” is a sort of space western adventure about a gunslinger in the Star Wars universe, set after “Return of the Jedi,” but taking place way before “The Force Awakens.” The title refers to the kind of crazy armor costume worn by the bounty hunter Boba Fett and his clone father Jango Fett. It’s not clear yet if the helmeted titular Mandalorian is a good guy or a bad guy or something in between. The show is being run by Jon Favreau, more famous as the guy who directed “Iron Man” and also plays Happy Hogan in the Marvel movies. But, unless you were a hardcore Star Wars person and you were at Star Wars Celebration this last spring, you probably haven’t seen a trailer.
The Mandalorian Star Wars Celebration 2019 trailer Footage
If you’ve ever served in the Army, you know chain of command is everything. Orders flow down from the Commander, and the success of the mission is a direct reflection of the rigor and discipline with which his or her subordinates execute.
If you’ve ever worked in a gourmet kitchen, you know that chain of command is everything. Orders flow down from the Chef, and the success of the meal service is a direct reflection of the rigor and discipline with which his or her subordinates execute.
Cute, right? Yeah, it’s true though. The parallels between a deployed military force and a busy professional kitchen are abundant and revealing. Discipline, hierarchy, preparation, trust in team — it’s all there. And no one gets this more clearly than Army veteran Will Marquardt, who now serves as Chef de Cuisine (second in command) to celeb Chef Ludo Lefebvre in his five-star Hollywood hole-in-the-wall, Petit Trois.
Meals Ready To Eat host August Dannehl took the 405 to the 10 to drop in on Petit Trois, where he found a young lieutenant at the top of his game, executing dish after perfect dish with precision, exemplary leadership, and an added dash of creativity.
While there have been many outstanding actors and celebrities who have raised their right hand, there has never been a veteran who could finger point his way to the top of Hollywood stardom quite like the late great Gunnery Sergeant R. Lee Ermey.
Ronald Lee Ermey, like many of us, was a mischievous kid and teenager. At the age of 17, the judge gave him a choice that would forever change him: Juvenile Detention or military service. The Corps did him right and he did right by the Corps, eventually becoming a Drill Instructor at Marine Corps Recruit Depot in San Diego and deploying to Vietnam with the Marine Wing Support Group 17.
After being medically retired for injuries incurred during service, Ermey attended the University of Manilla to study drama where he met his future wife, Nila Ermey. He also had his first taste of Hollywood with a bit role in the Sidney J. Furie film The Boys from Company C, which was a precursor to and inspiration for Full Metal Jacket where he would also be cast as a Drill Instructor.
His acumen capturing the warrior on film led him to be called directly on set for Apocalypse Now.
Frances Ford Coppola had filmed his Vietnam War-era epic not too far from Ermey’s university in The Philippines. Ermey became the technical advisor to the man who directed The Godfather; Ermey let Coppola know how things were actually done in Vietnam.
He also scored his next acting role as a blink-and-you’ll-miss-him helicopter pilot during the famous “Ride of the Valkyries” scene.
He would continue to act in other films that fit his range, like a Jaws knock-off called Up from the Depths and a sappy Vietnam War romance film called Purple Hearts. Neither would go down as cinematic masterpieces — but it was his passion. He kept busy until he was offered to be the technical advisor for Stanley Kubrick’s Full Metal Jacket.
For the non-cinema buffs who are unaware of Kubrick’s directing style, he wasn’t the easiest man to work with. The script had to be followed to a “T” and improv was strictly forbidden. The infamous scene in The Shining where Wendy frantically swings a baseball bat at Jack took 127 takes to get right — that was the level of perfection Kubrick worked with.
None of that threw Ermey. The story goes that while filming, Ermey had worked extensively with the original Gunny Hartman, portrayed by Tim Colceri. Ermey had written 150 pages of insults that would naturally flow out of a Drill Instructor’s mouth — and nearly none of them were used. The few that were chosen came across as weak and nonthreatening.
Ermey did what every good Devil Dog would do in a situation like this. He bulldogged Colceri (would eventually be recast as the door gunner who screams “Get some!“) off camera. He barked insults at the scared actors while channeling his real Drill Instructor past. And he did everything off the cuff.
Kubrick was so impressed he kept Ermey as Gunny Hartman, despite being contrary to every directing technique he used.
Ermey would be nominated at the 1988 Golden Globes for his role of Gunny Hartman and would become a main stay in pop culture icon and the first impression many have of military life.
Why are the Marvel movies so damn popular? Well, that might be the wrong question, because the more important question should be: how did the Marvel movies get to be so damn funny? What are the best jokes in the funniest Marvel movies?
From “Iron Man” in 2008 to “Avengers: Endgame” in 2019, one thing moviegoers have always been able to count on from these films is a one-liner quip machine even in the bleakest of installments. Figuring out all the funniest moments in all 22 installments of the official Marvel Cinematic Universe might seem like a task better suited to one of Tony Stark’s supercomputers, but since Jarvis and Friday aren’t real, you’ll have to deal with human bias. So, with that in mind, here are 18 of the best jokes from the entire Marvel Cinematic Universe. And to avoid saying any of these jokes are better or worse than others, we’re just listing these jokes in chronological order.
Warning: Joke spoilers for all Marvel movies ahead!
1. “Let’s face it, this is not the worst thing you’ve caught me doing.”
When Pepper Potts walks in on Tony messing with his Iron Man suit, this classic Stark comeback cannot be beaten.
2. “We have a Hulk.”
From the 2012 “Avengers,” Tony Stark’s rebuttal to Loki’s boast “I have an army” is “We have a Hulk.” This is made all the sweeter when you consider Loki himself says “We have a Hulk” when he stands-up to Thanos in “Infinity War.”
3. “Better clench up, Legolas.”
Tony Stark’s pop culture references are an artform. If you don’t know who Legolas is and why this is funny, I’m sorry that I have to explain this to you: Legolas is an elf archer from “Lord of the Rings.” Hawkeye is an archer. Okay. enough explaining.
4. “I’m a huge fan of the way you lose control and turn into an enormous green rage monster.”
This Tony Stark quip is preceded by him complimenting Bruce Banner on his scientific achievements, which of course, is totally overshadowed by his ability to Hulk-out.
5. “No hard feelings, Point Break.”
I’m not going to explain this reference. I’ll explain “Lord of the Rings” references, but not this one. Either you get it, or you don’t. (If you’re reading this website and you’re a dad, I’m guessing you get this.)
6. “I understood that reference!”
Steve Rogers is great when he gets super-earnest in subsequent Avengers flicks, but he’s pretty much the best when he’s struggling with 21st-century pop culture references. In the first “Avengers,” when Steve actually understands one of Nick Fury’s references to “The Wizard of Oz,” his reaction is pure gold.
7. “The city is flying. We’re fighting an army of robots. And I have a bow and arrow. None of this makes sense.”
One of the funniest meta-fictional lines in any Marvel movie. Hawkeye knows nothing about his role in these movies makes sense.
8. “Why would I put my finger on his throat?”
You could, in theory, do an entire list of just great jokes and funny moments from both “Guardians of the Galaxy” movies and their appearances in “Infinity War” and “Endgame.” I’ve tried to prevent too many “Guardians” jokes from dominating this list. But still, when Star-Lord is trying to reason with Drax in that prison, this visual gag where Drax doesn’t understand the pantomime for killing someone is hilarious.
9. “If I had a black light, this place would look like a Jackson Pollock painting”
A crass joke that flies over the head of kids and into the ears of knowing adults. Nice. Totally on-brand from Chris Pratt’s Star-Lord. Also, fun fact, this line was ad-libbed by Chris Pratt on the spot.
10. “He says he’s an a-hole, and I’m quoting him here, but he’s not 100 percent…a dick”
John C. Reilly’s small role in “Guardians of the Galaxy” is underrated. It just is.
11. “If you say one more word, I’ll feed you to my children! I’m kidding. We’re vegetarians.”
M’baku might not be as famous as T’Challa in the kingdom of Wakanda, but he’s pretty much the funniest person in “Black Panther.”
12. “He’s a friend from work!”
When Thor realizes he’s supposed to fight the Hulk in “Ragnarok,” he’s thrilled and relieved. This line is fantastic because it’s so relatable, but it’s made ten times sweeter when you know that a Make-A-Wish kid actually suggested the line in the first place. True story!
13. “Dude, you’re embarrassing me in front of the wizards.”
Tony Stark and Bruce Banner’s reunion in “Infinity War” is full of a lot of great moments, but this joke is easily the best.
14. “OH! we’re using our made-up names!”
The lovable innocence of Tom Holland’s Peter Parker is always great and when he understandably doesn’t understand that Dr. Strange’s real name is Dr. Strange, it’s one of the funniest moments in the entire series.
15. “Kick names. Take ass”
Mantis’ mangling of a pretty common cliche turns it into something very different thanks to her naivite — and impeccable timing.
16. “I get emails from a raccoon, so nothing sounds crazy.”
Black Widow is super tired in this “Avengers: Endgame” one-liner, but her workplace emails are certainly a little different than yours. Or are they?
17. “What’s up, regular-sized man?”
Rhodey gets in on the one-liner action, in one of the best jokes for “Endgame.” Picking on Ant-Man might not be nice, but it is hilarious.
18. “As far as I’m concerned, that is America’s ass.”
Paul Rudd, an actual comedic actor who found his way into the Marvel universe as Ant-Man, gets what is probably the very best line in “Avengers: Endgame.” This joke is so good, it gets repeated by Steve Rogers as he’s staring at former-him’s ass.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
This Veterans Day, moviegoers everywhere can witness the most pivotal Pacific battle in World War II: “Midway.” The production reminds viewers just how precariously America’s future teetered in the early 1940s, and what cost, sacrifice and luck was required to achieve a free and open Indo-Pacific.
Director Roland Emmerich (Independence Day, The Patriot, White House Down, Independence Day: Resurgence) waited ten years before embarking on the heroic story, written by U.S. Navy veteran Wes Tooke. The ambitious storyline begins in earnest in Asia the 1930s, and follows the war in the Pacific through the Midway battle that ultimately changed the tide of war.
The narrative chiefly follows the experiences of two principal characters: Lt. Cmdr. Edwin Layton (the U.S. Pacific Fleet Intelligence Officer) and Lt. Dick Best (naval aviator and commanding officer of Bombing Six squadron). As with the actual war, numerous other characters help the story take shape. Historic figures like Nimitz, Doolittle, Halsey, McClusky and others played critical roles in the war, and resultantly in the movie.
Actor Woody Harrelson observes flight operations with sailors aboard the Nimitz-class aircraft carrier USS John C. Stennis, Aug. 11, 2018, as aircraft trap, or recover, while returning from a mission.
(U.S. Navy photo by Mass Communication Specialist 3rd Class Joseph Miller)
The movie timeline has a fever-pitch parade of battles from the attack on Pearl Harbor through the the climactic fight at Midway a mere seven months later. Those portrayed are originally imperfect versions of themselves, who grow personally and professionally. Along the way they are confronted with unimaginable challenges and choices, often with historic consequences.
“I wanted to showcase the valor and immense courage of the men on both sides, and remain very sensitive to the human toll of the battles and war itself,” said Emmerich.
Just as the project was being “green lighted,” Emmerich visited historic Pearl Harbor in June 2016. While there, he saw first-hand the historic bases, facilities and memorials that remain some 75 years on. Home to the U.S. Pacific Fleet, Oahu was the target of the infamous Dec. 7 attack. The island also hosted the headquarters where much of the early Pacific war planning occurred and where information warfare professionals partially broke the Japanese code. Ultimately, this was the location from which Adm. Chester Nimitz made the decision to risk what remained of the Pacific Fleet in the gamble at Midway in June 1942.
Emmerich personally toured the waterfront, including Battleship Row and the harbor where much of the fleet was anchored that fateful Sunday morning. He went on to visit the Pacific Aviation Museum on Ford Island, which includes a dedicated Battle of Midway exhibit. His visit was curated by the facility’s historian and author Mr. Burl Burlingame, who has since passed away. Burlingame provided rich accounts of the opening months of the war, including the attack on Pearl Harbor and the Battle of Midway. Emmerich also got a behind-the-scenes look in the historic aircraft hangar there.
More than 200 extras in period dress on location during the filming of the major motion picture “Midway.”
(U.S. Navy photo by Mr. Dave Werner)
The tour continued along Ford Island, which included stops at the original USS Arizona Memorial; a Navy seaplane ramp (with Pearl Harbor attack bomb and strafing scars); the Army seaplane ramps (also with strafing scars); and the USS Oklahoma and USS Utah Memorials.
Emmerich and his party then conducted windshield tours of the USS Missouri; the Pacific Fleet Headquarters compound at Makalapa – which included the historic Nimitz and Spruance homes; the temporary office space from which Adm. Kimmel watched the attack on Pearl Harbor unfold; and the famed Station HYPO, profiled throughout the movie Midway, where its operators broke enough of the Japanese code to enable the ambush at Midway.
The visitors were able to glimpse the Pearl Harbor Naval Shipyard and Dry Dock One. In the of Spring of 1942, a battered and bloodied USS Yorktown aircraft carrier limped back to Pearl Harbor following the Battle of Coral Sea. Despite extensive damage, the ship remained in dry dock only three days as shipyard works swarmed aboard to get her back in the fight. Initial repair estimates actually forecast three months to get her operational. The “Yorktown Miracle” resulted in the aircraft carrier being available to join the Midway fight a few days later.
After a full day of exposure to the places and legends who won Midway, the task of pulling it together for one movie might intimidate even the most seasoned directors. Not Emmerich.
“I was really impressed with his enthusiasm for the history and his determination to get it right. You could see the wheels turning in his head with each visit – it was like the movie was coming alive in his mind,” said Dave Werner, who escorted Emmerich and his group during the visit.
Once the Department of Defense approved a production support agreement with the movie’s producers, the writers got busy working to get the script as accurate as practicable. Multiple script drafts were provided to the Naval History and Heritage Command (NHHC). Those same historians viewed the rough and final movie productions.
Rear Adm. Brian Fort, commander of Navy Region Hawaii, left, and actor Woody Harrelson discuss the life and career of Adm. Chester Nimitz, the U.S. Pacific Fleet commander during World War II.
(U.S. Navy photo by Mass Communication Specialist 2nd Class Charles Oki)
The “Midway” movie writers and producers worked tirelessly with the Navy in script development and during production to keep the storyline consistent with the historic narrative. In a few small instances, some events portrayed were not completely consistent with the historical record. Revising them would have unnecessarily complicated an already ambitious retelling of a series of complicated military battles. The production was representative of what unfolded in the opening months of WWII in the Pacific and does justice to the integrity, accountably, initiative and toughness of the sailors involved.
The naval historians who reviewed the production were impressed.
“I’m glad they did a movie about real heroes and not comic book heroes. Despite some of the ‘Hollywood’ aspects, this is still the most realistic movie about naval combat ever made and does real credit to the courage and sacrifice of those who fought in the battle, on both sides,” said the director of NHHC, retired Rear Adm. Sam Cox, who personally supported each phase of the historical review.
The commitment to getting it right matriculated to the actors honored to represent American heroes.
Harrelson as Adm. Chester Nimitz
Woody Harrelson plays the role of Adm. Chester Nimitz, the U.S. Pacific Fleet commander who assumed command after the attack on Pearl Harbor, through Midway and remained in command until after the end of the war. Harrelson bears an uncanny resemblance to Nimitz in the movie.
In preparing for the role and while in Pearl Harbor, Harrelson called on Rear Adm. Brian Fort, who was (at the time) the commander of Navy Region Hawaii. Harrelson wanted to understand the decisions the fleet admiral took in those critical months, and also wanted to get a sense of the type of naval officer and man Nimitz was. Calm and understated, and renowned for his piercing blue eyes, Nimitz was a quiet, confident leader. And he demonstrated a remarkable threshold for taking calculated risks. Committing his remaining carriers to the Midway engagement was chief among them.
Actor Woody Harrelson, second from left, poses for a photo with sailors aboard the Nimitz-class aircraft carrier USS John C. Stennis (CVN 74) while observing flight operations with sailors.
(U.S. Navy photo by Mass Communication Specialist 3rd Class Joseph Miller)
“Adm. Nimitz came in at an extremely difficult time for the Pacific Fleet. It was really important for Harrelson to understand not just the man, but the timing of his arrival and the urgency of the situation for the Navy and nation,” said Jim Neuman, the Navy Region Hawaii historian who arranged the meeting between Rear Adm. Fort and Harrelson. Neuman also served as the historical liaison representative on multiple sets during the filming.
Harrelson also got underway on the aircraft carrier USS John C. Stennis in August 2018 while the ship operated in the eastern Pacific Ocean. While embarked Harrelson got a close look at air operations at sea. He observed the launching and recovery of various naval aircraft, as well as seeing the navigation bridge and other areas critical in ensuring the ship operates safely. Harrelson was also exceedingly generous with his time to interact with sailors, stopping to talk with them, sign autographs and even played piano at an impromptu jam session.
During the visit, he saw first-hand what “Midway” depicts throughout: Navy teams work very closely together to make the impossible become possible.
The Midway battle pitted four Japanese aircraft carriers against three American carriers. Preparing, arming, launching and recovering aircraft from a ships at sea is no easy task. Adding the uncertainty and urgency of war only complicates an already highly complex operation.
Having credible combat power win the fight was only one aspect of winning Midway. Having them in the right location, at the right time, was the work of the information warfare professionals.
Wilson as Lt. Cmdr. Edwin Layton
Patrick Wilson, who serves in the role of Lt. Cmdr Edwin Layton, the U.S. Pacific Fleet intelligence officer, took great care in accurately portraying his character. He called on the Pacific Fleet’s intelligence officer, just-retired Navy Capt. Dale Rielage. The two toured an unclassified area outside of the still highly-classified offices at the Pacific Fleet. The outer office space is adorned with storyboards that remind the Navy information warfare professionals there just how critical their work was in winning Midway and the war in the Pacific. Also located there is the Pacific Fleet intelligence officer portrait board – with Layton’s picture being the first in a line of dozens of officers who have served in the 75 years since.
Patrick Wilson, right, who portrays U.S. Pacific Fleet intelligence officer Lt. Cmdr. Edwin Layton in the upcoming movie “Midway,” tours U.S. Pacific Fleet headquarters. Here he tours an unclassified outer office dedicated to heritage of the World War II information warfare specialists who helped win the war in the Pacific.
(U.S. Navy photo by Mr. Dave Werner)
After the brief tour, the two sat down and compared notes about Layton’s education, his experiences in Japan and elsewhere before the war, his relationship to Nimitz, and what the relationship was like between the Pacific Fleet staff and the code breakers in Station HYPO. No detail was too small, including typical protocol concerning how staff might have reacted when a senior officer such as Adm. Nimitz entered the office. Wilson’s command of Layton’s history was impressive and exhaustive, and his portrayal in the movie reflects it.
In fact, the research he and others put into the script and portrayals made “Midway” a compelling and believable representation of how information warfare professionals literally helped save the world 75 years ago. In today’s connected 21st-century information landscape, the importance of naval information warfare professionals are even more important to today’s security.
“We were thoroughly impressed with the amount of research he had conducted on his own, and it’s evident he is committed to honoring Layton’s legacy. Besides that, he was a really just a good guy and earnestly interested in learning more about Layton and the history,” said Werner, who escorted Wilson during the visit to the staff.
“Midway” opens in theaters everywhere on Nov. 8, 2019.
Dr. Vince Houghton is a U.S. Army veteran and Historian and Curator of the International Spy Museum in Washington, D.C. He grew up watching and loving the original Star Wars Trilogy. While in the Army, he served in a sort of intelligence role and after leaving the military, he earned a Ph.D. in Intelligence History with a background in diplomatic military history.
Every year on May 4th, he gives a lecture at the museum, making the argument for Star Wars being a series of spy films.
“People always debate about it,” Houghton says. “Is this fantasy, is this sci-fi, is it a western in space? For whatever reason, I’ve always seen it as a spy movie.”
Houghton argues that the backbone of the original trilogy is a spy operation — a story made into the latest Star Wars film, Rogue One: A Star Wars Story. That story is the catalyst for Star Wars IV: A New Hope, which he sees as a classic spy movie.
“You could replace the death star with V2 or V1 or a German atomic bomb or the Iranian atomic bomb or any kind of scientific and technological intelligence and it becomes a spy movie,” he says. “Strip away all the science fiction and it’s a woman with stolen plans for a weapon trying to get them to a group of guerrillas fighting against this totalitarian empire — it could be the World War II resistance.”
But Houghton takes his argument further.
“With Empire Strikes Back, the whole thing is kicked off by the Empire attempting to use imagery intelligence, their drones, their probes, to locate the secret base of the rebels,” he says. “It’s still an intelligence operation, just a different kind.”
Houghton claims Return of the Jedi is a story based on intelligence gathering and counterintelligence.
“That’s also the catalyst behind Return of the Jedi,” Houghton says. “It’s stealing the plans for the second death star. It turns out, that’s actually a big deception operation — another key issue when it comes to intelligence.”
The Spy Museum Curator is talking about Emperor Palpatine allowing the Rebel Alliance to know the location of the second Death Star. Rebel Bothan spies capture the location and plans for the space station, but it’s a ruse for the Emperor to defeat the Rebel fleet on his chosen battlespace; it was a trap, a classic deception operation designed to hide the true strength of his forces.
“You could go all the way back to Mongolians in this case,” says Houghton. “Genghis Khan did everything from tying brooms to his horses’ tails so it would kick up a lot of dust and make sure it looked like there were thousands of soldiers instead of hundreds.”
In the case of Return of the Jedi, the Emperor’s plan just didn’t work because, you know, it’s Star Wars.
Rogue One: A Star Wars Story is in theaters Dec. 16th. You can catch more of Dr. Vince Houghton on the International Spy Museum’s weekly podcast, Spycast, on iTunes and AudioBoom.
We loved him 3,000 in Avengers: Endgame, and even gave him an extended tearful goodbye in Spider-Man: Far From Home, but now it looks like Tony Stark might already be back in the Marvel game.
On Sep. 5, 2019, news broke that actor Robert Downey Jr. is already in talks to return as Tony Stark/Iron Man for a new Disney+ TV series. If true, Tony would feature in a show called Iron Heart, based on the Marvel comic book series and character of the same name. In contemporary Marvel comics, “Iron Heart” is the alias for a new version of Iron Man, who is actually a woman named Riri Williams. In the series, Riri takes over the mantle of Iron Man from Tony Stark, who basically retires.
If this all sounds a little like the relationship between Tony and Peter Parker in Spider-Man: Homecoming and the past few Avengers movies, it should. But, because legal issues will likely prevent Spider-Man from crossing over with MCU films ever again, it’s telling that Iron Man may have another successor lined-up.
The only tricky part here, of course, is the simple fact that we all saw Tony Stark die in Avengers: Endgame. It feels pretty unlikely that Marvel would undo Tony’s meaningful sacrifice so soon, particularly if he wasn’t actually the star of a new Marvel film. After all, if an Iron Heart series happens, it will be Riri’s story about learning how to become the titular hero, not Tony’s.
The best bet? Maybe Robert Downey Jr. is coming back to play the voice of Tony Stark, and maybe Iron Heart is just one more installment of the upcoming animated What If? series, which specifically reimagines big Marvel heroes in a Sliding Doors kind-of-way. If that’s the case, then all of this makes sense. But, if Downey Jr. really is back, in the flesh, as Tony Stark, then Marvel has a lot of explaining to do. Plus, we’re going to bet that his daughter, Morgan Stark, is going to want to see him.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Mark Tufo wrote Zombie Fallout, a nine-book series that follows Marine Corps veteran and family man Mike Talbot as he tries to keep his family safe in a world overrun by zombies.
Like the character Talbot, Tufo served in the Marine Corps before returning to civilian life, starting a family, and adopting an English bulldog. The similarities end when Talbot’s neighborhood is taken over by flesh-eating and brain-hunting zombies, forcing him and his family to fight their way out.
Now, Talbot and his family might be getting their own TV series. Brad Thomas, a television producer and fan of the series, has teamed up with Tufo to bring the zombie epic to the masses. WATM got to spend a day with them and some military veteran fans on the set as the crew filmed a teaser for the show.
WATM’s Weston Scott interviewed Mark Tufo on the set of the music video teaser (and in full zombie wardrobe). Mark speaks about his writing process and the inspirations behind his main characters, and the transition between the Marine Corps and drawing from those experiences to become an author.
Veteran actor of stage, screen and TV and former US Navy sailor James Tolkan has spent a career playing the hard man. He is known to audiences around the world for his performances in Back to the Future, Top Gun and Problem Child 2, and many more films and TV shows for playing his no-nonsense style of characters, who seem to come from an organic place in his soul. The characters are tough but fair, and have a sense of dignity in them. Tolkan spent a lot of his time on stage in NYC before moving to Hollywood. Most recently, Tolkan worked on the Discovery Channel show Expedition Back to the Future. WATM sat down with Tolkan to learn more about his life, his time in service and what made him become an actor.
Tolkan’s youth was “very difficult” with his father having spent a lot of time in jail. Tolkan lived in Michigan before his family moved to Chicago. After his parents split when he was 14-years-old, Tolkan lived alone in a basement. “I got up at 5 in the morning to clean a restaurant,” he shared. “I was very unhappy. I was running with a gang and quit school at 15. I lied about my age and got a job with the Chicago Northwestern Railroad with a pick and shovel, which I hated.” His family moved to Tucson the next year and his whole life changed for the better.
Tolkan as “Mr. Strickland” with Michael J. Fox and Claudia Wells in Back to the Future. Photo courtesy of necomicons.com.
Tolkan was on a football scholarship at Eastern Arizona College and he got to play a lot of football. He put his name on a list to join the Navy – it was during the Korean War – and Tolkan was competing as an undefeated boxer in the Golden Gloves when he got the call. Tolkan completed boot camp in San Diego. He recalled, “When I went into the Navy, I was in better shape going into boot camp than at the end.” He volunteered for boxing while in the Navy and after his fellow sailors saw him in the ring, he never stood a “midwatch” (midnight to 4am shift) again. Tolkan explained with a laugh, “I was treated royally.”
Tolkan signed up for four years in the Navy and he ran a chow line in San Diego for troops in training and then was set to sail with the USS Sandoval APA-194. He was sent to Oakland to prepare for ship duty. Tolkan came down with a severe and unknown illness and was sent to the Oakland Naval Hospital. The Navy found an issue with his heart and within a year he was discharged from the service for medical reasons. He shared, “I could have seen the Navy as a career until I got sick….anyway it all worked out.”
Tolkan (center) with Anthony Edwards (left) and Tom Cruise (right) in Top Gun. Photo courtesy of necomiccons.com.
Tolkan holds onto his experiences in the Navy and he felt like a “very special individual” just having gone to boot camp. He is proud of his service overall.
Tolkan as “Stinger” in Top Gun. Photo courtesy of Amazon.com.
After his time in the Navy, Tolkan said he floundered around. He did reconnect with his father, having not seen him in seven years. Tolkan spent time in Iowa driving a cattle truck and moving cows all over the country. He shared, “I didn’t know what to do with myself. I was very lost.” He went back to school on the GI Bill at Coe College in Cedar Rapids, IA. At Coe, he majored in art and minored in music which is when he got interested in acting. He spent two years at Coe and then transferred to the University of Iowa for their large theater department. Tolkan was the big man in the theater department there.
After six years in college, Tolkan got on a Greyhound bus with $75 in his pocket to go to NYC to be an actor. He said, “I was scared to death and didn’t know what I was getting into, but I did it. It was really terrific. You have to learn to just really go for it.”
Tolkan in Sidney Lumet’s Prince of the City. Photo courtesy of TJ Breaton.
Tolkan shared, “I am most happy working in the theater. That is where I am most comfortable. The last play I did on Broadway was David Mamet’s Glengarry Glen Ross.” The first play he did on Broadway was a play titled Wait Until Dark. Tolkan played a psychotic killer in the play across from actress Lee Remick and the play ran for two years.
Tolkan with Val Avery in The Amityville Horror. Photo courtesy of IMDB.com.
“As a New York actor I said, ‘I am never going to Hollywood til they send for me.’ And when Robert Zemeckis called me to do Back to the Future I said, ‘Ok, this is my chance to go out there and see what’s going on.’ So, I went out and did Back to the Future and Top Gun and I stayed out there for 10 years.”
He didn’t like working in the movies “by and large.” He shared about his highlights in film, “…with Back to the Future, it was a very small movie — nobody knew it was going to be an enormous thing, but with Top Gun we all knew it was going to be big all the way through. So, I was very confident in Top Gun where Back to the Future was a huge surprise.” He shared about movies, “My favorites are with Sidney Lumet. The great director Sidney Lumet. I did three movies with him, Serpico, Prince of the City and Family Business.” Tolkan recalled his work with Lumet and reflected on the leadership shown by the award-winning director. “I think of Sidney Lumet, he was so disciplined, so brilliant…you would want to emulate him…to work with him was a privilege, he made it a pleasure.”
He describes his experience with director Tony Scott on Top Gun as loose when compared to working with Lumet. Scott would have them do improv scenes, not on the board for the day. He enjoyed working with Scott, it was just different than what Tolkan had experience with. He said, “Tom Cruise was most impressive. I knew he was going to be great right from the beginning.” Tolkan talks of his time on Back to the Future — “Michael J. Fox is the easiest actor I have ever worked with. He is so talented and loose. That movie is still going strong (and that) was 35 years ago.” He enjoyed his experience on WarGames and he joked, “…that was very early in my career…I wasn’t even paid very much, but things changed a little later.”
Tolkan’s filmography is impressive and his prowess has made him a household name. But when asked what he’s most proud of, his answer is fairly simple: “The fact that I made it through. That I am here living the good life and I survived. That is what I am most proud of. It is not easy…I give thanks every day.”
Tolkan in Woody Allen’s Love and Death as Napoleon Bonaparte. Photo courtesy of IMDB.com.
Tolkan with Dolph Lundgren (right) and Chelsea Field (left) in Masters of the Universe. Photo courtesy of IMDB.com.
Tolkan with Diane Keaton in Love and Death. Photo courtesy of IMDB.com.
Tolkan with Crispin Glover in Back to the Future. Photo courtesy of IMD
I love Bond. But, for very obvious reasons, I don’t want to actually be James Bond. For one thing, that dude is surely riddled with STDs and for another thing, having that many arch enemies would make going to the grocery store to buy diapers a real pain in the ass. But, after seeing a photo of Daniel Craig working out on the set of the newest James Bond movie, I realize I do wish I was more like our incumbent 007 actor. The man just had ankle surgery and he’s already back to work, pumping iron like a boss, making me realize my complaints about too much cream cheese on my bagel the other day are really lame.
Now, here are the ways I am exactly like Daniel Craig: I have blond hair, I am a father, and sometimes, minor setbacks occur while I’m trying to do something that can derail my entire day. For me, these setbacks often involve being frustrated that there is no mustard in the refrigerator or that I have again, forgotten to buy the correct kind of plastic bags for the recycling bin. For me, these kinds of things can knock me down quicker than a flying kick from an assassin. I sigh deeply. I grit my teeth. And through it all, I generally feel sorry for myself. Will I now have to spend 20 minutes going to the hardware store to locate one specific kind of screw for the weed-eater because I managed to lose the only type of screw that will fit? Yes, yes I will. And I am going to grumble about it! It isn’t fair!
Grumbling and complaining might seem to be the God-given right of every father, but I gotta say, seeing D. Craig working out with an ankle cast made me feel like shit. Am I really going to be the guy who lets his day get ruined because the barista screwed up my coffee order? As a dad, I never have outbursts of anger around my daughter, but sometimes the fatigue and frustration of parenting will crop up in other, more petty ways. Would Daniel Craig do this? I mean, I’m sure he swore a lot when his ankle got screwed up while filming Bond, but would he really throw a hissy-fit? I mean, I know the guy has great health insurance because he’s a movie star, but still, I bet he would be a little bit more chill about this stuff.
This photograph of Daniel Craig has changed me the same way an ejector seat can quickly get rid of an unwanted ninja chilling in your passenger’s seat. Petty baggage is dumb. Setbacks happen. Let’s be like Daniel Craig and just get on with it. Dads of the world, hear me out on this one: Let’s all channel our inner Daniel Craigs more often. If this guy can hit the gym and be James Bond two weeks after ankle surgery, surely, all of us can complain a little less about cleaning baby food up off the ground or taking the trash out on time.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Before Jon Favreau produced his wildly popular space Western about a little-known segment of the Star Wars universe, the only reference to Mandalorians on the big screen was a passing one in Star Wars Episode 2: Attack of the Clones, where it’s revealed that Jango Fett — the genetic donor for the entire clone army — is a Mandalorian. Seventeen years later, Disney released the most popular addition to the franchise since Obi-Wan turned Anakin into Lieutenant Dan. You ain’t got no legs, Anakin!
Thanks to Favreau, Star Wars fans now have a live-action show about one of the greatest warrior cultures in the Star Wars universe. What fans of the show may not know is that much of Mandalorian culture and mythology is borrowed from real history — specifically, Viking culture. But before we talk about everyone’s favorite maritime raiders, here’s a brief history of Mandalorians.
Behind the Scenes
During the production of Star Wars Episode V: The Empire Strikes Back, concept artist Ralph McQuarrie and visual effects artist Joe Johnston developed a design for a team of Imperial Super Commandos with weapons built into their armor specialized for the purpose of killing Jedi. As production continued, they scrapped the idea and rolled the special forces team into the bounty hunter Boba Fett.
The first reference to the Mandalorians was in the Empire Strikes Back novelization by Donald F. Glut, where he described them as “a group of evil warriors defeated by the Jedi Knights during the Clone Wars.”
For the next 30 years, Mandalorian culture was expanded in myriad Star Wars novels, comic books, and other sources. In the Knights of the Old Republic (KOTOR) video game series, Mandalorians were portrayed as some of the most dangerous antagonists in the galaxy, second only to the Sith. Throughout the extended canon, it was only hinted that Boba Fett was connected to the Mandalorians.
In 2010, during Season 2 of The Clone Wars animated series, fans finally got to see the fully fleshed-out concept behind Mandalorian warrior culture. “The Mandalore Plot” episode introduced viewers to the Death Watch, a Mandalorian terrorist group bent on continuing their ancient warrior traditions. The Death Watch was pitted against a new modern pacifist movement led by the sister of Bo-Katan, the blue-armored Mandalorian played by Katee Sackhoff in Favreau’s live-action series.
Viking Raiders of the Galaxy
The introduction of Mandalorians to The Clone Wars cemented them as the Viking raiders of the Star Wars franchise. Animation producer Dave Filoni wanted to give the Mandalorians a “Nordic flavor” using the traditional V-shaped breastplate worn by many Norsemen during the tail end of the Viking era as the foundation for the design behind all Mandalorian armor.
The Clone Wars also cemented the idea that Mandalorians were not a race but a way of life. Mandalorians are willing to take anyone who swears to live by the creed and adhere to Mandalorian tradition regardless of their species. This sets them apart from The Empire, which is portrayed as favoring humans over other “inferior” races. Obvious racial metaphors aside, this idea of adopting people into the tribe was one shared by Vikings, who often adopted the children of their slaves.
The comparisons with the ancient maritime raiders doesn’t stop there. Proving oneself through combat is the cornerstone of Mandalorian self-identity and culture, and they all follow the Mandalorian Creed, which — frustratingly for nerds like me — has never been written out or vocalized. Mandalorian fans may remember the creed as the reason Din Djarin (Mando) has to return Grogu (Baby Yoda) to the Jedi, but good luck figuring out what the creed actually says. Like, how am I supposed to join if I don’t even know their mission statement?
One thing we know for sure about the creed is that it instills a love among Mandalorians for single combat. It’s the only other rule in the creed ever mentioned, and it pops up continuously during the Clone Wars and Rebels cartoons. Mandos can invoke a Game of Thrones-style trial by combat for pretty much anything. Don’t like your boot lieutenant? Fragging him just gets you another boot replacement, but if you slay him in single combat, now you’re the LT! Want your buddy’s car? Slay him in single combat, and it’s yours — no pink slips required. This is essentially the Viking code of honor/succession, too.
For this fictionalized group of war-hungry space pillagers, the Mando creed pretty much rewards those who are really good at mercilessly killing without moral reservations. This probably explains their long history of warlords vying for power, the constantly changing heads of state, and nonstop wars, which is how real Vikings actually lived.
During the centuries leading up to the Viking Age, which began in 793 AD, the peoples of Norway and their surrounding territories were in a near-constant state of war. Small tribal groups were scattered across the harsh, cold country. Long winters and short farming seasons meant raiding other tribes was a necessary part of surviving in their world. Just like the Vikings, Mandalorians spent a lot of time warring and vying for power.
In 865, Vikings finally stopped slaughtering one another long enough to form what historians call the Great Heathen Army, which invaded England with the intent to conquer new worlds, much like their Mando counterparts did when they nearly wiped out the Jedi during the time of the Old Republic.
Perhaps the most Viking part about Mandalorian culture is just how much we don’t know about it. Just as Djarin has to piece together a thousand years of forgotten history to try and understand what it means to be Mandalorian, historians have faced a similar challenge in studying the exploits of the West’s most notorious maritime raiders. Thankfully, that’s never stopped anyone from making great shows about Vikings — and Viking-like warriors.
The main trailer for ‘Dunkirk’ is out, and it seems that Christopher Nolan will be telling the amazing story of Operation Dynamo from all angles as weekend sailors, Royal Air Force pilots, nurses, fishermen, and others appear in the footage.
Operation Dynamo, often called “The Miracle at Dunkirk,” was the evacuation of nearly 400,000 British and allied troops from the coast of France in 1940 after the German blitzkrieg cut through Allied defenses much faster than anyone anticipated.
The German invasion was expected to take months, but Nazi forces slashed a corridor through France to the English Channel in just over two weeks before they halted their advance. But the Nazis hadn’t been stopped by force of arms.
Rather, the high command decided that they didn’t want to risk panzers in pitched fighting near Dunkirk. So the German army kept the expeditionary force pinned down on the beach and sent the Luftwaffe to kill British ships in the English channel and strafe and bomb survivors on the beaches.
On May 26, the British launched Operation Dynamo, a Hail Mary attempt to rescue those dying troops through Royal Navy assets and, when those proved to be too few, hundreds of small fishing and pleasure boats piloted by civilians. Nearly 340,000 troops were evacuated from May 26 to June 4.
Previous trailers for Nolan’s movie about the event have focused on the plight of soldiers on the beach who waited for days, sometimes in shoulder-deep water while under fire from the Luftwaffe, for rescue. The new trailer shows them, but it also spends a lot of time on a father crossing the channel with his sons, as well as the nurses and pilots who made the mission possible.
It looks like World War II buffs may get to see one of the war’s most miraculous moments played out on the screen through perspectives of everyone who made it possible. Many of the troops rescued from the beaches went on to fight in North Africa, the D-Day landings, and on to Berlin.