If your battle buddy fought in 17 major battles, saved an entire regiment from a chemical attack, and then pulled everyone out of an artillery barrage before he went back to find the missing and wounded, you’d probably feel pretty good about having him around.
No wonder he was the only dog to ever receive a combat promotion.
Yes, the aforementioned heroic NCO that saved upwards of a thousand American GIs on World War I’s Western Front was a bull terrier mutt named Sgt. Stubby. There was even a movie made about him in 2018, just in time for Stubby’s 100th anniversary of becoming a soldier.
A private in the U.S. Army’s 102nd Infantry, 26th Yankee Division named J. Robert Conroy smuggled Stubby to Europe along with the rest of the American Expeditionary Forces in 1918. Though not specifically trained to fight the Germans, Stubby was like any other soldier. He learned the bugle calls, the drills, and even a sort of pup-salute when called to attention.
Stubby was more than a mascot. His unit fought in four major offensives that are now enshrined in history books as pivotal battles of World War I: Aisne-Marne, Champagne-Marne, Saint-Mihiel, and Meuse-Argonne. With 17 battles total, Stubby and the 102nd fought for a total of 210 days – more than any other American division during the war.
He was able to sniff out mustard gas before it became a danger to his fellow troops – especially when they were sleeping. He earned his first combat promotion to Private First Class for just such an action. He even had his own gas mask when needed. Not to spoil the ending, but Stubby survived the war. That doesn’t mean he escaped unharmed.
At St. Mihiel, Stubby was wounded by shrapnel after an artillery barrage decimated the 102nd. He wasn’t out of the fight for long. During the Meuse-Argonne Offensive, he chased down a German spy hiding in nearby bushes and dragged the man back to the American lines. For his effort, his fellow soldiers awarded Stubby the Iron Cross – removed from his captured prisoner’s uniform.
After the war ended, Stubby was a hero. He was invited to the White House many times and met three Presidents: Woodrow Wilson, Warren G. Harding, and Calvin Coolidge. As a soldier, however, his greatest honor was the gold medal awarded to him and his fellow soldiers from the 102nd from Gen. John J. Pershing himself.
Since Stubby was a stray, no one really knows how old he lived to be. But he died in Conroy’s arms in 1926, a life member of the American Legion, YMCA, and the Red Cross. After he died, his body was preserved by a taxidermist and sent to the Smithsonian Institution. You can see the actual Stubby at the Smithsonian in Washington, D.C., in uniform – along with all his medals and awards.
Watch the trailer of Stubby’s movie below, or see the whole movie on Hulu Premium.
As we endure the long wait for titles like “No Man’s Sky,” “Battlefield 1,” and “Call of Duty: Infinite Warfare,” We Are The Mighty decided to dust off some old games in the archives.
“Gears of War: Ultimate Edition” is the re-mastered version of the 2006 game known for its chainsaw kills, ‘roided up characters, and brutal gameplay. It allows players to fight as Delta Squad soldiers against the dreaded Locusts, an army of bug-like monsters, in H.D. Players control Marcus Fenix or Dominic Santiago in a mission to map Locust tunnels and deploy a Lightmass Bomb – imagine a cross between napalm and a nuclear bomb.
For most of the game, Delta squad consists of four members which the player can give simple orders to as they face off against Boomers – massive infantrymen who fire explosive grenades, Berserkers – unstoppable linebackers who will charge players, Locust Drones – standard infantrymen, and others.
The fights progress from the ruins of major cities and through underground tunnels and mines before culminating on a moving train. Features of the different areas, such as whether or not the area is exposed to satellites or is lit by the sun, change the combat mechanics and keep the player on their toes.
The main antagonist, General RAAM, is the head of all Locust forces and is known for his ruthlessness. He executes one human after another in brutal ways and is able to control a flock of krill, bat-like creatures that will attack Delta soldiers en mass and tear them apart.
Considering how far out the game’s plot and enemies are, it features surprisingly realistic combat mechanics. Players need to maneuver carefully and use cover to bring down the Locust grunts and massive monsters. In two-player mode, players can support each other during attacks, even when the map forces them to use two different routes.
Players have to endure a number of different scenarios in the main game, everything from defending a stranded outpost like they’re on a firebase being overrun to assaulting an enemy strongpoint defended by elite warriors.
Players need to support each other in multiplayer mode. Despite the small teams, the fighting is still intense. (GIF: Gears of War: Ultimate Edition on Xbox 1)
In multiplayer mode, modern gamers may be surprised that most game types support four versus four multiplayer, and one only supports two versus two. But, these smaller teams make the fighting feel less hectic and more personal, creating less chaos and supporting tactical play.
Of course, the re-mastered graphics make everything in “Gears of War: Ultimate Edition” look more realistic and prettier than in the original. While this breaks from the aesthetic of the 2006 version, a notoriously gritty experience, it still feels like Delta Squad is in the suck.
For gamers who haven’t gotten into “Gears of War” yet or who want a refresher before the release of “Gears of War 4” in October, the Ultimate Edition is great fun.
If you’re hunting for great Vietnam war movies about the conflict and its afterrmath, look no further.
Compiled by the staff of Military.com, some of these are surprising and possibly controversial.
Check out our Vietnam movie recommendations below and share your favorites in the comments.
1. Full Metal Jacket
Besides adding the phrase “major malfunction” to the lexicon of American pop culture, “Full Metal Jacket” gave us the most riveting, foul-mouthed boot camp scene in the history of cinema. R. Lee Ermey’s portrayal of “Gunny Hartman” dominated the movie’s first half. Such a sustained volley of X-rated insults, hurled effortlessly at petrified recruits, could only come from years of experience as a Marine Corps drill instructor – and Ermey had been one. “The more you hate me, the more you will learn,” he tells his Vietnam-bound grunts. Gunny’s six-minute tirade sets the stage for the murderous outcome that closes the first act of Kubrick’s Vietnam movie masterpiece. Casting a real-life DI as a DI: Pure genius. — Marty Callaghan
One of Robin Williams’s best roles, this movie brilliantly captures the experience of the Vietnam War through the eyes of someone not actively engaged in the fighting: real life Air Force radio personality Adrian Cronauer. His battles against inept leadership and the mindless bureaucracy that survives–even in a war zone–are something many service members can relate to. His rebellion against what he’s told to do is inspiring and then as he seeks to make his tour less of a soup sandwich by engaging with the local population and helping them, he is ultimately reminded that he is there to fight a war and war does in fact rage all around him. — Sarah Blansett
“Rolling Thunder” is neither sensitive to nor concerned with the actual experiences of returning Vietnam POWs. It didn’t win any awards or play in any theater more prestigious than the local drive-in. It’s a low-budget fever dream written by Paul Schrader (Taxi Driver, Raging Bull) and directed by the underrated John Flynn (“Out for Justice” starring Steven Seagal and “The Outfit” starring Robert Duvall are both worth tracking down. What you get is a revenge fantasy for every Vietnam war vet who felt the hate when he returned from service.
Major Charle Rane (William Devane) and Johnny Vohden (Tommy Lee Jones) are prisoners of war who get a hero’s welcome on the tarmac when they return to Texas, but things come unraveled immediately thereafter. Devane’s wife announces on his first night home that she’s leaving him for Jody and taking their son. He later gets awarded a Cadillac convertible and a huge box of silver dollars (one for each day in captivity) by the San Antonio city fathers. Some criminal hillbillies see the exchange on the TV news and track him down to steal that money. When he refuses to cooperate, they feed his arm into the garbage disposal and kill his soon-to-be ex-wife and son when they drop by the house to get their stuff.
Rane gets himself a hook to replace his mangled hand and takes up with Linda Forchet (Linda Haynes), a young woman who wore his POW bracelet while he was in North Vietnam. Rane goes on a hunt to deliver justice to the men who killed his family and picks up Johnny in El Paso along the way to help with the mission.
It’s lurid and cathartic, tapping into the same frustration and rage that many of the more awards-friendly Vietnam war movies on this list try to highlight. Sometimes primitive and outlandish works just as well as sensitive and thoughtful when you’re trying to work things out. — James Barber
Part “The Deer Hunter” (see roulette scene) and part “The Killer” but one hundred percent highly stylized John Woo.
After trouble with local gangsters in Hong Kong, three best friends flee to Vietnam at the height of the war in hopes to profit from black market penicillin and gold. The trio is soon captured by the Vietcong who force them to make a choice that will test the limits of their friendship.
Woo’s subtext to the movie relies on and attempts to recreate (as does “The Deer Hunter”) the infamous news photo of General Nguyen Ngoc Loan executing a Viet Cong prisoner in Saigon. While some scenes seem contrived, when taken in context of the Vietnam war, the chaos feels right at home, even welcome. — Sean Mclain Brown
“Hamburger Hill” is a gritty war film that focuses on the lives of 14 soldiers from the 101st Airborne Division’s B Company, 3rd Battalion, 187th Infantry Regiment during the 12-day battle that occurred May 10-21, 1969, in the northern part of South Vietnam near the A Shau Valley.
I saw the movie when it came out in 1987 as a young infantryman in the 82nd Airborne Division. I still remember that the film’s depiction of the actual battle left me, and other members of my platoon, in awe of how these Screaming Eagles endured an up-hill fight against a well-entrenched enemy under the most miserable conditions.
The Vietman war movie features a young Don Cheadle, Dylan McDermott and Steven Weber, who later played Brian Hackett in the 1990s sitcom “Wings.” One of the most powerful performances came from Courtney B. Vance who played Spec. Abraham “Doc” Johnson.
The real battle of Hamburger Hill left about 500 enemy soldiers dead. Taking the hill claimed the lives of 39 soldiers from the 187th and left 290 wounded.
To me, “Hamburger Hill” stacks up to “Platoon,” “We were Soldiers” or any other film out there that focuses on the sacrifices infantrymen made during the Vietnam War. — Matthew Cox
When you think of Vietnam war movies you generally don’t think about Rambo. But the first movie in the Rambo series, “First Blood,” was in my opinion one of the best Vietnam war movies made.
Rambo meets a megalomaniacal small town police chief who doesn’t want any long-haired drifters hanging around his town, veteran or not. Rambo just wants to be left alone, the police chief wants to make a point, and you know the rest of the story.
Many people around today don’t remember when every veteran wasn’t told “thank you for your service”, or given discounts at every store. This movie shows much of the hate and discontent that returning veterans faced after Vietnam.
Vietnam veterans were drafted and sent away to somewhere that even today 90% of Americans couldn’t find on a map. The war dragged on forever and many think that we could have won.
This Vietman war movie educated the general public to the fact that Vietnam veterans lived through hell, both in the war and when they came back home, for that it deserves to be watched again and appreciated as a statement on the reality that all veterans face when they return to civilian life. — Jim Absher
Apocalypse Now (1979) Official Trailer – Martin Sheen, Robert Duvall Drama Movie HD
“Apocalypse Now” contains a lot of things I love in film – heavy use of symbolism and themes as well as exceptional acting and cinematography. Coppola does a great job of reworking Conrad’s Heart of Darkness for the Vietnam War, extending the themes of imperialism to include the madness of war, while also mixing in Dante. However, the movie feels like an abstraction, not a realistic depiction, and you could easily adapt the same script to our current involvement in Afghanistan. — John Rodriguez
Platoon Official Trailer #1 – Charlie Sheen, Keith David Movie (1986) HD
“Platoon” on the other hand plays like a more realistic depiction of the Vietnam War from a soldier’s perspective, which makes sense as Oliver Stone is a Vietnam combat vet. In general the characters are more fleshed out than in similar movies like “Hamburger Hill,” although I do have a hard time taking Charlie Sheen seriously; he’s no Martin. — John Rodriguez
Other Vietnam War movies have more grandeur or explosive moments, but Michael Cimino’s “The Deer Hunter” cuts the deepest. Never before had a movie about the conflict tackled head-on the emotional issues that afflict those who serve, come home, and struggle to find a place for themselves — and it’s fair to say no Vietnam War movie has ever captured the rhythms and sorrows of small-town life in the US as well as “The Deer Hunter “does.
The cast alone elevates the movie to among the best ever made: Robert De Niro, Meryl Streep, Christopher Walken in a star-making performance, and John Cazale (Fredo from the “Godfather ” movies) in his very last role before his tragic early death from bone cancer.
Looking for memorable moments? Just utter the words “Russian roulette,” and any movie aficionado will recall the harrowing POW sequences in this film. “The Deer Hunter” is not without controversy — director Cimino reportedly claimed he was in an Army Green Beret unit, but records show he only served briefly before the war started — and watching the movie can be a punishing experience. But as a lyrical, moving piece of cinema that sticks with you, very few movies can come close. — Ho Lin
If you’ve ever seen A Few Good Men or the TV series JAG, then you’ve seen some pretty good military courtroom dramas. However, there is a piece of military justice that is rarely touched on by these entertainment icons: the appeals process.
The Court of Appeals for the Armed Forces is part of a system set up in the wake of World War II. According to the court’s website, during that conflict, over 1.7 million courts-martial were held. In 1950, the court was initially was established as a three-judge panel called the Court of Military Appeals as part of the Uniform Code of Military Justice.
In 1968, the court was renamed the United States Court of Military Appeals. Nearly two decades later, the court was expanded to five members and Congress also allowed the Supreme Court to accept appeals from this court. Finally, in 1994, the court received its current name, the United States Court of Appeals for the Armed Forces.
The judges on this court are civilians and serve 15-year terms. Like normal appeals court judges, they are appointed by the President of the United States and confirmed by the United States Senate. This is not the only appeals court in the military justice system. There are four other appeals courts set lower: The Army Court of Criminal Appeals, the Navy-Marine Corps Court of Criminal Appeals, the Air Force Court of Criminal Appeals, and the Coast Guard Court of Criminal Appeals. The primary function of the Court of Appeals for the Armed Forces is to review decisions made by these lower appellate courts.
So, next time you see A Few Good Men, understand that what happened in the courtroom wouldn’t be the last word on the matter — the appeals process is to follow. There are higher authorities in military justice that Hollywood can’t quite comprehend.
The three US Marines who were killed in an Osprey crash off the coast of Australia on the evening of August 5 have been identified.
First Lt. Benjamin R. Cross, 26, of Maine; Cpl. Nathaniel F. Ordway, 21, of Kansas; and Pfc. Ruben P. Velasco, 19, of Los Angeles were killed after the MV-22B Osprey tiltrotor aircraft in which they were riding crashed, according to a Marine Corps press statement.
The Osprey was trying to land on the USS Green Bay about 18 miles off the Shoalwater Bay Training Area, in Queensland, Australia, when it crashed, the Marine Corps and CBS said. The 23 other Marines on board the aircraft were saved.
The US Navy and Marine Corps, with help from the Australian Defense Force, unsuccessfully searched for the three Marines until 3 am on the morning of August 6, the Marine Corps said.
Cross had been awarded with National Defense Service Medal and the Global War on Terrorism Service Medal.
He was described by his brother as having “the highest moral character — just the most caring, compassionate, empathetic individual I’ve ever met. He would do anything for anybody that needed it, so selfless, devoted to his family, and devoted to his duty in the Marine Corps, ” according to the Oxford Hills Sun Journal.
Velasco had been awarded with the National Defense Service Medal and the Global War on Terrorism Service Medal, and was said to have loved his family, girlfriend, and being a Marine, according to the San Gabriel Valley Tribune.
Orday had also been decorated with National Defense Service Medal and the Global War on Terrorism Service Medal, as well as the Sea Service Deployment Ribbon.
“The loss of every Marine is felt across our entire Marine Corps family. To the families of the brave Marines we lost – there is no way for us to understand what you are going through,” Col. Tye R. Wallace said in the press statement.
“What we do know is that your Marines left a lasting impression on the 31st MEU, the Marine Corps, and the world. They will live on forever in our thoughts and our hearts. You will always be a part of the Marine Corps family, and you will remain in our prayers.”
We’ve talked before about the bizarre Hollywood phenomenon of Twin Films – essentially films with near identical premises inexplicably released around the same time – and all of the machinations that can lead to them existing. Today, rather than focusing on an industry wide trend, we’re going to discuss a specific example of something similar — the bizarre tale of the time two comic artists based in the UK and US respectively somehow both created “Dennis the Menace” at almost the same time, with the first editions of each published on the exact same day, despite neither one knowing anything about what the other was doing.
While it’s commonly misstated that the UK version of “Dennis the Menace,” which debuted in Beano #452, came out on March 17, 1951, in truth both “Dennis the Menace” comics hit the shelves on March 12, with the incorrect date for the British version coming from the fact that this date was on the original cover. As to why, a common practice at the time was to post-date editions to try to keep them on the shelves longer.
Beyond sharing a name, both characters own dogs that usually aid in their mischief, with American Dennis having a snowy white Airedale mix called Ruff, and British Dennis owning a “Abyssinian wire-haired tripehound” called Gnasher. Like their owners, each dog has a distinct personality, Gnasher being decidedly more violent than Ruff, with his favourite pastime being chasing and biting postman. Another similarity between the two Dennises is their penchant for causing mischief with a slingshot, which is considered to be a trademark of each character in their respective home markets.
Dennis the Menace and his dog Gnasher.
That said, it should be noted for those unfamiliar that the British Dennis is an intentional menace who relishes in the mayhem he causes, whereas the U.S. version tends to be over all good natured and ends up being a menace in many cases via trying to do something good, but having it all go wrong.
Nevertheless, given the similarities, it should come as no surprise that soon after each comic hit the stands on the same day in 1951, news of each other’s comics quickly reached the two creators. While initially foul play was suspected, it became clear to all parties involved that the whole thing couldn’t possibly be anything but a massive, inexplicable coincidence.
In the end, both creators agreed to continue as if the other comic didn’t exist and the only real change made to either comic was that as both comics gained in popularity, the name of the British version evolved, initially just in foreign markets, but eventually everywhere to Dennis and Gnasher.
During discussions about how each creator came up with the idea of “Dennis the Menace,” it was revealed that British Dennis was the brainchild of Beano editor, George Moonie. Moonie was inspired to create the character after hearing the lyric “I’m Dennis the Menace from Venice” while visiting a music hall. With this lyric in mind, Moonie tasked artist David Law with creating a character called, you guessed it, Dennis the Menace, saying simply that the character was a mischievous British schoolboy.
Although Law was responsible for drawing Dennis from his conception until 1970 when Law fell ill, the now iconic look of Dennis was first suggested by Beano Chief Sub Ian Chisholm who is said to have sketched a rough drawing of what would come to be Dennis’ default look on the back of a cigarette packet while Chisholm and Law were at a pub in St Andrews, Scotland.
Billed as “The World’s Wildest Boy!” in his debut strip, proto British Dennis looked markedly different from his modern counterpart, with some of his more iconic features, such as his pet dog and bestest pal Gnasher or his iconic red and black striped sweater, not being introduced until later comics.
In the end, “Dennis the Menace” played a big part at revitalizing Beano, as noted by Beano artist Lew Stringer, “‘Dennis the Menace’ was like a thunderbolt. The Beano was flagging by 1950 and no longer radical. But there was an energy to ‘Dennis the Menace,’ it was modern and became one of the first naughty kids characters of the post-war period.”
As for American Dennis the Menace, he was the creation of Hank Ketcham. Ketcham briefly attended the University of Washington in Seattle, but had a passion for drawing from a very young age when a family friend had showed him his, to quote Ketcham, “magic pencil”, and how it could draw things like cartoon characters such as Barney Google.
Fast-forward to his freshman year of college in 1938, after seeing “The Three Little Pigs” Ketcham promptly dropped out of school and left Seattle, stating,
I had one thing on my mind: Walt Disney. I hitchhiked to Hollywood and got a job in an ad agency, changing the water for the artists for [about 9 today] a week. Which was OK because I lived at a rooming house on Magnolia – three meals a day and a bike to ride to work – for a week. Then I got a job with Walt Lantz at Universal, assisting the animators, for . It was the tail end of the glory days of Hollywood and I loved it! I was on the back of the lot, where W.C. Fields, Bela Lugosi, Crosby, Edgar Bergen were all parading around. My neck was on a swivel! Marvelous!
As he notes there, he eventually achieved his goal, doing some work for Disney on movies like Fantasia, Bambi, and Pinocchio.
When the U.S. entered WWII, he found himself in the Navy drawing military posters for things like War Bonds and the like. By 1950, he was working as a freelance cartoonist. On a fateful day in October of that year, his toddler son, Dennis, did something that changed the family’s fate forever.
His wife, Alice, went to check on the toddler who was supposed to be napping, but instead she found Dennis’ dresser drawers removed and contents unceremoniously dumped out, his curtain rods removed and dismantled, mattress overturned and just a general mess everywhere.
Ketcham would recount in an interview with the Associated Press on the 50th anniversary of his comic that Alice remarked in an exasperated tone after witnessing the destruction, “Your son is a menace!”
This statement resonated with Ketcham who quickly devised and refined the idea of a mischievous toddler who accidentally causes wanton destruction wherever he goes. Dennis the Menace was born, and a mere five months later debuted in 16 newspapers. This is despite the fact that Ketcham himself would later state, “Oh, the drawings were terrible! Even when I started with Dennis they were just wretched! How any editor ever bought that junk…”
Hank Ketcham in 1953.
Nevertheless, within a year of its debut, 245 newspapers across the world had picked it up representing a readership of over 30 million people. At its peak, the number of outlets that carried “Dennis the Menace” grew to over 1,000.
Unfortunately, things did not have a happy ending for the real Dennis. Much like with Christoper Robin Milne, who A.A. Milne based his character of Christopher Robin on, Dennis came to loathe the fact that his father had created a famous character after himself. Unlike Christoper Robin, Dennis never got over it.
That said, despite his son’s accusations, Ketcham vehemently denies ever using anything from his son’s childhood as fodder for the comic other than the name, noting he almost always used a team of writers to come up with the comics’ content, stating, “Anyone in the humor business isn’t thinking clearly if he doesn’t surround himself with idea people. Otherwise, you settle for…mediocrity — or you burn yourself out.”
Whatever the case, the comic was perhaps just a side issue. You see, as her husband’s fame grew, Dennis’ mother became an alcoholic and by 1959 she filed for divorce. Around the same time, with Alice no longer capable of taking care of Dennis, he was shipped off to a boarding school. Said, Dennis, “I didn’t know what was going on except that I felt Dad wanted me out of the way.”
Very soon after, his mother died after mixing barbiturates with a lot of alcohol. As for Dennis, Ketcham didn’t end up getting him from boarding school to attend the funeral, nor did he tell him about his mother’s death until weeks later, reportedly as he didn’t know how to break it to him, so delayed as long as possible. Said Dennis of this, “Mom had always been there when I needed her. I would have dealt with losing her a lot better had I been able to attend her funeral.”
Things didn’t improve when mere weeks later, Ketcham married a new woman, then moved the family off to Switzerland where he once again placed Dennis in a boarding school, which ultimately didn’t work out. To begin with, his new wife and Dennis weren’t exactly pals. Said Ketcham, “Jo Anne was unused to children. and she and Dennis didn’t get along.”
Seeing his son struggling academically because of a learning disability, combined with being in a foreign country and issues between his new wife and Dennis, Ketcham sent Dennis off to a different boarding school back in the United States where he hoped he’d be more comfortable.
After graduating two years later than most, Dennis joined the Marines for a tour in Vietnam and subsequently suffered from severe post-traumatic stress disorder.
As for his relationship with his father, it never improved, with Ketcham even losing track of him completely at one point. As Ketcham stated when asked about his son, “He’s living in the East somewhere doing his own thing. That’s just a chapter that was a short one that closed, which unfortunately happens in some families… He checks in about twice a year. And if he needs something, I try to help him.”
As you might imagine from all this, Ketcham would come to greatly regret using his son’s name for his character because of how he felt it negatively impacted him. “These things happen, but this was even worse because his name was used. He was brought in unwillingly and unknowingly, and it confused him.”
He also regretted not being there for his son. “Sometimes, young fathers scrambling to make a living, to climb the ladder, leave it to the mother to do all the parental things. But you get back what you put into a child. It’s like a piano. If you don’t give it much attention, you won’t get much out of it… I’m sure Dennis was lonely. Being an only child is tough.”
He goes on, “In my family now. I’m much more active with the kids and their schooling than I was before. I listen better. And I think I’m more patient. Maybe not. But I’d like to think so.”
As for Dennis’ side, he stated, rather than a successful, famous father, “I would rather have had a father who took me fishing and camping, who was there for me when I needed him… Dad can be like a stranger. Sometimes I think that if he died tomorrow, I wouldn’t feel anything.”
When Ketcham died on June 1, 2001, Dennis didn’t show up for the funeral and a family spokesman stated they hadn’t heard from him in years and didn’t know where he was.
To finish on a much lighter note, in 1959, Ketcham was invited to visit the Soviet Union as a part of a cartoon exchange trip. Never ones to miss an opportunity, the CIA asked Ketcham if he wouldn’t mind sketching anything significant he saw while in the Soviet Union. Said Ketcham, “We were flying from Moscow to Kiev, and it was during the day and I looked out the window and I saw some shapes. I had my sketch book, and I would put them down, and the flight attendant would walk by, and I would put a big nose and some eyes and make the whole thing into a funny face. So I had a whole book of funny-face cartoons at the end that I didn’t know how to read.” Needless to say, the CIA didn’t exactly appreciate his work.
“Dennis the Menace” creator Hank Ketcham.
Going back to British Dennis, Kurt Cobain was known to wear a jumper remarkably similar to that of the British Dennis the Menace on stage. As it turns out, the jumper was a genuine piece of official Dennis the Menace merchandise, though the singer didn’t know this. Apparently Courtney Love bought the jumper for Kurt for for £35 (about £70 or today) from a fan called Chris Black at a concert in Northern Ireland in 1992 after taking a liking to it.
Speaking of having to find a way to be original week after week in comics, Charles Schulz, creator of Peanuts, once sagely stated, “A cartoonist is someone who has to draw the same thing every day without repeating himself.” That’s a tall order for someone who created nearly 18,000 strips- and it wasn’t always easy. On this note, Cathy Guisewite, creator of the comic strip Cathy, revealed in an interview that Schulz once called her in something of a panic as he couldn’t think of anything to draw and was doubting whether he’d be able to come up with anything. Exasperated, she stated, “I said, ‘What are you talking about, you’re Charles Schulz!’… What he did for me that day he did for millions of people in zillions of ways. He gave everyone in the world characters who knew exactly how we felt.”
Bill Watterson, creator of “Calvin and Hobbes,” famously not only passed up but fought vehemently against merchandising of “Calvin and Hobbes,” costing himself many tens of millions of dollars in revenue. He stated of this that it wasn’t so much that he was against the idea of merchandising in general, just that “each product I considered seemed to violate the spirit of the strip, contradict its message, and take me away from the work I loved.” Despite this, it’s not terribly difficult to find merchandise of “Calvin and Hobbes,” but all are unauthorized copyright infringements, including the extremely common “Calvin Peeing” car stickers. Despite never having earned a dime from these, Watterson quipped in an interview with mental_floss, “I figure that, long after the strip is forgotten, those decals are my ticket to immortality.”
Most of the characters and names in “Winnie the Pooh” were based on creator A.A. Milne’s son’s toys and stuffed animals with the exception of Owl, Rabbit, and Gopher. Christopher Robin Milne’s toy teddy bear was named Winnie after a Canadian black bear he saw at the Zoo in London. The real life black bear was in turn named after the hometown of the person who captured the bear, Lieutenant Harry Colebourn, who was from Winnipeg, Manitoba. The bear ended up in the London Zoo after Colebourn was sent to England and then to France during WWI. When he was sent to France, he was unable to bring the bear so gave it to the London Zoo temporarily and later decided to make it a permanent donation after the bear became one of the Zoo’s top draws. The “Pooh” part of the name was supposedly after a black swan that Christopher Robin Milne saw while on holiday. A black swan named Pooh also appears in the “Winnie-the-Pooh” series.
This article originally appeared on Today I Found Out. Follow @TodayIFoundOut on Twitter.
When Matthew Callahan was first introduced to the movie Top Gun at 2 years old, the film became an instant favorite.
So when the award-winning video producer for the Navy’s All Hands Magazine was tasked with producing a series of videos for Naval Air Station Oceana’s Virtual Air Show last month, Callahan drew inspiration from director Tony Scott’s Cold War classic.
“Top Gun was my first true love of cinema,” Callahan told Coffee or Die Magazine. “It’s a movie of its time — the late ’80s, when they were just overdoing everything — but the way it’s filmed is beautiful. I’ll never forget that opening scene with footage at sunrise or sunset on the ship. You don’t often see military personnel and equipment framed that way, where it’s kind of treated like a total spectacle, and I try and capture that same feeling with a lot of my stuff because it cuts through a lot of noise.”
Callahan was part of a three-man production team including All Hands video producer Jimmy Shea and Mass Communication Specialist 2nd Class Michael Jorge. Together, they spent five days producing eight videos for NAS Oceana’s virtual air show. Trying to convey the excitement and spectacle of an air show with a series of short videos is no easy task, but Callahan and his team worked hard to translate their own passion for viewers.
“We produced eight or nine video products in five days,” Callahan said. “The tempo was pretty nonstop. It was exhausting but also amazing.”
The Next Generation: VFA-106 Prepares F/A-18 Aircrew For Fleet
The standout production from the trip is a roughly three-minute video about NAS Oceana’s Strike Fighter Squadron (VFA) 106. The Virginia Beach-based training squadron prepares freshly minted F-18 aircrews for fleet service.
Callahan said for that video he supplemented the team’s production from Virginia with footage provided by the Navy’s advertising agency.
“I asked for cool, sexy carrier footage, and the ad agency really delivered,” Callahan said. “It seems like Top Gun really set a kind of visual precedent for filming jets on an aircraft carrier, and I wanted to produce something fast but serious in a brass-tacks kind of way.”
Callahan said that while he realizes most of his audience engages with his productions online or on mobile devices, he still tries to include some audio and visual treats for true cinephiles who might watch on a larger TV screen or with noise-canceling headphones.
“I’m always editing and creating soundscapes for that one person who might wanna watch these stories on a big display with a good sound system,” he said. “It’s almost never the case, with most folks engaging on mobile, but there’s always gonna be someone who does. I hope that there’s a payoff for those few who chose to watch that way.”
Mark Hamill has just seemingly confirmed what every person who has ever seen a Star Wars movie or accidentally heard about Star Wars would have already assumed by just thinking about it for a second. Still, because figuring out the plots to Star Wars movies before they come out is more fun — and easier to do — than forecasting political elections, the following piece of information has to come with a massive warning. What Mark Hamill has said could be viewed as a spoiler that will ruin your enjoyment of Star Wars: The Rise of Skywalker, which isn’t really even out for a half-a-year anyway. So, you’ve been warned, if you want to keep reading, this article contains some stuff that Mark Hamill said about how he’s appearing in The Rise of Skywalker. (But if you’ve ever read any kind of book or seen a movie, of any kind, you will have seen this coming by virtue of the fact that you are a person in the world.)
Ready? After Luke Skywalker faded away and joined the Force in The Last Jedi, he will reappear in The Rise of Skywalker as…a Force ghost! On June 20, 2019, the Associated Press posted a brief interview with Hamill in which he said he “hopes” that The Rise of Skywalker is his last Star Wars movie and detailed exactly how Luke will return in the film.
“The fact that I’m involved in any capacity is only because of that peculiar aspect of the Star Wars mythology where if you’re a Jedi, you get to come back and make a curtain call as a Force ghost.”
That’s right, Luke is doing exactly what everyone expected him to do, show up with a little blue aura around his body, and vaguely explain what he can’t and can’t do as a creepy spirit. Then again, who knows? Yoda was a ghost in The Last Jedi and that motherfucker was able to conjure a lightning bolt from the sky and burn down a tree, mostly just to pull a prank and make a complicated diss about Luke not being able to finish reading like six books that had been sitting on the planet for who knows how long.
Star Wars: The Last Jedi Yoda’s Force Ghost Scene [1080p HD]
So, will Luke be the kind of ghost who says ghostly things from the sidelines or the kind of ghost who takes Kylo Ren on a Dickensian adventure to show him the error of his ways? Either way, at this moment, we know Mark Hamill’s Luke isn’t the only ghost haunting the next Star Wars film; the long-dead Emperor Palpatine is back, too!
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Top Gun is an iconic movie, no doubt about it. The action flick, which came out in 1986, was a blockbuster hit and has stayed popular in the three decades since.
The sequel comes out this summer and its trailers have already made us crave the need…. the need for speed.
The movie’s lexicon has permeated into our everyday language over the years. We tell others to “Cover me, Goose,” “Be my wingman anytime,” or “take me to bed or lose me forever.”
If you have ever been stationed in or have visited San Diego, you might have sung “Great Balls of Fire” at Kansas City Barbeque, sang “Highway to the Danger Zone” as you watched jets fly around Miramar, or hummed, “Take my Breath Away” as you hung out on a beach in Oceanside. The San Diego Padres have even tried several times to make “You’ve Lost that Loving Feeling” their version of the Red Sox’s “Sweet Caroline.”
One of the most iconic parts of the movie has to be the call signs.
Everyone loves call signs. They can be badass, cool, funny, and always give some glimmer of personality to a person in a military that tends to dissuade individuality.
(When my unit first got to Iraq, our command floated the idea of letting us pick a call sign. For an afternoon, I went back and forth between “Indian Outlaw” and “Buckeye” (my parents were from India and I left Ohio State to enlist in the Marines). Unfortunately, the movie 300 had recently come out, and after having every junior enlisted Marine fight over why they deserved to be called “Spartan” or “Leonidas,” the idea was scrapped, and we were assigned call signs based off our rank and last name.
Hence, instead of “Indian Outlaw,” I became “Echo4Juliet”… [puke]
On the flip side, Top Gun had some amazing call signs.
So let’s rank them from worst to first. We went off how awesome they sound, if they fit the character, and if they resonate with the audience. Here we go!
Charlie, played by Kelly McGillis, was based on a real-life civilian mathematician and maritime air superiority expert Christine “Legs” Fox. Her character did showcase the amount of data and analytical studies that went into studying and perfecting the art of aerial warfare. But the call sign Charlie was pretty lazy (the character’s first name was Charlotte) and really didn’t add anything to her personality.
Chipper is barely in the movie and is more of a seat filler. The lack of character doesn’t really give us much to wonder about his name. Doesn’t look very chipper to me.
When you think of the name Merlin, you think of wizardry and magic. You would think that someone with that call sign would either be doing some type of aviation wizardry. Instead, Merlin, played by Academy Award winner Tim Robbins pretty much looks like he’s about to crap is pants most of the time. Merlin is more apt for Andy Dufrense because of his escape from Shawshank and less Robbins character in Top Gun.
“Slider…. You stink…” Does it have to do with how he gets with the ladies? Or sliding in behind the enemy? Did he slide off a runway when in training and end up in the backseat as a result? Or was he a college baseball player that just had one pitch? I don’t know why this name doesn’t sit well, but it just doesn’t.
Maybe Cougar liked to go after older women. But, he probably was named after a ferocious animal. Its not a bad call sign, but not that original. His character, losing his edge, didn’t help.
Wolfman should have been called Cowboy. He wore a cowboy hat in class, after all. But he does have a personality that shines through all throughout the movie and comes across like an old school radio DJ ala Wolfman Jack. So that pushes him up on the list.
“Your ego is writing checks your body can’t cash!” Lines like that make it obvious why Stinger is well, Stinger. His butt-chewings would make him a great first sergeant, and when he speaks, he means business. “And if you screw up just this much, you’ll be flying a cargo plane full of rubber dog s**t out of Hong Kong!”
Hollywood looks good and acts the part. He’s got the shade and swagger and doesn’t seem to lose his cool. The name fits so much that after he is shot down and ends up ejecting and needed to be rescued out of the water, he still looks Hollywood-like.
It might have to do with the fact he is African American. It might have to do with the fact when he flies in, the sun goes down, and darkness arrives. Or both.
Regardless it is an awesome name. The helmet is even more bad ass.
Goose normally would suck, but it fits its characters personality so well. A guy with a callsign, Cobra wouldn’t be serenading women in bars, yelling “Great Balls of Fire” after getting in trouble, or taking Polaroids of MiGs…. WHILE INVERTED. Anthony Edwards, the actor who played Goose, later gave insight on why writers came up with the name.
“You can run kid, but you can’t hide” Jester is probably the perfect name of an instructor. He is wily, knows all the tricks, and is keen to remind you of why you are the student while he is the teacher. He also will break the rules and then throw them back in your face when you break them. (He did go below the hard deck first…..)
Jester was played by veteran actor Michael Ironside, whose own last name should be a call sign.
“That’s right…. Ice…Man… I am dangerous.”
Iceman chomps his teeth at him.
Everyone in the military fashions themselves to be the Iceman type. Cool. Calm. Collected…and Cocky. You keep your cool under pressure and stick to your training and planning. Nothing gets under his skin, and he thrives at the hint of competition.
Iceman looks Maverick right in the face and tells him why he is dangerous but doesn’t go running to higher command. He takes it as a challenge and goes out and wins. The only time he starts to crack is when he’s taking on five MiGs by himself (and can you really blame him on that?)
Based on Vietnam veteran, Top Gun instructor, and technical advisor Rear Admiral Pete “Viper” Pettigrew (holy Harry Potter name), Viper is a bad ass based on a real-life bad ass.
Vipers might look slow and sluggish but will deliver a quick strike. In the same manner, Viper doesn’t go around yelling like Stinger or Jester. He is quiet and calm and gives off the demeanor of tranquility… until he is in the air.
There he makes short work of his pupils.
Did you really think this name wasn’t going to be number one? Maverick has become synonymous with breaking the rules and flaunting the fact you’re doing it. It has been co-opted by politicians, someone you served with, and is now the #73 most popular boy’s name in America.
The name fits the character perfectly.
Jester : His fitness report says it all. Flies by the seat of his pants. Completely unpredictable. Viper : He got you, didn’t he? Jester : [pauses] Yeah.
Maverick knows what it takes to get the job done and has the talent to do it. He also does what drives a lot of the military brass (and Iceman) crazy. He thinks outside the box.
Once he is able to reconcile being a good wingman while still utilizing his talents, it is game over for the enemy MiGs. All we can do is enjoy the ride with the “oh crap” look that Merlin has.
Let us know if you had a great call sign in the military! Comment your call sign and why you got it!
The creator of the military counter-culture comic strip “Terminal Lance”—Max Uriarte—is the guest for this week’s podcast.
Max leads a busy life these days. He just published his much anticipated graphic novel “The White Donkey,” he’s working on building an animation studio, and he continues to publish his wildly popular comic strip.
This episode delves into the origins of the Terminal Lance universe, Max’s film aspirations, and his reasons for getting serious in the “White Donkey.”
From action-packed eyewitness accounts such as Guadalcanal Diaryto devastating Holocaust memoirs like The Diary of Anne Frankand Nightto the thrilling espionage tale of Operation Mincemeat, World War II is the subject of some of the most fascinating and influential nonfiction books ever written. Every year, seemingly dozens of new titles emerge to offer fresh perspectives and uncover fascinating details about the deadliest conflict in human history. These nine classics cover the war from the Eastern Front to the South Pacific and investigate its murky origins and complex legacies. Make your next great read one of these essential World War II books.
By John Hersey
Originally published in the August 31, 1946 issue of The New Yorker, this compassionate and richly observed portrait of six survivors of the atomic bombing of Hiroshima caused an immediate sensation. It was the first–and only–time the magazine had devoted an entire issue to a single article. Newsstands sold out within hours, and radio stations interrupted their regular programming to broadcast readings of the complete text.
More than a year after the Japanese city was destroyed, Americans were getting the first full account of the horrors of nuclear warfare. Hersey described stone facades permanently etched with the silhouettes of vaporized people and soldiers whose eyes were melted by the atomic flash. Widely recognized as one of the earliest examples of New Journalism (the style of reporting made most famous by Joan Didion), Hiroshima profoundly impacted the debate over nuclear weapons and played a key role in the healing process between America and Japan.
2. With the Old Breed: At Peleliu and Okinawa
By E.B. Sledge
With brutal honesty and lucid prose, Eugene Bondurant Sledge provides a grunt’s-eye view of infantry combat in the Pacific Theater of World War II. Nicknamed “Sledgehammer” by his comrades, Sledge fought with the 1st Marine Division in the grueling battles of Peleliu and Okinawa. Using notes he secretly kept in a pocket-sized New Testament, Sledge describes the terror of life on the front lines and documents acts of savagery committed by both sides. But he also admires the courage of his fellow soldiers and pauses, when he can, to observe his natural surroundings–an interest that would lead to a later career as a biology professor. With the Old Breed was one of the main sources for Ken Burns’s documentary The Warand helped to form the basis for the HBO mini-series The Pacific.
3. The Rise and Fall of the Third Reich
By William Shirer
First published in 1960, this National Book Award winner and New York Times bestseller traces the rise and fall of Nazi Germany from Adolf Hitler’s birth in 1889 to the end of World War II in 1945. As a foreign correspondent for the Chicago Tribune and one of “Murrow’s Boys” at the CBS Radio Network, Shirer reported from Berlin and Vienna in the years before the war and followed the German Army during the invasion of France.
After the war, he drew on his own experiences and a wealth of newly available documents, including the diaries of propaganda minister Joseph Goebbels and General Franz Halder and testimony from the Nuremberg trials, to write this 1,250-page volume. The book was a huge commercial success, selling one million hardcover copies and going through twenty printings in its first year. Although its scholarly reputation is often debated, The Rise and Fall of the Third Reich remains one of the most influential tomes about World War II to this day.
By Art Spiegelman
This Pulitzer Prize-winning graphic novel recasts the Holocaust with Nazis as cats, Jews as mice, and Poles as pigs. Originally serialized in the alternative comics magazine Raw, the story moves back and forth between present-day Rego Park, New York and Nazi-occupied Poland. In New York, cartoonist Art Spiegelman tries to mend his fractured relationship with his father, Vladek, by drawing a book-length comic based on Vladek’s wartime experiences. In Poland, Vladek and his wife, Anja, endure forced relocation to the Sosnowiec Ghetto; the death of their first son, Richieu; and imprisonment in the Auschwitz concentration camp.
Hailed by The Wall Street Journal as “the most affecting and successful narrative ever done about the Holocaust,” Maus elevated the critical reputation of comics and inspired countless artists, including Chris Ware, Alison Bechdel, and Marjane Satrapi.
5. The Longest Day
By Cornelius Ryan
Based on interviews with more than 1,100 D-Day survivors, The Longest Day is the definitive account of the Allied invasion of Normandy on June 6, 1944. Ryan experienced the battle firsthand as a 24-year-old reporter for the Daily Telegraph. When the bomber he was flying in was hit and had to return to England, he jumped into a patrol boat and returned to cover the fighting on the French beaches. Fifteen years later, Ryan set out to tell “what actually happened, rather than what generals or others thought happened.” The result is a masterpiece of military history packed with novelistic details, from the U.S. paratrooper who won $2,500 at cards on the eve of the battle but deliberately lost it all so as not to run out of luck to Field Marshal Rommel’s reason for being 600 miles away when the invasion began–he was bringing his wife her birthday present.
6. In the Garden of Beasts
By Erik Larson
This #1 New York Times bestseller is the riveting story of William E. Dodd, the American ambassador to Germany from 1933 to 1937. Dodd, a history professor, was not Franklin D. Roosevelt’s first choice for the job, and he arrived in Berlin with little appetite for the endless socializing expected of a diplomat and little sense of the dangers posed by Germany’s newly-appointed chancellor, Adolf Hitler.
While Dodd struggled to find his place, his 24-year-old daughter, Martha, took to her glamorous new life with verve. Beautiful and sexually adventurous, her high-profile paramours included Rudolph Diels, the chief of the Gestapo, and Boris Winogradov, an attache to the Soviet Embassy who recruited her as a spy. Part political thriller, part family drama, In the Garden of Beasts brings fresh perspective to the question of why it took the world so long to recognize the threat of the Third Reich.
7. An Army at Dawn
By Rick Atkinson
While most American history buffs are well versed in the Allied push across Europe after the Normandy landings and the key battles for control of the Pacific, the North African campaign is a less familiar subject. Drawing on personal diaries and letters from soldiers as well as official documents kept in British, American, French, Italian, and German war archives, Rick Atkinson corrects the record in this Pulitzer Prize-winning history, the first volume in The Liberation Trilogy. From the amphibious invasion of Morocco and Algeria in November 1942 to the Allies’ watershed victory at the Second Battle of El Alamein and the US Army’s coming-of-age at the Battle of Hill 609 in Tunisia, An Army at Dawn seamlessly integrates big-picture military strategy with boots-on-the-ground perspective. Atkinson is particularly insightful on the clash of egos between the old-school British commanders and their upstart American counterparts.
8. Stalingrad: The Fateful Siege: 1942-1943
By Anthony Beevor
With more than one million casualties, the five-month siege of Stalingrad was the bloodiest battle of World War II and a decisive turning point in the fight for Europe. Antony Beevor, a former British Army officer, brilliantly balances the huge scale of the conflict with a soldier’s-eye view of some of the most horrific conditions in the history of modern warfare.
He begins with Operation Barbarossa, the 1941 German invasion of the Soviet Union that was plagued by bad weather, long supply lines, and difficult terrain, and analyzes how the Luftwaffe’s carpet bombing of Stalingrad helped to create the treacherous, rubble-strewn conditions that allowed Soviet snipers to wage a gruesome war of attrition. Most captivatingly, Atkinson portrays Stalingrad as the terrifying outcome of totalitarianism: Hitler lived in a fantasy world and refused to listen to German officers who tried to save the Sixth Army from complete destruction, while Stalin’s demands for total obeisance resulted in the executions of 13,500 Red Army soldiers.
9. Human Smoke: The Beginnings of World War II, the End of Civilization
By Nicholson Baker
In this highly unusual and captivating work, novelist Nicholson Baker tells the story of the buildup to World War II in vignettes. Each short piece contains a fact or a quotation drawn from primary sources including newspaper articles, radio speeches, personal diaries, and government transcripts.
Through the steady accumulation of detail, Baker suggests that Allied leaders were not as reluctant to enter the global conflict as most historians contend. He goes back to as far as 1920 to quote Winston Churchill on the proposed bombing of civilian targets in Iraq (“I am strongly in favor of using poisoned gas against uncivilized tribes”), then skips ahead to the prime minister’s preferred military strategy in 1941: “One of our great aims is the delivery on German towns of the largest possible quantity of bombs per night.” Turning to the American scene, Baker draws from sources suggesting that Franklin D. Roosevelt may have deliberately goaded the Japanese into bombing Pearl Harbor so the US could enter the war.
Some scholars were harsh in their judgment of Human Smoke, but by returning to the primary material, Baker rescues pacifism as an honorable concept and reminds readers that when military leaders rush to apply new technologies to warfare, it is often civilians who suffer the most.
Movie-goers know Danny Trejo as one of Hollywood’s toughest dudes, mostly because of his role in “Machete” where he plays a badass who knows his way around a blade.
Trejo is about to hit the screen again in “Range 15,” a collaborative project between the veterans of the Ranger Up! and Article 15 apparel companies.
“It was an honor to be with these guys,” Trejo says of the veterans who he worked with on the ‘Range 15’ set — guys like Mat Best and Nick Palmisciano. “It’s one of the most exciting movies I’ve ever been in.”
The veterans behind the making of “Range 15” are well known to the military community as a result of their popular YouTube videos and killer t-shirt designs. This is their first major motion picture.
Watch Danny Trejo talk about his role as Zombie Machete in ‘Range 15’ (a WATM exclusive):
Get more information about the GI Film Festival coming up in the Washington DC area in a few weeks here. (“Range 15” will be screened there and the stars will be in attendance. Don’t miss it.)
Disney+ launched a Comic-Con@Home 2020 panel for their new scripted series The Right Stuff, which will explore the early days of the U.S. space program through the “Mercury Seven” — the military pilots who became the first NASA astronauts during the space race of the Cold War. “Competing to be the first in space, these ordinary men achieve the extraordinary, inspiring America to turn toward a new horizon of ambition and hope,” boasted Comic-Con International.
The first original scripted series from National Geographic for Disney+ promises to take a “clear-eyed look” at the newly-formed NASA. Set to release in late 2020, the series debuted a first look in a panel moderated by Former NASA Astronaut Dr. Mae Jemison.
Yes, that Dr. Mae Jemison.
Jemison was not only the first African American woman selected for the NASA astronaut program — she was the first woman of color in the world to go into space. Watch the full panel right here:
Blast Off with Disney+’s “The Right Stuff” | Comic-Con@Home 2020
The panel revealed the first official clip of the series, introducing Alan Shepard to the uninitiated. Shepard, of course, went on to become the first American to travel to space and he remains on the short list of men who have walked on the moon.
“You gentlemen are accustomed to testing dangerous, unproven aircraft and yet somehow you’ve made it this far in one piece. Most of you have families. You have careers. You have lives. That could all come to an abrupt halt if you sign on to this endeavor. We want to take thirty-two of you to Lovelace Clinic for medical evaluations, but only seven of you will have what it takes. And those seven will be the Mercury Astronauts,” intone the recruiters in the clip.
Warning of the Russian advances, the clip sets the stage for America’s acceleration in space.
The original seven astronauts who flew for Project Mercury were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Deke Slayton, and of course, Alan Shepard. Also known as the Original Seven and Astronaut Group 1, they were among America’s finest military pilots. Each of the trailblazers is now deceased, but their legacy lives on.