Within our military community, the tools of rehabilitation and reintegration of veterans of our nation’s wars changes each year.
One of the most popular ways to take a mental break for the post-9/11 generation comes from video games. They’ve become an interactive hobby that allows you to turn your brain off for a while, focus on the story, and receive positive stimuli as you progress through the levels.
Simple mobile games like Candy Crush reward the players with in-game text that display positive messages or the opposite end of the spectrum; Dark Souls, where the challenge is the reward. These are all benefits in a world where some veterans live in constant fight-or-flight mode.
Gaming also provides an outlet for those who suffered brain trauma. Rhythm games like Guitar Hero or puzzle games like Portal are an excellent tool used by Army Therapists to work on and measure progress.
But do shooter games that take place in the setting of modern conflict played by those who fought there help?
YouTuber “Clients Incoming” — an Army combat veteran whose channel is dedicated to digital marketing strategy — said it best. In his video “Treating PTSD with Video Games” he says, “The adrenaline rush of being in the fight, knowing that death hangs in the balance, is not something you can recreate outside of combat.”
“More importantly, what I get out of the gaming experience in games like [Battlefield 3] is the team aspect,” he adds. “And if you’re with a group of guys that know what they’re doing and know how to approach the situation tactically and they communicate really well. That’s an awesome ride.”
Online gaming provides a platform for our veterans to interact with each other again. I’ll admit I don’t call the guys from my old unit as much as I’d like, but I’m always able to catch them online for a round or two of Playerunknown’s Battleground.
Things always pick up just like it was the last day we were all drinking in the barracks together.
What are your thoughts? Do you use video games as a therapy or a way to reconnect with your buddies? Let us know in the comment section.
Fire up the BBQ, get your multi-pack of fireworks ready to light and put some beers on ice because the 4th of July is right around the corner. The 4th is an awesome holiday. No one fights over who you should thank or appreciate (clearly, the Founding Fathers…and Lin Manuel Miranda for teaching a large chunk of Americans who the founding fathers were) and the biggest disagreement is whether it should be called “Independence Day” or “4th of July.” Let’s be honest: Either one is fine and everyone wins.
In addition to the aforementioned beers and bottle rockets, the 4th of July is a fantastic time to watch some super-charged ‘Merica!” movies in appreciation for the independence we all enjoy today. But who wants to watch Yankee Doodle Dandy or 1776? Patriotic they may be, but they’re also kind of a yawn fest. So while they may be unconventional, here are the four (see what we did there?) movies you should be watching over the holiday:
Sometimes we need guys in a dysfunctional buddy-cop partnership to protect our FREEDOM! (Fox)
Well that is sort of a given, because…well…it’s named for the holiday. But great naming conventions aside, this movie has Bill Pullman being a non-nerd for once AND Will Smith beating up an alien. If you don’t shed even a tiny little tear when President Pullman makes his “this is our Independence Day!” speech before hopping in a fighter jet and trying to blow up some aliens…you are made of stone. Special bonus in the movie is the brilliant Jeff Goldblum as a perfect comic partner to Will Smith, especially when they’re trying to do something as serious as set off a nuclear bomb on an alien mothership while simultaneously piloting a spaceship neither has ever flown before. It’s good stuff, man.
Sometimes one man is all that stands between oppression and FREEDOM! (Fox)
Every holiday is a reason to watch “Die Hard.” That is all. It’s a testament to the brilliant and plucky little guy (or girl) who, with their American spirit and street smarts, take down the foreign villain who is stealing from them, oppressing them and threatening their freedom (*cough* revolutionary war undertones *cough*). See? I just made “Die Hard” into a 4th of July movie. You’re welcome.
True FREEDOM requires that its heroes to pay attention in classes (“Top Gun”/Paramount Pictures)
Nothing says “celebrate American freedom” like shirtless aviators playing volleyball in the sand….oh and super cool jets, and call signs like “Iceman” and “Maverick” all fueled by a guitar-heavy Kenny Loggins soundtrack. One of the most quotable of all military movies, this one stands the test of time and revs your inner patriot as you try and figure out why all the aviators are wearing polo shirts under their flight suits. Or if cocky flybys really do earn you the honor of flying a cargo plane full of rubber dog sh*t out of Hong Kong. Goose dies, Mav reengages and the world is ultimately right again after our heroes chase off those pesky MiG-28s.
What could be more patriotic than some of that old Razzle Dazzle? (Paramount Pictures)
I cannot do justice to this amazing piece of American cinematic perfection so I won’t really try. I’ll just point out that it might be the greatest celebration of American ingenuity and good old-fashioned Army fun. When I retire, I’m having an EM-50 custom made so I can travel the country like a boss. The humor is timeless. Bill Murray, Harold Ramis, and John Candy are a trifecta of laughs and the graduation scene alone is worth watching on an endless loop. Who among those who have served hasn’t wanted to blurt out “razzle, dazzle!” during formation? I don’t know about you, but this 4th of July will include a viewing of “Stripes” and a HulkaBurger on the grill.
We can’t let a theoretical shark attack ruin our FREEDOM! (Universal Pictures)
BONUS MOVIE PICK: Jaws
Yes, “Jaws.” The movie is a tribute to summer, picnics, and the commercialization of the 4th of July…wait, what? Seriously, the whole movie centers on the Mayor’s reluctance to close the beach (despite body parts washing ashore and clear evidence there is a shark with a big appetite nearby) because 4th of July is a huge business weekend. Enter the hero and some friends who take matters into their own hands and save the day by doing the right thing. Kinda patriotic, don’t you think?
Who will play the next James Bond? Daniel Craig is ready to leave, which feels almost impossible. By the time No Time To Die hits theaters on October 8, 2021, Daniel Craig will have been the incumbent James Bond for 15 years. Interestingly, in that time, he’s only been in 4 007 movies, and No Time To Die will be his fifth, and final outing as the suave super-spy who loves to tell bad dad-pun jokes.
Prior to Craig, the actor who was Bond for the longest number of years was Roger Moore, who played Bond for 12 years between 1973 and 1985. Want proof that the movie industry was way different back then? Moore made seven different Bond films in that period. And, from 1963 to 1971, Sean Connery made six Bond movies, one more than Craig, in only 8 years. (He also took a break while George Lazenby made On Her Majesty’s Secret Service in 1969.
The point is, historically, Craig’s tenure as Bond is somewhat unprecedented insofar as he’s been embedded into the public consciousness as James Bond for a decade-and-a-half, with a significantly smaller output than at least two of his predecessors. This isn’t Craig’s fault or anything, but the result is that it’s probably going to be very hard for movie audiences to accept a new actor in the role. Craig’s new Bond films have become cultural events insofar as they are as anticipated as much as they are actually watched. Spectre, the last Craig film was released in 2015, three years after the smash-hit success of Skyfall, which, was shocking, released six years after Craig’s breakthrough with Casino Royale. Daniel Craig’s Bond feels contemporary, but his tenure of Bond films are actually now just a part of early 21st Century film history.
So, who the hell is going to replace him? Bond boss Barbara Broccoli has gone on record that the character of James Bond will always be a man. That said, it’s almost been 100 percent confirmed that Lashana Lynch’s new agent in No Time To Die might be assigned the number “007,” since that designation is interestingly not unique to the character of Bond. (In several iterations of the character, Bond inherits that number from a previously deceased agent.)
James Bond then will live on as a new man, even if 007 becomes a new character, possibly played by Lynch. So, thinking about the next Bond, which actors are even worthy?
5. Tom Hardy
He’s been Bane. He’s been Venom. He’s even played the younger-clone of Captain Picard. Could Tom Hardy make a convincing James Bond, or do we associate him too much with anti-heroes? Back in September 2020, a huge rumor made the rounds that not only was Hardy in contention to play Bond but that the deal was a lock. Since then, we haven’t heard much, but if there’s one actor on this list who feels very similar to the rugged and dangerous feeling of Daniel Craig, it’s probably Tom Hardy. But will it happen? Is Tom Hardy 007’s reckoning?
4. Henry Cavill
Back before Daniel Craig was cast as 007 for Casino Royale, Henry Cavill auditioned for EON and was seriously considered. Yes, you probably think of Cavill as Superman, (or The Witcher, or more recently Sherlock Holmes) but in 2005 he was very close to becoming Bond. Sure, he’s famous for his faux-American accent, but Cavill is British. At 37-years-old right now, he’s kind of the perfect age to take over for Bond. And, if he got it, he’d be the second Bond to have played Sherlock Holmes (Roger Moore played Holmes in 1976), and the absolute first who had also played Superman.
That’s right. Finn from the Star Wars sequel trilogy is a real contender for a new Bond for several reasons. For one thing, his fame could actually mean that doing Bond could almost scan as John Boyega doing that franchise as a favor. The Bond films need Boyega, arguably more than he needs them. The notion of a Black Bond has been floated for a long, long time. Boyega was born in London, meaning Bond is, in some ways, a natural fit. That said, Boyega is 28-years-old, which would make him the youngest Bond of all time, period. Though, as Esquire notes, even Boyega has admitted he’s still a “bit too young” for the role.
Of all the names on this list, Sam Heughan has been in the news a whole lot, discussing the possibility of becoming the next Bond. The star of Outlander has said he doesn’t want to “jinx” his chances at becoming Bond, and most recently added that he didn’t think Bond should be too “posh.” As Jamie on Outlander, Heaughan has already made a huge name for himself as a TV leading man. Notably, Roger Moore and Pierce Brosnan did the same thing before becoming Bond. Heaughan is also Scottish, and if cast as Bond, would be the first Scottish Bond since Sean Connery.
1. Someone You’ve Barely Heard Of
An early publicity still of Daniel Craig as Bond
Something that every tends to forget is that back when Daniel Craig was cast as James Bond, the initial response from a lot of press was negative. If you were a hip kid who watched a random British thriller, then you knew he was amazing in Layer Cake. If you’d gone to see the first Angelina Jolie Tomb Raider film, then you were aware he was in that movie, but you probably forgot because he was playing second fiddle to freaking Angelina Jolie. The point is, Daniel Craig was not Daniel Craig in 2006. When he was cast, he was disparaged as “James Blond” since, apparently, some people thought Bond had to have really dark hair. It’s also notable that in the early press for Casino Royale Daniel Craig’s haircut was totally different than the close-cropped look we’re used to. When he was the first cast, for many, he didn’t feel like Bond yet.
Obviously, from the first moment of Casino Royale, all of that changed. James Bond doesn’t. become James Bond until we see him on screen. And whoever follows Daniel Craig will be exactly the same, regardless if they were famous for doing something other than drinking very precise martinis.
Despite the running “Night Before Christmas” motif and a soundtrack that almost exclusively features Christmas carols, some still challenge the status of “Die Hard” as a Christmas movie — even, much to our horror, Bruce Willis himself. This year, we’ll be solving the annual debate once and for all.
If you haven’t seen it — first of all, what’s wrong with you? Are you a German terrorist? — here’s the gist of the 1988 action-thriller: “A New York City cop faces overwhelming odds when his Christmas visit to California is interrupted by a terrorist invasion of his estranged wife’s office building.”
Before we can prove that something is a Christmas movie, we first have to define what a Christmas movie is. The problem is that Christmas — or the holiday season, rather — isn’t an overarching genre so much as it as a convention that flavors other genres. Every year, we’re greeted by dozens of holiday films, but if we break them down by genre, it looks a little different. There are family films set during the holidays (“Arthur Christmas”); there are Santa-centric adventure films (“The Santa Clause”); there are quirky romantic ensemble comedies that border on horror about surviving your screwed-up family (“Love, Actually”). Each of these films spans a different genre, however, they all fall under the category of “holiday movies.”
Bruce Willis as John McClane in “Die Hard.”
(Photo courtesy of IMDB.)
In order to navigate this timeless convention, we have to create criteria using patterns spanning holiday films in the past. From timeless classics such as “A Christmas Carol” to Christmas-based comedies like “Home Alone,” the biggest defining factor for a Christmas film seems to be the impact that the time of the year has on the film.
The physical holiday setting is of the utmost importance, which usually manifests in two ways: art direction and audio. For holiday films, that means holiday imagery and holiday-associated sound effects (bells), as well as seasonal music. “Die Hard” is rife with all of these, from the glorious shredding of the bearer bonds in conjunction to “Let it Snow” and even Run DMC’s “Christmas in Hollis,” which very loudly proclaims “This is Christmas.” “Die Hard” may not necessarily rely on its Christmas imagery, but it does feature several allusions to the holiday. For example, “Now I have a machine gun, ho ho ho”? How about the snow at the ending — in Los Angeles? All of that seems to imply that “Die Hard” is a Christmas film. In fact, all the holiday references makes it odder to consider that it may not be a Christmas film. The setting, of course, pales in comparison to the emotional and thematic contents of the movie.
Holidays movies usually take a pretty firm moral stance, usually about the forces of family and the holiday spirit. “Die Hard” frames these themes through John McClane’s quest to reconcile with his wife, which is the driving motivation of this film. There would be no plot without that seed of a familiar desire — no McClane versus Gruber, no grand shootout. Sure, “Die Hard” could have taken place during the summer, but the emotional stakes for John McClane’s character wouldn’t have been as high.
“Die Hard” is built around an innately deep issue: reconciliation and family bonding, which relies on the holiday spirit to intensify the stakes. At its core, this movie is about a man seeking redemption. Is it the same redemption that Scrooge was seeking? Not necessarily, but the running, gunning, and general action-packed nature of the its genre makes it no less of a Christmas film in our book.
These guys all seem to be really into his whole “eat a live frog” phase…
For the Bounty Collection, you can be just like our Mandalorian and collect the baby! Isn’t that fun? These little 2.2-inch Yoda Babies come in three 2-packs “to choose from.” None in the bassinet, though. Interesting.
Um. One of those poses is called “don’t leave” — talk about manipulation.
“Your instructor is one of the finest fighter pilots this program has ever produced. His exploits are legendary. What he has to teach you may very well mean the difference between life and death.” These are the words used to describe Maverick in one of the trailers for the upcoming Top Gunsequel. While some people question the sense of having an O-6 who is pushing 60 years of age serve as a TOPGUN instructor, he is actually one of the best teachers that the Navy could possibly have.
1. He’s had years of experience
Who would’ve thought that we’d see Maverick wearing scrambled eggs? (Paramount Pictures)
According to the Top Gun: Maverick trailer, our favorite hotshot fighter pilot had been serving for over 30 years. While Maverick’s rebellious nature has kept from achieving a Flag Officer rank, it has also kept him in the cockpit and behind the stick longer.
No, he wouldn’t make a good instructor at the Naval War College and he probably doesn’t have the tact (or patience) to play politics in Washington; but TOPGUN is a Fighter Weapons School. As Cmdr. Mike “Viper” Metcalf said to Maverick’s class, “We don’t make policy here gentlemen. Elected officials, civilians, do that. We are the instruments of that policy.” Who better to teach you to fly your fighter plane to the edge of the envelope than a pilot who has spent his entire career behind the controls?
2. He learned teamwork and emotional intelligence through loss and combat
People learn and mature; even Maverick (Paramount Pictures)
Yes, at the beginning of Top Gun, Maverick is arrogant, self-centered and immature. He’s cocky and overly confident, even after he’s outperformed by Iceman and lectured by Jester. However, after losing Goose during their flat spin incident, Maverick is taken down a few pegs and loses his edge. It’s worth noting that before the incident, Maverick and Goose were only two points behind Iceman and Slider in the competition for the TOPGUN trophy. Despite his performance slipping at the end of the course, Maverick still accumulates enough points to graduate with his class.
Following graduation, Maverick along with Iceman, Slider, Hollywood and Wolfman, are ordered to the USS Enterprise to fly fighter cover for an operation to rescue the intelligence-gathering vessel SS Layton. Afterman Hollywood and Wolfman are shot down by enemy MiGs, Maverick and Merlin are launched to provide backup for Iceman and Slider who are fighting for their lives against five enemy aircraft. Horrible odds for any pilot, Maverick manages to snap out of his funk and engages the enemy. Remembering Jester’s words, Maverick refuses to abandon his wingman, even when an enemy MiG gets behind him.
Emerging from the engagement victorious, Maverick and Iceman’s rivalry turns into a bond of trust, the likes of which can only be formed in the crucible of combat. “You are still dangerous,” Iceman tells Maverick. “But you can be my wingman anytime.” Following the intense aerial battle, Maverick also learns to let go of Goose’s death. He no longer feels overly responsible for his RIO and throws Goose’s dogtags off the back of the carrier; a beautifully symbolic move, but not one that Goose’s son is likely to be pleased with. Admittedly, Maverick still had some growing up to do as a junior officer.
3. He has been in a dogfight and has aerial kills to his name
Very few fighter pilots in the 21st century have scored kills in aerial combat and even fewer are Naval Aviators. The shootdown of a Syrian Su-22 by a Navy F/A-18E in 2017 was the first US air-to-air kill since an Air Force F-16 shot down a Serbian MiG-29 during the Kosovo campaign in 1999.The last Navy F-14 kill took place in 1991 when a Tomcat shot down an Iraqi Mi-8 helicopter with a Sidewinder shot.
During their engagement at the end of Top Gun, Iceman emerged from a dogfight against five MiGs with one kill under his belt; an impressive feat considering he was forced to fly defensively. Maverick, on the other hand, scored three aerial kills. Just two kills shy of becoming the Navy’s first ace since Vietnam, Maverick earned his kills in close-quarters fighting. This factor adds to the impressiveness of his victories since the F-14A was more adept at intercepting Soviet bombers at long range with its powerful radar and Phoenix missiles than it was an dogfighting.
“Though the Tomcat was technically a fighter plane, it wasn’t really designed for the visual BFM arena,” Tomcat pilot Francesco “Paco” Chierici remembered. “It had a number of elements working against it when it came to dogfighting.” Besides its large size, Paco also notes that the A-model Tomcat was underpowered for maneuvering fights. Maverick was able to score three kills in a dogfight against a numerically superior enemy that was flying a smaller and more maneuverable aircraft than his. Any fighter pilot would be lucky to learn from an aviator like him.
Clearly he can still pass his flight physical (Paramount Pictures)
Despite his age, Maverick is still fit enough to fly, and fly well. After all, he’s still able to pull off his signature evasive maneuver. In the trailers, we even see him behind the controls of what appears to be some sort of high-speed experimental aircraft. Maverick returns to the skies in Top Gun: Maverick, releasing in theaters on July 2, 2021.
In all the chatter aboutCaptain Marvel, one aspect of the film simply isn’t getting discussed enough: the fact that it’s the first 21st superhero movie to be a period piece to be specifically set in the 1990s. This is cool for several reasons. Not only does this subtly reference the fact that Samuel L. Jackson was totally the shit in the ’90s, but it’s also rad for those of us teenagers to remember a simpler time of Blockbuster Video and the last decade where people really listened to songs on the radio.
The best part of this Captain Marvel nostalgia fest is the soundtrack. Featuring ’90s mega-hits like TLC’s “Waterfalls,” Nirvana’s “Come As You Are,” and No Doubt’s “I’m Just a Girl,” the soundtrack also has some deeper cuts like Elastica’s “Connection,” and R.E.M.’s “Crush With Eyeliner.” In the same way that the first Guardians of the Galaxy“Awesome Mix” celebrated the ’70s, the Captain Marvel soundtrack crushes on the ‘9os real hard. (Let’s also try to remember how strange this “Whatta Man” Salt N’ Pepper lyric is: “A body like Arnold and a Denzel face.” Would we want to meet such a chimera in real life?)
Disney has released the orchestral score of the film (composed by Pinar Toprak) but you can’t actually buy a physical version of the soundtrack featuring all the great grunge, hip-hop and pop ’90s hits. But don’t worry! There’s an Apple playlist (above) that has all the big ’90s songs mixed in with the new score. Come as you are. Listen to it now and have a better day.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
The 1986 movie “Heartbreak Ridge” took the Marine Corps community and audiences by storm as it showcased Gunnery Sgt. Thomas Highway’s rough and tumble personality. Clint Eastwood took on dual roles as he starred in and directed this iconic film role about a man who is on the tail-end of his military service.
The Marvel Cinematic Universe may be entering a new phase on the big screen, but at the same time, a new Disney+ series will be looking back at recent Marvel movie history and imagine what might have happened differently with several of the big heroes.
We’ve known for a while that Disney+ would be adding several new TV shows to the MCU including Loki, WandaVision, and Falcon & Winter Solider. But, of all of these, What If? is the only series that isn’t live-action. But that doesn’t mean it’s any less a part of the MCU. In these alternate animated stories, we’re clearly getting cartoon versions of Steve Rogers, Peggy Carter, and yes, even T’Challa as Star-Lord.
On Sep. 3, 2019, some of these images hit the internet. Though they’ve not officially been released by Marvel, some of this concept art was shown at the D23 convention last month. Here’s what to know about the show’s basic concept.
The show is an anthology series hosted by Jeffrey Wright, who will play a “Watcher,” an alien being that exists outside of regular time in Marvel comics.
Each episode will focus on a different Marvel story, but with an alternate take like “What if…T’Challa became Star-Lord?”
Storylines include Steve Rogers as a WWII-era Iron Man, Peggy Carter as Captain America, and many, many more.
All the big MCU actors will return to provide the voices of their iconic characters.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
It would be incredibly impressive if you somehow managed to exist in 2019 without hearing about Game of Thrones; specifically, about the show’s controversial finale. People were, um, displeased about the way creators decided to bring the series to end, and it got pretty intense. Fans were so upset that over a million of them signed a petition on Change.org to convince HBO to remake the final season. Now, the network is finally addressing the plea.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Ever since a 2015 poll revealed that a certain slice of Americana supported bombing Agrabah, the fictional city Disney’s Aladdin calls home, it’s been interesting to consider what other fictional countries have actually messed with the United States and totally gotten a pass. Agrabah didn’t actually damage its relations with the U.S., presumably because the U.S. either doesn’t exist yet in that world, or because they don’t have oil.
Meanwhile, a number of other countries have attacked America and/or its American heroes and haven’t yet met the full-on retaliation they deserve.
1. Pottsylvania — “Rocky and Bullwinkle”
These guys have been sending special agents to try and kill American heroes FOR YEARS. Pottsylvania is populated entirely by special agents and saboteurs.
Their children are taught assassination techniques and espionage practices from an early age, their highest medal is the Double Cross and their mysterious dictator (known only as “Fearless Leader”) makes Kim Jong-Un look like a teddy bear. Their two most active agents are skilled infiltrators and have never been captured.
2. Bilya — “Iron Eagle”
Bilya is supposed to be a fictional Arab state in the Middle East. These guys had the balls to shoot down an American F-16, capture its pilot, and then sentence him to hang in a show trial.
Luckily, the pilot’s 16-year-old son Doug (an Air Force Academy reject) and Chappie, an Air Force Reserve pilot, steal two F-16s of their own and fly off to Bilya to rescue him. What should have happened was America launching an all-out raid on Bilyan infrastructure and military targets. Then, after they released the American they took for no reason, the Bilyans would pay us back the $18 million they owe us for shooting down our F-16.
3. Val Verde — “Commando,” “Predator,” and “Die Hard 2“
This nondescript South American country has more coups than a flock of pigeons (say that sentence aloud for the full effect). For some reason, all of their worst representatives seem to end up in the United States, ready to coerce American heroes to do their bidding.
Fortunately, John Matrix lives inside an unlimited ammo cheat code world.
In “Commando,” a deposed dictator named Arius kidnaps John Matrix’ daughter to force him to kill the current president (of Val Verde). Spoiler Alert: he doesn’t even make it to Val Verde. Instead, he ices every single person who came near his daughter.
In “Die Hard 2,” terrorists hit an airport to free another captured dictator, ruining John McClane’s Christmas, everyone’s flight schedules, and never taking any blame for what they do.
And that is United Airlines’ job.
In “Predator,” Dutch Schaeffer’s commando team has to mount a hostage rescue from guerrillas in Val Verde. You might know what happens next (hint: it has something to do with an invisible alien).
Seriously, how many times do they get to mess with America before we do something about this? Who is the President in this movie universe? And I am dying to know more about this place – what are the exports, other than terrorism and contras?
4. Latveria – Marvel Comics
Latveria is an Eastern European nation tucked back into the Carpathian Mountains, led by a guy whose name is freaking Dr. Victor von Doom. Even George W. Bush could convince the world that this guy needed to be ousted, and he wouldn’t have to throw Colin Powell under a bus to do it.
Dr. Doom is obviously a state sponsor of terrorism. Doom is responsible for the proliferation of chemical weapons, attempted assassinations of allied heads of state, and oh so many crimes against humanity.
Maybe it’s because I recently went head-to-head in a heated eighteen holes of mini golf with a Navy SEAL, or maybe it’s because Rob Riggle’s humor is so goofy and delightful, but I am really enjoying ABC’s new show Holey Moley.
“Last week billions watched as mini-golf swept the nation. Diseases were cured, families reunited, ABC executives promoted. The world came together in arms and wept in joy for the only sport that matters on earth: mini golf,” Riggle announced, and he would never lie.
Riggle joins Joe Tessitore as on-camera commentators while Jeannie Mai reports from the course, which includes holes like the “Slip ‘n’ Putt” (where one contestant literally fell on his face — like, right on his face, guys; he started bleeding) and “The Distractor” where golfers must try to get a hole-in-one while something, or someone, distracts the hell out of them.
Enter Sergeant Putton.
Putton may be wearing the Operation Enduring Freedom Camouflage Pattern, but his branch is 100% “Drill Sgt.”
In an episode titled “The Thunderdome of Mini Golf,” the “Distractor” as Sgt. Putton, whose only objective was to distract the golfer enough to miss the shot.
“He’s pushing buttons. The drill instructor is pushing buttons…because that’s what they do,” observed Riggle, who would know.
Riggle’s been golfing for over twenty years and, in addition to hosting his new show, he produces an annual InVETational golf classic, raising money for Semper Fi Fund, a veteran non-profit that helps critically wounded service members and their families.
Holey Moley is on ABC Thursday nights at 8PM, sorry, 2000 hours — or you can find it on Hulu right now. Check it out and discover for yourself how satisfying it can be to watch people struggle succeed.
We on Team WATM agree that no matter how you feel about the countries depicted or the wars they’re fighting in these movies, without a doubt, all these films are better than The Hurt Locker.
Here are the 15 best foreign war movies:
1. Days of Glory (France)
Days of Glory is the story of Algerian troops enlisting to fight to save a fatherland (France) they’ve never seen. Though they feel it’s their patriotic duty, they still encounter discrimination and injustice as they attempt to fight the same conflict as their French countrymen. Rumor has it the President of France at the time of the film’s release was so moved by it, he raised the pensions of former colonial troops to be the same as their French counterparts. Essentially, this movie so good and realistic it made the president give them a raise. Not bad.
2. Das Boot (Germany)
Das Boot (The Boat) is not just one of the greatest foreign war films, it’s one of the best films of all time, from anywhere. It follows a U-boat crew as they attempt to wreak havoc on allied shipping during WWII without getting killed themselves. The film beautifully (and sometimes chillingly) depicts life aboard the U-boats: boredom, frustration, and all the trials of life in a diesel-fueled tin can in the middle of the ocean. You will forget what side these guys are on and by the end, and will feel like a member of the crew, struggling in silence, hoping for survival. Das Boot is remarkable for its detail and suspense. (And do yourself a favor — watch it in German with subtitles.)
3. Tae Guk Gi: The Brotherhood of War (South Korea)
Two brothers are forced to fight for the South Korean Army when North Korea invades the South. One brother makes a deal with his commander to kill an impressive number of enemy troops in order to get his brother released from his enlistment. He becomes a war hero, but soon develops a taste for fighting, killing, and cruelty, leading the brother he fights to save to question his older brother’s humanity. The film may not be completely accurate in weapons or their effects, but it’s a great view of the war from the Korean perspective.
4. Waltz With Bashir (Israel)
The only documentary film on the list, Waltz With Bashir follows the director’s experience as an Israeli soldier during the 1982 invasion of Lebanon. This is also the only animated film on this list. Banned in Lebanon, this provocative film depicts the director remembering his role in the Sabra and Shatila Massacres in Lebanon, (though the Israeli Defence Forces didn’t actually carry out the massacres, but they didn’t stop it either) and his views of the aftermath. The director is quoted as saying the happiest day of his life will be when he can screen the film in Beirut. The trailer alone is better than The Hurt Locker.
5. Waar (Pakistan)
See how India and Pakistan feel about each other in the highest-grossing Pakistani film of all time – a cloak-and-dagger counterterrorism film set on the background of Pakistan’s War on Terrorism. It includes a depiction of the 2009 attack on a Lahore police station. A former Pakistani Army officer must foil attacks from the Taliban and from Indian Research and Analysis Wing spies on Pakistanis and his own family. Awesome action sequences accompany a really great and beautifully shot story.
6. The Battle of Algiers (Italy/Algeria)
The actual Battle of Algiers is as legendary as this film. This is a film about freedom fighters (or terrorists, depending on where you sit) in the Algerian struggle for freedom from France. Often used by governments and insurgent groups as a demonstration of urban-style guerilla warfare, The Battle of Algiers was so controversial, it couldn’t be screened in France until five years after it was finished.
7. Lebanon (Israel)
Set in the Israeli Invasion of Lebanon in 1982, the entire film is the war from the point of view of Israeli tankers. The crew can only see the outside world through a gunsight. Only four soldiers are in the tank and are ordered to clear an area of enemies using illegal munitions and must deal with POWs, equipment problems, unclear orders, and the general discomforts of living in close quarters – Like a Das Boot for Israeli tankers.
8. Mongol (Kazakhstan)
The story of the legendary Genghis Khan Temujin as he was raised on the Mongolian steppe, lost his parents, was sold into slavery, won his freedom, defeated his best-friend-turned-enemy, and became the Khan of All Mongols. Originally intended to be the first in a trilogy, the end of the film definitely leaves the viewer wanting to see the rest.
9. Paradise Now (Palestine)
Every country wages war the best way it can, with the weapons and tactics they have. How you see these characters again depends on where you sit. During the Second Intifada, Palestinians used suicide bomber attacks. Paradise Now follows two such suicide bombers on their last days before their mission in Tel Aviv. Rather than being the emotionless death robots they could so easily be portrayed as, this film takes the time to humanize them as they realize what they’re doing and why suicide bombing is an awful tactic. The film is so provocative and controversial, one Israeli author called it “a quality Nazi film.”
10. Assembly (China)
Set during the Chinese Civil War in 1948 between Chiang Kai-Shek’s Nationalists and Mao Zedong’s Communists, a Communist infantry captain defends the south bank of the Wen River until the retreat assembly call is heard. Politics disappear as his troops defend the bank for hours and the captain is injured. He wakes up in a hospital to find out the Communists think his troops are missing or deserted and goes to the site of the battle to make sure they get the recognition they deserve.
11. Gallipoli (Australia)
This is a depiction of the ANZAC invasion of the Ottoman Empire (Turkey) during World War I. Through the relationship between two young soldiers (Mel Gibson and Mark Lee), joining to fight after being influence by homeland propaganda campaigns, the two enlist, train in Egypt, and soon experience the realities of trench warfare, eventually ending up in the Dardanelles fighting the Turkish army in what became one of the worst killing fields of any war.
12. Silmido (South Korea)
This film is a dramatization of the true story of Unit 684, a special operations unit of the South Korean Air Force. They were formed from convicts on death row and some with life sentences, and assigned to assassinate North Korean Leader Kim Il-Sung in response to North Korea’s attempt to assassinate South Korean Prime Minister Park Chung-hee. The 31 men of Unit 684 were trained on the island of Silmido but when relations warmed, their mission was cancelled. The men rebelled in 1971, killed their guards and fled to the mainland. The real reason for the mutiny is unknown, but the film depicts a version of the catalyst events on the island.
13. Talvisota (Finland)
Talvisota is a Finnish depiction of the fight against the Soviet invasion of Finland during 1939-1940. Though Stalin’s troop advanced quickly into Finland, the “Winter War” is generally seen as much of a Finnish victory, due to the heavy resistance of Finnish troops. Talvisota uses real Soviet T-26 light tanks and is a realistic reenactment of the war.
14. The Star (Russia)
Set in WWII Poland, The Star is about Soviet forward reconnaissance scouts behind enemy lines. The film plays with war movie clichés, only from a Russian perspective, featuring a mix of people from various origins in the Soviet Union. Keeping in mind the staggering Russian losses, the toll of civilian casualties, and the brutality of the Wehrmacht toward the Red Army and its prisoners, The Star is an interesting take on the enemy: near shadows, only seen when killed or captured.
15. Border (India)
The Battle of Longewala in India’s Rajasthan region pitted one Indian company (120 foot soldiers) against a Pakistani tank regiment (2,000 soldiers and 45 tanks) during the 1971 Indo-Pakistani War. Border is the 1997 Bollywood depiction of those events. Like many Bollywood films, there is a great deal of singing, but the acting is reminiscent of older, over-the-top American action films while action sequences are completely unrealistic (see: fighter jet flies ten feet off the ground while one guy sits next to exploding tank). This film is really entertaining.