If you enjoy one of the saddest best shows currently on broadcast television, then you’re in for a good cry treat — NBC’s This Is Us is exploring the background of one of its central characters, Jack Pearson, a Vietnam veteran. But to tell the story about Jack’s enlistment, producers and writers on the show needed the perspective that only an enlisted Vietnam veteran could give them.
They got it from one of the war’s most famous veterans.
The show follows the lives of three family members — one adopted — and the history of their mother and father. The family’s patriarch, Milo Ventimiglia’s Jack, died when the show’s three siblings (now in adulthood) were 17 years old. The history of the family’s mother and father is shown mainly through flashbacks. This season is exploring Jack’s service in Vietnam.
Not only did This Is Us put the actors in the show through a boot camp, they sent camera crews to Ho Chi Minh City — the city, as some Vietnam veterans remember, that used to be called Saigon. Most importantly, they wanted to give Jack and his brother Nicky as realistic a Vietnam experience as possible.
Warning: Spoilers ahead.
Ventimiglia in NBC’s This Is Us. His character is a Vietnam veteran.
Milo Ventimiglia’s character, Jack Pearson, deployed to Vietnam in 1971. He enlisted to follow his little brother, Nicky (as played by Michael Angarano), who was drafted into the Army. In reality, Ventimiglia’s Jack would have been rejected by a draft board for a heart condition. While the reason for Jack’s enlistment is a work of fiction, his experience in Vietnam may not have been.
In order to add to the realism of the show and to Jack’s tour of duty, This Is Us producers hired Vietnam veteran and author Tim O’Brien as a consultant. O’Brien, a draftee himself, wrote the seminal Vietnam war story, 1990’s The Things They Carried.
Author and Vietnam veteran Tim O’Brien
(Photo by Darren Carroll)
O’Brien told Variety he was pleasantly surprised by how well the show portrayed realistic Vietnam War firefights while playing up the dread felt by soldiers who were on jungle patrols in the country.
“You’d think you’d be afraid of dying, but you were afraid of your reputation being sullied, am I brave enough, can I stand up under fire? And the alternative is guys lost it, and you’d almost be insane if you didn’t lose it,” O’Brien told Variety.
For medics, like Angarano’s Nicky Pearson, O’Brien says there was very little protection for them — the best they could hope for was to not get killed while getting all their wounded onto helicopters and out of the fighting.
Tim O’Brien in Vietnam
O’Brien’s 1990 book is a collection of autobiographical short stories and essays inspired by his service in Vietnam. The author was drafted into the 23rd Infantry Division – the Americal Division – from 1969 to 1970. His unit operated in the area around Mai Lai, where a massacre was perpetrated the year before O’Brien arrived in country. O’Brien describes the lives of Vietnam War medics well.
“There wasn’t much you could really do. And watching people die and die on you day after day and lose feet and legs, you could expect how a guy could lose it,” the author says.
Jack Pearson in Vietnam, from NBC’s ‘This Is Us.’
The Things They Carried is routinely listed as one of the top books on Vietnam ever written, is listed as one of the 22 best books of the last 25 years by the New York Times, and was a finalist for the Pulitzer Prize. O’Brien himself is the recipient of numerous awards for The Things They Carried and his other works. Most recently, he received the Mark Twain Award in literature. For the show’s producers, collaborating with the Vietnam veteran was a rare treat.
“Tim has been a writing hero of mine since college,” the shows’ creator and executive producer Dan Fogelman told Deadline. “It was incredibly intimidating bringing him into our room to discuss a Vietnam plot line – and it was even more rewarding.”
If you’re thinking about skipping Captain Marveland going straight to Avengers: Endgame, think again. Early reviews of Captain Marvel say that the movie is not only fantastic but that it will be essential viewing for anyone going to see the next installment of the Marvel Cinematic Universe. Here’s the early consensus, totally free of spoilers for the movie.
Eric Eisenberg, of CinemaBlend, said the movie has “surprises” that audiences won’t see coming.
Steve Weintraub at Collider said the movie made him “So ready for Avengers: Endgame.”
Meanwhile, Anna Klausen of Newsweek, Bustle and The Daily Beastsaid, moviegoers, should “watch closely” for “lots of fun Easter eggs” and links to the “history and other films in the MCU.”
At this point, critics who have seen the movie aren’t able to reveal any spoilers for the film, so what we’re seeing now is general impressions of the film. Elsewhere in the universe, a smattering of trolls who have not seen the film yet are trying to destroy the Rotten Tomatoes Score of Captain Marvel before the movie is released. Several publications have already likened this sexist campaign to what happened around the time The Last Jedi was released. Needless to say, if someone hasn’t seen the movie, and they’re trashing it, we don’t have to spend much time thinking about their opinion.
For the rest of us, it sounds like Captain Marvel might not be a perfect movie, but then again, none of these superhero movies really ever are. And for those of us who have daughters — or just like to see heroes who aren’t dudes — Brie Larson as Carol Danvers can’t come soon enough.
You might think that, somewhere along the way, someone in the staff of a senior senator from Kentucky would have figured out what Duffel Blog really was. Instead, in 2012, a concerned constituent actually had the Senator’s office send a formal letter to the Pentagon concerning Duffel Blog’s report of the VA extending benefits to Guantanamo Bay detainees.
Duffel Blog and its writers are more than brilliant. What it does at its best is play the role of court jester – delivering hard truths hidden inside jokes. In the case of Senator McConnell’s office sending a letter of concern to the Pentagon over a Duffel Blog piece, the site was hammering the VA, equating using its services to punishing accused terrorists in one of the most notorious prisons in the world.
We laugh, but they’re talking about the VA we all use – and we laugh because there’s truth to the premise.
Paul Szoldra is the founder and Editor-in-Chief of Duffel Blog, former Military and Defense Editor at Business Insider, and was instrumental in the creation of We Are The Mighty. He’s now a columnist at Task & Purpose.
Speaking truth to power is not difficult for Szoldra, even when the power he speaks to is one that is so revered by the American people that it’s nearly untouchable by most other media. We live in an age where criticizing politicians is the order of the day, but criticizing the military can be a career-ending endeavor. You don’t have to be a veteran to criticize military leadership, but it helps.
“If you go back on the timeline far enough, you’ll find a lot of bullsh*t,” Szoldra says, referring specifically to comments made by generals about the now 17-year-old war in Afghanistan. “And I have no problem calling it out, highlighting it where need be.”
Szoldra doesn’t like that the top leadership of the U.S. military exists in what he calls a “bubble” and can get away with a lot because of American support for its fighting men and women — those fighting the war on the ground. Szoldra, who left the Marine Corps as a sergeant in 2010, was one of those lower-enlisted who fought the war. When he writes, he writes from that perspective.
“If we’re talking about sending troops into Syria… I wonder what does that feel like to the grunt on the ground,” Szoldra says. “I don’t really care too much about the general and how he’s going to deal with the strategy, I wonder about the 20-something lance corporal that I used to be trying to find IEDs with their feet.”
His work is thoughtful and, at times, intense, but always well-founded. Szoldra also does a semi-regular podcast with Terminal Lance creator, Max Uriarte, where they have honest discussion about similar topics. Those discussions often take more of a cultural turn and it feels more like you’re listening to Marine grunts wax on about the way things are changing – because that’s exactly what it is, with just as much honesty as you’d come to expect from Paul Szoldra and his ongoing body of work.
The times Duffel Blog articles were mistaken for real news
Duffel Blog’s new party game
Audible: For you, the listeners of the Mandatory Fun podcast, Audible is offering a free audiobook download with a free 30-day trial to give you the opportunity to check out some of the books and authors featured on Mandatory Fun. To download your free audiobook today go to audibletrial.com/MandatoryFun.
And the holidays just makes it even more impactful and meaningful, which is why celebrities and talk shows often reach out and give back to troops during this time of year. Ellen is no different — but this “Greatest Night of Giveaways” just got better and better.
I watched the whole thing. With the sound on. I recommend you do the same:
Robert Downey Jr. and Ellen DeGeneres Give USMC’s Roy Gill and His Mom a New Car and House! (Part 2)
The Field Artillery Basic Officer Leader Course (BOLC) implemented a new change to its capstone exercise, Red Leg War, giving students a more realistic experience before entering their respective units.
This change now allows students to approach the impact zone while calling in fires during the Fires Support Coordination Exercise.
“We want them to have the experience of fires impacting much closer than they have in the past,” said Lt. Col. Terry Hilt, 1st Battalion, 30th Field Artillery commander. “They will now be able to potentially walk through the craters as they move from objective to objective.
Field Artillery Basic Officer Leader Course students conduct a walk-through of the impact zone during a fire support coordination exercise (FSCX) Jan. 17, 2019, at Fort Sill.
(Photo by Daniel Malta, Fort Sill Public Affairs)
“We have a safety on Dailey Hill counting rounds as the lane [of soldiers] advances,” he said. “We also have an EOD [Explosive Ordnance Disposal] team out there.”
If a round doesn’t explode and it’s in the path of the soldiers, then the lane is stopped and the EOD team takes care of the unexploded ordnance, Hilt said.
2nd Lt. Anderson Simmons approaches the impact area Jan. 17. He and his classmates graduated Jan. 23, 2019, to become the Army’s newest field artillery officers.
(Photo by Daniel Malta, Fort Sill Public Affairs)
In the past, after planning, briefing and rehearsing, students had been brought to an observation point where they would call in fires on designated targets.
Field Artillery Basic Officer Leader Course students do a quick huddle as they approach the impact zone Jan. 17, 2019.
(Photo by Daniel Malta, Fort Sill Public Affairs)
Now, students get to fully realize the effects of that planning by getting as close as 750 meters from impacting rounds, while simultaneously calling in fire from mobile positions.
This also allows students to more realistically adapt their fire commands while moving to contact, and exposes them to the devastating effects of those artillery rounds, Hilt said.
Troops die in battle — it’s an unfortunate fact, but it’s the nature of the job. Countless men and women have sacrificed themselves to protect their fellow service members, their friends and family back home, and the lifestyle we enjoy here in the U.S. “Battlefield crosses” were created to honor the fallen. A deceased troop’s rifle is planted, barrel-first, into their boots (or, in some cases, the ground) and their helmet is placed atop the rifle. Like all things military, this cross is part of a long-standing tradition — a tradition that has evolved since its first use on the battlefields of the American Civil War.
Despite the fact that it’s called a cross, there’s no single religious ideology attached to the practice.
The tradition of marking the site where a troop met his end began in the Civil War. Historically, large-scale battles meant mass casualties. After armies clashed and the smoke settled, bodies were quickly removed from the field to stop the spread of disease. Blade-cut, wooden plaques were placed at temporary grave sites so that others could pay respects.
It wasn’t until World War I, when troops were issued rifles and kevlar helmets, that these wooden blocks were replaced with the crosses as we know them. To many, it was the equipment that made a trooper, so creating a memorial from that same gear was poignant.
In World War II, dog tags were standard, making troop identification easier. The tags were eventually placed on the memorials, giving a name to the troop who once carried the gear on which it was draped. When available, a pair of boots was placed at the bottom of the shrine, too.
A pair of boots, a rifle, a helmet, and some identification — there’s something eerily, symbolically beautiful about the battlefield cross, composed of the core components of a troop.
Today, given the technology, photos of the fallen are also sometimes placed near the memorial. These crosses help give troops closure and a way to pay their respects to their brothers- and sisters-in-arms.
Military movies can often remind Veterans of their service. They can also bring up painful memories of the past.
Air Force Veteran and Silver Star recipient John Pighini is someone who knows both sides of this issue. He recently worked as a technical adviser on a major motion picture that showcased the bravery of service members, but also brought up a painful past. These movies can sometimes show Veterans dealing with their own struggles: anger, paranoia, edginess, regret and survivor’s guilt.
Pighini saw those struggles on the big screen after working on the movie. “It feels like they take post-traumatic stress and they set it right in your lap,” he said. “Don’t go to this movie and not take a handkerchief or tissues with you. You will not make it through.”
PTSD in Veterans
These are the feelings Pighini knows all too well. He served as a pararescueman during Vietnam, which led to his role on the movie as a technical adviser. As members of Air Force Special Warfare, pararescue specialists rescue and medically treat downed military personnel all over the world. These highly trained experts take part in every aspect of the mission and are skilled parachutists, scuba divers and rock climbers, and they are even arctic-trained in order to access any environment to save a life when called.
Dr. Paula Schnurr, executive director for National Center for PTSD in VA’s Office of Mental Health and Suicide Prevention, started studying PTSD in 1984. She said Vietnam Veterans are still dealing with effects because the lack of support when they returned from deployment.
“Vietnam Veterans, like Veterans of earlier wars, were expected to come home and get on with their lives,” she said. Schnurr added the publicly opposed war made Vietnam Veterans’ transition hard to come home.
The National Vietnam Veterans Readjustment Study, completed in 1988 by the Research Triangle Institute, was pivotal for Veterans and the medical community. At the time, it was the most rigorous and comprehensive study on PTSD and other psychological problems for Vietnam Veterans readjusting to civilian life.
The study findings indicated about 30% of all male and 27% of female Vietnam theater Veterans had PTSD at some point during their lives. At the time, that equated to more than 970,000 Veterans. Additionally, about one half of the men and one third of the women who ever had PTSD still had it.
PTSD symptoms may increase with age after retiring from work, or from medical problems and lack of coping mechanisms.
Having a mission
Having a mission can help Veterans deal with PTSD. While working on a recent movie, Pighini recalled the struggles he still deals with–50 years after his Vietnam service.
“The early days, we didn’t know what we had,” he said. “As we get older, we become more melancholy. We’re not busy and we’re not out there on the firing line.”
While filmed in Thailand, Pighini said the smells from Southeast Asia raised the hairs on the back of his neck. Despite the flashbacks, Pighini said he hopes viewers realize the importance of putting a spotlight on PTSD. He added movies also depict the courageousness of military members. In the movie he worked on, the movie told the story of an Air Force pararescuemen who lived by their motto, “That others may live.”
“That means you lay it out,” Pighini said. “You do whatever you need to do to save a life. It’s the ethos we have. It’s what we live by. If you have to lay down your life or one of your limbs or whatever it is, you do it. It means everything.”
The C-47 Skytrain is arguably one of the greatest planes of all time. When you look at the complete picture surrounding this aircraft — how many were built, how many still fly, and the effect they had on a war — one could argue that the C-47 is the best transport ever built (not to slight other fantastic planes, like the C-130 Hercules, C-17 Globemaster III, and the C-5 Galaxy).
But what’s a plane without a pilot? For every C-47 built, the US needed an able aviator — and there were many built. So, the US developed a massive pipeline to continually train pilots and keep those birds flying.
It make look like a docile floater from afar, but flying a C-47 is a lot harder than you might think. Sure, you’re not pulling Gs and trying to blow away some Nazi in a dogfight. In fact, by comparison, flying materiel from point A to point B looks simple, but cargo planes have their own problems that make piloting them very hard work.
And by very hard work, we mean if you screw up, you’ll crash and burn.
C-47s performing a simple job — easy flying, right? Wrong. There was a lot that pilots had to keep in mind.
(U.S. Air Force)
Why is that? Well, the big reason is because transport planes haul cargo, which comes with its own hazards. When you load up a plane, it affects the center of gravity and, if the load shifts, the plane can end up in a very bad situation.
This is what happens when it goes wrong – this particular C-47 was hit by flak, but you could crash and burn from shifting cargo or just by messing up.
(Imperial War Museum)
The United States Army Air Force used films to give the thousands of trainees the information needed to fly the over 8,000 C-47s produced by Douglas — and this number doesn’t include at least 5,000 built by the Soviet Union under license.
Learn how to handle operations in the cockpit of a C-47 by watching the video below!
Military Working Dogs, or MWDs, play a huge role in the defense of the United States — and when one of them is injured, the Veterinary Medical Center Europe plays a huge role in getting them back in the fight.
Recently, while on patrol with his handler in Afghanistan, MWD Alex, assigned to the 8th MWD Detachment, 91st Military Police Battalion, Fort Drum, New York, was injured in an attack by a suicide bomber. Following care in Bagram, Afghanistan, Alex was medically evacuated to VMCE for further treatment.
Like many of their human counterparts, when an MWD is injured while deployed, they are often medically evacuated to Germany. Service members are transported to Landstuhl Regional Medical Center for care, and MWDs are transported to VMCE for comprehensive veterinary care.
According to Maj. Renee Krebs, VMCE deputy director and veterinary surgeon, when Alex arrived in Germany, he had a fractured left tibia, shrapnel wounds, and multiple other fractures below and above his shin bone.
On the day he arrived, Krebs performed surgery to stabilize Alex’s leg, “which worked pretty well,” she said. “But his other wound, particularly the one over his ankle, started to get worse and worse every day despite appropriate medical therapy and pain management.”
Maj Renee Krebs, Veterinary Medical Center Europe Deputy Director and Veterinary Surgeon, greets Alex, Military Working Dog from the 91st Military Police Battalion, 16th Military Police Brigade, prior to surgery.
(U.S. Army photo by Ashley Patoka )
Alex’s wound over his ankle was getting so bad that it would likely require up to six months of reconstructive and orthopedic surgery. And because of bone and tissue loss, he was also at a very high risk for infection.
In addition to this, Krebs said that Alex was “not using the limb as well as he had been the first week or so after surgery — it was getting more painful. And he began to develop some behavioral problems, centered on some of the things we had to do when we were treating him.”
Krebs said some of the behavioral problems included aggression and snapping when the team would move him to the table to do treatments.
“I spoke to a behaviorist about it and she thought he was having some post-traumatic stress disorder-type acute episodes,” Krebs said. “So we changed the way we were managing him, but he was still getting worse, so in the interest of allowing him to move on with his life and improve his quality of life, we went with amputation.”
Krebs said that had they not performed the amputation, it was likely that Alex would have still ended up losing his leg if they had gone with the option of three to six months’ of wound management.
“The risk was very high. It was a very guarded prognosis to begin with that he would ever have normal return of function to the leg, and I knew if I amputated his leg he would be functional as a pet or regular dog probably within a week — so it seemed like the best option for him.”
Alex was described as relatively calm by Krebs, and during his time at the VMCE, the staff learned more about him, enabling them to cater to his needs and ensure he was comfortable.
“MWDs run the gamut from very high strung, very nervous and needing to be restrained because they have so much energy and are so anxious, to being very mellow,” Krebs said. “Alex was sort of a strange combination — he was relatively calm, but there were things that you knew if you did them he was going to get angry, like touching his tail.”
At Alex’s home unit, Sgt. First Class David Harrison, kennel master for the 8th MWD detachment at Fort Drum, said Alex always felt like an old soul to him.
“[Alex has] the experience of a career soldier, and always carried himself in a way which always made trainers and handlers just believe he was focused on the mission at hand,” Harrison said. “He carries the ability to simply be a fun-loving dog who values his rapport with his handler as much as he enjoys executing his duties.”
Military Working Dog Alex is recovering well following leg amputation surgery, after suffering extensive wounds in a suicide bomber attack in Afghanistan.
(U.S. Army photo by Ashley Patoka )
Even while recovering from his injury and going through surgery, Alex was teaching those around him some important lessons.
“It’s tragic what happened,” said Spc. Landon DeFonde, MWD handler with the 8th MWD detachment at Fort Drum, who has been with Alex for his recovery in Germany. “But it just goes to show how selfless and resilient these animals are. For him to go through that blast and still be as strong as he is and kind and gentle towards people, it really amazes me that what they are capable of living through and surviving through. It definitely teaches me resiliency.”
But these lessons don’t just come when an injury happens, as the relationship between MWD and handler is one that both benefit from over the course of their pairing.
“The relationship between handlers and their partners is a relationship I’ve always found difficult to put into words,” Harrison said. “It’s a familial bond, but it almost goes deeper in some ways. The co-dependent nature of the business puts handlers in a position where they have to give more trust to their canine than most put in fellow humans. It’s not always a comfortable or easy process, but once they reach the point where they independently trust each other while working in tandem, the connection the team develops is unparalleled.”
DeFonde, who has been a MWD handler for three years, shares similar sentiments.
“It is truly incredible how selfless one can be and I think it shows the true side and caring side of humans — how much compassion and care we can show another living being — it is really special,” said DeFonde. “It is really amazing how we interact and how we can combine to create such a strong and powerful team.”
Alex will head back to the states at the end of August 2018 where he will continue his recovery. Due to his injury, his home station kennel will submit a medical disposition packet to allow Alex to retire and be adopted.
“I’ve built a bond with Alex—- not as deep as his handler’s,” DeFonde said. “But it is always hard to say goodbye. Dogs do come and go — that is part of the job, but I am just really happy I was able to come over here and help him recover and then get him back to the states and get him to see his handler.
“I’ve always heard the saying, humans don’t deserve dogs because of how kind they are, and I 100 percent agree. You could not ask for a more selfless companion.”
UrselD: How did the Stan Lee cameo in the Marvel movies thing start?
Born Stanley Martin Lieber almost a century ago in 1922, the man who would become far better known by his pen name, Stan Lee, was born into a family of very modest means with Stan, his brother, and Romanian immigrant parents sharing a single room apartment in New York during the 1930s.
As Lee would recall, “I grew up in New York City during the Depression. My earliest recollections were of my parents, Jack and Celia Lieber, talking about what they would do if they didn’t have the rent money. Luckily, we were never evicted. But my father was unemployed most of the time. He had been a dress cutter, and during the Depression, there wasn’t much need for dress cutters. So I started working when I was still in high school. I was an office boy, I was an usher, I wrote obituaries for celebrities while they were still alive. Lots of jobs.”
Showing an interest in writing from his teens, Lee’s mother was his #1 fan at that time, “She thought I was the greatest thing on two feet. I’d come home with a little composition I had written at school and she’d look at it and say, “It’s wonderful! You’re another Shakespeare!” I always assumed I could do anything. It really is amazing how much that has to do with your attitude.”
Stan Lee in “Ant-Man and the Wasp.”
In 1939 at the age of 17, Lee landed a job with a company owned by his cousin, Jean Goodman’s, husband, Martin Goodman. The company was called Timely Publications. While the pay wasn’t much, a mere per week (about 7 today), it was potentially a path to a professional writing gig, though not quite the one he originally envisioned for himself.
When I got there, I found out that the opening was in the comic book department. Apparently, I was the only guy who had applied for the job. I figured it might be fun. So I became a gofer — there were only two guys, Joe Simon, the editor, and Jack Kirby, the artist. They were the creators of Captain America, and that’s what they were working on at the time. I would fill the inkwells, go down and buy lunch, and erase pages and proofread.
Two years into the job, he was finally granted a chance to write filler text in the 1941 Captain America #3 comic. Called, Captain America Foils the Traitor’s Revenge, the story, along with being warmly received by fans, introduced the idea of Captain America being able to throw and ricochet his trademark shield, now a defining aspect of the character. It was also the first comic in which Lieber, as he was then known, wrote under the pseudonym Stan Lee. According to Lee, he chose not to write under his then real name since he still hoped to one day write “proper literature” and had dreams of writing the “great American novel”. Thus, he didn’t want his name to be sullied by his work in comics.
Plans changed, however, when he randomly got a promotion to head editor of the comic department at just 19 years old.
[Simon and Kirby] were fired for some reason. Martin had no one to run the department. He said to me, “Can you do it?” I was . When you’re , what do you know? I said, “Sure, I can do it.” Martin must have forgotten about me, because he just left me there. I loved it. I was so young, it was sometimes embarrassing. Someone would come into the office and see me there and say, “Hey, kid, can I see the editor?”
At this point, in order to give the illusion of a large staff, Lee took to using a variety of other pseudonyms as well.
In 1942, a temporary editor was hired while Lee served in the US Army with the Signal Corps. He never saw combat, instead working at repairing communications equipment and later writing field manuals and military slogans as a part of the Training Film Division. Also in that division were the likes of Frank Capra, Theodor Geisel (Dr. Seuss), and the creator of The Addam’s Family, Charles Addams.
Despite being in the army, Lee still kept up with his work at Timely as best he could from afar, with weekly letters mailed to him explaining exactly what he needed to produce content for that week. Once he was done, he’d mail it back.
Lee’s service ended in 1945 and he went back to Timely full time.
It was two years later that Lee, with an awkwardness befitting a man who would come to create the characters nerds the world over would grow to love, Lee met and wooed his future wife.
There are conflicting accounts on whether one of Lee’s friends dared him to ask out some red headed model or his cousin set him up on a blind date with said model. Either way, Lee went to her office to see about that date. However, when he arrived and knocked at the door of the modeling agency, the woman who answered was someone completely different — a hat model from England by the name of Joan Boocock. Joan had come to America after marrying one Sanford Dorf, who had been serving in the UK during the war.
Stan Lee in “Doctor Strange.”
Stunned when he saw her, rather than play it cool, instead Lee apparently almost immediately professed his undying love for her, and then followed this awkward exchange up by telling her he’d had her face in his mind and been drawing it since he was a kid… (According to Lee, this wasn’t any sort of cheesy line, but the absolute truth.)
Rather than finding any of this weird or creepy, despite being married at the time, Joan agreed to go out on a date with Lee. As to why, despite by her own admission being in a happy marriage, she found it completely boring. (I guess as you’d expect from marrying someone named Sanford Dorf.)
But Stan Lee, she states, “He wore a marvelous floppy hat and scarf and spouted Omar Khayyam [an 11th/12th century Persian poet] when he took me for a hamburger at Prexy’s. He reminded me of that beautiful man, [British actor] Leslie Howard.”
As for Lee, he said he knew right on his first date he wanted to marry Joan. Two weeks later, not caring in the slightest that she was already married, he proposed and she said yes.
The problem was that she now needed a divorce, which was prohibitively difficult in New York at the time. Where there is a will, there’s a way, however, and she simply moved to Reno temporarily. You see, in Reno, you only needed to live there six weeks before you could file for divorce in the area, and the judges there were much more accepting of such.
However, during her time in Reno, being a beautiful young model and all, suitors flocked to her like the salmon of Capistrano. With Lee back in New York and their relationship not exactly built on a firm foundation, Lee said at one point he got a letter from Joan with the implication being she was thinking of breaking off their whirlwind courtship.
Not going to give her up without a fight, Lee took a trip to Reno and convinced her he was the love of her life and she his. The two then got married in Reno on the same day she got a divorce, and by the same judge who granted it, mere minutes after the divorce papers were signed.
While you might think such a relationship was doomed to end in failure. In fact, the couple spent the next 69 years together, before Joan’s death in 2017 at the age of 95.
Stan Lee in “The Amazing Spider-Man.”
Said Lee of Joan in their twilight years together, “My wife and I are really so close. And yet, I’m not sure if she’s ever read a story I wrote. She’s not into comics at all.”
Going back to Stan Lee’s career, as for Timely’s strategy in those days, it was essentially just copy whatever the competition was doing.
Martin was one of the great imitators of all time. If he found that a company had Western magazines that were selling, he would say, “Stan, come up with some Westerns.” Horror stories, war stories, crime stories, whatever. Whatever other people were selling, we would do the same thing. I would have liked to come up with my own stuff, but I was getting paid.
This all changed, ironically, from copying someone again–
Martin mentioned that he had noticed one of the titles published by National Comics seemed to be selling better than most. It was a book called Justice League of America and it was composed of a team of superheroes… “If the Justice League is selling, he spoke, “Why don’t we put out a comic book that features a team of superhereos?”
At this point in his career, Lee had grown weary of writing comics, seeing the medium as stagnant and devoid of interesting characters. He was, in fact, planning on quitting.
That’s when Joan told him he should take the opportunity in trying to copy the Justice League concept to create the character’s he’d find interesting. Lee says she stated, “Why not write one book the way you’d like to, instead of the way Martin wants you to? Get it out of your system. The worst thing that will happen is he’ll fire you — but you want to quit anyway.”
Simultaneously, Lee states, “[My wife] Joan was commenting about the fact that after 20 years of producing comics I was still writing television material, advertising copy, and newspaper features in my spare time. She wondered why I didn’t put as much effort and creativity into the comics as I seemed to be putting into my other freelance endeavors… [Her] little dissertation made me suddenly realize that it was time to start concentrating on what I was doing — to carve a real career for myself in the nowhere world of comic books.”
Lee then decided,
For just this once, I would do the type of story I myself would enjoy reading…. And the characters would be the kind of characters I could personally relate to: they’d be flesh and blood, they’d have their faults and foibles, they’d be fallible and feisty, and — most important of all — inside their colorful, costumed booties they’d still have feet of clay.
While this might all seem pretty normal today, at the time in the superhero genre it was groundbreaking. Said Lee, “That’s what any story should have, but comics didn’t have until that point. They were all cardboard figures….”
The product of this was The Fantastic Four. The results surpassed his wildest expectations.
We had never gotten fan mail up until that point… Sometimes we might get a letter from a reader that would say, “I bought one of your books and there’s a staple missing. I want my dime back.” And that was it. We’d put that up on the bulletin board and say, “Look! A fan letter!” Suddenly, with Fantastic Four, we really started getting mail…”We like this… We don’t like that… We want to see more of this.” That was exciting! So I didn’t quit… After that, Martin asked me to come up with some other superheroes… And we stopped being a company that imitated.
With business booming, Lee states, “[We] realized we were onto something. I figured we needed a new name, because we were not the same company we had been. I remembered the first book Martin published when I started there was called Marvel Comics. It had the Human Torch and the Sub-Mariner, and it was very successful. Why don’t we call the company Marvel? There are so many ways you can use that word in advertising. I came up with catch phrases like ‘Make mine Marvel’ and ‘Marvel marches on!'”
At this point while Martin was open to giving Lee fairly free rein, he still had his limits, which was a problem for Spider-Man, who Lee dreamed up as follows:
The most important thing in those days was the cover. All these books were on the newsstand, and you had to hope your cover would compel somebody to buy the book. And everything depended on the name. A character like Hurricane was a guy who ran very fast. Later on, when I was looking for new superheroes, it occurred to me that somebody crawling on walls would be interesting. I thought, Mosquito Man? It didn’t sound very glamorous. Fly Man? I went down the list and came to Spider-Man. That was it.
The concept of Spider-Man, however, was a little too far out.
Stan Lee in “Spider-Man.”
[Martin] didn’t want me to do it. He said I was way off base. He said, “First of all, you can’t call a hero Spider-Man, because people hate spiders.’ I had also told him I wanted the hero, Peter Parker, to be a teenager, and he said, “A teenager can’t be the hero… teenagers can just be sidekicks” Then when I said I wanted Spider-Man to have a lot of financial problems and family worries and all kinds of hang-ups, he said, “Stan, don’t you know what a hero is? That’s no way to do a heroic book!” So he wouldn’t let me publish it.Later, we had a book that we were going to cancel. We were going to do the last issue and then drop it. When you’re doing the last issue of a book, nobody cares what you put into it, so — just to get it off my chest- I threw Spider-Man into the book and I featured him on the cover. A couple of months later when we got our sales figures, that had been the best-selling book we’d had in months. So Martin came in to me and said, ‘Do you remember that Spider-Man character of yours that we both liked? Why don’t you do a series with him” After that, it was much easier… Whatever I came up with, he okayed. After that, came The X-Men and Daredevil and Thor and Dr. Strange… and the rest. The books did so well that I just gave up all thoughts of quitting.
With business booming, Martin decided to sell the company, with Perfect Film and Chemical aquiring Marvel in the late 1960s. Not long after that, Lee got a promotion,
[They] made me the president and even chairman. But I was never a businessman. I remember when the board asked me to come up with a three-year plan for the company. I said, “Guys, I don’t know how to predict where we’ll be in three years. I don’t even know what I’m going to have for breakfast tomorrow.” I resigned as president after about a year. I mean, I can add and subtract, but I hate to read sheets of numbers. I like to write stories.
This brings us finally to the cameos and how that whole thing got started.
His first cameo of sorts was text only, occurring in an All-Winners comic in 1941 where various characters petition Lee to add more characters. Next up, Wayne Boring and Hank Chapman decided to put their boss in the 1951 Astonishing #4.
Where the cameos really became a thing though started in 1963, when Lee and his long-time collaborator, Jack Kirby, appeared in The Fantastic Four #10 in which the pair are featured on the cover, as well as inside. On the cover, it shows the duo with Lee saying, “How’s this for a twist Jack? We’ve got Doctor Doom as one of the Fantastic Four!!” With Kirby adding, “And Mister Fantastic himself as the villain!! Our fans oughtta flip over this yarn!!”
Stan Lee in “Captain America: The Winter Soldier.”
Beside them, it also states, “In this epic issue surprise follows surprise as you actually meet Lee and Kirby in the story!! Plus a gorgeous pin-up of the invisible girl!”
As for inside the issue, it has Doctor Doom demanding that Lee and Kirby get the Fantastic Four to walk into a trap, which they then do.
Said Lee of this sort of thing, “The artists back then would draw me in as a joke or just to have fun. And I would put some dialogue balloons there and it looked as if I intended it. I didn’t try to do cameos in those days.”
But fans loved it, as well as the chance to get to know the people behind the comics, which were featured in a section of their own as well. The point of all of this, along with the little quips and notes in various areas was, according to Lee, “[For] the reader to feel we were all friends, that we were sharing some private fun that the outside world wasn’t aware of.”
From here the occasional cameo caught on, with Lee stating, “Anything that seemed fun and anything that the readers seemed to enjoy we kept doing and those things brought in a lot of fan mail. And we weren’t doing movies or television, our whole existence depended on comic books, so if you see that something is interesting to the fans you stay with it.”
Since then Lee, and to a lesser extent Kirby (who was notably more camera shy), appeared numerous times across many forms of media. These cameos range from simple background characters in comics bearing Lee’s likeness to full on self-referential roles in Marvel’s numerous works. The most egregious example of the latter is arguably the 1990s Spider-Man cartoon in which Spider-Man is transported to the “real” world via magical comic shenanigans and meets Stan Lee, who reveals that he created Spider-Man and spends some time conversing with his creation before being left stranded on a roof.
Moving on to Lee’s first cameo in video form, this appeared in the 1989 The Trial of the Incredible Hulk where Lee appears in the jury at the trial.
Arguably Lee’s most unusual cameo is one in a property owned by Marvel’s single biggest rival, DC — Superman: The Animated Series. In the episode, Apokolips… Now! Part 2, Lee, along with characters who bear a striking resemblance to members of the Fantastic Four, appear in a brief crowd shot of the funeral of the character, Dan Turpin. Said character’s appearance was largely based on the aforementioned Jack Kirby, who’d sadly died the year earlier. Out of respect for his memory and his contribution to the world of comics, the animators for the episode snuck in a character who looked like Lee along with several other Marvel characters Kirby had helped create. The commitment to accuracy was such that the graveyard shown in the episode was modeled on the one Kirby is buried in, in real life and the crew hired an actual rabbi to read a kaddish that was included in the episode’s audio. Lee’s cameo was removed in the subsequent DVD release of the episode, but he can still be seen in the episode’s storyboards.
Speaking of cameos, a slightly lesser known fact is that Lee’s beloved wife, Joan, who was the inspiration for a few female characters in the Marvel universe, also did voice work for the 1990s Fantastic Four and Spider-Man animated series, as well as a cameo of her own in X-Men: Apocalypse where she appears alongside Stan Lee.
This all brings us to Stan Lee’s final cameo, where he appears as a de-aged hippie alongside a woman who is meant to be a de-aged Joan Lee — very fittingly for them both, this final cameo appeared in Marvel’s Endgame.
This article originally appeared on Today I Found Out. Follow @TodayIFoundOut on Twitter.
In a foreign policy world full of different carrots and sticks, the CIA used an interesting incentive to dangle from a pole of enticements: Viagra.
Where money and guns have been the traditional tools of clandestine diplomacy, the New York Times’ CIA sources say the big blue pill was renowned by aging Afghan warlords who have multiple wives to satisfy.
Running money to informants is difficult for the Agency. To keep their assets in place (that is to say, to keep them alive and feeding information) money isn’t always the best motivator. According to the New York Times’ CIA source, the informant will run out and buy conspicuous items with his new funds.
It won’t be hard to figure out where he got those funds.
Guns are another troublesome carrot for potential informants. The CIA has to assume that – in the Afghan world of fluid allegiances – any arms given to today’s ally could be used against American troops by tomorrow’s enemy.
So a magic blue pill that revitalizes an aging man’s libido while invigorating the same man’s ego is a perfect way to cement an uneasy alliance. The nature of the gift keeps the reward from being too obvious or flashy while at the same time, not being something potentially dangerous to U.S. troops in the country.
While Viagra is relatively well-known in Afghanistan (and reportedly sold in markets in the country), CIA officers operating in remote areas have to earn the trust of tribal leaders and be careful not to offend their religious sensibilities when making the initial pitch.
They also have to be careful not to offend anyone’s ego when explaining just what the pill does.
No word on whether Cialis is planning an expansion into the Afghan marketplace.
Managing an infantry squad is similar to a sports coach shifting players around to positions that best fit their strengths and talents. Since Marines aren’t created equal, capitalizing on those strengths and building up weakness is why the U.S. military is such a juggernaut today.
On special occasions, a Marine infantry squad patrol is comprised of a platoon leader (if he decides to go), a squad leader, three fire team leaders, three SAW gunners, and six riflemen.
This all, of course, depends on how your squad is made up — we’re even going to throw in a Company Gunny for sh*ts and giggles.
It’s the mission of all branches of the U.S. military to protect all citizens, defend liberty and uphold the Constitution. Being a good citizen entails giving back to each branch in every way we can.
The Green Berets, founded in 1952 by John F. Kennedy, are celebrating their 68th birthday today. Take a moment to honor some special members of the “warrior-diplomat” ranks as they continue to protect and honor our country.
Look to the heroic acts of Sergeant Matthew Williams, who took heroic action to save the lives of his fellow soldiers in the Battle of Shok Valley, which took place in Afghanistan in 2008.
According to other Berets who had been in Williams’ regimen, Williams helped to evacuate two soldiers who had been shot from the battle. Williams saved the soldiers’ lives and endured minimal casualties.
Williams had been deployed multiple times, serving in Afghanistan and in other areas of need. Trump upgraded Williams’ Silver Star, which he earned in 2008, to a Medal of Honor on October 3, 2019.
Regarding Williams’ actions, Trump noted that, “Matt’s incredible heroism helped ensure that not a single American soldier died in the battle of Shok Valley.” Further, he noted that,””Matt is without question and without reservation one of the bravest soldiers and people I have ever met. He’s a brave guy. And he’s a great guy.”
Williams added, “”I hope I can wear the Medal with honor and distinction and represent something that’s much bigger than myself, which is what it means to be on a team of brothers, and what it means to be an elite Special Forces soldier.”
Ronald J. Shurer
Additionally, another Special Forces Soldier who fought in the same battle was also awarded a Medal of Honor: Ronald J. Shurer. Shurer, a medic, ran through open fire to aid a soldier who had shrapnel stuck in his neck. In total, Shurer aided four wounded soldiers despite suffering gunshot wounds himself.
The deep moral dedication needed to selflessly aid others in the face of a surprise attack by 200 soldiers is astounding and something to be proud of.
Humbert Roque “Rocky” Versace
The valor of the Green Berets stretches back to their inception. Humbert Roque Versace (nicknamed “Rocky” by his colleagues) joined the Armed Forces in Norfolk in 1937, and was posthumously awarded the Medal of Honor by President Bush for his heroic actions as a prisoner of War in Vietnam.
In addition to his prestigious Medal of Honor, Versace was honored in the Pentagon Hall of Heroes by Secretary of the Army Thomas E. White and Army Chief of Staff Gen. Eric K. Shinseki.
Like Versace, a number of Green Berets have been awarded a Medal of Honor for heroic action in Vietnam. However, soldier Melvin Morris was awarded a MOH not for heroic action as a prisoner of war, but for retrieving the body of a fallen sergeant after pushing back enemy lines single handedly with a bag of grenades. The Beret even was able to free his battalion from the enemy forces that oppressed it in this crusade.
Morris was shot three times in the endeavor but survived after being rushed to medical care. He was awarded a MOH by President Obama in 2014 and was later indicted into the Hall of Heroes.
The Green Berets are not only heroes – they are also innovators. 10th Group Special Forces soldier Kyle Daniels was tired of seeing the American Flag burned in times of trial, such as the ones we’re in now, and invented a flag that physically won’t burn. The Firebrand Flag Company now proudly boasts fireproof flags, a symbol of the America we know and love. Fire and oppression won’t bring us down.
Each member of the U.S. Armed Forces, before being indicted to the military, pledges to:
“Support and defend the Constitution of the United States against all enemies, foreign and domestic; [that I will] bear true faith and allegiance to the same; and [that I will] obey the orders of the President of the United States and the orders of the officers appointed over me.”
President Kennedy established the Green Berets with the promise that the elite unit of the military would be, “A symbol of excellence, a badge of courage, a mark of distinction in the fight for freedom.” The Green Berets are not just capable of their mission, they are excellent in upholding their duty to our country.
Honor any Green Berets you may know, today and any other day. It’s all too easy to forget that the life of an American soldier is dedicated to the well-being of our country, something which, in good conscience, should not be forgotten and honored in every way possible.