In 1986, Paramount released Top Gun, story about a hotshot Naval aviator named “Maverick” who had some extreme daddy issues. The film was action-packed with awesome dogfights and a classic rivalry.
Did you ever wonder how different Top Gun would have been if Iceman — Maverick’s only competition — was the star of the film?
We did and here are seven reasons why we think the movie should have been about Iceman.
1. We would have seen way more pen flipping.
There nothing more badass than a classic stare-down to start off an epic rivalry. But add in a slick gold pen being flipped through the fingers of a top-notch Naval aviator, and you have the coolest introduction to a character (pun intended).
2. There would have been way more classic insults.
Let’s face it, Maverick wasn’t known for his sh*t talking other than “flipping off” an enemy pilot while being inverted — but Iceman was pretty damn good at it.
“The plaque for the for the alternates is down in the ladies room.” — Iceman
3. Top Gun would have had way more sex scenes in it — and they wouldn’t have been in complete darkness.
Iceman wasn’t looking to hook up with an instructor — he was much more interested in every single girl that was near the base.
Iceman wears sunglasses at night — and he totally pulls it off. (Source: Paramount/ Screenshot)
4. They would have finished the iconic volleyball game since Iceman is no quitter.
Need we say more?
5. No one would have traumatized over Goose’s death.
It would have just been another accident from a “military exercise” resulting in a fatality. That is all.
6. Iceman and Maverick would have totally got into a fistfight.
Do you really think Maverick could have beaten Iceman in a brawl? Well, if Iceman was the star of the movie, we probably would have found out for sure.
7. The Top Gun graduation would have been shown since Iceman did beat out Maverick.
We think it would have been cool to know how he got the gold pen he was flipping around his fingers earlier — he might have told the story during his plaque presentation.
Since the 1960s TV version of Batman there have been a lot of Jokers, Riddlers, Penguins, and Commissioner Gordons. And now, the new version of The Batman will reportedly add two more versatile actors to the Robert Pattinson take on the caped-crusader. Biff! Pow! Get ready for Jonah Hill and Jeffrey Wright! But holy casting riddle Batman, who are they playing?
Variety reports that Jonah Hill and Jeffrey Wright are in talks to play the as-yet-unknown villain in the film and Commissioner Gordon, respectively. No one has signed on the dotted line as of yet but, at least in Hill’s case, “both sides are engaging” in talks. Director Matt Reeves, who helmed the last two Planet of the Apes films, paused casting of supporting roles until he’d found his Batman. Pattinson signed on in May 2019, so Reeves was free to fill in a cast around him.
For our money, both are inspired choices. Wright, known for his role on HBO’s Westworld, has the raspy baritone and comforting presence to play Batman’s greatest Gotham PD ally. He seemed to confirm his involvement with a cryptic tweet in response to Reeves.
Hill has not posted any such evidence to social media, but he has shown remarkable chops in everything from juvenile comedies (Superbad, 21 Jump Street) to prestige dramas (The Wolf of Wall Street, which got him an Oscar nomination) to sci-fi (Netflix’s Maniac).
All in all, we’d see an indie drama starring these three, as Pattinson has moved on from his Twilight days to more serious fare like The Lighthouse, an intense black-and-white indie that will premiere next month. To have them in a film set in such a rich fictional universe should be seen as good news to anyone rooting for a quality reboot.
The biggest question prompted by the news: which villain would Hill play? The Penguin was widely speculated, but Collider reports that The Riddler is actually the more likely part, given the prominence of the role in the script and Hill’s longtime admiration for Jim Carrey.
The Batman will hit theaters on June 25, 2021.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
During the halcyon days of broadcast television – before streaming media and DVRs existed – there were a host of military-themed shows on the airwaves. As much as the quality of the episodes (in some cases even more so) these programs were known for their openings and the associated theme songs. Here are 10 of the most classic:
MCCALE’S NAVY (1962-1966)
Forget JFK’s story from his time in the Pacific. Everything America knew about the history of PT boats came from “McCale’s Navy.” The show also showed that skippers could be cool and that POWs should be treated well; in fact, the Japanese prisoner “Fuji” was one of the gang. They even trusted him enough to make him their cook.
“Combat” lasted five seasons before American attitudes toward the purity of war were tainted by the realities of the Vietnam Conflict that came blasting into living rooms via the nightly news. “Combat” set a serious tone with this opening with epic orchestration and a narrator who’s basically screaming at the viewers.
GOMER PYLE, U.S.M.C. (1964-1969)
“Gomer Pyle U.S.M.C.” was actually a spin-off of “The Andy Griffith Show” and introduced the public to two concepts that remain true today: DIs are likeable guys underneath their gruff exteriors and (surprise!) the Marine Corps is populated by a goofball or two.
The drama of the opening theme of “Branded” was by-far the best part of this show. Watching Chuck Connors weather the dishonor of having his rank ripped from his shoulders, his sword broken in two, and the front gate closed behind him after he was shoved through it was heavy stuff.
F TROOP (1965-1967)
Manifest Destiny made into a sitcom. “F Troop” was a comedic take on life in the U.S. Calvary across the western frontier where Indian arrows went through head gear and nothing else.
HOGAN’S HEROES (1965-1971)
Not unlike what “F Troop” did to the reputation of Native Americans, “Hogan’s Heroes” showed the country that the Nazis weren’t inhuman tyrants but rather lovable idiots or clueless buffoons.
THE RAT PATROL (1966-1968)
This opening segment was all about the visual of U.S. Army jeeps going airborne over sand dunes without the guys holding onto the .50 cals in the back flying out or breaking their backs. “The Rat Patrol” was the show that introduced the nation to special ops and the idea that two light vehicles could take on (if not defeat) a column of Panzers.
STAR TREK (1966-1969)
For all of its allegory and social commentary, at its heart “Star Trek” was a show about military life on deployment. The opening remains among TV’s best with Capt. Kirk’s monologue, the Enterprise fly-by, and the soaring (albeit wordless) vocals.
Set during the Korean War, “M*A*S*H” was derived from Robert Altman’s 1970 black comedy of the same name and the theme song was an instrumental version of “Suicide is Painless” from the movie. The show’s finale was the most watched broadcast of any show ever until Super Bowl XLIV.
THE A TEAM (1983-1987)
“Punished for a crime they did not commit.” Oh, the injustice of it all. “The A Team” was known for gunfights, explosions, and car crashes that netted ZERO casualties. It’s also the show that made Mr. T into a household name.
Snipers are considered one of the most dangerous warfighters in the battlefield — taking out targets from concealed and undisclosed locations while homing in on prey that has no clue that they’re in the crosshairs.
With many legendary snipers in the history books, Hollywood loves to make movies about the single-shot heroes who man the ranks of America’s martial might.
One of our guilty pleasures is seeing the good guys duke it out with the enemy — either in close hand-to-hand combat or from far off positions with surprise direct head shots from precision shooters.
So check out the Hollywood sniper shots that we often rewind, rewatch and relive the awesomeness time and time again.
1. The 2,100-yards-out
With so many badass moments we saw in the movie “American Sniper,” one single sniper shot stands out the most. This Clint Eastwood-directed war tribute features an epic duel — sniper vs. sniper — between Bradley Cooper’s legendary Navy SEAL sniper Chris Kyle and his insurgent nemesis.
2. One shot, one kill, no exceptions
Hitting a moving target at distance is crazy complicated. But under the guidance of a Marine sniper — some of the best in the business — you’ll be able to get the confirmed kill as shown in 1993’s “Sniper” directed by Luis Liosa.
3. Right through the eye
Steven Spielberg knows how to tell an effective story, and he did just that directing 1998’s critically-acclaimed “Saving Private Ryan.”
After showing the world how American troops stormed the beaches of Normandy, he successfully captured the moment of when Pvt. Jackson (played by Barry Pepper) takes out a German sniper with a perfectly aimed round right through his scope.
4. Female VC Sniper
In most cases, it’s not okay to cheer for the villain, but as Stanley Kubrick showed us in 1987’s “Full Metal Jacket,” female snipers can be just as efficient and deadly as the men.
This death shocked viewers as one of our beloved characters made a simple mistake — and paid the price.
5. Pop shot and catch
Sniping is sometimes a team effort – just ask the real Navy SEALs who filled the roles of 2012’s “Act of Valor” who killed the enemy while barely making a sound.
6. 5 Rounds = 5 targets
A sniper’s greatest tool is his power of concealment. Russian-born sharpshooter Vasili Zaytsev (played by Jude Law) used that knowledge as he whacked five unsuspecting Germans in 2001’s “Enemy at the Gates.”
Moviegoers across the nation love to get a fresh bucket of popcorn and sit down in front of the big screen to watch a well-crafted action film. With so many cool explosions and witty one-liners, there’s only one thing left to take a movie from great to legendary: an epic knife fight.
From a directorial standpoint, capturing an excellent knife fight on film is both dangerous and difficult, but the following movies managed to pull off the impressive feat in unique ways.
In 1986, New York City got its first taste of the knife-wielding, Aussie bushman, Michael J. ‘Crocodile’ Dundee. The character from down under was a huge blockbuster for Paramount Pictures and featured one of the funniest almost-knife fights to ever hit the big screen.
In a knife-measuring contest, Dundee’s unveils his monster blade and dwarfs the tiny switchblade brandished by thugs who wanted his wallet. Unfortunately for the muggers, the Aussie’s steel was far too fierce.
It may not be the most action-packed knife fight, but it’s f*cking hilarious. Who could forget this line?
It’s safe to say that Jean-Claude Van Damme was one of Hollywood’s biggest action stars. Known for his cinematic helicopter kicks, Van Damme takes on a bunch of murderous thugs in his living room while sporting nothing but his undies.
In attempts to avenge the murder of his wife, the Belgian martial artist travels through time to try and rewrite history, defeating all the bad guys along the way.
When moviegoers show up to the cinemas to watch a Tarantino film, they know they’re in for some witty dialogue and a sh*t-ton of F-bombs. When they showed up to watch Kill Bill: Volume 1, they got just that — and a whole lot of action. In this scene, our protagonist goes up against an old enemy and the two immediately draw steel. Uma Thurman and Vivica A. Fox put on a dazzling display — until they’re interrupted by a four-year-old girl.
Although 1992’s Under Siege, starring Steven Seagal, defies many of the real-life attributes of life in the Navy, it does showcase a pretty cool knife fight that you wouldn’t have expected out of acclaimed actor Tommy Lee Jones. Seagal and Jones go toe-to-toe, pitting a real-life Aikido expert up against a talented actor in one of the best knife-fight scenes ever to take place on a Navy vessel.
Tommy Lee Jones takes the two top spots on this list — who would’ve thought this veteran actor was so freakin’ talented with a blade? In 2003, William Friedkin brought The Hunted to the big screen, which follows an FBI tracker (played by Jones) as he sets out to capture a trained assassin (played by Benicio Del Toro), who’s made a sport out of killing humans.
The film features some pretty epic knife fights and showcases some interesting human-tracking skills.
To be a great actor, one must be able to pull from their real-life experiences. Moments they’ve lived become the actor’s mask. When it comes to military films, there is nobody better suited to play a troop than a veteran. This is that opportunity. The new film, Greyhound, is looking for extras to play Navy crewmen.
Greyhound is an adaptation of the C. S. Forester novel, The Good Shepherd. The screenplay is written by and will star the legendary Tom Hanks. Aaron Schneider, director of Get Low and the Academy Award-winning short Two Soldiers, will be directing. Gary Goetzman, a five-time Emmy winner for works like The Pacific and Band of Brothers, will produce the film.
That pedigree and care for WWII stories will now tell the Navy’s tale in the Atlantic. (Image via Wikicommons)
The novel follows the fictional Commander Krause as he assumes command of the escort protecting the Atlantic force in the Battle of the Atlantic as America enters the Second World War. Krause is a career Navy officer who must hide his fears, self-doubt, and fatigue to prove he belongs and can inspire his men as the war begins.
The story also happens to spotlight the hell of the Naval battles in the Atlantic, the cruelties of the sea, and the exhaustion of remaining at constant alert for an ever-lurking enemy.
The studio prefers people with military experience. Male actors from ages 19 to 49 who are clean-shaven and have a 1940’s Navy style crewman haircut (or willing to be styled this way) are needed to play background extras. They would be needed throughout principal photography, from mid-February to early April, in Baton Rouge, Louisiana.
You need to apply through Backstage, found here. The role is paid and available to non-Screen Actors Guild actors.
Yesterday, we revealed that the new movie “Top Gun: Maverick” will feature what appears to be a Russian Su-57, but that’s not the only fictional-fighter shown in the movie’s trailers. Another scene seems to show Maverick flying a next-generation fighter dubbed “Darkstar,” according to the movie’s Matchbox toy line.
The Darkstar aircraft shown only briefly at the end of the movie’s trailer is very clearly not based on anything in operation today… but that doesn’t mean it’s without an analogous real-world platform. While we get a quick peek at the underbelly of the streamlined jet in the trailer, Matchbox’s toy line has actually offered us the best view of this aircraft to date.
Based on the shockwave visible as the jet passes overhead in the trailer, it seems likely that this exotic-looking aircraft will introduce hypersonic platforms to the Top Gun universe. Supersonic aircraft (Top Gun’s F-14 Tomcat and F/A-18 Super Hornet) are capable of flying faster than the speed of sound (Mach 1). Hypersonic aircraft travel much faster — in excess of Mach 5, or around 3800 miles per hour.
Russia and China both claim to have hypersonic missiles in operation, with the United States lagging slightly behind. Thus far, no public aviation program has announced plans to build a hypersonic fighter plane, but there are programs already in motion that could certainly produce one.
The SR-72 in “Top Gun?”
Lockheed Martin, for instance, has been working on developing a successor to the SR-71 Blackbird, the fastest military aircraft in history, that they claim will be able to fly at speeds even higher than Mach 6. Engine testing has already taken place, and it’s feasible that technology demonstrators for the aircraft may already exist. Interestingly enough… the Darkstar toy bears a striking resemblance to Lockheed’s own artist’s depictions of what the forthcoming SR-72 may look like.
There are some differences between the two — most notably the use of two vertical stabilizer fins on the back of the “Darkstar,” with only one central stabilizer on the SR-72. However, because the Lockheed Martin image is nothing more than a conceptual drawing, the final platform (if it ever comes to fruition) could feasibly have either.
If the Darkstar is indeed a stand-in for the SR-72, it may not be intended as a fighter, but rather as a high speed, high altitude reconnaissance platform like its SR-71 predecessor. However, thanks to highly capable spy satellites, this semi-fictional aircraft may well be armed (in the movie, and in real life).
After a rather unexceptional outing in cop-and-robbers shenanigans, the Battlefield franchise is returning to its military warfare roots by exploring a setting that may as well be uncharted territory in the modern shooter genre.
The ‘Battlefield 1’ reveal trailer confirms existing rumors of a WWI setting, while clearly seeking to dispel concerns that the entrenched stalemates of the Great War are a poor choice for Battlefield’s signature fast-paced, vehicle-centric gameplay. After all, who wants to spend the majority of a multiplayer match ducking machine gun fire and waiting to die of trench foot?
Instead, the trailer presents a visceral montage of bi-plane dogfights, lumbering tanks, and shovel-to-shovel melee combat, accompanied by the thrumming bass of The White Stripes’ “Seven Nation Army.”
Remember that movie Stealth? It’s the one where Jamie Foxx, Jessica Biel, and the other sexy pilots are forced to fly with a plane that has a computer pilot and, turns out, computer pilots are bad because lightning can strike them and drive them crazy and then they murder all the people?
No? Well certainly you’ve seen or heard of the Terminator movies. You know, the ones where plucky humans and their hacked robot bodybuilder are forced to fight other robots in order to prevent a future apocalypse ordered by military AI?
They’re great films, but they imply that any future where computers are controlling the weapons of war is dystopian AF. In reality, we live in a world that has walls, and those walls are guarded by men with guns. It would be much better if the U.S. could guard those walls with robots with guns controlled by men.
This would provide two advantages. First, if the guards on the walls are robots — not fleshy humans — then people shooting at the walls can only destroy hardware, not kill men and women. But perhaps the bigger factor is that artificial intelligence is enabling robots to become better at some jobs than their human controllers.
Stealth‘s artificial intelligence can pilot fighter jets, but, for some reason, needs a special sensor that looks like a robotic eye instead of just using, you know, its radar or even just normal cameras.
This may sound familiar to people for one or both of two reasons. First, the Air Force is actively pursuing this as the wingman concept. But second, Skynet in the Terminator movies got its start piloting stealth bombers where it achieved a “perfect operational record,” according to Schwarzenegger’s character.
Is this so bad? I mean, sure, we should stop short of handing strategic control of the nuclear weapons to Skynet, but that was never a realistic plot premise. Remember, even during the height of the Cold War, it was rare for launch approval for nuclear weapons to be handed down past the president. If we don’t trust generals to make nuclear decisions without the president approving it, why would we ever let a computer have full control?
So, if we develop Skynet and don’t give it access to the nukes — if we create safe AI — we’re left with a completely new version of warfare where we don’t have to risk our own troops at nearly the same level as we currently do. Doesn’t sound so horrible now, does it?
And, if the other side gets AI, that’s still better for humanity as a whole. Remember when the RAND Corporation anticipated that, by 2025, war with China would be bloody and unwinnable? No? We’re the only people who actually read RAND reports? Alright, then.
Here’s the thing: World War I was so horrible because it was a nearly unwinnable war for both sides. Once nations committed to the conflict, they poured blood and treasure into a never-ending pit of carnage. Millions died and little was gained for anybody.
AI wouldn’t make unwinnable wars winnable — at least not if both sides have it — but it could make them much less bloody, which is still a step in the right direction.
You know what would be even better than sending F-35s up with human pilots to detect enemy air defenses and suppress them? Sending them up with a bunch of fighters that are basically robots with AI. So, if they do get in a fight, they don’t need to take the hits.
(U.S. Air National Guard Master Sgt. Joshua C. Allmaras)
So, what about poor John Connor, an excellent small-team leader? What’s he going to do when he isn’t allowed to kill Skynet but, instead, Skynet is controlling most of the planes and tanks and ships? Well, he’ll lead small teams or infantry units on the ground while A Few Good Men‘s Col. Jessup gives the marching orders. AI can’t replace all decision-making at the front, and calm heads under fire will be needed to authorize strikes and targets.
So, yes, we all secretly want Skynet on the wall, even more so than we want Col. Jessup up there. But we also need John Connor, as long as we can keep Jessup, Connor, and Skynet from murdering one another.
There’s every sign that Marvel isn’t resting on its laurels after the global domination of “Avengers: Endgame,” but that doesn’t mean that the fifth Avengers movie is coming any time soon.
In Hall H at San Diego Comic-Con, Kevin Feige laid out the films and TV series that will make up phase 4 of the Marvel Cinematic Universe. The first, “Black Widow,” will hit theaters on May 1, 2020 while the last, “Thor 4: Love and Thunder” has a release date of Nov. 5, 2021. An Avengers movie was not among the titles announced.
And that honestly makes a lot of sense. The MCU is all about using films to build stories and flesh out characters. With the destruction of Thanos and the end of the Infinity Saga, Marvel is starting with the closest thing to a blank slate its had in a while, and it looks like the studio is taking its time to build up to an “Endgame” level of sprawling spectacle.
So what do Marvel fans have to look forward to? Plenty, starting with the big names. There’s Natalie Portman taking the hammer as Lady Thor, Angelie Jolie joining the MCU in “The Eternals,” and a surprise Blade reboot starring Mahershala Ali.
There’s also “Doctor Strange in the Multiverse of Madness,” which director Scott Derrickson called Marvel’s “first horror movie” and “Shang-Chi and the Legend of the Ten Rings,” which will star Chinese-Canadian actor Simu Liu and Awkwafina.
As for the next Avengers omnibus? Assuming that this is the final phase 4 lineup, it should be part of phase 5, which barring a bizarre hiatus will begin in 2022. It’s more likely, however, that it’s released in 2023.
Marvel has never released an Avengers movie in the first year of a phase, preferring to, again, let those earlier films build into the big one. If that pattern, which has been quite successful holds, we have a while to wait before another Avengers movie but a ton of movies to watch so that we understand the stakes when it does finally hit theaters.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Robert Duvall has had a remarkable career. With iconic roles in The Godfather I and II, Lonesome Dove, The Apostle, Tender Mercies, To Kill a Mockingbird, Apocalypse Now, Days of Thunder, and many more, Duvall is best known for his roles on screen and as an accomplished filmmaker. Perhaps lesser known is that he served in the Army for two years during the 1950s and comes from a military family where his father was a Rear Admiral.
WATM had the opportunity to speak with Duvall to hear about his fascinating life, from growing up as an Admiral’s son to working with some of the greatest minds in entertainment of all time.
WATM: What was your family like and your life like growing up?
We moved a lot because of being in a military family. We lived in San Diego and then Annapolis, MD, at the Naval Academy. I remember seeing a movie when I was really young at Camp Pendleton for a dime back in the 1930s when we lived in Mission Hills in San Diego. Right before WWII started, my dad was transferred from Pacific Fleet to the Atlantic Fleet, which led to our move to Annapolis for eight straight years. My father’s first ship was in the Atlantic. My grandmother lived with us for a while as well back then. As a young boy, I watched athletic events at the Academy and became inundated with their sports as a kid. I remember watching Army and Navy games when Army players such as Doc Blanchard and Glenn Davis were on the field.
My father was a good line officer and had a solid war record where he retired as a Rear Admiral. His first command was in San Pedro which was the USS Clark, which was a minesweeper. He was with destroyers from Europe to North Africa where his last command was USS Juno, which was a light cruiser. My father served on the USS Indianapolis (famous for delivering parts for Little Boy and then being sunk by the Japanese losing a large percentage of the crew to sharks) and carried President Roosevelt’s bags for him while he was on the ship. My father kept quiet about his service in retirement and didn’t go out on ships once retired..
We prayed and did our bit at home while he was abroad fighting in the war. One funny thing was how my father stopped smoking during the war, so we sent him chewing gum instead. My father worked with the British Navy and enjoyed serving with them. He told us how the British Navy would toast the Queen but not the President of the U.S. After they would have dinner and wine, the British would have wrestling matches where it was best two out of three falls. My dad respected the British and Churchill. Thank God for Churchill as he was likely the greatest man in the 20th century.
The USS Indianapolis- U.S. Navy photo 80-G-425615
As a young teen, me and my siblings went out to our uncle Harold Prescott’s 40,000-acre cattle and sheep ranch in Montana for two summers in a row. This happened at the end of WWII. These memories and experiences at the ranch I’ll never forget; they embedded in me a certain culture. We would go there by train on the Empire Builder of the Great Northern. It would take us from Chicago where we took the Baltimore Ohio the first way and my aunt would pick us up when the Empire Builder would stop in the open fields.
We rode horses, cleaned out the chicken coop, went camping in the mountains and fly fishing with my uncle. I met Jimmy Morrison, a great veterinarian and immigrant from Scotland, while at the ranch and learned a lot about handling animals from him. He was just good to be around where we pitched horseshoes every night with him. Jimmy roped a baby coyote from his horse once and he raced full speed on his quarter horse and touched a galloping antelope on the neck.
They would have big dances there in Montana where if you asked the wrong woman to dance the whole place would turn into a gigantic fist fight, thereby ending the dance. My uncle even gave us a salary at the end of the summer for the work we did around the ranch. He told us, “With your father off fighting the war the least I can do is pay you boys something for your work around here.” My uncle Harold fought in WWI in the Battle of Belleau Wood as a Marine.
Empire Builder of the Great Northern. Credit: Great Northern Railway Historical Society.
I went into a small college, Principia College where my military family pushed me into acting. I changed my major to drama after my first A in an acting course and found myself.
WATM: What is the most distinct memory of your mother and your father?
My mother ran the home while my father was away. My father could be gone for eight months and we respected him for his service. He was a good man and taught us work ethic by example. My mother ran a cotillion for dancing as we grew up where we learned social graces and how to interact with people, especially women. She made for us a good and stable home life with great experiences.
The US Naval Academy in the 1940s. Credit:HipPostcard.com
WATM: What values were stressed at home?
We were taught to believe in God, do good for other people and to be patriotic. We were taught to keep positive thoughts even in hard times.
Norman Rockwell’s “Saying Grace” painting. Credit Norman Rockwell.
WATM: What influenced you to join the U.S. Army and what lessons did you take away from your service?
I was drafted and went in for two years where the Army was okay. I did a lot of imitations of people I met in the Army which was shared with my family and friends. One experience really stuck with me was with a fellow soldier nicknamed 3-D, who was like six feet six inches tall and could hardly see. We were marching one night and he disappeared as he had fallen into a fox hole. It struck me as strange that Mickey Mantle was 4F, but that 3-D was considered service worthy. How is a star center fielder for the Yankees not able to serve but this guy is?
I really brought away humor and the ability to tell stories from the Army and served my time. It served me later for playing military roles and allowed me to have a respect for the part. I have a respect for the military, so I played those parts with credence and professionalism.
President George W. Bush stands with recipients of the 2005 National Medal of Arts, from left: Leonard Garment, Louis Auchincloss, Paquito D’Rivera, James DePreist, Tina Ramirez, Robert Duvall, and Ollie Johnston. Credit: White House photo by Eric Draper – whitehouse.gov
WATM: What are the best lessons that Sanford Meisner taught you?
I trained with Sanford on the GI Bill where he taught me how to be as simple as possible in connecting with people. He showed us how to be basic and get to the core of communication. He taught me a legitimate and helpful shortcut in acting. Meisner once said he was easier to please than Lee Strasberg at the Actors Studio. Meisner was friends with Horton Foote, who gave me my first film in “To Kill a Mockingbird.” Horton had seen me in a play that Meisner had directed at the Neighborhood Playhouse and liked what they saw, so from that I got Boo Radley. It was a wonderful part to start off with and Horton really helped me a lot in my career.
A photo of a young Robert. Credit unknown.
WATM: What was it like transitioning from stage actor to Film/TV actor?
I started out in the theatre and did summer stock. The main difference is you just speak up a little more on stage than you do in film and TV. You are still believing in an imaginary set of circumstances and going into an imaginary world. It is you doing it yourself where you are appearing as you are becoming something else as we have only one set of emotions and psyche. One of my favorite stage parts ever, American Buffalo, I did on Broadway, which is the Mamet play, it was the best. You do eight shows a week which can wear you down. I would nap between shows and just get up and stumble on stage from that deep nap. Rest is very important.
And Robert Duvall in the “Miniature” episode of the “Twilight Zone.” Credit IMDB.com
WATM: What are some of your best memories from your early to mid-career working on great shows and films?
There were parts I was able to grow in and was able to get better as I got older. There are always some parts you do better than other parts for whatever reasons. Eastwood was good to work with and I liked working with John Wayne as well. The Duke was just neat to be around. He did some good work and stuck up for me on the set of “True Grit.” I was having struggles working with the director of the film where Duke chimed in to balance the odds.
Ulu Grosbard was a close friend and gave me a lot of help early in my career. He directed me in Broadway and Off-Broadway plays. If I needed something from him, he would help me right away. He was a great guy.
Brando was the great one to work with and was so innovative. A memorable story is where I met a great English stage actor that went to see a Streetcar Named Desire when Brando was in it on Broadway. The English actor got embarrassed because he thought a stagehand had wandered on stage by mistake. The “stagehand” was so natural, but it turned out that it was just Brando on stage. The English actor went to see it seven times. Gene Hackman, Dustin Hoffman and I would meet at Cromwell’s drug store two or three times a week for an hour. We mentioned Brando nearly every day in those conversations. Working with Brando was amazing; he turned the world upside down when he came around.
Jimmy Caan is super funny and an extremely quick wit. James has a lot of talent and is a wonderful actor where we stay in touch with each other. De Niro was wonderful and I did summer stock with Gene Hackman. One note on Gene, when I busted my pelvis on set a long time ago, he offered me his last 0. I didn’t take it but he is a great guy to be around. Gene Hackman was a Marine and played on the USMC Football team with Joe Bartos, a Naval Academy grad and professional football player for the Redskins. Gene also served in Korea and stood duty in the cold there. He used to tell me stories about his time in Korea. Dustin Hoffman was my roommate and was a character where he belongs in the business. I kept in touch with Wilford Brimley as well when he was a bodyguard for Howard Hughes and a Marine.
Robert in his first feature film “To Kill a Mockingbird.” Credit IMDB.com
Francis Ford Coppola, Robert, and Marlon Brando on set for “The Godfather.” Credit IMDB.com
Robert with George Lucas and Donald Pleasance working on “THX 1138.” Credit IMDB.com
Robert and Tommy Lee Jones in “Lonesome Dove.” Credit IMDB.com
Robert Duvall with Clint Eastwood while filming Joe Kidd. Credit IMDB.com
WATM: What was your experience like working on the military films “Apocalypse Now” and “The Great Santini?”
When I went in to read for “Apocalypse Now,” the initial writing for the character I played wasn’t written very well. Colonel Carnage was the original name for LtCol Kilgore and was made more of a caricature of the Army than a realistic portrayal. It was just too much for me. Coppola allowed me to adjust the LtCol for the film and to find the uniform and the hat for the character. Coppola always allowed me to find the character and was very instrumental in my career. He helped me a lot. Coppola and I were so close, we would have arguments on the phone about artistic points, but we had a mutual respect. I really like working for him.
When I did “The Great Santini,” I went down early to location to get settled in Beaufort, South Carolina. I found a place to live and went into a real estate office where they thought I was a Marine. One funny memory was when I went up to a beautiful house on the hill when looking for a place to rent. I went up to the door with the real estate people where this sweet, little southern lady opened it and I asked her if she would allow me to rent the home from her. She had the most honest and funniest response with her draw, “Well where would I go?” I thanked her for her time, and we left.
I would get up at 5:30 in the mornings and go hang out with the drill instructors at MCRD Parris Island. They seemed more beat up and tired than the recruits were. They were hoarse and exhausted from their work training them. I went to the officers and non-commissioned officers’ ball while on base where I had a great time with them. I always try to be as accurate as I can with military parts, especially in “The Great Santini.” Overall, working with the Marines was great! I love Marines!
As LtCol Kilgore in “Apocalypse Now.” Credit IMDB.com
Robert Duvall with Francis Ford Coppola on set of “Apocalypse Now.” Credit unknown.
Robert Duvall in The Great Santini. Credit IMDB.com.
WATM: What are your favorite moments from your mid-career to now on such films?
“Tender Mercies” comes to mind where I insisted on Wilford being in the film with me where he had my back in dealing with the director. Wilford helped with the common distance between a foreign director and a native actor, which was taking place in my situation. One of the best memories from that set is when the director, Bruce Beresford, told us to, “pick up the pace,” on set. Wilford responded with, “I didn’t know anybody dropped it.” . Wilford’s retort drew laughter from the cast and crew.
I once walked into the dining room on “Lonesome Dove” and told them, “We were making the Godfather of Westerns.” I really believe that and playing Gus is probably my most favorite part to play overall.
“Days of Thunder” was a lot of fun working with Tom Cruise. Tom Cruise is a good guy to work with and he bought me a ,000 jumping horse. He really is a terrific and very giving guy. It was great to be with him again on “Jack Reacher.” I played a retired Marine in that film with him.
Working on “Falling Down” with Rachel Ticotin was wonderful. She is a smart and fun actress to work with. We had a great time on set for the film.
“The Apostle” was a wonderful film to make. Miranda Richardson was so talented in the film and we had Farrah Fawcett, who was underrated, in it as well. I put my own money in that film and we got it back. Marlon Brando loved it and so did Billy Graham, so I got praise on both sides from the secular and religious. Brando wrote me a letter that is framed on my wall and it still means a lot to me what he wrote.
Hank Whitman is another talented professional to work with where we worked together on “Wild Horses” in 2015. He is a Texas Ranger and served in the Marines. He is a classy guy and a man of his word.
My favorite film to work on recently was “Get Low,” just loved the character. It was just a nice production to work on, especially with Lucas Black who I worked with on “Sling Blade.”
Robert with Tess Harper in “Tender Mercies,” which he won the Oscar for Best Actor in 1984. Credit IMDB.com.
Susan Rinnell, Robert Duvall, Glenn Close, Jason Presson, Gail Youngs and Wilford Brimley in “The Stone Boy.” Credit IMDB.com.
Robert working on “The Natural.” Credit IMDB.com.
Robert with Tom Cruise while filming “Days of Thunder.” Credit IMDB.com.
Robert and Gene Hackman in Geronimo: An American Legend. Credit IMDB.com.
Rachel Ticotin and Robert Duvall in “Falling Down.” Credit IMDB.com.
Robert wrote, directed, produced and starred in “The Apostle.” Credit IMDB.com.
Robert with Nic Cage filming “Gone in 60 Seconds.” Credit IMDB.com.
On set in “Get Low” with Bill Murray. Credit IMDB.com.
WATM: What are you most proud of in your life and career?
I am proud of my wife Luciana and we have a nice relationship. She is a great cook, she is going for her brown belt in Brazilian Jiu-Jitsu and is studying Kali which is Filipino knife training. She has a great family she comes from in Argentina where she is the granddaughter of Argentinian aviation pioneer Susana Ferrari Billinghurst. We love our dogs and they are like kids.
Picture of Robert with his wife Luciana at an event for “The Judge.” Credit IMDB.com.
Jimi Hendrix is undoubtedly one of the greatest guitarists to ever step on stage. The man who headlined 1969’s Woodstock Festival was responsible for defining American rock as we know it. But when he was a young, dumb kid, he was given the choice of going to war or going to jail — he chose the Army.
He served for just 13 months before being discharged, leaving many to speculate (and start rumors about) how and why he didn’t fulfill his original 3-year contract. Well, we think this rock legend (who is also a constant talking point in 101st Airborne trivia) doesn’t deserve to have his name dragged through the mud. Let’s dive a little deeper.
One of the rumors that has persisted is that Hendrix was discharged for displaying homosexual tendencies. Some say he put on an act in order to avoid going to Vietnam. This can be easily disproved by the fact that he was already out of the Army by the time President Kennedy signed the Foreign Assistance Act — he had no real reason to believe that American troops would be sent to Vietnam to stop the fall of Communist dominoes. Hendrix was also highly vocal about his hatred for communists, so he likely wasn’t dodging a fight on any philosophical grounds.
Others say it wasn’t an act — that Hendrix was, indeed, attracted to men. Contrary to this school of thought, his experiences with his “foxy ladies” were highly publicized. Preferences aside, there’s just no evidence to support this myth, even if it appears in his highly-criticized biography. The simple fact is that his discharge documents say otherwise.
Another rumor states that he was dishonorably discharged because he got caught masturbating and was, generally, a sh*tty soldier. If you look through his documents, it’s easy to see that he was no Captain America. He barely passed PT standards, was a sub-par marksman, and he got in trouble three times for missing bed checks on three different weekends.
To be honest, that sounds a lot like an average 19-year-old private — a lazy, apathetic troop who skims by doing the absolutely bare minimum. He was just your average Joe who’d rather be playing guitar than working.
There are nuggets of truth here: His NCOs did try to kick him out and they did submit a request for discharge after he was caught masturbating in the latrine. Make no mistake, the hammer was swiftly coming down on Private Hendrix. He stood a good chance of receiving a bad conduct discharge — but was instead given a discharge on the grounds of “unsuitability — under honorable conditions” on July 2, 1962.
After his 26th airborne jump, he suffered an ankle injury. His chain of command then had the perfect opportunity to get rid of him — and he wasn’t fighting it. It’s important to realize that while his superiors did submit a request for discharge on the grounds of bad behavior, that request was never fulfilled.
(Photo by Dean John Lazzaro)
Hendrix didn’t leave the military with the highest esteem for his chain of command, but he never bad-mouthed the Army as a whole. He regularly played in front of an American flag and performed the national anthem at many of his concerts (leaving behind nearly 50 live recordings outside of his iconic Woodstock ’69 rendition).
A former Army officer will spend his Independence Day Tuesday by competing in the renowned Nathan’s Famous International Hot Dog Eating Contest.
“Buffalo” Jim Reeves was one of 20 other competitors to earn a spot on the nationally televised gastronomic event. He made the cut by eating 23 hot dogs.
“There’s no big secret to competitive eating,” Reeves told the Army Times. “You try your hardest and you’re either good or you’re not. I happened to be good.”
Reeves turned from soldier to competitive eater in 2002 by competing in the National Buffalo Wing Festival, where he finished as a finalist. He joined the Army in 1990 after completing reserve officers’ training corps at Clarkson University. He later attended the Engineer Officers’ Basic Course at Fort Leonard Wood, Mo.
Reeves served as a a platoon leader, acting company commander, battalion personnel officer and civil engineering officer before leaving the Army in 1998. He now makes a living as a math and computer science teacher in New York.
The former engineering officer’s technique is simple: he downs two hot dogs at a time by separating the hot dogs from the buns and dipping the buns in water to help facilitate swallowing.
Reeves may be good, but he will have to be at his all-time best if he stands a chance at winning Tuesday’s contest. The world-famous Joey Chestnut won last year’s contest by consuming 70 hot dogs, setting a new world record. Odds makers put Chestnut at a distinct advantage to defend his title, known as “The Mustard Belt.” The winner is expected to consume 67.5 dogs, meaning that Reeves will have to triple his qualifying number to have a shot at victory.