In 1986, Paramount released Top Gun, story about a hotshot Naval aviator named “Maverick” who had some extreme daddy issues. The film was action-packed with awesome dogfights and a classic rivalry.
Did you ever wonder how different Top Gun would have been if Iceman — Maverick’s only competition — was the star of the film?
We did and here are seven reasons why we think the movie should have been about Iceman.
1. We would have seen way more pen flipping.
There nothing more badass than a classic stare-down to start off an epic rivalry. But add in a slick gold pen being flipped through the fingers of a top-notch Naval aviator, and you have the coolest introduction to a character (pun intended).
2. There would have been way more classic insults.
Let’s face it, Maverick wasn’t known for his sh*t talking other than “flipping off” an enemy pilot while being inverted — but Iceman was pretty damn good at it.
“The plaque for the for the alternates is down in the ladies room.” — Iceman
3. Top Gun would have had way more sex scenes in it — and they wouldn’t have been in complete darkness.
Iceman wasn’t looking to hook up with an instructor — he was much more interested in every single girl that was near the base.
Iceman wears sunglasses at night — and he totally pulls it off. (Source: Paramount/ Screenshot)
4. They would have finished the iconic volleyball game since Iceman is no quitter.
Need we say more?
5. No one would have traumatized over Goose’s death.
It would have just been another accident from a “military exercise” resulting in a fatality. That is all.
6. Iceman and Maverick would have totally got into a fistfight.
Do you really think Maverick could have beaten Iceman in a brawl? Well, if Iceman was the star of the movie, we probably would have found out for sure.
7. The Top Gun graduation would have been shown since Iceman did beat out Maverick.
We think it would have been cool to know how he got the gold pen he was flipping around his fingers earlier — he might have told the story during his plaque presentation.
Making Alita, the humanoid main character in “Alita: Battle Angel,” work next to live-action characters onscreen was the biggest challenge for the visual effects team to bring to life in the film.
You may not have realized it, but a lot of work went into making the character’s big, bright brown eyes look just right, especially after the film’s first trailer.
“We had our original design, all based on the original artwork and [producer] Jim [Cameron]’s artwork and [director] Robert [Rodriguez]’s artwork, and even after the first trailer that came out, we got some criticism online about, ‘Hey, the eyes are too big. They don’t look right. Uncanny valley,'” visual effects supervisor Eric Saindon told Insider during a visual effects press day for the film at the Walt Disney Studios lot.
Here’s how Alita looks in the first trailer released for the film.
(20th Century Fox)
Based on the Japanese manga series “Gunnm,” the film follows a female cyborg, Alita, who has trouble remembering her past.
Saindon said the visual effects team spoke with Cameron and Rodriguez after the trailer came out in December 2017 to see what they thought of the criticism and whether or not they should change Alita’s look at all as a result.
“‘Do we want to shrink the eyes?'” Saindon said. “They came back and both said, ‘Absolutely not, we’re going to go bigger on the eyes.'”
“We didn’t actually go bigger on the eyes, but we did enlarge the iris,” Saindon continued. “We reduced the amount of sclera, the white around the eyes, and it sort of just popped everything back together. It popped her to be that manga character, but to be able to sit next to a live-action character. You never questioned it.”
You can see how Alita changed from that first trailer to the final film here. It’s a subtle change you may not have noticed:
Alita’s face is also softened a bit more in the final film. The lighting in this scene is a bit brighter on her face now.
(20th Century Fox)
Why Alita’s eyes were the most important to get just right
For the team, it was important to get the eyes right because not only is that the first thing you see when you meet Alita, but they believed that was going to be one of the main things that helped sell the believability of the character to audiences.
“Eyes are really critical in an actor’s performance,” said animation supervisor, Mike Cozens. “That’s why, you know, as shots get more intimate, we cut in closer and closer… Eyes are sort of what are telling you what’s going on inside the head, keeping that performance alive in the eyes, beyond the design and into performance was really critical, a critical part of the storytelling.”
Here’s how Alita looks when she opens her eyes for the first time in the films first trailer versus the final film.
(20th Century Fox)
“Truly, the eye size shouldn’t matter,” added visual effects supervisor for Lightstorm Entertainment, Richard Baneham. “Ultimately, when we look at a screen, I think it’s point-four of a second for us to read whether there are eyes onscreen or not. We immediately, as humans, go to that, because we want to understand how somebody is emotionally, what their state is. It’s what we do when we meet people, it’s how we read the room.”
Baneham said that regardless of the eye size, you can usually tell a person’s emotional state almost instantly through posture and their facial expression. That’s why it was important to get Alita’s eyes just right.
“So long as you communicate properly the emotional state of the character, the eye size, not that it’s irrelevant, it shouldn’t be the thing that’s in the way,” added Baneham. “We often say on our side, you don’t smile with your face, you don’t smile with your mouth, you smile with your eyes… As soon as you, you can cut to a pair of eyes and tell whether somebody’s smiling.”
If you covered up everything but Alita’s eyes in this image, you would be able to tell she’s smiling.
(20th Century Fox)
This isn’t the first time a trailer’s criticism has resulted in changes to a film.
After the release of the first trailer for the Sonic the Hedgehog film in April 2019, the video game character’s design sparked criticism and jokes online.
The image on the left shows Sonic’s original design. The image on the right shows how Sonic looks after the redesign.
How does the “Alita” visual effects team feel about receiving audience criticism right away after a trailer’s release?
“I didn’t mind hearing input from the outside world. It really solidified us, though,” said Saindon of reactions to the first trailer. “It kind of got everybody together and the real choices that were made beforehand kind of held. There was hardly any change, if you will, because I remember having, we had various different sizes and stuff out there and we were pretty big on the trailer, and it just kind of stayed there. It just made everybody reconsider what they were doing.”
“Whether she had big eyes or not, towards the end, I think all of us realized it was worthwhile worrying about it, and certainly it’s all about this expression that’s getting through or not getting through and worrying about that.”
Most of Alita’s design comes directly from the performance of actress Rosa Salazar who embodies the character.
(20th Century Fox)
Baneham added that it’s about making sure the audience invests in the character and comes along for the journey.
“That’s what you care about first and foremost, is making sure when the audience watch the movie, they’re not thinking about the technical aspects of the movie in any way, sort or form. They go on this, hopefully, immersive journey with the character,” said Baneham of what he wants viewers to get out of watching “Alita.”
“All the changes that happened afterward were not about, you know, pandering to the noise in any way. It was about bettering the character,” Baneham added.
“Alita: Battle Angel” is one of 10 finalists in the visual effects category at the 92nd Academy Awards. The Oscar nominations will be announced Monday morning.
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
One of the biggest reveals in “Star Wars: The Rise of Skywalker,” other than Rey’s identity, came at its very end when the character revealed she had her own new lightsaber with a distinctive yellow-orange hue.
What color exactly is the lightsaber and how did the visual effects team land on it?
“A fair number of colors have been used in lightsabers. So there was a design challenge there in terms of what color it should be,” “TROS” visual effects supervisor Roger Guyett told Insider Monday of the direction given for the lightsaber seen at the movie’s very end.
“There was an optimistic kind of quality to that, but we also wanted [Rey] to have a very unique color,” he added of coming up with the color we see on screen. “We ran some tests and decided in the end what color it would be.”
Rey prepares to slice through Kylo Ren’s ship with Luke Skywalker’s lightsaber.
Is there a specific name to Rey’s lightsaber color? We’re going with ‘yellow optimism.’
“That specific color yellow, if you go too pale — this is getting really in the weeds here — if you go too pale and you make it too light, it’s going to look white a lot of times,” Industrial Light Magic (ILM) visual effects supervisor Patrick Tubach said of one factor that helped them land on that precise color. “Colors on film, sometimes they bleed away depending on the exposure and the quality of the light in the scene.”
“Making it that more golden yellow gives you that optimistic feeling, and it also allows you to make it supersaturated and still feel like it’s in the ‘Star Wars’ universe,” he added.
Yellow sabers aren’t anything new to “Star Wars” lore, but they are uncommon. In the past, yellow lightsabers have mostly been limited to Jedi temple guards, who wielded double-bladed sabers.
Here’s Kanan Jarrus going up against a Jedi Temple guard on the animated series “Star Wars Rebels.”
When asked if they had a specific name for the color, optimism was a word that came up frequently to describe the tone they were going for with the look of Rey’s lightsaber.
“We definitely went for things like golden and sun and optimism,” said Tubach.
“I think the optimism carried that choice,” added Guyett.
“I’m going to paint my house ‘yellow optimism,'” joked creature and makeup effects creative supervisor Neal Scanlan.
Did the hilt of Rey’s lightsaber look familiar? It should have.
Rey’s lightsaber does include a yellow kyber crystal
“Yeah, it’s supposed to be a yellow crystal,” said Tubach.
It was not a clear crystal that changed color after chosen by Rey. Neither was it a purified version of a red kyber crystal as Ahsoka Tano did in the past to create her white lightsabers.
Insider thought Rey’s saber color may have contained a healed version of Kylo Ren/Ben Solo’s cracked red kyber crystal, but it seems that’s not the case.
Did the hilt of Rey’s lightsaber look familiar? It should have.
The small detail within Rey’s new lightsaber you may have missed: The hilt of her lightsaber comes from her original staff.
“That was the concept,” said Guyett of the inspiration behind the hilt of Rey’s lightsaber. “The art production design and the art department, we all contribute to the designs of various things… [director] J.J. [Abrams] just thought it was logical that she had the staff, and, therefore, the saber should somehow be linked to that.”
In hindsight, when you go back to “The Force Awakens,” Rey’s staff always looked like it could eventually be transformed into the perfect lightsaber hilt.
The best war movies are oft-told tales of heroes or of strange and surprising history. To revisit these scenes is to be reminded of these stories and the heroes that made them real.
But we all realize that many of these stories are exaggerated or changed slightly to be more dramatic – and we end up liking the new history better. And sometimes as we watch we are reminded that we haven’t properly honored those who starred in the real-world events. Other times, the movie makes us revisit what’s happening in our own lives.
1. ‘Lawrence of Arabia’ changes bedouin quality of life.
When Peter O’Toole was filming “Lawrence of Arabia,” his rear end was sore from his camel’s saddle. During the scene where T.E. Lawrence assists Arabs in capturing the Red Sea port city of Aqaba, O’Toole used a rubber sponge under his saddle to ease the pain.
To be fair, that looks terribly painful. So it’s totally understandable that the Bedouins hired as extras began using the sponge in their daily lives. #spongeworthy.
2. A film propels an actor into the annals of history.
The 1938 Russian movie “Alexander Nevsky” is about a Russian knight who defeated a superior Swedish army on the river Neva in 1240.
During WWII, the Soviet Union awarded the Order of Alexander Nevsky to tens of thousands of Red Army officers for heroism. The medal features the image of Nevsky – except no one ever knew what Nevsky looked like.Instead, the image on the medal was that of Nikolai Cherkasov, who portrayed Nevsky in the movie.
3. Rhodes gets a colossal new name.
A bay on the Greek island of Rhodes is now named after American actor Anthony Quinn, after his stunning performance in “the Guns of Navarone.”
Quinn plays a Greek resistance fighter in WWII in the film, but he actually spent much of WWII in Albania – organizing resistance fighters.
4. The church of the 82nd Airborne is in France.
After “The Longest Day” hit theaters in 1962, the parishioners of the Sainte-Mère Église church featured in the film constructed an effigy of Pvt. John Steele hanging from the church tower. The real Steele (portrayed in the film by Red Buttons), actually landed on the church’s bell tower on D-Day.
5. “The Battle of Algiers” becomes a COIN training film.
In 2003, the American Directorate for Special Operations and Low-Intensity Conflict screened the 1966 film to the U.S. military’s top commanders at the Pentagon.
The briefing was a called “how to win a battle against terrorism and lose the war of ideas.” A big jump for a film that was once banned in many places in the world.
6. Gunny Hartman gets Staff Sgt. Ermey a promotion.
Years after he retired from the Marine Corps, R. Lee Ermey was promoted to Gunnery Sergeant. The reason was his performance as Gunnery Sgt. Hartman in Stanley Kubrick’s “Full Metal Jacket” was so iconic, the Corps thought it only fitting to make the rank fit the man.
“An author cannot, of course, remain wholly unaffected by his experience.”
These are the words of arguably the most influential writer of the 20th century and WWI veteran, John Ronald Reuel “J.R.R.” Tolkien.
In June 1916, the newly commissioned lieutenant kissed his newly married wife goodbye as he boarded the transport to Calais, France. Come July 1st, one of the bloodiest battles in human history took place near the Somme River. That day, his closest friend was killed and Tolkien forever changed.
Shouldering the burden of leadership and the ever looming threat of death, by disease or the enemy, Tolkien carried on. Ultimately, it was Trench Fever that sent him home ten days before the dust settled.
Deemed no longer medically fit for service, Tolkien returned to his passion: writing. The rest is history.
When the second edition of TheLord of the Rings was released, the foreword stated: “The real war does not resemble the legendary war in its process or its conclusion.” Tolkien continued with, “But I cordially dislike allegory in all its manifestations, and always have done so since I grew old and wary enough to detect its presence. I much prefer history, true or feigned, with its varied applicability to the thought and experience of readers.”
He hated direct comparisons of his works to real world events. No real world leader is Sauron. No real world army are the orcs. And the One Ring is not a reference to the nuclear bomb.
Much of the psychology and emotions of his works, however, did pull from his time on the battlefield, most notably with the Dead Marshes. In the second volume (and film) The Two Towers, the ghoulish Gollum lead the protagonist, Frodo Baggins, through a swamp full of bloated bodies under the mud and water.
Tolkien’s biography, The Letters of J.R.R. Tolkien, explained that what Frodo experienced in the Marsh was specifically based on the Battle of the Somme where Tolkien saw countless bodies across the muddy battlefield.
Themes were also pulled from his leadership and the bravery of his men. Tolkien studied at Oxford and lead men from mining, milling, and weaving towns of Lancashire. In another biography, Tolkien and the Great War, Tolkien said he “felt an affinity for these working class men, but military protocol forbade him from developing friendships with ‘other ranks’.” This man-apart thematically affected many of the characters in his novels.
One of the largest changes from the novel to any film adaptation is the “Scouring of the Shire” and the mindset of Frodo after the war. In the final chapters of the last book, Saruman attacked the Shire and all of the townspeople had to defend their home.
Afterward, Frodo was left alone.
War changed him. Frodo couldn’t just return to being a happy, singing Hobbit like everyone else after the war. He’d been stabbed, poisoned, and lost a finger. Frodo, like Tolkien himself, had become “shell-shocked” after combat.
The forward of the 1991 release of The Lord of the Rings added another Tolkien quote: “The country in which I lived in childhood was being shabbily destroyed before I was ten. Recently I saw in a paper a picture of the last decrepitude of the once thriving corn-mill beside its pool that long ago seemed to me so important.”
After a full season of plunging into the high-octane, post-service worlds of veterans like Russell Davies, Mike Glover and Jacqueline Carrizosa, Oscar Mike host Ryan Curtis was feeling understandably uneasy about the state of his own manhood.
After all, over the span of 9 episodes, he’d been out-driven, out-paddled, out-shot, out-jumped, and, well, knocked out — not to mention the emotional pasting he took in Navy SEAL-turned actor David Meadow’s acting class.
Each of these vets has taken some slim notion of a civilian future, paired it with the skills and discipline he or she learned in the military, and then proceeded to kick ass with nary a backward glance.
Curtis, however, found himself in need of some help.
Luckily for him, he had a team of “Oscar Mike” vets ready and willing to support their brother, starting with Meadows. Of course, it didn’t go smoothly.
In the season one finale, Curtis learns the most important lesson of all: Lean on your mates. Be there for them to lean on you. Do that, and we’ll all be “oscar mike” together.
Watch him limp toward enlightenment in the video embedded at the top.
The Danish film ‘A War’ is about an officer who had to make a hard decision under fire and the legal charges he faced when he returned home. It’s an unflinching look at military families, the strains of separation during deployment, and the unforgiving nature of commanding troops under fire while wrestling with restrictive rules of engagement.
The film has been nominated for an Academy Award for Best Foreign Language Film and will be released in limited theaters starting February 12.
The poster for Top Gun 2 has officially been released to let audiences know that Day 1 of principle photography has begun. Awesome. I just want to be that guy and point out that, after 32 years of being in the Navy, is Maverick still only a captain. Why? How?
While he’s still got nothing on Gen. Vessey’s 46 years of service, the average time it takes to make Admiral is 23 years — and that’s taking into account only the 2.24% of ensigns who stay in that long. I guess his need for speed is really that strong.
Here’s our take on what a real-world Maverick would be (or should be) doing after all this time.
But I can’t help but feel like we’ve seen this film somewhere before…
(Pixar Animation Studios)
Stuck in Training Command
The most obvious and likely scenario will reverse the roles as we know them: the former rambunctious student is now an underappreciated teacher who has to mentor someone just as rebellious and talented as he once was.
He’ll probably hold fast to his old gotta-be-the-best mentality before he finally accepts the fact that his time has passed and his new calling is to impart all of his knowledge onto a quirky, young, Latina pilot that nobody believes in. Chances are high that this is what the film is going to be about — according to rumors, anyway.
He would need to fight the urge to go inverted, though…
Commercial airline pilot
The most common scenario is that, after so many years, he’d just say, “screw it,” retire, and look for employment in the civilian sector. I’m just saying, it’s hard to scoff at a potential 3k a year when he’d otherwise make 9k by staying in.
Maybe Maverick feels like hanging it all up and making some serious bank by flying red-eyes between San Diego and Seattle-Tacoma International. It could be a heart-felt story about a once-badass Navy aviator having to cope with a dull civilian life.
Basically another role reversal if Maverick became Gene Hackman’s character from The Firm.
Corporate lobbyist in Washington
One of the complaints many people have about the freshly-released teaser poster is that Maverick is seemingly about to board an F-18 Super Hornet instead of the F-35C Lightning II. Personally, I have no dog in this fight — maybe this all the work of Pete Mitchell (formerly known as Maverick) cozying up to politicians who want to keep the Super Hornet in production.
Top Gun 2 could shape up to be a politician thriller along the lines of Thank You For Smoking or something that wouldn’t get unofficially scrapped before the series arc could finish.
So it’d be ‘Jack Reacher’… but without the action.
Old drunk at the bar
A place Maverick frequented in the original Top Gun was that bar outside of Miramar. But what if Maverick could never really leave that bar — just like so many veterans before him? Night after night, generation after generation, Maverick sat in the bar reminiscing. Now, he’s become that washed-up old guy who tells uninterested sailors about that time he “totally” fought the Soviets without starting an international incident.
It’d be just like Cocktail or Cheers — except it wouldn’t be a romantic comedy. It’d be a serious drama about an old vet who just wants someone to talk to.
Unapologetic clothing line owner
Just like nearly every high-profile veteran that leaves the service, he could start his own veteran-owned military clothing company. He only sells jean shorts, body oil, and sunglasses. For obvious reasons, selling t-shirts is completely out of the question.
It could be a movie about Maverick and Iceman making YouTube shorts, sharing memes, and, eventually, trying to make their own movie about beach volleyball players during the zombie apocalypse…
When America has a national enemy, the U.S. media is pretty good at falling in line (no matter what anyone tells you – just look at the buildup to the Iraq War). So whether the enemy is the Germans, the Japanese, the Germans again, Communists, or Terrorists, you can be sure there will be a whole slew of TV shows and movies about America’s inevitable triumph over evil.
Unless you want the villain to be China.
But other countries make movies and other countries need a bad guy. While most of the world is just fine with the United States, there are some countries that are very much not okay with America. So America is the bad guy, and the U.S. military is very much the bad guy.
1. Momotaro’s Sea Eagles
In March 1943, Japan finished its first feature-length animated film, Momotarō no Umiwashi, or Motomaro’s Sea Eagles. If that year sounds familiar and seems important but you can’t quite place it, that’s right during the middle of World War II in the Pacific. The U.S. had just routed the attempted Japanese invasion of New Guinea at the Battle of the Bismarck Sea, but the war was far from over. This children’s animation retells the story of the Japanese attack on Pearl Harbor from the Japanese perspective.
American sailors (sometimes Bluto from Popeye) are depicted as cowardly and drinking on the job as they slide to their deaths at the bottom of the harbor.
2. Silver Powder
No one did propaganda like the Soviet Union. This is another example of outright propaganda filmmaking that sets out to make Americans look like greedy industrialists who will kill anyone if it makes their bank accounts bigger. The main character’s last name is Steal, and he discovers the ultimate radioactive superweapon that quickly starts a fight between gangster defense firms who want to possess it. A corrupt capitalist shoots Steal and takes his weapon to sell himself.
3. The Detached Mission
The Detached Mission was the Soviet answer to American anti-USSR action movies like Red Dawn, Rocky IV, and Rambo II. A group of Russian Marines have to stop a crazed American military officer from starting World War III by launching the U.S. nuclear arsenal. This Army officer is a Vietnam vet who suffers from intense flashbacks and is hell-bent on avenging himself on the USSR. As the CIA tries to stop an arms limitation summit at the behest of defense contractors, the Soviet Union has to neutralize a U.S. nuclear launch site.
4. The Host
After a U.S. military officer in South Korea orders the disposal of a lot of formaldehyde by pouring it into a sink, those chemicals find their way into the nearby Han River. The result is that a river monster of epic proportions gets really pissed and starts rampaging. The United States starts to fight the monster using a substance called “Agent Yellow” (get it?). This was a movie so unintentionally anti-American that North Korea praised its depiction of the U.S. military.
5. Mr. Freedom
This one hurts. No one could have lampooned America and its pro-American culture better than an American expatriate. It might be the most anti-American movie ever made. It even makes fun of how the U.S. stereotypes its enemies by depicting them as one-dimensional jokes (the Chinese character is an inflatable dragon). The basic gist is that an American superhero tries to destroy the country of France to keep it from becoming a Communist country. At the end of the ridiculous movie, he destroys himself. As ridiculous as this movie sounds, it’s actually really good.
6. Valley of the Wolves: Iraq
Valley of the Wolves: Iraq might also be the most anti-American movie ever made. It was made in 2006 at the height of the Iraq War, and was one of the most expensive Turkish movies ever made. The film highlights pretty much every mistake the U.S. made during the occupation of Iraq, especially the Abu Ghraib Prison Scandal. The film is an action movie about a group of Turkish commandos going into Iraq to take down a U.S. military officer who was in charge of what Turks call the “Hood Event.” In 2003, American troops captured a group of Turkish troops, covered their heads with hoods, and interrogated them. Spoiler alert: they kill him.
Bonus: the film features Gary Busey as a Jewish doctor who harvests organs for the ultra-rich people in New York and Tel Aviv.
In the Star Wars universe, Obi-Wan Kenobi is regarded as a great warrior, a capable military commander and a great man; the actor who played Kenobi in the original Star Wars films shared these same attributes, plus his acting ability. Although Sir Alec Guinness was not a fan of the Star Wars concept calling it “fairy tale rubbish,” Obi-Wan is undoubtedly his greatest acting legacy. Before he battled on screen in a galaxy far, far away or in the jungles of Burma, Guinness fought in WWII as a Royal Naval officer.
Guinness started his acting career at the age of 20 on stage at the King’s Theatre in Hammersmith while he was still a drama student. From there, his acting career soared as he went on to perform in Shakespeare alongside stage legends like Peggy Ashcroft, Jack Hawkins, Ralph Richardson, and Anthony Quayle, with whom Guinness became close friends. He even acted alongside the legendary actor Laurence Olivier in a production of Henry V.
With the outbreak of WWII, Guinness traded in his costumes for a uniform to serve in the Royal Navy Volunteer Reserve at the age of 27. His naval training took place on the HMS Raleigh on a naval base as well as Hampshire and Loch Fyne. Guinness concluded his formal naval training aboard the HMS Quebec in 1942 and was commissioned as a naval officer. In 1943, he sailed to Boston where he was given his first command. Guinness commanded a landing craft through a series of German aircraft attacks and successfully landed on the coast of North Africa. From there, he and his crew readied themselves for the allied invasion of Sicily.
On July 9, 1943, Guinness and his crew staged another successful landing at Cape Passero where they delivered 200 men. However, during the operation, communications broke down and Guinness did not receive a message saying that the landing was delayed by an hour. As a result, Guinness and his crew landed on their own. Afterwards, a ranking naval officer accused him of being late rather than early and insinuated that the actor was not fit for military service. Ever one to have the right line, Guinness responded, “And you will allow me to point out, sir, that in the West End of London, if the curtain is advertised as going up at 8:00 pm, it goes up at 8:00 pm, and not an hour later, something that the Royal Navy might learn from.”
Following the invasion of Sicily, Guinness was reassigned to ferry supplies and allied agents to Yugoslav partisans on the eastern Mediterranean front. During this time, he was given leave to appear in a Broadway production of the play Flare Path, a show about RAF Bomber Command. Although he considered turning to the priesthood during the war, to the relief of Star Wars fans worldwide, Guinness decided to return to acting instead.
From 1946 to 1948, the former naval officer acted at the Old Vic theatre in London. His first major film role, Oliver Twist, released to wide acclaim in 1948 and set him on the path to stardom. With classic films like Bridge on the River Kwai, Lawrence of Arabia, and Star Wars to his name, Alec Guinness has been immortalized on the silver screen. In addition to an Oscar and two BAFTAs, Guinness was knighted by Queen Elizabeth II in 1959. The next year, he was honored across the pond with a star on the Hollywood Walk of Fame. Guinness died of liver cancer on August 5, 2000 at the age of 86.
With Extraction director Sam Hargrave set to direct, Combat Control will tell the story of the late Medal of Honor recipient John Chapman. Based on the book Alone at Dawn by Dan Schilling and Lori Chapman Longfritz, the film tells the true story of Air Force Combat Control Technician Chapman, who was killed in action on March 4, 2002 in Afghanistan. It would take another 16 years before he was posthumously awarded the Medal of Honor.
Schilling, who was also a Combat Control Technician within Air Force special operations, will serve as a military advisor for the film.
In March 2002, in conjunction with Operation Anaconda, Chapman was tasked to establish observation posts in strategic locations in Afghanistan. Chapman and his reconnaissance team were ordered to Takur Ghar to report al Qaeda movement in the Shi-Kowt area.
“This was a very high profile, no-fail job, and we picked John,” said retired Air Force Col. Ken Rodriguez, Sergeant Chapman’s commander at the time. “In a very high-caliber career field, with the highest quality of men – even then – John stood out as our guy.”
During the initial insertion onto the Takur Ghar mountaintop, Chapman and his team were ambushed when an RPG struck their Chinook, throwing Navy Petty Officer 1st Class Neil Roberts into enemy territory. The crew managed to perform a controlled crash landing and began a rescue mission in a second MH-47 for Roberts, drawing heavy enemy fire.
In the battle that commenced, Chapman repeatedly maneuvered himself to protect his team, even at his own risk. He was struck and critically wounded by gunfire but continued to fight for over an hour before he died. His actions saved the lives of his teammates, who remember him for his selflessness and his valor.
Chapman was originally awarded the Air Force Cross for his actions, but was recommended for an upgrade to the Medal of Honor. In 2018, he finally received the recognition he deserved and, in accordance with Air Force policy whereby Medal of Honor recipients are promoted one grade, he was posthumously promoted to the rank of master sergeant.
In the latest episode of Game of Thrones, Daenerys Targaryen has finally done it. She’s managed to pull off her version of one of “Mad Dog” Mattis’s signature moments — albeit after some serious military blunders and at least one close call.
Early on in the episode “Eastwatch,” Daenerys gave a speech that boiled down to “I come in peace. I didn’t bring artillery. But I’m pleading with you, with tears in my eyes: If you f#ck with me, I’ll kill you all.”
Well, Randyll Tarly and his son Dickon f#cked with the Mother of Dragons and became crispy critters as a result. The demonstration was effective – in essence, the Breaker of Chains is telling Westeros that they can have “no better friend, no worse enemy” than her.
Not so well-known, though is the fact that Jon Snow is obeying another teaching from “St. Mattis of Quantico.”
In 2010, Mattis famously said:
In this age, I don’t care how tactically or operationally brilliant you are, if you cannot create harmony — even vicious harmony — on the battlefield based on trust across service lines, across coalition and national lines, and across civilian/military lines, you need to go home, because your leadership is obsolete. We have got to have officers who can create harmony across all those lines.
Jon Snow has demonstrated this multiple times throughout the series. He’s managed to stitch together numerous alliances over six-plus seasons – to the point that he now has a coalition of Northerners, Free Folk, Knights of the Vale, and is now carrying out a special operation with the Westerosi version of the “Dirty Dozen.”
Now, for a case of the stupids.
Arya Stark is falling for an “AF is low on water” gambit being run by “Littlefinger” Baelish. Unless Arya can keep calm and ask why Littlefinger wants her to have that specific document, it looks like the Stark girls are headed for trouble – and we could see a fight between Brienne and Arya that is for real.
Before joining the service, I thought everyone in the military was somehow fighting and killing bad guys. I looked to movies and television to try to put myself into the mindset of who I wanted to be if I had to fight a real battle.
Clearly, I no idea what I was getting into. That’s where the similarities between the badass anti-hero from Big Trouble In Little China and myself end.
Years before Die Hard changed every action movie that came after it into some version of Die Hard, the dream-team duo of John Carpenter and Kurt Russell brought us this bizarre but awesome story of a man determined to help save his new friends that have been captured by a mystical, ancient Chinese cult.
Jack Burton was a John Wayne in a world full of Bruce Lees. But it wasn’t swagger that made me admire this custom-booted character. Jack Burton was way deeper than he seemed — all you had to do was look.
He had heart. He had dedication. Dammit, he had fun.
Jack Burton drops pearls of wisdom.
The saltiest warriors have been around the world and they’ve seen some things most us can’t comprehend. When they try to tell you about it, it all just seems unbelievable. That’s why wise, older warriors impart wisdom by giving practical advice, not by relating one specific story. Just listen to Jack Burton:
When some wild-eyed, 8-foot-tall maniac grabs your neck, taps the back of your favorite head up against the barroom wall, and he looks you crooked in the eye and he asks you if ya paid your dues, you just stare that big sucker right back in the eye, and you remember what ol’ Jack Burton always says at a time like that: “Have ya paid your dues, Jack?” “Yessir, the check is in the mail.”
Jack Burton is okay with being the sidekick.
Being in the military isn’t about glory, it’s not about being in the spotlight, and it definitely isn’t about the money. Big Trouble in Little China is about Wang Chi rescuing his girlfriend. When a Chinese street gang abducts her, Jack Burton is right there to fight the good fight, because it’s the right thing to do.
Even when the sh*t gets deep, Jack Burton does not run.
Jack Burton is just an average, ass-kickin’ kind of guy (with amazing reflexes). He’s used to a good, fair fight and knows when to back off. But just because he’s seeing some sh*t he’s never seen before doesn’t mean he’s going to turn and run. He’s going to stay and fight until he knows he can’t win.
Jack Burton has the right gear for the job.
Those boots, my dude. Those boots are custom.
Jack Burton is all about intel.
It’s not all about throwing around weight and fists for Jack Burton. When the situation demands it, he’s willing to be more subtle; less swagger and more cloak-and-dagger. He gathers all the information he can before he starts kicking in doors.
People want to follow a leader like Jack Burton.
Some may call it cockiness, but I see self-confidence. Jack Burton stands up for what’s right: saving ladies in distress, helping people who’ve been abducted, good fighting evil, etc. People fighting with him see it and they love him for it. Remember: Jack Burton only ever met one person in all of Big Trouble In Little China and he is still fighting with them.
Despite his shortcomings, Jack Burton gets the job done.
He’s not John McClane. He’s not James Bond. There’s very little about Jack Burton that can be called “smooth.” He can stay up all night drinking and gambling, but will keep fighting for days. Like the professional he is, he operates just as well on the third day of combat as he did on the first.