On Sept. 11, 2001, America was changed forever when 19 men from a terrorist network attacked our country by flying highjacked planes into both towers at the World Trade Center and the Pentagon. This horrible act brought millions of Americans together and countless others wanting to strike back.
Soon after, a group of 12 highly trained Green Berets received an assignment to be one of the first units to enter into Afghanistan and strike the heart of the enemy that took responsibility for those terrorist attacks.
The mission was considered to be unsurvivable, but that didn’t stop the 12 brave men from riding through the extremely rough terrain of Afghanistan on horseback to take the fight the enemy.
12 Strong uniquely displays the perfect amount of American spirit and our will to fight for what we love and want to protect — our families and our country.
The film’s narrative and its characters will drive audiences past the brink of inspiration — nothing can fracture what it truly means to be an American.
Amid the realistic battles sequences the film brilliantly captures, it adds the additional element of authenticity about what it’s actually like working with and fighting alongside a complete group of strangers who don’t speak the same language.
These Green Berets attempt to gain and earn trust with members of the Northern Alliance in 12 Strong. (Image courtesy of Warner Brothers)
The tension of not only engaging the enemy but having to embed yourself with a fighting force where trust is yet to be earned was utterly spot on and visually described.
The film correctly exhibits the troops’ psychological pain around what it takes to build an efficient relationship with a group of people who look like the very enemy you’ve come to fight.
It was the dawn of a new decade, and a new generation of war flicks that proved to take the world by storm. Yes, we’re talking about modern-day movies that turned into instant classics — that is, instant mega-million dollar producing classics. Films that are still household names today, and those that star big movie stars, either in the height of their fame or as they were just starting out in their career.
These movies brought a whole new generation to the movies and showed them (sometimes graphic) portrayals of how ugly war can be. All while our country itself was at the onset of a new war, all the way up to years deep in the process.
Join us as we take a walk down memory lane in these not-so-long-ago war films that took over the 2000s and the start to the 21st century.
The Patriot, 2000
This historical war movie tells the story of a man in South Carolina and his involvement in the Revolutionary War. Mel Gibson, Heath Ledger, and Jason Isaacs star in the movie that, despite bad reviews, more than doubled its budget at the box office. The Patriot received criticism for its historical inaccuracies, most notably, its portrayal of British soldiers and other figures.
Black Hawk Down, 2001
Based on a 1993 event in which an attempted rescue mission started the battle in Mogadishu, Black Hawk Down, the movie, is derived from the 1999 book of the same name. The film stars an ensemble cast of Josh Hartnett, Ewan McGregor, Eric Bana, and Tom Hardy. The movie took home two Academy Awards, for Best Film Editing and Best Sound. It was highly praised and is listed as a favorite by many film critics.
Pearl Harbor, 2001
Another big release in 2001, Pearl Harbor shows a fictionalized version of the attack on Pearl Harbor during WWII, directed and produced by action powerhouse team, Michael Bay and Jerry Bruckheimer, respectively. The film received mixed negative reviews but is one of the highest-earning war films to-date, bringing in $450 million worldwide. The film earned Academy Award and Golden Raspberry nominations alike. Actors Ben Affleck, Josh Hartnett, Kate Beckinsale, Cuba Gooding Jr., Jon Voight, and Alec Baldwin star.
Flags of Our Fathers, 2006
In the 2000s, Clint Eastwood helped create two films covering the Battle of Iwo Jima. The first, Letters From Iwo Jima, depicted the Japanese side of the 1945 battle and was directed by Eastwood. It received a limited release in the U.S. The American counterpart came with Flags of Our Fathers and was based on the 2000 book of the same title. Both stories cover the famous battle and subsequent flag raising made famous in Joe Rosenthal’s photograph. The film failed to profit at the box office, but remains a fan favorite.
Named for Operation Valkyrie, a German national emergency plan, the film follows a real-life plot of German officers to assassinate Adolf Hitler and take over the territory. Tom Cruise starred, which initially caused problems with filming locations, as his religion, Scientology, is legally questioned by the German government. However, German media and film outlets remained positive about the film and its storyline. The film opened on Christmas Day and went on to earn more than $200 million.
The Hurt Locker, 2009
This thriller film was made of an ensemble cast including Jeremy Renner, Anthony Mackie, Ralph Finnes, David Morse, and Guy Pearce. The story followed a team of Explosive Ordinance Disposal professionals and their mission while being targeted by insurgents. It was directed by Kathryn Bigelow, who won an Academy Award for Best Director, along with five others for the film, including: Best Picture, Best Original Screenplay. The film also remains the only female-directed movie to win Best Picture and Best Director. It was listed as “culturally, historically, or aesthetically significant” by the National Film Registry in 2020.
Inglourious Basterds, 2009
Quentin Tarantino made waves with his war film, Inglourious Basterds, yet another plot to assassinate Adolf Hitler. However, this film served a fictionalized account. The title was taken from the 1978 film, The Inglorious Bastards, which had its own unique plot. The movie starred a big-name cast including Brad Pitt, Christoph Waltz, Michael Fassbender, Eli Roth, and Diane Kruger. The film followed a screenplay that Tarantino had penned more than a decade before but struggled with concluding the storyline. He returned to the story years later and had it picked up by Universal Pictures. It went on to earn more than $320 million, his highest-earning film at the time.
Captain Wild Bill Wichrowski of the Cape Caution. Photo courtesy of Discovery.
Capt. Wild Bill Wichrowski’s year started tragically.
A Navy veteran, Wichrowski is one of the captains on “Deadliest Catch,” a Discovery Channel series about Alaska’s crab industry. He was close friends with two of the five men who died when the Scandies Rose, a 130-foot crab boat, went down in icy, turbulent conditions in the Gulf of Alaska on New Year’s Eve. Two crew members survived.
The Coast Guard’s 20-hour search for survivors will be featured on “Deadliest Catch” at 8 p.m. Tuesday (Eastern time).
“It’s hard to drum all this up again, really,” Wichrowski said. “You lose friends. You lose family. And the part that sticks is that any time, it could be you.”
Captain Wild Bill Wichrowski is in the wheelhouse at the helm of the Summer Bay.
The episode of the long-running reality series follows the Coast Guard’s role from the time it received a distress call until the search, which covered 1,400 square miles, was suspended.
Although Wichrowski was not in contact directly with the Coast Guard during that time, he followed the rescue mission’s progress closely.
“They’re our lifeline,” Wichrowski said. “Some of the stuff they do with the helicopters and the C-130s and the ships and the hard-bottom inflatables [boats] is truly amazing. The Coast Guard’s our last chance for survival when we’re having trouble.”
The investigation into the Scandies Rose disaster is ongoing and could last “many months,” said Scott McCann, the Coast Guard’s public affairs officer for the 17th District.
Captain Wild Bill Wichrowski stands proudly on deck of his boat.
Wichrowski’s own ties to the military began early.
His father, Charles Thomas Wichrowski, was a drill instructor at Parris Island in South Carolina during the Korean War. The youngest of three brothers, Wichrowski said he did not always appreciate his strict upbringing in Pennsylvania.
“I probably didn’t really like [my father] that much at the time, but he was training me to be a leader from Day One,” Wichrowski said. “In his eyes, there was only one place to be, and that was in charge.”
Wichrowski’s tour in the Navy happened almost by accident.
Before he wrecked his father’s new car on homecoming night, he had planned to go to school and study business administration. The cost of the repairs, along with other financial constraints in his family, prompted Wichrowski to enlist in 1975.
Armed with a love of the ocean, he headed West. He served as an electrician’s mate at naval stations in California, Idaho and Washington State.
Wichrowski enjoyed the camaraderie and travel in the military and proved to be invaluable in stressful situations. He recalled one time a typhoon in Taiwan knocked out a generator. Wichrowski ran to the other end of the tossed ship on a wall, hurdling people along the way, to work on it.
On another occasion in San Diego, Wichrowski was about to go on liberty when a transformer caught fire. He was not on duty, but he restored the power anyway, then left suddenly to meet his girlfriend before other potential issues arose.
“When I got back, the XO [executive officer] on the bridge, he had seen the whole thing,” Wichrowski said. “And I’m thinking, ‘Oh, I’m going to get my butt reamed.’ But he said he was pretty amazed about how quickly I reacted.”
Wichrowski said the bonds of boat crews are similar to those in the military. Photo courtesy of Discovery.
Wichrowski, who served for four years, said what he learned in the Navy resonates today.
“It’s the whole reason why I’m successful,” he said.
The bonds formed among boat crews are not unlike those developed in the military. That’s why the sinking of the Scandies Rose hit Wichrowski hard. He knew the boat’s captain, Gary Cobban Jr., and engineer, Art Gacanias, well, but thankfully the loss of life was not worse.
Landon Cheney, Wichrowski’s No. 2 man on the Summer Bay, used to work on the Scandies Rose and considered returning before it sank.
“I’m pretty certain that if he was on board, he wouldn’t have made it,” Wichrowski said.
As painful as the loss of the Scandies Rose remains, Wichrowski intends to watch Tuesday night.
“I hope to,” he said. “… It should never be forgotten, but it’s still tough to review over and over.”
The first trailer for Avengers 4 is finally here. We’ve got a real-deal title, too: Avengers: Endgame. Captain America has shaved his beard, Tony Stark is lonely, Hawkeye is back, and it looks like Ant-Man is going to be the key to it all, just as we predicted!
Be warned this trailer is super-emotional and we’re already crying. Watch the trailer a few times, and then take a breath. Okay, you good? Let’s dig into this a little bit.
First of all, even though “Endgame” is a really boring and generic subtitle, the trailer itself is excellent, possibly more thrilling than any other Marvel trailer ever. Unlike the Captain Marvel trailers (which are fine by the way) this trailer really gives the audience what they want without actually spoiling the movie. Though if you somehow missed Infinity War, this trailer weirdly makes watching that movie slightly unnecessary because Black Widow sums up the plot of the previous installment with one line “Thanos did exactly what he said he was going to do: he wiped-out 50 percent of all living creatures.” (Side question: does this include cockroaches, rats, and pigeons? Is there a vermin-version of the Avengers who are grieving right now, too? I mean we all cried for Spider-Man, what about actual spiders?)
Anyway, where was I? Oh yeah, this trailer is really great. Chris Evans is clearly going to give the performance of his life in this movie and its rad to see him clean-shaven, like pretty much saying to the audience that yeah, he’s back and he’s going to do whatever it takes to fix all of this stuff. The return of Hawkeye is super-dope, too, and that coda with Ant-Man pulling up in his van is great and totally teases the idea that the post-credits scene of Ant-Man and the Waspwill be the key to saving all the Avengers.
Seems like May 3, 2019, can’t get here fast enough.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Composer Ramin Djawadi had a formidable task ahead of him for the final season of “Game of Thrones.” Back when he was working on the seventh season in 2017, Djawadi didn’t know his music written for Jon and Dany would also need to play right as Jon Snow plunged a dagger into Daenerys’ heart.
Showrunners David Benioff and D.B. Weiss had “talked a little bit in riddles” about Dany’s fate and the music Djawadi needed to write, the composer said in an interview with INSIDER on June 11, 2019.
“They said, ‘OK, this needs to be a really romantic theme, but make sure that it’s a love theme that can imply complications,'” Djawadi said. “That’s how they started me out. They said things turn differently and things go wrong.”
Their love “theme” (the term Djawadi uses to refer to the melody unique to a character’s scenes that you can hear on the soundtrack) was worked into a track on the season eight score called “The Iron Throne.”
Daenerys and Jon embracing just before her death.
The song played just as Jon and Dany kissed, mimicking the way she believed they were going to have a happy ending. But it was cut short, right as Jon stabbed his queen. Djawadi says “The Iron Throne” is one of the songs he’s most looking forward to playing live later this year when the “Game of Thrones Live Concert Experience” goes on tour.
Keep scrolling to read INSIDER’s full interview with Djawadi, in which he reveals the “positive” message of the final scene with Jon Snow.
Kim Renfro: The final song heard on the show, called “A Song of Ice and Fire,” is obviously such an important endcap to the series. What were the emotions that you wanted baked into that particular track?
Ramin Djawadi: The thought was to really create a bookend to the whole show. We have our main title song that really represents everybody and the entire series, and we thought there’s no better way to end the show than with our main title theme. But this time it was with a full choir. We have men and women and children actually singing it.
Jon leading the remaining wildlings beyond the Wall.
We’ve heard that main title so many times at every beginning of the episode, so we wanted to leave the show with that — including the very last note on our small dulcimer [instrument]. The main title ends when the title card goes to black and they have that little “dum dum ba ba bum bum” on the dulcimer, and those are the same last notes people will hear on the show.
Renfro: Did you have any conversations with showrunners David Benioff and D. B. Weiss about what is going on with Jon specifically? I feel like the shows ends on this optimistic note, where he’s half-smiling and there are children around him. The children’s presence felt really important in that scene, because it’s this mark of the future and possibility. At the same time it’s a little sad, because he’s going into exile, basically, and leaving behind his past life. Were there conversations about that?
Djawadi: Yeah, absolutely. The idea is really that he stops and he looks back, and then the main title starts, and it’s the idea of a new beginning. It’s supposed to be positive and yeah, like you said, the fact that there are children around and [other] people — he’s not just by himself.
Jon taking one last look at Castle Black before heading into the North.
Djawadi [continued]: Originally [he was] with the Night’s Watch, and you’re not allowed to have a wife and children and all that, but this is him going out there with the wildlings, and you can interpret it like he’s starting a new life. He’s a changed man, and he’s leaving the past behind, and so it’s definitely supposed to be something positive. There are many possibilities now — that’s how we can look at it.
Renfro: I’d to talk about Brienne and Jamie, and the music you wrote for their important scenes. How did you approach that aspect of season eight, and especially the romantic element with both of them?
Djawadi: What’s interesting is their theme together came out of what I call the “Honor Theme” […] over the seasons, when they met and the way they treated each other, it was always an honorable theme. So that became their music. And the other big scene which I loved so much there, when she gets knighted, it was used there, and then, yeah, then we basically every time, I’m pretty certain with the development of their relationship, their theme was playing.
Djawadi: Yeah, I was going to get to that [laughing]. I just threw that in there because I thought it would be a subtle nod to their relationship. When she sits there and she thinks about him and writes down all the things he had done, the second half is the ‘Honor’ theme, but yeah a big chunk of that [song] is the wedding theme.
It’s just a hint of what their relationship — if they had stayed together, if he was still alive — what it could have been. What they could have become. That’s why I put that in there. I was amazed some people picked up on it. I was hoping people would go, ‘Wait a minute, that’s from season two.’ And that was exactly my intent. I thought it would be very appropriate.
Renfro: People absolutely loved that. A lot of fans were so attached to their relationship, and I think that it was really special to get a hint at that dream. Like Jaime and Brienne could have been married in some alternate timeline.
Brienne writing down Jaime’s deeds in the White Book.
Djawadi: Exactly. That was exactly my intention. It just shows the power of music, right? There were no words [in that scene] but by putting that in there your imagination goes [into] where this could have gone. I wanted people to have that emotion, and have those thoughts. I’m glad it was picked up.
Renfro: What was the most challenging scene to write music for this season?
Djawadi: I find almost everything challenging [laughing]. I guess maybe “The Night King.” I definitely knew that I wanted to really try to wrap up [on the show] things nicely with all the themes that we know and have come to love, so there were opportunities for that, but there were opportunities for new things.
Obviously “The Night King” theme was our big new theme this season, and writing that piece was challenging in many ways. One is because we decided to for the second time in “Game of Thrones” history to really focus on the piano again. We felt this was an opportunity to have a big piano piece, and we wanted to call back to “Light of the Seven.”
Game of Thrones S8 – The Night King – Ramin Djawadi (Official Video)
Djawadi [continued]: But then of course I had to reinvent myself, and here I was, thinking, “OK, how can I beat myself? I need to have something that has the same impact at this particular moment on the show and call back to ‘Light of the Seven,’ but it can’t be the same piece.”
If I had done an arrangement of “Light of the Seven” again it wouldn’t have made any sense. Cersei was nowhere to be seen, and that piece belongs to Cersei. But it was a very long scene, just like “Light of the Seven.” There were a lot of similarities, so I definitely made a connection [between them]. For example, I end up in the same key and tempo as the “Light of the Seven” by the end of “The Night King.”
But I also [wrote it knowing] when the piano drops people would sit up and go, “Oh, piano’s coming. This means something’s happening now. What’s going on here?” And the idea was that it would have the reverse effect. That you’d see the Night King on his final march towards Bran, and you’d think back to the Cersei theme and that this is all going his way and he’s going to win and it’s over.
We just had 50 minutes of action music and battle and they tried and tried, and they just can’t do it. It was supposed to feel like a finale and that they were all going to die. And then of course the big surprise happens at the end.
Arya surprised everyone when she killed the Night King.
Renfro: I know for past seasons there were times when Benioff and Weiss would give you some advance notice of an arc that was coming, because you needed to start planting those musical themes a little bit sooner. Did you have any advance notice that Dany was going to die, or that she was going to have this kind of turn at the end? The theme you used for her and Jon, called “Truth” on the season seven score, comes back into play right as she’s dying. Did you know when you wrote it that it was going to be a part of her death?
Djawadi: They showed me this season very early, earlier than any other season. But they weren’t that specific about Dany dying back in season seven. We’ve had such a good working relationship; they always give me exactly the information I need to know at the time.
When I wrote [Jon and Dany’s] theme, they said, “OK, this needs to be a really romantic theme, but make sure that it’s a love theme that can imply complications.” That’s how they started me out. They said things turn differently and things go wrong […] they talked a little bit in riddles.
To be honest, I never even thought about who was going to die, but I just took it as, “I need to write a love theme that has some drama to it, that can show complications.” That’s really the word they used, that things will go wrong and [it’s] “complicated.” That word gave me enough information.
The Jon and Daenerys love theme played during their season seven finale sex scene.
Renfro: So the “Game of Thrones Live Concert Experience” is coming back. I’m super excited. I live in LA now, so I get to go to the Hollywood Bowl version. What made you decided to go with an outdoor/amphitheater vibe versus in the indoor arena setup from the past two iterations?
Djawadi: We just want to try different things. The Hollywood Bowl is a historic venue, and performing there has been on my bucket list. With venues like the Hollywood Bowl and others in all the different cities, these outdoor concerts can be very special. It’s just another way of performing it, and obviously the stage brings different challenges by being outside, but it’s exciting.
I’m actually really majorly reworking [the show] right now, because there’s so much material from season eight — we could have done a concert just with season eight alone. I’m trying to keep a cohesive story from seasons one through eight, which is tricky because I only have that limited amount of time. It’s exciting that I have choices, which is great. So I’m in the process of doing that right now. I can’t wait. Hollywood Bowl will be amazing.
Renfro: Is there a particular part of season eight you’re most excited to perform live for people?
Djawadi: Well, of course “The Night King” because it’s just a great set piece, and it’ll be fun and exciting to perform. And another one, I have to say, is actually [“The Iron Throne”]. It’ll be in there in one way or another. That’s the theme from when Dany dies, and it was such an emotional scene for me to write. I’m just really attached to it. I think it’s such a powerful scene, with Drogon, and so that piece is just special to me. I’m very excited to play that live with an orchestra.
Renfro: Well, I can’t wait to see it. Thank you for bringing all this music to life, and congratulations on finishing out this series. It’s really incredible that it’s come all this way, and that you’ve been there from the start.
Djawadi: Thank you. I think it still hasn’t caught up with me fully that [it’s over]. The live concert tour is helping me with it, because I just don’t want to let go, just how many fans probably don’t want to let go of the show. It helps me to still be working on the music and just stay in that world longer.
And yes, looking back it’s crazy when I think of how this all started out in 2011. And now with the concert tour, all this music that I’ve written and just going through it, I feel very lucky that I’ve been part of this. It’s been unbelievable.
‘Tis the season for yuletide carols, family, gifts, entirely too much food, and, of course, some much-needed downtime. Somewhere between “I swear to defend….” and getting that sacred DD-214, many of us developed quite the affinity for film and television.
So, it’s only natural that we spend our downtime getting together on the nostalgia train to binge watch a few of our favorites. Christmas might be over, but there’s still time to enjoy these must-see holiday films. So, grab your spiked eggnog, a warm blanket, and snuggle up for a day’s worth of cinema magic as you pretend the break isn’t rapidly coming to an end.
Tim Allen is comedic greatness in this role.
(Walt Disney Pictures)
‘The Santa Clause’
The greatness of this film lies in two words: Tim Allen. His comedic timing is great here, and it really serves the premise of the movie: a dad kills Santa Claus and is forced to become Santa himself.
I mean, it’s a completely impossible narrative (Santa Claus is immortal, duh), but it’s fun all the way through.
This one is for all the dads
(20th Century Fox)
‘Jingle All The Way’
This one’s another movie about a dad and holiday hijinks. Arnold Schwarzenegger is on the search for a near-impossible-to-find toy in a quest to buy the affections of his son. In a lot of ways, this movie from the ’90’s has proven to be prophetic for its time. Much of the shenanigans that Schwarzenegger’s character experiences have become the standard holiday shopping experience.
No holiday season is complete without Kevin.
(20th Century Fox)
By now, you’ve probably noticed that parental neglect and aloofness is a bit of theme among the items on this list — but Home Alone cranks it up to full blast.
Kevin McCallister, as played by the immortal Macaulay Culkin, became the iconic ’90s smartass that indirectly shaped a generation. In the film, Kevin proves to be more than capable when he defends his family home against would-be invaders using nothing but wit and a closet full of toys.
It’s sheer conjecture, but we’re sure Kevin McCallister grew up and served — that resourcefulness says “veteran.”
Yippee ki yay, MF.
John. Mc. Clane.
Die Hard is definitely the most non-holiday movie on this list but, make no mistake, it is absolutely a holiday flick! It’s got a Christmas tree and a happy, warm and fuzzy ending.
Close enough for me!
It is, literally, a Christmas story.
‘A Christmas Story’
“You’ll shoot your eye out!”
It’s one of the most iconic lines in cinema history, but it’s not even the best in the film. A Christmas Story is brilliantly written, fantastically acted, and features some of the best narration in film.
This one is to be viewed, preferably, on Christmas Day, but as long as there’s snow on the ground, it’s still good.
For nearly half a decade, life seemed to contain three certainties: death, taxes, and Star Wars movies making ungodly amounts of money at the box office. But a year ago, that all changed when Solo, the origin story of the smuggler-turned-hero of the rebellion, came to theaters and failed to make an impression at the box office, struggling to cross $200 million at the domestic box office. It was an unprecedented financial failure for the franchise, causing Disney to halt several planned spin-offs, including the long-rumored Obi-Wan movie starring Ewan McGregor.
Yet despite flopping at the box office, Solo was a critical hit that clearly resonated with at least some of the massive Star Wars fanbase. And on the anniversary of the film’s release, fans decided to take to Twitter and advocate for a second dose of everyone’s favorite stuck-up, half-witted, scruffy-looking nerf herder with the hashtag #MakeSolo2Happen.
Before long, thousands of users were expressing their support for the hypothetical sequel.
Several fans speculated about a potential plot for Solo 2, such as Han and Lando teaming up to do a dangerous job for Jabba the Hutt.
Some suggested making it into a TV show on the upcoming Disney+ streaming service.
A few people even admitted that while they didn’t enjoy Solo at first, they’d come to appreciate it upon rewatch.
And, of course, many people just wanted a chance to see Darth Maul back in action after his surprise cameo in Solo.
Is it likely that this hashtag activism will actually help a Solo sequel get made? Probably not but it’s still nice to see this forgotten Star Wars film get some love from fans and, at the very least, it’s clearly not destined to become a cultural punchline like the highly divisive prequels.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Neal Schrodetzki and Ethan Morse, who served together as guards at the Tomb, have created a docu-series about the intense training cycles that prepare soldiers for The Regiment, the Honor Guard Caisson Platoon, the U.S. Army Drill Team, or a Full-Honors funeral ceremony at Arlington National Cemetery.
The four-part Sam Elliott-narrated series has been acquired by Amazon and it will debut online digitally Christmas Day. The series will then arrive on more than 50 streaming services throughout 2021.
WATCH THE TRAILER:
The four-part docuseries took more than three years to complete, and showcases four unique specialty platoons of the 3rd U.S. Infantry Regiment in Washington D.C. Also known as The Old Guard, the 3rd Infantry Regiment is perhaps best known for hosting the Sentinels who guard the Tomb of the Unknown Soldier.
Neal and Ethan were ecstatic to have Hollywood legend and Air Force veteran Sam Elliott as the narrator for the series.
“Working with an icon like Mr. Elliott was surreal. I grew up watching his movies, and I had just viewed A Star Is Born a few days before meeting him for the first time in the recording
studio. It was like a dream come true,” recalled Morse. Neal received exclusive access to film their former unit, the 3rd U.S. Infantry Regiment, after releasing an award winning documentary called The Unknowns in 2016. “The amount of history and honor on display in the 3rd Infantry Regiment is difficult to encapsulate in a four-hour docuseries, but it’s a story we want to share with the world,” stated Schrodetzki.
It seems like it’s been a long time since there was a decent World War II shooter-game, but Battalion 1944 may put an end to that.
This multiplayer World War 2 shooter is in the works for PlayStation 4, Xbox One, and PC. And from the looks of the official announcement trailer (see above), it looks promising.
Players can fight in real world locations such as the streets of Carentan, the forests of Bastogne and many more in what a company release calls “a spiritual successor to the great multiplayer shooters of the past.”
Bulkhead Interactive reports, “In short, Battalion 1944 is an infantry based first person shooter with an emphasis on raw skill. No grinding, no ‘exosuits’, just you and your skill as a player. Battalion 1944 utilizes the most advanced industry technology to create a visceral and heart-thumping multiplayer experience that has been crafted by the designers who have grown up playing Medal of Honor and Call of Duty 2.”
Bulkhead Interactive was seeking $145,000 in crowdfunding on Kickstarter to get the project off the ground. The goal was reached after only two days.
Between his colorful comments on Hell’s Kitchen and Kitchen Nightmares, and his savage Twitter food criticisms, Gordon Ramsey is the absolute embodiment of English snark. Granted, you’d be a hard ass like him too if you demanded the best from your subordinates. Much like an NCO treats their troops, nothing is done out of spite — he’s just pushing them to be the best they can be.
The tables flipped in season 4 of his show The F Word (UK).
Corporals Ben Slater and Tim Richards met with Ramsey at the Commando Training Centre Royal Marines (CTCRM) near Lympstone, Devon. The CTCRM is the principal training center for the UK’s Royal Marines.
The crews that are there for 32 weeks at a time are given mundane food, despite the twice the average calorie intake. Before they would allow Ramsey to do what he does best, the Royal Marines were going to show him why troops need those extra calories…
…by running him through the Woodbury Common’s endurance course.
Right out the gate, Ramsey arrives to the 17k (roughly 10.5 miles) course late. As every fighting man and woman in the world knows, “If you’re not early, you’re not on time. If you’re late, you’re SOL.”
The stern and loud head chef was dropped to do 100 press-ups (the British way of saying push-ups.) Referring to the instructor, Ramsey even quips “Is he always that miserable first thing in the morning? Does he ever crack a smile? F*ck me.”
Every recruit runs the course carrying 32 lbs. of gear and an SA80 Rifle. And then they take the ‘sheep dip’ and ‘smartie tubes.’
The sheep dip is a unique and traditional obstacle on the Commando Course. It consists of submerged concrete tunnels, filled with water and mud, that you must swim through. You are entirely reliant on the other Marine to help you make it across to the other side. The smartie tubes are just a tiny sewer tunnel that you need to crawl through.
He didn’t finish with any impressive time, but he held his head up high — and he didn’t finish last. Not bad for a man twice the average recruit’s age.
Afterwards, he finally got to return the favor and give the Royal Marines a lesson in cooking to help get past the monotony of their rations and the British version on an MRE.
HBO’s miniseries Band of Brothers is a show that will be remembered as one of the greatest of all time. Its powerful storytelling, incredible acting and precise attention to detail make it the standard against which other military media is compared. Upon repeat viewings, you may notice a few familiar faces in some of the episodes. When the show premiered in 2001, many of these actors were still young in their careers. While Band of Brothers may not have catapulted any of them to instant fame, it’s still fun to go back through and pick them out.
1. Michael Fassbender
Now famous for his portrayal of a young Magneto in the X-Men series (and its subsequent “Perfection” meme), Fassbender’s second credited role was as Pvt. (later promoted all the way up to Tech. Sgt.) Burton “Pat” Christenson of Easy Company. Remember the trooper whose canteen ran out before everyone else’s following the night march at Tocoa? That was him. He appeared in seven episodes of the 10-episode miniseries and can be seen until the series finale.
2. Tom Hardy
Yup, that Tom Hardy. Before Peaky Blinders, Venom, Dunkirk, Mad Max, The Dark Knight Rises, and even before Black Hawk Down, Hardy played Pvt. John Janovec in Band of Brothers. He appeared in the last two episodes, “Why We Fight” and “Points.” Most notably, he was the trooper caught in bed with a woman by Cpt. Speirs when he was looking for his loot of silverware. Hardy also portrayed Janovec’s tragic death in a jeep crash following the German surrender.
3. Simon Pegg
You know, the funny British guy that isn’t Mr. Bean. Well known for his comedies alongside Nick Frost like Shaun of the Dead and Hot Fuzz as well as blockbuster hits like Mission Impossible and Star Trek, Pegg had a short role (albiet prominent) in the first two episodes of Band of Brothers. Portraying Easy Company 1st Sgt. William Evans, Pegg did his best American accent (i.e. southern) when delivering the court martial notice from Cpt. Sobel to Lt. Winters. He also made notable appearances alongside Sobel during the barracks inspection for contraband and later in a C-17 on D-Day with Lt. Meehan.
4. Jason O’Mara
Speaking of Lt. Meehan, O’Mara played Sobel’s replacement in the training period leading up to D-Day in “Day of Days” and the flash-forward to D-Day in “Currahee.” Recently, O’Mara has appeared in Agents of S.H.I.E.L.D. as Jeffrey Mace and in The Man in the High Castle as Wyatt Price. Military movie buffs will also recognize him as Company Sergeant Jack Prendergast in Siege of Jadotville. Lt. Meehan and 1st Sgt. Evans were killed on D-Day when their C-17 was shot down by ground fire.
5. Jimmy Fallon
Yup, late-night talk show host and SNL regular Jimmy Fallon had a brief cameo in “Crossroads” as Lt. George Rice. As Easy Company and the 101st move into Bastogne to hold off the German counteroffensive, Rice pulls up in a jeep with ammo to equip the ill-prepared paratroopers. The jeep that Fallon drove was an actual WWII jeep and used a manual transmission…which Fallon admitted he didn’t know how to drive. So, the plan was to have Fallon push the clutch in while two stagehands push the jeep to close the shot. “So I drive, I hit my spot, I go, ‘Good luck boys,’ and I forget to press the clutch, and these two dudes are pushing the car, and the wheels aren’t moving because the clutch isn’t in,” Fallon recalled. “I don’t know how they made it work, but they made it work.”
6. James McAvoy
Ironically, James McAvoy would go on to star across from Michael Fassbender in the X-Men series as a young Professor Xavier. McAvoy played Pvt. James Miller in “Replacements” as one of the titular troopers. Miller was a member of Sgt. “Bull” Randleman’s squad and saw his first action during Operation Market Garden. Sadly, he was killed during Easy Company’s withdrawal from Neunen. His death is depicted on-screen and he is shown again at the end of the episode when Randleman retrieves his dogtags.
7. Andrew Scott
Funny enough, Andrew Scott acted across from James McAvoy in 2015’s Victor Frankenstein. However, the Irish actor is arguably better known for his type-cast baddie roles like Jim Moriarty in Sherlock and C in Spectre. Scott played Able company radioman John Hall in “Day of Days” where he links up with Lt. Winters upon his landing in Normandy. Gaurnere later nicknames him “Cowboy” despite his Manhattan roots. He links back up with Winters during the assault on the guns at Brecourt Manor where he is killed in action. The real paratrooper was actually named John Halls (with an “s”) and was from Colorado. For movie trivia buffs, Scott had a previous WWII-film role credited as “Soldier on the Beach” in Saving Private Ryan three years earlier.
For the record, we’ve omitted actors like Donny Wahlberg (1st Sgt./Lt. Carwood Lipton), David Schwimmer (Cpt. Herbert Sobel) and Colin Hanks (Lt. Henry Jones) because their appearances are more prominent and more well-known in the public eye. Even casual fans know that Mark Wahlberg’s brother, Ross from Friends and Tom Hanks’ son were in Band of Brothers.
For those unfamiliar with it, M*A*S*H was a hit comedy-drama television series that aired on CBS from 1972 to 1983. Following a team of doctors and support staff from the 4077th Mobile Army Surgical Hospital, the show takes place during the Korean War. During the war, the helicopter was a revolutionary platform that allowed for more rapid evacuation of wounded personnel from the battlefield. As such, the H-13 Sioux, known affectionately as the flying fishbowl, played a prominent role in the show. The Bell 47, the civilian model of the H-13, that was used most often in the show is now up for sale.
Bell 47 D1 s/n 263 was built in July 1951 at the Bell Aircraft Assembly Plant in Niagara, New York. The helicopter was assigned to the U.S. Navy where it was used as a training platform. During its naval career, s/n 263 was once shipped from NAS Alameda, California to a Navy base in Japan and flown with floats installed. The helicopter was eventually shipped back to NAS Alameda and surplussed out of the Navy in 1958. It was purchased by the San Bernardino Valley Junior College Aeronautical Division for use as a training aid.
In 1972, the aircraft was put up for sale again. This time, she was purchased by Adrian Grieve, the owner and operator of Pathfinder Helicopters at Flabob Airport in Riverside, California. S/n 263 was completely disassembled and rebuilt to Bell Helicopters specifications. The next year, it received a Standard Airworthiness Certificate from the FAA as Bell 47 D1, N5167V.
Flyable once more, N5167V served as a student trainer, aerial photography platform, aerial surveyor, banner tower, and fruit frost control aircraft. However, the helicopter’s claim to fame is its starring role in M*A*S*H.
In the opening scenes of the show, two helicopters fly together in close formation; N5167V is the ship closest to the camera in the shot. In the second scene, N5167V is the second helicopter on approach to the landing pads. During the ten years of filming, the helicopter was used numerous times both as a set piece and in flying scenes. The helicopter’s last on-screen appearance was during the final departure scene of the show’s series finale, one of the most-watched TV episodes of all time.
In 1981, N5167V was sold to a South Dakota farmer who used the helicopter on his ranch for counting and herding cattle and crop dusting. N5167V was eventually sold to its current owner who restored it to original its M*A*S*H configuration. During over 5,800 flight hours, the helicopter never sustained any damage. Bell 47 D-1 s/n 263 N5167V is up for sale by Platinum Fighter Sales. The company specializes in warbird and classic aircraft brokerage. A poke around their website will reveal plenty of interesting aircraft for sale like a 1959 McDonnell F4H-1F Phantom II, a 1943 Curtiss Wright P-40N-1 Kittyhawk, and even a rare 1944 North American XP-82 Twin Mustang. The M*A*S*H helicopter has no price listed, but offers can be made online. Given the aircraft’s history, it’s expected to sell for a pretty penny.
Comfort is one of the last things in mind when the U.S. Navy designs a submarine. There’s little room to walk around, restrooms and showers are kept as cramped as possible to make room for ordnance and mechanics, and the perpetual lack of sunlight and fresh air will make you forget what time of the day it is.
Add all that up and you’ll quickly realize being deployed for months on end on a submarine is enough to make most people go crazy with cabin fever — but the submariners of the United States Navy are legitimate badasses, so they make due.
We Are The Mighty is proud to support the release of ‘Hunter Killer,’ a submarine thriller starring Gerard Butler and Gary Oldman that hits theaters on October 26, 2018.
An extra two hours of duty is nothing if it means not losing your freakin’ mind.
(U.S. Navy photo by Mass Communication Specialist 1st Class Jeffrey M. Richardson)
There’s a certain flow that gets developed while underway. The lack of sunlight actually makes it easier on the human body to adapt to a new circadian rhythm, which makes splitting shifts a little easier. There’s a running joke among submariners that the only reliable way to tell the time it is by what the mess hall is cooking. If it’s waffles, it’s probably morning. If it’s leftovers, it’s definitely midnight.
The crew takes turns cycling through three eight-hour shifts: eight hours of sleep, eight hours of duty, and eight hours of free-time. Prior to 2014, submariners endured an 18-hour day that was split into three sections of six hours of each, but it was decided by the powers that be that shifting people off of a 24-hour cycle was a terrible idea for everyone’s sanity.
This 15 sq. foot rack can be all yours for the low, low price of a one enlistment contract!
(U.S. Navy photo by Mass Communication Specialist 1st Class Jeffrey M. Richardson)
When it comes to sleeping, it’s not an exaggeration to say that the racks resemble coffins. Stacked two high and barely arms-width apart, the only way you can get any kind of privacy is via a tiny, little curtain. If you can get used to that, great. If you can’t, well, sucks to be you…
The space for your personal belongings amounts to all of a single drawer under your rack and a cabinet above your pillow. To everyone else in the military, that’s about a duffel bag’s load of stuff to last you an average of 90 days. What this means is that you’ll usually take changes of uniforms, the occasional personal memento, and that’s about it.
Slackers, rejoice! You probably won’t be PTing that much while you’re underway. Just remember that PT standards still apply when you’re back on land, so there’s that…
(U.S. Navy photo by Mass Communication Specialist 1st Class Steven Khor)
After the submariner finishes their assigned watch, their time is their own until they head back to bed. They’ll often get called back for work or get stuck on some mind-numbing detail — but sometimes, it’s a nice break in the monotony.
Since you can’t really chill out in the living quarters if you’re lower rank, the preferred way to relax is to crowd into the mess hall and watch TV. New submarines are being fitted with internet access to give submariners something to do — but don’t expect speeds greater than old-school dial-up all the way down there. There are gyms on board, but you’ll have to stretch your definition of “gym” to mean two machines that are shared among the crew.
Life isn’t easy on a submarine. It’s not for everyone. But if you can endure the extensive training to earn your Submarine Warfare Insignia and knock out a deployment-at-sea in a cramped tin can, you’ve earned the right to be objectively cooler than (nearly) everyone else in the Navy.
We Are The Mighty is proud to support the release of ‘Hunter Killer,’ a submarine thriller starring Gerard Butler and Gary Oldman that hits theaters on October 26, 2018.