Marine recruiters talk a good game to get prospects to sign on the dotted line, but words can only carry so much motivation. For some, it’s visual representation that can genuinely inspire a young adult to sign a contract and serve in the Corps.
Although posters are pretty cool, epic commercials that put adventure and self-righteousness on display are better.
One of the great recruiting commercials highlights the transformation of driven, young women into the ultimate Marine. Katy Perry may have intended to make her music video Part of Me feel like this motivating video, but she fell short.
Released in the late 1980s, this commercial showcases the Corps’ fighting spirit. The video symbolizes how troops will be trained to eliminate any threat that challenges their nation’s existence, even if that threat is a giant, flaming monster.
Taking a page out of the Legend of King Arthur, the Marines’ 1987 commercial invokes medieval knights to tell young men that if they become a part of the Corps, they would be seen as one of the greatest warriors who ever lived.
Now, who wants to sign up?
(Marines | YouTube)Do you agree with our list? Comment below and rank these videos yourself!
It’s one of the most cinematic forms of storytelling in war or action movies. Morale is down and all of the dejected troops look up to their great leader, the protagonist of the film, to deliver some sage words of wisdom and inspire them onto the pathway to glory.
We, the audience, know that the protagonist is more than likely going to win the battle and we can assume that, in real life, there’s no speech powerful enough to miraculously change troops’ minds about wanting to, you know, not die. That being said, whenever we see our sublime hero stand in front of their troops and deliver one hell of a speech, it gets our blood pumping.
And don’t just take our word for it — the films that feature the top four speeches on this list also swept the Oscars when they were released. Critics and moviegoers both love a powerful, pre-battle speech.
Ragnar Lothbrok — ‘Vikings’
There’s a disconnect between Hollywood and actual warfare. Normally, before a gigantic battle or fight, a leader won’t stand in front of their warfighters and give a rousing speech. The fight is just moments away — there’s no time to wax eloquent. In History’s Vikings, they get it right.
This is typically how pre-battle speeches typically go down in real life: “Don’t do anything stupid. Let’s kill the enemy. Here’s a a few tactics we should follow.”
In the brief speech below, delivered during the first episode of the series, we get a good look at how these speeches probably looked during the viking golden age.
Agent Maya — ‘Zero Dark Thirty’
This one also falls under the “how it actually happens” category. The fact is, the closest that pre-battle speeches usually get to the front lines is on base, miles away. The speech outlines mission objectives and is (typically) subject to questions/snarky comments from the people going into the fight.
There is honestly no better example in film history of this actually being done right than in Zero Dark Thirty, moments before SEAL Team Six flies out to finally get Osama Bin Laden. The speech is even complete with a “he’s there… and you’re going to kill him for me.”
President Whitmore — ‘Independence Day’
The world is under attack by hostile aliens and it’s up to the what remains of the military to stop them. Realistically, there’s no chance at survival, but just the right people are listening in to this speech, gaining the strength to fight on.
Not only does the speech unite everyone that’s about to go fight the aliens, but it also calls for human to unite and stand together. And you know, it also includes one of the best title drops in cinematic history.
General Maximus — ‘Gladiator’
Character introductions are one of the hardest parts of a script to write. The audience needs to know, in an instant, who a character was before the movie started, what we need to know about them now, and why they deserve to be the main character. There is perhaps no greater introduction than the one for Roman General Maximus, shown at the height of his power
After making sure that everything is going according to plan, Maximus has a little time to joke with his troops and tells them that he will be going back to his farm. It takes Maximus all of twenty seconds to put instill his men with pride and confidence as the enemy rides ever nearer.
General George S. Patton — ‘Patton’
This speech is far deeper than most people realize today. Yeah, it’s technically being given to the Third Army right before battle, but the film, instead, depicts it as being delivered in a theater.
That’s because the speech isn’t being directed at the troops. It’s directed at the audience, 1970s movie-going America. It’s brilliantly re-purposed and given a new meaning by being presented in a way that highlighted much of the uncertainty and debate surrounding the then-ongoing Vietnam War.
Aragorn — ‘The Lord of the Rings: The Return of the King’
Everything in the Lord of the Rings leads up to one moment. A gathering all of the living warriors across Middle-Earth is charged with taking down the unstoppable scourge of Sauron’s forces. While the audience knows that Frodo and Sam are alright, Aragorn and his men believe them to be dead. They believe that Frodo has been killed, the ring was not destroyed, and it is instead in the hands of the enemy.
In their eyes, there was no way to win. They were all gathered just to die in front of the Black Gates. But not this day. They may all die, but they’ll make a valorous attempt to survive, spurned on by Aragorn’s courage.
William Wallace — ‘Braveheart’
William Wallace had finally banded the clans of Scotland together to finally make their stand against the English, but when they see the massive army they’re going against, they lose the will to fight. They come to the sudden realization that this “mythical” William Wallace that was supposed to lead them in battle is a mere man and, just as quickly, everyone wants to go home.
This is the perfect example of how the pre-war speech is supposed to go down. It’s up to William Wallace to remind everyone that there is no going back. There is no alternative to fighting, even if it means many of them will die. But if they die, they’ll go knowing they were slain for freedom.
Those attending the current four-week run of The Shakespeare Center of Los Angeles’ production of “Henry IV” at the West Los Angeles VA Campus may immediately recognize Tom Hanks as Falstaff, but what they probably don’t realize is that a crew of veterans not only built the stage, but are also working behind the scenes to make the production a success.
“It’s exciting to partner with The Shakespeare Center to provide our veterans incredible opportunities like the chance to work alongside professional actors, and to view live entertainment right here on the West LA VA campus,” said Ann Brown, director of VA’s Greater Los Angeles Healthcare System. “Partnerships like this one are vital to bringing the vision for this campus to life and to transform it into a vibrant, welcoming, veteran-centric community.”
“Henry IV” performances began June 5, 2018, and run through July 1, 2018, at the Japanese Garden located on the West Los Angeles VA Campus. The Shakespeare Center, in partnership with West LA VA, set aside 2,000 tickets for eligible veterans and active duty service members free of charge. To find out more on these tickets, visit http://www.ShakespeareCenter.org to receive information about reservations when they become available.
“We’re grateful to the United States Department of Veterans Affairs and the leaders of the West LA VA for this opportunity to bring our company to the Japanese Garden at the VA,” said Ben Donenberg, the founder and executive artistic director of The Shakespeare Center prior to construction. “We’re hiring and training 40 veterans to work on this production alongside consummate theater professionals to tell a riveting story about the forging of a Shakespearean hero. We’re proud to bring the vision of one of the American theatre’s most esteemed Broadway directors and the talents a world-class cast lead by Rita Wilson and Tom Hanks, our long-time supporters, to this very special venue.”
Rita Wilson and Tom Hanks, have been long-time supporters of the Shakespeare Center of Los Angeles through their 26 consecutive years of hosting and participating in Simply Shakespeare, a no holds barred impromptu reading of a Shakespeare comedy with celebrity casts and musicians that raises funds and awareness.
“The VA location speaks to our mission to present Shakespeare in urgent, vital, relevant and accessible ways that reflect the history, landscape and people of Los Angeles,” Donenberg said. “Our work with the VA and veterans inspires personal and community transformation.”
This article originally appeared on the United States Department of Veterans Affairs. Follow @DeptVetAffairs on Twitter.
Is anyone else feeling some anxiety with regards to our Mandalorian’s decision-making? This week, he brings the Yoda Baby on a reckless adventure with very shady sidekicks. It’s just very irresponsible parenting, to be honest.
But hey, more fun guest stars.
Here’s your spoiler warning.
The Mandalorian, Disney+
Chapter six of The Mandalorian is called “The Prisoner” because Mando (I’m stillstruggling with this nickname…is every Mandalorian called “Mando”?) our Mandalorian accepts a job from Space Santa, officially known as Ranzar Malk (played by Patriot’s Mark Boone Junior), to release a prisoner from a New Republic prison ship.
We’re not really given a backstory into why he chose to go meet up with this dude from his past but it’s immediately clear that he walked into a hostile environment.
Usually in an ensemble heist situation, we’re introduced to a ragtag crew of lovable characters with specific skills, but here it’s just a list of annoying enemies.
There’s Mayfeld (played by Bill Burr), who will be running point on the operation because Space Santa is retired. Then there’s a Twi’lek named Xi’an (played by Game of Thrones’ Natalia Tena), who likes to do a full-body hiss and play with her knives, which I can appreciate. There’s the droid Zero (played by Apple Onion’s Richard Ayoade), who is a droid so our Mandalorian already dislikes him for reasons that haven’t been explained yet. And then there’s Burg (Clone Wars’ Clancy Brown), who Mayfeld immediately insults for his looks.
(Also, why do guys do this to their friends? I’m genuinely asking. Why do you guys insult each other all the time? I can’t imagine introducing my girlfriends and being like, “This is Sally, she’s our DD tonight, and that ugly slut is Jane, who has promised to buy the first round…”)
It’s like Guardians of the Galaxy meets Suicide Squad.
The Mandalorian, Disney+
So…when our Mandalorian accepted Space Santa’s job, he was under the impression that his Razor Crest wouldn’t be part of the deal. In other words, his plan was to — again — just leave the Yoda Baby alone on the ship and then fly off to some illegal and dangerous mission?
Instead, he’s surprised when all these greedy criminals, one of whom already bears a grudge (Xi’an, who also maybe used to have a sexual history) board his ship and fly it and the Yoda Baby into harm’s way.
And, like, literally the only thing keeping the baby hidden was a button? Which Burg immediately pushes during a skirmish where he tried to take off Mando’s helmet.
The only good thing about all this was Bill Burr’s reaction:
“What is that? Did you guys make that thing? Is it like a pet?”
The Mandalorian, Disney+
Just like in previous episodes, the Yoda Baby’s race is rare — none of these scoundrels recognize him or register his significance other than sensing he’s important to Mando. The Yoda Baby is then dropped again when the Razor Crest is yanked out of hyperspace and docked on the prison ship.
This kid is going to need a therapist, I swear.
The Mandalorian, Disney+
The distraction is enough to move the crew into the bulk of the episode. They board the prison ship, which is supposed to be manned by droids only. Our Mandalorian proves himself by taking out the first wave of them. Within the control room, however, they discover a young New Republic prison ward.
Unfortunately for this kid, he becomes collateral damage (RIP Matt Lanter), but not before activating a New Republic distress call. Now we’ve got a ticking clock, spurring the group into action.
They find their prisoner, another Twi’Lek named Qin (played by Berlin Station’s Ismael Cruz Cordova), who is Xi’an’s brother — stranded there by Mando. The crew rescue Qin and shove Mando into his cell, which actually made things interesting.
Would the crew take off with the Yoda Baby in the Razor Crest, leaving Mando locked in a New Republic prison? Potentially forcing him to team up with them as he builds toward the season finale?
Oh. No. He busts out in two seconds. He busts out so quickly that he’s able to also track down and imprison each of the other crew members before they were able to reach the ship?
Holy crap, he’s so cute.
The Mandalorian, Disney+
Speaking of which, back on the Razor Crest, Zero has learned that the Yoda Baby is an expensive asset and sets off to hunt him. Right before he’s able to shoot the child, the Yoda Baby readies his adorable little Force powers and BOOM the droid drops.
Cute moment when the Yoda Baby thinks he did it, only to reveal that Mando is standing behind the droid, having just shot him.
This leaves Qin, who tells Mando he’ll go clean and urges the bounty hunter to just do his job and deliver the bounty.
I was kind of hoping to see the Twi’Lek in carbonite but apparently it wasn’t necessary.
Mando delivers Qin to Space Santa, who abides by the “no questions asked” policy with regards to the missing crew, and takes off.
As he leaves, Space Santa orders an attack ship to kill him…
…but in a fun twist, Qin discovers the New Republic distress beacon on his person right before an echelon of X-Wings drop out of hyperspace and destroy the ship.
baby yoda was shook #TheMandalorianpic.twitter.com/qZ0CWBXdYS
If you haven’t given Triple Frontier a go on Netflix, you definitely should. If you’re unfamiliar, the story follows five Special Forces veterans who travel to a multi-bordered region of South America to take money from a drug lord. It stars Ben Affleck, Oscar Isaac, Charlie Hunnam, Pedro Pascal, and Garrett Hedlund, who all do a fantastic job capturing the attitudes of their characters. But one thing especially helped make this film feel realistic: the presence of Special Forces veterans.
While Hollywood productions generally do have military advisors, it isn’t necessarily common that those advisors take the time to work with the cast to really nail down things like tactics and weapons handling. In this case, J.C. Chandor had two Special Forces veterans who did just that — Nick John and Kevin Vance.
Here’s why they were the most important part of the production:
This may not seem like a big deal but nicknames are a huge part of military culture and knowing how service members earn their nicknames can help you really understand the culture itself.
They taught the actors about nicknames
Charlie Hunnam plays William Miller who goes by the nickname “Ironhead,” and, of course, he wanted to know why, so he asked one of the advisors who explained that the nickname likely comes from the character having survived a gunshot to the head.
This film will have you saying, “Wow, these actors actually know what they’re doing with that weapon.”
They taught the actors how to handle weapons
Most of us who spent a lot of time training in tactics can really tell when the actors on screen haven’t had enough training, if any at all. It’s probably most evident in the way they handle weapons. In the case of Triple Frontier, Nick John and Kevin Vance really took the time to train the actors, and it shows.
They trained the actors with live ammunition
When learning how to handle a weapon, it helps to shoot live ammunition. Well, at the end of the first day of the two-week training, Nick John felt the actors were prepared to handle it. So, they gave them live ammunition and let them shoot real bullets, which is not standard for a film production, but it really pays off in this film.
The way these actors clear buildings is very smooth and convincing.
They taught tactics
After trusting the actors with live ammunition, Nick John and Kevin Vance ran them through tactics. From ambushes to moving with cover fire, the actors learned the basic essentials to sell their characters on screen, and they do so extremely well.
Actor Charlie Hunnam said, “It was amazing. I was shocked by how much trust they put in us. Very, very quickly, they allowed us to be on the range with live fire, doing increasingly complex maneuvers. We started ambush scenarios, shooting through windows and panes of glass, doing cover fire, and operating movements I’ve never done before.”
Veterans have a tendency to spot inaccuracies immediately. But, what Triple Frontier brings to the table is realism. While not perfect, it does a great job of really making you believe these characters are real and all the work Nick John and Kevin Vance put into teaching the actors really pays off.
If you haven’t checked out Triple Frontier on Netflix yet, you definitely should.
Anyone over the age of 25 was likely forever scarred by the combination of a creepy TV theme song and the voice of a classic film actor telling us about how we could be living our normal lives one moment, and then suddenly be abducted by aliens, shot by a stranger, or murdered by ghosts the next. Once you join the military, you might think you’re safe from being a walking potential story on Unsolved Mysteries. But you’d be wrong. The best you can really hope for is a quicker “update” segment.
1. Paul Whipkey
In Season 3, Episode 21, Unsolved Mysteries showed the story of Lt. Paul Whipkey, a promising young officer whose health was affected by the atomic testing projects he worked on. One day, he decided to drive to Monterey, Calif., just one mile from his base at Fort Ord. He disappeared and was never seen again.
His car was found abandoned in the middle of Death Valley. The Army says he was stressed about his assignment so he left the car and walked into the desert, where he likely died. His family and friends obviously take exception to this theory for a number of reasons.
First, the Army declared him a deserter and didn’t even begin searching for him or his body for eight months. His commander remembered Lt. Whipkey talking with plainclothes officials. The men had IDs but did not show which agency they represented. Whipkey then alluded to a career move, where he would “make a name for himself,” just before he disappeared.
Just 11 days later, Whipkey’s best friend Lt. Charlie Guess died in a plane crash, where his remains were found among plane wreckage different from the tail number of the plane he took off in.
Whipkey’s car was seen by locals after his disappearance, but it was driven by a man in uniform, which Whipkey was not wearing when he left the base. And next to the car was found was a pile of cigarette butts. Paul Whipkey did not smoke.
His family and friends believe Paul was recruited by the CIA to go one secret operations and that he likely died in the CIA’s service.
2. Edward Zakrzewski
This one was a pretty straightforward case, but when it first aired on the sixth episode of Unsolved Mysteries‘ seventh season, former USAF Tech. Sgt. Edward Zakzrewski was featured as a fugitive, wanted for the murder of his wife and two kids.
Zakzrewski and his wife were living in Fort Walton Beach, Fla. when she was found murdered to death on June 13, 1994 (according the the show, she was stabbed but the newspapers say she was bludgeoned with a crowbar). The two had been having marital problems and she was planning to leave him.
This story was creepy as hell when it first aired, but…
In season 7, episode 19, Unsolved Mysteries told us about Justin Bergwinkel, who went AWOL from the Army and was never seen again. He began language training for the Army Rangers, but washed out of the program before being sent to Fort Ord, California, where he became a cook.
He began dating a local student, Iolanda Antunes, and all seemed well for the most part. Until it wasn’t. He would drive to visit her but would randomly say he had to return to base. Other times, he would be bizarrely secretive about a briefcase he was always carrying.
Justin was soon transferred to Washington State, but would still come visit Iolanda. After Iolanda received a strange call telling Justin “the mission is off” he suddenly went back to his duty station. Things seemed to calm down. His parents were getting calls where he claimed to be doing well and that everything was fine. I think you can guess that things were not fine.
Burgwinkel purchased two handguns at this time, along 100 rounds of ammunition. On Friday, June 4, 1993, he failed to report for duty at 0430. He was declared AWOL but was not hiding. He called his duty section from Iolanda’s apartment. He called his parents and told them he was working and not AWOL – he was doing something important.
Eight days later, he left Iolanda’s apartment and never came back. He only ever alluded to the movie White Sands, a film about gunrunning, and then disappeared. His car was abandoned at a beachfront motel near Monterrey, where it had been for three months.
The briefcase with his wallet, car keys, and military ID were found in the trunk. He did not stay at the motel.
4. Chad Langford
The story of Spc. Langford was featured in Season 5, Episode 20. Langford was an MP stationed at the Redstone Arsenal in Alabama. On a pretty normal night, he was doing his usual patrol of the base when he radioed for assistance. When backup arrived, they found his radio, armband, and ID in the middle of the road. Down the street, Langford’s near-lifeless body was found outside his patrol car, shot in the head.
Langford’s sidearm lanyard was wrapped around his ankles, the radar cable around his neck, handcuffs on his left wrist, and his sidearm under his left shoulder. He died later that evening. The Army ruled it a suicide.
His family was outraged. Langford’s father Jim said he claimed to be doing undercover anti-drug stings for the Army. Fellow soldiers told Army criminal investigators that Chad was the ringleader of an attempt to rob the PX. The Army also maintained he was hurt about a recent breakup with his girlfriend and changed his lifestyle to fit a different narrative before taking his own life.
But his girlfriend says the breakup was initiated by Chad because his work was too much for him to share with her. When she last saw him, he was wearing different “gang-style” clothes and hanging with “unsavory” characters.
Chad’s family believes the evidence at the scene doesn’t match the Army’s story and that certain evidence, such as fingerprints and bullets to match the shell casings on the scene, was never found.
Though the Army reviewed the case after the broadcast, Chad Langford’s death remains officially a suicide.
5. Mark Dennis
In 1966, Corpsman Mark Dennis left Ohio for Vietnam. He thought it would be good for his future as a missionary. Dong Ha, Mark’s station, was a hotspot at the time. In July of that year, he was on a helicopter that was shot down with only three survivors. Mark was not one of them. The Navy suggested they not view his remains due to the condition of his body.
On Nov. 30, 1970, Newsweek published a photo of an unknown POW…one that looked just like Mark Dennis.
But the Navy determined it was someone else, a POW already documented. When the family requested his Navy death certificate, they found that Mark’s body was the only one not positively identified because it was burned beyond recognition. It was deemed Mark though the process of elimination.
That’s when Steve Wilcox, a Navy dental tech who was friends with Mark in boot camp, told the family of a friend from Mark’s unit. This friend told Wilcox that neither his corpsman material nor his dog tags were found in the crash and that there weren’t 13 bodies recovered.
The Dennis family then exhumed the body. The remains were covered by his uniform, and then a blanket. Pinned to the blanket was his dog tags, as per regulation. When his brother (a fire expert) examined the dog tag, he found them to be brand new and the burn markings inconsistent with a crash burn.
A privately-funded forensic analysis of the remains show a man five inches shorter than Mark Dennis. Furthermore, the body in the coffin was not burned by JP-4 fuel, but with regular gasoline. The family and his unit believe Mark never died that day.
Mark Dennis was not repatriated with other POWs when the war ended in 1973.
6. David Cox
This one is the true story of William Alvarado, who was nearly killed during a hazing incident, known as a “code red” for writing a Senator about Marine misconduct. You may recognize this story from A Few Good Men, because that’s movie based on these events.
The squad leader, David Cox, was convicted only of simple assault, claiming he was following an “implied order” from a superior officer. When the movie came out, he felt he was maligned in the film – after all, in real life, no one died. He and other Marines filed a lawsuit against the filmmakers.
As time passed, David moved in with his girlfriend and was hoping to get a job at UPS. That’s when he disappeared. One day, his girlfriend came home to find all the doors open, an uncashed paycheck in his truck, keys in the ignition, and a gun in the glove box.
Four months later, his body was found five miles from his apartment, cash and credit cards in his wallet. He was shot four times, execution style, while wearing his Marine Corps jacket (which he never wore). Investigators believe he knew his killer and went along willingly.
David’s mother warned he was too outspoken about U.S. activities in Cuba, especially in his high-profile days following the release of A Few Good Men. His former defense attorney believes his murder was related to the military, given the proximity to hunting ranges (where gunshots would be normal), and his choice of military attire.
The murder remains unsolved.
7. Joe O’Brien
Season 8, episode 1 brought us the story of Joe O’Brien, who had a vivid dream about being held prisoner in a cold cell, with only a striped blanket. His wrists were in terrible pain and even when he woke up, he found his hands sore and red.
Joe was worried about his friend Mohammed “Sammy” Mubarak, a Kuwaiti fighter pilot who was fighting in Operation Desert Storm. In the weeks following his vivid dream, Iraq surrendered.
Sammy came to visit Joe over Christmas the following year. Joe told Sammy of his strange dream and how the pain stayed with him for so long. Sammy told Joe his dream was Sammy’s reality – Sammy was held prisoner by the Iraqis on the same day.
Everything Joe saw in his dream, from the hand pain to the pattern of the blanket, was what Sammy lived as a POW.
Chris Pratt hasn’t been a series regular on television since his breakout role in Parks and Recreation. Since then, he’s transformed himself from goofy sidekick to leading man. From Zero Dark Thirty to Guardians of the Galaxy to Jurassic World, Pratt has proven that he can play a badass with specialized training and skills, and now he’s putting them to good use.
Returning to the role of Navy SEAL, Pratt will star as James Reece in former Navy SEAL Jack Carr’s The Terminal List, a conspiracy thriller with a straight-to-series order on Amazon.
Perhaps even more exciting is that, according to The Hollywood Reporter, “Producers plan to assemble a writing staff where half the scribes are either veterans themselves or have veterans in their families. [They’ll also have] vets and their families as part of multiple aspects of the show.”
Based on a novel by the same name, The Terminal List follows James Reece after his team was ambushed during a covert operation and he uncovers a conspiracy that runs to the highest levels of government.
Pratt partnered with executive producer and director Antoine Fuqua (Training Day, The Magnificent Seven, The Equalizer) to pitch the series, with David DiGilio (Strange Angel, Traveler, Eight Below) currently primed for writing.
Pratt took to Twitter to acknowledge the announcement:
Such a misleading picture to announce what is guaranteed to be the most intense and violent character I’ve ever played. Careful TVguide or you’ll end up on James Reece’s List.https://twitter.com/tvguide/status/1257816640839995393 …
Author Jack Carr pictured Pratt for the role of James Reece even before Pratt’s film career took off. “The crazy part is, usually you think of Mark Wahlberg or somebody who’d done these kinds of [roles] before but I thought of Chris Pratt. All he’d done is Parks and Rec. He had a small role in Zero Dark Thirty where he plays a SEAL…and for some reason I thought, ‘That’s the guy.’ It wasn’t the obvious choice back then…but I thought ‘this seems like a likeable guy,'” Carr shared on the Joe Rogan Experience.
Carr goes on to talk about a fellow SEAL who reached out to get an early copy of the book specifically for Pratt, who read it and optioned it right away. Years later, the adaptation is becoming a reality.
“Usually they want to get rid of the author right away when they option something but Chris wanted me involved so I got to help out on the pilot script — and it is so good,” Carr gushed.
Check out Carr’s conversation with Joe Rogan in the video below:
How Navy SEAL Author Jack Carr Got Chris Pratt’s Attention
These guys all seem to be really into his whole “eat a live frog” phase…
For the Bounty Collection, you can be just like our Mandalorian and collect the baby! Isn’t that fun? These little 2.2-inch Yoda Babies come in three 2-packs “to choose from.” None in the bassinet, though. Interesting.
Um. One of those poses is called “don’t leave” — talk about manipulation.
In the fog of war, service members are forced to make decisions that will haunt them for the rest of their lives. Some decisions are based on actionable intelligence, and others are based on gut intuition; ultimately, anyone who deploys and sees combat will come up against the question of whether or not they’re making the right decision.
Recon, Robert Port’s latest film, explores just that. Stationed in Italy during the middle of WWII, Recon follows four American soldiers over a day as they’re ordered out on patrol on what might be a suicide mission. The men witness their sergeant kill a local right before they’re ordered out on patrol, so none of the foursome know if they’re being sent out to perish or succeed.
Unlike other war movies that explore the external motivating forces that drive the plot, Recon examines the internal challenges that deployed soldiers come up against. Recon is based on the 2010 novel Peace, written by Air Force veteran Richard Bausch.
Recon is the feature debut for Port, who won an Oscar for his 2003 documentary short, Twin Towers. Recon stars Alexander Ludwig (Vikings), Sam Keeley (68 Whiskey), Chris Brochu, and RJ Fetherstonhaugh. Franco Nero (Django, Die Hard 2, Django Unchained, John Wick: Chapter 2) stars as the local who leads the unit through the forest.
The film initially premiered at the Austin Film Festival last year. Despite its relatively low budget, Recon features some impressive production values. Most surprisingly, the entire film was shot in Canada – a fact that’s not obvious since the entire film takes place in a wintry forest.
So, what makes Recon different than all the other WWII movies out there?
In an interview with WATM, Port noted that Recon isn’t just a film for WWII veterans – it’s a film for all veterans. It’s also a film that asks much of its viewers – namely how to be empathetic toward America’s veterans. He wants the viewers of Recon to question their morality and mortality, just as the film’s characters do.
“What’s something I should do the next time I see a veteran? What’s it like to walk in their shoes? It’s easy for us to judge, but unless we were there, we don’t know,” said Port.
That’s something Port spent his life trying to imagine. After narrowly escaping Hitler’s invasion, Port’s grandfather came to America and then enlisted in the military to fight in Europe.
“He never talked, as many of the greatest generation don’t do, about the actual killing. Instead, he talked about how human beings needed to look out for one another,” said Port, noting that that’s a commonality that all veterans share.
It’s a question that Port has spent much of his life trying to answer, so when the opportunity came to work on the film, he jumped at the chance. Port hopes that his audience will watch Recon and then explore how they can give back to the veteran community.
In an interview with WATM, the film’s star Alexander Ludwig, of Vikings, said that working with a script where the main character was driven by internal forces rather than external obligations was life-changing.
“For me, that really helped me get into the psyche of what it would be like to be someone in 1944 in Italy and deal with the psychological and physical trauma they had to endure,” Ludwig said.
Aware of his ability to go back to his hotel room each night after filming, Ludwig said he still isn’t sure how the WWII soldiers endured.
“I can’t even say I know what it’s like to go through anything like that. It was one of the hardest things I’ve ever done and I’m so grateful to be able to share this wonderful story with the world,” Ludwig added.
Recon launched November 10 as a one-night Fathom event in AMC, Cinemark and Regal theaters nationwide and is now available On Demand Everywhere, learn more at http://www.reconmovie.com, #ReconMovie.
The new Charlie’s Angels trailer dropped today. Written and directed by Elizabeth Banks (The Hunger Games), who will also star as the timeless ‘Bosley’ character, the film stars Kristen Stewart (Snow White and the Huntsman), Naomi Scott (Aladdin), and Ella Balinska (Run Sweetheart Run) as the three angels.
After recently writing about the Hobbs & Shaw trailer, I couldn’t help but notice how different the advertising is for female-driven and male-driven films.
Fast & Furious Presents: Hobbs & Shaw – Official Trailer
“We’re gonna need the best trackers in the business. We’re gonna need to operate outside of the system,” said an operative with more substantial priorities.
If you had to boil down these two trailers, this is what they’re communicating about their films:
Charlie’s Angels: Fun, pretty girls fight bad guys.
Hobbs Shaw: Strong, funny men fight bad guys.
The comparison between these two trailers highlights a subversive social construct: in order for men to be heroes, they need to be strong (a feature that can be developed through will and dedication); in order for women to be heroes, they need to be beautiful (something outside of their control without painful surgery, or, I guess, wigs, toys, and clothes?).
I will at least acknowledge that the 2019 Charlie’s Angels description has been improved since the 2000 one:
2000: They’re beautiful, they’re brilliant, and they work for Charlie. In a smart, sexy update of the 70’s TV show from celebrated music video director McG. CHARLIE’S ANGELS revolves around three female detectives as intelligent and multi-talented as they are ravishingly gorgeous and utterly disarming.
(WE GET IT. YOU’D BONE THEM. CALM DOWN.)
2019: In Banks’ bold vision, Kristen Stewart, Naomi Scott, and Ella Balinska are working for the mysterious Charles Townsend, whose security and investigative agency has expanded internationally. With the world’s smartest, bravest, and most highly trained women all over the globe, there are now teams of Angels guided by multiple Bosleys taking on the toughest jobs everywhere.
Now here’s the description for Hobbs Shaw:
Ever since hulking lawman Hobbs (Johnson), a loyal agent of America’s Diplomatic Security Service, and lawless outcast Shaw (Statham), a former British military elite operative, first faced off in 2015’s Furious 7, the duo have swapped smack talk and body blows as they’ve tried to take each other down.
But when cyber-genetically enhanced anarchist Brixton (Idris Elba) gains control of an insidious bio-threat that could alter humanity forever — and bests a brilliant and fearless rogue MI6 agent (The Crown’s Vanessa Kirby), who just happens to be Shaw’s sister — these two sworn enemies will have to partner up to bring down the only guy who might be badder than themselves.
Just imagine if The Rock were on a super secret mission that involved coordinated dancing.
These are meant to be fun tentpole films, but stories have always impacted society and culture. These two films clearly have different target demographics, but they each seem to be straying from the path of the hero’s journey against evil. They stray in completely different, but I’d argue equally concerning, directions: for girls, it’s that excessive beauty is the answer to our problems and for men, it’s excessive violence.
What do you think? Are these films saying something about our society or are they just here to show us a good time? Leave a comment and keep the conversation going.
Two childhood friends take advantage of a loophole in the way the U.S. military puts out its contracts and become international arms dealers. Yet, it’s the crazy true story on which the movie War Dogs is based. Add to that the stellar performances of co-leads Jonah Hill and Miles Teller and you get a dark comedy veterans and civilians alike can crack a beer and watch together.
1. Bromance with guns
Inspired by the improbable adventures of Efraim Diveroli and David Packouz (who has a cameo singing “Who fears the Reaper” in the retirement home scene), the movie addresses a mostly comedic tone on a very serious subject: international arms trafficking. Although some people criticized the comical treatment of the subject, the minimization of the US government’s part in the story. What better way to get people interested in a serious and controversial topic than by giving them a good laugh?
With sleek action, a rocking soundtrack and well-crafted dialogues, the movie offers to take the viewers through the rollicking adventures of two Miami pals living the high life. Drugs, guns and accompanied by women with a shaky morale compass? They’re borderline CIA material at this point. Yet, by and by, the promised buddy comedy turns into an indictment of unrestrained capitalism, human greed and the Administration that led to the war in Iraq. War Dogs is a dark comedy that pelts you with laughs and insights into the heart of human depravation with the same enthusiasm and leaves you with a smile on your face reciting, ‘Fallujah bad!’
2. Veterans would not have made the same mistakes
After all, how can two regular guys without any particular qualifications become suppliers on multi-million dollar contracts for the most powerful military in the world? What devil did they bargain with to become such wealthy international arms dealers? Can any shred of morality survive in this business? Also, how do we get in on that? Asking for a friend.
Jonah Hill and Miles Teller each deliver a Terminal Lance-like performance in their respective roles. Hill, playing a bloated, cocaine-using Efraim Diveroli (Hill gained 44 pounds for the part), reprises a role somewhat similar to his part in The Wolf of Wall Street. He’s equally sleazy, callous and convincing in both roles. As the more naïve Packouz, Teller is almost innocent enough to be touching. The characters are a charismatic scumbag and a gullible, yet loyal friend who get in over their heads. Neither were evil masterminds. Albania, a Communist country for a long time, made 80% of its trade with China. That fact alone would have alerted more clever businessmen about the dangers of dealing with communists. It takes a special mindset to accept to exchange one’s integrity and morality for money.
3. Its a commentary on unchecked capitalism
That mindset is the one fostered and encouraged by unbridled capitalism. As Diveroli says: “God bless Dick Cheney’s America!” How many young Americans are taught that it’s all about making money, no matter the cost? That everything can be accepted and forgiven if it’s in the name of profit? In the same vein as The Wolf of Wall Street and The Big Short, War Dogs uses dark comedy to denounce massive moral failings in the modern capitalist society. It makes us laugh about a profound and disturbing truth. Maybe it’s a laugh to avoid crying.
That’s why War Dogs is the best civilian war movie. Its narrative is sleek and its story is almost too incredible to be true. The talented leads make the characters convincing, touching, absolutely un-relatable, flawed and funny, yet it is difficult to really hate them without seeing them as products of a broken environment. Its light premises lead to a mordant analysis of politics and corruption in the early 2000s. It gives enough laughs and action scenes to make the pill easier to swallow. Especially when your buddy says “I was in Fallujah,” and sh*t you not, he has pictures. It’s an uncomfortably entertaining movie that sits between the private and public sector of the war.
The creator of the military counter-culture comic strip “Terminal Lance”—Max Uriarte—is the guest for this week’s podcast.
Max leads a busy life these days. He just published his much anticipated graphic novel “The White Donkey,” he’s working on building an animation studio, and he continues to publish his wildly popular comic strip.
This episode delves into the origins of the Terminal Lance universe, Max’s film aspirations, and his reasons for getting serious in the “White Donkey.”