Made on a budget of $0, the Annapolis midshipmen’s version of Mark Ronson’s “Uptown Funk” featuring Bruno Mars is the most polished military music parody to date. The cast and crew consist entirely of midshipmen, and it perfectly captures the joy of being on liberty. The crew even managed to mashup Anchors Away into the funky tune, listen closely around 3:00 of the video.
From the time the sun rises in the east and sets in the west, infantry Marines are out on the range or catching some much-needed shut-eye — usually in an uncomfortable place.
While on active duty, they’ll lament their decision-making history while hauling heavy combat loads across the rough and unforgiving terrain or missing important events back home or, you know, taking fire from terrorists.
But at the end of the day, ask any Marine and they’ll tell you: all that blood and sweat they shed was worth it. Not only that, their shared hardships become the foundation of some epic memories.
Life after the military can be a challenging and confusing time as many veterans attempt to find themselves. For the Marine-turned-rapper known as Fitzy Mess, using his passion for music to help tell the stories of his unique experiences is a way of easing the transition.
“To tell the truth its fun as hell for me, puking up booze while my platoon sergeant yells at me,” Fitzy Mess raps.
We’ve all been there, Fitzy Mess. We’ve all been there…
The MTV Music Video Awards was filled with stars that support the military. Our hosts, Marine Corps veteran Weston Scott and Air Force veteran Skye P. Marshall ran into Tito Ortiz, Kool Mo Dee, Jasmine Villegas and more.
We asked our celebrity supporters to snap to attention and give us their best salute, here’s how they fared:
We Are The Mighty (WATM) is looking for the next big recording artist from the military-veteran community.
Through Mission: Music, a nationwide search, contestants compete to win priceless experiences, including a chance to perform live in front of a stellar crowd at Base*FEST 2017 powered by USAA this Labor Day weekend and be mentored by an industry professional.
In addition, five finalists will be flown to Nashville for a professional video shoot at the iconic Ocean Way Nashville Recording Studios.
Active duty, veterans, and military family members who sing or play an instrument are eligible to submit to WATM’s Mission: Music.
Here’s how to enter:
Grab a camera, introduce yourself and your connection to the military, and tell us a little bit about how music has impacted your life. Then, perform your favorite song or include clips from past performances.
The go-to song for so many troops on long deployments missing their friends and family back home was originally written for a little boy.
Singer Richie McDonald wrote the song for his son who was 4-years-old at the time while the band was on tour in 2001. His son asked, “Daddy, when are you coming home?” It makes you wonder how many times our servicemen heard those same words in the years to come. The song was soon adopted by many in service. And ever since, the band has dedicated it to our military every single night.
Lonestar started playing military shows shortly after 9/11 when their song, “I’m Already There,” hit the airwaves. Many of our military men and women adopted it, writing letters describing how much those words and melody meant to them. “It’s so gratifying to know that we did something that can make somebody’s life better from being away from their families,” says Michael Britt, lead guitarist.
We’ve all seen the famous painting, Spirit of ’76. In it, a young Revolutionary War drummer boy is marching alongside two other musicians. The boy is in his Continental Army uniform, looking up to an older drummer who is not in uniform. Another uniformed musician is wounded, but marching and playing the fife.
(Painting by Archibald Willard)
Today, Civil War veteran Archibald Willard’s 1875 painting still evokes patriotism in many Americans. It was, after all, painted on the eve of the United States’ centennial. Willard was the grandson of one of the Green Mountain Boys who, led by legendary patriot Ethan Allen, invaded Canada and captured Fort Ticonderoga during the Revolution. But there are a few errors in the painting: The scene it depicts never happened, the flag in the background wasn’t approved by Congress until much later, and the musicians are not wearing the right uniforms.
None of that really matters, it’s still a painting that resonates with Americans 100 years later. However, questions remain. What did the musicians wear in the Revolution? And why was it a different uniform from their fellow colonials?
In those days, musicians in an army existed to expedite communications on the battlefield. Music was loud enough to be heard over the din of combat and varied enough so that American troops would be able to respond to orders given from battlefield commanders without confusing them for other orders. They could even tell the enemy that the rival commanders wanted a parley. Incredibly (and accurately depicted in the painting), these communications were done by old men and boys who were either too old or too young to fight.
Boys that were younger than age 16 and men older than age 50 were enlisted as musicians. At the time, the average life expectancy for an American colonist was around 36 years, so a man older than 50 was both honored for his longevity and hard to find. Finding them on a dirty, smokey battlefield was just as difficult, so the uniforms they wore needed to be slightly more visible. There was also an economic component involved with the decision.
The regular Continental soldier wore a blue coat with red cuffs. Musicians, on the other hand, wore a red coat with blue cuffs. The red made them stand out on a battlefield where visibility was limited. It also made them stand out to the enemy, so if they were discovered, it was immediately clear that the small figure ahead was a musician — unarmed and not a threat (drummers were considered noncombatants). As an added bonus, the inverted uniforms were made from leftover materials in creating soldiers’ garb.
By the time Ohioan Archibald Willard was serving in the Civil War, musicians were wearing the same uniforms as their armed, regular battle buddies. Their purpose on the battlefields and in camp were the same — and Civil War armies still, by and large, used young boys (some as young as age 9) as drummers and buglers, but many also included full bands, with as many as 68 members in some units.
As battlefield communication methods improved, drums soon gave way to the bugle and, eventually, musicians disappeared from the battlefield altogether. Their role has since been replaced by radio and satellite communications, but for the time that musicians served in their battlefield communications role, the boys and men that filled those ranks were some of the bravest who ever marched with an army.
In 1987, singer David Bowie played a concert in West Berlin, near the Reichstag. The performance was so loud, a massive crowd gathered on the East side of the nearby Berlin Wall to better hear his performance. He could hear the East Germans behind the Iron Curtain, singing along.
At the time, he didn’t know it would be the catalyst for the beginning of the end the city’s crushing divide.
The Berlin Wall was built in 1961 to keep East Berliners (and all East Germans) inside East Germany. It certainly wasn’t needed to keep Western citizens out. It quickly became a symbol of the Iron Curtain over Eastern Europe, the barrier between East and West that kept one side subject to the oppression of forced Communism and the other a burgeoning society of freedom and self-governance.
It was in Berlin where Bowie recorded his 1977 album, “Heroes,” a song about two lovers, one from East Berlin and one from the West. Living with punk legend Iggy Pop in the city’s Schöneberg neighborhood, Bowie could walk outside his door and see the tyranny and death that came with living in the heart of the Cold War. The song’s lyrics were so descriptive of the city’s plight, it became one of Berlin’s anthems:
I, I can remember (I remember) Standing, by the wall (by the wall) And the guns, shot above our heads (over our heads) And we kissed, as though nothing could fall (nothing could fall) And the shame, was on the other side Oh we can beat them, forever and ever Then we could be heroes, just for one day
70,000 Germans attended the 1987 Concert for Berlin.
The artists spent years in Berlin recording his albums “Low” and “Lodger,” along with “Heroes.” Today, they’re referred to as Bowie’s “Berlin Trilogy.” A decade after recording “Heroes,” Bowie returned to Berlin as part of the Concert for Berlin, a three-day festival held near the Reichstag, the seat of West Germany’s parliament. Nearby was the Brandenburg Gate and, running through it, the notorious Berlin Wall. The music, forbidden in the German Democratic Republic (East Germany) rang out loudly in the West, and wafted over the wall.
Along with Bowie came Eurythmics, Genesis, and Bruce Hornsby. Thousands of East Berliners began to crowd the area near the gate, trying to get an earful as East German guards fought them back, dragging them away from the area and arresting the unruly. If they couldn’t listen near the wall, they could listen over the airwaves. The radio station Radio in the American Sector broadcast the concert in its entirety throughout the city, with the blessings of the artists and recording labels.
“It was like a double concert where the wall was the division,” Bowie told The Atlantic. “And we would hear them cheering and singing along from the other side. God, even now I get choked up. It was breaking my heart. I’d never done anything like that in my life, and I guess I never will again. When we did ‘Heroes’ it really felt anthemic, almost like a prayer.”
Eventually, the crowd broke into a full-on chant of, “the wall must fall!” and “Gorby, get us out!” When the concert ended on the third night, the East German police beat back the crowd with billy clubs. Even though Bowie headlined the second night, it’s believed his performance attracted more East Berliners to the wall the next night. It was the overreaction from the East Berlin police that turned so many residents against the regime. It completely changed the mood of the city, which would only be divided for two years longer before frustrations overwhelmed the wall.
“The title song of the ‘Heroes’ album is one of Bowie’s best-known works and became the hymn of our then-divided city and its yearning for freedom,” said Berlin Mayor Michael Müller. “With this song, Bowie has not only set musical standards, but also unmistakably expressed his attachment to our city.”
Bowie played Berlin again in 1989, after the wall fell and the city was united. His last show in Berlin was in 2004. When Bowie died in 2016, the German government officially thanked him for bringing the wall down and unifying a divided Germany.
The death of former Panamanian dictator Manuel Noriega brings back memories of the dictator’s last hours of freedom. U.S. special operators tried to force his surrender using loud rock music — music now gathered together on two handy Spotify playlists.
Instead of storming a building owned by a neutral, noncombatant foreign power, the Navy SEALs and Delta Force operators developed Operation Nifty Package. It was a psyops mission, designed to force Noriega to rescind his right of asylum in the Vatican-owned Embassy.
When Pope John Paul II refused to comment on the incident and the Papal Nuncio wouldn’t force the dictator to leave, the U.S. Army Psychological Operations Command began to blare a “Rock n’ Roll Assault on Noriega…for three full days.
Noriega was captured and sent to Miami where he was sentenced to 30 years in prison for drug and money laundering charges. He was extradited to France in 2010 to stand trial for money laundering there. Noriega was then extradited to Panama the next year to finish his sentences for the disappearances of political prisoners in the 1980s.
On September 22nd, thousands of fans poured into Lance Corporal Torrey Gray Field at Twentynine Palms, California for the final stop on USAA’s months-long BaseFEST tour. The all-day festivals brought together the military community at the country’s largest bases and offered free food, fun, and some great, live music — featuring larger-than-life bands, like The Offspring.
But veterans got in on the entertaining, too. Marines, troops, and their families were warmed up by Twentynine Palms’ own Matt Monaco, better known by his stage name, Modest Monaco.
Not a bad side-hustle if I do say so myself.
Monaco comes from a Marine family. His grandfather served for over 33 years in the Marine Corps and fought in three separate wars.
“Honor, courage, and commitment. That is who he was. Seeing that in him inspired me to want to be like him,” says Monaco.
And, in 1997, he did just that. “I’ve only seen my grandpa cry twice in his life. Once was at his 50th wedding anniversary and once was at my graduation for the Marines.”
As a Marine, he spent his days serving our country — his nights, however, were reserved for working on drift cars at his own shop. This side gig opened the door for him to become a DJ. Once he put it out there that he wanted to learn to produce electronic music, DJs would bring their cars to him and he’d pick their brains. Two years and a complete album later, he’s on stage at BaseFEST.
Modest Monaco is no stranger to Twentynine Palms. It was, after all, where he trained. But instead of embracing the suck, as Marines tend to do, he instead kicked ass on stage.
The night also featured Nombe, Carlton Zeus, Haha Tonka, and The Offspring. Sadly, the Southern California festival concluded this year’s BaseFEST tour. But if you missed it this year, don’t sweat it — BaseFEST was a resounding success, so fans can probably expect bigger and better things to come next summer!
To hear former Marine Corps Sergeant Matt Monaco, aka Modest Monaco, share his experiences in his own words, check out the video below.
Montana is a musician with a “rip-roaring, swamp’rockin’ vibe” — and he’s just getting started. He maintains a can’t-quit attitude that has lifted him from obscurity to Rolling Stone magazine. On one New Year’s Eve, an industry executive told Montana he’d never write a hit on his own. That night, he skipped the celebrations and wrote Low Class, just to prove the guy wrong.
Tim Montana makes his network television debut on Letterman | YouTube
In his youth, Montana had hoped to become a SEAL himself, but an injury prevented him from serving. His patriotism and support for the military, however, never faded (he says we’re all red, white, and blue-blooded). After Navy SEAL Chris Kyle was killed, Montana discovered there would be a Chris Kyle Memorial Benefit and Auction in Fort Worth, Texas. He immediately picked up the phone and volunteered to play for free.
He took it one step further and teamed up with Gibson to auction off a custom Chris Kyle Commemorative Les Paul Standard Special. It sold for $117,500.
So yeah, the guy makes sh*t happen.
And he’s chosen to use music to make his mark. He told We Are The Mighty there’s no way to know what music can do, but it’s cool to think about the possibilities.
“Music evokes emotion. It evokes thought. It captures a moment.”
He maintained his connection with Rob O’Neill, and featured the SEAL in his latest music video for Hillbilly Rich. Check it out:
In this episode of the Mandatory Fun podcast, Blake speaks with The Marine Rapper a.k.a. TMR about how he went from wrapping tacos to rapping music lyrics.
“I joined the military because I was working at Taco Bell and ironically as a [taco] wrapper,” TMR recalls. “I wanted more, so I became the manager. I [wanted to go] the same route as the [Taco Bell] founder did and become a Marine.”
If you’ve ever surfed the internet looking for military rap songs, chances are you’ve come across the unique sound of “The Marine Rapper.”
Known for sporting a red mohawk and wearing an American flag bandana, TMR served 10 years in the Marine Corps as a Combat Correspondent where he earned a Combat Action Ribbon and two Navy and Marine Corps Achievement Medals during his service.
After successful tours in Iraq and Afghanistan, TMR left the Marine Corps in February 2014. After entering back into civilian life, TMR began focusing on music as a profession and for cathartic expression.
The Marine Rapper ‘s Action Figure is a bouncy, hyper, fast-paced journey that chronicles the making of his identity. Each song is accompanied by a music video that will be released weekly on YouTube starting Sept. 29.
TMR’s Action Figure will be available for purchase on iTunes, Google Play, Spotify, Tidal and everywhere where digital music is sold Sept. 29. In addition, a limited run of signed physical copies and merchandise will be exclusively available on TMR’s website: themarinerapper.com
Check out The Marine Rapper‘s video below for a taste of what you can expect when his record drops Sept. 29 for yourself.