If you’ve ever surfed the internet looking for military rap songs, chances are you’ve come across the unique sound of “The Marine Rapper.”
Known for sporting a red mohawk and wearing an American flag bandana, TMR served 10 years in the Marine Corps as a Combat Correspondent where he earned a Combat Action Ribbon and two Navy and Marine Corps Achievement Medals during his service.
After successful tours in Iraq and Afghanistan, TMR left the Marine Corps in February 2014. After entering back into civilian life, TMR began focusing on music as a profession and for cathartic expression.
Since then, TMR’s music has been featured on the Range 15 Movie Soundtrack, the Oscar Mike TV series on Go90 network, and Apple Music.
“Star-Spangled Banger has many meanings,” TMR tells WATM. “It is a new Star-Spangled Banner, it is my moniker and a way of saying veterans made a banger.”
TMR’s music recounts personal war stories over hip-hop and rock inspired beats. He strives to motivate others and to use his rhythmic talents to immortalize his fallen brothers and sisters through music.
Check out The Marine Rapper‘s music video to watch “Star-Spangled Bangar” for yourself.
As a prior butter bar, I want you to know that I have no regrets about my career choice.
Sure, when I signed up for the military, I thought I was going to get to do a little less paperwork and a little more single handedly saving the entire world from terrorism for all time with my bravery, but hey, we all have our roles to play. Mine was to ensure my people were able to conduct mission ops — and deep down, I know that’s important, too.
I was very calculated about which branch I would serve in (Air Force, duh — I’m not a masochist) and how I would earn my commission (on the beaches of Southern California, like a BAMF). We trained on Fridays, and I was super into it (ROTC nerd to an extreme level) so I also attended optional Saturday morning training, which meant I missed out on the collegiate Thirsty Thursday, Friday night parties, and Saturday night shenanigans (because I was tired from all that training, bro).
So it really wasn’t until active duty that I realized how much lieutenants could party.
When we were at intel school at Goodfellow AFB, Texas, we set up a “pub crawl” where everyone served signature drinks from their dorm rooms — everything from a shot of Jeremiah Weed to a game of flip cup to Vodka mixed with Airborne tablets (“to help our immune systems.”)
My first Gin and Tonic was consumed in the SCIF while cramming for the Navy test (does one really need to be sober to learn about boats? I mean ships…).
In Korea, the pilots partied so hard I started carrying a sharpie with me so I could make a tic-mark on my palm to track my drinks. Most nights left me waking up with a bar code across my palm.
But beyond the drinking, the butter bars in the office are more likely to liven up the office with pranks and jokes — and let’s not forget who keeps the snack bar full.
Butter bars have it great. They have enough training under their belts to feel confident about testing themselves but not enough experience for any serious responsibility. It’s a carefree time. The good ones acknowledge their shortcomings and learn quickly. The crappy ones… well, you can read some of their stories in the comments on this post (and add your own — it’s hilarious!).
The point is, butter bars are precious. They’re bright eyed and ready for a good time. They don’t know that the sh*t is about to get real. Look out for them. Show them the way.
3. They’re the future brass
Four-stars have to start somewhere, right? Their experiences as CGOs will have an effect on their leadership style down the road, so help them out. Teach them the mission. Remind them of what’s important. Show them the value of mutual respect.
They’ll remember it later and we’ll all be better for it.
And for all you 0-1s out there, work hard before you play hard. You might be at the bottom of the officer ranks now, but you’ve still got men and women who rely on you.
Thirty-five years ago today John Lennon was murdered by Mark David Chapman — an avid Beatles fan — in the entryway of the Dakota apartments located in New York City’s Upper Westside. In tribute social media is lighting up with interpretations of Lennon’s message of peace that came in various forms during his artistic career, most famously in his songs “Imagine” and “War is Over (if You Want It).”
But John Lennon was born in England in 1940, the early part of World War II. His father was a merchant seaman, always gone on convoy runs, and — like the rest of his fellow countrymen, Lennon learned to hate the Luffewaffe and love the RAF as he watched airplanes fly overhead and heeded the wail of air raid sirens. He may have preached peace, but there’s no denying he understood the value of a strong national defense. His success was a product of it. Ironically enough, The Beatles honed their musical presentation — the one they would use to wow America on the Ed Sullivan Show a few years later — in the clubs of Hamburg, Germany, which had been a major industrial hub of the Third Reich a mere 17 years or so earlier.
There are several pieces of evidence of Lennon’s military inclinations. When we was a teenager he was a member of the Air Training Corps (sort of a British version of the Civil Air Patrol) according to a report by NME.
In 1966 Lennon played the role of Private Gripweed in “How I Won the War,” directed by Lennon’s good friend Richard Lester:
The Beatles movie “Help” (also directed by Richard Lester) had a few references to warfare including an all out war scene in an open field involving British infantry and armored units.
And don’t forget the Lennon-penned Beatles’ song “Revolution,” that included the lyrics “when you talk about destruction, don’t you know that you can count me out . . . in.”
She was a rescue swimmer in the Navy, she’s a motocross athlete, and she knows how to use a gun — so yeah, she can more than hold her own.
We Are The Mighty sat her down to find out about her taste in music, and it was everything we’d hoped for and more.
Carrizosa has the kind of self-confidence that lets her to talk about her many successes and adventures, still with the perfect blend of self-deprecating humor. You get a taste of this when she gives a sample of her Atreyu scream, right after nonchalantly mentioning her “50-cals” and right before laughing at herself.
“In my mind, music definitely has a strong power and it has the ability to move people for the better.”
During the halcyon days of broadcast television – before streaming media and DVRs existed – there were a host of military-themed shows on the airwaves. As much as the quality of the episodes (in some cases even more so) these programs were known for their openings and the associated theme songs. Here are 10 of the most classic:
MCCALE’S NAVY (1962-1966)
Forget JFK’s story from his time in the Pacific. Everything America knew about the history of PT boats came from “McCale’s Navy.” The show also showed that skippers could be cool and that POWs should be treated well; in fact, the Japanese prisoner “Fuji” was one of the gang. They even trusted him enough to make him their cook.
“Combat” lasted five seasons before American attitudes toward the purity of war were tainted by the realities of the Vietnam Conflict that came blasting into living rooms via the nightly news. “Combat” set a serious tone with this opening with epic orchestration and a narrator who’s basically screaming at the viewers.
GOMER PYLE, U.S.M.C. (1964-1969)
“Gomer Pyle U.S.M.C.” was actually a spin-off of “The Andy Griffith Show” and introduced the public to two concepts that remain true today: DIs are likeable guys underneath their gruff exteriors and (surprise!) the Marine Corps is populated by a goofball or two.
The drama of the opening theme of “Branded” was by-far the best part of this show. Watching Chuck Connors weather the dishonor of having his rank ripped from his shoulders, his sword broken in two, and the front gate closed behind him after he was shoved through it was heavy stuff.
F TROOP (1965-1967)
Manifest Destiny made into a sitcom. “F Troop” was a comedic take on life in the U.S. Calvary across the western frontier where Indian arrows went through head gear and nothing else.
HOGAN’S HEROES (1965-1971)
Not unlike what “F Troop” did to the reputation of Native Americans, “Hogan’s Heroes” showed the country that the Nazis weren’t inhuman tyrants but rather lovable idiots or clueless buffoons.
THE RAT PATROL (1966-1968)
This opening segment was all about the visual of U.S. Army jeeps going airborne over sand dunes without the guys holding onto the .50 cals in the back flying out or breaking their backs. “The Rat Patrol” was the show that introduced the nation to special ops and the idea that two light vehicles could take on (if not defeat) a column of Panzers.
STAR TREK (1966-1969)
For all of its allegory and social commentary, at its heart “Star Trek” was a show about military life on deployment. The opening remains among TV’s best with Capt. Kirk’s monologue, the Enterprise fly-by, and the soaring (albeit wordless) vocals.
Set during the Korean War, “M*A*S*H” was derived from Robert Altman’s 1970 black comedy of the same name and the theme song was an instrumental version of “Suicide is Painless” from the movie. The show’s finale was the most watched broadcast of any show ever until Super Bowl XLIV.
THE A TEAM (1983-1987)
“Punished for a crime they did not commit.” Oh, the injustice of it all. “The A Team” was known for gunfights, explosions, and car crashes that netted ZERO casualties. It’s also the show that made Mr. T into a household name.
Did the prime minister or the grunge icon say these things?
On the surface, the two have nothing in common. The Washington-born front man for Nirvana led the group to rock stardom. Eventually becoming known as “the flagship band” of Generation X, and Cobain as “the spokesman of a generation.”
On the other hand, Sir Winston Churchill served as the Prime Minister of the United Kingdom and led Britain to victory over Nazi Germany during World War II. Both Cobain and Churchill were student of literature — Cobain a poet and Churchill a writer. Churchill was awarded the Nobel Prize for Literature in 1953 for his overall, lifetime body of work.
Besides their different walks of life, the two seem to have a similar outlook. We gathered some of their most famous quotes to make this quiz. Can you guess who said what?
Ethelbert “Curley” Christian was the first and only surviving Canadian quadruple amputee of the First World War.
Born in Pennsylvania, Christian settled in Manitoba before enlisting in the Canadian Armed Forces almost a year and a half before U.S. involvement. It was in the Canada’s most celebrated victory at Vimy Ridge that Christian sustained his injuries, resulting in the loss of all four of his limbs.
Prince Edward VIII (who would later become King Edward VIII) visited Christian at the Toronto hospital and wrote about him in what would become a long string of inspiration that became Metallica’s One.
But it’s in their music that they show their support for the troops, using the “plight of the warrior” as a reoccurring theme. None of their songs (or their music videos) capture this more than 1988’s One.
The song takes inspiration from the novel “Johnny Got His Gun” written by Dalton Trumbo. The music video uses many clips from the same 1971 film, which was also written and directed by the novel’s author, Trumbo.
“Johnny Got His Gun” is about a World War I soldier, Joe “Johnny” Bonham, who suffers severe injuries. After losing all four limbs and most of his senses in combat, Johnny reflects on his life, as memories are all he has left. The film and novel are remembered for the ending where, after many years of insanity of being trapped, Johnny wishes only for death.
Having read Prince Edward VIII’s letter, Trumbo used the story as the inspiration for what would be his best selling novel.
Johnny may have been a fictional character, but Curley was the real soldier. And very much unlike Johnny, Curley loved life despite all that was thrown at him.
Ethelbert “Curley” Christian never lost any of his senses, unlike his fictional counterpart, and remained in high spirits through out his life.
His cheer was noticed by the then Prince of Wales, who wrote about the joyous veteran. Christian fell in love with his caretaker, a Jamaican volunteer aide named Clep MacPherson. The two would marry shortly after. Their love — and her nursing skills — would spark the Canadian Veterans Affairs to enact the Chapter 5 – Attendance Allowance, one of the first in its kind.
Years later, Christian would meet King Edward VII at the dedication to the Canadian National Vimy Memorial. He described to the Toronto Star their second encounter: “Just as he was passing he paused and pointed to me, saying, ‘Hello, I remember you. I met you in Toronto 18 years ago,’ as he broke through the double line of guards.”
After many years of a happy marriage and raising a son, Douglas Christian, Curley Christian passed away on the 15th of March, 1954. His legacy still carries on through both his advancement of Canadian Veterans Affairs and being the true inspiration for one of the most iconic power ballads.
You let us tag along on your convoy. You let us raid a house in the stack. You watched our ass while our head was in a camera viewfinder. You even let us eat your food. So when you ask us for some of the footage of the unit in action we’re happy to oblige.
When you want us to make a music video of it, no problem, even though we know using copyrighted music is illegal. We want you to keep letting us roll with you…and for you to keep saving our asses.
But then one of your officers tells us to use one of these eight songs and it makes us die inside.
1. Drowning Pool — “Bodies”
This is by far the most overused song ever paired with combat camera footage (with “Soldiers” a close second). And it’s not just commanders asking combat camera to do this. Civilians do this ad nauseam.
That video has more than a million views. A MILLION. I don’t understand the enduring popularity of this song, but if there’s a better or more obvious song about killing a lot of people, I haven’t heard it.
2. Saliva — “Click Click Boom”
A full 20 percent of YouTube is probably the same video footage of the military with this Saliva song — this Saliva song about how great the lead singer’s childhood was and how totally awesome it is that he’s on the radio now.
I wish Beavis and Butthead were around to rip on this band. Still, it does make it pretty easy to edit a video fast, even if I feel like a complete hack afterward.
The only lyric the casual listener probably understands for most of the song is “Bombs Over Baghdad,” so when you send it to your mom, she gets the point of the video, and can’t really hear about the struggles of Andre 3000 and Big Boi’s pre-stardom struggle.
4. Chad Kroeger ft. Josey Scott — “Hero”
The singers from Nickelback AND Saliva. Enough said. Good lord this song was so big in 2002-2003. You’ll be just as proud of a video featuring you clearing houses to this song as you are your trucker hat collection and your flip phone.
This song was supposed to be an uplifting anthem for the first Spider-Man movie but it’s the most depressing song I’ve ever been asked to use in any video ever. I bet if you asked Kirsten Dunst what the low point of her career was, it would be that she didn’t have the choice to be excluded from this music video.
5. P.O.D. — “Boom”
Another band who sings about how they’re a band now. If you haven’t noticed the trend, guitar riffs and shouting “boom” were super popular in the early 2000s.
P.O.D. is the MySpace of metal. They’re still around but no one knows why.
6. Toby Keith — “Courtesy of the Red, White and Blue”
This song is so cheesy, I’m actually surprised Chad Kroeger didn’t write it, but maybe there are some things even Pop Rock Jesus won’t do. Some of you might think this song is awesome but I doubt you’d play it at a party in front of all your friends.
Also Toby Keith got more awards and plaques from military units just for singing this song than some people got for actually enlisting after 9/11.
7. Godsmack — “I Stand Alone”
Forget for a moment that the frontman sounds like Adam Sandler’s impression of Eddie Vedder. This song’s lyrics read like they were translated from Nepali by Google Translate. Also, unless your unit is the 300 Spartans at Thermopylae (it isn’t), you definitely don’t stand alone.
8. AC/DC — “Thunderstruck”
Ok, this isn’t an awful song. I mean, I get why you might want six minutes of your squadron or platoon blowing things up to AC/DC. But, aside from the opening minute and a half or so, this is could be any AC/DC song. All AC/DC songs sound like this. That’s why we love them.
Nazareth — Hair of the Dog
To be honest, this request only happened once, but do you really think any young Marine is going to love watching themselves on a dismounted patrol to this song?
Why not just have me choose something from Chicago’s greatest hits? If I gave any grunt a music video of themselves with this song, they’d beat my Air Force ass so hard.
Informally referred to as “The Air Force Song,” the composition “U.S. Air Force” is a work of lyrical beauty and musical majesty — and it’s the one thing that can melt this cold, dark, veteran heart of mine.
Here are some fun facts about it:
1. It originated because of a competition, per Brig. Gen. Henry Harley “Hap” Arnold’s suggestion
Patriotic composer and lyricist Irving Berlin submitted an entry after flying in a B-1B bomber for creative inspiration. His wasn’t selected, but his work was later pieced into Moss Hart’s Broadway show “Winged Victory,” which helped raise funds for the Army Emergency Relief Fund during World War II.
Although the event was catastrophic, only two ships were beyond repair — USS Oklahoma and Arizona. The Oklahoma was eventually refloated to the surface, but the battle damage was too overwhelming to repair and return to service.
However, the USS Arizona took four devastating direct hits from 800kg bombs dropped from high altitude Japanese planes. One of the bombs ripped into the Arizona’s starboard deck and detonated. The explosion collapsed the ship’s forecastle decks, causing the conning tower to fall thirty feet into the hull.
Talks of constructing a permanent memorial started as early as 1943, but it wasn’t until several years later that the effort would take shape. After the creation of Pacific War Memorial Commission, plans of how to commemorate the ship’s memory began rolling in.
Admiral Arthur Radford ordered a flag to be installed on the wreck site and have a colors ceremony conducted every day.
In 1950, requests for additional funds were denied by the government, as their top priority was to focus on the war efforts in Korea.
In 1958, President Dwight D. Eisenhower inked Public Law 85-344 allowing the PWMC to raise $500,000 for the memorial construction. But after two years of fundraising, only $155,000 in total proceeds had been collected — they needed a lot of help.
Little did they know, they were about to get it.
Tom Parker read about the PWMC’s struggling endeavor and came up with a genius plan. Parker just happened to be Elvis Presley’s manager and was looking for ways to get his client back on top after being drafted by the Army in 1957 — Elvis was discharged from service in 1960.
Reportedly, Parker approached Elvis to perform at a benefit to help boost the memorial campaign — and his music and acting careers.
Elvis, who was not only patriotic but loved the idea of performing for a cause, agreed to help with the campaign. The PWMC agreed to Parker’s plan, and a performance date was set — March 25, 1961.
Although the performance brought in $60,000 in revenue, the campaign was still well short of its goal. But from the publicity of Elvis’ show, donations from outside sources rolled in, and the PWMC finally raise the $500,000 they needed.
On May 30, 1962, the USS Arizona Memorial officially opened thanks to Elvis and the PWMC.
In the first-ever Stand Up and Rock Out benefit event, American Legion Post 43 in Hollywood, California, got a heavy dose of comedy and heavy metal; attracting celebs, rockers, and plenty of vets. Held in the new, beautifully remodeled theater at The Legion, the sold-out event featured sets from Bill Burr, Jeff Ross, and Bob Saget and a performance by Eagles of Death Metal.
Rounding out the show was Joe Derosa with American Legion member Jon Stites hosting the whole event.
Jon is no stranger to comedy, having made the rounds all over LA and abroad. Before becoming a professional standup comedian, Jon was a grunt in the Army and even spent a little time as a college language professor. Now, he helps the iconic Hollywood American Legion get the street cred it deserves by bringing them acts like Bill Burr and Eagles of Death Metal. Check out the video above for a taste of the epic jam session and stay tuned for news about more rock shows coming to a Legion near you.
If you want to check out more Jon Stites, catch Mandatory Fun, where he breaks down the most hilarious clips from across the military.