Joker, Cowboy, and Animal Mother are just some of the iconic characters in Stanley Kubrick’s “Full Metal Jacket” that audiences hoped would survive as they maneuvered their way through the dangerous battlegrounds of the Vietnam War.
One character no member of the audience gave a sh*t about, though, was Leonard Lawrence a.k.a. Pvt. Pyle because he was slow, overweight, and ended up murdering his D.I. and blowing his brains out while sitting on a toilet.
Let’s pretend that the murder-suicide never took place and Private Pyle actually went out to the fleet.
When Elvis Presley turned 18 years old in 1953, he registered for the draft – just like every other young American male during that time. The rules governing the draft stated that all young men that were in good health were required to serve in the United States military for a minimum of two years. When he signed his name on that line, promising to serve, he had no idea of the superstar fame that would soon be coming his way.
After signing up for the draft, he graduated high school and soon began his entertainment career. Three years later in 1956, he was a film and recording star. Presley was in the middle of filming King Creole when he received his draft notice. He requested a delay so he could finish filming, which he was granted.
On March 24, 1958, with his family and friends by his side, The King reported to the Memphis draft board. Once he was sworn in and processed with others into the Army, he boarded a bus to Arkansas.
He would go on to coin the phrase “hair today, gone tomorrow” after he received his G.I. haircut.
Once Presley finished his basic training, he was on leave and managed to do a concert and recording session in Nashville. He then headed back to Ft. Hood, Texas, to complete his advanced training. His mother became ill during this time and passed away and Presley was granted leave to be with her.
When he returned to Ft. Hood, he was assigned to the Third Armored Spearhead Division. He soon boarded the U.S.S. Randall and sailed for Germany. Upon arrival, he served in Company C, which was a scout platoon. He was declared off limits to the press.
Presley would be right there in the thick of things alongside his unit. He completed all required duties. Some research suggested that he did more than what was required of him because he didn’t want people to assume he got special treatment. He would go on to earn a medal for expert marksmanship and rise to the responsibility of an NCO, all without seeking celebrity treatment.
He was honorably discharged from active duty in 1960.
Composer Ramin Djawadi had a formidable task ahead of him for the final season of “Game of Thrones.” Back when he was working on the seventh season in 2017, Djawadi didn’t know his music written for Jon and Dany would also need to play right as Jon Snow plunged a dagger into Daenerys’ heart.
Showrunners David Benioff and D.B. Weiss had “talked a little bit in riddles” about Dany’s fate and the music Djawadi needed to write, the composer said in an interview with INSIDER on June 11, 2019.
“They said, ‘OK, this needs to be a really romantic theme, but make sure that it’s a love theme that can imply complications,'” Djawadi said. “That’s how they started me out. They said things turn differently and things go wrong.”
Their love “theme” (the term Djawadi uses to refer to the melody unique to a character’s scenes that you can hear on the soundtrack) was worked into a track on the season eight score called “The Iron Throne.”
Daenerys and Jon embracing just before her death.
The song played just as Jon and Dany kissed, mimicking the way she believed they were going to have a happy ending. But it was cut short, right as Jon stabbed his queen. Djawadi says “The Iron Throne” is one of the songs he’s most looking forward to playing live later this year when the “Game of Thrones Live Concert Experience” goes on tour.
Keep scrolling to read INSIDER’s full interview with Djawadi, in which he reveals the “positive” message of the final scene with Jon Snow.
Kim Renfro: The final song heard on the show, called “A Song of Ice and Fire,” is obviously such an important endcap to the series. What were the emotions that you wanted baked into that particular track?
Ramin Djawadi: The thought was to really create a bookend to the whole show. We have our main title song that really represents everybody and the entire series, and we thought there’s no better way to end the show than with our main title theme. But this time it was with a full choir. We have men and women and children actually singing it.
Jon leading the remaining wildlings beyond the Wall.
We’ve heard that main title so many times at every beginning of the episode, so we wanted to leave the show with that — including the very last note on our small dulcimer [instrument]. The main title ends when the title card goes to black and they have that little “dum dum ba ba bum bum” on the dulcimer, and those are the same last notes people will hear on the show.
Renfro: Did you have any conversations with showrunners David Benioff and D. B. Weiss about what is going on with Jon specifically? I feel like the shows ends on this optimistic note, where he’s half-smiling and there are children around him. The children’s presence felt really important in that scene, because it’s this mark of the future and possibility. At the same time it’s a little sad, because he’s going into exile, basically, and leaving behind his past life. Were there conversations about that?
Djawadi: Yeah, absolutely. The idea is really that he stops and he looks back, and then the main title starts, and it’s the idea of a new beginning. It’s supposed to be positive and yeah, like you said, the fact that there are children around and [other] people — he’s not just by himself.
Jon taking one last look at Castle Black before heading into the North.
Djawadi [continued]: Originally [he was] with the Night’s Watch, and you’re not allowed to have a wife and children and all that, but this is him going out there with the wildlings, and you can interpret it like he’s starting a new life. He’s a changed man, and he’s leaving the past behind, and so it’s definitely supposed to be something positive. There are many possibilities now — that’s how we can look at it.
Renfro: I’d to talk about Brienne and Jamie, and the music you wrote for their important scenes. How did you approach that aspect of season eight, and especially the romantic element with both of them?
Djawadi: What’s interesting is their theme together came out of what I call the “Honor Theme” […] over the seasons, when they met and the way they treated each other, it was always an honorable theme. So that became their music. And the other big scene which I loved so much there, when she gets knighted, it was used there, and then, yeah, then we basically every time, I’m pretty certain with the development of their relationship, their theme was playing.
Djawadi: Yeah, I was going to get to that [laughing]. I just threw that in there because I thought it would be a subtle nod to their relationship. When she sits there and she thinks about him and writes down all the things he had done, the second half is the ‘Honor’ theme, but yeah a big chunk of that [song] is the wedding theme.
It’s just a hint of what their relationship — if they had stayed together, if he was still alive — what it could have been. What they could have become. That’s why I put that in there. I was amazed some people picked up on it. I was hoping people would go, ‘Wait a minute, that’s from season two.’ And that was exactly my intent. I thought it would be very appropriate.
Renfro: People absolutely loved that. A lot of fans were so attached to their relationship, and I think that it was really special to get a hint at that dream. Like Jaime and Brienne could have been married in some alternate timeline.
Brienne writing down Jaime’s deeds in the White Book.
Djawadi: Exactly. That was exactly my intention. It just shows the power of music, right? There were no words [in that scene] but by putting that in there your imagination goes [into] where this could have gone. I wanted people to have that emotion, and have those thoughts. I’m glad it was picked up.
Renfro: What was the most challenging scene to write music for this season?
Djawadi: I find almost everything challenging [laughing]. I guess maybe “The Night King.” I definitely knew that I wanted to really try to wrap up [on the show] things nicely with all the themes that we know and have come to love, so there were opportunities for that, but there were opportunities for new things.
Obviously “The Night King” theme was our big new theme this season, and writing that piece was challenging in many ways. One is because we decided to for the second time in “Game of Thrones” history to really focus on the piano again. We felt this was an opportunity to have a big piano piece, and we wanted to call back to “Light of the Seven.”
Game of Thrones S8 – The Night King – Ramin Djawadi (Official Video)
Djawadi [continued]: But then of course I had to reinvent myself, and here I was, thinking, “OK, how can I beat myself? I need to have something that has the same impact at this particular moment on the show and call back to ‘Light of the Seven,’ but it can’t be the same piece.”
If I had done an arrangement of “Light of the Seven” again it wouldn’t have made any sense. Cersei was nowhere to be seen, and that piece belongs to Cersei. But it was a very long scene, just like “Light of the Seven.” There were a lot of similarities, so I definitely made a connection [between them]. For example, I end up in the same key and tempo as the “Light of the Seven” by the end of “The Night King.”
But I also [wrote it knowing] when the piano drops people would sit up and go, “Oh, piano’s coming. This means something’s happening now. What’s going on here?” And the idea was that it would have the reverse effect. That you’d see the Night King on his final march towards Bran, and you’d think back to the Cersei theme and that this is all going his way and he’s going to win and it’s over.
We just had 50 minutes of action music and battle and they tried and tried, and they just can’t do it. It was supposed to feel like a finale and that they were all going to die. And then of course the big surprise happens at the end.
Arya surprised everyone when she killed the Night King.
Renfro: I know for past seasons there were times when Benioff and Weiss would give you some advance notice of an arc that was coming, because you needed to start planting those musical themes a little bit sooner. Did you have any advance notice that Dany was going to die, or that she was going to have this kind of turn at the end? The theme you used for her and Jon, called “Truth” on the season seven score, comes back into play right as she’s dying. Did you know when you wrote it that it was going to be a part of her death?
Djawadi: They showed me this season very early, earlier than any other season. But they weren’t that specific about Dany dying back in season seven. We’ve had such a good working relationship; they always give me exactly the information I need to know at the time.
When I wrote [Jon and Dany’s] theme, they said, “OK, this needs to be a really romantic theme, but make sure that it’s a love theme that can imply complications.” That’s how they started me out. They said things turn differently and things go wrong […] they talked a little bit in riddles.
To be honest, I never even thought about who was going to die, but I just took it as, “I need to write a love theme that has some drama to it, that can show complications.” That’s really the word they used, that things will go wrong and [it’s] “complicated.” That word gave me enough information.
The Jon and Daenerys love theme played during their season seven finale sex scene.
Renfro: So the “Game of Thrones Live Concert Experience” is coming back. I’m super excited. I live in LA now, so I get to go to the Hollywood Bowl version. What made you decided to go with an outdoor/amphitheater vibe versus in the indoor arena setup from the past two iterations?
Djawadi: We just want to try different things. The Hollywood Bowl is a historic venue, and performing there has been on my bucket list. With venues like the Hollywood Bowl and others in all the different cities, these outdoor concerts can be very special. It’s just another way of performing it, and obviously the stage brings different challenges by being outside, but it’s exciting.
I’m actually really majorly reworking [the show] right now, because there’s so much material from season eight — we could have done a concert just with season eight alone. I’m trying to keep a cohesive story from seasons one through eight, which is tricky because I only have that limited amount of time. It’s exciting that I have choices, which is great. So I’m in the process of doing that right now. I can’t wait. Hollywood Bowl will be amazing.
Renfro: Is there a particular part of season eight you’re most excited to perform live for people?
Djawadi: Well, of course “The Night King” because it’s just a great set piece, and it’ll be fun and exciting to perform. And another one, I have to say, is actually [“The Iron Throne”]. It’ll be in there in one way or another. That’s the theme from when Dany dies, and it was such an emotional scene for me to write. I’m just really attached to it. I think it’s such a powerful scene, with Drogon, and so that piece is just special to me. I’m very excited to play that live with an orchestra.
Renfro: Well, I can’t wait to see it. Thank you for bringing all this music to life, and congratulations on finishing out this series. It’s really incredible that it’s come all this way, and that you’ve been there from the start.
Djawadi: Thank you. I think it still hasn’t caught up with me fully that [it’s over]. The live concert tour is helping me with it, because I just don’t want to let go, just how many fans probably don’t want to let go of the show. It helps me to still be working on the music and just stay in that world longer.
And yes, looking back it’s crazy when I think of how this all started out in 2011. And now with the concert tour, all this music that I’ve written and just going through it, I feel very lucky that I’ve been part of this. It’s been unbelievable.
As the final season of Game of Thrones rapidly approaches, a lot of questions about the show remain: Will Dany and Jon be able to find a way to defeat the White Walkers? Is Cersei really pregnant? Will Jamie finally apologize to Bran for pushing him out a window so he could keep his incestuous love affair a secret? But one thing is abundantly clear: A lot of people are going to die in the last six episodes. And in anticipation of the onslaught of death that millions of us will be witnessing, we decided to create a list of 11 characters that need to be dead by the time the final credits roll.
To be clear, this isn’t just a list of the characters we hate the most (though there are a few of those). Instead, it’s a look at whose deaths make the most sense in the scope of the larger story. So we are offering our perspective on which character deaths are the most appropriate narratively. With that in mind, here is our Arya-esque list of 11 characters who need to join Ned, Joffrey, and Ygritte in the great orgy in the sky.
This one is simple. From day one, Cersei has been nothing short of a monster and any hope she had of redeeming herself disappeared when she revealed she was going to leave Jon and Dany to fight the White Walkers without her help. It could be Jamie or Arya or literally anyone but for Game of Thrones to have an ending that feels satisfying, Cersei has to die.
Westeros’ last remaining gossip (RIP Littlefinger) doesn’t really have a role to play now that the never-ending game of thrones has been temporarily tossed aside in favor of fighting the White Walkers. He seems to mainly just look concerned while other people make decisions. Plus, Melisandre has already predicted his death and so it would be kind of weird if he lived.
3. The Moutain
It could be argued at this point that, technically, Gregor Clegane isn’t even really alive, as he seems to be more of some kind of Frankenstein’s monster than a human. But regardless, viewers have been clamoring for the Cleganebowl since Season 1 and hopefully, we finally get to see Sandor complete his redemption tour by murdering the shit out of his brother.
4. Theon Greyjoy
The disgraced ruler formerly known as Reek has experienced a lot of grief over seven seasons (to be fair, a good portion of it was caused by his own selfishness and disloyalty) but he has made some steps towards cleaning his filthy conscience and is now leading a mission to rescue his sister Yara. At this point, the best ending for Theon would involve him sacrificing himself to save Yara and perhaps even kill off his dickhead uncle Euron for good measure. Bittersweet? Absolutely but that’s about as good as it’s going to get for the guy.
Game of Thrones is filled with iconic villains but Euron has been mostly disappointing as a wrongdoer who seems to have been tossed into the mix to stir up chaos, to underwhelming results. At this point, if he doesn’t die in some grotesque fashion, then what has all of this been about?
This one hurts to write but hear me out. Our favorite quick-witted mercenary has always made a point of choosing survival over loyalty every time but it seems only fitting that at some point, he’s going to decide to turn on Cersei and join Jamie and Tyrion in the fight against the Whites. And knowing this show, he will probably be rewarded for this choice by getting viciously killed doing something heroic.
7. Bran Stark
One of the Starks has to die, right? Sansa and Jon seem like the most likely to live and while most people will put their money on Arya, I think Bran dying actually makes the most sense. As the new Three-Eyed Raven, Bran clearly still has a large role to play in the final season. But once the war is over, what does an emotionless prophet like Bran do? Looking at his awkward reunion with his sisters, it’s pretty clear a return to normalcy isn’t an option. So is he going to hang out in a tree like his mentor? Sounds depressing so I think the best send-off would be him kicking the bucket while putting a plan in motion that will allow the remaining Westerosians to take down the Night King and his crew.
Game of Thrones 7×04 – Arya reunites with Sansa and Bran
Right now, these kissing cousins are blissfully residing in Bonetown but the idea of them both somehow surviving and then ruling Westeros together seems too good to be true for Game of Thrones, right? This is a show that delights in subverting happy endings so it feels like the bittersweet ending would be for one of them to die heroically in battle, leaving the other to rule on their own. My money is on Dany but don’t be surprised if Jon becomes the first person since Lazarus to die twice.
9. Jorah Mormont
The traitor turned Dany devotee has managed to avoid death over and over again, which naturally means death is going to catch up with him to collect at the end. It will make me sad but it feels right that he goes out in a blaze of glory, perhaps even saving his unrequited love.
10. A Dragon
A major theme of the last season is going to be the sacrifice it takes to achieve victory and while it will break all of our hearts, that tells me that a second dragon is going to have to die. Which one? Most people have predicted Rhaegal but it wouldn’t surprise me if the show goes for the gut-punch and kills off Drogo, Dany’s favorite. Brutal? Absolutely but let’s not forget this is a show that turned a wedding into one of the most visceral bloodbaths in TV or movie history.
11. The Night King
Do I even need to explain this one? He’s the main villain and if he is alive at the end, that means every non-White Walker is probably dead. So this motherfucker’s gotta go.
Jon Snow vs The Night’s King – Game of Thrones 5×08 – Full HD
He focuses on a few things that Marines can do every day to make themselves better warfighters, like reading and working out.
One of the greatest pieces of advice was that all Marines should treat every week like it’s their last week of peace. That will drive them to prepare for war and will accept no excuses from themselves.
3. When he led Task Force 58 through the invasion of Afghanistan
One of the most forward units during the invasion of Iraq in 2003 was the 1st Marine Division commanded by, you guessed it, Mattis. He later led the Marines through fighting in the Anbar province including the first two battles of Fallujah.
His quotes during this time became famous. Speaking of which …
5. When he gave us some of the best quotes in military history
One quote that will definitely resonate with veterans of Iraq and Afghanistan, conflicts where U.S. troops are still engaged, is, “No war is over until the enemy says it’s over. We may think it over, we may declare it over, but in fact, the enemy gets a vote.”
6. When he explained the importance of reading is to save the lives of young troops
The general has suggested a few different things that Marines should do to become better leaders, and reading is consistently at the top of his list. In an email to a colleague, he explained that the real reason he always wants his subordinate officers to read is because it saved blood on the battlefield.
The whole email is worth a read, but this excerpt — where he is discussing the lessons that Alexander the Great and others have written in books — sums it up:
We have been fighting on this planet for 5,000 years and we should take advantage of their experience. “Winging it” and filling body bags as we sort out what works reminds us of the moral dictates and the cost of incompetence in our profession. As commanders and staff officers, we are coaches and sentries for our units: how can we coach anything if we don’t know a hell of a lot more than just the [Tactics, Techniques, and Procedures]?
Elite special forces are some of the best-trained and most formidable units a country can boast.
They go where other soldiers fear to tread, scoping out potential threats, taking out strategic targets, and conducting daring rescue missions.
These really are the best of the best.
Although it’s extremely difficult to rank these forces relative to one another, there are some units that rise above the rest in their track record and the fear they instill in their adversaries. These soldiers have been through rigorous training exercises designed to weed out those who can’t hit their exacting standards.
In a world where the importance of the sheer size of a country’s military forces is no longer a guide to their effectiveness, these soldiers are the ones states look to in order to get the job done.
8. The Special Services Group, SSG, in Pakistan is better known in the country as the “Black Storks” because of the commandos’ unique headgear. Training reportedly includes a 36-mile march in 12 hours and a five-mile run in 50 minutes in full gear.
In October 2009, SSG commandos stormed an office building and rescued 39 people taken hostage by suspected Taliban militants after an attack on the army’s headquarters.
7. Spain’s Unidad de Operaciones Especiales, or the Naval Special Warfare Force as it has become since 2009, has long been one of Europe’s best-respected special forces. Originally established as the volunteer Amphibious Climbing Company unit in 1952, it has since followed the SAS’s example to become an elite fighting force.
Earning the UOE green beret, however, is a big ask with the failure rate of candidates averaging between 70% and 80%. It’s not uncommon for 100% of would-be new recruits to be rejected.
6. Russia’s Alpha Group is one of the best-known special forces units in the world. This elite antiterrorism unit was created by the KGB in 1974 and remains under its modern-day counterpart, the FSB.
Russian special forces, and the Alpha Group in particular, came under criticism during the 2002 Moscow hostage crisis in which 129 hostages died from the effects of the gas used to knock out militants who had seized a theatre.
5. Of all the counterterrorism forces in the world, few can compete with France’s National Gendarmerie Intervention Group (GIGN). The group is 200 strong and trained specifically to respond to hostage situations. They claim to have freed over 600 people since they were formed in 1973. It is against French law to publish pictures of their faces.
One of the most extraordinary episodes in the GIGN’s history was the seizure of the Grand Mosque in Mecca in 1979. Because of the prohibition on non-Muslims entering the holy city, a team of three GIGN commandos briefly converted to Islam before helping the Saudi armed forces to plan the recapture of the mosque.
4. Israel’s Sayeret Matkal is another of the world’s most elite units. Its primary purpose is intelligence gathering, and it often operates deep behind enemy lines. During the selection camp (Gibbush), would-be recruits endure hardcore training exercises while being constantly monitored by doctors and psychologists. Only the strongest get in.
In 2003, Israeli taxi driver Eliyahu Gurel was kidnapped after transporting four Palestinians to Jerusalem in his cab. But the Sayeret Matkal unit located and rescued him from a 10-meter-deep pit in an abandoned factory in a suburb of Ramallah.
3. The British Special Air Service (or SAS as they are more commonly known) are the infantry counterparts to the SBS. Their insignia bears the famous phrase “Who dares wins.” Asked about the importance of the SAS’s role in the fighting that followed the Iraq war, US Gen. Stanley McChrystal responded: “Essential. Could not have done it without them.”
2. The UK equivalent of the Navy SEALS is the Special Boat Service. The selection process involves a grueling endurance test, jungle training in the rainforests of Belize, and combat survival training, which involves intense interrogation of candidates. And you get only two attempts to pass.
1. Last up, the US Navy SEALs. To join their ranks, you have to be able to do a minimum of 42 push-ups in two minutes, 50 sit-ups in two minutes, and run 1.5 miles in 11 minutes. And that’s before training starts.
BONUS: The US Marines are hardcore in their own right. Below, a US Marine drinks the blood of a cobra during a jungle survival exercise with the Thai Navy as part of the “Cobra Gold 2014” joint military exercise.
There’s something great about mixing violence and comedy. Stirring gore and laughs into the same pot is why horror and comedy often go hand in hand; think Army of Darkness, What We Do in the Shadows, and Zombieland. In the same way that some of the best zombie films trade screams for laughs, shootouts saturated in slapstick can be just as good as those with more serious battlefield heroics. As promised in “5 of the Most Memorable Shootout Scenes in Movie History,” here is the definitive list of the best comedic shootouts.
We’re starting the list off right with the best war comedy ever made (sorry, Stripes). Ben Stiller’s movie about a movie about a book that never happened was an instant classic. It’s safe to assume that anyone who spent time in combat after 2008 served alongside at least one person who quoted this movie under fire — it’s just that quotable. The Vietnam spoof opens with fake trailers and then lands in the middle of a hot LZ, where the rotor wash quickly stirs up equal clouds of hysterics and blood.
Quentin Tarantino is the master of aesthetic violence. From Pulp Fiction to Kill Bill, Tarantino uses excessive amounts of blood and guts to delight the senses. His 2012 Western Django Unchained might be the best example of Tarantino’s unmatched ability to make violence a joy to watch. The movie’s climactic gunfight pits Jamie Foxx against a plantation full of slavers and klansmen, and man does the scene deliver. Bullets seemingly whiz past the audience, and blood erupts in slow-motion geysers. Foxx wields a six-shooter better than The Duke himself, and it’s all set against a Tupac/James Brown mashup we never knew we needed. Enjoy.
Hot Fuzz is the only British comedy to make the list, but Simon Pegg and Nick Frost are an unstoppable comedy duo who deserve a list all their own. A supercop reluctantly partners with a Bad Boys fanboy to tear down a crime ring in a quaint English village. Their investigation into a string of murders comes to a head in the form of one of the funniest gunfights of all time. Complete with an old woman rocking an MP34 and a priest with a lethal trick up his sleeve, Hot Fuzz is worthy of an annual rewatch.
The 2008 stoner-comedy has great one-liners and a killer soundtrack, but it also has an underrated shootout. After witnessing a murder, Seth Rogen and James Franco attempt to take matters into their own hands. They quickly realize they’ve bitten off more than they can chew, and hilarity ensues as they tangle with violent drug traffickers. The epic gunfight takes place inside an underground marijuana farm and has everything from nonsensical hand-and-arm signals to AK-47s being fired overhead, Somali-style. It even has a fluorescent-lightbulb sword fight stuffed in the middle of it. It doesn’t matter whether you’re as high as the gunfighters or sober as a judge; you’re guaranteed to laugh.
21 Jump Street
Rounding off the list is the movie that made me stop hating Channing Tatum. The Magic Mike/GI Joe actor is actually hilarious. He teamed up with Jonah Hill to create one of the funniest gunfights in recent years. Johnny Depp makes a hilarious, albeit short-lived, cameo. Not yet Captain Marvel, Brie Larson trips balls while the bullets fly. The shootout is 10 minutes of laughs crammed into a gunfight between narcs, bikers, a track-and-field coach, and an angry girlfriend. Be sure to watch the entire movie, if only so you can see Rob Riggle get his dick shot off.
The new Charlie’s Angels trailer dropped today. Written and directed by Elizabeth Banks (The Hunger Games), who will also star as the timeless ‘Bosley’ character, the film stars Kristen Stewart (Snow White and the Huntsman), Naomi Scott (Aladdin), and Ella Balinska (Run Sweetheart Run) as the three angels.
After recently writing about the Hobbs & Shaw trailer, I couldn’t help but notice how different the advertising is for female-driven and male-driven films.
Fast & Furious Presents: Hobbs & Shaw – Official Trailer
“We’re gonna need the best trackers in the business. We’re gonna need to operate outside of the system,” said an operative with more substantial priorities.
If you had to boil down these two trailers, this is what they’re communicating about their films:
Charlie’s Angels: Fun, pretty girls fight bad guys.
Hobbs Shaw: Strong, funny men fight bad guys.
The comparison between these two trailers highlights a subversive social construct: in order for men to be heroes, they need to be strong (a feature that can be developed through will and dedication); in order for women to be heroes, they need to be beautiful (something outside of their control without painful surgery, or, I guess, wigs, toys, and clothes?).
I will at least acknowledge that the 2019 Charlie’s Angels description has been improved since the 2000 one:
2000: They’re beautiful, they’re brilliant, and they work for Charlie. In a smart, sexy update of the 70’s TV show from celebrated music video director McG. CHARLIE’S ANGELS revolves around three female detectives as intelligent and multi-talented as they are ravishingly gorgeous and utterly disarming.
(WE GET IT. YOU’D BONE THEM. CALM DOWN.)
2019: In Banks’ bold vision, Kristen Stewart, Naomi Scott, and Ella Balinska are working for the mysterious Charles Townsend, whose security and investigative agency has expanded internationally. With the world’s smartest, bravest, and most highly trained women all over the globe, there are now teams of Angels guided by multiple Bosleys taking on the toughest jobs everywhere.
Now here’s the description for Hobbs Shaw:
Ever since hulking lawman Hobbs (Johnson), a loyal agent of America’s Diplomatic Security Service, and lawless outcast Shaw (Statham), a former British military elite operative, first faced off in 2015’s Furious 7, the duo have swapped smack talk and body blows as they’ve tried to take each other down.
But when cyber-genetically enhanced anarchist Brixton (Idris Elba) gains control of an insidious bio-threat that could alter humanity forever — and bests a brilliant and fearless rogue MI6 agent (The Crown’s Vanessa Kirby), who just happens to be Shaw’s sister — these two sworn enemies will have to partner up to bring down the only guy who might be badder than themselves.
Just imagine if The Rock were on a super secret mission that involved coordinated dancing.
These are meant to be fun tentpole films, but stories have always impacted society and culture. These two films clearly have different target demographics, but they each seem to be straying from the path of the hero’s journey against evil. They stray in completely different, but I’d argue equally concerning, directions: for girls, it’s that excessive beauty is the answer to our problems and for men, it’s excessive violence.
What do you think? Are these films saying something about our society or are they just here to show us a good time? Leave a comment and keep the conversation going.
There are three people you should always be friends with: The cook. The medic (or Corpsman). And whatever the MOS of the person repeating the phrase.
Everyone in the military serves a purpose in the grand scheme of things, but this week we’ll break down why the cook always belongs on the top of that list.
This is first in a series that will cover the benefits, both obvious and subtle, of befriending service members of another MOS. Stay tuned for more! Who knows? Your MOS might be next!
Why they’re important
6. Everyone needs food
Just a fact of life. The average human needs 2,000 calories a day to stay functional — and that number is far higher for people with an active lifestyle, like troops.
There’s only a certain amount of MREs you (and your digestive tract) can take. That’s where the chef comes in — with fresh food.
Even on the other end of the spectrum, if you’re so POGgy that all you eat is fast food — well…you do you. You f*cking POG.
5. Despite the jokes, they’re actually really good chefs
“But they always serve those gross eggs that come in plastic bags!” the uninformed are typing furiously in the comment section.
This is true. Not denying that they do serve mass quantities of food that can only be eaten doused in sauce. But take a look at the stuff they can make when they have the time, like on holidays or “best chef” competitions. Even that awkward E-2 you only ever see in the smoke pit can probably pull off some really impressive work those days.
Why they’re actually important
4. They can get you more of the good food
They do have to hold on portion sizes during meal rushes to make sure everyone can get something to eat. It’s just the way things go if you’re told you have 400 pieces of bacon and 100 people to feed. You’d logically give four pieces to everyone. But the cooks know that there won’t be 100 people who want bacon.
Once they know that it’s cool, they will definitely toss those extra bacon strips your way.
3. They have access to the real deployment gold: Rip-Its, muffins, beef jerky, etc.
The weirdest thing happens on deployment. Money becomes meaningless (because everyone has expendable cash and nothing to spend it on) and minor things like Rip-Its, despite being half the size of the same ones they sell at the dollar store, have more value and trading power than the 5o cents it’s probably worth.
Why barter for gold when you could go to the goldmine itself?
What happens when you’re their bro
2. They can get you food on the off-hours
If you’ve ever worked KP, you will probably notice the bullsh*t that is all of the leftover food being tossed. Just trays of bacon being thrown directly into the trashcan. Most cooks are just like every other troop: plenty of them would rather save that bacon for their bros than see it in a landfill.
On top of that, there’s this weird thing about cooks. Most actually enjoy cooking — on and off duty. They may also just whip you up something in the barracks kitchen if you ask them nicely.
1. They will make you the food you actually want
Remember those disgusting bagged eggs from earlier in this article? Cooks can make you a real egg omelet if you ask them. Same goes for everything else in the “made to order” lines.
But the real kicker are those little comment suggestion cards they always have at the end of the dining hall. Not to blow their secret, but most cooks have a hard time coming up with countless menu options day in/day out, so they’ll stick to a schedule or a guide that has been passed down since god knows when.
If you say to your cook friend, “Hey man, I found this recipe for some Brazilian food. Looks easy enough,” they’ll likely give it a shot — and you’ll feast at “Brazilian Day” in the chow hall sooner or later.
The internet has previously noticed that the guys from “The Hangover” bear certain similarities to a military unit, but these guys function a lot more like an Army unit than drunk civilians have any right to. Here are six reasons why “The Hangover” is really about bad soldier stereotypes.
1. The lieutenant is only there because the commanding officer said he should be and he screws everything up.
For the eight of you who haven’t seen the movie, “The Hangover” centers around a group of guys who lost their friend, Doug (labeled “The CO” in the meme), and have to find him before his wedding.
How did they lose their friend? Alan, “The lieutenant,” roofied them. Alan is the brother of the bride and so Doug said he should be allowed to come. Two other characters tell Doug he should leave Alan behind, but the Doug insists on bringing him. Alan repays this kindness by attempting a blood pact and then drugging the group.
2. The senior enlisted is obsessed with the paperwork and is always on his phone.
Stu, the “Senior Enlisted,” wants to keep everything under the radar and so he is obsessed with the paper trail. He wants to use cash rather than credit cards, needs to get his marriage annulled and out of the public record, and is always on his phone lying to his girlfriend.
Extra bonus: Stu fits the worst enlisted stereotypes in a few additional ways. He eloped with a stripper/escort at a chapel with military discounts and he constantly tries to sound more important than he is (calling himself a doctor when everyone insists he go by dentist).
3. The CO thinks everyone will follow the rules despite all evidence pointing to the contrary.
Doug picks up the rest of the pack in a Mercedes his future father-in-law loaned him. On the way to the hotel, he seems to honestly believe that everyone will act like responsible adults. He even gives some ground rules for the car even though it’s clear his friends can’t be trusted.
At this point, Alan has revealed he can’t go within 200 feet of a school or Chuck E. Cheese. Phil, “The Enlisted,” has screamed profanities in a neighborhood and is currently drinking in the car. Stu, “The Senior Enlisted,” has asked the team for their help lying to his girlfriend so she won’t know they went to Vegas. Doug goes right on trusting them, even after Alan discusses a plan to count cards and Phil tricks Stu into paying for a villa on the strip.
4. The junior enlisted causes a lot of the chaos but takes none of the responsibility.
As the meme noted, the enlisted guy does all the work. But he shouldn’t really complain since he caused most of the chaos after they woke up in the hotel. When the group finds out they stole a cop car, he drives it onto a curb, turns the lights on, and uses the speakers to hit on women. After the cops catch up with them, he gets the group shocked with stun guns. While visiting a chapel, he leaves a baby in a hot car, telling the others, “It’s fine. I cracked the window.”
5. The lieutenant won’t stop asking dumb questions and saying stupid things.
Alan just can’t find his way in the world, much like a new lieutenant. He asks the hotel receptionist if the hotel is “pager-friendly.” He gives an awkward, prepared speech before he roofies the group. When he learns Stu accidentally gave away his grandmother’s “Holocaust ring,” Alan tells the group he “didn’t know they gave out rings at the Holocaust.”
6. CO can’t solve problems without help from the unit.
Doug, like a bad commander stereotype, can’t get stuff done without his unit. For most of the first movie, he is trapped on the roof of a hotel. It’s revealed that he tried to get help by throwing his mattress off the roof. That’s a good start, but he was up there for more than 24 hours. He was fully clothed with a sheet but didn’t yell for help, turn the sheet into a flag, or use the sheet to prevent his serious sunburn. He could’ve gotten attention by cutting an air conditioning hose, or at least tried to get back inside through the access door.
“I know why you’re here. I know what you’ve been doing. I know because I was once looking for the same thing. I was looking for an answer. It’s the question that drives us, the question that brought you here. You know the question just as I did:”
Will there be another Matrix film?
Looks like the answer is yes, fellow cyberpunk warriors. Yes, you bet your pleather-clad ass there will be.
I know, right?
There have been rumors for years, but Warner Bros. just announced that Lana Wachowski is officially set to write and direct a fourth film, starring Keanu Reeves and Carrie-Anne Moss in their dynamic and ground-breaking roles of Neo and Trinity.
“We could not be more excited to be re-entering The Matrix with Lana,” said Warner Bros. Picture Group chairman Toby Emmerich. “Lana is a true visionary — a singular and original creative filmmaker — and we are thrilled that she is writing, directing, and producing this new chapter in The Matrix universe.”
The Matrix 4 script was also written by Aleksandar Hemon (Sense8) and David Mitchell (Cloud Atlas).
This year marks the twentieth anniversary of The Matrix, which garnered four Academy Awards and birthed a franchise that has earned over id=”listicle-2639941881″.6 billion in the global box office. It is still considered one of the greatest science fiction films of all time — as well it should be. Have you watched it lately? It totally holds up.
Kim Jong Un, North Korea’s supreme leader, may preside over the most propaganda-inundated, oppressed, and ruthless country on earth, but he’s not crazy.
In fact, under the Kim dynasty, North Korea has time and time again shown strategic thinking and cunning, essentially staying one step ahead of international efforts to curb the regime’s power.
North Korea has, for decades, gotten its way without a major military campaign, and without a single attack on Americans on US soil. North Korea will continue to get what it wants in a broad sense, though sanctions and isolation will slow it down.
And North Korea will continue to get what it wants, enjoying a growing economy, powerful nationalism, and ever-improving nuclear and missile capabilities.
But if North Korea ever, ever fires one of those missiles in anger, the US will return fire in devastating fashion before you can say, “Juche.”
“Their primary concern is regime survival,” a senior US defense official working in nuclear deterrence told Business Insider.
North Korean statements traffics heavily in propaganda, but all sides seem to sincerely believe the Kim regime cares deeply about its preservation, and has built the weapons for defensive purposes.
“The North Koreans having nukes is a bad thing and we don’t want it. But if we lose that one, we survive it,” said the official.
This statement from a currently-serving US official knowledgeable with nuclear deterrence is a rare admission that North Korea gaining a nuclear ICBM capability isn’t the end of the world.
It’s time to stop thinking of Kim as some dumb and “crazy fat kid” as Republican Sen. John McCain recently put it.
Kim’s thinking seems cold-blooded and ruthless to the US, but he’s not crazy, and he’d have to be to attack the world’s most powerful country.
John Rambo was almost any other throwaway movie veteran. But luckily for the character – and fans of the Rambo series – the script for First Blood was in the hands of Sylvester Stallone. For Sly, something felt a little off about the story. So he asked real Vietnam veterans what was missing.
And movie history was made.
Sly gets input from veterans when it comes to writing “Rambo”
Given John Rambo’s place in the action movie pantheon,First Blood isn’t the shoot-em-up action movie someone might expect. In between the fight scenes, it’s a poignant remark on the treatment of Vietnam veterans, a wound that was still fresh when the movie was released in 1982. It started life as a book, but John Rambo’s speech at the end – the words that bring the entire story and its message together – wasn’t in the book. Stallone added it with the input from Vietnam veterans. It was a message that resonated with Vietnam vets in their own words.
Sly didn’t stop there. For the sequel, where Rambo is sent to Vietnam to rescue POW/MIA still in captivity, Stallone reached out to vets at Soldier of Fortune Magazine to talk about Vietnam War prisoners that might be held over. For the third, he tapped troops with experience in Afghanistan. He did the same to learn more about the decades-long civil war in Burma.
Stallone reprising his iconic role a John Rambo in Rambo: Last Blood.
Stallone’s favorite ‘Rambo’ weapon isn’t the trademark knife
There are a lot of now-iconic action scenes where John Rambo is using weapons to great effect. The large survival knife from First Blood is legendary, but Rambo has a whole cache of other tools. He uses the compound bow in every Rambo movie to come after, an M60E3 with one hand in First Blood Part II, and who could forget the time he uses a Browning M2 to first obliterate a Jeep driver at close range before taking out half of Burma’s army in 2008’s Rambo.
For Stallone, the latest weapon resonated most with him. Rambo is short on time in Last Blood and has to fashion a few weapons for himself. Among those is a “vicious” weapon crafted from a spring on a car for use in close combat. Stallone calls it a “war club” with the emphasis on war.
“That thing talks to me,” the actor tells We Are The Mighty.
Imagine all the places this pitchfork is gonna go.
John Rambo enlisted in the Air Force first
Sorry, Big Army. Before Rambo joined the U.S. Army’s most elite Special Forces unit, he crossed into the blue. It wasn’t just something he did for a few minutes before realizing he wanted to be in the Army, either. John Rambo did two tours in Vietnam as a combat helicopter pilot and even received the Medal of Honor before he ever thought about being in the Army.
According to the man who plays Rambo himself (in the video above), John Rambo got into a fight in Saigon with a bunch of Special Forces guys who told him that anyone could fight in the sky. So Rambo went to Fort Bragg as soon as he could, reenlisting so he could join the Army’s Special Force. In the film, you’ll see John Rambo in Air Force blue.
Catch Rambo: Last Blood in theaters starting Friday, Sep. 20, 2019.