Joker, Cowboy, and Animal Mother are just some of the iconic characters in Stanley Kubrick’s “Full Metal Jacket” that audiences hoped would survive as they maneuvered their way through the dangerous battlegrounds of the Vietnam War.
One character no member of the audience gave a sh*t about, though, was Leonard Lawrence a.k.a. Pvt. Pyle because he was slow, overweight, and ended up murdering his D.I. and blowing his brains out while sitting on a toilet.
Let’s pretend that the murder-suicide never took place and Private Pyle actually went out to the fleet.
Marine Corps veteran and beloved character actor R. Lee Ermey was missing from the “In Memoriam” segment of the 2019 Academy Awards telecast.
Ermey, who passed away in April 2018, is best remembered for his role as Gunny Hartman in Stanley Kubrick’s classic movie “Full Metal Jacket,” a legendary performance that should have made him a lock to be included in the video segment.
Ermey also played memorable roles in “Se7en,” “Mississippi Burning,” “The X-Files,” “Toy Story 2” and that 2003 remake of “The Texas Chainsaw Massacre.” He also hosted the TV shows “Mail Call” and “Lock ‘N Load With R. Lee Ermey.”
Other Hollywood legends left out of the tribute include Verne Troyer (Mini-me in the “Austin Powers” movies); the incredible Dick Miller (best known for playing a WWII vet in the “Gremlins” movies); Danny Leiner (director of the classics “Harold and Kumar Go to White Castle” and “Dude, Where’s My Car?”); Carol Channing (Oscar-nominated for her role in “Thoroughly Modern Millie”); Sondra Locke (Oscar-nominated for her role in “The Heart is a Lonely Hunter”); and the director Stanley Donen (“Charade,” “Singin’ in the Rain” and the unfortunate 80s sex comedy “Blame It on Rio.”).
We can all take a moment to remember Ermey with the “Left from Right” clip from “Full Metal Jacket.” RIP, Gunny.
Much to the surprise of nearly everyone who’s actually in the military and doesn’t give a damn about looking fashionable, apparently military-style is en vogue right now. And I’m not talking about your standard pilot’s jacket, pea coat, or camo pattern, but full O.D. green, black, and khaki everything.
For the most part, designers are putting a creative twist on existing uniforms rather than just wearing standard-issue. This isn’t to avoid being called out for stolen valor, but rather because uniforms as they are now are tacky when mixed with designer jeans.
Veterans have spent enough time in uniform to be experts on them, so it’s only fair that we critique their nods to our style.
7. Colecao – Inverno 2018 RTW
This is what I’m talking about when I say they’re twisting uniforms to work with designer jeans. Honestly, this outfit would be fine if it wasn’t for the backpack and the outer belt making it just… goofy.
Hats off to them for coming up with a patch bigger than the 1st Cavalry Division.
6. Marcelo Burlon – Spring 2018 Men’s Fashion Show
Not only does the camo everything make this outfit look like a full-body Hawaiian shirt, but the urban, greyscale camo pattern kind of died with early 2000’s rap videos.
Can’t knock it too much, at least his pants are bloused…
5. Zadig Voltaire – Spring 2018 New York Fashion Week
One common complaint about the transition from U.S. Army BDUs to ACUs was that they felt too comfy and were like pajamas. This one takes that a step further.
Undone top, shades, shower shoes, AND hands in the pocket? Yep. It’s a spot-on representation of an off-duty E-4 during a deployment.
Hanson at the GI Film Festival San Diego. Photo credit BH.
Brian Hanson has lived a few lives and succeeded in some of the harder endeavors known to man: earning a Ranger tab and making a movie. He grew up in Southern California, worked in Hollywood for awhile and then felt called to serve in the U.S. Army. He left Hollywood and became a Ranger serving on multiple deployments to Afghanistan. Upon returning from his service he fulfilled his dream by writing, directing and producing his first film, The Black String, starring Frankie Muniz.
WATM: Can you share about your family and your life growing up?
I was born in Detroit then my parents moved to San Diego. They were tired of the snow and wanted a new lifestyle on the West Coast. My father has always been a huge TV, film and history buff. I grew up in Escondido which is a suburb of San Diego. I had a sister that unfortunately was killed in a car accident when she was sixteen so that was a life changing moment in our lives. It was a paradigm shifter. My parents worked hard, and my youth was in many ways the normal SoCal life — riding bikes with friends, enjoying summers and playing sports. I had a real fascination toward movies and telling stories. It was always in me. I played football and baseball in high school. I also did student government. We did a field trip when I was a senior in high school to see a talk show at Paramount Studios to see The Kathy Lee Gifford Show. Seeing the stage, PAs and cameramen showed me that showbiz was a real industry and that I could do it. Even though I did (short) films with my friends it made me aware that I could direct myself toward the industry. It is a real thing.
I graduated that summer and my sister died, so all bets were off on going into the industry at that time. I did one year at San Diego State and then decided to travel abroad with a friend. We worked as bartenders and lived in the United Kingdom. It is what 18 year olds should do— go see the world. I started reading Syd Field books and Robert Rodriguez books like Rebel Without a Crew, watching El Mariachi, Swingers, Reservoir Dogs, Clerks, Blair Witch, The Following…I was really into the big studio movies (Saving Private Ryan, Back to the Future, The Matrix) and the independents. It was like you can do this, get a camcorder and you can do it. I knew I wanted to join the military, but not at that moment in my life so I came back from Europe and transferred up to Cal State Northridge. I graduated and got my proper film school bachelor’s degree. I knew I wanted to be a Writer/Director. My parents were very supportive of my endeavor in making it in Hollywood and telling stories.
Once US Forces entered Iraq in 2003, I had read voraciously about 9/11 and the invasion of Afghanistan. I knew I was going to join the military at some point, but when? I would be pouring drinks for young, good looking Hollywood people at a bar making hundreds of dollars a night where over their shoulder would be a TV on reporting the Battle of Fallujah. I started to not feel right about that, and I wanted to be an honest storyteller. I would like to be a storyteller that speaks truthfully and authentically and didn’t want to be the person that imitates. I didn’t want to be an imitator of Goodfellas or Full Metal Jacket. I knew I needed that life experience to be an authentic storyteller. I did a TV Pilot with some friends that we raised money for, and Brandon Routh was in it. This was right before he was cast as Superman in Superman Returns. Brandon and I bartended together at that time. He was a great guy to work with. I was also bartending at the Playboy mansion during the end of the glory days for Hefner and the Mansion. It’s tough to just walk away from all of that and you are making decent money in Hollywood. You are just one step or script away from “it” happening.
After not much happened with the TV Pilot I started to realize that Hollywood and LA are still going to be here. I wrestled a year or two of how to leave it behind after I had started a life. As I approached 30, I looked in the mirror and decided to join the Army because if I waited longer, the military wouldn’t let me join – I’d be too old. I would have regretted to my dying day if I did not serve. There were no questions in life. I knew joining as an older guy would be different when compared to most recruits. But I wanted to volunteer my time and some of the years of my life to serve my country, but I had to step up and go do it. I gotta do this and gotta do it now. I knew my goal was to come back to LA with this accomplishment and service to my country being complete.
Hanson at Fort Benning. Photo credit BH.
WATM: What made you want to become a Ranger and what was your experience like?
I didn’t know all the details when I enlisted as an 11Bravo (infantry), but I knew that Rangers and Green Berets were the high-speed special-operations units. One day in Basic Training at Fort Benning, the Ranger recruiters came out to ask for volunteers and my Drill Sergeant SFC Metcalfe looked at me and said, “Hanson, you better f’n volunteer.” So, I volunteered on the spot and a few months later I was reporting to Ranger Assessment Selection Program. Unfortunately, SFC Metcalfe was killed in action a year later when he deployed to Afghanistan with the 173rd. I thank SFC Metcalfe for pushing me to go Ranger.
I was stationed at Fort Benning with 3rd Ranger Battalion where it is a high-speed training cycle. You train for six months and then deploy for about 3 to 4 months. There is always a Ranger Battalion deployed. Just operating at that tempo, at all times, is exciting and inspiring to see your NCOs, squad leaders and platoon sergeants are on their sixth or tenth deployment. It was very inspiring to see their commitment to the unit at the cost of their family and personal time. When you are a single young, enlisted person it is very inspiring to see that level of motivation. Rangers hold themselves up to the highest standard of leading the way. You are always being tested. It is uncomfortable and you never have a chance to relax. It is a great way to stay sharp. It is a tough head space to always be in. You are always being watched. The young (new) guys compete like professional athletes to deploy, like trying to make the starting roster. Once you deploy you want to be on that mission every time. I deployed to FOB Salerno in Afghanistan on the border real close to Pakistan. My second deployment was at Camp Leatherneck/Camp Bastion and then my last deployment I was at FOB Shank aka “Rocket City”. That place was hit like all day with nonstop rockets. It’s funny how used to it you get.
The Taliban used a lot of ingenious guerrilla tactics like setting ice on the mortars to eventually melt and then go off at some point during the day. Apaches would launch to try and find the culprits however they were not there. We ran the night shift out there for High Value Targets (HVT) where we went on night raids. To see how targets were acquired and track and intel was gathering where the strike force commander was the CO. From top to bottom the whole thing was a collection of assets. We worked with the Air Force, Navy, Marines, big Army, DIA and had civilians running the drones. It is amazing to see people come together for these task forces where all of these people work together on the fly. Being 30 and seeing this strike force run by young soldiers/civilians is amazing because in Hollywood most 23-year olds close to me are up and coming bartenders/actors/writers/directors. In Afghanistan we had 23-year-old Forward Observers bringing in Chinook helicopters into dangerous LZs to pick us up for a night raid. 24-year-old squad leaders are ensuring that everyone is accounted for and that no one is left behind on the side of a mountain in Afghanistan. It is amazing to see what young people can do where they have been trained at such a high level and have high expectations. They achieve and are motivated. I think Hollywood is an amazing place where things get done, but I think a lot of it is a 10-year delay. It is a bit of an arrested development sometimes.
In a training incident I was a towed jumper. We were doing our yearly training for airfield seizures which is an entire battalion operation to seize an airfield. I was the last guy to jump out of a C-17 at night with a full combat load and got hung up on the plane which made me a towed jumper. I was hanging outside of a C-17 at 1000 to 1500 feet circling Fort Benning banging against the side of the plane and fully conscious. Thinking that I might die at any moment and this is not a normal thing to happen to people. My static line wrapped around my weapons case where when you are jumping your weapons case is attached to your thigh and your harness. Somehow there was too much slack in the static line to where it wrapped around the weapons case so it wouldn’t release me. The static line stays clipped inside the plane and it is supposed to pull the back of the pack tray. You jump and it pulls it out, but it got wrapped around and it pulled me.
I was okay with a tight body position and covered my reserve chute, so it didn’t release. I was out there for six minutes. I thought they were going to cut me loose to where all I have left is my reserve chute to land on some trees at night next to the Chattahoochee River. Then I started looking at my boots flying through the air and thought this is what parasailing must be like. Then I thought, did they forget about me and is the C-17 going to try to land? Do they not know I am out here, and I am going to do some high-speed combat roll on a tarmac as the C-17 lands? You are trained to keep a tight body position out there, so they know you are not unconscious. I kept slamming against the side of the C-17 behind a gigantic turbine engine. I hit the plane and stayed there where I started to get dragged across the skin of the plane. I felt hands underneath my arms and they pulled me in. Everybody was so glad to see I was alive and in one piece. I was just relieved as I was out there so long, I went beyond any initial shock, concern to just cut me loose guys so I can land on a tree with my reserve shoot.
They pulled me in and did a great job making sure I was okay. I had to retell the story for weeks to a lot of soldiers, especially Sgt Majors at the DFAC wanted to hear the story of a towed jumper. It was a very bizarre story because no one wants to be a towed jumper. It is a total nightmare scenario short of both chutes failing. It all ended well and twelve stitches in my chin was it. After all of that my 1stSgt checked on me and made sure I was alright. He then told me, “Get ready you are jumping tomorrow.” We had another jump the next day. The 3rd Ranger Battalion was like you are jumping tomorrow to get over any fear of jumping again. Just get out there and do it. I jumped not 24 hours later and believe me I was concerned. I said, “There is no way that can happen twice.” I got out the door and was fine. There is not a lot of pity or sympathy it is like get back up and do it again unless you are truly hurt, alright get up and do it as there is no time to think about. That is something I take with me to this day.
All of the pre-jump training you do these repetitive and boring things you already know, and I did one of those things without even thinking about it. It dawned on me why I do this training every single time. When that one time does happen, you are ready and have gone over the worst-case scenario. You will be that much quicker to save your own life or someone else. It seems so mundane and so repetitive and a waste of time until you need it. That repetitive action like weapons malfunctions….but when you need that instantaneous second nature habit it is the most important thing you could have known at that point.
Hanson at Camp Leatherneck. Photo credit BH.
Hanson on his last mission at FOB Shank. Photo credit BH.
Paratroopers jumping from C-17 Globemasters.
View of Camp Salerno. Photo credit wikipedia.com.
WATM: What are you most proud of from your service in the Army?
I am proud I stepped up to the challenge of 75th Ranger Regiment (thank you SFC Metcalfe) and made the team. Severing with my Ranger buddies was like the saying goes: “I was no hero, but I walked amongst a few.” I did my part and I know guys that are still out there doing it. I know squad leaders that are now getting their own platoons. Some guys have gone into elite units like Delta Force and the 160th Special Operations Aviation Regiment. I still think about them often and stay in touch. I want to make them proud because of the work they are still doing…I try to keep pushing myself in a way that would do right by the effort they are putting on…I am proud to have been on a team with those guys and seen what leadership means…and at such a young age and for so many people. I am proud to have seen it and been associated with that level of person.
Frankie and Paige Muniz, Kayli, Chelsea and Brian at Dances with Films. Photo credit BH.
WATM: What values have you carried over from the Army into Hollywood?
One thing that you see among some twenty something bartenders or Hollywood newbies that is unacceptable in the Ranger Regiment and also unacceptable in the Army are excuses. It is the same on production, there are no excuses. There are just no excuses. I don’t want to hear it other than a solution. Maybe an, “I’m sorry,” and that is it where I don’t even want to hear an excuse. Unless there is something disastrous you need to untangle. No excuses, just solutions. The high-level professional types of productions have that mentality where I really appreciate it. I do see the correlation between military units and productions. You have one mission where everyone comes together to accomplish it.
Also, you see this in the military and it is a career everything, keep moving forward just like a twenty-mile ruck march. You worry about the next step, then the next phone pole, then the next quarter mile where they will all add up. You can be overwhelmed by all of it if you look at it all at once where if you do it one step at a time you see that you can do it. Those are two crucial lessons I learned in the Army.
Hanson, Frankie and crew at Dances With Films. Photo credit BH.
WATM: What was one of the toughest lessons to learn coming from the service to Hollywood?
Even though I had worked in Hollywood before leaving, I came back a veteran, and still had to learn that there is a system in Hollywood. The system is not as rigid perhaps as the military. It isn’t just this artistic endeavor where you get to be a genius and be Quentin Tarantino or you are Steven Spielberg because you say you are. There is a hierarchy and there is a smart way to navigate. There is a way to get oriented and to a very real map of how this town works and have very realistic expectations. I think that veterans and others think of their prior accomplishments, whether a lawyer or a company commander of an infantry company, where you are not going to be a 1st AD. That is a ten-year path that is very regimented. The biggest challenge is understanding what the path to success is and how to realistically pursue those things. Know that they all take time and embrace that.
***Since leaving the Army I have learned so much by working as a Production Assistant on HBO’s Barry, Silicon Valley, Room 104 and worked as Assistant to Matthew Rhys on Perry Mason. Being on set and working for top level professionals has been an incredible learning experience and given me insight to become a better filmmaker on my own projects. I also greatly appreciate the film/tv mentorships, education and opportunities I was given through Veterans in Media Entertainment (VME), USVAA and WGF. It has been very important to find mentors and work for professionals.
Hanson with members of the cast and production staff at the Austin Film Festival. Photo credit BH.
WATM: What was it like writing, producing and directing your own feature film, The Black String?
The story was percolating for a long time before making the film such as Donnie Darko, Repulsion, Jacobs Ladder, which does a great job of blending horror and military, and Rosemary’s Baby. It was conceived with my bartending buddy Andy Warrener before I joined the Army. We wanted to explore in that story what it is like to be on that edge where you are experiencing something and no one else believes. It is you against the world. How do you convince someone of something that crazy of a witch conspiracy or a coven of witches? Or some really wild, evil cabal? The moment you say those words you already sound like you are having mental problems. Doctors will definitely not be going to believe.
The challenge we wanted was for a character to have to convince his family, his friends and his doctors of something that is inconceivable where no one in the real world is going to believe that. We put that in a genre we enjoyed which was horror. Now we thought maybe we would make that movie, but I joined the Army and Andy got married and moved to Florida. The wild thing is that you never know what you write today may be a movie in five or ten years. I lived a whole crazy life in between thinking of the story while tending bar with my buddy and then going into the Army. The difference in the time gap was about seven years. I could not have guessed that would have happened, especially with Frankie Muniz.
The creative part I was very comfortable with in the directing and writing having made many short films. I got an MFA from Mt. Saint Mary’s University with the GI Bill, which is a beautiful thing, loves the GI Bill. I owe so much to the GI Bill. So, I got very comfortable with the directing portion where you get very creative to bring this vision and feeling and this emotion you have to life in a very technical way. It is running the business, the producing part of things, to where you are starting a business, you are an entrepreneur. My producing partner Richard Handley, he is a Navy veteran and was an officer and Physician’s Assistant, he runs a contracting business with the DoD. We ran a business together where many purely creative types don’t understand what that level of dedication and commitment is.
To this day I have had probably had equal amounts of discussions about corporate taxes, LLCs, investor shares and running a business as I have about storyboarding shots. When you are doing an independent film like this, truly a passion project, you are building a team that is not a whole lot different…then opening a small company. You and your business partner are shouldering the burden if not for months, but for years. You have to love it and I do where it has been a great journey to where we had such great crew members and other producers that have helped us along the way. It is a multiple year endeavor when you do something like that in the independent world. You really are from the very beginning of raising money all the way to negotiating with distributors and foreign distributors and how you cut checks to your investors. It’s a true business education and kind of feels like I got this mini MBA education.
That was unexpected but the directing part was just amazing. Working with such talented people and friends that I had before joining the Army…we really were able to bring a lot of relationships such as Ravi Patel I bartended with as well. Cullen Douglas and Ravi and I did a TV pilot in like 2008. It was amazing to be able to reach back to my pre-Army friends that are so talented and my post Army, new team of filmmaking friends and bring everybody together. We called on so many favors. We had such great support from Mt. Saint Mary’s, VME and Vega Baby. We called in every favor where it is such a positive experience. When we landed in Frankie Muniz where he is a champ.
He brought his “A game” even for the tiny movie it was. He loved the character and the chance to do something different. He gave everything to our tiny project as he would have to our multi-million-dollar project. He treated us with respect, and he treated the script with respect. He came to set daily with a big folder of his personal notes. He was meticulous like a pro and his level of preparation and how he kept track of everything and what he brought was just amazing. He took that movie and made it really something different than perhaps something we thought. Frankie made it his Breaking Bad character. Like his Malcolm in the Middle dad, Bryan Cranston did on Breaking Bad. He was still kind of that funny person but had a much darker take on it. It is a dark twist on that guy you already know. Frankie imbued the role in the film with his Malcolm in the Middle persona, but whoa that is the dark side of it. What happened? Like Breaking Bad, what went wrong? To work with a pro, I learned.
To be able to work with actors like Ravi, Frankie, Cullen, Oded and Chelsea where they are people that do this for a living to be able to work with people like that and be creative partners with them for my first feature was inspiring. To see how a team can really work with everybody really contributing some high-level creativity. Everyone on the team had so much to add. You have to shepherd the project to where everyone stays on track, but still allow personal creative contributions from cast members. A director is like a manager of a company. You have to work with the talent, resources and the money of your company. You still have to get to the goal, but you can’t be resistant to some things that are great new ideas.
Poster for The Black String. Photo credit IMDB.com.
Screen capture of The Black String. Photo credit BH.
Rich and Mari Handley with Yani and Brian. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
Hanson and Handley on stage at the GI Film Festival. Photo credit BH.
WATM: What leadership lessons in life and from the Army have helped you most in your career?
“No excuses” and intense preparation for a project. It is preparing like you are the best and spending hours a day preparing. Don’t assume, always do pre-combat inspections. It is having everything truly ready to go. Because once you arrive on set and once you arrive at that location it needs to be ready and needs to be operational. If not you, need to have a back-up plan. Research and having contingency plans. Checking your equipment and your team. It can be seen as micromanaging, but it doesn’t have to be that bad. In the military everybody checks their troops. It’s just how it is to make sure your guys and your buddies are ready to go. I think that can be transferred to the civilian world and film production.
Frankie Muniz and Richard Handley in The Black String. Photo credit IMDB.com.
More of Muniz in The Black String. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
WATM: As a service, how do we get more veteran stories told in the Hollywood arena?
We need support from great organizations to promote veteran voices and veteran creators. Such organizations as We Are The Mighty, Veterans in Media and Entertainment (VME), of which I volunteer heavily with, the USVAA, United States Veteran Artistic Alliance, and the WGA Writer’s Guild Foundation do support veterans. We need the support from industry professionals and organizations. They are out there, and they are growing. I think that with the people in the position in power right now, the producers and executives that can green light things, I do think they do a really good job where there is always a presence of the military and law enforcement. There are always more and different perspectives. To keep in mind and do the rote, stereotypical type of story lines. There are a lot of really nuanced, interesting and unexpected perspectives that veterans can bring to the time-honored tradition of military inspired entertainment. The producers, executives and showrunners should be open to finding those unexpected angles to veteran stories.
Hanson with Steve Fiorina and Handley at the GI Film Festival. Photo credit BH.
WATM: What would you like to do next in your career?
I plan on directing my second film in 2021. My first one was the horror genre where my next one is likely going to be a thriller with a military character. I always want to do things that are thought provoking. I definitely want to challenge viewers and explore philosophies. …Christopher Nolan makes great entertainment and with challenging ideas and philosophies. He is an independent filmmaker making giant movies, which is something to strive for. Since I have completed my first film…I have been working to get on great television shows as a writer. There are so many stories to tell and I joined the Army and lived this life to help tell authentic stories. I would love to be in day in and day out be in a room with other story tellers creating an amazing show. Creating stories with a team. I will continue directing but would love to be in that writer’s room doing innovative television.
Brian Matthew Rhys on “Perry Mason”. Photo credit BH.
WATM: What are you most proud of in life and your career?
I am most proud of serving in the 75th Ranger Regiment. In a sense in my career I may never do anything as meaningful as that even if I make ten more movies or even if nominated for an Academy Award. I don’t think that I’ll ever be prouder than spending those days with my Ranger buddies in Afghanistan or sweating in Fort Benning. I am also proud of making that first movie and everyone that contributed to that colossal effort from nothing. Rich Handley and I being these recent film graduates decided to make a movie where we built that coalition from the ground up. It is an effort we are very proud of and what we did and everybody that was able to help us achieve that.
On the back end we got distribution through Grindstone and Lionsgate to where we had to find everything from scratch. The studio didn’t fund this. Movie making is a risky endeavor and long commitment over many years. The movie has been out now over a year and we are still making producer phone calls and receiving emails four years later. When you divide the money, you might make on the back end of an indie film and divide the hours by what you put in it, there might not be much money so that passion that drives you to keep working. There is a bond between people that have that level of passion to work 15-hour days. You are not really thinking about the paycheck where you are there to get the job done because you believe it is similar to the military mindset.
My wife Yani Navas-Hanson is from Venezuelan; she left the country and I met her in Atlanta when I was at Fort Benning and she was studying at Georgia Tech. She was the accountant by trade and then was our accountant on the movie. She left her country, learned English here in the US and transitioned from corporate accounting to entertainment accounting and from taking on the challenges of an independent film. What someone like her can accomplish if they are driven and keep pushing forward and to be able to accomplish that in a few years is amazing. People do have to surround themselves with the right people. If you are in a relationship with someone who is not supportive with this career path or your family is not supportive, then you might have a tough time during the ups and downs. Family and friend support is crucial. I have fantastic and supportive friends and family.
Brian and Yani at Sitges Film Festival. Photo credit BH.
We love our Corpsmen and medics! Docs perform the tasks that the average trooper would run away from, like “bore punching” and administrating the “silver bullet.”
Like every profession in the military, medical is home to some of the most interesting personalities. Although they wear the same uniforms and earn the same badges, their individual personalities are entirely different from one another.
So, check out six types of enlisted ‘docs’ that you’re likely to meet at sick call.
1. The “know it all”
It’s not a bad thing for your doc to be a know-it-all, but some of them will insist on showing you just how much medical knowledge they have.
2. The “motivator”
This is the guy or gal that shows up to work blasting their MOS and branch pride via their street clothes. They’re continually preparing themselves for advancement and may even quiz you on military history while you’re merely checking in for an appointment.
3. The “beast”
If you think you’re buff and muscular, you’re wrong. This enlisted doc hits the gym six to seven days a week, preparing himself to go special forces — and they’ll definitely let you that they’re eventually headed in that direction.
4. The “old-young one”
We love this type of Corpsman or medic. This person joined the military later in life, so they have more wisdom and experience, but have next to no rank on their collars.
5. The “softy”
For all of our “sick-call commandos” out there, this is the staff member you should hope to get when you go to medical. They’ll do everything in their power to get you that light duty chit or sick-in-quarters form you want. All you have to do is play up your pain or sickness and watch them crumble.
If you’re looking to make a movie about the Afghanistan War, it should be obvious that you’re not going to be filming in Afghanistan itself. We’re coming up on the 19th anniversary of the war’s beginning, and things are still far too violent in the country to allow a movie crew to work safely.
That hasn’t stopped Hollywood from making films about the war, and they’ve tried multiple locations around the world in an attempt to capture that unique Hindu Kush vibe.
Movies like “Rock the Kasbah” have traveled to Morocco, a country that has also been a stand-in for Iraq (“American Sniper”), Libya (“13 Hours”) and Somalia (“Black Hawk Down”). The Gen. David Petraeus-inspired satire “War Machine” filmed in Abu Dhabi.
Most recently, “The Outpost” was filmed in Bulgaria, a Balkan nation with mountains that did a convincing job of subbing for Kamdesh, Afghanistan. Director Rod Lurie told Page Six that he originally wanted to film in Morocco, but local rules made that impossible.
“Places to film were Bulgaria or Morocco, but Morocco wouldn’t allow us to bring weapons. Soldiers need weapons. Morocco needed to know how many blanks we’d fire. So we went to Bulgaria. Great equipment, crews, props, makeup people. We stayed in a castle in Sofia.”
Things certainly have changed in Morocco since Ridley Scott made “Black Hawk Down” in the African country back in 2000.
Morocco, Bulgaria, Abu Dhabi. They’re all far from home and expensive. What if there was a location that was a quick two-hour flight from Los Angeles, gave excellent tax credits to motion picture companies, and had killer cuisine based on a local variety of chiles?
New Mexico welcomes you. The state has a booming movie and television economy and has been home to television series like “Breaking Bad,” “Better Call Saul,” “The Night Shift,” “Longmire,” “Get Shorty” and “The Brave.”
It’s also been a location for movies like “The Avengers,” “Only the Brave,” “No Country for Old Men,” “Hostiles,” “Hell or High Water” and “Logan.”
New Mexico’s got the infrastructure and the crews, and it’s got the mountains and desert that have allowed three outstanding movies to tell stories about Afghanistan.
Let’s all hope that someday we get to see a great movie about Afghanistan that’s actually filmed there because the country has found peace and stability.
In the meantime, here are the best Afghanistan war movies shot in New Mexico.
Director Peter Berg and actor Mark Wahlberg began a long and fruitful collaboration with this movie based on Navy SEAL Markus Luttrell’s memoir about the 2005 Operation Red Wings mission to capture Taliban leader Ahmad Shah.
Luttrell was the only team member to survive the mission. Michael Murphy, Matthew Axelson and Danny Dietz lost their lives in an ambush after the team elected not to kill a young goat herder who stumbled across the mission.
The movie, nominated for two Oscars, proved there was an audience for well-made military films about our modern wars and kicked off a cycle of successful military films. Berg and Wahlberg have gone on to make “Deepwater Horizon,” “Patriots Day,” “Mile 22” and “Spenser Confidential.”
Whiskey Tango Foxtrot
Based on journalist Kim Barker’s Afghanistan War memoir “The Taliban Shuffle,” “Whiskey Tango Foxtrot” stars Tina Fey as “Kim Baker,” a television journalist who learns the war correspondent ropes from journalists played by Margot Robbie and Martin Freeman.
Billy Bob Thornton shines as Baker’s primary military contact, and Nicholas Braun (now famous as Cousin Greg on “Succession”) plays her cameraman.
It’s hard to believe that it took until 2018 for Hollywood to make a movie about the legendary “horse soldiers,” the Green Berets who landed in Afghanistan in early October 2001 to lay the groundwork for the overthrow of the nation’s Taliban government.
Maybe they were waiting for the war to be over. Maybe they were worried how to film the horseback riding battle scenes while working with unfamiliar animal handlers in a foreign country.
Whatever the reasons, Black Label Media stepped up and figured out that it could make the movie in New Mexico after working there to film “Sicario,” “Only the Brave” and the sequel “Sicario: Day of the Soldado.”
Chris Hemsworth, Michael Shannon and Michael Pena star as Green Berets based on the real men who led the critical mission that began our military response to 9/11.
Goose didn’t have to die in “Top Gun,” and there are six more military movie casualties that we are still bummed about.
Sure, taking out a character throws a curveball to others in the film and creates tension and emotion in an audience, but that doesn’t mean we have to like it.
1. Goose from “Top Gun”
While Maverick was a brash cowboy often pushing limits and making enemies, Goose was the likable family man that everyone loved. He was a nice guy, funny, an awesome aerial photographer, and he could sing a mean rendition of “Great Balls of Fire.” And the man even had a wonderful family.
But the worst part: He totally didn’t have to die. As our own ex-naval aviator Ward Carroll pointed out, the proper procedure is to jettison the canopy before ejecting. Damn you, Goose. WHY?????
2. Sgt. Apone from “Aliens”
From the moment the Colonial Marines wake up, Sgt. Apone is there to deliver whatever amazing line pops into his head. From asking Hudson whether he’d like him to fetch his slippers to describing what it’s like as “another glorious day in the Corps,” the character of Apone excels at bringing to life the crusty old-timer of a platoon sergeant that real troops are used to seeing.
Which makes sense, since the guy who played him was actually a Marine Corps veteran of Vietnam. While Hudson fiddled around with the motion sensor that is a piece of crap, Apone asks him where the aliens are. Then moments later, his famous last words are “Aaaargggghhh!” It was a total bummer for the next 60 minutes, since we had to endure more of Hudson and Newt.
Newt: Worst character in a movie ever, until George Lucas dumped Jar Jar Binks on all of us.
3. Pvt. Jackson from “Saving Private Ryan”
There’s something really compelling about a character dropping Bible quotes as he’s whacking bad guys. “I just thought it was some cold-blooded sh– to say to a motherf–ker before I popped a cap in his ass,” as Jules from “Pulp Fiction” famously said. But Pvt. Jackson, a left-handed sniper from Tennessee, seems to always have the right Bible quote for the appropriate kill.
“Let not mine enemies triumph over me,” he says moments before he takes out a German sniper with a bullet through his own scope. Then as he’s dropping Germans like flies from a bell tower, he recites Psalm 144. But sadly, our favorite sniper hillbilly gets taken out by a tank.
We know you were really busy aiming in on German soldiers but why couldn’t you notice that tank a little bit sooner?
4. Gunnery Sgt. Hartman from “Full Metal Jacket”
Gunny Hartman is arguably the most quotable military movie character of all-time, and for good reason. His drill instructor quips are legendary, and the oft-improvised character elevated R. Lee Ermey to god-like status among Marines. But “Full Metal Jacket” is really two movies in one, and most people only like the first half.
He spent most of the movie berating Pvt. Pyle, which included one of the most awesome freak-outs on the obstacle course. “I’m going to rip your balls off, so you cannot contaminate the rest of the world! I will motivate you, Pvt. Pyle, EVEN IF IT SHORT-D-CKS EVERY CANNIBAL ON THE CONGO!”
No one really understands what that even means, but it sounded really bad. Sadly, Hartman’s persistent fat-shaming turned Pyle into a psychopath, and after his death, the movie transitioned to Vietnam. It should’ve just stayed at boot camp.
4. Sgt. Elias from “Platoon”
In the Vietnam-version of the “good cop/bad cop” routine, “Platoon” had the gruff authoritarian Sgt. Barnes and the much nicer Sgt. Elias. Guess which one died first?
Above much of the B.S. and intent on actually helping out new guys to the unit, Sgt. Elias shows his leadership abilities right from the start, and earns the trust of his men. Meanwhile, Barnes just orders people around and ends up committing war crimes. When him and Elias get into a brawl, the audience knows how this will likely end.
Though we’re bummed he didn’t survive, his death scene — having been shot three times by Barnes and who-knows-how-many times by the Vietcong as he runs to the helicopters — is perhaps one of the best in military movie history.
5. Capt. Jimmy Wilder from “Independence Day”
He was friendly, funny, and instantly lovable. But he wasn’t Will Smith, so you pretty much knew his fate was sealed the minute he appeared onscreen.
Jimmy Wilder was that smart-ass in your unit making you crack up during briefings, and the guy who lightened the mood even when aliens were destroying everything in their path. But when he’s in a dogfight with E.T., he inexplicably takes off his oxygen mask — you know, that thing delivering oxygen to you — and then complains over the radio that he can’t breathe.
Someone please explain this.
6. Pvt. Trip from “Glory”
Yes, we know “Glory” was based on a true story, but the death of one of the most complex characters of the movie was a big letdown. The ex-slave-turned-soldier played by Denzel Washington is the source of conflict with many other characters throughout the movie: He chastises other black soldiers, butts heads with his leaders, and is at the center of one of the most emotional scenes of the movie.
While he begins the film as a bitter man very much against the army he is fighting with, he eventually morphs into a heroic figure during the final assault of the film, picking up the American flag and inspiring his fellow soldiers.
7. Bubba from “Forrest Gump”
Benjamin Buford Blue was a great American. He loved and knew everything there was to know about the shrimping business. He was taken from us way too soon. And that’s all we’d like to say about that.
Remember that scene in “The Empire Strikes Back” when Luke Skywalker and Han Solo brown-bag some forties of Miller High Life at Echo Base on Hoth? Oh, you forgot? I think it’s in my super-secret directors cut. But, anyway, the point is, people in Star Wars usually drink booze when they are in space cantinas, which is mostly true of real life, too. At Disneyland’s Star Wars: Galaxy’s Edge, if you want to drink space booze, you have to do it in Olga’s Cantina. But, soon, if you want to feel the Force-buzz in Florida, you won’t even need to be inside of a bar.
On Aug. 1, 2019, WDW News (Walt Disney World News) broke the news that although two food courts in Galaxy’s Edge were dry at Disneyland, their Disney World counterparts will have alcohol. According to the report from WDW: “Disney has confirmed the presence of alcoholic beverages at both food locations that did not have alcohol at Disneyland. Both Docking Bay 7 Food and Cargo and Ronto Roasters will each feature two alcoholic beverages.”
The report also claimed that Disney World will add alcoholic versions of Blue Milk and Green Milk to Star Wars: Galaxy’s Edge, which again, did not exist at the Disneyland version of the attraction. And in case you forgot, Blue Milk is what Luke drank at the dinner table in the original Star Wars movie in 1977, and green milk is what Luke drank out of that alien sea cow’s breast in “The Last Jedi.” So, yes, Disney World is now offering you a booze-filled version of something that is basically space-animal breast milk. Let’s try explaining that one to the kids, shall we?
Galaxy’s Edge will open at Disney World in Orlando, Flordia on Aug. 29, 2019.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
To paraphrase Forrest Gump, military surplus gear is like a box of chocolates — you never know what’s inside until you open it up and look.
For one lucky buyer, Nick Mead, who owns a tank-driving experience business in the United Kingdom, a $38,000 purchase of a Chinese-built Type 69 main battle tank off of eBay was a bargain, since he scored $2,592,010 of gold that had been hidden in the vehicle’s diesel tank! That represents a net profit of over $2.55 million.
According to militaryfactory.com, a battle-ready Type 69 main battle tank is armed with a 100mm gun, a 7.62mm machine gun, and can be equipped with a 12.7mm machine gun. The tank has a crew of four. Over 4,700 of these tanks were produced by China.
But this tank, while produced by China, was exported to Saddam Hussein’s regime. Saddam bought as many as 2,500 Type 59 and Type 69 tanks. While many were destroyed during Operation Desert Storm, this one survived the BRRRRRT!
The tank is believed to have also taken part in the original invasion of Kuwait. During the occupation of that country, Iraqi forces looted just about everything that wasn’t blasted apart. That included gold and other valuables.
Mead discovered the gold when checking out the tank after he’d been told by the tank’s previous owner that he’s discovered some machine-gun ammo on board. Mead then discovered the gold hidden in the fuel tank.
Currently the five bars of gold, each weighing about 12 pounds, are in police custody as they try to trace the original owners.
There’s every sign that Marvel isn’t resting on its laurels after the global domination of “Avengers: Endgame,” but that doesn’t mean that the fifth Avengers movie is coming any time soon.
In Hall H at San Diego Comic-Con, Kevin Feige laid out the films and TV series that will make up phase 4 of the Marvel Cinematic Universe. The first, “Black Widow,” will hit theaters on May 1, 2020 while the last, “Thor 4: Love and Thunder” has a release date of Nov. 5, 2021. An Avengers movie was not among the titles announced.
And that honestly makes a lot of sense. The MCU is all about using films to build stories and flesh out characters. With the destruction of Thanos and the end of the Infinity Saga, Marvel is starting with the closest thing to a blank slate its had in a while, and it looks like the studio is taking its time to build up to an “Endgame” level of sprawling spectacle.
So what do Marvel fans have to look forward to? Plenty, starting with the big names. There’s Natalie Portman taking the hammer as Lady Thor, Angelie Jolie joining the MCU in “The Eternals,” and a surprise Blade reboot starring Mahershala Ali.
There’s also “Doctor Strange in the Multiverse of Madness,” which director Scott Derrickson called Marvel’s “first horror movie” and “Shang-Chi and the Legend of the Ten Rings,” which will star Chinese-Canadian actor Simu Liu and Awkwafina.
As for the next Avengers omnibus? Assuming that this is the final phase 4 lineup, it should be part of phase 5, which barring a bizarre hiatus will begin in 2022. It’s more likely, however, that it’s released in 2023.
Marvel has never released an Avengers movie in the first year of a phase, preferring to, again, let those earlier films build into the big one. If that pattern, which has been quite successful holds, we have a while to wait before another Avengers movie but a ton of movies to watch so that we understand the stakes when it does finally hit theaters.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Yesterday, we revealed that the new movie “Top Gun: Maverick” will feature what appears to be a Russian Su-57, but that’s not the only fictional-fighter shown in the movie’s trailers. Another scene seems to show Maverick flying a next-generation fighter dubbed “Darkstar,” according to the movie’s Matchbox toy line.
The Darkstar aircraft shown only briefly at the end of the movie’s trailer is very clearly not based on anything in operation today… but that doesn’t mean it’s without an analogous real-world platform. While we get a quick peek at the underbelly of the streamlined jet in the trailer, Matchbox’s toy line has actually offered us the best view of this aircraft to date.
Based on the shockwave visible as the jet passes overhead in the trailer, it seems likely that this exotic-looking aircraft will introduce hypersonic platforms to the Top Gun universe. Supersonic aircraft (Top Gun’s F-14 Tomcat and F/A-18 Super Hornet) are capable of flying faster than the speed of sound (Mach 1). Hypersonic aircraft travel much faster — in excess of Mach 5, or around 3800 miles per hour.
Russia and China both claim to have hypersonic missiles in operation, with the United States lagging slightly behind. Thus far, no public aviation program has announced plans to build a hypersonic fighter plane, but there are programs already in motion that could certainly produce one.
The SR-72 in “Top Gun?”
Lockheed Martin, for instance, has been working on developing a successor to the SR-71 Blackbird, the fastest military aircraft in history, that they claim will be able to fly at speeds even higher than Mach 6. Engine testing has already taken place, and it’s feasible that technology demonstrators for the aircraft may already exist. Interestingly enough… the Darkstar toy bears a striking resemblance to Lockheed’s own artist’s depictions of what the forthcoming SR-72 may look like.
There are some differences between the two — most notably the use of two vertical stabilizer fins on the back of the “Darkstar,” with only one central stabilizer on the SR-72. However, because the Lockheed Martin image is nothing more than a conceptual drawing, the final platform (if it ever comes to fruition) could feasibly have either.
If the Darkstar is indeed a stand-in for the SR-72, it may not be intended as a fighter, but rather as a high speed, high altitude reconnaissance platform like its SR-71 predecessor. However, thanks to highly capable spy satellites, this semi-fictional aircraft may well be armed (in the movie, and in real life).
Although we’re not always keen to admit it, the way we see the world and how we function in it tends to be largely informed by the pop-culture we consume along the way. The movies and TV shows we watch as kids not only help us to perceive a world beyond our views out the window, they have a habit of planting the seeds of foolish thought in our brains Inception-style; leaving us with a skewed idea of things like what really goes on in a fight, thanks to how often we see them depicted inaccurately on screen.
In fact, if you’ve never had the misfortune of suffering a nasty injury on one of your limbs, getting knocked out, or being in close proximity to an explosion, you might be harboring some pretty unrealistic ideas about just how deadly each can be. It might sound silly to suggest that people can’t tell the difference between something Wolverine can do and something your average Joe can… but many of these movie tropes have become such deep-rooted parts of our cultural lexicon that it starts to get difficult to discern truth from fiction. That is, unless you’ve been there first hand.
This is actually how Chuck Norris babysits people’s kids.
Being knocked out is totally fine
It’s Batman’s bread and butter, it helped Marty McFly’s mom gets handsy with her time traveling son, and it’s the most common workplace hazard for henchman and thugs, but the truth is, getting knocked out could seriously mess you up.
Movies may make it seem like getting knocked out with a single blow is basically the same thing as racking out for an impromptu nap, but here in the real world, blunt force trauma to the head tends to come with some serious repercussions. The Riddler’s henchman may come to in a few hours and complain of feeling groggy, but if you’re ever knocked out for hours, you’ll almost certainly wake up in the ICU of your local hospital, surrounded by some very concerned family members (and hopefully you’ll still know your name).
Head trauma that’s sufficient to knock you unconscious actually creates a neurochemical reaction in the brain that causes cell death that can potentially affect you for the rest of your life.
Fire is apparently the only dangerous part of explosions
Watching a protagonist walk toward the camera while a slow-motion explosion unfolds in the background might be one of the most overused (and somehow still rad) shots in cinematic history… but it’s also totally ridiculous. Movies treat explosions like it’s the fireball you have to be worried about, but the most dangerous part of an explosion is usually invisible to the naked eye: the shockwave.
Way back in the first “Mission Impossible” movie, Tom Cruise’s Ethan Hunt actually managed to seemingly ride the shockwave of an exploding helicopter (that was foolishly made out of dynamite, apparently) onto a speeding train. The shot is incredible, and it actually makes the superhero-like sequels make a lot more sense, since Ethan Hunt must actually be dreaming in a coma from that point on, while surgeons try to do something about the soup that used to be his organs.
Anyone that’s ever thrown a grenade can tell you that explosions are far faster and more dangerous than they’re depicted in movies. Most happen so quickly that we perceive them as little more than a thunderous impact and sudden poof of smoke, but it’s the shockwave that will literally liquify your inside parts (like your brain). In the medical community, they call this internal mushification “total body disruption,” which may not sound as cool as “internal mushification” but is apparently just as deadly.
I mean, the bleeding has already stopped. This guy might actually make it if he quits now.
Flesh wounds are no big deal
There’s no faster way to show us how badass a movie hero really is than to watch him dismiss a gunshot to the arm as “nothing but a flesh wound.” John Mcclane loses enough blood in the “Die Hard” movies to keep the Red Cross from chasing down donations for at least a year, but somehow those injuries never seem to slow him down at all.
These “flesh wounds” usually exist only so the female lead’s character arc can develop from annoyed at the hero to empathetic: “You’re hurt!” She exclaims as she runs to check the flap of skin hanging off of our hero’s tricep.
“It’s nothing,” he grimaces as he loads another seemingly infinite magazine into his weapon. As Jesse Ventura said in “Predator,” and probably at least once as Governor of Minnesota, “I ain’t got time to bleed.”
The problem is, you can absolutely die from a wound on your arm or leg. In fact, you can die pretty damn quickly if you rupture an artery. When it comes to unchecked bleeding, what you really don’t have time for is ignoring it.