Anyone who has ever picked up a comic book knows that The Punisher is the embodiment of the Marine Corps; they share the same values and the same love for the smell of gunpowder. But there are plenty more heroes than just The Punisher. Here are the rest of the superheroes who have also earned their Eagle, Globe and Anchor.
1. Moon Knight (Marc Spectre) – Marvel
Often called Marvel’s poor and crazy Batman, Moon Knight is so much more than that. After serving in the Marines, Spectre joined the CIA, where he was sent on field missions around the world. On a mission in ancient Egyptian ruins, he was betrayed and found himself close to death. At the last moment, he is saved by an Egyptian god of the moon, Khonshu.
Now Moon Knight is a silent guardian of New York City who only ever really teams up with the voices in his head. Maybe not a complete superhero, but still pretty damn cool.
Moon Knight may not have Wayne money, but it’s not like Batman has magic powers. Oh, he does? Sometimes? …nevermind…
2. Green Lantern, one of the most famous superheroes – D.C.
Best known for his appearance in the Justice League cartoon, Stewart enlisted in the Marine Corps to get out of poverty in Detroit. Because of the purity in his heart, the Guardians of the Universe chose him to be the next Green Lantern from Earth.
He wasn’t the only human Green Lantern, but because of his leadership ability and clear head under stress (all thanks to the Marine Corps) he quickly became a key hero in the Justice League.
3. Thunderbird (John Proudstar) – Marvel
Introduced in Giant Sized X-Men #1 alongside X-Men greats like Storm, Nightcrawler, and Wolverine, Proudstar wanted to prove himself as a warrior. The best way to test one’s ability as a warrior? By joining the Marine Corps during the Vietnam War.
Soon after his powers developed, he continued to fight and joined forces with Professor Xavier and the X-Men. Proudstar’s mutant abilities of superhuman strength, speed, and durability put him more in line with the U.S. Army’s Captain America than his mutant partners.
4. War Machine (James Rhodes) – Marvel
A former pilot in the Marine Corps, Rhodes met Tony Stark (Iron Man) while he was still deployed to Vietnam. Stark needed help tracking down a supervillain Professor Yinsen but Rhodes was skeptical at first. Stark proved himself to the helicopter pilot and they both stopped Yinsen. Soon after, they became best friends.
There’s a bit of a discrepancy here. In the Marvel Cinematic Universe, yes, he’s an airman. But in the comic books, he’s always been a Marine. If I told you that a hero was named “War Machine” and had little understanding of ammo consumption, would you think he was an airman or a Marine?
5. Maria Hill – Marvel
Shown time and time again, the director of S.H.I.E.L.D, Nick Fury, trusts no one – not even the superheroes. No one, except Maria Hill. Hill commissioned in the Marine Corps and soon grabbed the attention of S.H.I.E.L.D.
Hill served as the second-in-command under Fury until after Marvel’s Civil War when she assassinated Captain America. But that’s okay because no one turns evil without a writer’s backdoor (controlled by Red Skull) and no one stays dead in comics (except Uncle Ben).
6. Azrael (Michael Lane) – D.C.
Created as a replacement for Batman after he got his back broken by Bane, Lane was once a Marine before becoming a police officer in Gotham City. As Azrael, he became an assassin wielding swords empowered by God himself.
Lane occasionally teams up with the Bat-family but often finds himself as an uneasy ally of Batman. They tend to fight over differing views of justice, very much like The Punisher and Daredevil; the Catholic Marine believes death is acceptable for the worst criminals while Batman would rather keep them in an easily escapable prison.
7. The Punisher (Frank Castle) – Marvel
Of course, then there’s The Punisher himself.
Castle joined the Marines after dropping out of Priest school when he was asked if he could ever forgive a murderer. Because Marvel has a sliding timeline where they eventually stay away from dating themselves, Castle’s story changes every now and then to reflect modern real-world events.
Hands down, the most “Marine” story in The Punisher canon goes to Punisher: Born. Set in Vietnam, it is essentially the origin story of how Castle goes from being the gun-slinging bad ass Marines think they are to ACTUALLY being the gun-slinging bad ass Marines know they are. Fan theories speculate the narrator of the story is actually Ares, the Greek God of War, and he makes an unsuspecting Castle his avatar.
On April 11th, 1966, three companies of the 1st Infantry Division, known as the “Mud Soldiers,” were pinned down by Viet Cong forces outside of Cam My, Vietnam. Pararescuemen of the 38th Aerospace Rescue and Recovery Squadron were dispatched to evacuate the wounded. The battle raged and the soldiers were taking a heavy beating.
As if an angel were descending from the heavens, Airman First Class William H. Pitsenbarger, lowered onto the battlefield to tend to the wounded. When given the opportunity to fly back to base, he elected to stay and care for the men he didn’t even know that remained in harm’s way.
He did all he could to save his fellow troops before paying the ultimate price. Pitsenbarger’s sacrifice ensured at least nine men made it home. It took him 34 years to be recognized fully for his incredible actions.
The Last Full Measurefaithfully and honestly retells this story — and it’s something that our military community must see and support.
In the aftermath of the battle, Pitsenbarger was awarded the Air Force Cross. However, his fellow PJs and the Mud Soldiers he fought with continued to advocate for the award to be upgraded to the Medal of Honor. It wasn’t until the year 2000 that he was finally bestowed the Congressional Medal of Honor for giving, what President Lincoln said during his Gettysburg Address, his last full measure of devotion.
Keep an eye out for Jeremy Irvine. His portrayal of William Pitsenbarger will catapult him far in Hollywood.
Written and directed by Todd Robinson, The Last Full Measure follows Scott Huffman, a jaded Pentagon lawyer (played by Sebastian Stan) as he is tasked with upgrading Pitsenbarger’s Air Force Cross to the Medal of Honor at the behest of Pitsenbarger’s fellow pararescueman veteran (played by William Hunt) and father (portrayed by Christopher Plummer).
The story unfolds as Huffman pieces together the gallantry of Pitsenbarger by interviewing the soldiers who had been saved back in Vietnam. Samuel L. Jackson, the late Peter Fonda, Ed Harris, and John Savage each portray the Mud Soldiers and give fantastic performances as they crawl through painful memories. The audience watches the fateful day in Vietnam through flashbacks as the veterans recall being saved by Pitsenbarger (portrayed by Jeremy Irvine).
Pictured left to right: Kimberly Breyer, producer of Last Full Measure, Sidney Sherman, and Kimberly’s husband Sean Breyer
(Photo by Eric Milzarski)
Kimberly Breyer, the niece of William Pitsenbarger, was in attendance of the world premiere of The Last Full Measure. She told We Are The Mighty,
“This film means people get to hear the very important true stories of my uncle Billy Pitsenbarger, Frank, Alice, and all the people who fought with him. We want as many people who possibly can so these stories keep being told and retold.”
She also noted how true-to-life Christopher Plummer’s portrayal of her grandfather, Frank Pitsenbarger, felt. “When we saw it, especially my grandma Alice, the hair went up on the back of her neck and she started to cry. He makes me miss Frank so much. We’re very grateful to him for how beautifully he portrayed our grandfather on screen and how hard everyone worked for so many years to get this project to come together because it’s so unique in so many ways.”
(Photo by Eric Milzarski)
The production covers two key time periods, from the jungles of Vietnam to the halls of the Pentagon. The star-studded cast filmed in the United States and Thailand to portray the retelling of Pitsenbarger’s sacrifice. The film stays away from typical action movie tropes and instead dives deep into the psyche of the troops who returned home. It gives an accurate depiction of what goes on behind-the-scenes when a Medal of Honor is to be awarded. The film helps us understand the excruciating lengths (and sheer volume of bureaucratic red tape) that stands between valor and recognition — and leaves you wondering how many heroes haven’t been given the credit they deserve.
Dale Dye, USMC veteran who served in the Vietnam War and military advisor for many of the greatest war films, played a large role in ensuring the film was as accurate as possible. It’s all the perfectly-captured, little moments that help set the stage.
Dye tells We Are The Mighty, “This is a film that goes directly to my heart and soul. And the reason is because it talks about the selfless nature of veterans and the dedication we have towards each other. This is a story of veterans who go to extraordinary lengths to get recognition for one of their own. And that’s the nature of every combat veteran.”
The writer and director of the film, Todd Robinson, tells We Are The Mighty, “The military was very bullish about this film. It promotes a career field called pararescue, which promotes saving lives. So it wasn’t hard for them to get behind this film.“
The Last Full Measure is a beautiful film that is rare in Hollywood. It’s not an action-packed film made with set pieces for the trailers. It’s not an overly played-out drama that uses war as backdrop. It’s the real-life story of a man who gave his all for his fellow troops and those men fighting tooth-and-nail to get him the honor he deserved.
I can’t recommend this film enough for every veteran, active duty troop, their family, and anyone who’s life has been touched by the actions of these brave men and women.
“Star Wars: The Rise of Skywalker” is heading for the worst opening at the China box office of Disney’s new “Star Wars” movies.
The movie had earned $2.2 million in the region by 8 p.m. local time on Friday, according to Variety, and was trailing behind three Chinese movies. The Chinese ticket service Maoyan is projecting “The Rise of Skywalker” to earn just $18 million during its theatrical run in China.
The “Star Wars” franchise has struggled to build an audience in the country, where Hollywood is increasingly relying on its box office to boost its blockbusters. The Chinese theatrical market has been growing at a rapid pace and is even projected to dethrone the US as the world’s box-office leader within the next few years.
Each Disney-era “Star Wars” movie has made less in China than the previous one. Here’s how each of them performed there:
“The Force Awakens” — 4 million
“Rogue One” — million
“The Last Jedi” — million
“Solo” — million
Despite the lack of enthusiasm in China, all of those movies except “Solo” grossed over id=”listicle-2641661309″ billion worldwide. “The Force Awakens” earned over billion globally and 6 million domestically.
“The Rise of Skywalker” is expected to have a big opening domestically this weekend — despite negative reviews — but still less than the previous movies in the new trilogy. Boxoffice.com is projecting the movie to debut between 0 million and 0 million. “The Force Awakens” opened with 8 million domestically and “The Last Jedi” with 0 million.
“The Rise of Skywalker” so far has a 57% critic score on Rotten Tomatoes, making it the worst-reviewed “Star Wars” movie since “The Phantom Menace.”
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
While most of the things COVID-19 has brought us have been horrible, contagious, disappointing, frustrating, no good and almost overwhelmingly sad (just me? No?), one of the many silver linings has been the accessibility of entertainment. Movies like Trolls released straight to television, Ryan Seacrest hosted a family Disney sing-a-long (can you tell I have young children at home?) and museums and theaters all over the world are opening their doors for virtual shows, tours and the like.
And now (well, Sunday, April 19), you can watch one of our favorite Bond movies, GoldenEye, with none other than Bond. James Bond. (Fine, Pierce Brosnan, the fourth actor to star as 007).
Whether or not he’s your favorite Bond, you can’t say no to that face.
Put on by Esquire UK, the GoldenEye watchalong will stream live on their Facebook, Twitter and YouTube feeds this Sunday 19th April at 7pm BST (2pm ET for American viewers.) According to Esquire UK:
The 66-year-old screen icon will be taking us all behind the scenes of the spy epic, discussing his time in the tuxedo and how it felt to take up the mantle, as well as interacting with his legions of fans – which, of course, is where you come in. We need you to supply us with all the unanswered questions that have been burning away inside your brain for 25 years. Send them over to us via our Instagram, Facebook and Twitter pages now for a chance to get them answered by the main man himself.
The idea is simple: press play on GoldenEye (rental options are listed below) at the same moment as Pierce, and listen along to his play-by-play analysis and commentary in real-time.
But a lot will change for the MCU after this year.
Disney, which owns Marvel, will own the film rights to the X-Men and the Fantastic Four after merging with Fox. The producer Kevin Feige has said he expects that to happen within the first six months of 2019, at which point he’ll get the green light to develop projects with those characters.
It comes at a good time, as “Endgame” marks the end of this era for the MCU, and veteran actors like Chris Evans (who plays Captain America) are expected to retire from their roles.
But before the MCU faces a big shakeup, we ranked all 21 movies — including “Captain Marvel” — from worst to best.
Here’s every Marvel Cinematic Universe movie, ranked:
The MCU has since become a well-oiled machine that knows how to balance it all. But in 2010, it was still working on that.
20. “Thor” (2011)
Directed by Kenneth Branagh
There’s nothing particularly horrible about “Thor,” but there’s nothing memorable either. It’s impressive that the movie works at all, considering that Thor, an alien god with daddy issues, was such a little-known character at the time, and Chris Hemsworth was not the superstar he is now. But James Gunn managed to turn even lesser-known and weirder characters into MCU standouts in “Guardians of the Galaxy.” It would take a while for Thor to really come into his own.
We now know Mark Ruffalo as Bruce Banner/Hulk, but in the second MCU movie, Edward Norton was in the role.
Out of all the MCU movies, “The Incredible Hulk” feels the least connected to the universe. Liv Tyler’s Betty Ross, Banner’s love interest, has never appeared again, and neither has Tim Blake Nelson, who was teased as the Hulk’s archnemesis, the Leader.
But even with that tease, a sequel never happened, and the only character besides the Hulk to have any meaningful connection to the MCU has been General “Thunderbolt” Ross, played by William Hurt, who popped up again in 2016’s “Captain America: Civil War.”
(Disney / Marvel)
18. “Thor: The Dark World” (2013)
Directed by Alan Taylor
It’s almost pointless to compare the first two “Thor” movies, as they’re both toward the bottom of the MCU barrel. But “The Dark World” is a tad more fun than “Thor,” and it’s integral in introducing one of the Infinity Stones (the Reality Stone) that Thanos ends up using to destroy half of humanity.
But Marvel still hadn’t realized that Hemsworth’s best attribute in the role is his humor, and the character — and the first two movies — suffer because of it.
17. “Doctor Strange” (2016)
Directed by Scott Derrickson
“Doctor Strange” is the most overrated movie in the MCU. By 2016, movies like the Russos’ “Captain America: The Winter Soldier” and “Civil War” had progressed the MCU into new territory, but “Doctor Strange” felt like a step back. Sure, the magic was cool, but it also relied on a formulaic plot with a forgettable love interest. (How do you not give Rachel McAdams more to do?!)
16. “Avengers: Age of Ultron” (2015)
Directed by Joss Whedon
This “Avengers” sequel made the same mistake as “Iron Man 2”: cramming too much into its plot to serve the future of the franchise.
The movie features some cool action sequences, notably the Iron Man-Hulk battle. But it fails to distinguish Ultron, the Avengers’ biggest enemy in the comics, from other two-dimensional MCU villains, and it spends too much time setting up future movies. (What exactly is Thor doing?)
15. “Ant-Man” (2015)
Directed by Peyton Reed
“Ant-Man” is a fun little Marvel movie, but not much else. Paul Rudd is charming in the lead role, and Evangeline Lilly is more than just a love interest as Hope van Dyne (the future Wasp). But the movie still falls into familiar territory, including a lackluster villain in Corey Stoll’s Yellowjacket.
(Disney / Marvel)
14. “Captain America: The First Avenger” (2011)
Directed by Joe Johnston
“The First Avenger” is arguably the first movie that “mattered” in the MCU. While “Iron Man” is better, “The First Avenger” sets up “The Avengers” better than “Iron Man,” which basically acts as a prequel to the big team-up movie.
“The First Avenger” would prove essential to the movies that came after — even “Infinity War” with the unexpected return of a character thought to be dead.
13. “Iron Man 3” (2013)
Directed by Shane Black
“Iron Man 3” is the most divisive movie in the MCU, and for good reason. It takes some wacky turns, with a major twist that ruined the movie for plenty of people. But I admire that Black just went for it with this movie and delivered something that fans still argue over.
12. “Ant-Man and the Wasp” (2018)
Directed by Peyton Reed
While it’s not necessarily an “essential” MCU movie, it improves on the first “Ant-Man” in nearly every way, with plenty of heart and humor.
Reed came back to direct after replacing Edgar Wright at the last minute on the first movie, and “Ant-Man and the Wasp” feels as if he was more adjusted to the job, with some well-polished action sequences and a great handle on the characters.
11. “Captain Marvel” (2019)
Directed by Anna Boden and Ryan Fleck
Maybe in time “Captain Marvel” will inch higher on this list. But for now, it’s a solid entry into the MCU, but not a fantastic one.
Boden and Fleck are at their best in the character-driven aspects of the movie. Unfortunately, it’s the action the movie is lacking, which hurts it by the end.
Brie Larson is perfect in the title role, though, and her chemistry with Samuel L. Jackson’s Nick Fury makes the movie. There are also some surprising twists that elicited plenty of reactions from theater audiences. If anything, this is a worthy appetizer for “Avengers: Endgame.”
10. “Spider-Man: Homecoming” (2017)
Directed by Jon Watts
I didn’t have a strong positive reaction to “Homecoming” when I first saw it, but it’s grown on me. Peter Parker’s motivations throughout the movie to be a hero — impressing Tony Stark — rubbed me the wrong way at first. But it’s hard not to like Tom Holland’s spot-on portrayal of the character, and the movie knows exactly what it wants to be: high-school ’80s classic meets modern superhero flick. And Michael Keaton is truly menacing as Adrian Toomes/Vulture in what began a hot streak for villains in the MCU.
9. “Guardians of the Galaxy Vol. 2” (2017)
Directed by James Gunn
Though “Guardians of the Galaxy Vol. 2” is a step back from the first movie, it’s still the most underrated MCU movie. The “Guardians” movies are unique entries in the franchise, and it’s a shame Gunn was given the boot from the third movie, which is in limbo.
8. “Iron Man” (2008)
Directed by Jon Favreau
The first movie — and still among the best — “Iron Man” kicked off what has become the most lucrative movie franchise of all time. But in 2008, it was just a fun superhero origin movie that defied the odds.
Robert Downey Jr. is Tony Stark, and it’s hard to think of anyone else who could have embodied the role with so much of the necessary charisma to sell a character who casual audiences hadn’t cared about.
7. “The Avengers” (2012)
Directed by Joss Whedon
Four years after “Iron Man,” “The Avengers” proved that Marvel had what it takes to pull off a connected universe of movies. It’s even more impressive considering that the early MCU movies, like “Thor,” “Iron Man 2,” and “The Incredible Hulk,” are some of the worst in the franchise. But “The Avengers” course-corrected, delivering a bona fide blockbuster that hadn’t been achieved before.
(Disney / Marvel)
6. “Captain America: The Winter Soldier” (2014)
Directed by Joe and Anthony Russo
2014 marks the point when the MCU really got it together. There have been minimal low points since, and it’s because Kevin Feige and crew finally had the machine running smoothly with low-profile directors who could deliver surprising superhero movies.
Among those filmmakers were the Russos, who have become somewhat of the architects of the universe. After “The Winter Soldier,” an expertly crafted espionage thriller posing as a superhero movie, they went on to direct “Civil War,” “Infinity War,” and “Endgame.”
(Disney / Marvel Studios)
6. “Thor: Ragnarok” (2017)
Directed by Taika Waititi
“Thor: Ragnarok” is the most absurd movie in the MCU, but that’s only part of what makes it so good. This is when Marvel finally realized that Chris Hemsworth is an extremely funny guy with loads of charm and built a movie around that.
It’s also probably the closest thing we’ll get to another Hulk movie in the MCU.
4. “Captain America: Civil War” (2016)
Directed by Joe and Anthony Russo
“Civil War” is loosely based on a 2007 comic-book event of the same name that pits Marvel’s superheroes against one another over the ethics of a registration act making it illegal for any superpowered person to not register their identities with the government.
The MCU version is obviously more contained, but that’s what makes it so good. It takes a huge storyline and successfully tells it through Captain America’s perspective, making it even more personal.
(Walt Disney Studios Motion Pictures)
3. “Black Panther” (2018)
Directed by Ryan Coogler
“Black Panther” is a lot of firsts: the first superhero movie to be nominated for best picture, the first movie to win Oscars for Marvel Studios, the first superhero movie with a predominantly black cast.
It was more than just an MCU movie — it was a cultural event. And its box office reflects that. It was the highest-grossing movie in the US in 2018, breaking barriers and riding its success all the way to Oscar gold.
2. “Avengers: Infinity War” (2018)
Directed by Joe and Anthony Russo
“Infinity War” is an order of magnitude bigger than “Avengers” or “Civil War.” With a cast of over 20 characters, “Infinity War” is the culmination of 10 years of universe-building.
The Russos pulled it off, and they’re not done yet. After the most shocking ending in an MCU movie, the story will continue in “Endgame.”
But on its own, “Infinity War” is an impressive balancing act, and Josh Brolin’s Thanos lives up to the hype.
1. “Guardians of the Galaxy” (2014)
Directed by James Gunn
“Guardians of the Galaxy” was the first MCU movie that really felt disconnected from the rest of the universe, but not in a negative way like “The Incredible Hulk.” It’s an important entry in the franchise from a story standpoint — but it’s also just a hilarious, fun, self-contained movie that turned an unknown group of characters into fan favorites.
It’s the most rewatchable movie in the MCU, with a brilliant soundtrack, but it’s the characters that really make it, from the dynamic between Rocket and Groot to the oblivious Drax. They don’t like each other at first, but the audience loves them as soon as they’re introduced.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
There’s no shortage of media featuring the good, bad, and ugly aspects of life at war or in the military. In fact, as we come out of the biopic zeitgeist and set our sights toward the digital era, the number of films, television shows, movies, and other forms of content featuring these elements is only growing. But not all depictions of combat are created equal.
It’s easier to make a film about war than it is to stay true to its source — so, which movies treat its combat with the most respect and realism? We asked some veterans, and here’s what they had to say.
While Christopher Nolan didn’t take home the 2018 Oscar for this particular war blockbuster, “Dunkirk” has gained universal acclaim as one of the best World War II films to date. It tells the story of trapped British and French forces attempting to evacuate a war-torn beach in May 1940, while German forces closed in. The clean-shaven soldiers may not be a testament to the details, but “Dunkirk” thrives on its atmosphere and closed cinema, which is used to communicate the overall gravity of the battle.
“‘Dunkirk’ succeeds in recreating the plight of tending to your fellow soldier while being under constant threat of bombardment,” said Tan Vega, a veteran of the U.S. Marine Corps. With gritty visuals and stellar performances, the film uses tight angles and extreme close-ups to create and emanate panic, desperation, and fear to its audience. In moments of true cinema, we can examine the bonds forged between the troops, as well as the intense pressure they’re under to survive.
With Empire Magazine lauding the Omaha Beach landing as “the best battle sequence of all time,” this entry should come as no surprise. “Saving Private Ryan” uses its artistic license to enrich its characters and depict realistic events of war in a way that had never been done before. The movie focuses on the personal journey of a few soldiers venturing behind enemy lines to save fellow soldier Private James Ryan.
“The most realistic thing about ‘Saving Private Ryan’ is nothing is off the table,” said Gay Dimars, a veteran of the Vietnam War. “The water’s bloody, the soldiers are nauseous, and as an audience, we’re there with them.” However, Steven Spielberg did sacrifice historic authenticity in favor of dramatic effect — the film’s climax is strewn with inaccuracies, but with top-notch performances depicting the effect of war and symptoms of post-traumatic stress disorder (PTSD), the film solidifies its place among the best war movies ever made.
Platoon 1986 Final battle scene with Charlie Sheen
“Platoon” is the first Hollywood film to be written and directed by a veteran of the Vietnam War. The script capitalizes on Oliver Stone’s experiences in various combat units to expertly depict the severity of combat as well as the rippling effects of war. As such, the toughest critiques of the movie come from Stone’s former platoonmates, some of whom say they felt too exposed after the film’s release. “Platoon” was shot on location in the Philippines and utilizes long lenses, careful lighting, and talented actors to craft the atmosphere of the Vietnam War and inform the audience of the confusion, psychological trauma, and deep-seated violence Vietnam veterans endured.
Black Hawk Down Battle Scenes 2001 NO FINAL BATTLE
The film “Black Hawk Down” has faced criticism for wavering from the highly accurate book upon which it was based. “The combat is realistic, but many details miss the mark,” said Sharm Ali, a U.S. Air Force veteran. “What it does really well is explain how a noble cause could go south really quickly.”
“Black Hawk Down” tells the story of the Battle of Mogadishu, during which U.S. service members were sent to kill or capture Somalia’s key warlord, Mohamed Farrah Aidid, in a broader effort to stabilize a country in the midst of a humanitarian crisis. However, Somali forces shot down their helicopters and effectively trapped them on the streets of the foreign country, forcing them to fight their way out. The film is most impressive in its depiction of the harsh realities of urban combat that soldiers were forced to endure during the Somali conflict, and was notable in that it lifted the curtain on the types of operations the shadowy Joint Special Operations Command (JSOC) were conducting at the time.
After that delightful reveal in Chapter One, the second episode of The Mandalorian takes its time and remains on-planet, following just Mando our Mandalorian, Nick Nolte aka the Ugnaught aka Kuiil, and the cutest little bounty in the galaxy. Let’s get right to it.
Here’s your spoiler warning.
MELINDA SUE GORDON/LUCASFILM LTD
It seems that when we open, our Mandalorian is still intent on returning “The Asset” to “The Client” (see what creator Jon Favreau is doing there? The Mandalorian…The Client…The Bounty…The Asset….it’s a cute naming device for the series).
Side note: we already know he’s not actually going to give the Yoda Baby to The Client, right? I guess unless he pulls some a Lando Calrissian and turns in the bounty but then goes and rescues the bounty?
Anyway, our Mandalorian is attacked by a team of Trandoshans with a tracking fob, which gives a nice sense of urgency for our hero: other bounty hunters are looking for this asset and more will be on their way.
Honestly how has Mando not pinched the crap out of those little cheeks?
The Mandalorian, Disney+
That night, we get the first inkling that the Yoda Baby is Force-sensitive when (I don’t want to make any gender assumptions here…so I’m just going to continue to adamantly avoid third-person pronouns) the child attempts to help mend our Mandalorian’s armor. The child climbs out of it’s floating bassinet a number of times, reaching the cutest little hand ever out to summon the Force, only to be interrupted by the impatient Mandalorian.
When they do finally return to his ship the next day, our Mandalorian catches Jawas scavenging the Razer Crest for parts. He blasts a number of them (like, he’s not even trying to limit the amount of violence he exposes the baby to?) and pursues the rest as they flee in their Sandcrawler. Surprisingly, they get the best of him, zapping him off the top and leaving him unconscious in their dust.
That’s totally going to leave a stain.
The Mandalorian, Disney+
Reuniting with his buddy Kuiil, our Mandalorian seeks a trade with the Jawas. Also, the Yoda Baby ate a space frog alive and I guess I’ll just repress that information and work through it on my own time.
The Jawas are interested in our Mandalorian’s armor, but he refuses to trade, as it is part of his “religion.” A bit of nerdy context here for you: the Mandalorians are a warrior culture who were once devoted to a god of war and destruction. As time passed, they abandoned the fanatic worship of war in favor of a philosophical pursuit of the manda, a collective consciousness that can be reached in the afterlife by those who follow the tenets of Mandalorian culture.
Instead, the Jawas demand “the egg” and set our Mandalorian on a quest.
The egg, it turns out, is protected by a space-rhinoceros, who kicks our Mandalorian’s ass and nearly finishes him…until the Yoda Baby summons the Force and restrains the beast, levitating her in the air and finally dropping her, allowing our Mandalorian to finish her off with his dagger.
This use of the Force summons all of the energy of the Yoda Baby, who falls unconscious after the incident.
Our Mandalorian returns to the muddy cave, uncovers the disgusting hairy egg, and delivers it to the Jawas.
I think I’m going to be sick.
The Mandalorian, Disney+
Satisfied with their thick space yolk (shudder), the Jawas return the Razer Crest parts to our Mandalorian, allowing him and Kuiil to repair the ship. Our Mandalorian offers Kuiil money and a job aboard his ship, but the Ugnaught is content to have peace in his valley and he bids the bounty hunter adieu.
Our Mandalorian sets off into the stars, presumably to deliver his bounty.
We all have our favorite gear, for whatever reason. Maybe it saved our asses, maybe it repaired a weapon, maybe it just made it possible to get a few hours sleep through a long, cold night. There’s nothing better than a reliable piece of gear to keep coming back to over and over. Often, troops will try to keep as much of their field gear as possible when they separate.
After reading through a few Amazon reviews, it’s easy to understand why. What’s your favorite?
1. 550 Cord – 5 Stars
Also known as parachute cord, the 550 comes from its breaking strength of at least 550 pounds. It’s made of nylon, wrapped around an internal core which increases strength and keeps the main rope from fraying. The cord was originally used in parachute suspension lines, but its use became widespread as paratroopers would cut the cord from the chutes as a useful tool for the future. These days, troops use it to secure packs to vehicles, set up camouflage nets, make lanyards, or tie up bracelets or belts that can be unraveled when needed.
2. Issue Anglehead Flashlight – 5 Stars
The anglehead design was first used by the U.S. military in World War II and has been a staple of all branches ever since. The chief supplier of these lights, Fulton, supplied them to the U.S. government since the Vietnam War. There are plenty of knockoff versions of it. If yours is a real one, it will have “MX-991/U” imprinted on the side of the light.
Here’s one review:
“I served in the Army over 20 years ago under SOCOM, so this flashlight has a minimum of that many years under its belt and all the action marks that comes with it… I clicked on the power button – not expecting anything special, and… IT TURNED ON.”
3. Woobie – 4.5 Stars
The “Woobie” is a nylon-polyester blanket, really the liner for the standard-issue poncho. It’s known as a Woobie because of the great affection troops have for it, the way a baby loves its blanket. Woobies are lightweight, easily packed, and do a great job of keeping troops warm in cooler temperatures.
A reviewer writes:
“Of all the pieces of U.S. military kit I’ve ever seen (through 20+ years of military service), none equal the Wubbie [sic] for value for money, utility, and comfort.
I bought my first poncho liner in Vietnam in 1964. It was one of the old ones from back when they were made from parachute silk. Now, almost fifty years later, I’m still using it. I guess I’m a 65 year old man with a blankie!”
4. Chem-lights – 4.5 Stars
Chem-lights are designed for 360-degree visibility up to a mile away for up to 12 hours. There are, of course, some variances. They also need to be durable, waterproof, and flame retardant. They have a number of uses when a flashlight or fire isn’t the right tool, and the light gets brighter as the temperature gets warmer.
“In my decade and a half in the military I have probably gone through thousands of Cyalume ChemLight just myself. They have a million uses, both fun and functional. But most important the Cyalume models have proven to be utterly reliable and bright.”
They can also be used as flares to mark an area without worrying about fire or flame. The uses for them are only limited by imagination, from Christmas lights to Fourth of July ‘rockets’ there is a lot of fun and use to be had.”
5. Gerber MP600 Multi-Tool – 4.5 Stars
This tool’s usefulness practically speaks for itself. With 14 components, providing knives with different edges, screwdrivers, a ruler, bottle and can openers, wire cutters, crimpers, and a file, all with a lanyard ring (perfect for 550 cord loops), the multitool is perfect for minimizing space and weight while providing myriad uses.
“It has all the tools I need as a soldier and it has done very nicely for me.
With a potential need to carry in a deployed environment, the matte black finish is certainly a plus.”
6. 100mph Tape (Duct Tape) – 4 Stars
Also known as “olive drab green reinforcement tape,” it covers shiny objects and tapes things down to reduce rattling noises when on patrol, but it’s so much more than that. Since supplies have historically been an issue in the large scale wars of the past, troops needed an all-purpose way to make quick fixes without all the necessary equipment.
From one review:
“The only downside that I can find is that it is literally so strong that anything even touching the edge of the roll will stick to it just from the small amount of adhesive that comes in contact with it.
All duct tape is not created equal
I always have a roll of this stuff, and 550 Cord in my Gear. I’ve used it for everything from quick repairs, marking my luggage, to camouflaging my gear for Patrols. Not sure about the 100 MPH thing, but I do know that once you tape it to your gear, you’ll need to cut it off.”
Despite the running “Night Before Christmas” motif and a soundtrack that almost exclusively features Christmas carols, some still challenge the status of “Die Hard” as a Christmas movie — even, much to our horror, Bruce Willis himself. This year, we’ll be solving the annual debate once and for all.
If you haven’t seen it — first of all, what’s wrong with you? Are you a German terrorist? — here’s the gist of the 1988 action-thriller: “A New York City cop faces overwhelming odds when his Christmas visit to California is interrupted by a terrorist invasion of his estranged wife’s office building.”
Before we can prove that something is a Christmas movie, we first have to define what a Christmas movie is. The problem is that Christmas — or the holiday season, rather — isn’t an overarching genre so much as it as a convention that flavors other genres. Every year, we’re greeted by dozens of holiday films, but if we break them down by genre, it looks a little different. There are family films set during the holidays (“Arthur Christmas”); there are Santa-centric adventure films (“The Santa Clause”); there are quirky romantic ensemble comedies that border on horror about surviving your screwed-up family (“Love, Actually”). Each of these films spans a different genre, however, they all fall under the category of “holiday movies.”
Bruce Willis as John McClane in “Die Hard.”
(Photo courtesy of IMDB.)
In order to navigate this timeless convention, we have to create criteria using patterns spanning holiday films in the past. From timeless classics such as “A Christmas Carol” to Christmas-based comedies like “Home Alone,” the biggest defining factor for a Christmas film seems to be the impact that the time of the year has on the film.
The physical holiday setting is of the utmost importance, which usually manifests in two ways: art direction and audio. For holiday films, that means holiday imagery and holiday-associated sound effects (bells), as well as seasonal music. “Die Hard” is rife with all of these, from the glorious shredding of the bearer bonds in conjunction to “Let it Snow” and even Run DMC’s “Christmas in Hollis,” which very loudly proclaims “This is Christmas.” “Die Hard” may not necessarily rely on its Christmas imagery, but it does feature several allusions to the holiday. For example, “Now I have a machine gun, ho ho ho”? How about the snow at the ending — in Los Angeles? All of that seems to imply that “Die Hard” is a Christmas film. In fact, all the holiday references makes it odder to consider that it may not be a Christmas film. The setting, of course, pales in comparison to the emotional and thematic contents of the movie.
Holidays movies usually take a pretty firm moral stance, usually about the forces of family and the holiday spirit. “Die Hard” frames these themes through John McClane’s quest to reconcile with his wife, which is the driving motivation of this film. There would be no plot without that seed of a familiar desire — no McClane versus Gruber, no grand shootout. Sure, “Die Hard” could have taken place during the summer, but the emotional stakes for John McClane’s character wouldn’t have been as high.
“Die Hard” is built around an innately deep issue: reconciliation and family bonding, which relies on the holiday spirit to intensify the stakes. At its core, this movie is about a man seeking redemption. Is it the same redemption that Scrooge was seeking? Not necessarily, but the running, gunning, and general action-packed nature of the its genre makes it no less of a Christmas film in our book.
Ever since Disney merged with 20th Century Fox, Marvel superheroes previously soloed to their own self-contained movie franchises suddenly have the ability to crossover with the proper “Avengers” films. While most of the attention has been focused on the X-Men, the character of Wade Wilson AKA Deadpool is also a tricky one.
Though the “Deadpool” films exist within the old “X-Men” film franchise, they are decidedly not for kids. And although a PG-13 cut of “Deadpool 2” was released Christmas 2018, it now appears that Deadpool could crossover to the more family-friendly Marvel Cinematic Universe, but somehow he’ll still swear a lot?
On Oct. 14, 2019, news circulated that the “Deadpool” screenwriters Paul Wernick and Rhett Reese confirmed that Disney has given the green light on future “Deadpool” movies set within the MCU. Here’s the big quote from Reese in full:
“The promise [from Disney] is that there will be more Deadpool. He will live in the R-rated universe that we’ve created, and hopefully, we’ll be allowed to play a little bit in the MCU sandbox as well and incorporate him into that. We’ve just got to land on the right idea and once we do, I think we’ll be off to the races. We wake up thinking about Deadpool and we go to sleep thinking about Deadpool, so there will be another Deadpool and we just have to make it the right way.”
(20th Century Fox)
Right now, it’s unclear if this means Deadpool will continue to be played by Ryan Reynolds in his new MCU incarnation or not. And if so, the implications of that crossover are kind of weird. After all, Josh Brolin (famous for Thanos) also plays Cable in the “Deadpool” movies. So, if the foul-mouthed of Deadpool we’re all used to does appear in legit MCU movies, it almost necessitates a parallel universe explanation by default.
Then again, because this is Deadpool, all of that confusing comic book continuity could probably be just as easily handled with a joke.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Everyone’s favorite Game of Thrones badass — Kit Harrington — will make his mark on Marvel movies when he appears as “Black Knight” in The Eternals. But, will his character actually be a back-door way to get new versions of Wolverine and the rest of the X-Men into the ever-expanded Marvel Cinematic Universe? Here’s what’s going on.
Kit Harrington and Eternals co-star Salma Hayek posted a behind-the-scenes photo of themselves on the set of the next Marvel movie. If you’re confused about what The Eternals even are, that’s fine. Here’s cheat-sheet: They’re a group of immortal beings who sort of pre-date regular history in the Marvel universe. Remember Star Lord’s dad, as played by Kurt Russell in Guardains of the Galaxy 2? Yeah, he was one of the Eternals.
ANYWAY. Salma Hayek’s photo was just a sweet Instagram photo, but at the exact same time, comic book fans began theorizing that there’s a lot more going on with Harrington’s character than previously thought.
If your eyes glazed over when you read “comic book fans started theorizing,” I’ll cut to the chase: in the complicated mythology of Marvel Comics, Harrington’s character Black Knight is loosely connected with the origin of the mutants who are later known as X-Men. Basically, Black Knight ran into some early versions of the Mutants, but the legit explosion of mutants didn’t happen on Earth until the 20th century, partially because the mutant gene was stimulated by outside forces.
Okay, so what the hell does that mean for the MCU right now? Well, up until this point, the MCU movies haven’t depicted any of the X-Men for legal reasons, with the notable exception of Scarlet Witch and Quicksilver. Also, as was revealed last week, an outtake of the famous Iron Man post-credits scene would have hinted at the existence of X-Men in the background of the MCU. No one really knows what the plot of the Eternals will be about yet, but it’s totally possible that Black Knight might discover the “origin” of the new version of Mutants in the MCU. (Reminder: post- Fox/Disney merger, the X-Men can now appear in the regular Marvel movies.)
In other words, because of some crazy ancient history magical shenanigans, Marvel’s The Enternals could end with a post-credits scene that teases the new X-Men. That is, only if we’re lucky.
The Eternals hits theaters Nov. 6, 2020.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
How does a massively successful director like Zack Snyder follow up box-office smahes (and future box-office smashes) like 300, Man of Steel, Batman v Superman, and Justice League? If you answered a film retelling the magnificent rise of the first president of the United States in the style of 300, you guessed correctly. Speaking with Bloomberg Business, Snyder explains that George Washington is next on the docket.
He has a picture in his office of the Revolutionary War hero crossing the icy Delaware on his way to decimate the British in the Battle of Trenton. “We were talking about it,” Snyder says. “The first thing we asked was, well, how are we going to make it look? I pointed at this painting. It looks like 300. It’s not that hard.”
He isn’t wrong, but we’re guessing it will look something like a mix between the iconic painting and the epic illustration above.