With three of the four largest names at Timely Comics (which would eventually become Marvel Comics) being U.S. Army veterans, it shouldn’t come as a surprise that many of the biggest names in their story lines center around U.S. Army veterans. Jack Kirby, Stan Lee, and Syd Shores all served in World War II. (The fourth? Joe Simon. And he was in the Coast Guard).
Whether they gained their powers through a Super Soldier project, magic, or even just skill — these Marvel super heroes proved to everyone the enduring strength of Army values.
Steve Rogers (Captain America) – World War II
In case you didn’t already know, the $12 billion film franchise and the most patriotic hero, Steve Rogers, was in the U.S. Army. Being a frail and weak soldier who still wanted to protect his people, he enrolls in the Super Soldier project. This grants him super strength, healing, and reflexes. He is also a master strategist and Earth’s greatest martial artist.
Following the success of the first Captain America, Marvel tried to experiment again with another super soldier serum through an analogy of the real world Tuskegee experiment.
Isaiah Bradley was the only survivor. His powers mimic that of Steve Rogers, but his mind is constantly deteriorating and he became sterile (much like the effects of syphilis).
In the short lived but phenomenally written story “Truth: Red, White & Black” and then “The Crew” Bradley takes on the mantle of Captain America while Rogers was frozen in ice. Through it, the series ends with a man who saved countless lives, saved the world, and is now forgotten to history.
Josiah X “Bradley” (Justice) – Vietnam War
The apple didn’t fall far from the tree with Isaiah Bradley’s son when the story of “The Crew” shifts. Josiah’s story takes place in the backdrop of the Vietnam War and then ’70s violence in Brooklyn. His powers are still the same of the other Captain Americas, and he’s armed with his father’s shield.
Writer’s Note: Seriously, I can’t recommend Christopher Priest’s work on this series enough. It’s one of the best damned comics I’ve ever read.
Bucky Barnes (Winter Soldier) – World War II
Thought killed in the same issue that Captain America joined the Avengers, James Buchanan Barnes was unveiled as the Winter Soldier. The once sidekick to Captain America became a coldblooded assassin and spy. He later regained his humanity and joined his old comrade and friend on the Avengers.
The name “Winter Soldier” is from Thomas Paine’s “The American Crisis” and an organization of Vietnam Veterans against the war. “The summer soldier and the sunshine patriot will, in this crisis, shrink from the service of their country.”
Nick Fury (The Unseen) – World War II
From leading his Howling Commandos to become the Director of S.H.I.E.L.D., to transforming into the silent observer of Earth, Nick Fury has done it all without any actual abilities — and with only one eye. He has the Infinity Formula which kept him from aging, but it was with his mind and skill on the battlefield that allowed him to take down nearly every superhero in the Marvel universe.
Nick Fury — in both the main universe and “Ultimate Universe” (where he’s redesigned to look like Samuel L. Jackson) — many of his Howling Commandos, as well as his son Nick Fury Jr., all served in the U.S. Army.
Professor Charles Xavier (Professor X) and Cain Marko (Juggernaut) – Korean War
The story of both Professor X and Juggernaut’s time in the Korean War go hand in hand, with the stepbrothers both serving in the Army during the Korean war.
Charles had earned his Ph.D. in genetics before he was drafted and assigned to the same unit as his brother. When Cain deserted under fire, Charles went to retrieve him. He found himself in an ancient temple and gained magical powers of strength and immortality — making him an unstoppable force.
Charles, of course, has always had mutant powers.
Charles Xavier has been portrayed in the movies by Sir Patrick Stewart. The son of a regimental sergeant major in the British Army who’s unit was present in the Dunkirk evacuation, Stewart cites his father for inspiration for many of his roles on screen and stage.
Eugene ‘Flash’ Thompson (Agent Venom) – Iraq War
The former bully turned friend of the high school student Peter Parker (Spider-Man) enlisted in the U.S. Army to fight in Iraq where he lost his legs on the battlefield saving his squadmate.
Dealing with depression, alcoholism, and post-traumatic stress, Flash became the new host of the alien Symbiote “Venom.” Mixing the military knowledge of Thompson with the alien abilities of Venom, Agent Venom became one of the newest heroes to Marvel’s line-up in 2008.
I couldn’t tell you what Marvel Studios and Sony Pictures have in mind for Agent Venom after Tom Hardy’s turn as Eddie Brock (Former host of Venom). But I can tell you that I would be 100 percent supportive of Tony Revolori’s depiction taking the oath of enlistment.
What other superheroes from the U.S. Army or military do you love? Let us know in the comment section.
*Bonus* Hal Jordan
He has no super powers, was only in one issue, and only helped Namor the Submariner fly a plane because he became a pilot for the Army Air Service. The only reason why this one-off character is even remembered is because his looks and military pilot background are the same as another character named Hal Jordan created 10 years later by DC.
No action-thriller films in recent memory have received as much acclaim from both critics and audiences as the John Wick series. Ever since the credits rolled on the second film, fans have been speculating and eagerly waiting to see what will happen to the action genre’s newest beloved badass.
On the surface, it’s a very simple plot to follow. Bad guys kill a man’s dog, so (spoiler alert) man brutally kills the bad guys — but it’s so much deeper than that. The first and second films brilliantly weave in minor references to the grander world of the former-assassin-turned-world’s-most-wanted-dog-avenger. It’s fair to assume that the third film will follow in the same vein.
Throughout the series, there is only one established rule that few characters dare to break: No criminal business, especially killing, is allowed in the Continental Hotel, which serves as a neutral hub for the underworld. Nearly every hardened killer in the series is willing to obey this rule, with the exception of Ms. Perkins (portrayed by Adrianne Palicki) in the first film. For breaking this rule, she’s killed, executioner-style, by a collection of underworld bosses.
John Wick: Chapter 2 ends with John killing the man who was blackmailing him back into assassin work at that very hotel. Instead of sharing the fate of Ms. Perkins, John has a million bounty placed on his head and is given a marker, a coin that can be turned in for a favor, and an hour-long head start. Every killer in the world checks their phones and is informed of the bounty — roll credits.
It can be assumed that the next film will take place moments after the order is given.
It just feels right knowing that the same creative team gets to tell their complete, unedited story.
Details surrounding the next installment in the series remain very closely kept secrets, which doesn’t point to things faring well for our legendary assassin, but we’ve dug up a few clues.
First, we look toward the film’s IMDb page. According to the credits, several of the still-living characters are set to reappear. John Wick is still played by Keanu Reeves. Ruby Rose, Common, Laurence Fishburne, and Ian McShane are all set to reprise their respective roles. Newcomers to the series include Halle Berry and Jason Mantzoukas, both playing assassins.
Director of the first two films, Chad Stahelski, and Derek Kolstad, writer, are also taking up their former roles. Fans of the series can rejoice because this means that the tone and feeling of the third chapter will be consistent with the first two.
According to a leaked set photo, he’s somehow going to steal a Central Park horse… and for some strange reason I’m excited about that.
Principal photography is currently underway and set photos are surfacing that showcase scenes in New York City. Since the previous film ends there, it’s safe to assume that these sets will be the backdrop of Wick’s escape from New York. In an interview with Fandom for the second film, Reeves admitted that he’d love for the series to go to Jerusalem to continue with the historic feeling of the missions.
The title of the upcoming film, John Wick 3: Parabellum, is a clever nod to the Latin phrase, “si vis pacem, para bellum,” which means, “if you want peace, prepare for war” (Not to go on at length, but this is also further proof of his Marine-ness). It’s also a reference to the 9mm Luger handgun cartridge — the 9mm Parabellum round. In terms of John Wick, this means he’ll have to do a lot of shooting if he wants to find that peace.
Another interesting tidbit of information, courtesy of IMDb, is the tagline for the film: “No shout, no scream, no shoot, no fear, no fire, no sign. Just one pencil.” Fans of the series learned early on that the legends of John Wick killing two men with just a pencil weren’t exaggerated. Maybe he’ll up his tally with even more men with the very same pencil. We’ll see.
The film is scheduled for release on May 19th, 2019 — two weeks after the climactic fourth Avengers film. Here’s to hoping both films crush it at the box office.
In the late 1950s, Kubrick became so concerned about the possibility of nuclear war that he read over 50 books on the subject. One of those books was Peter George’s Red Alert, which a friend had recommended. Mesmerized by the novel, he purchased the rights and began developing a reality-based thriller called Edge of Doom based on Red Alert.
But as he wrote the lighter side of armageddon emerged. “He kept coming across various aspects of the story that weren’t tragic but were comic,” said film critic Alexander Walker. “For example, if a man learns of nuclear annihilation in his office, the result is a documentary. When he’s in his living room, it’s a social drama. When he’s in the bathroom, it’s a comedy.”
Kubrick chose the latter, and the result is Dr. Strangelove. The film holds the record for being the 24th greatest comedic film of all time on Total Film magazine and has a 99 percent rating on Rotten Tomatoes.
This video is an interesting look into how the movie was made. Watch:
It happens every single time a veteran sits down to watch a movie with friends and family. The civilians grab a bag of popcorn while the veteran starts biting their lower lip. The civilians start to enjoy themselves and the veteran starts offhandedly remarking on how “that’s not how it actually happens.”
Before you know it, the veteran hits pause and proceeds to give a full-length presentation on why the film is a disaster because they put the flag on the wrong side of the soldier’s uniform.
Most of what makes a military film bad isn’t intentional, of course. No one wants to spend millions on making a bad movie. But when done right, as so many have been before, troops and veterans will keep it on their top ten film list. So, Mr. Hollywood Producer, when you set out to make the next military blockbuster, use the following advice about the five biggest military movie mistakes.
Hire a good military adviser (and listen to them)
This may come as a shock to some veterans, but there are people on film sets whose entire job is to point out what would and wouldn’t happen in the real military. They’re called military advisers. The great military films are made or broken by how much the cast and crew decide listen to said adviser.
On a magnificent film set, like Saving Private Ryan, for example, everyone from Steven Spielberg to the background extras listened to every single word Dale Dye spoke. A good adviser knows they’re not on set to interrupt the creative team’s ideas. If they speak up to say something is wrong, it’s for a good reason.
Writing that reflects reality
When there’s something fundamentally wrong with a film, it can often be traced back to the writer. One of the first things they tell up-and-coming screenwriters is, “you can make a bad movie from a good script, but you can’t make a good movie from a bad script.” And the best writers are those who can make is something feel authentic and realistic, no matter how extraordinary the setting.
Military films are no exception. The fact is, no two troops are the exactly same. This goes for every character in the film. Every character, lead or background, should be fully dimensional and the audience should have a reason to care if they get unexpectedly shot in Act 2B.
Don’t expect a three-act character arc in the matter of one deployment
While we’re still poking fun at writers, let’s talk about the all-too-common problem of trying to turn real stories into scripts by shoehorning their actions into the Aristotelian structure. For those unfamiliar, this is your basic story of a random nobody becoming a legendary hero. Luke Skywalker did it — but it took him three movies, the loss of his mentor, and multiple failures to finally become a Jedi master.
Don’t expect to apply that same structure to a biopic that begins with a troop being a nobody at basic training and ends with them becoming a battlefield legend. In fact, some of the greatest war films rely on something simple, like “we need to go get this guy” to carry the story. A good story doesn’t need to be humongous in scope to be compelling.
Use authentic wardrobe
Despite how it may seem, there is no law that states that you must mess up uniforms if you’re to use them in a film. In fact, there’s actually a Supreme Court ruling that states you can use real uniforms in the arts — so there’s no excuse.
Use a military adviser and give them a say in the wardrobe department. Or, if you want to keep it simple, hire at least one veteran from whichever branch as part of the wardrobe team.
Retell the big scenes with smaller moments
It’s called a “set piece.” It’s the huge, elaborate moment that costs a boat-load of cash to capture. It’s what fits perfectly in the trailers. These are the scenes that action sensations, like The Fast and the Furious films, are known for. And yet, they often leave us feeling like something’s missing when done in military films — the personal touch
And that’s what really makes military movies different — sure, there are explosions in war, but it’s an intensely personal moment for the troops fighting. The gigantic scenes will sell much better if they focus on the fear in someone’s eyes more than flying a telephoto lens over the battlefield.
Everyone loves Baby Yoda. For parents, the Mandalorian caring for Baby Yoda has made the bleak space saga relevant to parenthood. In just a few short weeks Star Wars has suddenly become more relevant than ever to all sorts of people, and it’s all thanks to an adorable character called “The Child” who never speaks. But who is the Child? Is he somehow a clone of Yoda? Is he Yoda reincarnated? If you’re fuzzy on the timeline of The Mandalorian, did you think this was baby Yoda?
Here’s the deal. Baby Yoda is not Yoda and the guy who runs The Mandalorian just made that pretty clear. Jon Favreau (you know, the guy who made Iron Man) has been doing a pretty solid job steering TheMandalorian ship thus far, and recently he’s answered a few questions about why everyone loves “Baby Yoda” so much. Speaking to The Hollywood Reporter, Favreau made it pretty clear, just in case you were confused, that this little creature is not the Yoda.
“I think what’s great about what George [Lucas] created is that Yoda proper — the character that we grew up watching— was always shrouded in mystery, and that was what made him so archetypal and so mythic.” Obviously, because another creature of Yoda’s species is being featured so heavily, some of that shroud is being lifted, but Favreau is quick to point out there’s still plenty to discover.
“We know who he is based on his behavior and what he stands for, but we don’t know a lot of details about where he comes from or his species. I think that’s why people are so curious about this little one of the same species.”
The keywords to focus on here are these: this little one of the same species.
Baby Yoda is not actual Yoda, because The Mandalorian happens six years after Return of the Jedi, the movie in which Yoda died. It was a peaceful death though, and before he died he told Luke “there is another…Skywalker.” Funny he didn’t mention another Yoda!
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
How does a massively successful director like Zack Snyder follow up box-office smahes (and future box-office smashes) like 300, Man of Steel, Batman v Superman, and Justice League? If you answered a film retelling the magnificent rise of the first president of the United States in the style of 300, you guessed correctly. Speaking with Bloomberg Business, Snyder explains that George Washington is next on the docket.
He has a picture in his office of the Revolutionary War hero crossing the icy Delaware on his way to decimate the British in the Battle of Trenton. “We were talking about it,” Snyder says. “The first thing we asked was, well, how are we going to make it look? I pointed at this painting. It looks like 300. It’s not that hard.”
He isn’t wrong, but we’re guessing it will look something like a mix between the iconic painting and the epic illustration above.
That satisfying “Ping!” of bullets on target is as regular as a metronome when former Green Beret sniper, Aaron Barruga, is running tactical marksmanship drills on his home turf in Santa Clarita, CA. With his company, Guerrilla Approach, Barruga trains civilians, military, and law enforcement in proper and effective tactical firearm deployment.
The man does not miss.
“Oscar Mike” host Ryan Curtis paid a visit to Barruga’s training facility to bone up on his sharpshooting and found himself in good hands, drilling shoulder to shoulder with this veteran entrepreneurial success story. Barruga’s advice?
“I would definitely say that, if they have the opportunity, use that G.I. Bill. Get that piece of paper that says, “I’m smart and employable.” And just grind away, basically. You gotta hustle.”
As the day progresses, the sweat beading on Ryan’s brow is a testament to his hustle, if not his dead shot accuracy. And when he challenges Barruga to an Old West-style duel, our host quickly learns what high noon looks like at the Less-than-OK Corral.
Watch as Barruga makes plinking targets look easy, and Curtis proves his monkey is definitely the drunkest, in the video embedded at the top.
Most members of the military will be familiar with the HBO miniseries “Band of Brothers,” which follows the story of the men of Easy Company, 506th Parachute Infantry Regiment, 101st Airborne Division in WWII. Produced by Steven Spielberg and Tom Hanks after their 1998 success, “Saving Private Ryan,” the miniseries has been praised for its drama and storytelling.
Using leftover props and costumes from “Saving Private Ryan,” and with the consulting help of surviving Easy Company veterans, Hanks and Spielberg strove to bring the stories of Easy Company to life. However, “Band of Brothers” did take some artistic license for the sake of storytelling and presented some glaring historical inaccuracies as a result.
A serious WWII history buff could point out dozens of small mistakes in “Band of Brothers” like the inaccuracies of a German Jagdpanther at Bloody Gulch, the wearing of the 101st Screaming Eagle patch during the Battle of the Bulge, or the anachronistic headset worn by a C-47 pilot taking off from England. However, this article will focus on 6 inaccuracies that actually changed important historical details or rewrote a person’s story.
Edelweiss – Part Three, Carentan
During this episode, Private Albert Blithe is sent forward of Easy Company to re-establish contact with Fox Company during a night movement. Moving quietly through the darkness, he rounds a tree and is startled by a German soldier behind an MG42 machine gun. Lt. Dick Winters emerges from the darkness, further startling Blithe, and informs him that the German is dead. Lt. Lewis Nixon joins them and identifies the German as a Fallschirmjäger, a paratrooper. He further identifies a flower on the German’s uniform as Edelweiss, saying that it only grows high up in the Alps and is meant to be the mark of a true soldier.
Gebirgsjäger, German and Austrian mountain troops, wore Edelweiss badges, not flowers, on their uniforms as a symbol of pride in their mountaineering and soldiering skills. As such, it is highly unlikely that a paratrooper would adopt a symbol that held so much importance to mountain soldiers. It can be likened to U.S. paratroops taking great pride in their distinct bloused jump boots. Later in the 20th century, many a nose was broken at Fort Benning by paratroopers who caught a non-paratrooper wearing bloused jump boots.
Shooting POWs – Part Two, Day of Days
This episode serves as the catalyst for the many rumors about Ronald Speirs shooting German POWs on D-Day. In it, Don Malarkey jogs away from a group of prisoners being watched over by Lt. Speirs and another Dog Company paratrooper when he hears automatic gunfire from behind him—the implication being that Speirs executed the prisoners. In later episodes, the rumors evolve from Speirs shooting a few prisoners, to shooting eight, shooting twenty, and even shooting a drunk sergeant for refusing to go out on patrol.
In a video interview, former Dog Company trooper Private Art Dimarzio recalled capturing three Germans on D-Day with Speirs and a sergeant. “The LT called us together in a bunch and he said, ‘…you take one,’ they were all laying in a ditch, ‘I’ll take this one, and sarge you take that one.’ And we paired off and we shot the three of them.” DiMarzio also noted that, a few hours later, they came upon another group of Germans, all of whom Speirs shot. This account is entirely plausible given the orders issued to the paratroopers by General Maxwell Taylor, commander of the 101st Airborne Division.
“Take no prisoners,” Malarkey recalls General Taylor telling them. “If you were to take prisoners, they’d handicap our ability to perform our mission.”
Hitler’s suicide – Part Nine, Why We Fight
The episode opens stating that it is April 11, 1945 in Thalem, Germany. A string quartet of German civilians plays Beethoven’s String Quartet No. 14 in C-sharp Minor. Around them, other civilians clear up the rubble of their battered city under the supervision of U.S. soldiers while Easy Company soldiers look down from a damaged apartment building. The rest of the episode flashes back to Easy Company’s initial invasion of Germany before returning to the Thalem apartment where Captain Nixon informs the men that Hitler is dead.
Assuming the men have not been sitting in the same apartment listening to the same string quartet for nineteen days, this scene is anachronistic as Hitler committed suicide on April 30, 1945. It is unclear why this error was made or why it persisted from the HBO television release to the home video release, since a simple edit to the opening statement could make it April 30, 1945. This is an extreme oversight for such a big budget production.
Lt. Dike – Part Seven, The Breaking Point
Part Seven focuses primarily on Easy Company First Sergeant Carwood Lipton as he works to maintain the unit’s morale and combat effectiveness during the Battle of the Bulge. However, his efforts are hindered by their new commander, Lt. Norman Dike. Dike is rarely seen around the men, leaving them to go on walks or make phone calls at Battalion HQ. His behavior earns him the nickname “Foxhole Norman”. During the attack on Foy, Dike becomes paralyzed by fear and panics under pressure, sending a single platoon exposed on a doomed flanking mission. His poor leadership results in the deaths of many Easy Company men before he is relieved by Lt. Speirs and is eventually killed during the attack.
Firsthand accounts show that Dike was not a well-liked officer during his command of Easy Company, but he was by no means the cowardly and ineffective officer that was portrayed on screen. During the attack on Foy, Easy Company trooper Clancy Lyall saw Dike get shot in his right shoulder. Omitted from the on-screen depiction, this wound inhibited Dike’s decision-making and caused him to panic. Furthermore, Dike won two Bronze Star Medals for valor earlier in the war; one in Holland for organizing a hasty defense against, “superior and repeated attacks”, and another at Bastogne where, “…he personally removed from an exposed position, in full enemy view, three wounded members of his company, while under intense small arms fire.”
Finally, Dike was not killed at Foy. He survived his wound and became the aide to General Taylor. Dike remained in the Army for the remainder of the war, served in Korea, and eventually attained the rank of Lieutenant Colonel in the Army Reserves. He also went back to Yale and earned his law degree. He worked as a U.S. Commissioner in Japan, practiced law in New York City and Washington D.C., and was even employed by the CIA for a time. He died in Rolle, Switzerland on June 23, 1989.
Private Blithe — Part Three, Carentan
Episode three begins with Private Albert Blithe just after D-Day when he rejoins Easy Company after the confusion of the drop. Following the fight to take Carentan, he is struck with a case of hysterical blindness. After recovering, Blithe returns to Easy Company. Following his encounter with the dead German, Blithe admits to Lt. Speirs that he didn’t try to find his unit on D-Day; instead, he hid in a ditch out of fear. Speirs tells him that he’s already dead and that he must accept that in order to function as a soldier should, “without mercy, without compassion, without remorse.”
Blithe follows Speirs’ advice and fights ferociously during the German counterattack at Bloody Gulch. After the battle, Blithe finds a dead German that he shot and removes the Edelweiss on the German’s uniform. Blithe takes the Edelweiss for himself and places it on his uniform, completing his character arc. A few days later, he volunteers to investigate a farmhouse during a patrol where he is shot in the neck by a German sniper. The episode ends saying that Blithe died from his wounds in 1948.
Blithe’s depiction is mostly true. He was stricken with hysterical blindness and he was shot by a sniper whilst investigating a farmhouse. However, Blithe was shot in his collarbone. He recovered from his wounds and was sent back to the states. He remained in the Army and fought with the 187th Airborne Regimental Combat Team in Korea. After his second war, Blithe was assigned to the Military Assistance Advisory Group in Taiwan. In December 1967, while on active duty in Germany, Blithe attended a ceremony in Bastogne commemorating the Battle of the Bulge. Upon his return to Germany, Blithe felt nauseous and was taken to the ER at Wiesbaden Hospital. He was diagnosed with a perforated ulcer and died in the ICU on December 17 after surgery. Blithe had attained the rank of Master Sergeant and was buried with full honors at Arlington National Cemetery.
The other men of Easy Company never found out what happened to Blithe after he was wounded at the farmhouse. They assumed he succumbed to his wounds and the producers of the show did no further research. Having spent more than 20 years in the Army over the course of three wars, Blithe deserves more credit than he is given in Band of Brothers.
The surrender — Part Ten, Points
The last episode of the miniseries follows Major Dick Winters and Easy Company during the last few months of the war. After the official German surrender, Winters meets with a German Colonel who offers Winters his Luger pistol as his formal surrender. Out of respect for a fellow soldier, Winters allows the Colonel to keep his sidearm. The German is surprised by Winters’ gesture and gives him a crisp salute in return.
In reality, the surrendering German was a Major like Winters. The sidearm that he offered as his formal surrender was a Walther PP (a long-barreled version of James Bond’s famous Walther PPK), which Winters accepted and kept until his death in 2011. In an interview for HBO, Winters showed the pistol and recounted the German’s surrender:
I was assigned this Major and when he walked in, he presented me this pistol and offered his personal surrender, which naturally I accepted gratefully. So that would be the end of the war for his men and this is basically the end of the war for my men. And the significance is that, it wasn’t until later when he had given me this pistol and I got a chance to look at it carefully that I realized, this pistol had never been fired. There was no blood on it. That’s the way all wars should end: with an agreement with no blood on it. And I assure you this pistol has never, never been fired since I’ve had it and it will not be fired.
Winters’ powerful and insightful words about the surrender make the scene in Band of Brothers feel like a missed opportunity. The real-life exchange between the two Majors and the impression that the symbolic pistol left would have been more impactful than the surrender shown on screen.
After the series premiere, Winters told Hanks that he wished the production had been more authentic, hoping for an “80 percent solution.”
Hanks responded, “Look, Major, this is Hollywood. At the end of the day, we will be hailed as geniuses if we get this 12 percent right. We are going to shoot for 17 percent.”
“Band of Brothers” is a well-made and fitting tribute to (most of) the men who fought in Easy Company during WWII. As with most Hollywood productions, the history was adapted for dramatic effect and series structure. Certain stories and experiences were modified or folded into other characters for the sake of storytelling, but the show as a whole is still one of the best portrayals of WWII to date. In the case of the aforementioned stories and experiences however, their true history deserves to be told, learned, and remembered.
Before his sudden reemergence at the Caspian Economic Forum, speculation had recently been swirling in Turkmenistan after the country’s strongman president disappeared from public view for more than a month.
Considering that Gurbanguly Berdymukhammedov regularly dominates the airwaves in the tightly controlled state, his abrupt absence did not go unnoticed, prompting speculation that he was in poor health or even dead.
This obviously posed a problem for the Turkmen authorities, who have spent years cultivating an elaborate cult of personality aimed at boosting the totalitarian leader’s power and prestige.Turkmenistan’s Singer, Race-car Driver, Jockey, Autocrat
When ubiquitous dictators suddenly evaporate into thin air, it can have a destabilizing effect on their regimes.
Perhaps hoping to avoid the crippling uncertainty that gripped the Soviet Union immediately following the demise of Stalin or the rampant rumors that accompanied the long-drawn-out announcement of Islam Karimov’s death in neighboring Uzbekistan in 2016, the Turkmen authorities went into overdrive to assure the populace, and the world at large, that their glorious leader was alive and well.
This all culminated in state TV broadcasting an Aug. 4, 2019 highlights package showing a 35-minute montage of clips of what Turkmenistan’s all-singing, all-dancing president had been doing on his “holidays,” including riding a bicycle, firing an automatic weapon in combat gear, bowling with astonishing accuracy, riding a horse, working on a new book, composing a new song, and driving an SUV through the desert to the Gates of Hell — a perpetually burning crater that resulted from a Soviet attempt to flare gas there in the early 1970s.
In a five-minute segment on The Daily Show, Noah used the opportunity to reprise some of the video “highlights” of Berdymukhammedov’s bizarre reign, including the South African comedian’s own personal favorite, which shows the Turkmen leader rocking out with his grandson.
Among other things, Oliver took great delight in dissecting the Turkmen president’s fascination with horses, which RFE/RL has also covered in the past.
The British-born comic paid particular attention to the time when Berdymukhammedov had an embarrassing fall while riding a beloved steed, a story that the Turkmen authorities did their best to try and bury.
Besides mining the subject for laughs, however, both also made sure to draw attention to the dark side of life in Turkmenistan, particularly its abysmal human rights record.
According to its latest World Report, Human Rights Watch singled out the country for particular criticism, calling it “one of the world’s most isolated and oppressively governed” states, where “all forms of religious and political expression not approved by the government are brutally punished.”
With this in mind, Oliver also took the time to take a swipe at Guinness World Records for actually sending verifiers to validate what he described as Berdymukhammedov’s “bizarre obsession” with setting global firsts (something he shares with some Central Asian counterparts).
John Oliver repeatedly cited RFE/RL reporting in his Berdymukhammedov segment.
(Last Week Tonight/YouTube)
In Oliver’s view, enabling Berdymukhammedov to register such Turkmen records as having “the most buildings with marble cladding” or the “world’s largest indoor Ferris wheel” only serves to “reinforce a cult of personality and confer a sense of legitimacy on a global stage.”
Typically, Oliver was to have one last laugh at the Turkmen leader’s expense, however.
Taking a leaf out of Berdymukhammedov’s book, the Last Week Tonight ended the show by attempting to break another record, making what Oliver described as the “world’s largest marbled cake” — a 55-square-meter confectionery decorated with a huge picture of the Turkmen president infamously falling off his horse.
It’s probably safe to assume that this is probably not a record achievement Turkmen state TV is going to be trumpeting anytime soon.
It’s 1987, I’m four years old and watching Predator. It was the 80s, so yeah, I lived on the edge. Arnold Schwarzenegger is yelling, “Get to the chopper!” and using mud to hide his thermal signature from a nasty, invisible alien. As I watch and re-watch Predator, awed as Arnold plays Major “Dutch” Schaefer, a Green Beret leading a covert, rescue mission, an idea pops into my mind: “I should be in Special Forces.”
Twenty-five years later, I don my Green Beret and earn my tab. Today, there’s still no question in my mind that Hollywood movies had a lasting impact on my decision to serve, and I’m not alone — you know it’s true.
Thirty years later, Arnold continues to inspire the next generation of military movies — even if he’s not hunting aliens or a robot sent from the future. Anyone who’s served knows the age-old saying, “attention to detail” and today, Arnold’s team at the USC Schwarzenegger Institute for State and Global Policy is committed to helping Hollywood storytellers get the details right about military life. The Schwarzenegger Center recently hosted a workshop that combined the best of the Hollywood world with some of the best military leaders from across the globe, many of whom will become Generals/Air Chief Marshall (gotta love the foreign ranks). Regardless of what flag was Velcroed to their flight suit, the mission for those in the room was clear: build relationships that can extend into an idea, a script, and even a movie.
Arnold told We Are the Mighty,
“Hollywood wouldn’t be the same without the stories of our military’s heroism that have inspired Americans and taught the world our values. I’m proud the Institute can support this important collaboration by bringing together top military and entertainment talent.”
Heroism, unshakable values, and collaboration brought the best of the best together. Participants in the discussion included Jerry Zucker (Director of Airplane!), Sarah Watson (Creator/EP of The Bold Type), Jon Turteltaub (Director of National TreasureThe Meg), and actor Jamie G Hyder (True Blood, Call of Duty), along with pilots from the Air War College International fellow program, which included officers from 20 nations, as well as representatives from the U.S Navy’s Hollywood liaison office. This pairing of two seemingly different worlds couldn’t come at a better time. All branches of the military continue to work tirelessly each year to meet their recruiting, retention, and readiness goals, while Hollywood has continued to push mega-movies with a military spin, like the freshly released Captain Marvel, and create new platforms for military storytelling, like Netflix, Hulu, and We Are The Mighty (yeah, yeah… shameless plug).
L-R: Jerry Zucker, Sarah Watson, Jon Turteltaub, Katie Johnson discuss their roles as storytellers
Both sides discussed the various similarities and challenges in their respective fields. The pilots in the room, who almost unanimously admitted that they earned their wings as a result of Top Gun (unfortunately not a Schwarzenegger movie), asked the writers and directors how to best share their own stories, to which Director Jon Turteltaub fired back, “Hang out with us. Even just a personal story can spark an idea.”
In addition, many of the writers expressed how participating in a short visit with the military changed their entire view of military stories. Writer and showrunner Sarah Watson recounted how impressed she was with the female sailors she met on an aircraft carrier visit. As a result, Sarah has dedicated herself to creating a female military character in her next project.
The respect was mutual. Col Ken Callahan, Associate Dean, USAF Air War College, added,
“The opportunity to interact with the entertainment industry at the Schwarzenegger Institute event was priceless. Helping future Air Chiefs from allied and partner nations better understand the role Hollywood plays in expressing American values globally is exactly what we are trying to achieve. Our sincere thanks to Mr. Schwarzenegger, his staff, the team at USC, and all of the amazing and talented individuals that took time out to help forge new partnerships with our group.“
Lt. Col Andreas Wachowitz, German AF (left), chats with writer Will Staples
The discussions throughout the day included deep dives into how various successful collaborations between the US military and Hollywood, such as The Last Ship and Transformers, can shape public affairs, recruiting, and soft power diplomacy. Basically, the military leaders asked if movies can make the world safer, and the answer was a resounding yes (especially if we are one-day attacked by Predator aliens).
The real question of the day came from Norman Todd, EVP of Johnny Depp’s company, Infinitum Nihil, who asked, “Who is the greatest Hollywood Actor?”
“We love Arnold,” Capt. Russell Coons, director of the Navy Office of Information West responded immediately. Even an Army guy can agree with that answer. We’ll continue to keep you updated as Arnold, both a great actor and leader, continues his effort to bring the military and Hollywood closer together.
On his fantastic new album A Sailor’s Guide to Earth, Sturgill Simpson uses life at sea to inspire songs about separation from family and a longing for home. Simpson himself grew up in Kentucky and claims he joined the Navy on a whim when driving past a recruiting station.
After three years which included service in Japan and Southeast Asia, he left the service. “I wasn’t very good at taking orders,” he told Garden and Gun in 2014.
After he came home and started a music career, it turned out he wasn’t very good at taking orders from Nashville, either. Simpson wasn’t cut out for the kind of trucks-and-beer pop country that’s dominated the charts over the last decade and made his name on independently-released albums. He had a breakthrough with 2014’s Metamodern Sounds in Country Music, produced by Dave Cobb (who’s made a name for himself producing fellow Nashville rebels Chris Stapleton and Jason Isbell).
Atlantic Records signed Simpson and gave him total freedom to make Sailor’s Guide, which he produced himself. What he made is a compact album (39 minutes, just like the old days!) that combines ’70s Waylon Jennings and Willie Nelson with Stax Records-style horns, Al Green keyboard grooves and a Elvis in Memphis vibe.
On the track “Sea Stories,” he talks about joining the Navy:
Basically it’s just like papaw says:
“Keep your mouth shut and you’ll be fine”
Just another enlisted egg
In the bowl for Uncle Sam’s beater
When you get to Dam Neck
Hear a voice in your head
Saying, “my life’s no longer mine”
He also includes a cover of Nirvana’s “In Bloom,” where he adds a new lyric. After the line “You don’t know what it means” (where there’s a howling guitar squall on the original version), Simpson sings “to love someone,” a line he says he imagined was there for years after he first heard the Nirvana version. Fans of the BeeGees (and the innumerable soul covers of the song) will appreciate the “To Love Someone” reference.
There’s zero Autotune on the vocals, so this kind of gritty, soulful music may sound a bit weird to fans of Little Big Town or Florida-Georgia Line. None of the songs sound like truck commercials, so you’re probably not going to hear this music on commercial country radio. If Chris Stapleton got your attention last year, though, Simpson’s album is a logical next step into the world of traditional country.
The album’s for sale in all the digital music stores, CDs are really cheap at Amazon and you can stream it on Spotify or Apple Music before you buy. Check out the first two videos from the album below.
Sturgill’s daring cover of Nirvana’s “In Bloom”The album’s first single is “Brace for Impact (Live a Little)”
For decades, when moviegoers sit down to watch an action flick, they usually get exactly what they expect: masculine men punching and kicking the sh*t out of one another. Unfortunately, the woman featured in those films rarely get a chance to flex their fighting chops.
Thankfully, in a few cases, the writers and directors behind Hollywood blockbusters manage to bring in a strong cast of female characters to duke it out on the silver screen. These scenes are entertaining as hell to watch and, in our opinion, movie producers don’t give women enough opportunities to show just how strong and fierce they can be.
So, we decided to make a list of badass heroines who don’t hesitate to showcase their mettle.
When you think about the best duels featuring a strong female combatant, you probably didn’t expect to see Scary Movie 2 make the list, did you? Fans of comedy laughed uncontrollably when Cindy Campbell got embroiled in a no-holds-barred fistfight against a cat in the 2001 comedy.
This epic duel contains deadly weapons, tricky moves, and some hilarious sh*t-talking.
In 1990, Total Recall showed audiences why you should never push someone to their breaking point without expecting a fight. In this action-packed scene, two strong, female characters go head-to-head in a well-choreographed, sci-fi showdown.
Charlie’s Angels scrap Madison Lee in ‘Charlie’s Angels 2: Full Throttle’
In 2003’s Charlie’s Angels 2: Full Throttle, three beautiful private investigators do everything in their power to take down a rogue agent. This intense fight scene transitions between rooftop hand-to-hand combat and a crazy car chase without skipping a beat.
What happens when you put an MMA fighter up against a tough-talking street racer? You get one of the most badass, all-female battles of the Fast and the Furious franchise. These on-screen fighters make battling it out in tailored dresses look easy.
Black Mamba battles Copperhead ‘Kill Bill: Volume 1’
In this famous scene, our heroine goes up against an old adversary. The two meet and immediately draw steel. Black Mamba (as played by Uma Thurman) and Copperhead (Vivica A. Fox) put on an incredible showcase of acrobatic stunts and precise choreography.
When moviegoers show up to watch a Tarantino film, they expect to get some vivid imagery and a whole lot of F-bombs, but they didn’t expect a duel to the death through a suburban home.
If this list has you convinced that fighting a badass woman is tough, try fighting the queen of the xenomorphs. In 1986, director James Cameron brought this idea to the big screen as Ripley went toe-to-toe with a nasty, double-mouthed, overly-spitty alien in the climax of Aliens.