Army veteran and USC School of Cinematic Arts Alumni Jordan Michael Martinez has released his 20-minute short film The Gatekeeper on Valorous TV. A psychological thriller that artistically and authentically highlights the real struggles veterans face with PTSD and suicide, The Gatekeeper stars combat-veteran Christopher Loverro (U.S. Army) and U.S. Navy vet Jennifer Marshall (Stranger Things, Mysteries Decoded).
“There’s a proliferation of post-traumatic stress disorder themed films being produced that I feel do not adequately capture the true essence and the reality of the situation facing the soldier who is returning from the war in Iraq and Afghanistan,” Martinez explained. “In fact, advocating for an environment that offers a culture within and out of the military for positive mental health is a much more positive attitude than just merely labeling it as a PTSD problem. I really wanted to present the bigger picture of what many career soldiers and returning combat veterans go through.”
Watch the Trailer
The film depicts the aftermath of a soldier’s actions in combat, taking particular care to explore relationships between an Army First Sergeant (Loverro) and his wife (Marshall), who begs him not to go back overseas.
“If you really want to help veterans you need to go beyond ‘thank you for your service,’” Jennifer Marshall shared. Telling their stories is a great way to start. Martinez hired veterans in front of and behind the camera. “I want to make a difference and start a conversation. I think The Gatekeeper can save veteran and civilian lives.”
There have been more veteran suicides since 9/11 than combat-related fatalities. Suicide and symptoms of trauma remain significant threats to military veteran’s lives and quality of living. The veteran community is rising up to bring awareness to the need for healing after returning home from military service.
“If you have PTSD or have been affected by an event, you are not weak. Getting help is not a sign of weakness,” urged Loverro, who champions veteran health and recovery.
If anyone reading this is in crisis, please know that there is a hotline you can call for support: 1-800-273-8255 (or anyone in need can send a text message to 838255).
And for anyone else who wants to join in on the conversation or support veterans as they tell their stories, you can watch The Gatekeeper here on Valorous TV.
The 2019 “Hellboy” remake has been panned by critics and declared a flop at the U.S. box office. In Russia, however, it’s provoking very different headlines.
Following its April 11, 2019 release in the country, attention has focused on a scene in which the red chain-smoking half-demon meets Baba-yaga, a haggard witch who has a thing for crawling backward like a spider.
“I recall you tried to raise Stalin’s ghost from a necropolis,” Hellboy tells her in the original English-language version of the film.
But in the Russian version, reference to the Soviet dictator who oversaw the mass execution of his compatriots and sent millions to the gulag has apparently been scrapped. Instead, it’s Adolf Hitler whom Hellboy cites.
The script adjustment was reported on April 16, 2019, by the independent TV channel Dozhd, which compared the film’s original version to the dubbed Russian-language release.
Hellboy (2019 Movie) Official Trailer “Smash Things” – David Harbour, Milla Jovovich, Ian McShane
Twitter users who saw the film in cinemas noted another curious detail: subtitled versions of the original had the word “Hitler” bleeped out, as well as a single curse-word in a film full of them. The subtitles, however, retained mention of the Nazi leader.
It may not be an isolated case.
According to the Russian film-review site Kinopoisk, MEGOGO Distribution, the company overseeing the “Hellboy” Russian release, has previously changed details in American films.
In the Russian version of the 2017 action thriller “The Hitman’s Bodyguard,” Kinopoisk reported, Gary Oldman’s character is no longer from Belarus, but Bosnia-Herzegovina.
“Hellboy” is also not the first popular comic-book hero whose franchise has had to fall in line with Russian censors.
On Jan. 9, 2019, the Russian comic-book publisher Komilfo said that it had removed an entire chapter from its Russian-language version of “Deadpool Max” because Russia’s consumer-protection agency concluded that it promotes extremism.
“In Russian legal terms even satire can be treated as propaganda,” Komilfo director Mikhail Bogdanov told RFE/RL at the time. “In our country there are certain legal lines that you can’t cross.”
MEGOGO Distribution did not immediately respond to a request for comment on the “Hellboy” release.
But really, spoilers for The Mandalorian Chapter 12 ahead.
Let’s start with a bit of non-linear history. In the first season of The Mandalorian, we were introduced to the Yoda Baby — an “asset” sought out by the remnants of the Galactic Empire under the orders of Moff Gideon (Giancarlo Esposito). We knew Gideon and his scientist Dr. Pershing (Omid Abtahi) were using the child for experiments and we knew of course that the Yoda Baby has a powerful affinity for the Force, but we didn’t know what the connection was.
Let’s jump to the beginning of The Siege, shall we? Din Djarin and his little charge are working to repair the Razor Crest. Djarin’s got the Yoda Baby in a small compartment trying to re-work some electrical lines. This had me wondering, from a cognitive perspective, how old the Yoda Baby is meant to be here. I know he’s fifty years old (and we know that Yoda lived to be nearly 900 years old) but what’s the age that you would try having your kid accomplish a dangerous task where he can sort of understand your directions but not completely and he can’t speak yet? I’m not a parent, but, like, is this like dealing with a two year-old?
Anyway, after electrocuting the infant they realize they need some help so they head back to Nevarro. We meet some ballsack aliens Aqualish thugs gearing up to murder a cute alien muskrat. Luckily Cara Dune — Nevarro’s new Marshal — returns in time to save the little feller.
Dune and Greef Karga (Carl Weathers, also the director of this episode) have a little side-mission for Djarin while he waits for his ship repairs: they want his help in destroying a nearby Imperial base. (My Dungeon Master pointed out that each episode of The Mandalorian is like a DND session and it made perfect sense. I think that’s also the series’ greatest struggle — the connecting lore isn’t quite strong enough to throw us all around the galaxy with random characters and missions.)
They leave the yoda baby with the other school children (which basically just endangers the other children, right? When has the yoda baby literally EVER not been attacked?) and we are given some new Yoda Baby meme-fuel when he steals a kid’s macaron. Plus now we can eat macarons at Star Wars parties.
Djarin, Dune, Karga, and Mythrol (Horatio Sanz), who was once a target for Djarin and is now an indentured servant of Karga — and the butt of too many bad jokes — head off to the base. Thanks to The Rise of Skywalker, every time I see Stormtroopers die, I wonder if they’re child soldiers. I still hate that JJ Abrams did that to me. Gina Carano’s gleeful little cheers whenever she kills one don’t help.
So here we are back to the controversial little midi-chlorians, introduced to aghast Star Wars fans during The Phantom Menace. The higher a creature’s “m-count,” the more Force-sensitive they are. Here at the base, which turns out to be a laboratory, we learn that Pershing desired the Yoda Baby for his high m-count in order to conduct his experiments.
It looks like Moff Gideon is trying to create a unit of Force-sensitive combatants, which is why he’s so eager to recover the Yoda Baby. After a very Star Wars-y canyon chase and TIE Fighter aerial battle (seriously, how amazing is Star Wars sound design? TIE Fighters sound so cool and distinct), the remaining Imperials are defeated and all is well.
The final scenes reunite us with New Republic pilot Captain Carson Teva (Paul Sun-Hyung Lee), who attempts to recruit Dune to the cause, and introduce us to a new adversary, an Imperial Comms officer (Katy M. O’Brian) who ordered a tracking beacon attached to Djarin’s Razor Crest.
The baddest bad guy in all of Star Wars is also, perhaps, the most famous fictional father of all time: Darth Vader AKA Anakin Skywalker. But, after Vader was out of the picture in Return of the Jedi, newer Star Wars movies have struggled to introduce family drama into the saga that was as meaty and as frightening. Since 2015’s The Force Awakens, the primary villain of new Star Wars has mostly been Kylo Ren, previously known as Ben Solo, before he turned evil and killed his dad, Han Solo. But, back in 2015, it was hinted that Kylo Ren had some muscle to help with his dirty work; the mysterious Knights of Ren. Now, like the Spanish Inquisition on Monty Python, they’re back! Nobody expects the Knights of Ren!
Thanks to newly released photos from The Rise of Skywalker, it finally looks like we’ll get some answers about who the hell these dark knights really are.
On May 22, 2019, Vanity Fair released its latest cover story, a huge preview of The Rise of Skywalker written by Magicians novelist, journalist and all-around cool dad, Lev Grossman. As with most Star Wars films, this feature was accompanied by beautiful photos from legendary photographer Annie Lewbowitz. Chewbacca is reunited with Lando, Luke Skywalker’s ghost (maybe?) stands proudly with R2-D2 and Rey and Kylo Ren duke it out again with their lightsabers. But, for fans thinking about the villains of the new saga, one minor detail was confirmed by the photos, which has major implications: The Knights of Ren are back!
In one early photo, evildoers, dressed all in black are depicted with the following caption:
“J.J. Abrams, alongside Stunt Coordinator Eunice Huthart, directs the Knights of Ren; elite fearsome enforcers of Kylo Ren’s dark will.”
Up until this point, it wasn’t entirely clear if the Knights of Ren would actually return in The Rise of Skywalker, or, like, at all. After being introduced in a flashback in The Force Awakens, hardcore fans and regular people alike have been scratching their heads for four years now about who these people could be. Like Kylo Ren, are they also former students of Luke Skywalker’s turned to evil? Are all of them men? Could another, long-lost member of the Skywalker/Solo family be chilling under those creepy masks? How come they don’t all get lightsabers?
Not, it looks like The Rise of Skywalker is poised to answer this question. It may be a small thing, but considering the fact that Kylo Ren could seemingly turn back to the light side of the Force at any point, then it feels likely any of the Knights of Ren could become the latest scum and villainy in the Star Wars universe. (We don’t know who Kylo is fighting in those trailers, after all.)
Star Wars loves to have a good role reversal when it comes to evildoers. In the original trilogy, Darth Vader was revealed to be Luke’s father. In, the prequels, a kindly senator was really a Sith Lord. Even in Solo: A Star Wars Story, a dreaded gang leader — Enfys Nest — is secretly a revolutionary woman in disguise.
So, now that we know the Knights of Ren are back, we should be prepared for some answers about them, but also, some twists, too.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
For those who haven’t seen “Range 15” (it’s for sale as a digital download at Amazon.com), it’s about some military buddies who have a wild party and find themselves tossed into the drunk tank. They wake up to the realization that the zombie apocalypse is in full swing.
Think of what follows as a threesome between “Team America,” “Zombieland,” and “The Hangover.”
According to a report by the Military Times, the documentary made its debut on June 30, 2017. The video, dubbed Not a War Story, details the making of the movie, which was filmed in 13 days — a balls crazy pace. The 80 vets who made the film, some of them amputees, had very little (if any) experience shooting feature films, but they didn’t let that stop them.
In the trailer, William Shatner, who plays an attorney in the film, strikes a very poignant tone as he recognizes the sacrifices many of these veterans have made. “You’re the fellows who altered your life to do the job,” he says.
Oh, and good news for Range 15 fans: Military Times mentioned that a sequel is reportedly in the works.
I loved “Aliens” and think it is the best film of the franchise. It’s an action-packed sequel to the original that establishes Lt. Ripley as a certifiable badass by the closing credits. But it is also, in my opinion, one of the better depictions of Marine infantry life.
Despite it being set far in the future and their name being “Colonial Marines” the second of the “Alien” franchise gives a good look inside the grunt life dynamic. Here’s why:
1. In Aliens, all they really care about is finding the aliens and killing them.
Marines can conduct humanitarian, peacekeeping, and ceremonial duties, but infantry Marines train year-round for just one thing: combat. Understandably, grunts want to test that training in Iraq and Afghanistan, and the Colonial Marines heading to LV-426 think the exact same way. While being briefed before the mission by their lieutenant, they are completely uninterested in the details of rescuing colonists.
The sentiment is summed up in what Vasquez tells Ripley: “I only want to know one thing [about the aliens],” she says, while imitating firing a gun with her fingers. “Where. They. Are.”
2. They know how to pull pranks.
If you put grunts together for any extended period of time, they will inevitably pull pranks on each other. As part of the bonding and camaraderie of being close, Marine infantrymen will mess with each other’s uniforms, food, or build MRE-powered tear gas. In the movie “Aliens,” there’s no better example of this than when Drake holds down Pvt. Hudson’s hand as Bishop stabs the table in between his fingers.
He’s shocked, terrified, and he didn’t think the prank was very funny. To the rest of the grunts watching, it was very, very funny.
3. There’s at least one whiny private who won’t shut the hell up.
There’s at least one in every platoon. No matter what is going on, this junior-ranking grunt is guaranteed to complain about something. There’s a reason why “Man this floor is freezing,” is the first line uttered by Pvt. Hudson. It sets the tone for what will be a constant theme throughout the movie.
Hudson’s brain knows only that his recruiter lied, the food here is terrible, he should’ve joined the Coast Guard, and we’re never going to make it out of here. “Game over, man! Game over!” You know he’s super annoying when even the civilian embedded with the platoon thinks he needs to shut up.
4. In Aliens, they are experts at talking crap to each other.
Marine grunts know how to talk smack to each other. Even worse, if someone shows any sign of weakness, the rest of the platoon will just pile on with more insults. But it’s all good: They do it only because they love them.
The grunts in “Aliens” play this part very well, and there are many great zingers and insults thrown out throughout the movie. Upon waking up, Drake says, “They ain’t paying us enough for this man,” to which Vasquez quickly responds: “Not enough to have to wake up to your face, Drake.”
And there are many others. Here’s a sampling:
Drake: “Hey Hicks, you look just like I feel.”
Hudson (to Vasquez): “Hey Vasquez, have you ever been mistaken for a man?” Her response: “No. Have you?”
Frost (to Lt. Gorman): “What are we supposed to use man, harsh language?”
Hudson (to Vasquez): “Right right, somebody said alien, she thought they said ‘illegal alien’ and signed up.”
5. The gear in Aliens doesn’t work very well.
I’m going to go out on a limb here, but my guess is that much like the U.S. Marine Corps, the Colonial Marine Corps is underfunded and gets hand-me-down gear from the Colonial Army. They should be outfitted with high-speed futuristic gear but instead they get helmet cams that send back grainy pictures, and their radios work intermittently right when they need them the most.
And then there are the motion sensors. These things seem like a really cool piece of gear, giving the Marines the ability to sense movement around them and respond to threats. But the sensors include fatal flaws: They capture all movement — even little mice — and there is no way of distinguishing on what level of the complex it is coming from. The Marines think something is right in front of them, but it could be three levels above them.
“Movement! Multiple signals!” Hudson says, to which Apone asks, “what’s the position?”
He says he can’t lock in. Of course! Of course he can’t lock in. You just know the Army version gives all this information and you can probably click a button to vaporize the aliens. But hey, Marines make do.
6. The platoon sergeant is a crusty old-timer who doesn’t take any crap.
Marine infantry platoons are usually led by a staff sergeant or gunnery sergeant who simultaneously commands the respect of his commander and the platoon. In Sgt. Apone, “Aliens” excels in bringing to life a character grunts know well in real life. Just like an old platoon sergeant of mine throwing in a wad of Copenhagen right after he brushes his teeth (what, why?!?), Apone puts a cigar in his mouth seconds after he wakes up.
And then there’s his “another glorious day in the Corps” speech, his use of the phrase “assholes and elbows,” and his wonderful way of chewing out Pvt. Hudson. There’s some added realism to this one: Al Matthews, who played Apone in the film, served in the Marine Corps during Vietnam.
7. They are pretty much pissed off all the time.
Among outsiders, grunts pretend like they love their job and it’s the greatest thing in the world. Meanwhile, they are really thinking that it’s pretty annoying that higher isn’t telling them anything. Lance Cpl. Smith over there thinks this mission is total B.S. And the rest of the platoon can’t wait to get out of this hellhole of Afghanistan and get back to important stuff, like drinking beer.
A similar sentiment permeates among the Colonial Marines, which Frost sums up pretty well after he wakes up and proclaims, “I hate this job.”
8. The boot lieutenant has no clue what he’s doing, and everyone knows it.
Brand new Marine second lieutenants are assigned to their own infantry platoons soon after they finish Infantry Officer Course, and “Aliens” captures this perfectly in Lt. Gorman, a super-boot (Marine-speak for total new guy) officer who has very little experience. While officers are treated with courtesy, it takes time and experience before they earn the respect of their platoon.
Gorman doesn’t do too well in the respect department right off the bat, opting not to sit with his men at chow: “Looks like he’s too good to sit with the rest of us grunts,” says Cpl. Hicks.
When asked how many drops he had been on while enroute to LV-426, Gorman says (while looking totally freaked out): “38. Simulated.” As for combat drops, he says, “Uhh, two. Including this one.” The grunts onscreen and in the audience react similarly in thinking, “Oh no.”
Later on in the movie, he completely loses communication with his men, then he freaks out and loses control. And like any good second lieutenant, he ends up getting lost (and then cornered by a bunch of aliens). You just know his story is now a tactical decision game (TDG) at the Colonial Marine Infantry Officer Course.
Let’s be honest, most movies don’t get the Marines right, but that doesn’t mean some characters don’t capture what the Corps is all about.
Even among the the incredible men and women of the U.S. Armed Forces, Marines have a tendency to stand out. Whether it’s our cult-like affinity for adhering to regulations, our invariably over-the-top pride in our branch, our ability to hit targets from 500 yards out on iron sights, or the truck-load of ego we take with us into a fight, Marines are unquestionably a breed of their own.
In movies and television, Marines are often depicted as hellacious war fighters and disciplined professionals, but Marines themselves will be the first to tell you that, while we may work hard, we often party even harder. Marines aren’t war machines, but we are highly trained. Marines aren’t incapable of compassion, but we do often keep our emotions in check. Marines aren’t super human, but that won’t stop us from acting–and talking–like we are.
That swirling combination of bravado and humility, of violence and compassion, of action and introspection make Marines more complex than they’re often depicted on screens big and small. It’s just hard to cram the sort of paradox into a fictional character. Hell, it’s hard to cram that sort of paradox into a real person too–which is why, as any Marine Corps recruiter will tell you, the Corps isn’t for everyone.
So when it comes to fictional Marines, who does the best job of capturing the unique dynamic of Uncle Sam’s Devil Dogs? That’s just what we aim to find out.
Hicks, as we all know him, was technically a corporal in the United States Colonial Marine Corps, which may not exist now, but just may in the far-flung future of the Aliens movies. While Bill Paxton’s Private Hudson may have some of the more memorable lines (“Game over man! Game over!”) it’s Hicks that maintains his military bearing throughout most of the film. When their unit is decimated and Corporal Hicks finds himself as the senior Marine on station, he willingly assumes the responsibility of command, contradicts the unsafe orders given by the mission’s civilian liaison, and makes a command decision based on the evidence at hand.
If you ask me, that’s some pretty good Marine-ing right there.
Back in the 1990s, no one was cooler than the UFO-chasing FBI agents on the Fox series, The X-Files, but despite Mulder and Scully’s run ins with the supernatural, neither were particularly tough when it came time to fight. Fortunately, their boss was a Vietnam veteran U.S. Marine that had worked his way up to Assistant Director of the FBI.
Skinner didn’t only prove himself a capable fighter time and time again, he regularly put his life on the line to help the agents under his charge and frequently was stuck trying to insulate them from nefarious powers elsewhere in the U.S. government. Skinner was no pushover, and regularly dolled out disciplinary lectures, but when they needed him, Skinner was there with a solid right hook and a drive to protect his troops.
A good Marine isn’t just about the fight. A good Marine is a leader–and that’s just what Skinner is.
There are enough iterations of Jack Ryan for everyone to have a favorite. Whether you prefer Alec Baldwin’s Ryan squaring off with the best of the Soviet Navy in The Hunt for Red October or the John Krasinski’s TV version fighting modern day terrorism, there are some universal traits every character named Jack Ryan carries with them.
Ryan is the perpetual underdog, always starting his story arc as an unassuming CIA analyst and Marine veteran. Despite having all the usual Marine Corps training, a helicopter crash left Ryan with a long road to recovery and a new way of life–but that didn’t stop him from devoting himself to serving his country in any form he could.
Ryan is the perfect example of a Marine that could have done something else–with his smarts, capabilities, and drive, he could be successful in any industry. He chose service because his nation matters to the very fabric of his being. That’s what being a Marine is all about.
J. D. Pardo and Vincent Vargas in ‘Mayans M.C.’ (FX)
Lockdown measures have meant that almost everyone is spending nearly all their time on Twitter. Those familiar with the social media platform would know that every new day during these difficult times sees a new celebrity being canceled. One of those celebrities was Adam Driver, for his supposed Islamophobic sentiments for enlisting.
On April 20, the hashtag #adamdriverisoverparty started trending on Twitter after a 2019 interview of the actor resurfaced. In the interview, Driver spoke about how he joined the Marines after 9/11 because he felt a deep desire for retribution against an invisible and unknown enemy.
“It wasn’t against Muslims,” he said. “It was: We were attacked. I want to fight for my country against whoever that is.”
What followed was a horde of Twitter users using Driver’s comments to accuse him of being Islamophobic and launching the hashtag. “#AdamDriverIsOverParty forget that ugly Islamophobic troll stream my amy adams fancam,” said one.
‘Mayans M.C.’ actor Vincent Vargas spoke to MEA WorldWide (MEAWW) on what he thought about Driver being subjected to the cancel culture. He said, “I think right now, people are completely polarized and completely divided on opinions on everything in the world. I believe they took Adam Driver’s quotes on what he talked about, why he wanted to serve our country and turned it against him as if he [were] an Islamophobe.”
He added, “I just didn’t think it was fair to someone who [served] our country, someone who decided to join for whatever reasons that might be and then to turn around and try and damage his career because of unpopular opinions of other people. It’s a small demographic of individuals that use social media to essentially bully someone on their own opinion.”
Vargas also said that Driver’s 2019 interview might have resurfaced as people are bored of being on quarantine and stuck indoors. He added that Driver is “a brilliant actor,” and that he did not think “any kind of assumption of his character is going to ruin his career.” Vargas said, “Whatever they took out of context, that’s on them.”
He said, “For it to kind of blow-up again was kind of weird. I was almost amazed by it and kind of blown away that someone who serves in America, who [makes] the kind of entertainment that we enjoy that is mostly made in America — the land of opportunity that actors from other countries come to — was [bashed].”
Vargas believes that it’s “honorable and commendable” that Driver chose to serve in the war, whether “people believe in the [purpose of the] war or not.” He said, “[Driver] was trying to serve a greater purpose than himself.”
Vargas himself is a veteran. The actor enlisted for the military and served in both Iraq and Afghanistan between 2003 and 2007 and did three tours. At the time, Vargas enlisted partly for financial reasons. He had a child he needed to support, but also because he wanted to do his part to help. He said, “I wanted to try and do it the right way and try and do special operations.”
The actor was part of both Operation Iraqi Freedom (the United States’ invasion of Iraq from 2003 to 2011) and Operation Enduring Freedom (what the Global War on Terrorism was called by the United States government).
Vargas was sent to learn Pashtu for several months so he could communicate with the Afghani population in the hills. He said he would check on them to see how things were going as well as to establish that “we’re here looking for terrorist fighters.”
Vargas said there was an interesting dynamic between the soldiers and the civilians of those countries. He told MEAWW, “Are we there for the right reasons? That’s a question to answer, but I’m here to do [the] job that has been asked of me by the military.”
On being asked his opinions on the civilian casualties during the United States’ operations in Iraq and Afghanistan, Vargas said, “I think we all know and [have] seen that there are civilian casualties in war all the time and it’s a super unfortunate thing to happen.”
He added, “It’s obviously not something I condone or support but I also know that there’s this crazy thing that happens in the fog of war and it’s unfortunate. It’s unfortunate that a lot of terrorist acts happened in our country and some civilians, innocent people, and bystanders get hurt in those as well. When you have a country at war, those things are to be expected and it’s not a good thing. It’s not something to be proud of, but it is something that we have to acknowledge exists.”
Vargas plays the role of Gilberto “Gilly” Lopez on FX’s ‘Mayans M.C.’. Crucially, he also serves as a technical advisor on the show. Vargas tells us that it is just him and Tyler Grey (of ‘SEAL Team’) who are veterans who served in active combat duty who work as actors on mainstream television today.
Vargas said, “I believe it’s kind of my place to make sure that veterans are represented in the right light and not to be bashed on for serving our country. Think about Hollywood. In the 50s and 60s, it was [run] by veterans who served in Vietnam and before that in World War 2.”
As the technical advisor, Vargas helps make sure that everything done on the show regarding law enforcement, military, and border patrol are authentic. When the writers want to include material on those aspects, Vargas, makes sure that it is something that is correct and “valid toward the truth.”
While it may seem that veteran representation in Hollywood is aplenty, veterans often lament that their on-screen counterparts are often portrayed in extremes. Veteran Chris Marvin told the New York Times that veterans were being stereotyped by what he believes has become the dominant image on television and in Hollywood today: the “broken hero,” as he puts it, “who once did incredible things but is now forever damaged and in need of help.”
“The truth is, 99 percent of us are neither heroic nor broken,” Marvin said. “We are people — people the public has invested in who have a lot of potential. And it’s time to get over the pity party.”
Marvin believed that the portrayals may color the public’s perceptions, causing people to think that veterans are more likely to be unemployed and to commit suicide than their civilian peers, which he insisted is not true.
Prior to filming Raiders of the Lost Ark in 1980, director Steven Spielberg and writer George Lucas really, really didn’t want to cast as Harrison Ford as Indy. Instead, they wanted that guy who your mom thought was hot in the ’70s, Mr. Magnum P.I. himself, Tom Selleck. Selleck famously screen-tested for the character of Indiana Jones, but because he was locked into a contract with Magnum P.I., he couldn’t take the role! Spielberg and Lucas brought in Harrison Ford just a few weeks before filming. (Lucas didn’t want to, because he’d already cast Ford in the Star Wars movies.) The rest is history, and Harrison Ford’s (other) famous franchise was born.
But what if Selleck had been cast? A new “deepfake” video created by YouTube user Sham00K is answering that question and making the rounds on the internet. It digitally plasters Selleck’s ’80s face — including the famous mustache — over Harrison Ford’s. It’s basically a way to see (but not hear, Ford’s voice is still audible) an alternate dimension in which Selleck played Indy.
If Tom Selleck had said yes to ‘Indiana Jones’ instead of Harrison Ford
You can also watch Selleck’s screen test for Raiders with actress Sean Young below. This has been around for a while and is relevant to this thought experiment because Tom Selleck’s voice is super-distinctive in a way that is totally different than Harrison Ford. (It’s also interesting because though Karen Allen, not Sean Young, ended up playing Marion, Young did star opposite Harrison Ford in Blade Runner a few years later in 1982. So many roads not taken in these ’80s movies!)
The new “deepfake” video also assumes that there would have been Indiana Jones movies after Raiders of the Lost Ark; it features digitally altered scenes of Tom Selleck in both Temple of Doom and The Last Crusade. But, let’s get serious. Tom Selleck is fine, but the reason there were sequels to Raiders of the Lost Ark is because of the singular charm and deadpan coolness of Harrison Ford. Meaning, the idea of digitally inserting Selleck into Temple of Doom and Last Crusade is anachronistic, twice.
We’re still a long way out from a new Indy movie, but most of the old ones are still on Netflix!
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
In the mid ’80s, TheA-Team was a hit action-comedy television show about a crack commando unit sent to prison by a military court for a crime they didn’t commit. These men promptly escape from a maximum security stockade and find their way into the Los Angeles underground. Throughout the series, they survive as soldiers of fortune wanted by the government.
Over the course of five seasons, the A-Team turns to mercenary work and travels the world, stopping villains-of-the-week and trying to clear their names. Of course, throughout the 98-episode run of the series, plenty of unrealistic events get overlooked (i.e. “B.A.” gets shot with a .50 cal in the leg and walks it off later that episode).
That being said, let’s take a look at the major events that kicked off the entire awesome series with a more critical eye — there’re a few problems at play here.
The A-Team consists of Col. “Hannibal” Smith, Lt. “Faceman” Peck, Sgt. 1st Class “B.A.” Baracus, and Captain “Howling Mad” Murdock. The fictional Green Berets were told to rob the Bank of Hanoi to defund the NVA under military orders. They were successful in seizing the gold bullions, but the only person who knew they were on official duty was killed before they returned. They were stung and became the fall-guys for the theft. They’re sent to prison, escape, and become mercenaries before the pilot episode begins.
The often-mentioned, but detail foggy, event revolved around a covert mission to rob the bank under the command of one man, Col. Morrison. He was killed and everything pertaining to the mission was burnt to the ground. In reality, nearly every mission ever, no matter how covert, is known by more than five people and a mission this sensitive would have been scouted, mapped, and supported by a number of specialists. Somebody other than just Colonel Morrison would be available in court to testify that they were acting under orders.
Yet, the A-Team is still guilty. Every troop has the right and the duty to disobey an unlawful order. Sure, the Bank of Hanoi may have been bankrolling NVA forces, but they were also a civilian bank. Attacking a bank in a poor, war-torn country and stealing the money that may also belong to civilians is against many articles of the Geneva Convention.
Regardless of the context, pillaging is a war crime under both Fourth Geneva Convention; Articles 33-34 and Protocol II; Article 4 of the Geneva Convention. An attack on a civilian complex, despite allegiance to an enemy, goes against Protocol I; Articles 43-44 because the armed robbery was against non-combatants. And obviously, escape from prison is classified as a crime.
Surprisingly enough, many things they do as mercenaries (when they’re hired on for missions by a third party for both combat and bounty-hunting missions) and as vigilantes (when they act where law enforcement in its absence) are clear in the eyes of the law. Rocky start aside, The A-Team is an amazing show, who’s most popular prior-service character is actually prior service.
“Breaking Bad” is getting a film sequel six years after the popular AMC show ended.
The award-winning drama series premiered in January 2008 and lasted for five seasons. The series centered on Walter White (played by Bryan Cranston), a high school chemistry teacher who turned to crystal meth-making to financially support his family after being diagnosed with stage 3 lung cancer. With a drug dealer/maker and former student named Jesse Pinkman (played by Aaron Paul), Walter became a key drug lord known as Heisenberg.
“Breaking Bad” ended in September 2013 and it was recently revealed that the hit series will have a film sequel titled “El Camino: A Breaking Bad Movie,” written and directed by show creator Vince Gilligan.
Though more information will be revealed, here’s everything we know about the upcoming “Breaking Bad” movie so far.
Aaron Paul as Jesse Pinkman on the “Breaking Bad” series finale.
Aaron Paul will reprise his Emmy-winning role
Last time fans saw Jesse, he was held hostage by white supremacists who were forcing him to cook in a compound. With help from Walter, Jesse was able to escape and drive off in his black Chevrolet El Camino, which may be the inspiration for the sequel’s title.
Based on the movie’s synopsis, it’ll pick up right after the events of the series finale, with Jesse’s whereabouts still unclear.
“In the wake of his dramatic escape from captivity, Jesse must come to terms with his past in order to forge some kind of future,” the description reads.
Charles Baker as Skinny Pete in “El Camino: A Breaking Bad Movie.”
At least one other character from the original series is confirmed to return
Charles Baker will reprise his role as Skinny Pete, one of Jesse’s friends. In the teaser trailer, Skinny Pete is seen being questioned by authorities in regards to Jesse.
“I don’t know what to tell you, I only said like, 500 times already … I have no idea where he is,” he says in the trailer. “Don’t know where he’s headed either. North, south, east, west, Mexico, the moon — I don’t have a clue. But yo, even if I did, I wouldn’t tell you.”
When the New York Times asked Paul about the possibility of familiar faces showing up, the actor played coy.
“All I can say, I think people will be really happy with what they see,” he said.
Aaron Paul won three Emmys for “Breaking Bad.”
The movie will probably be an emotional roller coaster
After the trailer was released, Paul took to Twitter and reshared a powerful scene from the seventh episode of season three, writing: “Here’s a moment from ‘Breaking Bad’ to slowly prepare you all for what’s to come.”
The scene shows Jesse lying in a hospital bed after getting beat up by Hank. As Walter visits Jesse and offers him an opportunity to be his assistant for id=”listicle-2640184508″.5 million, Jesse swiftly turns it down because he’s frustrated by how the teacher-turned-drug-dealer has ruined his life.
“I want nothing to do with you,” Jesse says. “Ever since I met you, everything I ever cared about is gone, ruined, turned to s—, dead. Ever since I hooked up with the great Heisenberg. I have never been more alone. I have nothing! No one. Alright? And it’s all gone! Get it? No, why would you even care? As long as you get what you want, right?”
Paul also told NYT that he “couldn’t speak for a good 30, 60 seconds after reading the script for “El Camino.”
Aaron Paul and Bryan Cranston on “Breaking Bad.”
It will be available to stream on Netflix on Friday, Oct. 11, 2019
People in need of a refresher on the series can watch all five seasons on Netflix. According to the NYT, the film will also air on AMC at a later date.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
On July 19, the stars of Paramount’s “Star Trek Beyond” joined First Lady Michelle Obama in hosting more than 100 service members, veterans and their families for an advance screening of the upcoming film.
The screening was a part of the First Lady and Dr. Jill Biden’s Joining Forces initiative. The cast dropped in as part of their publicity blitz for the movie’s July 21 premiere. This was an exceptional screening for the cast, as the Star Trek franchise has always held members of the military and their families in high esteem.
The previous Star Trek film, “Star Trek Into Darkness” was dedicated to The Mission Continues, an organization dedicated to helping troops as they return home from war. It featured cameos from several veterans dressed as Starfleet officers in the film’s final scenes. Members of the cast also showed the first film of the Star Trek reboot series to active-duty service members in Kuwait.
At the White House, Chris Pine, Simon Pegg, and Karl Urban were humble in their brief introductions to the film and the First Lady. The actors joked that the veterans made better actors than the Hollywood stars.
In her remarks at the screening, the First Lady highlighted the important role that military families — especially the children of service members — play in allowing active duty servicemen and women to do their jobs. She ended with the Vulcan salute and a heartfelt “May the force be with you!” (wrong movie, of course) to the delight of the crowd.
For the cast, the screening was a small way to thank service members and their families. They also seemed a little star struck themselves; Urban interrupted Pine’s speech with an excited “We just met the first lady!” Pine referred to them as “a bunch of 8-year-olds” while touring the White House.
Pine, Pegg and Urban stuck around after the showing for photo ops and to say thank you to the veterans and their families.
“Star Trek Beyond” premieres in the U.S. on July 21.
If you’re looking for something new to stream and you have a thing for quasi-propagandist cartoons based on action figures produced near the end of the Cold War, then boy have we got some good news for you.
Hasbro uploaded 15 episodes of G.I. Joe: A Real American Hero to YouTube, free of charge. It’s most interesting to adults as a relic of the ’80s, but it’s still a pretty entertaining cartoon for kids, the kind of thing you can imagine latchkey kids across the country switching on when they arrived home from school.
‘The Cobra Strikes’ The M.A.S.S. Device Pt. 1 | G.I. Joe: A Real American Hero
Ninety-five episodes of the show were produced between 1983 and 1986, and a 44-episode revival came around just three years later. But so far, just 15 have made it to Hasbro’s YouTube channel. And while we’re not complaining (they’re free, after all), it would also be nice for more episodes to regularly make it online, at least until it’s safe to leave the house.
Three five-episode miniseries are available at the moment. “The M.A.S.S. Devices” contains the first episodes of the show ever broadcasted. They tell a vaguely James Bond-esque story of G.I. Joe’s race to build a weaponized satellite to rival the weaponized satellite Cobra (i.e. the bad guys) is planning to use to destroy New York City.
‘The Cobra Strikes’ The M.A.S.S. Device Pt. 1 | G.I. Joe: A Real American Hero
“The Revenge of Cobra” aired a year later, and it’s completely different; it centers on gathering the pieces of a device that controls the weather, not a deadly satellite. Repeated story concerns aside, this one culminates in an episode calls “Amusement Park of Terror,” and who doesn’t want to watch that?
‘In the Cobra’s Pit’ The Revenge of Cobra Pt. 1 | G.I. Joe: A Real American Hero
G.I. Joe isn’t a bad way to spend about 340 minutes of quarantine, and not just because you don’t have to pay for it. Kids get an action-packed cartoon and adults get the amusement of watching something nostalgic and ridiculous. What’s not to love?