When we last saw (the Marvel Cinematic Universe’s) Wanda Maximoff, she was at the funeral of Tony Stark after the Avengers finally defeated Thanos. During Avengers: Infinity War, she was forced to destroy the Mind Stone — killing her lover, Vision, in the process — until Thanos used the Time Stone to undo her actions and tear the Mind Stone from Vision, killing the sentient android himself. Wanda disappeared — along with half the universe — during ‘The Snap’ before being restored in Avengers: Endgame; but sadly, Vision remained among the casualties of the war.
So when Marvel announced that a six-episode series called WandaVision would be added to its Phase 4 lineup, there were questions. Would it take place in the past (a popular Loki theory)? Did Vision somehow survive (like Agent Coulson in Agents of S.H.I.E.L.D.)?
Once the official trailer dropped…well…the questions just keep coming.
WATCH THE OFFICIAL TRAILER HERE:
Set to debut on Disney+ on Jan. 15, 2021, WandaVision appears to take place in an alternate dimension. Star Elizabeth Olsen told the New York Times that the series will explore Wanda as the Scarlet Witch much as she is in the comic books — including addressing the character’s mental health and illness.
The series begins in a 1950s television sitcom where the characters are blissfully unaware of the tragedy that has befallen them. Marvel literally filmed the pilot in front of a studio audience (who signed “very, very strict NDAs,” reported Entertainment Weekly).
“It is even better than it was pitched. It’s even more complicated and fun and interesting and playful than I could have ever imagined this job being,” gushed Olsen. Her co-star Paul Bettany, who plays the titular Vision character, called it “totally bonkers” with a grin.
“Our content is so different from Marvel. It’s like a conversation of American sitcom through the decades with Marvel Film and they’re constantly in dialogue with each other. So it’s really fun!” hinted Olsen.
After a decade of successful films and television series within the MCU, Marvel has earned the right to take some risks. The show will bridge itself to Doctor Strange in the Multiverse of Madness, according to Marvel Studios president Kevin Feige. Due for release in March 2022, the sequel to 2016’s Doctor Strange promises to feature Olsen’s Wanda Maximoff alongside Benedict Cumberbatch’s zany Dr. Stephen Strange.
Waging a war against insurgents and terrorists is hard. While America has tried to capture its struggles in movies like “Zero Dark Thirty” and “American Sniper,” filmmakers from other countries have made their own great films about fighting insurgencies.
Here are 9 of the best:
1. The Battle of Algiers
“The Battle of Algiers” was screened at the Pentagon during lessons on counter-insurgency warfare. The film was originally released in 1966 but was banned for five years in France. It depicts the atrocities on each side of the actual Battle of the Algiers in the 1950s where French paratroopers eventually put down an Algerian nationalistic uprising.
2. Waltz with Bashir
This animated movie follows an Israeli veteran of the 1982 Lebanon War when Israel invaded. The vet can’t remember anything from the war, and so begins interviewing his former comrades and others who took part in the conflict.
3. A War
“A War” is a new film from Danish filmmakers. An infantry commander is put on trial after a questionable airstrike kills women and children. Back home in Denmark, he must explain to his family why he ordered the strikes while defending himself from prosecution. This is a instant classic about fighting with rules of engagement designed to win hearts and mind more than battles.
“Timbuktu” is a city in Mali which was overtaken by by Islamic militants in 2012. The movie focuses on a community that lives in terror of the radical occupiers. Much like ISIS, the terrorists controlling the city use a perverted version of Sharia law and order executions for even minor offenses.
“Kandahar” was filmed and released before the Sept. 11 attacks and shows the horrible state that the Afghan people lived in beneath the Taliban. A Canadian-Afghan woman who escaped the country as a child has to return to try and prevent the suicide of her sister who is being crushed beneath the Taliban regime.
6. The Wind That Shakes the Barley
The Irish Republican Army’s struggle for independence from Britain turned into a civil war in 1921 when half of the resistance accepted a treaty with the United Kingdom that granted dominion but not full independence. “The Wind That Shakes the Barley” follows two brothers in the IRA from their years fighting together against Britain to the Irish Civil War where they wind up on opposite sides.
In post-war West Germany a group of students started the Red Army Faction, a terror group that sought to resist a government that they saw as falling back into the mold of Nazi Germany. “The Baader-Meinhof Complex” follows the rise and fall of these students in a thrilling, blood-soaked narrative.
8. Kilo Two Bravo
A group of British paratroopers in Afghanistan spend their days controlling a hilltop and conducting patrols until a fire team moving down the hill gets caught in the middle of a old Soviet minefield. “Kilo Two Bravo” does a great job of showing the dangers and complexities of operating in a land filled with mines and IEDs.
“Waar” is one of Pakistan’s top grossing films ever. It follows a former Pakistani Army officer who is roped back in for a counter-terrorism operation. It’s an interesting look at terrorism through the eyes of a country that lives with it in their backyard. (Heads up: some of the story and acting is over the top. Imagine a terror film set in Pakistan and directed by John Woo.)
An estimated 300,000 “war brides,” as they were known, left home to make the intrepid voyage to the United States after falling in love with American soldiers who were stationed abroad during World War II. There were so many that the United States passed a series of War Brides Acts in 1945 and 1946. This legislation provided them with an immigration pathway that didn’t previously exist under the Immigration Act of 1924, which imposed quotas on immigrants based on their nation of origin and strategically excluded or limited immigration from certain parts of the world, particularly Asia.
Equipped with little but a feeling and a sense of promise, war brides left everything that was familiar behind to forge a new identity in the United States. Many spoke little to no English upon their arrival in the country, and they were introduced to post-war American culture through specially designed curricula and communities. To this day, organizations for war brides in the United States provide networks for military spouses and their children, helping them keep their heritage alive and share their experiences of their adopted home.
To commemorate the 75th anniversary of the end of World War II on September 2, 2020, We Are The Mighty is proud to collaborate with Babbel, the new way to learn a foreign language. Babbel conducted interviews with surviving war brides as much of the world endured lockdown. Many of these women are now in their 80s and 90s, and their oral histories celebrate the challenges and successes of adapting to a new culture and language, as well as reflect on the leap of faith they all took to travel across the world to an unknown country. Spoiler alert: there are few regrets.
War Brides is a 5 part series.
My full name is Antonina, but I go by Nina. I’m 92, almost 92 and a half. I was born in Manila and we lived in a compound where the superintendent of city schools also lived. There were several American teachers and their families in that compound, so we were speaking English a lot.
Growing up wasn’t easy, because the war broke out when I was in seventh grade. They had sentry boxes every few miles, and everyone who passed by had to bow. And if you didn’t bow correctly, they’d slap you. The Japanese would come out of the sentry box and slap you and show you that this is the way to bow to them. So my dad said, “Don’t go outside if it isn’t necessary.”
During the war, our house was burned down and we had run for our lives because the Japanese were trying to kill as many civilians as they could while the American soldiers were pursuing them. We tried to shelter in one of the burned-out houses, and we went under the foundations to try to hide. But before that, we had to cross a big wall. It took me a long time to get in through the passage, and a Japanese soldier came over to me and poked me in the back with his bayonet. That’s why even now, I don’t want anyone touching me from the back. It has remained with me. I was so scared. I was 13, 14 at that time.
That night we could hear the Japanese yelling and running and then at around 2 or 3 o’clock when it started getting light, I saw a pair of feet. I knew that the Japanese did not have boots like that. And then after a while, I said, “Oh my God, these are different. These are big feet.” One of the soldiers bent down and said, “Oh, hello there.” When he said “hello,” I knew he was an American!
He told us we were in the firing line and to go as far back as we could. I was so excited. I said, “The Americans are here!” While I was running I looked down, and I didn’t realize that I was running over dead bodies. I said, “Please help me, dear God, help me.” I couldn’t walk anymore because I saw so many of them. And I was in the midst of them. Dead people. That was terrible. I still occasionally dream of that, and then I can’t sleep.
Eventually, we were able to get to a Red Cross station. They were standing there serving cookies and food, so we grabbed some and ate like there was no tomorrow. Thank God we didn’t get sick when we ate, especially me!
It was in early 1945 that I met my husband. We hadn’t seen the ocean for three years, so my sister said, “Let’s go and see how the beach is.” That was where we met a few soldiers, and my sister said to me, “Don’t say anything. I’ll do the talking!”
They introduced themselves and said they were Filipinos from the United States, and they said that they wanted to meet some of the Ilocano, which is my parents’ language and dialect.
They asked, “Would you like some candy?” Well, God, due to the war I hadn’t tasted candy for years! So they gave us some Hershey’s candies, and that’s why some of the war brides call me “Hershey Girl!”
A month after that I met my husband, in May 1945. I didn’t know who he was at that time, but he walked in singing “Sleepy Lagoon.” My sister said, “Oh, he has a beautiful voice.” I said, “No, he can’t sing!”. He was a Filipino man in the U.S. Army and could speak the same dialect that my parents spoke. He was very nice and polite, and they liked him.
We married on December 2, 1945. It was in a small church, and I wore a short dress that my friend made for me. We didn’t have buttons, so she found what looked like little pebbles that she covered to make the buttons. We didn’t have zippers or anything like that, so it was buttons all the way down the back. Another friend had found an old Communion veil that her daughter wore, and they made that into my little veil.
When my husband finished his tour of duty in Japan, we came home to the United States. I had two children at that point, who were both born in Tokyo. In Tokyo, my children learned to speak a bit of Japanese, and I couldn’t understand them. They would come home and tell me things in Japanese, and I would say, “Just speak in English. I don’t understand Japanese!” They would laugh. They had such fun doing it.
When we came to America, we arrived in San Francisco. I was seasick the whole time, so I was anxious to get off the ship. But we sailed under the Golden Gate Bridge at night, and it was all lit up, and it was just beautiful. The first thing that struck me about San Francisco was the cars. There were so many cars! They were just whizzing by. In Japan, there were not many cars around. Usually, the soldiers were the ones who had cars — and some of the richer Japanese people — but the Japanese tended to rely on streetcars and the subway. It was 1954, and San Francisco seemed so bright and crowded.
The way people spoke in America was also very different. In Japan they don’t speak slang, and it took me a while to understand American lingo. My husband eventually found a job in Los Gatos, California, for the Sisters of the Holy Names of Jesus and Mary. He worked for them as a second cook, and they provided us with a home.
Los Gatos was a very small town at that time. There were barely 5,000 people living there. We were the only Filipinos in that area, and they did not know what to make of me. When I took my eldest daughter to kindergarten, the children would say, “What are you? Chinese, Native American?” And I said, “No, we’re from the Philippines!” They didn’t have any idea where that was.
I was a seamstress for the convent the whole time. I made habits out of thick wool. There was a lot of hand sewing involved, and making the skirt required about five yards alone that I had to pleat to fit each person, and it was heavy!
On the whole, people were very nice. I missed my parents, but my sister ended up coming to America as well. I get to speak Ilocano with her still, which is nice because I haven’t been back to the Philippines since 1950. It was too expensive to travel back when I first came to America. I regret that, though. I don’t know if I’m strong enough to travel now.
For me, America hasn’t really changed from the time when I first arrived, because the way people of color are being treated now seems to be the same as when I first got here.
Technology, though, is one change that is so overwhelming for me. Going to the moon left me in awe. And my massage chair — I like my massage chair.
My advice for young people moving to another culture or country is: Love conquers all. That’s my philosophy. I loved my husband and he loved me, too. He took good care of me. I miss him so much. We were married almost 57 years. It was fun to hear him sing.
We love movies! That’s why producers spend millions of dollars making them. Sometimes the films we watch are so compelling, audience members believe every moment that is spoon fed to them is the truth.
We’re all guilty of falling for it. Many movie goers get sold on the narrative as the story unfolds across the big screen — even to the point where the performances feel true to life — and the delicate line between truth and fiction becomes too thin.
So check out these military myths that Hollywood puts in their movies and want us to think actually happen — but don’t fall for it.
1. Vietnam veterans are crazy
Movies and TV shows love to feature characters that had tough military careers and reverted to drinking to suppress the memories. This does happen in real life from time-to-time, but not to everyone.
Most who served during that era use their military experience to propel themselves and inspire others.
2. You throw your clean cover after a military graduation
It’s a lot of work to not only find the cover you just flung into the air but clean the grass stains off too.
Does anyone have a tide pen? (Paramount)
3. Cinematic deaths
They just don’t exist — but we tip our hats to filmmaker Oliver Stone (an Army veteran) for capturing this epic movie moment in 1986s Platoon.
How many rounds do you think he took? (Orion Pictures)
4. That one guy who can save the day
In the military, you train as a team and you fight as one, as well.
The debate isn’t if one single person can save another’s ass during battle — that frequently happens.
What we call bullsh*t on is when that single motivator springs into action and becomes the final denominator and leads them to victory as the rest of his team remains pinned down and losing the fight.
They have the need for speed (Paramount)
5. No one gets concussions…ever
We’ve seen countless movies where people get blown up by various sources of explosive ordnance and seem to recover right away (just watch any 80s movie). Since we want to believe the good guys are as tough as nails, they will just brush off the injury and carry on.
If you’re thinking about skipping Captain Marveland going straight to Avengers: Endgame, think again. Early reviews of Captain Marvel say that the movie is not only fantastic but that it will be essential viewing for anyone going to see the next installment of the Marvel Cinematic Universe. Here’s the early consensus, totally free of spoilers for the movie.
Eric Eisenberg, of CinemaBlend, said the movie has “surprises” that audiences won’t see coming.
Steve Weintraub at Collider said the movie made him “So ready for Avengers: Endgame.”
Meanwhile, Anna Klausen of Newsweek, Bustle and The Daily Beastsaid, moviegoers, should “watch closely” for “lots of fun Easter eggs” and links to the “history and other films in the MCU.”
At this point, critics who have seen the movie aren’t able to reveal any spoilers for the film, so what we’re seeing now is general impressions of the film. Elsewhere in the universe, a smattering of trolls who have not seen the film yet are trying to destroy the Rotten Tomatoes Score of Captain Marvel before the movie is released. Several publications have already likened this sexist campaign to what happened around the time The Last Jedi was released. Needless to say, if someone hasn’t seen the movie, and they’re trashing it, we don’t have to spend much time thinking about their opinion.
For the rest of us, it sounds like Captain Marvel might not be a perfect movie, but then again, none of these superhero movies really ever are. And for those of us who have daughters — or just like to see heroes who aren’t dudes — Brie Larson as Carol Danvers can’t come soon enough.
A photograph taken in North Korea’s Ryanggang Province last week shows the country’s leader Kim Jong Un giving what appears to be an impromptu ballroom dancing lesson to assorted onlookers. As is their custom, the good people of Reddit’s Photoshop Battles snatched up the image and began working their irreverent magic.
The guy second from the left is just hoping no one notices his hat blew off.
Joker, Cowboy, and Animal Mother are just some of the iconic characters in Stanley Kubrick’s “Full Metal Jacket” that audiences hoped would survive as they maneuvered their way through the dangerous battlegrounds of the Vietnam War.
One character no member of the audience gave a sh*t about, though, was Leonard Lawrence a.k.a. Pvt. Pyle because he was slow, overweight, and ended up murdering his D.I. and blowing his brains out while sitting on a toilet.
Let’s pretend that the murder-suicide never took place and Private Pyle actually went out to the fleet.
The Armed Services Arts Partnership (ASAP) is an organization based in Virginia that builds communities for veterans, service members, and military families through classes, performances, and partnerships in the arts. As part of their mission, ASAP offers a Comedy Bootcamp for veterans to explore and develop their comedic abilities. These three veterans are alumni of the Comedy Bootcamp program and have been given the unique opportunity to perform their standup routines at the Gotham Comedy Club in New York City. Backed by veteran headliners PJ Walsh and Dion Flynn, the alumni put on a great show for their New York audience and proudly represented the armed services on the big stage.
An essential part of filmmaking is acknowledging the audience’s familiarity with the subject matter and the themes common to the genre. Unfortunately for screenwriters, dialogue that may have once been clever and poignant becomes cliche and induces eye-rolling laughter when we hear the same lines repeated ad nauseam from one movie to the next.
Well, yeah, no sh*t. We’re fighting a war. Plus, the word “company” evokes the same feelings as the arrival of a house guest. Try something like, “We’ve got opposing forces! Ahhhh!” I’m just spit-balling here.
(Warner Brothers’ Dunkirk)
2. “You just don’t get it, do you?”
This line typically precedes some terribly narrated flashback or montage.
It’s an excuse for one character to plainly explain to movie-goers what they already know because the studio doesn’t respect the intelligence of its audience. When you hear this line, brace yourself while some secondary character inanely spews out backstory.
3. Some variation of, “We can do this the easy way — or the hard way.”
This one happens a lot… but I’ll admit it is a little fun watching various directors reimagine this trope.
4. “You look like sh*t.”
What? Yeah, well, maybe you look like sh*t, too!
(Sony Pictures’ Black Hawk Down)
5. “Is that all you’ve got?”
The character who drops this line almost always immediately dies or watches the opposing force bust out their biggest gun. It’s like a curse.
6. “I got a bad feeling about this.”
Do you really? Was there something unsettling about the fact that you’re about to go to shoot at guys who are shooting at you?
Hollywood war movies are usually comprised of strong and versatile trope elements like the wise seasoned soldier, the good decision makers, and the flawed protagonist who needs a solid character arch before the credits roll.
There’s also the cast of characters that are considered the weaker links, or they’re just so naïve audiences sigh with relief when they die off.
So here’s our list of newbie boots we wouldn’t want taking point on patrol with us.
1. Conrad Vig (“3 Kings”)
He’s the funny, goofy guy who also talks too much and no one takes him seriously until you get annoyed by his presence.
Great movie, but bad karate kick. (Image via Giphy)
2. Corporal Upham (“Saving Private Ryan”)
He stops himself from saving a fellow brother because his fear got the best of him, but to add insult to injury, he gave up an easy kill shot and let the German soldier off the hook. Unacceptable!
Unfreaking believable. You had him, Upham! (Image via Giphy)
3. Gardner (“Platoon”)
We knew this over-weight character was going to perish sooner rather than later — no way his stature meets physical regs. No squad wants the guy who can’t hold his own weight — literally — on their team.
After a year’s delay that sent ripples of mouth-watering agony coursing through companies of deployed service members the world over, uniting rival branches in mutual, food-fetish FOMO, the wait is finally over.
At long last, the Pizza MRE is here.
Well, sort of. The production issues that hung it up at Natick have been ironed out, but MRE stock is distributed in the order in which it’s made, so the first wave of high-tech Italian-American grunt pies won’t cycle into the supply chain until the end of 2018. So, technically speaking, the most highly anticipated ration item since MREs replaced the C-Ration in in 1981 is not so much here as it is “here.”
But to the pizza-lovers of the US military (read: everybody), the distribution tables are irrelevant. Natick has finally delivered on a 30-year-old promise, a field-ready slice of pizza with tomato sauce, cheese, and pepperoni that is shelf-stable for 3 years when stored at 80 degrees or below and can survive a 100-foot airdrop.
Nevermind that Norwegian Arctic Field Rations have featured a similar slice since at least 2016 and certain over-excited internet boy scouts have been taunting us with sketchily sourced taste tests on YouTube, like this one:
(Oldsmokey | YouTube)The culinary technicians of the Combat Feeding Directorate at Natick achieved their piz(za) de résistance in high style, using no chemical preservatives, opting instead for a dash of rosemary oil to solve the oxidation issue that was turning the sauce brown prior to the 3-year enjoy-by date.
The pizza will join pocket sandwiches in the ever-expanding line of “first-strike meals,” which are designed to be lighter and easier to consume than traditional MRE’s for troops operating under battlefield conditions.
So, good news, troops.
While your MRE pizza delivery may actually still be a ways off, you can at least take comfort in the old guarantee: since it didn’t arrive in 30 minutes or less, your pizza will be free.
From left, Airmen Basic Patryk Herman and Derrick Dillion, 338th Training Squadron students, are served pizza by Staff Sgt. Tawny Crutcher, Tech. Sgt. Charles Poston, Staff Sgt. Charmaine Flint, Tech. Sgt. Jennifer Miller and Master Sgt. Jakelyne Kamarakafego, members of the Air Force Sergeants Association. (U.S. Air Force photo by Kemberly Groue)
If you haven’t given Triple Frontier a go on Netflix, you definitely should. If you’re unfamiliar, the story follows five Special Forces veterans who travel to a multi-bordered region of South America to take money from a drug lord. It stars Ben Affleck, Oscar Isaac, Charlie Hunnam, Pedro Pascal, and Garrett Hedlund, who all do a fantastic job capturing the attitudes of their characters. But one thing especially helped make this film feel realistic: the presence of Special Forces veterans.
While Hollywood productions generally do have military advisors, it isn’t necessarily common that those advisors take the time to work with the cast to really nail down things like tactics and weapons handling. In this case, J.C. Chandor had two Special Forces veterans who did just that — Nick John and Kevin Vance.
Here’s why they were the most important part of the production:
This may not seem like a big deal but nicknames are a huge part of military culture and knowing how service members earn their nicknames can help you really understand the culture itself.
They taught the actors about nicknames
Charlie Hunnam plays William Miller who goes by the nickname “Ironhead,” and, of course, he wanted to know why, so he asked one of the advisors who explained that the nickname likely comes from the character having survived a gunshot to the head.
This film will have you saying, “Wow, these actors actually know what they’re doing with that weapon.”
They taught the actors how to handle weapons
Most of us who spent a lot of time training in tactics can really tell when the actors on screen haven’t had enough training, if any at all. It’s probably most evident in the way they handle weapons. In the case of Triple Frontier, Nick John and Kevin Vance really took the time to train the actors, and it shows.
They trained the actors with live ammunition
When learning how to handle a weapon, it helps to shoot live ammunition. Well, at the end of the first day of the two-week training, Nick John felt the actors were prepared to handle it. So, they gave them live ammunition and let them shoot real bullets, which is not standard for a film production, but it really pays off in this film.
The way these actors clear buildings is very smooth and convincing.
They taught tactics
After trusting the actors with live ammunition, Nick John and Kevin Vance ran them through tactics. From ambushes to moving with cover fire, the actors learned the basic essentials to sell their characters on screen, and they do so extremely well.
Actor Charlie Hunnam said, “It was amazing. I was shocked by how much trust they put in us. Very, very quickly, they allowed us to be on the range with live fire, doing increasingly complex maneuvers. We started ambush scenarios, shooting through windows and panes of glass, doing cover fire, and operating movements I’ve never done before.”
Veterans have a tendency to spot inaccuracies immediately. But, what Triple Frontier brings to the table is realism. While not perfect, it does a great job of really making you believe these characters are real and all the work Nick John and Kevin Vance put into teaching the actors really pays off.
If you haven’t checked out Triple Frontier on Netflix yet, you definitely should.
The Walt Disney Company lit up the internet on Dec. 10, announcing exciting new projects for Marvel, NatGeo, ESPN, Pixar, and more. But let’s talk about what’s important: Star Wars.
The Star Wars galaxy is expanding into new feature films, live action series, and animated series, so let’s go over everything that’s coming in 2021 and beyond.
1. Rangers of the New Republic
The first of two spinoffs to The Mandalorian, Rangers of the New Republic will take place during the timeline of the Mandalorian. Not much is known about who these rangers will be (my vote is for a Bo-Katan series…others might be hoping for more Timothy Olyphant) but it is rumored to contain crossover events with its sister series, which leads us to…
Chapter 13 of The Mandalorian was just too good to not be a backdoor pilot. Ahsoka Tano, a beloved Jedi drop-out from The Clone Wars and Star Wars: Rebels, will be played by Rosario Dawson as she tracks down Grand Admiral Thrawn.
Starring Diego Luna once more as the titular Cassian Andor (from Rogue One), Andor has already begun filming in London and is set to release in 2022. Watch the trailer above for what few glimpses we’ve been given so far!
4. Obi-Wan Kenobi
We knew that Ewan McGregor would reprise his role as Obi-Wan Kenobi, but now we know that he will be joined by Hayden Christensen as Darth Vader. Set to take place 10 years after Revenge of the Sith (and nine years before A New Hope), the announcement of Vader definitely makes things interesting!
5. The Bad Batch
Fans of The Clone Wars should be excited about The Bad Batch, and if we’ve learned anything from The Mandalorian, it’s that the events of Clone Wars and Rebels have a clear impact on live-action canonical characters. Announced earlier in 2020, The Bad Batch “follows the elite and experimental clones of the Bad Batch as they find their way in a rapidly changing galaxy in the immediate aftermath of the Clone War. Members of Bad Batch — a unique squad of clones who vary genetically from their brothers in the Clone Army — each possess a singular exceptional skill which makes them extraordinarily effective soldiers and a formidable crew. In the post-Clone War era, they will take on daring mercenary missions as they struggle to stay afloat and find new purpose.”
6. Star Wars: Visions
Lucasfilm President Kathleen Kennedy announced that there will be ten “fantastic visions” told through the lens of the world’s best Japanese anime creators. Little else is know about these animated short films, but they will definitely look spectacular.
Remember that moment at the end of Rise of Skywalker when Lando sat down next to the ex-enslaved Stormtrooper, Jannah (Naomi Ackie)? It was kind of a forced moment, but I suspect this is why. Helmed by Justin Simien (Dear White People), the series that can easily launch with Lando helping Jannah look into where she came from.
I still maintain that it’s upsetting to know that so many of the Stormtroopers we’ve watched die are not Imperial volunteers but child soldiers…but…maybe an incredible and enlightened creator like Simien can help this make sense.
8. The Acolyte
Leslye Headland is the creator of Russian Doll, one of the most clever uses of the “groundhog day” device ever. This already has Netflix Jessica Jones or Daredevil vibes all over it. The idea of a darker, grittier, mystery-thrillier Star Wars has me amped.
To prepare you with knowledge about the High Republic era, check out Star Wars: The High Republic, a collection of original stories spanning a variety of comics, books, and more starting in January 2021.
9. A Droid Story
A Droid Story will be an animated series starring R2-D2 and C-3PO for Disney+. Lucasfilm President Kathleen Kennedy announced, “As we continue to develop new stories, the intersection of animation and visual effects offers new opportunities for us to explore. This epic journey will introduce us to a new hero guided by our most iconic duu…on a secret mission known only to them. What could possibly go wrong?”
10. Untitled Taika Waititi feature film
While Jojo Rabbit may have garnered Waititi an Oscar, it was with Thor: Ragnarok that he captured my attention. Waititi is clever, funny, cool, and talented so it’s no surprise that Lucasfilm President Kathleen Kennedy promised his film to be a wild ride.
11. Rogue Squadron
This one is so exciting we wrote an entire article about it. Wonder Woman director Patty Jenkins is determined to create the “greatest fighter pilot movie of all time.” She picked the right airframe — the T-65B X-Wing space superiority fighter has legendary status ever since Luke Skywalker jumped in the cockpit. Survivors of his Red Squadron at the Battle of Yavin would go on to form Rogue Squadron, named for the heroes of Rogue One.
Rogue Squadron was founded by Luke Skywalker and Wedge Antilles, but this film should take place after The Rise of Skywalker and take us into “a new era” of flight.