When we last saw (the Marvel Cinematic Universe’s) Wanda Maximoff, she was at the funeral of Tony Stark after the Avengers finally defeated Thanos. During Avengers: Infinity War, she was forced to destroy the Mind Stone — killing her lover, Vision, in the process — until Thanos used the Time Stone to undo her actions and tear the Mind Stone from Vision, killing the sentient android himself. Wanda disappeared — along with half the universe — during ‘The Snap’ before being restored in Avengers: Endgame; but sadly, Vision remained among the casualties of the war.
So when Marvel announced that a six-episode series called WandaVision would be added to its Phase 4 lineup, there were questions. Would it take place in the past (a popular Loki theory)? Did Vision somehow survive (like Agent Coulson in Agents of S.H.I.E.L.D.)?
Once the official trailer dropped…well…the questions just keep coming.
WATCH THE OFFICIAL TRAILER HERE:
Set to debut on Disney+ on Jan. 15, 2021, WandaVision appears to take place in an alternate dimension. Star Elizabeth Olsen told the New York Times that the series will explore Wanda as the Scarlet Witch much as she is in the comic books — including addressing the character’s mental health and illness.
The series begins in a 1950s television sitcom where the characters are blissfully unaware of the tragedy that has befallen them. Marvel literally filmed the pilot in front of a studio audience (who signed “very, very strict NDAs,” reported Entertainment Weekly).
“It is even better than it was pitched. It’s even more complicated and fun and interesting and playful than I could have ever imagined this job being,” gushed Olsen. Her co-star Paul Bettany, who plays the titular Vision character, called it “totally bonkers” with a grin.
“Our content is so different from Marvel. It’s like a conversation of American sitcom through the decades with Marvel Film and they’re constantly in dialogue with each other. So it’s really fun!” hinted Olsen.
After a decade of successful films and television series within the MCU, Marvel has earned the right to take some risks. The show will bridge itself to Doctor Strange in the Multiverse of Madness, according to Marvel Studios president Kevin Feige. Due for release in March 2022, the sequel to 2016’s Doctor Strange promises to feature Olsen’s Wanda Maximoff alongside Benedict Cumberbatch’s zany Dr. Stephen Strange.
We’ve all thought it. If the zombie apocalypse broke out right now, what would you do?
Rush to the nearest gun store or shopping mall like everyone else? Which are both a terrible ideas. Parents lose their sh*t over toys for Christmas, let alone survival for their kids.
Well, the Department of Defense has you beat.
The much belittled CONPLAN 8888, also known as the “Counter-Zombie Dominance” plan was created as a training guide. The guide accompanies the scenario of political fallout, a broken chain of command, and a target rich environment. The very first words of the manual are “This plan was not actually designed as a joke.” Think of how the modern U.S. military trains combating the fictional “Pinelandians,” “Krasnovians,” and those damned diabolical “Donovians.”
The scenarios are fun instead of setting off some political red flags. After the forward, detailing how it’s a tongue-in-cheek way of planning around complete and utter chaos, it jumps head first into the absurd — to “undertake military operations to preserve ‘non-zombie’ humans from the threats posed by a zombie horde” in varying levels of Zombie Conditions (Z-CONs.)
CONPLAN 8888 has a six step operational chart — because even in the apocalypse, you can’t escape those things. They are:
Phase 0: Shape
This phase is the current state of things. Training continues as normal. Doctrine is written. Contingency plans are formed. No zombie outbreak has happened as of yet.
Phase 1: Deter
This is when things kick off. Unless they are controlled by a nation state or non-governmental organization, zombies aren’t cognizant and can not be reasoned with, there’s only one thing to do. Get ready to kick some ass!
It’s useless talking to zombies — because you know, they’re zombies. (Television series “The Walking Dead” by AMC)
Phase 2: Seize the Initiative
All units must be ready and willing to deploy for 35 days. Troops will head out to infected areas to provide security and aid and to quarantine the area.
Phase 3: Dominate
Now is the time for ass kicking and the fun part every zombie movie is based on. Control through superior firepower. Prepare to shelter in place for up to forty days in case the worst happens.
Phase 4: Stabilize
Repeat all steps until the location is rendered safe enough. Seek and destroy all remaining threats. Deploy counter-zombie teams to weed out pockets of zombie resistance.
Phase 5: Restore Civil Authority
The zombie threat is gone and damage is probably widespread. Time to rebuild the world.
As silly and as ridiculous as the publication may seem, it takes the matter seriously. It does touch on many of the pop culture elements of zombie lore, but it breaks things down to become applicable to most situations that would similar to an actual outbreak.
Being deployed during the holidays can put a damper on the season’s celebrations. Great holiday movies tend to relieve and mentality transport your loved ones back home, even if only just for a few hours.
So the next time you visit a department store that sells DVDs, make sure you toss these films into your cart and send them to your favorite troop serving overseas.
Directed by Terry Zwigoff, the film focuses on an alcoholic con man (Billy Bob Thornton) who dresses up as Santa to rob the department stores who hire him during the holiday season.
The film isn’t considered your typically holiday movie, but the comedy perfectly fits our dark military humor.
6. Elf (2003)
Directed by Jon Favreau, the comedy features a rambunctious and tall elf named Buddy (Will Ferrell) who grew up in the north pole and sets out on a mission to the Big Apple to reconnect with his long-lost father.
5. A Christmas Story (1983)
This is the epic movie that plays for 24-hours straight on TBS every season (just in case you didn’t know). Directed by Bob Clark, this classic follows a young boy named Ralphie whose sole mission is to get a Red Ryder BB gun for Christmas – even if he shoots his eye out.
4. National Lampoon’s Christmas Vacation (1989)
The Jeremiah Chechik-directed comedy follows ambitious family man Clark Griswold (Chevy Chase) and his crazy family as they gather together under one roof to celebrate Christmas. Spoiler alert: a lot of things break and catch on fire — that’s why we like it.
3. Jingle all the Way (1996)
After a father vows to get his only son the incredibly hard-to-find action figure Turbo-Man, he embarks on the ultimate foot race across town to find the famous toy while competing with a hilarious mailman.
2. The Nightmare Before Christmas (1993)
Directed by Hollywood icon Tim Burton, this animated feature film follows Jack Skellington — aka the Pumpkin King from Halloweenland — as he stumbles Christmastown and gains a new perspective on life.
Celebrities are celebrities for a variety of reasons but mainly because they draw massive interest from the general population in one way or another. We watch them in the movies and enjoy their TV shows because they do some pretty incredible and entertaining things, and we wonder what it’d be like in their world.
But we also wonder if they could hack it in ours.
There are a few stars who also served, but we took it a step further and imagined what it would be like if different celebs joined the military, including what branch they belong in based on their personality (or our amusement).
You could be turning your passion into profit by teaching like-minded Thrones fans the language of Essos.
That’s according to leading local services marketplace Bark.com who say that tutors can earn upwards of £40 ($53) per hour teaching High Valyrian, the language spoken by Daenerys Targaryen and Lord Varys.
The tuition service is available for fans across the US and UK, who can either sign up to be a tutor here or to hire tutors here.
Bark.com says those who sign up to be High Valyrian tutor will be required to provide proof of their knowledge of the language.
The role will involve creating a variety of reading, writing and speaking exercises for students, alongside role-playing scenarios to enhance the learning experience.
Daenerys Targaryen is a High Valyrian speaker.
Kai Feller, co-founder of Bark.com, said: “Game of Thrones is more than another hit show — it’s become a worldwide sensation! And with the highly anticipated final season fast approaching, the show is more popular than it has ever been. That’s why we’ve launched our latest service — High Valyrian tuition.
“At Bark.com, we love giving people different ways to earn and this is the latest service we’ve launched to do that. High Valyrian is a complex language and this is a fantastic opportunity for anyone who has worked hard to become fluent to share their knowledge — not to mention it would be a fantastic string to any fan’s bow!”
Though the High Valyrian dialect appears occasionally in George R.R. Martin’s “A Song of Ice and Fire” series of fantasy novels, the author did not develop it beyond a few words and phrases. The actual language, which now comprises of around 2,000 words, was created for the HBO TV adaption by linguist David J. Peterson, who also fleshed out the language of the Dothraki.
Tyrion Speaking Valyrian and Banter with Jorah, Grey Worm
The Economist called Peterson’s take on Dothraki and Valyrian “the most convincing fictional tongues since Elvish,” which was created by J.R.R. Tolkien himself for Middle Earth.
New learners of the language will have to deal with verb conjugation and possessives but, fortunately, not a different writing system, which Peterson said might look something like “Egyptian’s system of hieroglyphs — not in style, necessarily, but in their functionality.”
Those wishing to get a head start on the competition can start learning High Valyrian in bite-sized lessons on Duolingo, taking courses which Peterson himself contributed to.
Those taking on the challenge of learning the fictional language will have to try harder than Tyrion Lannister, whose Valyrian was “a bit nostril” by his own admission.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
At some point in our military life, most of us pick up a nickname. Most of the time, that nickname is hilarious…to everyone else. How we came by it is a story for the ages. But that seems to be the way it’s been in any armed force for a long time.
After Vikings raiding villages during the Middle Ages, they would then write their exploits in great sagas that detailed their deeds and combat adventures.
But the problem with that was they didn’t have name tapes on their raiding gear. And if they did, a LOT of them would read “OLAF.” How do you tell the story of what two (or more) Olafs did on a single Viking raid, when none of them have last names?
Like military nicknames and callsigns, they came from stories of the person in real life or descriptions of the Viking in question – like “Hálfdan the Generous and the Stingy with Food.”
But they are a critical piece to the warrior’s story and even influence the plot. For example, “Ǫlvir the Friend of Children” earned his nickname because he wouldn’t catch children on spears, which was a custom of the time. That could be a critical piece of literary characterization.
Times have definitely changed since “Þórir Leather Neck” earned his nickname. Today, Marines wear that title with pride, but Þórir was being made fun of for the goofy cowhide armor he tried to make.
And then there are the less family-friendly nicknames.
Like you and your buddy who nicknamed someone “Fartbox” and made it stick, the Vikings of yesteryear were no more mature. Nicknames included Kolbeinn Butter Penis, Herjólfr Shriveled Testicle, Skagi the Ruler of Sh*t, and Hlif the Castrator of Horses.
And then there were the badass nicknames like Ásgeirr the Terror of the Norwegians, Þorfinnr the Splitter of Skulls, and Tjǫrvi the Ridiculer.
The Medievalists tells us that the best source for Viking nicknames comes from the saga that details the colonization of Iceland in the 9th and 10th Centuries.
When a global pandemic shut down the world in March 2020, markets crashed and rocked the U.S. economy. However, with economic uncertainty comes great opportunity for those who can seize the moment. And in the goldfields across North America, the opportunity of a lifetime awaited as gold prices spiked to record highs and the price of fuel, a miner’s biggest expense, bottomed out.
In this all-new season of GOLD RUSH, seasoned gold miners are joined by greenhorn miners eager to forge their own destinies and gamble like never before in pursuit of the greatest pay day of their lives. The all-new season of GOLD RUSH premiered with a two-hour special Friday Oct. 23, and will continue to air Fridays at 8PM ET/PT for the remainder of the season. WATM had the chance to sit down with star Fred Lewis to talk about his background and this season of GOLD RUSH.
WATM: Goldmining is a dangerous profession; how do you use your military experience to mitigate the dangers of prospecting?
Lewis: So, we pretty much run the mine site like an ODA or Special Forces Team where everybody has their own area of expertise. I’ve kind of lined it up so everybody becomes a subject matter expert in their field. It works with everyone having zero experience and tightens us up quickly and keeps everything moving safely. Everyone pays attention to their ‘fire zone’ I guess you can call it.
WATM: What is your favorite team building moment on the show?
Lewis: You know together off grid in the mountains of Oregon has been probably the best part of this season. The mining aspect and taking a group of guys who know nothing of mining and teaching them what it’s all about and just living it together bonded us a team. It’s exactly what I’ve been looking for. We joke so much about how it feels so much like a deployment. We do it together, we win, we lose – together. Good weather comes, bad weather comes, we sit by the fire. Hunt, fish, it’s really hard to compare this in the civilian world. It’s kind of like being in the military but you’re a civilian.
Well, we do have but they’re not for fighting.
WATM: Your story is truly inspiring, what advice would you give to veterans who want to follow in your footsteps?
Lewis: The biggest piece of advice I can give is to never quit. I know it sounds cliché but there were so many times I was told when I got out I’d be on pills the rest of my life and wouldn’t have an active life. I got involved with adaptive sports. I keep pushing myself and thinking the bar that was set for me by doctors and everybody else was super low. As I got better and kept raising that bar I just kept pushing for other things.
I’ve done American Ninja Warrior twice, I was on a show called Steve Austin’s Broken Skull Challenge, that made me realize that my story was powerful, and it could inspire people. So, I kept pushing to share and that kind of led me to reality TV. Once I realized how much it had done for me I had to bring other guys in.
I’ve been literally pushing past all the boundaries everybody has been putting in front of me. The sky’s the limit if you think about it.
WATM: Veterans are always having their eye on the future, that being said, what is next for you and Discovery?
Lewis: I look at the TV aspect of this as a way of getting our story out and share our story to inspire people. My relationship with Discovery is very important as far as the future goes, I always look at things as an uphill battle. You’re never going to get to the top unless you keep climbing. I’m just barely getting started but long term I want to bring in way more vets. Get people more involved and keep growing and pushing until we make it.
WATM: Outstanding, now that begs the question — when our audience reads this and they want to get involved, how can they reach out to you?
Lewis: I have a fully open-door policy. Everything on my social media is open to everybody and actually I enjoy getting messages from vets. I get a lot of messages from people asking if they can have a job, people telling me they’re inspired by my story, and that’s why I’m doing this. People can feel free to reach out to me at any time. I don’t have a lot of stuff planned for the future but it’s always evolving, and I want to involve vets in it.
I want people to reach out to me any chance they get. I usually reply to pretty much anybody.
WATM: Is there anything you would like to say to the military audience?
Lewis: These group of guys, before this happened, with COVID and everybody’s situations – everything was up in the air. What we’re managed to do is find a new purpose for everybody on this team that they can continue to build and grow in. Even if COVID comes back and puts us in a position where things are getting locked down, gold mining is essential.
I’ve set it up so these guys have a whole new purpose in life, outside of how much gold we’re pulling it, giving these guys a reason to keep doing things. I was in the same situation; most vets were in the same situation where we have to reinvent ourselves and that is really hard to do.
This type of work is so up our alley it is inevitable that people are going to want to get more involved in it when they see how cool it is.
The Magnum P.I. and Blue Bloods star may be best known for Hawaiian shirts and the Gatling gun of mustaches, but did you know he also served in the Guard?
After he was drafted during the Vietnam War, Selleck joined the 160th infantry regiment of the California National Guard. “I am a veteran. I’m proud of it,” he said. “I was a sergeant in the U.S. Army infantry, National Guard, Vietnam era. We’re all brothers and sisters in that sense.”
Selleck served from 1967 to 1973, including six months of active duty. Before his military career, however, Selleck had already begun to pursue the entertainment industry, including commercial work and modeling, which makes it no surprise that he would later appear on California National Guard recruiting posters.
Former National Guard member, Tom Selleck, shares Guard facts in this 1989 commercial
In the video, Selleck uses a mixture of voiceover and direct-to-camera dialogue interspersed with facts about the National Guard throughout modern conflicts and operations: “Some people think the National Guard is just an excuse for a bunch of guys to get together and have a good time. That they’re not as trained or committed as other branches of the military. That they’re weekend warriors — not real soldiers. And people wonder what business they have being in a foreign country. Well I can’t clear up all the misconceptions people have about the National Guard so let me leave you with one important fact: if you bring together all the ready forces of the Army, Air Force, Navy, Marines and Reserves, you still have only half the picture. The other half? The National Guard, skilled, capable, intelligent people. People like you and me. American’s at their best.”
The video is certainly different from what contemporary audiences are accustomed to. While modern recruiting videos show off assets and firepower, this one feels a little more solemn and defensive. This may be a reflection of the nation’s shift in National Guard duty rights during the 80s.
In 1986, Congress passed a Federal law known as the Montgomery Amendment, which removed state governors’ power to withhold consent for orders summoning National Guard units to active duty without a national emergency. The law was originally created in response to the decision made by several governors to withhold their consent to send units for training in Honduras. In 1989, a Federal appeals court upheld the law when it was challenged by the Massachusetts and Minnesota governors.
According to the 1989 Profile of the Army, additional missions were transferred to the National Guard and Army Reserve as the Army increased its focus as an integrated and cohesive “TOTAL FORCE” ready to respond to Soviet attacks on NATO or the Persian Gulf and defend U.S. interests abroad.
Selleck’s patriotism extended beyond his service to recruitment just in time to help boost numbers before the Persian Gulf War the following year.
If you’re a fan of This is Us, make sure you check out The Village, a new NBC show premiering March 19th about a group of neighbors living in a New York apartment building who form an unlikely family. One of the main characters is Nick, a combat veteran and amputee who moves in during the pilot episode.
Played by Warren Christie, Nick is instantly recognizable as a vet: he’s a good wingman, he looks out for others, and he’s affected by war.
I’ve heard many veterans complain that Hollywood only portrays broken veterans, and I’m happy to report that in the pilot at least, Nick is definitely not broken. He’s lost a limb, he’s shaken, but he’s connecting with a community — and a family — which is exactly what we want for our nation’s service members.
His scene with Enzo, who introduces himself as an Army Specialist (probably from the Korean War era) reminded me of moments I’ve had at my local American Legion post; it’s by connecting with our community that we find healing (because let’s face it — at a minimum, the military is a mind f***, but at it’s worst, it is traumatic).
And community is exactly what the creators of the show wanted to explore.
From left to right: Warren Christie, Jessica Rhoades, Mike Daniels, Shannon Corbeil
It was clear from talking with Rhoades, Daniels, and Christie that the whole cast and crew were committed to sharing a positive message here. Nick’s transition back to civilian life won’t always be easy, but this show will guide him through it with the feeling of hope.
Also, there’s a dog.
Warren Christie and Magnum the German Shepherd.
(Photo courtesy of NBC)
Magnum plays ‘Jedi,’ Nick’s military working dog, who is also an amputee. On set, the two bonded quickly, though Christie shared that Magnum was not a trained ‘actor’ so there were moments where Christie was covered in peanut butter and liver to get the shot.
Christie, who worked with a military advisor, did say one thing that caught my attention. He said he felt a responsibility to convey “the strength and the struggle” of our nation’s service members. I loved that phrase. I’m lucky enough to work at a company that celebrates military victories and veterans’ successes, but veteran suicide statistics still clearly prove that we have a long way to go in caring for our troops.
Shows like this keep the conversation going. They introduce civilians to military stories and they show veterans a way forward. That’s the power of storytelling. I’m hopeful about where The Village will take Nick’s story.
I’ve already seen a lot of comments about this moment from the trailer, and I had an immediate reaction to it, too. For all my civilian readers, I’ll fill you in: to my knowledge, no one in the U.S. military salutes with their palm facing outward, something vets will easily pick up on.
Moments like these are why I encourage filmmakers telling military stories to bring veterans on board in the process as early as possible. Shows like SEAL Team on CBS have really locked this in — from the writer’s room to production to on-set advising to casting vets for stunts and on-camera roles, hiring vets will ensure authenticity for TV and film.
The Village premieres on Tuesday, March 19th right after This Is Us — check it out and let us know what you think.
Legendary retired Army Lt. Gen. Harold “Hal” Moore of “We Were Soldiers” fame died Feb. 10. The commander of 1st Battalion, 7th Cavalry Regiment at the Battle of Ia Drang was days short of his 95th birthday.
According to a report by the Opelika-Auburn Tribune, Lt. Gen. Moore had suffered a stroke on the evening of Feb. 9 and was “hanging tough,” according to a family member.
Moore gained immortality from the book, “We Were Soldiers Once, and Young,” co-written with reporter Joe Galloway, about the battle of the Ia Drang Valley in Vietnam. The book was used as the basis for the 2002 film “We Were Soldiers,” in which Academy Award-winning actor Mel Gibson portrayed Moore.
Moore served 32 years in the Army after graduating from West Point, and his decorations included the Distinguished Service Cross and four Bronze Stars.
According to an official after-action report, the three-day battle left 79 Americans killed in action, and another 121 wounded. None were left behind or missing after the battle. American forces killed 634 enemy troops, and wounded at least 1,200.
While preparing to film the epic movie — which made over $78 million at the United States box office, according to Box Office Mojo — Gibson would develop a deep friendship with Moore. This past summer, while headlines noted that Gibson and Vince Vaughn had eaten at Hamilton’s, an Auburn-area restaurant, what hadn’t been known then was that Moore’s family had recommended the eatery to the A-list superstars.
Below, here are some of the more iconic moments from “We Were Soldiers,” starring Mel Gibson as Hal Moore.
The term “military grade” gets tossed around too frequently on consumer products. It evokes feelings of durability and strength, whereas troops laugh at it because to them, it often means “lowest bidder quality.” Then there are consumer products, like the Nokia 3310, that are strong — but not that strong.
None of that compares to the Gulf War Game Boy.
The story begins with a U.S. Army medic stationed with the 44th Evacuation Hospital named Stephan Scoggins. He was a Police Officer from Oklahoma City and deployed in support of Operation Desert Storm. The barracks he was at was bombed and the fire destroyed much of the living area. No one was harmed, but nearly all of his belongings were destroyed, including his Nintendo Game Boy — or so he thought.
Scoggins then wrote to Nintendo Power hesitantly hoping for a replacement. So he sent it in while still deployed.
The technicians that received the Game Boy didn’t expect much. The front had been destroyed and the Control Pad and A and B buttons were melted down. They deemed it a “lost cause,” but just as an experiement, they put in a copy of Tetris and changed out the destroyed battery pack.
After that, the Nintendo Game Boy gave it’s iconic “Ping!” sound. The Start and Select buttons worked just fine and if you pressed kinda hard enough, you could get it to work. The screen was heavily damaged, but you could still make out what was being played.
They sent Scoggins a replacement Game Boy. The Gulf War Game Boy has become a gaming relic of the era and still to this day is on display on the second floor of the Nintendo NY in Rockefeller Center. Ever since then, they just slightly repaired the screen and keep it on a constant power supply to show the world how strong Nintendo products really are.
It happens every single time a veteran sits down to watch a movie with friends and family. The civilians grab a bag of popcorn while the veteran starts biting their lower lip. The civilians start to enjoy themselves and the veteran starts offhandedly remarking on how “that’s not how it actually happens.”
Before you know it, the veteran hits pause and proceeds to give a full-length presentation on why the film is a disaster because they put the flag on the wrong side of the soldier’s uniform.
Most of what makes a military film bad isn’t intentional, of course. No one wants to spend millions on making a bad movie. But when done right, as so many have been before, troops and veterans will keep it on their top ten film list. So, Mr. Hollywood Producer, when you set out to make the next military blockbuster, use the following advice:
I’m 100% certain that Dale Dye just knifehands his way into the wardrobe department and just makes his own characters because no one has the guts to tell him no — and I’m okay with this.
Hire a good military adviser (and listen to them)
This may come as a shock to some veterans, but there are people on film sets whose entire job is to point out what would and wouldn’t happen in the real military. They’re called military advisers. The great military films are made or broken by how much the cast and crew decide listen to said adviser.
On a magnificent film set, like Saving Private Ryan, for example, everyone from Steven Spielberg to the background extras listened to every single word Dale Dye spoke. A good adviser knows they’re not on set to interrupt the creative team’s ideas. If they speak up to say something is wrong, it’s for a good reason.
I mean, just because it’s a war film doesn’t mean you can get sloppy when writing characters. HBO managed an entire company of fully-developed soldiers over the span of one miniseries.
Writing that reflects reality
When there’s something fundamentally wrong with a film, it can often be traced back to the writer. One of the first things they tell up-and-coming screenwriters is, “you can make a bad movie from a good script, but you can’t make a good movie from a bad script.” And the best writers are those who can make is something feel authentic and realistic, no matter how extraordinary the setting.
Military films are no exception. The fact is, no two troops are the exactly same. This goes for every character in the film. Every character, lead or background, should be fully dimensional and the audience should have a reason to care if they get unexpectedly shot in Act 2B.
It’s funny because “get this guy” can apply to damn near every military film.
(Warner Bros. Pictures)
Don’t expect a three-act character arc in the matter of one deployment
While we’re still poking fun at writers, let’s talk about the all-too-common problem of trying to turn real stories into scripts by shoehorning their actions into the Aristotelian structure. For those unfamiliar, this is your basic story of a random nobody becoming a legendary hero. Luke Skywalker did it — but it took him three movies, the loss of his mentor, and multiple failures to finally become a Jedi master.
Don’t expect to apply that same structure to a biopic that begins with a troop being a nobody at basic training and ends with them becoming a battlefield legend. In fact, some of the greatest war films rely on something simple, like “we need to go get this guy” to carry the story. A good story doesn’t need to be humongous in scope to be compelling.
Just because it’s technically apart of a military uniform, don’t assume people actually wear it…
Use authentic wardrobe
Despite how it may seem, there is no law that states that you must mess up uniforms if you’re to use them in a film. In fact, there’s actually a Supreme Court ruling that states you can use real uniforms in the arts — so there’s no excuse.
Use a military adviser and give them a say in the wardrobe department. Or, if you want to keep it simple, hire at least one veteran from whichever branch as part of the wardrobe team.
I know I keep coming back to it, but look at the D-Day scene in ‘Saving Private Ryan.’ The largest amphibious landing and one of the biggest moments in military history — told entirely through the sole perspective of Captain Miller.
Retell the big scenes with smaller moments
It’s called a “set piece.” It’s the huge, elaborate moment that costs a boat-load of cash to capture. It’s what fits perfectly in the trailers. These are the scenes that action sensations, like The Fast and the Furious films, are known for. And yet, they often leave us feeling like something’s missing when done in military films — the personal touch
And that’s what really makes military movies different — sure, there are explosions in war, but it’s an intensely personal moment for the troops fighting. The gigantic scenes will sell much better if they focus on the fear in someone’s eyes more than flying a telephoto lens over the battlefield.
A senior Army modernization official said that the service needs to look to the visionaries of Hollywood for ideas on how future tech could change the Army in 20 years.
“I often tell people ‘hey, if you want look to the future … don’t look toward the people that wear this,'” said Lt. Gen. Paul Ostrowski, principal military deputy to the Assistant Secretary of the Army for Acquisition, Logistics and Technology, pointing to his camouflage uniform.
“Where are you going to look? Hollywood. Think about it. How many things do we have in our hands today, or just right around the corner, that you saw on the movies when you were growing up?”
But it’s up to Ostrowski, and other senior Army leaders, to carry out the service’s ambitious new modernization strategy.
The Army announced its new modernization effort in October 2017 that’s designed to replace its Cold-War era, Big Five combat platforms — the M1Abrams tank, Bradley fighting vehicle, Black Hawk helicopter, Apache attack helicopter and Patriot air defense system.
UH-60 Black Hawk helicopter
(U.S. navy photo by Clayton Weis)
Speaking at a breakfast, hosted by the Association of the United States Army, Ostrowski explained how the new Army Futures Command — to be based in Austin, Texas — will create a future force capable of operating in the unknowns of 2036.
“What is the battlefield going to look like in 2036?” Ostrowski said. “What are … the tactics, techniques and procedures that we are going to need to have to fight and win in that war, in that battle?
“Where is it going to be conducted?” He continued. “Megacities? What will be our unit of action? Right now we are organized around brigade combat teams. Is that what we are going to need to be organized in the future?”
The futures and concepts group within Army Futures Command will be working on these issues as well as figuring out how future technologies such as quantum computing, high-energy lasers, directed-energy weapon, hypersonics and artificial intelligence will play a role in the future force, Ostrowski said.
“What is going to be capable of being produced and available in 2036? The visionaries of the futures and concepts group have to get after that particular piece,” Ostrowski said.
The Army is actively recruiting talent to work on the technological challenges of the future — Hollywood may be the place to start, Ostrowski said.
“We have to get after those visionaries to help us get after that fight and what it is going to look like in 2036,” he said.
This article originally appeared on Military.com. Follow @military.com on Twitter.