Powerful punches, smooth moves, and acrobatic stunts are just some of the elements that make for an impressive action scene. To amp up a film’s imagery and add intensity, some filmmakers go a little beyond the standard fight and employ one of the most dramatic visual techniques: slow motion.
For years, movie directors have altered the frame rates on their cameras to either slow a sequence down or speed it up, based on how they want to tell a story.
Film historians credit August Musger, an Austrian priest and physicist, with inventing the slow-motion effect back at the beginning of the 1900s and, if you’ve been to the movie theater in the last decade, you’ve seen it employed today.
Now, filmmakers use the art of slow motion to allow audiences to pore over every detail of every frame of an intense sequence, to see the intricacies and beauty of an action in a different light. Sometimes, the technique doesn’t land well with audiences and comes across as trite and overplayed. In rare cases, however, the result is so badass that we end up watching the same few, magical seconds over and over again.
Although The Hurt Locker wasn’t a hit among many service members and veterans, director Kathryn Bigelow captured an epic opening sequence that involved cool camera work and a detailed explosion that ripples outward over a rugged landscape.
Who doesn’t like watching an awesome brawl between well-trained armies? That’s what Zack Snyder thought when he directed the combat-rich classic, 300. Although the film is filled with various slow-motion shots, it was best used when the audience runs alongside King Leonidas as he shreds members of the Persian army like it isn’t sh*t.
When the ultra-controversial action-comedy The Interview premiered in theaters, it drew in curious crowds who wanted to see if the film’s main characters were actually going to assassinate a fictional version of Kim Jong-un.
What we got was a slow-motion death scene so graphic that nobody could’ve predicted it.
A year after Hugh Jackman played Wolverine in X-Men, he played a computer hacker who was willing to break the law to reunite with his daughter. After being recruited to assist in a heist, the quickly goes awry, and filmmaker Dominic Sena gave us an explosion that the Wachowskis would be proud of.
Although this isn’t one of Brad Pitt’s most notable films, it does showcase one of the best up-close assassination scenes ever recorded.
The beautiful scene takes place on a moonlit, rainy night and gives the viewer the chance to watch every mechanical detail of a pistol firing rounds. Viewers watch tiny shards of glass fly through the air and see the wrinkles move on Markie Trattman’s (as played by Ray Liotta) face as he gets killed.
Paramount released the first trailer for Whiskey Tango Foxtrot, the film adaptation of war correspondent Kim Barker’s 2011 book The Taliban Shuffle: Strange Days in Afghanistan andPakistan.
Fey plays Barker, a childless, unmarried reporter who volunteers to go to Afghanistan and Pakistan, including an embedded assignment with U.S. Marines in the region. Joining her is Margot Robbie, who of all people explains the “Desert Queen Principle” to Fey’s Barker once in country.
The film also stars Martin Freeman as a Scottish journalist, Alfred Molina (who is not of Afghan descent) as a local Afghan official, and Billy Bob Thorton as the Marine Corps commanding officer. The trailer makes the film seem like a sort of Eat, Pray, Love for reporters, which the film even outright calls “the most American white lady story I’ve ever heard.”
Barker’s original book depicted her own humorous journey from hapless to hardcore. She covered stories about Islamic militants and the reconstruction efforts in the Af-Pak area, along with her fears about the future of the region.
The city of Gotham has a new hero: and he comes in the form of Robert Pattinson. On May 16, 2019, Variety reported that the Twilight star will play the Dark Knight in Matt Reeves’ upcoming superhero film The Batman.
According to the media outlet, “while sources say it’s not yet a done deal, Pattinson is the top choice and it’s expected to close shortly.” With rumors that Nicholas Hoult may also still be in the running, Warner Bros has yet to confirm the casting.
At 33 years old, Pattinson will be the second-youngest Batman ever, behind Christian Bale who was 31 when he played the caped crusader in Batman Begins in 2005. And while some question whether Pattinson — who started his career in Harry Potter and the Goblet of Fire before becoming a teen heartthrob in Twilight — can handle such a dark role, others argue that his leading role in Christopher Nolan’s upcoming action film is proof that he can.
The debate over who would be the next to hold the Batman title has been going on ever since Matt Reeves, who’s best known for Planet of the Apes, took over as director for the new Batman flick following Ben Affleck’s departure from the franchise in 2017.
“I have loved the Batman story since I was a child,” Reeves told Polygon. “He is such an iconic and compelling character, and one that resonates with me deeply.” The director also explained to Gizmodo that his take on the comic will be a bit different: “It’s very much a point of view-driven, noir Batman tale… I hope it’s going to be a story that will be thrilling but also emotional. It’s more Batman in his detective mode than we’ve seen in the films.”
Unsurprisingly, Bat-fans have already started voicing their opinions, both for and against the all-but-confirmed casting of Pattinson as Bruce Wayne/Batman. For longtime fans of Batman, this kind of backlash, defense, and general snarkiness is old hat.
The reality is, that every single time a new big-screen Batman is a cast, there will always be a vocal group of villains yelling about it. But, Michael Keaton was a great Batman in 1989, despite Warner Bros and DC Comics getting death threats over that casting. If anything, this role — not Cedric Diggory or Edward Cullen — could define Pattinson for years to come.
The Batman is set to be released in theaters nationwide on June 25, 2021.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
We all know the line: “With great power comes great responsibility,” but what about the person who said it? For most fans of the character of Spider-Man, that line comes from Ben Parker, better known as “Uncle Ben,” the guy who raised Peter Parker in most versions of the backstory, and most famously, the Sam Raimi films starring Tobey Maguire. However, since the reintroduction of Tom Holland as Spidey into the Marvel Cinematic Universe in 2016’s Captain America: Civil War, Uncle Ben hasn’t been around. That is, until now! There’s a blink-and-you’ll-miss-it Easter egg that references Uncle Ben in Spider-Man: Far From Home. Here’s the deal.
Mild spoilers ahead.
As Peter is packing for his school “science trip” to Europe, the initials on his briefcase are seen very clear: BFP. We’re not sure what the “F” stands for, but it’s pretty clear the “B” and the “P” can only mean Ben Parker. Thematically, this is interesting because in the new Marvel movies Tony Stark has effectively become Peter’s Uncle Ben-figure; an older male mentor who dies and passes along wisdom to Peter. (Note: this scene was in the trailers! So this really isn’t a spoiler!)
This presents a strange question: what happened to this Uncle Ben? The suitcase could just be a fun visual reference, but this is the Marvel Cinematic Universe we’re talking about here. Random, throwaway lines can have huge implications in later movies. And, because Far From Home brought back J.K. Simmons as J. Jonah Jameson from the Tobey Maguire movies, it seems like a bunch of stuff from older superhero movies is suddenly on the table.
In fact, it wasn’t that long ago that Andrew Garfield’s Spider-Man went in search of his biological parents in The Amazing Spider-Man 2, which makes you wonder how long it’s going to take for Tom Holland’s version of the web crawler to do the same.
Uncle Ben- With Great Power Comes Great responsiblities–HD
Red Sparrow is an unapologetically adult, complicated, and ambitious spy thriller based on the Edgar Award-winning novel by former CIA agent, Jason Matthews. Set in current times, it’s a throwback to the darkest Cold War spy thrillers and earns its R rating with a mix of sex and violence that hearkens back to the best 70s spy movies.
Jason Matthews talked to us about his own experiences in the CIA and why post-Soviet Russia is still a threat to democracy.
In the movie, Jennifer Lawrence plays Dominika Egorova, a Bolshoi ballerina who’s recruited to Russian intelligence after an on-stage injury ends her dancing career. Her uncle happens to be deputy director of the SVR and he sends her to Sparrow School, where she’s trained to use her sexuality as a weapon against Russian enemies.
Dominika pursues her own agenda as she’s tasked with seducing an American CIA agent (Joel Edgerton) and finding the identity of a mole in Russian intelligence. There’s a lot of methodical tradecraft punctuated by bursts of violence and sex. Red Sparrow isn’t aimed at the Hunger Games audience and makes no apologies about being a movie for adults.
Jason is a CIA veteran who doesn’t hedge his thoughts about Russia. The good news for fans of the movie is that the two additional novels in his trilogy might make even better films.
You left the CIA in 2010. How did you become a novelist?
I left after 33 years. In the clandestine service part of the agency, our careers were very experiential, 24/7. You were always on, you were always looking for surveillance, you’re always wondering about rooms being bugged.
When that lifestyle ended, it ends with the crash. One of the familiar Hollywood tropes of retired spies is the big black car pulls up to your house and they recruit you back into service. In reality, that never happens. When you’re out, you’re out.
I started writing fictionalized little snippets of accounts of people that we’ve known, fictionalized mosaics of places we’ve been and things we’ve done. Before I knew it, I had a novel together.
The novel Red Sparrow is a throwback to the old-school spy novels that emphasize tradecraft, as opposed to a lot of the contemporary books that are action novels with spy plots grafted onto them.
Absolutely. There are lots of great thriller writers out there, but they mostly write about counterterrorism and catching the briefcase nuke. I wanted to write a classic, old spy yarn with the Russians as the main opponents.
You were born in the 50s. Did you grow up on that kind of fiction and those movies?
Sure. There were a lot of great spy movies in the 60’s and 70’s, really iconic sort of film-noir kinds of things. But I think my worldview was formulated by 33 years in the service.
My wife was also in the service, we were a tandem couple. We lived in ten foreign capitals and we worked on a lot of different human targets, but we also kept our eye out for the Russians because that was the gold ring.
You wrote these novels and then this film got developed at a time when Americans probably weren’t thinking as much about the Russians. Here we are in 2018 and the Russians are at the front of everyone’s mind again.
I wake up every morning and I thank Vladimir Putin for providing endless content for books and movies. He’s doing a great job as a PR director for us.
Russia is always gonna be sort of a conundrum, they’re always gonna be meddling. They love those active measures, political influence campaigns. They’ve been doing them since the Bolshevik Revolution in 1917. Vladimir Putin’s singular goal is to stay in power. That will take a weakened America, a weakened NATO, and a weakened Atlantic Alliance. He just wants to stay in power.
If he can fuss with the American democracy – and I don’t care whether you’re Democrat or Republican — all the partisanship, all the squabbling just plays into the Russian hands. They’re rubbing their hands in delight in the Kremlin.
There’s a school of thought that the Russian love of espionage is a trait that goes back centuries and that it’s not something that started with the Soviets.
I think that’s absolutely right on. You hesitate to generalize, but Russians are xenophobic. The only people they hate more than foreigners are themselves. They don’t like to be ignored, they don’t like to be belittled. They want a seat around the table. Russia is always caught between the European elegance of Catherine the Great and the Slavic beastliness of Ivan the Terrible.
As an expert, what do you think the United States should be doing right now to deal with this current wave of Russian influence, or can we say, interference?
I think that we have to show resolve, we have to show solidarity, we’ve got to stop our partisan squabbling, and create a unified front. Russia, historically, stops what they’re doing when the cost of it becomes more than the profits that they imagine they’re getting.
Putin has got elections coming up this year and, if you have any doubt what he considers the vulnerable spots in any election process, he has unplugged his internet, he controls state television and radio, he has disqualified his major opponents from running, and he makes demonstrations in the streets illegal. That’s the Russian playbook and, if we could find the cracks in the cement between all those elements and give him a headache, he’ll be too busy to start messing around with our process.
Obviously, people with an interest in Russian spy tales are going to line up to see Red Sparrow. Do you think the movie can act as a wakeup call for the broader Hollywood audience, the Jennifer Lawrence fans who don’t think about our current situation with Russia?
Using a broad brush, maybe audiences will take back home the fact that the Cold War never ended, we’re going through a second Cold War, and the Russians mean to do us harm. The movie itself, you know it’s sexy, it’s violent, it’s got a tremendous cast and terrific characters, but I don’t know how much American theatergoers will bring home besides the realization that Russia is not our ally.
You created a spy character who’s a woman. I don’t think there’s been a woman this prominent in spy fiction before. Was that a conscious choice or something that just happened based on the stories you knew from your career?
Yes and no. I thought it would be interesting and evocative to make the main character the heroine. I had read a little bit about the famous Sparrow Schools in the 60s and the 70s in the Soviet Union and how horrible they were. It was almost like slavery, making women go to those kinds of schools.
Apart from the sexpionage, Dominika falls in love with the CIA officer who recruits her. So, there’s mortal danger and a love affair and Sparrow School. I thought it was an interesting combination.
Is that sexpionage something that’s still in the playbook?
Western intel services never got into sexpionage because they thought that anyone recruited by sexual blackmail would be a not trustworthy source. I think the old Sparrow School in the Soviet City of Kazan is probably closed. But if a human target with access to classified information went to Moscow, he’d probably see a modern-day Sparrow at one of the bars of the five-star hotels in Moscow. They would be there ready and waiting.
What are you working on now? What’s next?
This year, the third book in the Sparrow trilogy came out, Kremlin’s Candidate. I told myself I was going to take a little break, but the next morning I found myself staring at my computer screen trying to figure out a new plot. I don’t have anything yet, but I can’t stop.
This article was sponsored by WGN America. Be sure to tune in to the All-Day All-Night M*A*S*H Marathon, Saturday, December 8th, starting at 9am/8am central.
The millennials out there know what I’m talking about. As kids, nothing made you keenly aware that your TV-watching session had run well past your bedtime quite like those distinctive opening chords and telltale yellow letters that meant a rerun of your parents’ favorite show was coming on.
But now that we’re all grown up and don’t need a constant stream of slapstick comedy, cutesy characters, and teenage drama to sustain our attention, it’s time to revisit and start binge watching one of the greatest television shows ever made — and I promise your dad didn’t tell me to write this.
Before you dive in (you’ll thank me later), here’s what you need to know to start watching M*A*S*H.
Inside a real MASH operating room during the Korean War, from a real-world Korean War doctor, Dr. Robert L. Emanuele of Chicago.
(Photo by Dr. Robert L. Emanuele)
A MASH was a real thing
In the Korean War, a MASH unit was a frontline medical unit, a Mobile Army Surgical Hospital. Wounded troops would be treated by a medic or corpsman, then taken to an aid station if necessary. Once there, if they needed more care, they would be evacuated, sometimes by the newly-developed helicopter, to a MASH for surgery. These units were as close as ten miles to the front.
What later became a movie and a legendary TV show, M*A*S*H got its start as a book, written by Richard Hornberger under the pen name Richard Hooker. Hornberger was a real-life surgeon in a MASH unit and the book documented a few things the author says were based on real events — though he never says which ones.
While the setting of the series is important, it’s all the characters that really drive the show. Here’s who you’ll meet:
Alan Alda as Hawkeye Pierce.
Capt. Benjamin Franklin “Hawkeye” Pierce
Hawkeye is a talented surgeon and pacifist from Maine who was drafted at the outset of the Korean War. He won’t use a weapon but he’ll let himself be sent to the front line if it means it’ll save a life. Like almost everyone in the 4077th, he enjoys a drink after work, even going as far as constructing a still in his tent, nicknamed “the Swamp.” His nickname comes from the book, The Last of the Mohicans.
Wayne Rogers plays Trapper John.
Capt. “Trapper” John McIntyre
Trapper is Hawkeye’s best friend on the camp for the first three seasons of the show (actor Wayne Rogers left the series after season three) before being replaced by Capt. BJ Hunnicutt. Trapper, a former football player at Dartmouth, was drafted from a hospital in Boston and was sent home from Korea before the end of the first year. He shares a tent with Hawkeye and Maj. Frank Burns, and spends his spare time drinking and chasing nurses.
Loretta Swit as Maj. Houlihan.
Maj. Margaret “Hot Lips” Houlihan
Major Houlihan is the chief nurse at the 4077th, a career member of the Army Nurse Corps, and a military brat – her father was an artillery officer. She’s a by-the-book kind of officer and the most capable nurse in the OR, but she’s carrying on an illegal relationship with Maj. Frank Burns.
With Frank, she is constantly battling the practical jokes from Hawkeye and Trapper and doesn’t respect the leadership style of the 4077th’s commander, Lt. Col. Henry Blake, who she is constantly trying to undermine.
Larry Linville as Major Burns.
Maj. Frank Burns
In the U.S., Frank Burns is an Army reservist with his own successful practice who married into a wealthy family in Indiana. In Korea, Major Burns is carrying on an illicit affair with Major Houlihan and, with her, trying to undermine the authority of Lt. Col. Blake. Despite his higher rank, Burns isn’t respected as a doctor, having flunked out of medical school twice. His actions in and out of the operating room reflect his ineptitude in medicine and in life.
McLean Stevenson as Lt. Col. Blake.
Lt. Col. Henry Blake
Henry Blake is an Army reservist and the commanding officer of the 4077th who was sent to Korea after asking a general if he took cream and sugar with a coffee enema. Blake is also a skilled surgeon but a chronic alcoholic. He’s a friend to Hawkeye and Trapper and puts medical needs ahead of Army formalities. He knows he’s not the best choice to be a commander of anything, but asserts his authority when needed.
Blake was sent home in the third season of the show and replaced by Col. Sherman Potter for the rest of the series. But the producers famously wrote a final scene into the third season finale that only Alan Alda knew about as they were filming the episode. It wasn’t until they finished shooting the regular script that the actors were told, and they filmed the final scene where Radar announces that Henry Blake’s plane was shot down over the Sea of Japan.
Cpl. Walter “Radar” O’Reilly
Gary Burghoff was the only actor to play his character in both the 1970 M*A*S*H film and the CBS television show. He’s the company’s enlisted clerk, and one of the only two enlisted recurring characters, the other being Cpl. Max Klinger. His nickname comes from the fact that he acts on orders before they’re given and can predict things before they happen.
Cpl. Maxwell Klinger
Corporal Klinger was only supposed to be an extra in one episode, but viewers loved Jamie Farr’s character so much he was brought back in the regular cast for the rest of the show. Klinger was drafted from Toledo, Ohio, and is constantly looking for ways to get kicked out of the Army, most famously trying to be considered crazy and get a section eight discharge for wearing women’s clothes.
Capt. B.J. Hunnicutt
Captain Hunnicutt was a young doctor fresh out of residency when he was drafted and replaced Trapper John at the beginning of the show’s fourth season. Where most of the other doctors are loose with their morals when it comes to women and war, Capt. Hunnicutt is true to his wife and the Hippocratic Oath.
He still enjoys having drinks with his colleagues, though.
Col. Sherman Potter
Colonel Sherman Potter is also a fourth season replacement, coming in for the dearly departed Lt. Col. Blake. Unlike Blake, Potter is a career U.S. Army surgeon who pays closer adherence to Army regulations – though hardly as strict as Maj. Houlihan and Maj. Burns would like. He fought in World War I as an enlisted cavalry troop at age 15 who was captured by the Germans. He later earned a commission after going to medical school in the years between World Wars. He was also in the Battle of the Bulge in World War II.
It’s not known how old Col. Potter is during the Korean War.
Maj. Charles Emerson Winchester III
Major Winchester is a classically-trained physician and surgeon from an aristocratic family who isn’t accustomed to the “meatball surgery” performed at a MASH unit. He enters the show in season six as a replacement for Frank Burns who went crazy after Maj. Houlihan got married to someone else and was promoted out of the Korean War for it.
Winchester gets stuck at the 4077th after winning so much money betting against his commanding officer in Tokyo that his CO exiles him to the Korean War. He’s a much smarter, more conniving foil to Hawkeye and BJ’s antics.
Father Mulcahy is an Irish-Catholic chaplain at the 4077th and is surprisingly non-judgemental about the extramarital affairs of the unit’s doctors and nurses. Even though most of the staff is not religious (and Klinger is an avowed atheist), everyone treats the Chaplain with respect – even more because he tends to win all the base betting contests and poker games.
Things like not saluting superior officers.
So, how do Army officers get away with all this stuff?
As you can imagine, talented surgeons were hard to find in the Army. Of course some existed, but in a war like the Korean War, the numbers of military surgeons working on the front lines were augmented by conscription – in other words, they were drafted. The doctors of a MASH unit were doctors first, then Army officers if time allowed.
Now that you’ve read this primer, the only thing left to do is dive into the show and experience it for yourself. And believe me, there’s a reason why the show captured the attention of an entire generation of TV fans.
Be sure to tune in to the All-Day All-Night M*A*S*H Marathon, Saturday, December 8th, starting at 9am/8am central.
Everyone knows Cuba is a bastion of great music — but most people probably don’t consider Guantanamo Bay when they’re thinking of all that great Cuban sound. They definitely don’t think of the Navy base for having a good time rockin’ in Fidel’s backyard — which happens to be the slogan of the radio station on base.
The truth is, there’s an amazing collection of music in that remote corner of the island — and the Navy takes full advantage by playing all of the greatest hits by the original artists.
Radio GTMO houses an amazing collection of some 22,000 pieces of music — some on reel-to-reel tape and many others on vinyl — including a reel-to-reel of the Beatles anthology. The collection is valued at over $2 million and is carefully cataloged in alphabetical order on a series of index cards.
“I believe this is one of the largest, if not the largest, collection in the Armed Services Network,” Kelly Wirfel, base spokeswoman, told Military Times.
Though the U.S. Navy base at Guantanamo has been in operation since 1903 (it’s the oldest overseas U.S. Navy installation), Radio GTMO has only been in operation since 1940. Unfortunately, Cubans outside of the base don’t get to hear the Classic Rock and Top 40 songs played by Radio Gitmo — the transmission signal stops at the base’s gate (Cubans get music and news from outside Cuba via another U.S. government entity — Radio Marti, run by the same folks who create Voice of America News).
(U.S. Army Photo by Sgt. Benjamin Cossel)
The radio station will still broadcast even its oldest vinyl records, even though Adrian Cronauer (a former Air Force DJ played by Robin Williams in the film Good Morning, Vietnam) says they belong in a museum. So, how did such a stash end up in a remote corner of Cuba? The reason for it is that the station never sent its analog collection back to the Armed Forces Network when it was all recalled in the 1990s in an effort to go digital.
Among the station’s other rare offerings are live performances by Chuck Berry, The Grateful Dead, Led Zeppelin, Bob Marley, and John Coltrane — among many, many others. It’s the third largest collection of music on any military base and the pearls of its collection rivals even the Library of Congress.
“An author cannot, of course, remain wholly unaffected by his experience.”
These are the words of arguably the most influential writer of the 20th century and WWI veteran, John Ronald Reuel “J.R.R.” Tolkien.
In June 1916, the newly commissioned lieutenant kissed his newly married wife goodbye as he boarded the transport to Calais, France. Come July 1st, one of the bloodiest battles in human history took place near the Somme River. That day, his closest friend was killed and Tolkien forever changed.
Shouldering the burden of leadership and the ever looming threat of death, by disease or the enemy, Tolkien carried on. Ultimately, it was Trench Fever that sent him home ten days before the dust settled.
Deemed no longer medically fit for service, Tolkien returned to his passion: writing. The rest is history.
When the second edition of TheLord of the Rings was released, the foreword stated: “The real war does not resemble the legendary war in its process or its conclusion.” Tolkien continued with, “But I cordially dislike allegory in all its manifestations, and always have done so since I grew old and wary enough to detect its presence. I much prefer history, true or feigned, with its varied applicability to the thought and experience of readers.”
He hated direct comparisons of his works to real world events. No real world leader is Sauron. No real world army are the orcs. And the One Ring is not a reference to the nuclear bomb.
Much of the psychology and emotions of his works, however, did pull from his time on the battlefield, most notably with the Dead Marshes. In the second volume (and film) The Two Towers, the ghoulish Gollum lead the protagonist, Frodo Baggins, through a swamp full of bloated bodies under the mud and water.
Tolkien’s biography, The Letters of J.R.R. Tolkien, explained that what Frodo experienced in the Marsh was specifically based on the Battle of the Somme where Tolkien saw countless bodies across the muddy battlefield.
Themes were also pulled from his leadership and the bravery of his men. Tolkien studied at Oxford and lead men from mining, milling, and weaving towns of Lancashire. In another biography, Tolkien and the Great War, Tolkien said he “felt an affinity for these working class men, but military protocol forbade him from developing friendships with ‘other ranks’.” This man-apart thematically affected many of the characters in his novels.
One of the largest changes from the novel to any film adaptation is the “Scouring of the Shire” and the mindset of Frodo after the war. In the final chapters of the last book, Saruman attacked the Shire and all of the townspeople had to defend their home.
Afterward, Frodo was left alone.
War changed him. Frodo couldn’t just return to being a happy, singing Hobbit like everyone else after the war. He’d been stabbed, poisoned, and lost a finger. Frodo, like Tolkien himself, had become “shell-shocked” after combat.
The forward of the 1991 release of The Lord of the Rings added another Tolkien quote: “The country in which I lived in childhood was being shabbily destroyed before I was ten. Recently I saw in a paper a picture of the last decrepitude of the once thriving corn-mill beside its pool that long ago seemed to me so important.”
Did the retired Marine general say these things or did the rapper say these things?
On the surface, the two have nothing in common. The rapper-actor out of Queens, NY started his career selling drugs at age 12 during the crack epidemic. On the other hand, Mattis began his career as an enlisted Marine during 1960s.
As their careers progressed, 50 Cent left drug-dealing to pursue a music career. He quickly gained a reputation for being a shrewd businessman, becoming an actor, opening an apparel line, and eventually becoming an investor.
“Mad Dog” Mattis had a different path. He graduated to the officer ranks during the 1970s and became known as the “Warrior Monk” because of his bachelor life and lifelong devotion to the study of war. “Saint Mattis of Quantico, Patron Saint of Chaos” is the current secretary of defense.
Besides their different walks of life, the two seem to have a similar outlook. We gathered some of their most famous quotes to make this quiz. Can you guess who said what?
Creating a realistic battle scene — whether it’s from World War II or the Napoleonic Wars — demands technical know-how and precise attention to detail.
Paul Biddiss, the military technical adviser on the upcoming World War I movie “1917,” taught the actors everything they needed to know, from proper foot care to how to hold a weapon, “which allows the actor to concentrate on his primary task. Acting!” Biddis told Insider.
Biddiss has worked on projects from a variety of time periods — “large Napoleonic battles through to World War I, World War II, right up to modern-day battles with Special Forces,” Biddiss said.
Read on to learn about how Biddiss prepared “1917” performers for the gruesome, grueling warfare of World War I.
(Air Force photo by Senior Airman Javier Alvarez)
Biddiss spent 24 years in the British military before finding a career in film.
Biddiss, a former paratrooper, started his film career as an extra on the movie “Monuments Men.”
Since then, he has worked on projects like “Mission: Impossible Rogue Nation,” HBO’s “Catherine the Great,” and “The Crown.”
“I always tell people military film advising is 60% research and 40% of my own military experience added in to the mix,” Biddiss told Insider by email.
To prepare for a shoot, Biddiss obtains authentic training manuals appropriate to the conflict.
“I like to first understand the recruitment and training process, the rank structure and attitude between the ordinary ranks and officers,” he said. “This helps me better understand the battles and tactics used by the men and what must have been going through their heads at the time.”
That helps him structure a training program appropriate to the conflict, and safe for the performers — even when he’s short on prep time.
“When tasked to train 500 supporting artists for [the BBC’s] ‘War and Peace,’ I only had three days to research Napoleonic warfare and prepare a safe structured training program before flying out to Lithuania to train the men before a large battle sequence.”
Director Sam Mendes with actors Dean-Charles Chapman and George MacKay on the set of “1917.”
Training on “1917” started from the ground up — literally.
“Foot care was one of the first lessons I taught George [MacKay] and Dean [Charles Chapman], the importance of looking after their feet daily,” Biddiss said, referring to two stars of “1917.” “Basic recruits are taught this still even today.”
Trench foot, a common condition in World War I, is caused by wet, cold, and unsanitary conditions. It can be avoided by keeping the feet dry and clean, but left untreated it can lead to gangrene and amputation.
“The boys were wearing authentic period boots, walking and running in the wet mud all day and if not addressed early would have cause them major problems on set,” Biddiss said. “I taught them how to identify hot spots on the feet where the boots rubbed, taping up those hotspots to prevent blisters and applying talc and clean socks at every opportunity.”
A battle scene in “1917.”
Battle scenes require a lot from performers, but Biddiss said he “would never dream of asking an actor to do something I was not physically able to do myself.”
“I naturally train most days to keep myself in shape” and to instill confidence in his abilities, Biddiss told Insider.
“It’s not a good look if you’re a military adviser and you’re carrying around excess weight” and get winded after a short walk, he said.
Shooting a scene from “1917.”
(Universal Pictures and DreamWorks Pictures)
With hundreds of extras, making sure all the performers were right for the movie was a massive task in itself, Biddiss said.
“We first ran local auditions,” Biddiss said. “I then ran assessments before boot camps to make sure we had the right people who not only looked right, but were coordinated and physically robust to take on the task.”
After the performers were selected, “I started with basic arms drill to test coordination, fitness to test stamina,” he said. “Then to weapon handling, historical lessons, and tactics.”
“There so much attention to detail, like I’ve never seen before on set,” Biddiss said.
Mendes with Chapman and MacKay on the set of “1917.”
Biddiss has to teach the performers how to look and feel both natural and accurate when using their weapons.
Weapons handling is one of the main hurdles in preparing an actor for battle.
“There could [be] over 500 supporting artists on set with bayonets fixed and firing blank rounds,” Biddiss said. “The blanks used are very powerful and can still do permanent damage, so if time is not invested in training it could all go horribly wrong.”
It’s also one of the things he notices other productions often don’t get right. Biddiss said he notices performers never reloading their weapons or always having their fingers on a gun’s trigger.
MacKay in a scene from “1917.”
Throughout the production, the mindset of the performers has to be just like that of a soldier, Biddiss said.
“I like to impress on one aspect,” Biddiss said. “Fear and anger.”
“I tell actors and supporting artists that they need to show both feelings on their faces when about to act a battle sequence,” he said. “Fear of dying, but anger towards the people who have brought them to this situation.”
“There is nothing ninja about soldiering,” Biddiss tells the performers he trains. “You have one job. Close in and kill the enemy.”
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
You’ve probably heard of the Memphis Belle, especially after the 1990 film starring Matthew Modine and Harry Connick, Jr.
That film took a lot of liberties with the story of the actual B-17 that was the subject of a documentary done during World War II, “Memphis Belle: The Story of a Flying Fortress.”
But history can also be very malleable, especially in the hands of Hollywood.
When Hollywood director William Wyler was doing a documentary for the U.S. government on the first Allied bomber crew to complete a 25-mission “tour” over Europe, he took some liberties. Why? Because it was World War II, and the bombing campaign over Europe was a bloody affair. In fact, the Directors Guild of America notes that during the filming of the documentary, cinematographer and World War I vet Harold J. Tannebaum was killed when the Nazis shot down the B-24 Liberator he was in.
According to the memoirs of Robert Morgan, the pilot of the Memphis Belle, Wyler had picked a different bomber for the feature film, a B-17 known as “Invasion 2nd.” That plane – and five others – were shot down on an April 17, 1943, mission to Bremen. The Memphis Belle was chosen to replace Invasion 2nd – Morgan related how he was told that another plane had a back-up film crew on a bomber called “Hell’s Angels” in case the Memphis Belle went down. Wyler actually filmed parts of multiple missions for the documentary – the mission portrayed on the film was actually the Memphis Belle’s 24th mission.
Of course, the Memphis Belle did complete the tour – and she got all the accolades of being the “first” to do so. The crew of Hell’s Angels, though, actually flew their 25th mission a week before the Memphis Belle flew her 25th mission. The documentary, though, became a classic.
Wyler went on to direct a documentary about the Republic P-47 Thunderbolt’s operations in Italy, titled, “Thunderbolt!” He was wounded by an exploding anti-aircraft shell, losing some of his hearing.
After the war, he went on to direct the classic films “The Best Years of Our Lives” — a movie about veterans who returned home that won nine Oscars, including Best Picture and Best Director — and “Ben Hur,” featuring former B-25 gunner Charlton Heston, which won 11 Oscars.
Today, “Memphis Belle: The Story of a Flying Fortress” is available via the Internet Archive and Netflix is also streaming the film. It is also on Youtube. Feel free to watch it below. The Memphis Belle is currently being restored at the National Museum of the United States Air Force at Wright-Patterson Air Force Base, near Dayton, Ohio.
If your battle buddy fought in 17 major battles, saved an entire regiment from a chemical attack, and then pulled everyone out of an artillery barrage before he went back to find the missing and wounded, you’d probably feel pretty good about having him around.
No wonder he was the only dog to ever receive a combat promotion.
Yes, the aforementioned heroic NCO that saved upwards of a thousand American GIs on World War I’s Western Front was a bull terrier mutt named Sgt. Stubby. There was even a movie made about him in 2018, just in time for Stubby’s 100th anniversary of becoming a soldier.
A private in the U.S. Army’s 102nd Infantry, 26th Yankee Division named J. Robert Conroy smuggled Stubby to Europe along with the rest of the American Expeditionary Forces in 1918. Though not specifically trained to fight the Germans, Stubby was like any other soldier. He learned the bugle calls, the drills, and even a sort of pup-salute when called to attention.
Stubby was more than a mascot. His unit fought in four major offensives that are now enshrined in history books as pivotal battles of World War I: Aisne-Marne, Champagne-Marne, Saint-Mihiel, and Meuse-Argonne. With 17 battles total, Stubby and the 102nd fought for a total of 210 days – more than any other American division during the war.
He was able to sniff out mustard gas before it became a danger to his fellow troops – especially when they were sleeping. He earned his first combat promotion to Private First Class for just such an action. He even had his own gas mask when needed. Not to spoil the ending, but Stubby survived the war. That doesn’t mean he escaped unharmed.
At St. Mihiel, Stubby was wounded by shrapnel after an artillery barrage decimated the 102nd. He wasn’t out of the fight for long. During the Meuse-Argonne Offensive, he chased down a German spy hiding in nearby bushes and dragged the man back to the American lines. For his effort, his fellow soldiers awarded Stubby the Iron Cross – removed from his captured prisoner’s uniform.
After the war ended, Stubby was a hero. He was invited to the White House many times and met three Presidents: Woodrow Wilson, Warren G. Harding, and Calvin Coolidge. As a soldier, however, his greatest honor was the gold medal awarded to him and his fellow soldiers from the 102nd from Gen. John J. Pershing himself.
Since Stubby was a stray, no one really knows how old he lived to be. But he died in Conroy’s arms in 1926, a life member of the American Legion, YMCA, and the Red Cross. After he died, his body was preserved by a taxidermist and sent to the Smithsonian Institution. You can see the actual Stubby at the Smithsonian in Washington, D.C., in uniform – along with all his medals and awards.
Watch the trailer of Stubby’s movie below, or see the whole movie on Hulu Premium.
“Throughout history different cultures all over the world reference a great tournament of champions. That dragon marking…I think it’s an invitation to fight for something known…as Mortal Kombat.”
In his feature film debut, director Simon McQuoid is rebooting Mortal Kombat and by the looks of this red band trailer (released simultaneously as the one approved for all audiences), he’s gonna be celebrating the over-the-top violence and gore the titular video games are known for.
MMA fighter Cole Young will join fellow defenders of Earthrealm Liu Kang, Sonya Blade, Jax Briggs, and more in a tournament against supernatural kombatants like Shang Tsung, Sub-Zero, and Mileena.
WATCH THE TRAILER:
Based on one of the most popular video game franchises of all time, Mortal Kombat will be the first live-action installment since 1995’s Mortal Kombat and 1997’s shall we say less popular Mortal Kombat: Annihilation. The film will be rated R and it will feature game-accurate Fatalities — in fact, you can watch Kano rip a heart out in the trailer above. “Kano wins.”
“The Fatalities were always in from the get-go, there was never any question from anyone at all. There was no resistance from the studio. They wanted them, I wanted them. There’s a Fatality from Kano; he ripped someone’s heart out. But what was important to me was that even when the Fatalities arrived, we couldn’t just do a Fatality and have it mean nothing. It actually becomes an important ingredient in the rhythm of the action scene.” — Director Simon McQuoid
(Mortal Kombat | Warner Bros.)
Starring Joe Taslim as Sub-Zero, Jessica McNamee as Sonya Blade, Sisi Stringer as Mileena, and Lewis Tan as newcomer Cole Young, the film teases many promising moments for fans, including a fight between Scorpion (played by Hiroyuki Sanada) and Sub-Zero. McQuoid opens his film with the face-off, which he describes as a “pretty brutal, nasty fight.”
If nothing else, viewers can expect an action-packed film with centuries worth of lore, easter eggs, and blood. Mortal Kombat will hit HBO Max and theaters simultaneously on April 16, 2021.