Recently, Brie Larson paid a visit to Nellis Air Force Base in preparation for the upcoming Marvel film, Captain Marvel, set for a 2019 release. Accompanying her was Staff Sgt. Don Wallace, an F-15 crew chief with the 57th Maintenance Group. Larson donned a flight suit, toured the base while learning the history of the F-15C, and met with Brig. Gen. Jeannie Leavitt, the commander of the 57th Wing at Nellis AFB.
Brig. Gen. Leavitt became the first female fighter pilot in 1993 after the Defense Secretary lifted the ban on women flying in combat — over sixty-one years after Amelia Earhart made her historic, transatlantic flight. Brig. Gen. Leavitt is a major, real-life inspiration behind the character, Captain Marvel.
A post shared by Don (@dwallace85) on Jan 18, 2018 at 7:04pm PST
Larson was said to be very friendly, down-to-earth, and eager to learn everything she could about the U.S. Air Force. She was very interested in learning on how G-forces act on a pilot during intense maneuvers and the mission capabilities of the F-15.
Larson was very accommodating with fans, taking photos with airmen and even getting on an airman’s FaceTime for a friend.
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Not many details about Captain Marvel are known other than it is set in the 1990’s Marvel Cinematic Universe and it will follow the comic book character, Carol Danvers. In the comics, Danvers is a fighter pilot who gains superpowers after an alien invasion. She’s also key member of The Avengers. Since the film is set in the 90’s and Samuel L. Jackson is confirmed to appear in the film, it’s safe to assume that this film will center around the superhero world between Captain America: The First Avenger and Iron Man.
“It was inevitable.” After breaking the internet with a twitter storm of announcements, Disney finally dropped the next projects coming from the Marvel Cinematic Universe. Phase Three wrapped itself up with Avengers: Endgame and Spider-Man: Far from Home and now, my friends, it’s time for Phase Four.
Marvel has been teasing its unusual launch into Disney+ streaming series, which will begin with WandaVision on Jan. 15, 2021. On Dec. 10, Marvel Studios released a second trailer for the show, which places Elizabeth Olsen’s Scarlet Witch in some kind of alternate dimension that opens in a 50s sitcom and progresses through the next few decades. The fate of Vision seems sealed after Avengers: Infinity Wars, but Wanda is set to make a showing in Doctor Strange in the Multiverse of Madness.
Speaking of which…
2. Doctor Strange and the Multiverse of Madness
Set to debut on March 25, 2022, Benedict Cumberbatch’s Doctor Strange will return to the big screen alongside an incredible cast that includes Rachel McAdams, Chiwetel Ejiofor, and Xochitl Gomez, who will play America Chavez, a new fan-favorite from the comics.
3. The Falcon and the Winter Soldier
Bucky Barnes and Sam Wilson finally have a fun trailer for fans to enjoy. It has some banter, some levity, and its own take on a canyon flight sequence. At the end of Avengers: Endgame, Captain Steve Rogers gave the mantle of Captain America to Sam Wilson, who must now learn how to carry its legacy. Meanwhile, Barnes is fresh out of therapy in Wakanda and ready for adventures with his new buddy.
4. Black Widow
Originally set to premiere in the summer of 2020, Black Widow is now set to be released on May 7, 2021. There are a few MCU pieces that feature heroes who have since died in the timeline, and Black Widow is one of them. When we first met Natasha Romanoff, she had “red in her ledger” and was trying to make her past right. In sacrificing herself for her friend, and for everyone Thanos snapped out of existence, she did just that.
Now, her feature film will give us a little more insight into that ledger of hers.
Loki is another character who was killed in the Infinity Wars; a trickster demi-god who wormed his way into our hearts…and then stole the Tesseract in an alternate timeline and ended up…well…in his own series coming to Disney+ in May 2021.
Dead Loki is in a strange dimension. Dead Vision and living Wanda are in a strange dimension. Doctor Strange will be in a Multiverse of Madness. I’m sensing a trend in Phase Four.
6. What If…?
“Why stop at one world when we can show you all of them?” asks Yondu Udonta, the adoptive father of Peter Quill aka Star-Lord aka Chris Pratt in Guardians of the Galaxy. What If…? Will explore alternate Marvel Cinematic Universes where one tiny thing changed the whole world. “For instance, what if it was Peggy Carter who received the Super Soldier Serum instead of Steve Rogers? What if T’Challa traveled the galaxy as a young boy with space outlaw Yondu and was the man who became Starlord?” poses Polygon.
Of all the trailers and announcements Disney dropped this week, this one has the most amount of Easter Eggs to look for.
7. Shang-Chi and the Legend of the Ten Rings
Shang-Chi is an incredibly advanced martial artist with proficiencies in many different weapon types. In the comics, he also has the ability to duplicate himself, leading him on a path to the Avenger Initiative. Simu Liu (Blood and Water) plays the titular character in the film, which is now set to be released on July 9, 2021.
8. Ms. Marvel
“Ms. Marvel is a new kind of superhero but at the core of it, she’s so universal,” observed Bisha K. Ali, the showrunner and head writer for Ms. Marvel. Played by Iman Vellani, Kamala Khan is a Muslim Pakistani-American teenager from New Jersey with latent Inhuman lineage. The series will follow the young superhero-to-be as she transforms with her powers.
Take another look:
9. Captain Marvel
Iman Vellani will reprise her role as Kamala Kahn in Captain Marvel 2, directed by Nia DaCosta (Little Woods). Here’s what we know about the film so far: ummmm not much. Brie Larson will return and Teyonah Parris will reprise her upcoming WandaVision role of a grown-up Monica Rambeau, the child of Carol Danvers’ best friend and wingwoman.
Eternals is going to be a fun one to look out for. Not only is the cast fantastic (an MCU standard at this point — major props to Sarah Finn Casting) but the director Chloé Zhao is fresh off a successful critical run of Nomadland so we can expect great things from her. According to Marvel, this film will “feature an exciting new team of Super Heroes in the Marvel Cinematic Universe, ancient aliens who have been living on Earth in secret for thousands of years. Following the events of Avengers: Endgame, an unexpected tragedy forces them out of the shadows to reunite against mankind’s most ancient enemy, the Deviants.”
Hawkeye is cool but are you familiar with Kate Bishop? Hailee Steinfeld will make her Marvel debut as the fan-favorite superhero. We’ve seen images of Hawkeye in production and we know it’s set to release in late 2021, but other than that, the show is pretty much a mystery.
Tatiana Maslany (Orphan Black) will officially portray Jennifer Walters/She-Hulk and Mark Ruffalo will join her as the Hulk. Directed by Kat Coiro and Anu Valia with Jessica Gao listed as the head-writer, She-Hulk definitely makes it clear that Marvel is getting the message that women want to tell women’s stories. Can’t wait to see this one.
13. Moon Knight
Moon Knight is another grittier Marvel character. Marc Spector struggles with multiple personalities and amoral inclinations — this makes sense given that he’s also a U.S. Marine (wink). In the comics he was also a CIA operative before turning to a mercenary path that would lead him to his dark alias.
Marvel wasn’t done yet. With not much more information than a title announcement and maybe some cast members, here are some more projects we can see down the line from the MCU: Secrete Invasion, starring Samuel L. Jackson’s Nick Fury and Ben Mendelsohn’s Skrull Talos; Ironheart, a story about the inventor Riri Williams, whose suit of armor might even compete with Iron Man’s; Armor Wars, starring Don Cheadle’s James Rhodes aka War Machine; I Am Groot, an original series of shorts starring Baby Groot and several “new and unusual characters;” Thor: God of Love and Thunder just announced its new villain: Gorr the God Butcher — and don’t forget that Natalie Portman is slated to play Lady Thor; Blade, a new feature film about the daywalking vampire slayer played by Mahershala Ali; Ant-Man and the Wasp: Quantumania, starring Paul Rudd, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Kathryn Newton as Cassie Lang, and Jonathan Majors as Kang the Conqueror; Black Panther 2, which will explore the world of Wakanda without recasting the role of T’Challa, played by the late and remarkable Chadwick Boseman; Fantastic Four — yes, another one.
And last but not least, it’s true: there will be a Guardians of the Galaxy Holiday Special directed by James Gunn. Because why the hell not?
If you were worried that a Marvel Studios version of Deadpool would somehow make the anti-hero less vulgar and more kid-friendly, Ryan Reynolds wants you not to worry. Speaking on Christmas Eve on Live With Kelly and Ryan, the Deadpool star said that even though the threequel is being developed at a new, more family-friendly studio, fans should still expect it to be a little bit raunchy.
“Yeah, we’re working on it right now with the whole team,” Reynolds said on Christmas Eve. “We’re over at Marvel [Studios] now, which is the big leagues all a sudden. It’s kind of crazy. So yeah, we’re working on it.”Previously, Reynolds doubled-down on the idea that Deadpool 3 would be R-Rated, which is something a lot of folks have wondered about since the rights to Deadpool transferred over to Disney during the big Fox-Disney merger in early 2019.
For those who are maybe confused, prior to 2018, Deadpool movies existed in the 20th Century Fox superhero universe, which is why references to the existing X-Men movies cropped-up in Deadpool 2. But now, Deadpool and the X-Men are all under the same roof, which is how it’s always been in the comic books. And while there’s been talk that the X-Men will be rebooted entirely in the sprawling Marvel Cinematic Universe, it seems like Deadpool will remain Deadpool. At least for now.
Reynolds didn’t mention a release date, so until that happens, we can’t really know for sure. Last Christmas, in 2018, Fox did release a PG version of Deadpool 2 called Once Upon a Deadpool, which suggests there is a way to keep the jerky version of Wade Wilson kid-friendly. In fairness, a Deadpool who doesn’t swear is fine. As long as he has Fred Savage to troll him, we’re good.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Roger Deakins has dazzled moviegoers for decades with visuals that have gone on to become the most memorable in modern film history.
The frigid vistas in “Fargo,” the dreamy Western plains in “The Assassination of Jesse James by the Coward Robert Ford,” the gritty underground world of drug cartels in “Sicario,” and the washed out future in “Blade Runner 2049” (which finally earned him his first-ever Oscar), all came from Deakins.
It’s hard to imagine he could do anything that would top this legendary body of work.
But he has with “1917.”
Marking Deakins’ latest collaboration with Sam Mendes (the two worked together on “Jarhead,” “Revolutionary Road,” and “Skyfall”), the story follows two British soldiers during World War I who have to travel behind enemy lines to deliver a message that will stop 1,600 of their allies from walking into a trap. And in telling that story, Deakins makes it feel like the entire movie is done in one continuous shot.
The hugely ambitious idea paid off. The movie, currently in theaters, has found critical acclaim, box-office glory, and award-season praise as it won three Golden Globes (including best director for Mendes and best drama) followed by 10 Oscar nominations.
“Blade Runner 2049” is the only movie for which Roger Deakins has won an Oscar.
Among them was Deakins for best cinematography, the 15th time he’s been nominated.
If you were looking for a sure bet this Oscars, it’s that Deakins will take home his second Oscar when the awards are handed out on February 9. But don’t count on the man himself to get too excited.
The 70-year-old Englishman has been the frontrunner too many times before, only to leave empty-handed, to listen to any Oscars handicapping. In fact, he’s so modest it’s hard to get many details out of him on how he actually pulled off the ambitious shooting technique that has become the biggest draw of the movie.
“We had a lot of prep and we could just work through all the problems,” he said in a laid-back tone to Business Insider hours after the Oscar nominations were announced on Monday.
But finally he let out something that did scare him. It was something that even a legend like himself, who has come across seemingly every scenario behind the camera, could not control: the weather.
“That was a bit tricky,” he said, with just the hint of dry English humor.
Most of “1917,” which takes place over two days, is shot over grey skies. The gloom adds to the despair of the story’s war-torn surroundings. But Deakins said it was also a choice he kept pushing for early on in preproduction.
“Just practically we had to shoot in cloud,” he said, looking back. “Either you shoot it in real time, at the right time of day, which you never do unless you have months and months of time. Or you shoot in cloud and time it to look that way.”
Knowing most of the filming would be done at Shepperton Studios in Scotland, the movie’s production office looked up what the weather was in the area the year before at the time they were going to shoot. Deakins was disappointed in the answer: “Apparently it was gorgeous.”
But the movie moved forward, which included Deakins and his team rehearsing the shots constantly with the small, light-weight cameras made especially for the movie from Arri Alexa.
Everyone was ready when the first day of shooting came in April of last year, but there was one problem.
“There wasn’t a cloud in the sky,” Deakins said. “It certainly made me anxious.”
While producers were on the phone explaining to the studio, Universal, and financiers why they couldn’t begin production because the weather was too nice, Mendes, Deakins, and the rest of the actors and crew were back to rehearsing in the trenches made for the movie.
Thankfully, the second day was a cloudy one and production was able to get back on track as they also made up the previous day’s shooting. Deakins said that’s how it was for most of production. If clouds weren’t in the forecast, everyone waited around until the day came when there was — and then everyone doubled their efforts to stay on schedule.
“We would literally stand around for hours waiting for a cloud to come by,” Deakins said. “I had five different weather apps on my iPhone. Every radar I could get. You look at them and try to find the one that will tell you what you want.”
Shooting a scene from ‘1917.’
(Francois Duhamel / Universal Pictures and DreamWorks Pictures)
Then the day came when he wanted some sun. At the end of the movie, for a shot where the movie’s lead, Schofield (George MacKay), is sitting by a tree, Deakins said he wanted the shot to show some rays of sunlight in the sky.
“There was this little cloud coming over the sun so before we shot that section we called everyone over and said, ‘Let’s shoot it, we might get lucky,’ and sure enough when it got to the end of the take the sun came out,” he said.
“That was the first take,” Deakins continued, with a certain pride he didn’t show earlier in our conversation. “We shot it another fifteen or twenty times, but Sam liked that first one. And it was the only one where the sun came out. We never got that again.”
Looking back on the experience, Deakins said he would be up for shooting a movie again like this — though he wonders if anyone would want to.
“I don’t think many directors would want to tell the story in that way,” he said. “But it doesn’t scare me off at all. It would be quite fascinating to do it on something else.”
It’s good to see that even a legend has dreams for what the future could hold.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Weeks prior to the 2017 NFL draft, service members from Joint Base McGuire-Dix-Lakehurst in Mount Laurel, New Jersey, were given the chance of a lifetime to undergo a surprise mission as part of the “Salute to Service” program.
Hosted by USAA, these unexpected military analysts from the Army, Navy, and Air Force, received the opportunity to team up with NFL broadcasters Ron Jaworski and Sal Paolantonio (US Navy vet) for a chance of a lifetime and partake in a draft strategy session.
A new HBO documentary premiering this month claims the United States, desperate to beat the Soviet Union to the moon, purchased space technology from former Yugoslavia.
But how could an Eastern European Communist country defy the Soviets without their knowledge? The answer starts with Yugoslavia’s longtime leader, Josip Broz Tito.
Tito was drafted into the Austro-Hungarian army during WWI, becoming Austria-Hungary’s youngest Sergeant Major ever. He was captured by the Russians and helped the Red Guard take down the last Czar during the October Revolution. He would later become the leader of the most effective World War II resistance forces fighting Nazi occupation in Yugoslavia. After the war, he became a Communist dictator, but the only one free of Soviet influence.
Very adept at handling the Russians, Tito once wrote to Stalin: “Stop sending people to kill me. We’ve already captured five of them, one of them with a bomb and another with a rifle. If you don’t stop sending killers, I’ll send one to Moscow, and I won’t have to send a second.”
In the early days of the Space Race, capturing the technology took money, power, and meant a large return for the ideology that got to the moon first. Once the USSR put the first satellite and then the man in space, the U.S. felt the sting of that early defeat.
A new film, called “Houston, We Have A Problem” alleges that the former Yugoslavia was a secret third player in the Space Race. The Yugoslavians made great technological leaps, based on the 1929 writings of Slovenian Rocket Engineer Herman Potočnik, whose book “The Problems of Space Travel” marked the first discussion of long-term human habitation in space, the first designs for space stations, and the importance of geostationary orbit. The documentary alleges Werner von Braun, the Nazi inventor of the V-2 Rocket and later the Saturn V Rocket for the United States, which carried the Apollo Program to the moon, received unpublished Potočnik diaries captured by Tito after Potočnik’s death.
Tito found the diaries in 1947. After conflicts with Stalin in 1948 where Tito asserted Yugoslav independence, Tito implemented the Yugoslav Space Program. By 1960, the film alleges, the CIA determined that Yugoslavia had developed operation space flight technology based on these writings. In March 1961, the film says Yugoslavia sold its complete space program to the United States. Just two months later, President John F. Kennedy gave the speech that announce the U.S. goal of reaching the moon within the coming decade.
The burst of growth in Yugoslavia following the 1960’s is supposed to be (from the filmmakers’ points of view) a result of the influx of currency from the sale of the space race technology. There could be other mitigating circumstances behind that rapid growth. One Canadian researcher believes that growth came the $47 billion in war reparations Yugoslavia received from the former Axis powers. The questions don’t stop there, however.
“The trailer draws a lot of links between events that may or may not have happened in some cases and connects the dots between a number of things that aren’t necessarily connected whatsoever,” Bill Barry, NASA’s Chief Historian, told Radio Free Europe. “There’s a lot of coincidence in time, but just because two things sort of happened one after the other does not necessarily mean that there’s causation involved. There’s a very big stretch involved here.” Barry does acknowledge the influence of Potočnik and his work, however.
The film’s evidence also centers around “Object 505,” a secret Yugoslav Army post on the Croatia-Bosnian border that was Top Secret and inaccessible, even to the top Yugoslav Army brass. The film’s crew visits the still-mysterious installation in the film.
“It was very mysterious and one couldn’t enter it easily,” former Yugoslav Army officer and aviation Lieutenant Ivan Prsa told Radio Free Europe. “Only selected people could enter this underground facility and that’s why it is still unknown to the public.”
This is the director’s original trailer:
In an interview with Radio Free Europe’s Balkan Service, the film’s director, Ziga Virc, tried to downplay some of the more incredulous claims that made his film’s trailer an internet sensation.
“We are in the phase of gathering all the facts, but we still need a lot, a lot of confirmation. We still need a lot of documents and archive-gathering so we can confirm,” Virc said. “I would not like to be too sensational about this topic.”
“Houston, We Have a Problem” is listed by HBO as “docufiction… exploring the myth of the secret multi-billion-dollar deal behind America’s purchase of Yugoslavia’s clandestine space program in the early 1960s.” The film was screened at 2016’s TriBeCa film Festival and will be in select theaters in May 2016.
Disney had an unprecedented year at the box office in 2019.
The company grossed a record $11.12 billion worldwide (and counting), with six movies earning more than $1 billion. “Star Wars: The Rise of Skywalker,” currently in theaters, is on track to become its seventh. Disney accounted for nearly 40% of the domestic box office.
But experts believe 2020 will be slower for the company and the box office will be more evenly distributed among the major Hollywood studios.
“Next year is more wide open for the rival studios and they’ll share the wealth more evenly,” Paul Dergarabedian, the Comscore senior media analyst, told Business Insider in October. “Disney will still be a major factor in 2020, but it will be a great year for studios to present a diversity of content.”
While 2020 will likely not reach the box-office highs of the last two years, or even the expected highs of 2021 (which will see four Marvel movies, three DC movies, and the “Avatar” sequel), there are still plenty of potential blockbusters on the way that could give Disney a run for its money.
Below are 12 movies not from Disney that could give rival studios a boost at the box office this year:
Margot Robbie as Harley Quinn in “Birds of Prey”
“Bird of Prey (and the Fantabulous Emancipation of One Harley Quinn)” — Warner Bros., February 7
Warner Bros.’ DC movies have been on a roll with the blockbusters “Aquaman” and “Joker” and the critically acclaimed “Shazam!” Next up is “Birds of Prey,” which brings back Margot Robbie’s Harley Quinn, who was easily the highlight of “Suicide Squad.”
That 2016 movie didn’t fare well with critics, but still managed to gross 6 million worldwide. While diehard DC Extended Universe fans who loved “Batman v Superman” and “Suicide Squad” might be turned away by “Birds of Prey’s” more fun tone, general audiences could turn out for this female-centric action movie.
Emily Blunt in “A Quiet Place: Part II”
“A Quiet Place: Part II” — Paramount, March 20
“A Quiet Place” was one of the biggest box-office surprises of 2018, pulling in 0 million off of a million budget. A sequel was inevitable, especially considering Paramount’s otherwise dismal box-office results the last few years.
Daniel Craig as James Bond in “No Time to Die”
“No Time to Die” — Universal, April 10
“Skyfall” and “Spectre” were major box-office hits for Sony, with over id=”listicle-2644510669″ billion and 0 million worldwide, respectively. Universal is hoping the 25th James Bond movie, and star Daniel Craig’s last, can replicate that success.
Vin Diesel as Dom Toretto in “The Fate of the Furious”
“Fast and Furious 9” — Universal, May 22
The last two movies in the main “Fast and Furious” series, “Furious 7” and “The Fate of the Furious,” both grossed over id=”listicle-2644510669″ billion globally. Last year’s spin-off, “Hobbs and Shaw,” wasn’t as huge but still made nearly 0 million, suggesting the series still has gas. The upcoming ninth installment will pair the main cast of Vin Diesel and Michelle Rodriguez with newcomers like John Cena.
Gal Gadot as Wonder Woman in “Wonder Woman 1984”
“Wonder Woman 1984” — Warner Bros., June 5
2017’s “Wonder Woman” was a global success with 1 million worldwide. As noted, DC movies are on a roll and with the first “Wonder Woman” being such a hit, there’s no reason to think that this sequel can’t capitalize on that.
Anthony Ramos in “In the Heights”
“In the Heights” — Warner Bros., June 26
“Crazy Rich Asians” director John M. Chu is directing “In the Heights,” based on “Hamilton” creator Lin-Manuel Miranda’s Tony-winning musical of the same name. It seems to be a recipe for success.
Tom Cruise in “Top Gun: Maverick”
“Top Gun: Maverick” — Paramount, June 26
Some sequels to decades-old movies didn’t fare well at the box office in 2019, from “Terminator: Dark Fate” to the “Shining” follow up, “Doctor Sleep.” But “Maverick” will look to avoid the sequel curse by targeting adult moviegoers with nostalgia for the 1986 original “Top Gun” starring Tom Cruise.
Minions in “Minions”
“Minions: The Rise of Gru” — Universal, July 3
The first “Minions” in 2015 made over id=”listicle-2644510669″ billion worldwide, as did 2017’s “Despicable Me 3.” This “Minions” sequel will try to replicate the Dreamworks franchise’s success. Pixar’s “Soul” will enter theaters two weeks prior, but the name recognition of “Minions” could give it a competitive edge.
John David Washington in “Tenet”
“Tenet” — Warner Bros., July 17
Christopher Nolan follows up his box-office hit, the Oscar-nominated “Dunkirk,” with “Tenet.” Nolan churns out original movies that get audiences to the theater. 2010’s “Inception” made 0 million worldwide and 2014’s “Interstellar” earned 7 million. “Tenet” looks to be his latest mind-bending spectacle.
“The Conjuring: The Devil Made Me Do It” — Warner Bros., September 11
The “Conjuring” franchise, including its spin-offs like “The Nun” and “Annabelle” movies, is a consistent presence at the box office. The first two “Conjuring” movies grossed a combined 0 million worldwide off of modest budgets ( million and million, respectively). This third “Conjuring” film will likely continue the series’ success.
Venom in “Venom”
“Venom 2” — Sony, October 2
“Venom” was a surprise hit in 2018 with 6 million worldwide and suggested that Sony could still carry its own Marvel movie universe after its “Amazing Spider-Man” movies disappointed at the box office. The studio has other movies in development, including a movie about Spider-Man’s vampire villain Morbius starring Jared Leto, but it’s following up “Venom” this year first.
“Halloween Kills” — Universal, October 16
Blumhouse’s “Halloween” sequel/reboot grossed 5 million off of just a million budget. “Halloween Kills” is the first of two sequels coming — one this year and “Halloween Ends” in 2021.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
The latest trailer for Black Widow has doubled-down on some dad bod cosplay, and I couldn’t be happier. Yes, the newest preview for Scarlett Johansson’s standalone Marvel movie is looking more and more like a James Bond movie, which is great, but the real question is, when is Black Widow’s fake dad going to get his own movie?
In case you missed it, back in December, we got our initial glimpse of David Harbour as the “Red Guardian” in the first trailer for Black Widow. But weren’t we all a little distracted by Baby Yoda and holiday shopping back then? Yeah. I was, too. Now we can get back to what really matters: thinking about David Harbour as Red Guardian and wondering if he is really Black Widow’s dad. Technically speaking, in the comics, Red Guardian is a character whose real name is usually Alexei Shostakov. In some of the old comics, Alexei Shostakov was married to Natasha Romanova, a.k.a. Black Widow. Obviously, Harbour’s version of this character isn’t married to Scarjo, and he acts way more like her dad. In all likelihood, he is not her dad biologically. But in terms of her Russian secret agent family, it seems like Red Guardian is about as dadcore as it gets.
To be clear, the reason why Red Guardian has a costume that emulates Captain America is that’s what Red Guardian was supposed to be: the Russian version of Cap. The old comic book backstory mostly suggests that unlike Cap, there was no super serum involved, so Red Guardian doesn’t have any superpowers. That is until David Harbour came along and added Dadbod to the list of superpowers possessed by the Red Guardian. In the new trailer (you can watch it above) Red Guardian describes what we’re seeing as “water weight,” and we totally get it. Same man. Same.
Not only will Black Widow finally give Scarjo’s titular character her long-overdue solo movie, but it also seems like the Marvel Cinematic Universe is continuing to court its not-so-secret core demographic, as DadBod Red Guardian follows in the footsteps of DadBod Thor. Lots of dads might want to be Cap or Falcon, but there are also plenty who would settle to be Red Guardian.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
When the cheers of the viral military homecomings have dissipated and the videos stop playing, real life begins. Netflix’s new documentary, Father Soldier Son, pulls back the curtain and brings the viewer into the reality of the military family and the devastating cost of a 20-year war.
The public perception of a military service member leans toward words like heroic and exceptional. But they are human beings with real struggles as they live with the aftereffects of their commitment to this country. Father Soldier Son reveals that to the public. To create the documentary, two journalists from The New York Times spent 10 years (yes, 10 years) following American soldier Brian Eisch and his family.
What initially began as a film to document a battalion’s year-long deployment in 2010 during a troop surge evolved into an unexpected new project for directors Leslye Davis and Catrin Einhorn.
“We really wanted to tell the stories of American soldiers and Brian was just one of many [in that deployment]. But his kids were just so captivating and they spoke with such honesty, openness and emotion about what they were going through. They really stuck with us,” Einhorn explained.
The documentary begins with Eisch’s sons, Issac and Joey. They share their feelings about their dad being deployed overseas and their deep fears for his safety. This is another unique perspective of this film; the public is given a glimpse of how deployment impacts military children.
The viewer then witnesses the joyful reunion for the boys when their dad comes home for a break in his deployment. It’s not unlike the homecomings that go viral on social media. But then, the directors bring you in deeper with the emotional, compelling moments when the boys have to say goodbye; something not many members of the public ever witness.
When Eisch returned to combat in Afghanistan, he was shot.
Viewers are then brought on Eisch’s journey of being a wounded warrior. “We were able to show the before and what the boys were going through while he was away and the anxiety and fear that they have. Then we showed what happened after,” Einhorn explained. She continued, “There’s this sort of iconic idea of a hero, but what does that really mean? What is the sacrifice? Brian had a truck drive into a field and then jumped out of it to try and rescue this wounded ally of his. That is a very heroic thing by all accounts and he received an award for that. But what did that mean for him and his life afterward?”
Every time the directors thought the film was done, things kept happening in Eisch’s life that brought them back. “We got to take this personal and deep dive into this family to show how it [war] impacted them over time,” Davis said.
Three years after his combat injury, the constant pain forced Eisch to undergo a leg amputation.
The events that unfold after following that are a reality for many service members experiencing physical or invisible wounds of war. This film will bring viewers on a journey filled with hope, but also devastating loss and pain. “As journalists we really wanted to make it a window into a military family…These quiet consequences and how they can ripple through a family and reshape things. That’s what we witnessed with this family and felt hadn’t been explored,” said Einhorn.
Directors Catrin Einhorn (left) and Leslye Davis (right).
Both directors were asked how the family reacted to the documentary once it was revealed.
“We got to watch it with the family…He [Eisch] thinks it’s true. He thinks the story accurately depicts his life. The first time the family watched it – it was very retraumatizing. They were in grief watching it, and shock. But it seems that it has their seal of approval,” Davis shared. Einhorn added, “He said it was both joyful and devastating for them to watch it. He turned to us at the end and said, ‘It’s true, I am struggling.'”
“We look forward to what people take away from the film,” Davis said.
The documentary is available at midnight on July 17 to Netflix subscribers. The directors shared that the New York Times will be releasing a follow up a few days after the release to give viewers an update on the family.
When watching the film, it will take viewers into the unadulterated reality for military families. Father Soldier Son is a stark reminder of the far reaching ripple effects of war.
Recently, four skydivers from FullMag decided to step up their game by jumping out of the bomb bay doors of a World War II B-17 bomber using wingsuits.
The skydivers are all equipped with go-pros, parachutes, and the American flag.
The B-17 Flying Fortress has lived up to its name. Primarily, it saw combat during WWII for allied bombing runs in Europe. Originally developed for the U.S. Army Air Corps, this behemoth had as many as 13 machine guns attached.
But what its known for is the devastating 9,600-pound bomb load that it could bring into battle.
The 14 men of the ‘Memphis Belle’ were among the most famous B-17 Bomber crews. It was one of the first bombers to complete 25 combat missions and bring all of her men back.
The tales of this beauty have been made into a documentary in 1944 and a feature film in 1990. In May 2018, the aircraft will be restored and placed in the National Museum of the United States Air Force. This will be done in celebration of the 75th anniversary of it’s final combat mission.
In acknowledgement of veterans that have gone beyond their call of duty, the 3rd annual VETTY awards recognized marquee veterans that have exemplified ongoing public service and advocacy efforts, and who have demonstrated exceptional contribution and service to the veteran community in 2017.
Chief Washington Correspondent and CNN anchor journalist, Jake Tapper, hosted the event, held Jan. 20 at the Mayflower Hotel in Washington DC.
Tapper is known for his vocal advocacy of the veteran community and his book The Outpost: An Untold Story of American Valor debuted at number 10 on The New York Times Bestseller list.
His work reporting on veterans earned him the “Tex” McCrary Award for Excellence in Journalism from the Congressional Medal of Honor Society.
Esteemed speakers and presenters for the red carpet event included Marine Corps and Navy veteran Montel Williams of The Montel Williams Show, and actress Anne Heche, series lead of the hit NBC military drama, The Brave .
During Williams speech, he recognized what an honor it is to be a United States military veteran.
“I get the opportunity to travel around this country on a daily basis—and there is nothing prouder in my life—or world—than to be able to step up and say that I am a veteran.”
Williams also empathized with his fellow veterans about where some Americans choose to share their loyalty.
“It bothers me… but… last week another awards show had 25 million people watching—but none of those people would have the right to get an award without the people sitting in this room.”
His comments were met by a roar of applause—but how fitting his comments considering the audience.
Winners Of The 3rd Annual VETTY Awards
Mental Health: Guardian Angels Medical Service Dogs, Inc.
Education: Dustin Perkins | Director of Marketing | Student Veterans of America
Leadership: Sarah Verardo | Executive Director | The Independence Fund
Employment: Bunker Labs
Community: National Veterans Legal Services Program
Honorary VETTY: Steven D. Vincent | Senior Business Development Manager | tiag® (The Informatics Applications Group, Inc.)
Honorary VETTY: George A. Chewning, II | Director of Governmental Affairs | Global War on Terror Memorial Foundation
Among the VETTYs attendees were respected veterans and mil-spouse entrepreneurs that dedicate their lives to supporting a community—a community that is first to support our great nation—but reserved when is comes to applause.
Presenting at this year’s awards were not only celebrities like Emmy-winning actress Shohreh Aghdashloo and Mike Vogel of NBC’s The Brave , but also veterans such as Army veteran and former Seattle Seahawks long-snapper, Nate Boyer, and Air Force veteran and the CEO of Streetshares, Mark Rockefeller.
Another notable presenter was Navy SEAL, Shark Tank success story, and CEO of Bottle Breacher, Eli Crane—a man that has been vocal in his support of the United States and his veteran comrades through today’s troubling political environment.
The Academy of United States Veterans (AUSV) established the annual VETTY awards in 2015 to recognize the most impactful entities that contribute to the well-being of the veteran community.
The AUSV was founded with one principle in mind: the importance of public service.
They inspire veterans who have found their purpose in serving their country—and hopes to encourage a culture where caring for one another is not considered a duty, but a joy.
In respects to their principals, the AUSV has pledged to donate a portion of the evening’s profits to helping restore the livelihoods of our fellow citizens who have been affected by the devastation of Hurricanes 2017.
Video gamers got a taste of military operations when Marine veteran and former Green Beret Chase Millsap took them through an obstacle course in actual armor with dummy weapons.
As you might expect, the civilians struggle with the low crawls, fireman carries, and other tasks they’re asked to perform. Both teams drop their weapons and leave them behind at some point, and a few of the players have trouble even getting their armor on.
U.S. Navy Surface Warfare officer, Jesse Iwuji, is a rising star in the NASCAR K&N Pro Series West. A veteran of two Arabian Gulf deployments, Jesse spends his time on land meticulously building each element of his pro racing career.
And of course, the bedrock of pro racing is the ability to move a ton of steel around a track at bone-rattling velocity.
“Jesse, let me know when it’s safe to unpucker.” (Go90 Oscar Mike screenshot)
As he related to Oscar Mike host Ryan Curtis when they met up at the Meridian Speedway in Boise, Idaho, success in life is all about finding the thing you’re passionate about and then making a firm decision to go and get it.
In Iwuji’s experience, hot pursuit starts with putting one foot in front of the other. He finished the 2016 season ranked Top 10 overall in points and entered the 2017 season newly partnered with three time NFL Pro Bowler Shawne Merriman as his car owner for Patriot Motorsports Group.
Curtis, of course, couldn’t wait for his chance to get behind the wheel.
“How about now?” “Just drive the car, man.” (Go90 Oscar Mike screenshot)
Watch as Iwuji pushes the K&N Pro Series stock car to it’s outer limits while Curtis makes the lamest joke in military history in the video embedded at the top.