The year was 1988. Metallica had been making their way into the hearts and stereos of rock lovers for the better part of seven years. And wanting to make a political statement, the band decided to write and release an anti-war song. The result was their hit One from the album …And Justice for All.
Lead vocalist James Hetflied and drummer Lars Ulrich penned the song together, telling the story of a World War I soldier. In the gruesome song, the soldier was injured badly by a landmine, with arms and legs taken with the explosion, wanting to die in order to end his agony.
Anyone who knows anything about Metallica knows One went on to be a huge hit. In fact, it was their first top-40 song and reaching number one in Finland.
Enter the song’s music video.
By January of ‘89, Metallica’s music video for One began airing on MTV. What made it notable was the use of scenes from Johnny Got His Gun, a 1971 anti-war flick. The film was a box office failure and relatively unknown.
Soon after its release, the video ranked number one on MTV; the band ended up winning multiple awards for the song.
Johnny Got His Gun goes viral
After the release of the video, fans started paying attention to the movie, turning it into a cult film. What’s even more interesting is that Metallica itself owned rights to the film. To avoid paying ongoing royalties for their music video, the band decided to buy rights outright, allowing them to replay their own video with ease.
It’s worth noting that after its original release in 1971, the film did not even recoup its budget at the box office. Despite Donald Sutherland staring, fans paid little attention — and little in tickets, avoiding the film almost altogether.
Once Metallica used its scenes, the film seemingly came out of the woodwork, selling copies by the dozens, and even sparking multiple remakes.
Hetfield is quoted saying the movie Johnny Got His Gun was used for the music video because its storyline followed closely to the song’s theme. In fact, the band created their lyrics from the novel of the same title.
To date, One remains one of Metallica’s most-played songs. It was the first song to win the category for Best Metal Performance at the Grammy’s. It’s also the most played song from their …And Justice for All album.
There’s a special place in our hearts for zombie films. It’s a fun little escape to the smokepit conversations every troop has while deployed, like, “who would your zombie apocalypse team be?” And, “where would you go looting first?” Obviously, the only correct answers are your squadmates and the nearest gunshop, respectively, but I digress.
Zombie films have a strange place in the cinematic landscape. The ones that embrace the campiness of the genre tend to be more successful financially and the lower the budget of a zombie film, the more fun (or funny) it’ll probably be. This is part of what made the veteran-made Range 15 so enjoyable to other veterans who enjoy that special, corny magic typical of zombie films.
It was recently announced that J.J. Abrams is set to produce the upcoming film Overlord. From the looks of things, it’s going to be a zombie film set during the events of the Battle of Normandy — also known as Operation Overlord.
Kind of like the Norwegian film ‘Dead Snow.’
There is a bit of historical precedent for the film. The Nazis never created zombies (obviously), but their fascination with the occult and fringe sciences has been well documented. Hitler, in addition to being a mass-murdering f*ckhead, was obsessed with everything occult in trying to get an edge. This ranged from having officers study Nordic runes to sending troops into Tibet in search of Shangri-la and all sorts of messed-up stuff to create their so-called “übermensch.”
There is no historical record of the Nazis ever trying to reanimate the dead in any Frankensteinian or Lovecraftian manner, but it isn’t too far of a stretch to play on Hitler’s “thousand year army” dream to include “thousand year soldiers.”
The biggest homage has got to be given to the 1985 film, ‘Re-Animator.’
(Empire International Pictures)
Judging by the trailers, this film seems like it’s going to be an homage to both the war and zombie genres of film. Of course, fans have been quick to point out the similarities between it and Call of Duty‘s Nazi Zombie mode or Return to Castle Wolfenstein, if you want to actually want to get your gaming history right. In the film’s defense, it’s actually making far more references to the mutated Nazi monsters and transformation scenes in An American Werewolf in London.
It’s also interesting to note that this is the first rated-R film for both Bad Robot and J.J Abrams. It’s been said numerous times by Abrams himself that the film is not going to be a part of the Cloverfield franchise. While he’s known for his misdirection, it seems like he’s telling the truth, you know, since the Cloverfield alien was from space and this film is set in Nazi-occupied France.
The film also has plenty of great actors attached who have an impressive action-feature resume. Jovan Adepo of The Leftovers, Jacob Anderson of Game of Thrones, Bokeem Woodbine of The Rock and Riddick, and Wyatt Russell from the Black Mirror episode ‘Playtest’ are all co-leads against Pilou Asbæk’s (Euron Greyjoy from Game of Thrones) evil Nazi scientist character.
Overlord is going to be directed by Julius Avery, the director of the Australian indie film, Son of a Gun. Billy Ray, the writer of Captain Phillips, and Mark L. Smith, screenplay writer for The Revenant, co-wrote the script.
The film is scheduled for release on November 9th, 2018, but you can watch the trailer below right now.
One of my NCOs gave me a copy of Joseph Heller’s satirical novel Catch-22 as a promotion gift when I became a captain.
It was an ironic gesture, given that he was probably the person I commiserated with the most about ridiculous military rules. Now, George Clooney has directed a six-episode adaptation of the book so you can relive the blood-boiling insanity of active duty all over again.
The series centers on Christopher Abbott’s Captain John Yossarian, a World War II bombardier going crazy trying to stay alive while his commanding officer, Colonel Cathcart (Kyle Chandler), tries to impress his superiors by continually increasing the number of missions his men must fly. Yossarian has already flown 50 and he wants out.
There’s a rule which allows pilots who are crazy to be grounded, but because being driven crazy by fear is fundamentally rational, he’s certified fit to fly. This is the titular catch-22 —and the reason everyone now knows the phrase.
In Heller’s words, “[He] would be crazy to fly more missions and sane if he didn’t, but if he was sane he had to fly them. If he flew them he was crazy and didn’t have to; but if he didn’t want to he was sane and had to.”
The military’s response to logic.
Based on the jokes in the trailer, it looks like the series will attempt to capture Heller’s satirical commentary on the absurdity of war (especially when bureaucracies are involved) — and Heller wrote Catch-22 before the United States even became completely entrenched in asymmetrical war-fighting!
Any veteran, especially one who has served in combat or during wartime, can attest to the fact that military decision-making is often based on antiquated laws, procedures, and mindsets. While the United States has continued to maintain global military superiority thus far, we’re certainly not achieving our prime objectives so much as holding a defensive line — and we’re definitely not taking care of our service members the way we should (especially for the amount of money allotted in the defense budget).
Been there, buddy.
I have a feeling the series will capture what it feels like to serve in a system that expects its troops to “shut up and color,” rather than fostering innovation, mental health, and, oh I don’t know, watering the grass with water instead of blood blood blood?
The TV adaptation debuts on Hulu on May 17, 2019, and also stars Kyle Chandler, Hugh Laurie, Giancarlo Giannini, and Daniel David Stewart.
We first meet the brave Delta Force operator as he’s undercover, lurking around the city of Mogadishu with his eyes fixed on potential targets, gathering info. That’s a pretty badass thing to do and take a lot of balls in our opinion.
The only backstory we get from the film is that Hoot uses his trigger finger as his safety.
Maybe that’s all we need.
3. There would have been more aerial target practice
Remember when that Black Hawk helicopter picked up Hoot in the middle of the desert and then he shot that wild pig looking thing off-screen? That was awesome!
Well, we bet that if Hoot were the star, that scene would have been a set up for a dope aerial-to-ground shootout with the Somali militia — just sayin’.
2. He’s the most interesting character in the film
We understand that film is based on the real raids that took place, but take a step back from that, and we bet everyone can agree that we all felt like Hoot was always cool and calm even though the troops faced an uncertain future.
Shout out to the cast and crew for making this character so compelling.
If FX’s Archer is known for anything, it’s historical accuracy while inventing daring, new bar drinks. Between Charles Fredric Andrus references and round after round of Green Russians, the top spy at the International Secret Intelligence Service (no, not that ISIS), Malory Archer, and her employees drop casual references to her covert operations in days gone by, revealing just how much experience she has in the world of international intrigue.
1. Operation Ajax – Reinstalling the Shah of Iran
In season 1, episode 2, a young Archer receives news from Woodhouse that a message from “Mommy and Uncle Kermit” said Ajax was successful and “Tehran is ours.”
In 1953, the elected Prime Minister of Iran, Mohammed Mossadegh, attempted to nationalize the Iranian oil industry, at that time, dominated by what is today BP Oil. The Shah dismissed Mossadegh but soon fled Iran after the popular politician’s supporters flooded the streets. The CIA, led by Kermit Roosevelt, organized a fake Communist revolution, which galvanized the Iranians (instigated by the CIA and CIA-controlled elements in the Iranian Army) to beating back the Communists. Mossadegh turned himself in to the government while a former Iranian General assumed the Prime Minister’s office. The Shah returned with more absolute power than ever before until he was deposed by the Iranian Revolution of 1979.
2. Operation Paperclip – Archer characters recruiting the best of Nazi Germany
In season 2, episode 9, Cyril discovers Dr. Krieger grew up a German-speaking boy in Brazil. When confronted, Cyril corners Krieger in the bathroom and finds out his father was a Nazi scientist, even though Krieger attempted to cover his past. But you can’t hide who you really are.
When Cyril rats Krieger out to Malory, she informs him of all the things Nazi scientists invented after WWII: Microwaves, Rockets, and Tang. She also informed Krueger he might be a clone of Hitler, describing a scenario from the film The Boys from Brazil, which hints at Nazi war criminal Dr. Josef Mengele being Kreiger’s father.
Operation Paperclip was an initiative of the Office of Strategic Services, forerunner of the CIA, where 1,500 former Nazi scientists were brought to the U.S. after WWII to work the U.S. and deny Nazi research and expertise to the Soviet Union.
3. Operation Gladio – Preparing for the Soviet Invasion of Europe
In season 3, episode 8, Malory enlists ISIS’ help to hide the body of the Italian Prime Minister after he is killed during some, ahem, interesting bedroom tactics. The PM was a target because he was a NATO “stay behind” agent she met during Operation Gladio.
Gladio was supposed to prevent a Communist take over of Western Europe after WWII, though it wasn’t revealed in Italy until 1990. The project covered arms caches, paramilitary organizations, secret bases, and shadow governments in fifteen European countries.
In season 4, episode 6, Archer is bitten by Caspian Cobra while on a mission to Turkmenistan. During the venom hallucination a cut-rate James Mason takes Archer back to his sixth birthday, waiting for his mom to come back because “Guatemala’s democratically elected government wasn’t gonna overthrow itself.”
In 1954, the CIA ousted the government of Guatemalan President Jacobo Árbenz and installed a U.S.-friendly dictatorship under Carlos Castillo Armas, the first in a long line. Árbenz was elected in 1950 and continued land and social reforms enacted by his predecessor, which the U.S. government saw as Communist redistribution. A CIA-funded force invaded Guatemala, backed by U.S. propaganda and the threat of a U.S. invasion. The Guatemalan Army refused to fight the 480 CIA trained troops which led to the Guatemalan Civil War, which lasted from 1960 to 1996, and the death of democracy in the country.
5. Iran-Contra Affair – Guns for cash, cash for rebels, maybe hostages
In season 5, the crew dumps the international espionage work and attempts to sell cocaine to restart their business and/or retire forever. Throughout the season the gang tries and fails to sell cocaine, eventually stumbling onto a CIA operation. In a plot to increase its own yearly budget, the CIA paid mercenaries from Honduras to fight San Marcos’ legitimate government to force its President to trade cocaine for arms the CIA purchased from Iran, implying the Archers were in on it from day one. Sounds crazy and overly complex, right?
This is the same kind of deal members of the Reagan Administration made with Iran and rebel groups in Nicaragua in 1985 (with Archer selling cocaine added in). The Boland Amendment, passed by Congress in 1984 limited the support the U.S. government could give Nicaraguan contras. To circumvent the law, the CIA sold arms to Iran via Israel. (This was during the Iran-Iraq War, and the Middle East picture was slightly different then.) The CIA would use this money to fund the Nicaraguan contras. In exchange for the weapons sales, the Iranians would pressure Lebanese militants to release American hostages held there. President Reagan had no knowledge of the operation but 14 members of his administration were indicted for their actions, eleven were convicted.
A new Disney+ series is a throwback to an aspirational time in U.S. history that proved ordinary humans can achieve extraordinary feats.
“The Right Stuff” takes viewers back to America’s space race against the Soviet Union, with the U.S. placing its hopes on the capabilities of seven astronauts — all military test pilots. Two men at the center of the Mercury Seven are Maj. John Glenn (played by Patrick J. Adams), a revered Marine test pilot and committed family man, and Lt. Cmdr. Alan Shepard (played by Jake McDorman), one of the best test pilots in Navy history, according to a press release.
McDorman is no stranger to high-profile military characters. He previously played Navy SEAL Ryan Job in “American Sniper.” Though McDorman wasn’t looking for crossover in the two roles, he says there are parallels.
“What I got out of reading “The Right Stuff” and also reading “American Sniper” … was this relationship to fear. I mean these are people who have a very unique relationship to fear as far as any average person, like myself, could understand. To be able to act efficiently and make smart, calculated decisions under circumstances that would have any of the rest of us acting impulsively or recklessly or too reactionary is certainly a parallel,” he said.
“The Right Stuff” explores how the astronauts’ lives were put on full display, in a manner described as America’s first reality TV show — including with “government-backed PR and publicity” to elevate the Mercury Seven, McDorman says. He adds that a joy and a fear exist when portraying a real person from history.
“When you feel that real presence of people that knew this person, loved this person, along with the public perception of a person — you know it both can breathe down your neck but it can also really inspire you, because it’s just this great responsibility to have. And honestly, it really doesn’t change my approach to the work too much, and I think if you let it, it can just spin you out and kind of sabotage you. So, I kind of use it as just another layer of excitement to view into the research process,” he said.
McDorman and his fellow cast members had a wealth of research to lean on for the pre-production process, he says, but Alan Shepard was also a private man — he was among the astronauts that didn’t write his own book. The other component of McDorman’s preparation for the role entailed in-person experiences.
“As far as the physical training part of it [the role], none of us did as much as we wished we could have — there was probably an astronaut bucket list that we all have,” he said. “We didn’t get to do the most exciting parts of astronaut training physically but educationally, by far, we did. We shot in Coco Beach, we shot in Florida where all of this stuff happened. We got to meet real astronauts at Kennedy Space Center and tour the entire facility; we got invited to the 50th anniversary of the moon landing … and just kind of soak in this environment firsthand before we started.”
“The Right Stuff” takes viewers back to a unified time in history when Americans rallied behind a common goal of developing a space program. McDorman recommends adding it to the must-watch list for the intersection to strides made this year.
“I’d say directly, the historical aspect is fascinating and if you really want a bookend with this year, the first manned SpaceX launch that happened in 2020, and now this show coming out months later, which is the inception of the American space program. You really get to see the start and finish and scope of that entire timeline with this show. It’s a story that even though it’s a famous book and was adapted to an Academy Award-winning movie, I still think for a lot of people — myself being one of those people at first — it’s relatively untold. I think most people my age, and especially people younger, are familiar with Apollo 11 — Buzz Aldrin, Michael Collins, those guys — so learning about two space programs before Apollo, starting with Mercury and learning how the whole space program came to be and how far behind the Russians we were, you know we were reacting to them successfully putting satellites in orbit,” he said.
The Disney+ series also examines the astronauts’ families, who became instant celebrities. Among those under the microscope was Louise Shepard (played by Shannon Lucio), a wife and mother who refuses to let her husband’s [Alan Shepard] transgressions affect her home.
Lucio said she was attracted to the project because the story takes a deeper, clear-eyed look at this cast of characters who came together to try to do something that was dangerous and unheard of at that time. But the private nature of the Shepard family made getting inside of Louise’s head more difficult, Lucio added.
There is an effort by show creators to put the roles of the wives at the forefront, especially because Lucio points out these families were forced to present a “perfect Americana life to the public” while grappling with the realities of their lives privately.
“The show really focuses primarily on three astronauts: John Glenn, Alan Shepard, and Gordo Cooper, and then it also puts a good focus on their wives — and really what each wife was struggling with during this chaotic time when the spotlight was really on them. It does focus, not just on how they were there for their men to support them through this, but what was personally going on for them,” Lucio said.
Shannon Lucio as “Louise” and Jake McDorman as “Alan”
The couple’s relationship, as an example, was complex because it was born out of love, but “Alan was a known philanderer, almost from the moment they were married and throughout most of his life,” Lucio says. Still, Louise remained by his side so that the family could remain whole and he could continue being Alan Shepard.
Lucio says “The Right Stuff” offers an opportune message for current matters facing the nation.
“The story is an inspiring one because it takes these people who are deeply-flawed, but very ambitious and also noble and honorable, in some respects, and it throws them together and they’re all jockeying for this position to be the first. But at the end of the day they realize this is so much bigger than them. This is for America. This is for humanity. This is for trying to push what we are capable of further, and I think that right now, especially with what’s going on and how divisive our country in particular is in this moment, coming together and accomplishing something that is unthinkable is a story I feel needs to be shared and watched right now, for the sake of our souls,” Lucio said.
Other members of the cast include Patrick J. Adams as “Major John Glenn,” Colin O’Donoghue as “Captain Gordon Cooper,” Eloise Mumford as “Trudy Cooper,” James Lafferty as “Captain Scott Carpenter,” Nora Zehetner as “Annie Glenn,” Eric Laden as “Chris Kraft, Jr.,” Patrick Fischler as “Bob Gilruth,” Aaron Staton as “Wally Schirra,” Michael Trotter as “Virgil “Gus” Grissom,” Micah Stock as “Deke Slayton,” and Josh Cooke as “Loudon Wainwright, Jr.”
The eight-episode series premiered on Oct. 9 and is available for streaming on Disney+.
Nothing makes a war movie pop like its soundtrack. Films that are scored by famous composers stay with us forever. Hans Zimmer did “Black Hawk Down,” “Saving Private Ryan,” was scored by John Williams, and of course, the most famous war film score ever, Maurice Jarre’s work for the WWI epic “Lawrence of Arabia.”
But not every war movie needs to be scored. There are a few movies where a well-placed pop song is an epic use of screen time. When a director uses a “needle drop,” it can push the scene into something unforgettable.
1. “What A Wonderful World” from “Good Morning Vietnam”
In a movie full of great music and memorable scenes, how do you even choose the most poignant? Barry Levinson’s 1987 film juxtaposes Louis Armstrong’s classic song with imagery of the men fighting the war, the civilians caught in the middle, and the corruption of the South Vietnamese regime.
2. “Danger Zone” from “Top Gun”
No opening sequence starts a movie better than the song that keeps Kenny Loggins in the money to this day. The Navy even used this movie as recruiting tool, with a full 90 percent of applicants reporting that they’d seen “Top Gun” the year it came out.
3. “The End” from “Apocalypse Now”
Did I say “Top Gun” has the best opening scene song? It has to compete with the first shots of “Apocalypse Now,” featuring the Doors’ “The End”.
4. “Tracks of My Tears” from “Platoon”
Charlie Sheen gives us a stark vision of his future, jamming with his friends to Smokey Robinson and the Miracles’ 1965 hit, smoking all manner of things while knocking back a few beers. This scene is just as iconic as the Sgt. Elias death scene or the end of the movie, where Sheen’s character looks back on his tour.
The Trashmen’s 1963 song “Surfin’ Bird” dominates as the Americans push the NVA back from Hué City.
6. “Do Wah Diddy” from “Stripes”
I think the YouTube commenter Brian Buchanan said it best about this scene from the Bill Murray and Harold Ramis comedy “Stripes” — “Funny scene, but these two morons would be doing push up ’til they died.”
7. “Dream Lover” from “Hot Shots”
Yeah, “Hot Shots” isn’t a real war movie in the sense that anything really happened but you can say that about “The Hurt Locker” too. Even so, I’ll never forget when Topper Harley sees Ramada Rodham Hayman for the first time.
“I was really impressed with the way you handled that stallion. You know, when I saw you dig your heels into his sides, tighten up the reigns, and break his spirit, I never wanted to be a horse so much in my life.”
8. “You’ve Lost That Lovin’ Feelin” from “Top Gun”
If this movie and Kenny Loggins prompted a bunch of people to join the Navy, I wonder how many late-80s women had to put up with guys singing to them in bars until the fall of Communism.
9. “Sgt. Mackenzie” from “We Were Soldiers”
While not technically a pop song, this song was written about the singer’s grandfather’s service in WWI and is undeniably awesome. Awesome. Awesome.
It’s rare for a film franchise to come out of nowhere and blow everyone away to the magnitude of Summit Entertainment’s John Wick. It’s a masterclass in storytelling through a character’s actions as opposed to pointless, exposition-heavy dialogue. The beautiful cinematography and the use of color to tell a story is, frankly, mind-blowing. But all of those elements pale in comparison to the breathtaking action sequences that make up the bulk of the series.
Today, the first trailer for the third installment dropped and it looks like it’s going to be an insane ride from the very beginning. In true John Wick fashion, the trailer doesn’t outright tell you what’s happening, but if you know what you’re looking for, you can piece together everything.
Even the poster basically tells you everything about the film if you’ve paid enough attention.
We last saw Keanu Reeves’ John Wick running away from the Bethesda Terrace in New York City’s Central Park. He had a -million bounty on his head after being forced into a hit-job he didn’t want to take. Eventually, Wick kills his mark, but does so in the Continental Hotel, a place designed to be a safe space for assassins. Suddenly, that -million bounty on his head doubled in value.
Now, he’s got to outrun every hitman looking to score a cool million and he no longer has access to any of the amenities offered by the Continental Hotel. The final film will take place moments after he was given a one-hour head start. In this hour, John Wick has to bandage up his wounds and get ready to fight (almost literally) everyone in the underworld.
In the freshly released trailer, John Wick is seen talking to Anjelica Huston’s character, simply known as The Director, who holds a presumably important position on the High Table (basically the UN for crime bosses). Wick asks for safe passage and is, of course, denied. The important detail to note here is that John is wearing the same outfit as he was when he was taking out every assassin in New York, so we can assume he’s still in the Big Apple, and he’s holding a rosary.
Next, we see him running into the New York Public Library and places that rosary along with his marker (a coin that can grant any desire, in the vein of asking a don on the day of his daughter’s wedding), several gold coins, and a photo of he and his wife inside a hollowed-out book. Wick knows he’s about to go to war, but this shows us he intends to return and claim his cache of prized possessions — and we all know that when Wick returns, he does so with a vengeance.
The clock strikes 6 P.M. and all hell breaks loose. The text, “If you want peace, prepare for war” flashes on screen between intense action shots and John Wick arrives in Morocco, where he meets Halle Berry’s character, Sophia, before the action rolls on.
To watch the trailer for yourself, check out the video below:
Most members of the military will be familiar with the HBO miniseries Band of Brothers, which follows the story of the men of Easy Company, 506th Parachute Infantry Regiment, 101st Airborne Division in WWII. Produced by Steven Spielberg and Tom Hanks after their 1998 success, Saving Private Ryan, the miniseries has been praised for its drama and storytelling.
Using leftover props and costumes from Saving Private Ryan, and with the consulting help of surviving Easy Company veterans, Hanks and Spielberg strove to bring the stories of Easy Company to life. However, Band of Brothers did take some artistic license for the sake of storytelling and presented some glaring historical inaccuracies as a result.
A serious WWII history buff could point out dozens of small mistakes in Band of Brothers like the inaccuracies of a German Jagdpanther at Bloody Gulch, the wearing of the 101st Screaming Eagle patch during the Battle of the Bulge, or the anachronistic headset worn by a C-47 pilot taking off from England. However, this article will focus on 6 inaccuracies that actually changed important historical details or rewrote a person’s story.
A German Gebirgsjäger officer with his Edelweiss badge displayed on his headgear. (Photo posted by user SprogCollector via wehrmacht-awards.com)
Edelweiss – Part Three Carentan
During this episode, Private Albert Blithe is sent forward of Easy Company to re-establish contact with Fox Company during a night movement. Moving quietly through the darkness, he rounds a tree and is startled by a German soldier behind an MG42 machine gun. Lt. Dick Winters emerges from the darkness, further startling Blithe, and informs him that the German is dead. Lt. Lewis Nixon joins them and identifies the German as a Fallschirmjäger, a paratrooper. He further identifies a flower on the German’s uniform as Edelweiss, saying that it only grows high up in the Alps and is meant to be the mark of a true soldier.
Gebirgsjäger, German and Austrian mountain troops, wore Edelweiss badges, not flowers, on their uniforms as a symbol of pride in their mountaineering and soldiering skills. As such, it is highly unlikely that a paratrooper would adopt a symbol that held so much importance to mountain soldiers. It can be likened to U.S. paratroops taking great pride in their distinct bloused jump boots. Later in the 20th century, many a nose was broken at Fort Benning by paratroopers who caught a non-paratrooper wearing bloused jump boots.
Shooting POWs – Part Two Day of Days
This episode serves as the catalyst for the many rumors about Ronald Speirs shooting German POWs on D-Day. In it, Don Malarkey jogs away from a group of prisoners being watched over by Lt. Speirs and another Dog Company paratrooper when he hears automatic gunfire from behind him—the implication being that Speirs executed the prisoners. In later episodes, the rumors evolve from Speirs shooting a few prisoners, to shooting eight, shooting twenty, and even shooting a drunk sergeant for refusing to go out on patrol.
In a video interview, former Dog Company trooper Private Art Dimarzio recalled capturing three Germans on D-Day with Speirs and a sergeant. “The LT called us together in a bunch and he said, ‘…you take one,’ they were all laying in a ditch, ‘I’ll take this one, and sarge you take that one.’ And we paired off and we shot the three of them.” DiMarzio also noted that, a few hours later, they came upon another group of Germans, all of whom Speirs shot. This account is entirely plausible given the orders issued to the paratroopers by General Maxwell Taylor, commander of the 101st Airborne Division.
“Take no prisoners,” Malarkey recalls General Taylor telling them. “If you were to take prisoners, they’d handicap our ability to perform our mission.”
Hitler’s suicide – Part Nine Why We Fight
The episode opens stating that it is April 11, 1945 in Thalem, Germany. A string quartet of German civilians plays Beethoven’s String Quartet No. 14 in C-sharp Minor. Around them, other civilians clear up the rubble of their battered city under the supervision of U.S. soldiers while Easy Company soldiers look down from a damaged apartment building. The rest of the episode flashes back to Easy Company’s initial invasion of Germany before returning to the Thalem apartment where Captain Nixon informs the men that Hitler is dead.
Assuming the men have not been sitting in the same apartment listening to the same string quartet for nineteen days, this scene is anachronistic as Hitler committed suicide on April 30, 1945. It is unclear why this error was made or why it persisted from the HBO television release to the home video release, since a simple edit to the opening statement could make it April 30, 1945. This is an extreme oversight for such a big budget production.
Lt. Dike – Part Seven The Breaking Point
Part Seven focuses primarily on Easy Company First Sergeant Carwood Lipton as he works to maintain the unit’s morale and combat effectiveness during the Battle of the Bulge. However, his efforts are hindered by their new commander, Lt. Norman Dike. Dike is rarely seen around the men, leaving them to go on walks or make phone calls at Battalion HQ. His behavior earns him the nickname “Foxhole Norman”. During the attack on Foy, Dike becomes paralyzed by fear and panics under pressure, sending a single platoon exposed on a doomed flanking mission. His poor leadership results in the deaths of many Easy Company men before he is relieved by Lt. Speirs and is eventually killed during the attack.
Firsthand accounts show that Dike was not a well-liked officer during his command of Easy Company, but he was by no means the cowardly and ineffective officer that was portrayed on screen. During the attack on Foy, Easy Company trooper Clancy Lyall saw Dike get shot in his right shoulder. Omitted from the on-screen depiction, this wound inhibited Dike’s decision-making and caused him to panic. Furthermore, Dike won two Bronze Star Medals for valor earlier in the war; one in Holland for organizing a hasty defense against, “superior and repeated attacks”, and another at Bastogne where, “…he personally removed from an exposed position, in full enemy view, three wounded members of his company, while under intense small arms fire.”
Finally, Dike was not killed at Foy. He survived his wound and became the aide to General Taylor. Dike remained in the Army for the remainder of the war, served in Korea, and eventually attained the rank of Lieutenant Colonel in the Army Reserves. He also went back to Yale and earned his law degree. He worked as a U.S. Commissioner in Japan, practiced law in New York City and Washington D.C., and was even employed by the CIA for a time. He died in Rolle, Switzerland on June 23, 1989.
Master Sergeant Albert Blithe and his wife Kay. (Photo from findagrave.com)
Private Blithe — Part Three Canretan
Episode three begins with Private Albert Blithe just after D-Day when he rejoins Easy Company after the confusion of the drop. Following the fight to take Carentan, he is struck with a case of hysterical blindness. After recovering, Blithe returns to Easy Company. Following his encounter with the dead German, Blithe admits to Lt. Speirs that he didn’t try to find his unit on D-Day; instead, he hid in a ditch out of fear. Speirs tells him that he’s already dead and that he must accept that in order to function as a soldier should, “without mercy, without compassion, without remorse.”
Blithe follows Speirs’ advice and fights ferociously during the German counterattack at Bloody Gulch. After the battle, Blithe finds a dead German that he shot and removes the Edelweiss on the German’s uniform. Blithe takes the Edelweiss for himself and places it on his uniform, completing his character arc. A few days later, he volunteers to investigate a farmhouse during a patrol where he is shot in the neck by a German sniper. The episode ends saying that Blithe died from his wounds in 1948.
Blithe’s depiction is mostly true. He was stricken with hysterical blindness and he was shot by a sniper whilst investigating a farmhouse. However, Blithe was shot in his collarbone. He recovered from his wounds and was sent back to the states. He remained in the Army and fought with the 187th Airborne Regimental Combat Team in Korea. After his second war, Blithe was assigned to the Military Assistance Advisory Group in Taiwan. In December 1967, while on active duty in Germany, Blithe attended a ceremony in Bastogne commemorating the Battle of the Bulge. Upon his return to Germany, Blithe felt nauseous and was taken to the ER at Wiesbaden Hospital. He was diagnosed with a perforated ulcer and died in the ICU on December 17 after surgery. Blithe had attained the rank of Master Sergeant and was buried with full honors at Arlington National Cemetery.
The other men of Easy Company never found out what happened to Blithe after he was wounded at the farmhouse. They assumed he succumbed to his wounds and the producers of the show did no further research. Having spent more than 20 years in the Army over the course of three wars, Blithe deserves more credit than he is given in Band of Brothers.
Winters displays the surrendered sidearm of the German Major. (Photo from We Stand Alone Together, Credit to HBO)
The surrender — Part Ten Points
The last episode of the miniseries follows Major Dick Winters and Easy Company during the last few months of the war. After the official German surrender, Winters meets with a German Colonel who offers Winters his Luger pistol as his formal surrender. Out of respect for a fellow soldier, Winters allows the Colonel to keep his sidearm. The German is surprised by Winters’ gesture and gives him a crisp salute in return.
In reality, the surrendering German was a Major like Winters. The sidearm that he offered as his formal surrender was a Walther PP (a long-barreled version of James Bond’s famous Walther PPK), which Winters accepted and kept until his death in 2011. In an interview for HBO, Winters showed the pistol and recounted the German’s surrender:
I was assigned this Major and when he walked in, he presented me this pistol and offered his personal surrender, which naturally I accepted gratefully. So that would be the end of the war for his men and this is basically the end of the war for my men. And the significance is that, it wasn’t until later when he had given me this pistol and I got a chance to look at it carefully that I realized, this pistol had never been fired. There was no blood on it. That’s the way all wars should end: with an agreement with no blood on it. And I assure you this pistol has never, never been fired since I’ve had it and it will not be fired.
Winters’ powerful and insightful words about the surrender make the scene in Band of Brothers feel like a missed opportunity. The real-life exchange between the two Majors and the impression that the symbolic pistol left would have been more impactful than the surrender shown on screen.
After the series premiere, Winters told Hanks that he wished the production had been more authentic, hoping for an “80 percent solution.”
Hanks responded, “Look, Major, this is Hollywood. At the end of the day, we will be hailed as geniuses if we get this 12 percent right. We are going to shoot for 17 percent.”
Band of Brothers is a well-made and fitting tribute to (most of) the men who fought in Easy Company during WWII. As with most Hollywood productions, the history was adapted for dramatic effect and series structure. Certain stories and experiences were modified or folded into other characters for the sake of storytelling, but the show as a whole is still one of the best portrayals of WWII to date. In the case of the aforementioned stories and experiences however, their true history deserves to be told, learned, and remembered.
Believe it or not, there is one gun very notable for having been taken by the United States Air Force to other planets. That said, it was only on TV.
The “Stargate” TV franchise — based on the 1994 movie featuring Kurt Russell — starred Richard Dean Anderson of “MacGyver” for its first eight seasons. The series was notable in having two separate Air Force Chiefs of Staff cameo as themselves, Gen. Michael Ryan in “Prodigy” and Gen. John Jumper in “Lost City, Part Two.”
The central premise around the series was that the Air Force had acquired a “stargate” that was set up in Cheyenne Mountain. The team led by Anderson’s character, SG-1, was pretty much carrying out a mission similar to of the Army Special Forces: building alliances with native populations.
The adventures eventually took SG-1 all the way across the galaxy and beyond, where they not only faced off against hostile nations, but also made contact with friendly aliens and acquired new technology.
And as is the case with special operations forces, SG-1 had gear that average grunts didn’t get their hands on — usually. In addition to all the alien tech, they did get some earth weapons, too. Notable among them was the P90 personal defense weapon from FN Herstal.
The P90 is a select-fire weapon that fires the 5.7x28m cartridge. It is a compact weapon with a 50-round magazine. The gun made its combat debut during Operation Desert Storm with Belgian special operations troops.
You can see a video about this PDW that has gone to other worlds below.
From original programming to the biggest movies released in theaters (albeit, a while ago), there’s a lot to watch on HBO. So we’re here to point out what you need to see right away on HBO Go or HBO Now.
In August 2019, you can finally watch the lord of the seas, “Aquaman,” from the comfort of your own home. You can also check out one of the best movies of 2018, “The Favourite.” And if you are looking for a classic, can we interest you in “The Lost Boys”?
Here are 7 movies to check out on HBO in August 2019:
1. “Body Heat” (Available August 1)
A modern-day telling of the classic film noir “Double Indemnity,” William Hurt is persuaded by his lover, played by Kathleen Turner, to murder her rich husband.
2. “The Lost Boys” (Available August 1)
This late 1980s classic stars Jason Patric and Corey Haim as two brothers who move into a town that turns out to be a haven for young, good looking vampires, led by Kiefer Sutherland.
3. “The Favourite” (Available August 3)
Olivia Colman walked away with the best actress Oscar for her role as Queen Anne in this twisted dark comedy set in early 18th century England. Emma Stone and Rachel Weisz also deliver incredible performances.
4. “Aquaman” (Available August 10)
James Wan’s ridiculously fun superhero movie looks at the origin story of Aquaman. Jason Momoa is perfect in the role of Arthur, while the CGI in this movie is mind-blowing.
5. “Mortal Engines” (Available August 24)
I still have no clue what “Mortal Engines” is. I guess it was a book people liked? Peter Jackson is involved? Hey, this is an example of why HBO exists — see movies you would never dare buy a ticket for.
6. “The Mule” (Available August 27)
Clint Eastwood plays a 90-year-old Korean War vet who, in the hopes of getting some cash, finds himself becoming a drug mule for the Mexican cartel.
It’s actually amazing the Galactic Empire managed to control as much of the galaxy as they did. Logistically, they had the funds and the manpower of a giant imperial power but there were serious issues with the Imperial Defense Contractors.
Frankly, the Empire seemed to buy anything and everything.
Like the United States and Russia during the Cold War, the Galactic Empire obviously bought technology and weapon designs with little consideration for anything other than their ongoing effort to have the latest and greatest.
Some are just cumbersome and inefficient, like a moon-sized space station. Others were egregiously flawed from the start, reckless enough to be considered treasonous.
1. The Emperor’s Royal Guards’ Armor
With what armor do you equip the guys who guard the most powerful person in the universe? Bright red robes, of course. Then give them a giant, long, plastic helmet which restricts their neck movement and you’ve got a winner.
It’s a good thing the Emperor moves like a senior citizen walking out of a Golden Corral, because his Royal Guardsmen only have a six inch slit in those helmets for what looks like a 60-degree range of vision. But that hardly matters anyway, because even if they had to defend the Emperor for any reason, they’ve been issued what looks like pikes to fight with in a world full of lightsabers and blaster rifles. Their unit patches should probably just say “cannon fodder.”
2. TIE Fighters
When you need a fleet of superfast fighter spacecraft to defend your giant, lumbering Star Destroyers and planet-sized space stations, what better way to pump out a bunch of placeholders than the TIE Fighter, the galaxy’s most elite floating targets?
With only two chin-mounted cannons, dual ion engines, these pilots are expected to tackle fleets of superior X-Wing and A-Wing fighters head to head, with the only strategy employed in their use being the Empire’s ability to throw an overwhelming number of them at any given time. Also, there is not pilot ejection system.
On top of all that, they come fully equipped with a set of giant walls acting as blinders on either side of the craft, effectively restricting the pilot’s vision of roughly half of the battlespace.
This is another example of the Empire favoring numbers over combat ability. The Empire’s signature shock troops, the average Stormtrooper hasn’t successfully killed anything since the Clone Wars ended.
The only exception was the Snowtroopers at the Battle of Hoth but lets be honest – the Rebel Alliance depended completely on ONE giant ion cannon to protect the entire planet from an invasion.
You might defend the stormtroopers by blaming their rifles but that’s all the more reason to execute whomever procured the rifles and/or negotiated the clone trooper deal. The blasters would be a lot more effective if they didn’t come permanently set to “miss.”
Finally, the white PVC armor does nothing for them either. Why bother wearing bright white armor if it does nothing to protect you from the flaming death bolts the other side is shooting your way. Han Solo does just fine in combat and he’s wearing a vest.
4. AT-ST Walkers
The All Terrain Scout Transport, the two-legged version of The Empire Strikes Back’s famous four-legged snow invaders, are supposed to be an environment-adaptable version of the same. Except whomever convinced the Empire to deploy them on Endor didn’t tell the Imperial Army about the height of the trees being taller than that of the walkers. It doesn’t take a protocol droid to know how to bust into one of those from the treetops.
And if the AT-ST was the right tool for the job on Endor, it would have been able to navigate a series of rolling logs, the armor shouldn’t have crushed like an empty beer can between two trees, and the Empire wouldn’t have been beaten by an army of Care Bears.
5. Speeder Bikes for a Giant Forest World
While we’re on the Battle of Endor, who put it in the Empire’s mind that the ideal ground transport for scouts was a hyper-fast moving, one person bike in a world full of giant primeval trees? These bikes are begging to be wrecked left and right.
The Ewoks could have just set up random strings of rope all over the forest and taken out half these Imperial Scouts. Speeder Bikes on Endor are a safety brief waiting to happen. Even in Return of the Jedi, no one who drives a Speeder Bike ever lands one, they all just wreck or are punted off in some way.
6. Death Star Exhaust/Ventilation Systems
It’s actually difficult to blame an engineer for putting a thermal exhaust port on a giant, roving space station. The thing’s gotta have a tailpipe. Should it have led directly to the Death Star’s reactor core? Why isn’t there a few twists and turns leading up to the core?
They should have installed a few vents, maybe a more complex system would have worked better. Still, at only two meters, it’s hard for any engineer to predict the effects of what is essentially magic on the trajectory of a proton torpedo.
Who we can blame are the engineers who designed the second Death Star’s reactor core. Despite the lessons learned from the destruction of the first Death Star at the Battle of Yavin, the new team of engineers not only kept the big gaping hole design flaw, they made it so big it could fit the Millennium Falcon, two X-Wings, an A-Wing, and a few TIE fighters.
They didn’t need magic torpedoes the second time, the Rebels just flew right up to the reactor core and blew it to smithereens.
Update: The Star Wars film “Rogue One” covered #6 on the list. The design flaw was a purposeful attempt to give the rebels a chance against the space station.
The author stands by his assertion that the second Death Star didn’t need a hole leading directly to its core.
There’s rarely a middle ground with military films. Either they’re masterpieces worthy of every accolade given or they’re so bad that troops turn them into drinking games, taking a shot every time something completely unrealistic happens.
Great military films take an in-depth look at actual service members and veterans and are written based on real experiences. The laughable, however, just take a quick glance at how other war films have done it and copy the wrong notes. This is how we end up with so many awful cliches that may work in a film, but would never happen in the real world.
1. Choice of mission
Many films use some variation of Mission: Impossible‘s “your mission, should you choose to accept it…” line. Sure, that works for Ethan Hunt — because he’s not a soldier and is able to make choices.
Troops don’t have that luxury. If the commander says it, that’s an order.
Using the TV series just to remind everyone Mission: Impossible existed before Tom Cruise.
2. Troops were secretly the bad guys all along
This one is most prevalent among movies set in some post-apocalyptic world. It turns out our reluctant protagonist now has to fight the “big bad” U.S. military because… uh… reasons?
Let’s take, for example, nearly every single zombie film. So, the world has already come to an end. At this point, the military would be too busy trying to restore order with some sort of martial law, but in the movies, the military is most concerned with figuring how to best weaponize zombies against their enemies (ignoring the fact that, if the world ended, the enemy was probably also ended by zombies). Once this revelation comes to light, everyone in the platoon is just totally cool with gunning down the protagonists.
Seriously, why are the only loyal and obedient soldiers evil?
3. Walking off post (while deployed)
To be completely fair to the modern war films that do this, yes: troops get more time off than most people think. We’re not on patrol every single waking moment of a deployment. That doesn’t mean, however, that we have the free time, ability, or desire to walk off-post to grab a beer.
There’s been one high-profile individual who’s done this and, uh, let’s just say that the military community doesn’t think highly of it.
Yeah, there’re many other things wrong with The Hurt Locker, but those have been pointed out a million and a half times.
4. Vehicles are always breaking down
It feels like whenever our heroes need to make a big break for it, the damn vehicle craps out on them.
Seriously, this cliche rears its head more often than a teenager trips as they try to escape Jason Voorhees. There are mechanics in the military and they dotake pride in their work.
Even great films can’t avoid cliches.
5. Saying the phrase, “with all due respect”
Characters find the courage within themselves to stand up to the high-ranking officer and say something that starts with, “with all due respect…” Suddenly, they’re given free reign to say whatever’s on their mind.
Nope. That’s a really quick way to get demoted. The line works in Talladega Nights because it’s not a war film. But even in Talladega Nights, they acknowledge that the line is, basically, worthless.
Ricky Bobby is basically every E-3 in the military.
6. Everything about the phrase, “if I told you, I’d have to kill you”
On film, how do show a spy tiptoeing around the fact that they’re a spy? Ah, yes! By having them almost tell someone in a bar — perfect!
Actual agents don’t even tell their families that they’re spies, let alone some random person at the bar. Thankfully, the granddaddy of all film spies, James Bond, doesn’t stoop that low.
It happens far more than you’d think.
7. No one is willing to fight until the protagonist gives a speech
It’s the darkest moment of the film. The good guys have nearly lost and the enemy is all around them. There’s only one person with the newfound courage to rally the troops. They stand in front of everyone and deliver a passionate speech. Those words inspire in everyone the courage they need to stand up and win. Our hero did it! Everyone lived and the bad guys lost. Roll credits…
Actual speeches before troops go out and “fight the good fight” usually involve safety briefs, radio frequencies, and contingency plans. In real life, nobody needs some Academy-Award winning speech before fighting the bad guys.
“Now that you mention it… Yeah, I do like freedom.”
*Bonus* Famous last words
To be completely real for a moment, I can almost guarantee the phrase “what the f*ck?” is a much more common set of last words than, “tell my wife… *cough* I love her.”