The USS Missouri has a long and storied history. She earned numerous battle stars for her service in three American wars. She was the site where Japan signed its formal surrender, ending World War II. The last battleship produced by the United States, she was decommissioned in 1955 and reactivated in 1984 to support the Gulf War. She even made appearances in the 1992 movie Under Siege and in 2012’s Battleship.
Its most infamous moment came in 1989, when Cher sang “If I Could Turn Back Time” in front of the ship’s crew wearing a one-piece bathing suit and stockings that didn’t leave much to the imagination.
Almost no one but the director (and, presumably, Cher) was happy with the video. According to the book “I Want My MTV: The Uncensored Story of the Music Video Revolution,” MTV pretty much banned the video outright because of the visibility of Cher’s butt cheeks. The network later rolled that back and would play it only after 9pm – though MTV still pushed the envelope as “Safe Harbor” programming for broadcasters in the U.S. began at 10pm.
See how safe the harbor is in the music video below.
The outfit, of course, completely surprised the U.S. Navy, who had given their blessing for the shoot. Once he saw the singer’s costume on the set of the video, the Navy’s entertainment liaison for the Missouri asked the director to choose something else for Cher to wear. The director, of course, declined.
After all the flak the Navy took for the video, it decreed that never again would musicians be allowed to film music videos on ships of the U.S. Navy. In an attempt to placate the Navy, Cher later filmed parts of the song in a less-revealing outfit and without the crew present, but the new video was too little, too late.
For Cher, the song completely revived her 20-plus year long career. It was her second consecutive number one hit on the Billboard charts and was a certified gold record.
The bands were generally raised just before the units they would serve. Some were contracted by state legislatures and others by officers in units they had begun enlisting.
The initial purpose of the band was to help get attention of potential enlistees as a sort of marketing campaign.
When the units began training and later deploying, the bands would help keep morale up and sometimes assist with music for drills.
But when the units took to the field, there were generally few uses for a full brass band in the middle of combat. Some were ordered to play music in the middle of the fray, like when a Confederate band played during the Battle of Gettysburg and men on both sides heard the music.
Some musicians became runners, carrying messages as the bullets flew. But most were sent to remove the wounded.
I put some considerable value on the service of the band in the several affairs the regiment was engaged in as an Ambulance Corps. . . . The mere fact of one member of the band being twice required to cross the line of fire of both forces, undoubtedly saved the lives of several members of our own regiment from the fire of one of our own batteries, several members of our own regiment having already been killed by the unfortunately located battery. . . . The bandsmen had been well taught by the surgeon how to give first aid to the wounded, and how to use stretchers, bandages and tourniquets. We were to go with the regiment into battle, rescue the wounded, if possible, and carry them to the field hospital. We were liable to be sent as messengers on dangerous errands.
In 1862, Congress passed a bill to muster out nearly all regimental bands, leaving some at the corps and brigade levels as well as drummers, buglers, and fifers in the companies.
Unsurprisingly since many of the men had worked in battles like Whitcomb’s, they were happy to take their last paychecks and leave.
And there are non-profit organizations like Guitars for Vets, which provides free guitar lessons — and a guitar — to veterans nationwide.
Vietnam War veteran James Robledo is a graduate of the program and the chapter coordinator at the Loma Linda chapter in California who, as a volunteer, has helped over 180 veterans graduate from the program.
“Playing the guitar takes concentration, it’s a little frustrating, it’s a challenge — but when you’re doing that, everything else disappears,” Robledo told We Are The Mighty.
He has written songs about the military community, including one that helped provide solace after the loss of loved ones.
“Learning to play guitar has let me reinvent myself. My knees and back are pretty banged up, but I can still impact other peoples’ lives in a positive way,” said Peterson about how he uses music to help others.
To date, Guitars for Vets has administered over 25,000 guitar lessons and distributed over 2,500 guitars to Veterans, and their waiting list keeps growing, which is why We Are The Mighty has partnered up with Base*FEST powered by USAA to donate $1 (up to $10k) every time you vote for one of our veteran artists and Mission: Music finalists until Sept. 23, 2017.
Editors’s Note: Voting is now closed. We reached our goal of donating $10k to Guitars for Vets — thank you to all those who supported this program!
On his fantastic new album A Sailor’s Guide to Earth, Sturgill Simpson uses life at sea to inspire songs about separation from family and a longing for home. Simpson himself grew up in Kentucky and claims he joined the Navy on a whim when driving past a recruiting station.
After three years which included service in Japan and Southeast Asia, he left the service. “I wasn’t very good at taking orders,” he told Garden and Gun in 2014.
After he came home and started a music career, it turned out he wasn’t very good at taking orders from Nashville, either. Simpson wasn’t cut out for the kind of trucks-and-beer pop country that’s dominated the charts over the last decade and made his name on independently-released albums. He had a breakthrough with 2014’s Metamodern Sounds in Country Music, produced by Dave Cobb (who’s made a name for himself producing fellow Nashville rebels Chris Stapleton and Jason Isbell).
Atlantic Records signed Simpson and gave him total freedom to make Sailor’s Guide, which he produced himself. What he made is a compact album (39 minutes, just like the old days!) that combines ’70s Waylon Jennings and Willie Nelson with Stax Records-style horns, Al Green keyboard grooves and a Elvis in Memphis vibe.
On the track “Sea Stories,” he talks about joining the Navy:
Basically it’s just like papaw says:
“Keep your mouth shut and you’ll be fine”
Just another enlisted egg
In the bowl for Uncle Sam’s beater
When you get to Dam Neck
Hear a voice in your head
Saying, “my life’s no longer mine”
He also includes a cover of Nirvana’s “In Bloom,” where he adds a new lyric. After the line “You don’t know what it means” (where there’s a howling guitar squall on the original version), Simpson sings “to love someone,” a line he says he imagined was there for years after he first heard the Nirvana version. Fans of the BeeGees (and the innumerable soul covers of the song) will appreciate the “To Love Someone” reference.
There’s zero Autotune on the vocals, so this kind of gritty, soulful music may sound a bit weird to fans of Little Big Town or Florida-Georgia Line. None of the songs sound like truck commercials, so you’re probably not going to hear this music on commercial country radio. If Chris Stapleton got your attention last year, though, Simpson’s album is a logical next step into the world of traditional country.
The album’s for sale in all the digital music stores, CDs are really cheap at Amazon and you can stream it on Spotify or Apple Music before you buy. Check out the first two videos from the album below.
Sturgill’s daring cover of Nirvana’s “In Bloom”The album’s first single is “Brace for Impact (Live a Little)”
These veterans served in different branches and different conflicts, but one thing unites them — their love of music.
We Are The Mighty and USAA flew the Mission: Music finalists to the world-famous Ocean Way Studio in Nashville for a recording session where we took the opportunity to chat about the music that influenced them along the way.
U.S. Marine JP Guhns likened songs to little checkmarks — little memories — along his military career, while husband and wife duo Home Bru brought up how music connected them to their family.
Meanwhile, Steve Schneider of Jericho Hill related to Thrice’s “Stare at the Sun,” a tune about looking for something to believe in. Many veterans can relate to the feeling of questioning what they’re fighting for, and for this soldier, music helped him come up with an answer.
“There are days in the military where you might not have a whole lot to do, but they’re gonna find stuff for you to do,” laughed U.S. Navy veteran McClain Potter as he explained why “Everyday is Exactly The Same” from Nine Inch Nails is on his Battle Mix.
The 2019 government shutdown is going on for so long, federal employees are about to miss their second paycheck. There are a group of crucial, dedicated employees who are showing up to work every day because their job is just that important – the Transportation Security Administration.
These people have to go to the airport every day and put up with thousands of people who hate them. Now they’re not even getting paid.
I apologize for all the fitness standards jokes I made countless times, TSA.
While it’s true that a record number of TSA personnel are calling in sick, there are still enough of them showing up to work unpaid to keep America’s airport flowing throughout the shutdown. This, to me, is an amazing feat and one that should not go unrecognized. The good news is that someone is recognizing this dedication to service: KISS.
Yes, the 1970s arena rock legends KISS, the Demon, the Starchild, the Spaceman, and the Catman – also known as Gene Simmons, Paul Stanley, Ace Frehley, and Peter Criss.
You might have heard of them.
Whether you like their music or not, KISS is one of the best-selling bands of all time and they lead a rabid, dedicated nation of die-hard KISS fans, known as the KISS Army. KISS and its legions of fans are known to be able to accomplish almost anything through sheer force of will – the KISS Army was founded to ensure KISS songs were played on the radio during the band’s early years. The band itself has always supported the U.S. military and those who defend the United States.
Over the years, the band has been dedicated to hiring military veterans, supporting the effort known as Hiring our Heroes, offering military discounts for their shows and appearances, and even visiting veterans hospitals to buy vets lunches and cars. Now the commanders of the KISS Army are turning to help TSA members in their time of need.
Two members of KISS, Paul Stanley and Gene Simmons, helped found the Rock Brews restaurant chain back in 2012. The two rockers took to facebook to announce that their restaurants would be serving free meals to furlough TSA employees for as long as the government shutdown continues. All they have to do is find a standalone Rock Brews, and they can choose from one of two meals.
“They touch our lives daily, and as long as they are working without pay, the least we can do is provide them with a delicious meal to show our support,” says frontman Gene Simmons.
Choosing between one or two free meals may not seem like much, but going without pay for two cycles can really put a strain on a family’s food budget. If every restaurant could give a little, America’s first line of defense just might make it through this.
June deployed to Fallujah during OIF as Field Radio Operator and earned several awards during his time in service. He even credits the Marine Corps for giving him the needed discipline to continually write his rap lyrics drawing them from personal experience.
Afterward, he became a CBRN instructor and trained hundreds of Marines before they deployed to their combat zones.
In 2012, Marx received an Honorable discharge from the Marine Corps then spearheaded himself to focus on his true calling — a music career.
June wears the gas mask as part of his image and believes the modern music industry is too “toxic” and there aren’t enough artists with “substance” being promoted.
You can talk about them but you can’t talk without them — that’s pretty much the commo creed. One U.S. Army information technology specialist took to the mic to remind everyone just how important that is.
The signal specialist here is known as Mark Vision, aka Marcus Twitty, a Germany-based soldier and Christian rapper who woke up one morning wanting to rap and ended up writing an entire EP. His track about being a commo soldier is called “This Is The Life (S6 Anthem),” and it’ll be stuck in your head for days.
For those not in the know, the ‘S’ in S6 means staff and the ‘6’ means communications. In the case of the U.S. Army, the S6 is the signal officer at the battalion or brigade staff level. In the song, he also mentions a “25 Uniform,” referring to the Army MOS 25U, Signal Support Systems Specialist, who works with radio and data, provides technical support for computers and networks, and maintains comms-related terminals, equipment, and data.
The song goes through the most common questions an IT specialist comes across on a daily basis, like:
What’s the wifi password?
Why can’t I login?
Why is my account disabled?
Also mentioned in the song is why people ask him about their account status while he’s eating lunch, second lieutenants trying to throw their rank around to get better service, and that TKS, the leading cable and telecomms service provider for U.S. troops in Germany, set up their civilian wifi and not the Army – but soldiers come to him for help anyway.
This is hilarious because we all know it’s 100 percent true. Be good to your communications staff: These are the kind of things they have to put up with every day.
Miami-based DJ and Air Force veteran Rodrigo Arana – AKA DJ KA5 – is cooking up something special for his featured guest appearance in the USAA Lounge at BaseFEST this weekend. But don’t expect him to just cue up a list of Top 40 hits and fire them off, one after another. He approaches deejaying the way a trained specialist approaches a mission: he plans, he prepares, he drills, and then, when he’s got you captive on the dance floor, he executes.
Result: the beat drops and you lose your mind.
“I’m always about bringing those vibes that are taking you back to that certain time that was good for you [and] I’m always about trying to perfect my craft. That’s something that the military taught me: you can always do better.”
BaseFEST Powered by USAA kicked off in 2017 with two huge festival dates at Camp Lejune and NAS Pensacola, gathering over 20,000+ fans for each and creating a fun atmosphere of appreciation and support for servicemembers, their families, and friends.
(Photo by USAA)
The mission of the festival is “to provide a platform to give back to family programs on base, boost morale for troops and their families, and build strong base communities that are the backbone of our military.” Musical acts like DNCE, Dustin Lynch, Ha Ha Tonka, and DJ KA5 provide a live and lively soundtrack to a wide variety of activities, games, exhibits, and dining.
For Arana, playing BaseFEST is a chance to reconnect with his veteran family, to celebrate the military education that helped set him on the path to doing what he loves.
“Deejaying is about creating a vibe and creating a feeling. You’re painting. A different song is a different color and you’re creating a masterpiece. So by the end of the night, you step back and you look at the whole paining and you realize how you did this for somebody else.”
Today’s U.S. Navy can trace its origins to the Continental Navy of the Revolutionary War. It boasts the largest, most capable fleet in history, proudly serving its mission of “…winning wars, deterring aggression, and maintaining freedom of the seas.” America’s sailors are the finest in the world, and their rousing song — born in victory — suits them well.
Bandmaster Lt. Charles A. Zimmerman served as director of the U.S. Naval Academy Band from 1887 until his death in 1916, and he wrote a march for each graduating class. But it was “Anchors Aweigh” would be the one ultimately adopted by the U.S. Navy as its official song.
The Navy Midshipmen take the field in the 2012 Army-Navy game.
U.S. Navy Photo by Mass Communication Specialist 1st Class Chad Runge)
2. It helped shut out the Army
By 1906, Navy had not beaten Army on the football field since 1900. Midshipman First Class Alfred Hart Miles approached Zimmerman with a request for a new march — one that would lift spirits and “live forever.” According to legend, Miles and Zimmerman got to work at the Academy’s chapel organ. Later that month, the band and brigade performed the song and the Navy swept the Army in a 10-0 victory.
Sailors secure a line to the capstan while hoisting the anchor chain.
(U.S. Navy photo by Mass Communication Specialist 3rd Class David Finley)
3. It’s chock full of naval jargon, starting with the title
(U.S. Navy photo by Mass Communication Specialist 1st Class Michael D. Cole)
4. It evolved over time
It wasn’t until 1997 that the lyrics were finally revised (by the 8th Master Chief Petty Officer of the Navy, John Hagan) to be a little less college football and a little more domination of the high seas.
The revised lyrics include some naval lore, such as a reference to Davy Jones, whose locker on the ocean floor is home to drowned sailors and shipwrecks, and the “seven seas,” an ancient phrase for all the world’s oceans.
A few weeks after the bloody battle of Chancellorsville in May 1863, an odd event took place at the front lines of the Civil War armies camped on the Rappahannock River in Virginia. The two sides — camped approximately a mile from one another — engaged in a battle of the bands.
According to University of Virginia Professor Dr. Gary W. Gallagher in his Great Courses lecture series on the war, the concert was begun by a Union band on one side of the field who played a patriotic northern song, likely “Yankee Doodle” or “Battle Hymn of the Republic.” Just after they finished playing, the Confederate band opened with the song “Dixie.”
The two bands then continued playing songs for one another throughout the early hours of the night, until the Union band started playing “Home on the Range,” a song popular in both Union and Confederate camps throughout the war.
The Confederate band joined in during the song, and soldiers from each side sang along.
Like the later Christmas Truce of World War I, the peace between the warring sides was short-lived. The Civil War would rage for almost two more years before its official end in May 1865. Indeed, the bloodiest battle of the war, Gettysburg, would take place just a few short weeks after the impromptu concert.
Songs have a way of telling the story of someone’s life. I feel like these songs describe what I’ve been through in one way or another, from childhood until now. I grew up listening to different genres. As A young kid, I would sing ‘The Devil Went Down to Georgia” with my twin brother. In college, I remember listening to a lot of Ice Cube. Later on, I returned to hard rock, jocking up to AC/DC and Metallica with the SEAL teams. And now, I’m singing along to Justin Timberlake with my kids on the way to drop them off at school. —Marcus Luttrell, retired Navy SEAL.
We listened to all 25 songs on his list and picked out the 13 we feel capture his badassery.