It’s all fun and games to speculate about an “Avengers” movie or a “Star Wars” movie months and months before those films hit theaters, but when you’re less than two months away from an actual release, less is certainly more. And now, after the release of the epic final trailer for “Star Wars: The Rise of Skywalker,” certain new photographs have been circulating around the less-than-scrupulous parts of the internet and they totally spoil a big twist at the end of the film.
I’m just going to give it to you straight: I have seen these photos. I wish I had not. I know now something that is going to happen in the film, which is really f*cking cool, but that I wish I could have experienced in the theater. This is not the same as reading a plot leak on Reddit. I saw two photos that were really amazing, and there’s every reason to believe they are real. YOU DO NOT WANT TO SEE THESE PHOTOS. TRUST ME.
So, just like when footage leaked from “Avengers: Endgame,” now is the time to get into Star Wars lockdown mode. Here’s my guide for avoiding this stuff.
Don’t Google “Star Wars spoilers” or “Star Wars Leaks”
Avoid articles that mention “leaked photos” from The Rise of Skywalker.
Stay off Reddit
No really, stay off Reddit
Stay off publications that are less than reputable.
What do I mean about that last one? Well, as someone who has written about Star Wars for a long time, I can tell you that websites like Entertainment Weekly, Inverse, Vulture, and Den of Geek, are not going to post these leaked photos. That’s because, like Fatherly, there are real journalists working there. (Full disclosure, I’ve worked for more than half of those publications.) So, if you’re seeing an article about “The Rise of Skywalker” on some website you’ve never heard of, and it’s promising to tell you all the secrets of the movie, don’t click! Or, you know, click if you want, but be ready to have the movie spoiled for you. Stick to the publications you’ve heard of. They will play by the rules!
Let me tell you a little story to further reinforce why this is important. Back in 2002, I was about to turn 21-years-old, and “Attack of the Clones” was about to hit theaters that May. I was working at a bookstore called Brentano’s (they were briefly part of Waldenbooks, which at that time was part of Borders.) Well, guess what, we got all the “Attack of the Clones” books in early, and that meant, sitting in the stock room of the bookstore, behind closed doors, I was able to 100 percent know that Yoda fought with a lightsaber in the final moments of the movie. This literally ruined one of the biggest surprises of the movie for me. I’m still not over it. Let 21-year-old-me be a lesson to you all.
Because now, as a 38-year-old man, I have clearly not learned my lesson. Don’t make the same mistake. Hardcore spoilers are the path to the Dark Side. Resist!
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
“Going to the war zones and visiting the troops . . . and being able to pat them on the back and support them . . . has been a great joy, a great personal reward because you can see that you’re providing a service for somebody who’s providing a service for us, and it’s lifting them us in some way,” Gary Sinise says. “I make my living as an actor and all of this is simply something I do with the resources . . . and time that I have.”
Sinise started working with working with wounded warriors primarily as a function of his portrayal of Lt. Dan in the movie “Forrest Gump,” a vet who lost both legs during the Vietnam War. “That movie came out in ’92,” Sinise explains. “Then we had September 11, that terrible event, and we started responding to that in Iraq and Afghanistan — deploying to those places — and our people started getting hurt. And we had this whole new generation of Lt. Dans coming back from those wars. I wanted to very much get behind them and support them in some way.”
That desire wound up manifesting itself in myriad ways including the Gary Sinise Foundation and the Lt. Dan Band, which got its name from the fact all the troops were calling Sinise “Lt. Dan” when he’d visit them in theater.
Sinise pushes back on the idea that he’s living out some sort of rock n’ roll fantasy at midlife by playing bass guitar in a touring rock band, pointing out that he was a rocker in high school, which is, ironically, the thing that got him into acting. “I was standing in a hallway with the band members and we were looking kind of raggedy, sort of grubby band guys, you know. And the drama teacher walked by, and she told us to audition for ‘West Side Story’ because we looked like gang members. Two of us ended up going, and I got in the play.”
The Sinise family has military heritage, most notably that of his uncle Jack who was a navigator aboard a B-17 in World War II. Sinise arranged for Jack to have a ride in a vintage B-17 almost 70 years after his final war sortie in 1945, and the event was made into a short documentary that premiered at the GI Film Festival a few years ago.
Watch Gary Sinese talk to actor and Navy veteran Jamie Kaler about his support of wounded vets and the Lt. Dan Band:
Don’t miss Gary Sinise and the Lt. Dan Band as they kick off the 10th annual GI Film Festival in Washington DC on May 21. Check out more information and get your tickets here.
The US government and Hollywood have always been close. Washington DC has long been a source of intriguing plots for filmmakers and LA has been a generous provider of glamour and glitz to the political class.
But just how dependant are these two centres of American influence? Scrutiny of previously hidden documents reveals that the answer is: very.
We can now show that the relationship between US national security and Hollywood is much deeper and more political than anyone has ever acknowledged.
It is a matter of public record that the Pentagon has had an Entertainment Liaison Office since 1948. The Central Intelligence Agency (CIA) established a similar position in 1996. Although it was known that they sometimes request script changes in exchange for advice, permission to use locations, and equipment like aircraft carriers, each appeared to have passive, and largely apolitical roles.
When we include individual episodes for long running shows like 24, Homeland, and NCIS, as well as the influence of other major organizations like the FBI and White House, we can establish unequivocally for the first time that the national security state has supported thousands of hours of entertainment.
For its part, the CIA has assisted in 60 film and television shows since its formation in 1947. This is a much lower figure than the DoD’s but its role has nonetheless been significant.
The CIA put considerable effort into dissuading representations of its very existence throughout the 1940s and 1950s. This meant it was entirely absent from cinematic and televisual culture until a fleeting image of a partially obscured plaque in Alfred Hitchcock’s North By Northwest in 1959, as historian Simon Willmetts revealed in 2016.
When the CIA established an entertainment liaison office in 1996, it made up for lost time, most emphatically on the Al Pacino film The Recruit and the Osama bin Laden assassination movie Zero Dark Thirty. Leaked private memos published by our colleague Tricia Jenkins in 2016, and other memos published in 2013 by the mainstream media, indicate that each of these productions were heavily influenced by government officials. Both heightened or inflated real-world threats and dampened down government malfeasance.
One of the most surprising alterations, though, we found in an unpublished interview regarding the comedy Meet the Parents. The CIA admitted that it had asked Robert De Niro’s character not possess an intimidating array of agency torture manuals.
Nor should we see the clandestine services as simply passive, naive or ineffectual during the counterculture years or its aftermath. They were still able to derail a Marlon Brando picture about the Iran-Contra scandal (in which the US illegally sold arms to Iran) by establishing a front company run by Colonel Oliver North to outbid Brando for the rights, journalist Nicholas Shou recently claimed.
The (CIA) director’s cut
The national security state has a profound, sometimes petty, impact on what Hollywood conveys politically. On Hulk, the DoD requested “pretty radical” script alterations, according to its script notes we obtained through Freedom of Information. These included disassociating the military from the gruesome laboratories that created “a monster” and changing the codename of the operation to capture the Hulk from “Ranch Hand” to “Angry Man”. Ranch Hand had been the name of a real chemical warfare programme during the Vietnam war.
In making the alien movie Contact, the Pentagon “negotiated civilianization of almost all military parts”, according to the database we acquired. It removed a scene in the original script where the military worries that an alien civilization will destroy Earth with a “doomsday machine”, a view dismissed by Jodie Foster’s character as “paranoia right out of the Cold War”.
(Flickr photo by Meredith P.)
The role of the national security state in shaping screen entertainment has been underestimated and its examination long concentrated in remarkably few hands. The trickle of recent books have pushed back but only fractionally and tentatively. An earlier breakthrough occurred at the turn of the century when historians identified successful attempts in the 1950s by a senior individual at the Paramount film studio to promote narratives favorable to a CIA contact known only as “Owen”.
The new FOI documents give a much better sense of the sheer scale of state activities in the entertainment industry, which we present alongside dozens of fresh cases studies. But we still do not know the specific impact of the government on a substantial portion of films and shows. The American Navy’s Marine Corps alone admitted to us that there are 90 boxes of relevant material in its archive. The government has seemed especially careful to avoid writing down details of actual changes made to scripts in the 21st century.
State officials have described Washington DC and Hollywood as being “sprung from the same DNA” and the capital as being “Hollywood for ugly people”. That ugly DNA has embedded far and wide. It seems the two cities on opposite sides of the United States are closer than we ever thought.
Han and Luke may be gone but the Star Wars film franchise remains alive and well, as Disney’s updated theatrical release schedule revealed that three Star Wars films are slated to hit theaters over the next few years. The currently untitled movies are scheduled to be released Dec. 16, 2022, Dec. 12, 2024, and Dec. 18, 2026.
As of now, we know virtually nothing about these movies outside of their release dates, which is pretty par for the course for the tight-lipped franchise. But based on reports, the upcoming movies will look a lot different from what viewers have come to expect from a Star Wars film-going experience. After all, Skywalkers have always been at the center of the cinematic universe but these new films seem to represent a shift that will allow filmmakers to explore the rest of the Galaxy far, far away. December 2019, Rise of the Skywalker will bring a definitive end to the epic nine-picture saga about the titular family.
While the Obi-Wan and Boba Fett spin-offs may have been force-choked into oblivion, Disney has made it clear that fans can expect a lot more Star Wars movies. The Last Jedidirector Rian Johnson is getting his own trilogy entirely “separate from the episodic Skywalker saga” and Game of Thrones showrunners David Benioff and D.B. Weiss are also penning their own Star Wars trilogy that will not involve Anakin, Luke, Leia, or Kylo.
“We are looking at the next saga. We are not just looking at another trilogy, we’re really looking at the next 10 years or more,” Kennedy told The Hollywood Reporter.
As far as what all this means, right now, even searching the Force might not provide answers.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
In last year’s Rogue One: A Star Wars Story, they finally sealed the thermal exhaust port sized plot hole of how to destroy the First Death Star without “many Bothans” dying.
Jyn Erso, a former criminal turned rebel soldier, leads her team in the Battle of Scarif where they capture the blueprints — and vulnerabilities — of the Death Star, which helps Luke Skywalker eventually destroy the moon-sized weapon. Before she goes on that mission she’s given another: hunt down and locate Saw Gerrera for Capt. Andor to kill.
Makes sense in the logic of the series. The group labelled “The Rebel Alliance” is a ragtag group comprised of many different rebel groups to restore the Galactic Republic. Gerrera was an extremist who gave the Rebellion a bad name and needed to be removed so they could claim morale superiority over defeat the Empire and the Dark Side.
However, in Saw Gerrera’s final moments, he isn’t given the “good riddance” treatment as with most villain deaths — he has a sweet farewell. Nothing about his character was deserving of that moment.
Comparing him to all of the heinous and messed up things done by the real world Osama bin Laden isn’t too far of a stretch.
The Rebels aren’t exactly without blood on their hands. Remember, they were willing to blow up a Death Star — and everyone on it — three times.
Gerrera isn’t just a one-off character in the Star Wars canon. He’s appeared in novels, cartoons, and comics as well. In the novel “Rebel Rising,” Saw proves that he’s willing to do just about anything to achieve his ends — including gunning down thousands of innocent lives to get to just a few Imperials.
The Mujahideen did the same thing happened to Osama after the Soviet-Afghan War.
It’s very subtly talked about and most people gloss over it, but the book mentions that he trained Jyn Erso from a young age. She mentions the reason she left was because she couldn’t handle the fighting at age 16.
This is not unlike how the Taliban uses child soldiers to fight and plant IEDs. The Taliban knows that Americans and our NATO allies would hesitate before pulling the trigger on a child. So they use kids.
Just this scene in Rogue One
To set the scene: a group of soldiers are patrolling through an occupied desert city. Some on foot, others in the vehicle. An insurgent grenade is tossed in the crowded street, taking out a few. The insurgents pull weapons out of their robes and start gunning down the soldiers.
It’s true the soldiers cause collateral damage, but the insurgents intentionally kill innocent to get to the soldiers. The insurgents are not afraid to blow themselves up to kill a soldier or two.
Which am I talking about? The real life fight in Afghanistan or Rogue One: A Star Wars Story?
The Vietnam War was one of the most politically charged military campaigns in American history. Scores of brave, young men were drafted into service to fight against the spread of communism and a well-trained North Vietnamese Army.
Each man who fought in the war came away with their own personal story. Oftentimes, those stories feed the creative process and are adapted to resonate with a wider audience. The result is a huge assortment of stories, told through books, feature films, or television series.
But for every great piece of media, there are plenty of not-so-good Vietnam movies and TV shows that hit the shelves. So, we’ve put together a list of classics that won’t ever get old.
Created by John Young and William Broyles Jr., the show follows Army Nurse Colleen McMurphy while she works at an evacuation hospital and USO center during the Vietnam War. The show featured various storylines of troops rotating in and out of the war.
Plus, the show’s opening credits showcased one of the most famous songs from that era: Reflections, as performed by the Supremes.
Fun fact: The title of the show, China Beach, refers to the nickname of My Khe Beach in the city of Da Nang, Vietnam.
Created by Steve Duncan and L. Travis Clark, the show initially aired on CBS in 1987 and followed a group of Army soldiers as they moved through the unforgiving jungles of Vietnam. It was considered the first dramatic television show to regularly display combat events in a narrative setting. Tour of Duty was intended to be the spin-off to Oliver Stone’s Platoon.
The show only lasted three seasons, but many Vietnam vets were fans of this short-lived series.
Directed by Michael Camino, the 1978 classic follows three lifelong friends from a steel mill town in Pennsylvania as they experience the grim realities of POWs in Vietnam. The powerful acting performances and gruesome Russian Roulette scenes are why the film took home the Oscar for Best Picture that year.
Directed by the late Stanley Kubrick, Full Metal Jacket is considered one of the greatest war movies ever made. It showcases the journey of a recruit who makes his way through basic training and is thrust into the dangerous, combative pit known as Vietnam in the late 1960s.
With Platoon, critically acclaimed writer-director Oliver Stone pulls from his own experiences (an Army veteran) to take audiences directly into one of the most politically charged times in American history. Platoon follows a young soldier, Chris Taylor, who enters the war as a complete newbie and exits full of emotional scars.
Based on the real events, We Were Soldiers focuses on the heroism and outstanding leadership abilities of Lt. Colonel Harold G. Moore. This intense war epic displays both the vigors of war on the frontlines and the emotional strife endured by faithful Army spouses back home.
Military movies are emotional to watch as many are based on real and fascinating stories of man’s ability to overcome any obstacle and fulfill his or her goals and destiny and all that sh*t.
With so many important aspects to pay attention to, filmmakers commonly make mistakes that veteran moviegoers can spot.
So check out some epic mistakes we managed to find in our favorite Hollywood war films.
1. Where did the German tank go?
“Saving Private Ryan” is one of the best war movies ever recorded on film, but that doesn’t mean it’s flawless. In the 3rd act — just as the final firefight is about to end — Capt. Miller fires his pistol at a tank headed toward him. After firing a few shots, the tank blows up, bursting into flames and stopping dead in its tracks.
The tank surprisingly blowing up isn’t the mistake, but moments later the Tiger tank vanishes.
It must have been magic, right? (Source: Dream Works)
2. Playing musical chairs
In Mel Gibson’s “Hacksaw Ridge,” Desmond Doss sits on the right side of the bus saying his goodbye to his girl.
Cut to a few moments later and Desmond is now sitting on the left side of the bus after it departs the station.
3. No force protection…at all
In the Clint Eastwood directed “American Sniper,” the SEAL team enjoys a meal with an Iraqi man and his family who is about to be discovered for being a bad guy. Although the team is on a crucial mission, the lights are on, and someone forgot to close the curtains on the window.
4. A non-combatant?
We love the film “Full Metal Jacket” just as much as other veterans, but this Stanley Kubrick directed film has a lot of screw-ups — especially here. As the Marine squad advances on the Vietnamese sniper, you can spot a crew member in the bottom of the frame. Oops!
5. Marine sniper training on an Air Force base?
In 2006, Universal pictures gave us the Desert Storm film “Jarhead,” directed by Sam Mendes. In this scene, Anthony Swofford (played by Jake Gyllenhaal) reports for bugle tryouts at the Marine Corps parade deck. Look at the water tower behind him; the Air Combat Command emblem is clearly represented in this shot. The A.C.C. is a major command of the Air Force and wouldn’t be located on the Marine Corps base.
Hollywood is known for riddling military movies with technical errors, but from “Full Metal Jacket” to “Stripes,” the movie industry gets it right with plenty of quotable military movies.
Here are WATM’s picks for 32 of the best ever:
1. “I love the smell of napalm in the morning. You know, one time we had a hill bombed, for 12 hours. When it was all over, I walked up. We didn’t find one of ’em, not one stinkin’ dink body. The smell, you know that gasoline smell, the whole hill. Smelled like … victory. Someday this war’s gonna end.” — Lt. Col. Bill Kilgore, “Apocalypse Now” (1979)
2. “When I go home people will ask me, ‘Hey Hoot, why do you do it man? What, you some kinda war junkie?’ You know what I’ll say? I won’t say a goddamn word. Why? They won’t understand. They won’t understand why we do it. They won’t understand that it’s about the men next to you, and that’s it. That’s all it is.” — Norman “Hoot” Hooten, “Black Hawk Down” (2001)
3. “You have to think about one shot. One shot is what it’s all about.” — Michael, “The Deer Hunter” (1978)
4. “Keep the sand out of your weapons, keep those actions clear. I’ll see you on the beach.” — Capt. John Miller, “Saving Private Ryan” (1998)
5. “Are you smoking this sh-t so’s to escape from reality? Me, I don’t need this sh-t, I am reality. There’s the way it ought to be, and there’s the way it is.” — Staff Sgt. Barnes, “Platoon” (1986)
6. “Now I want you to remember that no bastard ever won a war by dying for his country. He won it by making the other poor dumb bastard die for his country.” — Gen. George Patton, “Patton” (1970)
7. “My name is Maximus Decimus Meridius, Commander of the Armies of the North, General of the Felix Legions, loyal servant to the true emperor, Marcus Aurelius. Father to a murdered son, husband to a murdered wife. And I will have my vengeance, in this life or the next.” — Maximus, “Gladiator” (2000)
8. “The Almighty tells me he can get me out of this mess, but he’s pretty sure you’re f–ked.” — Stephen, “Braveheart” (1997)
9. “Aim small, miss small.” — Capt. Benjamin Martin, “The Patriot” (2000)
10. “Out here, due process is a bullet!” — Col. Mike Kirby, “The Green Berets” (1968)
11. “Mandrake, do you recall what Clemenceau once said about war? … He said war was too important to be left to the generals. When he said that, 50 years ago, he might have been right. But today, war is too important to be left to politicians. They have neither the time, the training, nor the inclination for strategic thought. I can no longer sit back and allow Communist infiltration, Communist indoctrination, Communist subversion and the international Communist conspiracy to sap and impurify all of our precious bodily fluids.” — Gen. Jack D. Ripper, “Dr. Strangelove” (1964)
12. “I feel the need . . . the need for speed.” — Lt. Pete “Maverick” Mitchell, “Top Gun” (1986)
13. “Each and every man under my command owes me one hundred Nazi scalps… And I want my scalps!” — Lt. Aldo Raine, “Inglourious Basterds” (2009)
14. “Are you quitting on me? Well, are you? Then quit, you slimy f–king walrus-looking piece of sh-t! Get the f–k off of my obstacle! Get the f–k down off of my obstacle! NOW! MOVE IT! Or I’m going to rip your balls off, so you cannot contaminate the rest of the world! I will motivate you, Private Pyle, IF IT SHORT-D–KS EVERY CANNIBAL ON THE CONGO!” — Gunnery Sgt. Hartman, “Full Metal Jacket” (1987)
15. “Ideals are peaceful. History is violent.” —Wardaddy, “Fury” (2014)
16. “I ain’t got time to bleed.” — Blain, “Predator” (1987)
17. “I could have killed ’em all, I could kill you. In town you’re the law, out here it’s me. Don’t push it. Don’t push it or I’ll give you a war you won’t believe. Let it go. Let it go.” —Rambo, “First Blood” (1982)
18. “Spartans! Ready your breakfast and eat hearty… For tonight, we dine in hell!” — King Leonidas, “300” (2006)
19. “All right, sweethearts, what are you waiting for? Breakfast in bed? Another glorious day in the Corps! A day in the Marine Corps is like a day on the farm. Every meal’s a banquet! Every paycheck a fortune! Every formation a parade! I LOVE the Corps!” — Sgt. Apone, “Aliens” (1986)
20. “You still think it’s beautiful to die for your country. The first bombardment taught us better. When it comes to dying for country, it’s better not to die at all.” — Paul Baumer, “All Quite on the Western Front” (1930)
21. “Sir, Custer was a p-ssy. You ain’t.” — Sgt. Maj. Plumley, “We Were Soldiers” (2002)
22. “Sir, I got lost on the way to college, sir.” — Anthony Swofford, “Jarhead” (2005)
23. “Remember Sully when I promised to kill you last? I lied.” — John Matrix, “Commando” (1985)
25. “Only two kinds of people are gonna stay on this beach: those that are already dead and those that are gonna die. Now get off your butts. You guys are the Fighting 29th.” — Brig. Gen. Norman Cota, “The Longest Day” (1962)
26. “F–kin’ badass, I was there. F–kin’ took him out at 400 yards, head popped up three feet in the air. Crazy shot, man.”
27. “Yes they had weapons! You think there’s a script for fighting a war without pissing somebody off? Follow the rules and nobody gets hurt? Yes, innocent people probably died. Innocent people always die but I did not exceed my orders.” — Col. Terry Childers, “Rules of Engagement” (2000)
28. “We’re Airborne. We don’t start fights, we *finish* ’em!” —Galvan, “Hamburger Hill” (1987)
29. “Lighten up, Francis.” — Sgt. Hulka, “Stripes” (1981)
30. “My name is Gunnery Sergeant Highway. I’ve drunk more beer, banged more quiff, pissed more blood, and stomped more ass than all of you numb-nuts put together.” — Gunny Highway, “Heartbreak Ridge” (1986)
31. “All I ever wanted was an honest week’s pay for an honest day’s work.” — Master Sgt. Ernie Bilko, “Sgt. Bilko”
32. “You see Danny, I can deal with the bullets, and the bombs, and the blood. I don’t want money, and I don’t want medals. What I do want is for you to stand there in that f–goty white uniform and with your Harvard mouth extend me some f–king courtesy. You gotta ask me nicely.” — Col. Nathan Jessep, “A Few Good Men” (1992)
Hollywood does its best to try and capture the essence of what it means to be in the military and transcribes it for a civilian audience in ninety-minute chunks. Sometimes, they fall flat on their face. But, on occasion, there are outstanding moments when they knock it out of the park.
Most big-budget military films often put the focus on the Army or the Marines, leaving the Navy on the sidelines. When sailors do get an opportunity to shine on the silver screen, the glory often goes to the SEALs — or it’s Top Gun. But everyone’s already seen Top Gun and most sailors would roll their eyes if we mentioned it in this list.
In no particular order, here are six awesome films about sailors that you should put on your must-watch list:
As was the case with many of the great war films set in the 1990s after the collapse of Soviet Union, Crimson Tide showcases the “what-if” of the Russian Federation squaring off against the United States in another Bay of Pigs incident.
Denzel Washington stars as the mild-tempered XO to Gene Hackman’s temperamental Captain. The two are at odds with one another on how to prevent World War Three. Fun Fact: Though uncredited, Quentin Tarantino wrote much of the pop-culturey dialogue.
Master and Commander
Set during the Napoleonic Wars, this film is heavily focused on what it means to complete the mission and the importance of safeguarding the welfare of the troops underneath. Russell Crowe’s crew aboard the HMS Surprise are locked in seemingly eternal combat with French privateers.
It was nominated for ten Academy Awards the year it came out, including Best Picture and Best Director, but would lose all but two (Cinematography and Sound Editing) to The Lord of the Rings: The Return of the King.
Annapolis is an indie drama that follows Jake Huard (played by James Franco) as he attends the Naval Academy. It’s the story of a poor nobody trying to make it as one of the elite. It kind of toes the line between being a Marine film and a Navy film because it’s never made clear which route he’ll take, but it’s still steeped in Navy traditions.
It tanked at the box office, but eventually found its footing with a home release. The fact that it shows pledges getting hazed upset the Department of the Navy so bad that they called for its boycott. It’s still a great film, in my opinion.
This 1945 musical came out right before the Japanese signed the surrender and put an end to the Second World War. The film follows Gene Kelly and Frank Sinatra as two sailors on liberty in golden-age Hollywood. In this musical comedy, the sailors come across a lost, innocent kid who wants to one day join the Navy himself. Then, the sailors proceed to hit on his aunt.
It’s nice to see that nothing’s changed in the way sailors think since then.
Still one of the best military comedies is Down Periscope. It stars Kelsey Grammer, who plays one of the worst commanders in the Navy and who’s given an even worse crew of submariners who all manage to fail upwards.
It’s packed full of 90s comedians in their prime. It also stars William H. Macy, Rob Schneider, and even a young Patton Oswald.
The Hunt for Red October
What else can be said about The Hunt for Red October? It’s a cinematic masterpiece. If you haven’t seen this one yet, you should honestly clear your evening schedule and watch it today.
Set during the conclusion of the Cold War, Sean Connery plays a Soviet submarine captain and Alec Baldwin is a CIA analyst. Both struggle to find peace while their respective forces do everything in their powers to avoid it. Technically, Patriot Games, Clear and Present Danger, The Sum of All Fears, and Shadow Recruit are all sequels to this masterpiece, but none come close.
If you can think of any that we missed (and there are a lot), feel free to let us know! We’d love to hear it.
Bob Hope was a British-born, American immigrant born on May 29, 1903, and died on July 27, 2003. This comedian was instrumental in keeping American troops entertained overseas throughout his career. He dedicated his life to U.S. troops in areas of conflict that other entertainers did not dare venture to. He worked on Broadway, in radio and feature films. Hope was the star of his own TV show in the 1950s with NBC. Later in his career he won an Emmy in 1966 for one of his Christmas specials. He started entertaining troops in 1941 and entertained Marines, soldiers and sailors in the Pacific throughout theWWII.
In Vietnam, where the horrors of war were an everyday reality for volunteer troops and draftees, he was able to distract them – even if it was temporary. He travelled with beautiful women to ‘remind the troops what they’re fighting for.’
He was an American patriot that was crucial to lifting the morale of veterans. An extraordinary example of the impact an immigrant can have on the lives of those who keep our country free.
Families of GIs who died would send a letter to Dad writing that the last thing they heard from their loved one was they had seen the Hope show and what a fun time that was, how grateful they were Dad had given them that respite from the awful conditions.
Linda Hope, Producer and daughter, USO
It wasn’t all fun and games, when forward deployed, active duty troops see the worst side of humanity. Hope would go out of his way to accommodate troops who missed his show because they were out on a mission or on duty. He would do one man shows and arrived unannounced due to security concerns.
This year marks the 48th anniversary of his last show in Vietnam.
The 1972 show marked Hope’s ninth consecutive Christmas appearance in Vietnam. Hope endorsed President Nixon’s bombing of North Vietnam to force it to accept U.S. peace terms, and received South Vietnam’s highest civilian medal for his “anti-communist zeal.”
A+E Television Networks
Bob Hope was also a humanitarian that advocated for the release of POWs held by the North Vietnamese. Troops would write to him to negotiate their release on their behalf and it’s alleged Hope would sometimes be successful in brokering an agreement.
At Fort Springfield on The Simpsons, Bob Hope played himself entertaining the troops by making fun of the mayor.
On Oct. 29, 1997, he became the first American designated by Congress as an ‘Honorary Veteran of the United States Armed Forces.’
Bob Hope’s career stretched almost 80 years and he lifted the spirits of troops across three generations of war fighters. He took an active role in entertaining our troops in Vietnam and did everything in his power to aid them. He was known for getting as close to the fighting as possible, in fact, in some of his recorded shows you can hear combat in the background. The airport in Burbank, California is named after Bob Hope and so are other roads, buildings — and even a Navy ship. Bob Hope was important to the war effort in Vietnam and gave the troops…hope.
In our galaxy, most parents worry about their children’s safety and the future of the world in which they live. But, in the Star Wars galaxy, parents generally are absent, not going by their real names, or walking around dressed in a black cape and a creepy mask. In this way, Star Wars is 100 percent relatable to kids and parents alike: being a parent is scary; either you’re afraid your kids will think you are Darth Vader, or you worry your kids will end up seeing you like Han Solo; a burnt-out loser who needs to get pushed into a pit ASAP! And the current Star Wars hero, Rey, has classic Star Wars parent problems of her own. In The Last Jedi, Kylo Ren reminded her that her parents were “filthy junk traders,” who sold her off for “drinking money.” But now, there’s a new rumor that suggests we already know Rey’s dad; and that his identity will be revealed in The Rise of Skywalker. And it’s someone we’ve all met before.
A new rumor surfaced on both Reddit and the fan-run site Making Star Wars that suggested that the next big Star Wars movie — The Rise of Skywalker — will feature the return of Han Solo in flashbacks. Apparently, these flashbacks will finally explain that Han is Rey’s father, but Leia is not her mother. This would make her Kylo Ren’s half-sister, which as many have pointed out, is kind of creepy considering all the flirting in The Last Jedi. (Though it would make Kylo and Rey kind of like Luke Wilson and Gwyneth Paltrow in The Royal Tenenbaums, which would allow J.J. Abrams to use that great Nico Song, “These Days” when Kylo and Rey get reunited. ANYWAY. Just an idea.)
So, what’s the deal? How realistic is this rumor? Well, the idea that Han Solo will appear in The Rise of Skywalker in flashbacks seems pretty realistic. There’s still a lot of backstories from The Force Awakens left over to explain in this movie. Plus, the recent Vanity Fair Star Wars piece from Lev Grossman seemed to indicate aspects of the larger backstory Skywalker backstory would be explained in the new movie. And, that Han Solo flashback rumor has been around for a while, too.
Everything We Know About Star Wars Episode 9 | Vanity Fair
Apparently, in The Rise of Skywalker, a new scene featuring Lando, Finn, and Poe sitting down for a drink, will totally spell out Rey’s background. (Lando knows everything, right?) In The Force Awakens, there was a similar hint at a scene in a bar. When Maz Kanata meets Han Solo, she asks, “Who’s the girl?” Han appears to know, but the scene cuts before he can answer.
If Rey is Han’s daughter, some people might freak out. Others might love it. Either way, if Han was a bad dad to both of his children, then the Star Wars saga will continue to be a cautionary tale for good dads struggling to restore sanity and good parenting to the galaxy…
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Normally, asking which of two beloved characters with rabid fanbases is a way to rile people up, to start up a spirited debate. Kirk vs. Picard is the classic example of this kind of question: there’s no right answer, which is why it’s fun to talk about.
So when a Twitter user asked who gives the better speeches, Captain America or Optimus Prime, we didn’t expect anything approaching a consensus to emerge. And yet, one did.
It’s Optimus Prime, by a mile. And honestly, after we rewatched the speeches people posted in the replies, it’s hard not to agree. It might not be fair—he’s a massive robot after all—but he has more gravitas than Cap. There’s also the fact that the Transformers stories present plenty of opportunities to talk about the future of the human race and that, in the Avengers films at least, Cap is one of dozens of characters competing for screen time.
As a refresher, here is one of Optimus Prime’s best speeches from the Transformers films.
And here’s one of Cap’s, from Winter Soldier.
Captain America’s Epic Speech Scene – Captain America: The Winter Soldier (2014) HD
It’s no secret that fans have strong opinions about the finale of Game of Thrones, with over a million disgruntled viewers saying they want HBO to remake the divisive last season. But it turns out, even some of the actors from the show have mixed feelings about its ending, as Jason Momoa expressed his complicated emotions while watching season 8, episode 6, ‘The Iron Throne.’
Momoa, who played Daenerys’ first husband Khal Drogo, live-streamed his viewing experience on Instagram and made it immediately clear that he was team Dany all the way, as he gave a shoutout to Emilia Clarke, who portrayed his former on-screen spouse.
“Khaleesi, I love you,” Momoa said. “Emilia, I love you. So sorry I wasn’t there for you.”
During the aftermath of Dany’s destruction of King’s Landing, Momoa remained loyal to his quick, declaring, “Get ’em! Kill them all!” He even apologized to his Queen for not being there for her.
However, things quickly took a bad turn for Dany, as she was killed by Jon Snow and, unsurprisingly, Momoa was not happy.
“Fuck you,” Momoa said to the Queenslayer. “Fuck you, punk!”
He also expressed frustration with Bran being elected King of Westeros, declaring “who gives a fuck?” in response to Tyrion arguing on Bran’s behalf.
But none of his previous anger compared to when Jon’s punishment for murdering Dany was being sent to the Night’s Watch, as it seems he would have preferred Grey Worm’s plan to execute him.
“Let me get this straight,” Momoa said. “You’re going back to what the fuck you did in the first place and you killed Khaleesi? Oh my god!”
Once it was all over, he seemed to share the same confusion and anger as most viewers.
“I feel lost,” Momoa said despondently. “I’m lost. What the fuck! Drogon should’ve fucking melted his ass! Ugh, and the goddamn bar is closed.”
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.