As a lieutenant in the Navy, I was around when Paramount Studio was working on “Hunt for Red October”. They needed some crash footage to run with, so we helped out. That’s where Hollywood started one of their biggest technical errors to date.
F-9 Cougar hitting the ramp of the USS Midway (CV 41) during the Korean War. For some reason that only Paramount Pictures might be able to explain, the film of this mishap was used to represent an F-14 Tomcat crashing in the movie “The Hunt for Red October.”
In the fall of 1989 I was a lieutenant in the Navy on a shore tour serving as the editor of Approach magazine, which is the Naval Safety Center’s aviation safety publication. Among my duties was to produce the “Crash n’ Bash” video — a collection of aircraft carrier mishap footage set to music — for use at the command’s booth during the annual Tailhook Convention in Las Vegas.
In the days before YouTube and Facebook this sort of video was very unique, and the Naval Safety Center’s booth was very popular as a result. Most people hadn’t seen this footage and setting the crashes to music was a brand new idea at the time.
Among those who saw the video was Paramount Studio’s production team working on the film “Hunt for Red October,” based on Tom Clancy’s wildly popular debut novel. A few weeks after I got back from the convention one of the producers called me and explained that he was working with the Navy’s public affairs reps and they had instructed him to call me to obtain the footage they’d seen at Tailhook. I asked him what sort of airplane they needed to show crashing. The producer said an F-14.
After verifying it was cool with my immediate superior, I FEDEX’d Paramount the master copy of the full video, which contained a bunch of crash footage of various airplanes, including some F-14s.
Fast forward a few months to me watching the movie in a theater in Virginia Beach and being very surprised with the following scene:
You can see they show an F-14 on the screen behind actor Fred Thompson (playing the fleet commander who figures out what to do with a determined Jack Ryan played by Alec Baldwin). But as the airplane gets closer it magically switches into a Korean War-era F-9 Panther that plows into the carrier’s ramp and then rolls down the deck. What was Hollywood thinking? (The pilot in that mishap survived with nothing more than minor burns to his wrists, by the way. I met him at Tailhook.) For some reason the Paramount filmmakers also reversed the image, so not only is it the wrong airplane, it’s the wrong airplane backwards.
If you go to the 1:42 mark of this video you can see more of the F-9’s approach, ramp strike, and aftermath;
I still don’t know why they picked that footage of all the stuff they had at their disposal. Gotta love Hollywood, I guess . . .
Vietnam outlawed Dreamworks’ new animation “Abominable” on Oct. 14, 2019, because it showed a map acknowledging China’s claim to a disputed part of the South China Sea.
Multiple countries — including China, Vietnam, Malaysia, and the Philippines — have overlapping claims to the sea. Beijing claims a large portion of it as its own, and calls the U-shaped region demarcating it as the “nine-dash line.”
Dispute over waters near Vietnam flared in October 2019 after Vietnam claimed a Chinese ship rammed and sank a fishing vessel.
A still from “Abominable” circulating widely on Twitter on Oct. 13, 2019, showed a map clearly showing a variant of the dashed line in the South China Sea.
“We will revoke [the film’s license],” Ta Quang Dong, Vietnam’s deputy minister of culture, sports and tourism, told the country’s Thanh Nien newspaper on Sunday, Reuters reported.
The decision was directly a response to the map scene, Reuters added, citing an employee at Vietnam’s National Cinema Center.
The movie, directed by “Monsters, Inc.” writer Jill Culton, follows a young Chinese girl who wakes up to find a Yeti on her roof, and and is led on to a journey to the Himalaya mountains to find his family.
The Vietnamese-language edition of the movie — titled “Everest: The Little Yeti” — premiered in the country on Oct. 4, 2019, Reuters reported. It appeared to play for nine days before the culture ministry banned the movie.
Sen. Tom Cottons of Arkansas criticized the ban on Oct. 15, 2019, saying in a tweet that Dreamworks’ display of the nine-dash line was an example of “kowtowing to the Chinese Communist Party by American liberal elites.”
Country sovereignty is a sensitive topic in China too: Multiple Western designer brands have also landed in hot water in China for identifying the semi-autonomous cities of Hong Kong and Macau as countries, rather than Chinese regions.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
(Photo Credit: Hollywood Reporter via Lou Pitt. Used with permission.)
Manager/producer and former Agent at ICM Lou Pitt shares about his life and experiences in the entertainment industry. His current clients include Oscar winning actor Christopher Plummer, New York Times best-selling authors Brad Meltzer, Lorenzo Carcaterra. Tilar Mazzeo, A.J. Hartley, Visual Effect Oscar winner John Bruno and Director Jason Ensler.
Former clients include Arnold Schwarzenegger, Gale Anne Hurd, Dudley Moore, Bruce Lee, Rod Serling, Nick Nolte, Blake Edwards, Howie Mandel, Paul W.S. Anderson and Jessica Lange.
WATM: Tell me about your family and your life growing up?
Pitt: I was born in Brooklyn, NY, where I spent the first six years, but my growing up years were in Miami Beach and Sarasota, Florida, until I moved to Los Angeles the summer of 1957. At 14, my single working mother wanted me to go to Kentucky Military Academy (KMI) which had its winter quarters in Venice, Florida, some 18 miles south of Sarasota. The Fall/Spring terms were in Lyndon, Kentucky, adjacent to Louisville. I spent all four years there. One of my roommates went on to West Point and retired as a Lt. Colonel after serving two tours in Vietnam. All the regimentation was on preparing teens for the military with a full ROTC program recognized by the Army with dedicated instruction by active military officers. Upon my initial arrival at KMI as a freshman, I found that my best friend from Sarasota, Jay Lundstrom had also committed to going there. We had become great friends and played Little League and Pony League together. In fact, it was really because of him that got me on my first team after badgering one of the coaches that I should be selected. Nobody should be left out, he reasoned. A classy gesture from a 9-year-old that became a life lesson about friendship in its purest form. We roomed together for most of the 4 years we were there and have remained good friends to this day. When I was chosen to be Captain of the KMI baseball team in my senior year, I said, “not without Jay.” We served as co-captains of the team.
Lou (left) with his buddy Jay (right) on the KMI baseball team where they were both co-captains.
WATM: Were you involved in any sports?
Pitt: I loved baseball and played shortstop. I continued playing throughout my years at KMI and beyond. My mother and I moved to California at the end of my junior year and returned to KY for my senior year in ’58. My dream was to play professional baseball where I was invited for a tryout with the Dodgers during the Christmas period 1957. It apparently went well with follow ups meant to happen following graduation. However, the rubber met road once in college following a pre-season workout with the start of season, a week away. The truth was, I came to the realization that I didn’t want to live out of a suitcase in pursuit of a dream. Went cold turkey and never picked up a baseball again until I played in a few Hollywood Stars games at Dodger Stadium thanks to my friend Jack Gilardi. I wanted to stay rooted in one place which had been absent most of my life. It was a decision I never looked back on or regretted. I went to Cal State Northridge and graduated in 1962 with a degree in theatre and a minor in English.
Fun fact: Famous actors Jim Bacchus (Gilligan’s Island, Mr. Magoo, Rebel Without a Cause), Fred Willard (Best in Show, Modern Family, Spinal Tap), and Vic Mature (Kiss of Death, The Robe, My Darling Clementine) attended and/or graduated from KMI as well.
Lou as a senior cadet at KMI in 1958.
WATM: Did you serve in the military?
Pitt: Yes, I was actually drafted into the Army but was fortunate to find a Reserve unit in Van Nuys in the nick of time. I was against the war and fortunate this option materialized given the dramatic escalation of the war. I did my Army Basic at Fort Ord and MOS school at Fort Gordon, GA. My MOS was a Military Policeman (MP).
While at Fort Gordon, a high security post at the time, I auditioned for a play that was being done on the base. I figured this would keep me out of trouble and away from the “lifers” (career EM’s and Officers). The play was “Look Homeward, Angel” and starred Army personnel and people from off-base. It was a great escape and I made a lot of friends from the local town along the way. One of them turned out to be Lt. Col. David Warfield who, as it turned out, was not one of the city folk, but the Adjutant General of Fort Gordon, the second man in charge of the base.
At the time, I didn’t know who he was as we were in “civvies” during rehearsals. He said if I ever needed anything, to let him know and gave me his card. Covered! The night of the first tech rehearsal, our barracks was subjected to a surprise inspection for drugs and each soldier was required to be sequestered by their bunks for however long it took. I knew I’d never make it to the theatre. Unexpectedly, he showed up at my barracks looking for me. His big black car rolled up outside of our building and heard determined footsteps that got louder and louder with each step. I was called out to the front of the barracks and he opened the car door himself. I had never seen a car that big in my whole life. The Col. said, ‘We can’t be doing this all the time, but hop in. I assume you’re not hiding drugs.’. I thought I was living in a Neil Simon play and it wasn’t going to end well after the final curtain.
Lou on stage in his role as Ben Gant in the stage production of “Look Homeward, Angel”
A newspaper clipping from the play “Look Homeward, Angel”. Lou is at the top.
WATM: How did you get involved in the entertainment industry?
Pitt: With an introduction by a friend’s dad, I secured my first job at Creative Management Agency (CMA) mailroom in 1964 predecessor of ICM Partners. At the time, it was the “Tiffany” of agencies with no more than 60 clients at the time and all of them big stars. The size of the mailroom was the average size of a closet. I was in the mailroom for about six months and then went to train on the desk of Alan Ladd Jr (Producer/Studio Executive; Star Wars, Blade Runner and Braveheart). Alan was my mentor along with Marty Elfand (Agent/Producer; Dog Day Afternoon, An Officer and a Gentleman).
While the agency was primarily motion picture focused, they sold variety shows and packaged Gilligan’s Island which made more for the agency than any star they represented. In the mid to late 60’s, I went to the Arthur Kennard Agency who represented TV stars (Raymond Burr-Perry Mason) and many stars of horror films like Boris Karloff, Bela Lugosi, Vincent Price, Lon Chaney, Christopher Lee, and Richard Kiley who was starring on Broadway in “Man of La Mancha.” It was there, I signed Bruce Lee who was in the series, Green Hornet. At nights, he taught classes in martial arts. Bruce introduced me to Kung Fu. Among his clients were Steve McQueen, James Coburn, Mike Ovitz (CAA), Marvin Josephson (CEO International Famous Agency) and Tom Tannenbaum (Universal TV Studio Executive;) and many other Hollywood luminaries.
Bruce charged a minimum of 0 an hour, which was a lot of money in those days. The Silent Flute (later produced in 1978 as the Circle of Iron) was a script that Bruce wanted desperately to put together but couldn’t get anybody in Hollywood to take an interest. Coburn did his best to bring it to life in LA. We were together for about two or three years when Bruce said, “I will never be a star here, and the only way I will get this made is in Hong Kong.” Off he went. The rest is history as they say. Bruce died before making the film where the produced 1978 version starred David Carradine. In 1971, I went to work at IFA who, in 1975 merged with CMA to become ICM and remained there until 1998.
A picture of a friend, James Coburn, Chuck Norris, and Bruce Lee.
WATM: What values have you carried over from the Army and military school into Hollywood?
Pitt: KMI’s motto was, “Character makes the man.” That to me, defined the traits which mattered most to me in life. Responsibility, honesty, discipline and keeping one’s word. Promises made and promises kept. The centerpiece at KMI was always about the team effort and found it so applicable in a business so dependent on others for success.
Graduation Day 1958 from KMI.
WATM: What are some of your favorite memories with your clients both past or present?
Pitt: Meeting Princess Diana a few years after she married Prince Charles, that came about when I represented Dudley Moore. He did a film in 1985, “Santa Clause, the Movie,” that had a Royal Premiere during the Christmas holidays in London. Dudley’s girlfriend, my wife Berta and I met the Royal Family before the screen presentation. The filmmakers were positioned in a circle for the prince and princess’ arrival. When introduced, they walked inside the circle and greeted everyone individually moving from one to the other. Princess Diana spent a lot of time with each person and was interested in chatting about the movie. She asked a lot of questions and was truly engaged. In truth, Princess Diana weakened my knees. She was extraordinary, as anyone who ever met her could attest. I remember she was still in conversation with the first person while Prince Charles was pretty much done with the group…while encouraging her to “move it along.”
The other that comes to mind was the July 4 holiday opening weekend of “Terminator 2.” At the time, it earned a box office record million over the five day holiday. Having put all the pieces of the film together that included the rights, which were overly complicated as they were jointly held by Gale and Hemdale (who needed to be bought out if it was to ever work), the financing (Carolco) with three high-profile stars; Arnold, Gale Anne Hurd and James Cameron, each with their own schedules that needed to marry organically. It took four and a half years to put that film together and its success was a career game changer for everyone involved.
Lou with Arnold in Budapest, Hungary.
WATM: What was/is it like to represent Rod Serling, Gale Anne Hurd, Bruce Lee, Christopher Plummer, Gena Rowlands and Arnold Schwarzenegger?
Pitt: Rod was my first writer client and I was working with him during the latter part of his career. It was after the Twilight Zone and the Night Gallery series. Rod was a straight-forward, clear headed thinker and smoked a lot. He was a great storyteller with a distinctive voice and an incredible mind. Someone you could listen to for hours. Rod was a WWII veteran as well. He walked the walk.
Bruce was intense and serious but couldn’t have been more grounded at the same time. But mostly, self- assured about his career and looking to break new ground. I can still see Bruce’s smile. His frustration was that he couldn’t get the buyers in Hollywood to take the martial arts action genre seriously enough. By the late 70s it was obvious Bruce was ahead of his time and the martial art films exploded. I never doubted Bruce’s eventual success because he was so centered and full of confidence, talented and focused. It was not a question of if, it was a question of when and how. I really liked him and can tell you he was not that character portrayed in Quentin Tarantino’s movie.
Christopher is simply a very classy man grounded in empathy…especially among other actors regardless of their profile and standing in the business. A man of mischief when it’s playtime but utter discipline when it’s time to prepare and go to work…in fact, obsessively so in a good way. He literally and figuratively never walks in front of you, always behind whether on the red carpet or to a restaurant. “What can I get you” precedes “Hello.” Maybe the greatest storyteller I’ve ever met. He is dedicated to his work and truly loves his profession. Chris inhales the work and the most prepared person I’ve ever met. He has old fashioned manners in a good way. Prefers writing letters then sending emails. Behavior matters and thoughtfulness matters. He’s the first to the set and the first to be “off the book”. We’ve worked together for 45 years and he is a truly special friend.
Love Gale! Her first agent. Smart and I always felt like a partner in “how do we make this work”. She has such a strength, determination and intelligence about her that’s inspiring. She was like a teammate and that we were on an adventure together. There was great trust between us and an unusual giver of herself for others. She’s a “get it done” person that was always open to ideas. A wonderful inner sensitivity that was never far below the surface. We created a “no frills” concept for film budgets that were below a certain level in addition to films she made with or without Jim as a way to introduce new talent or stories that needed special handling.
Arnold is simply one of a kind. 24/7 was not just a descriptive phrase, it was a lifestyle. He defined the word, “commitment” and made a believer that anything is possible. The challenges were exciting because he broke ground that was transformative that defined a movie culture for the 80’s and 90’s. He defied gravity.
Gena Rowlands –What an extraordinary, graceful person she is. Never one to “work the room”, read the trades or lay judgement on anyone’s work in idle chatting. In the 45 years together, she never asked me what she was up for or when she was going to work. She figured if I had something to say, I’d let her know. As warm on screen as she was in her living room. Legendary and an elegant person that’s simply comfortable to just be around whether on a set or in the kitchen. Her career with John was a family centric of gifted actors that spilled into a comfort zone for others that followed. She and John rolled the dice on how to make movies that didn’t have any rules. She just makes you feel you want to kick off your shoes and just chat about stuff.
Lou, Berta, Dudley Moore, Brogan Lane, Peter Sarah Bellwood in Bora, Bora
WATM: What was it like working your way up in the industry in the 60s and 70s?
Pitt: The 60s broke the ground for what the system is today. No longer exclusive contract players, writers, directors, make-up, casting, etc. that could be controlled, and contracted out to other studios or disciplined for whatever infraction the studio bosses captiously inflicted on their talent. The emergence of stars making films away from the studio system and putting together the films they wanted to make as Producers. The emergence of Kirk Douglas, Burt Lancaster, Gregory Peck and others opened the door to an independent way of thinking, putting movies together and taking them to studios became the new norm…a new freedom with new rules to play by.
Mr. Plummer as Kaiser Wilhelm – “The Exception” which Lou produced.
WATM: What are words that you live by?
Pitt: “There are no bad meetings”
Character Makes The Man
Respect for all no matter the rank or position
Mark Twain’s quote about, “If you tell the truth, you never have to remember what you said.”
I remember when I was learning to type, there was a sentence designed for a speed test that stuck with me. “Do all that you can do as quickly and as quietly as when you were told to do it.” For me it was about “get it done” and don’t waste a lot of time getting there. Keep your eye on the ball.
WATM: What are you most proud of in life and your career?
Pitt: I have a remarkable family who’ve been loving, emotionally supportive and inclusive. I’m immensely proud to work in a business that I really love. To have worked with so many extraordinary gifted clients and colleagues who challenged the world every day with their ideas, their talent and trust, has been inspiring and exhilarating. Everyone has been a gift to me.
He’s the new Capt. Kirk and won the affection of Diana Prince as the World War I airman and superspy Maj. Steve Trevor in the latest “Wonder Woman” blockbuster. He’s pretty funny and the ladies sure dig him.
And turns out he’s also a hell of a shot.
Chris Pine is the child of a Hollywood family of actors and filmmakers who really broke out onto the silver screen as the young James T. Kirk in 2009’s “Star Trek” prequel. His career has gone ballistic since then, with two more Star Trek movies and a stint as the Tom Clancy hero Jack Ryan.
But in what looks like a part of his preparation for “Wonder Woman,” Pine spent some time on the range with legendary 3-gun competitor and tactical trainer to the stars Taran Butler, plinking steel and punching paper like he’d just come off the stealth helo from Abbottabad.
With some ninja help from “Warrior” champ Jessie Graff, Pine double taps his race Glock like he was born to it. We’re particularly impressed with his prowess on the dueling tree with his AR — not an easy feat when you’re calculating sight over bore under time.
We all loved Keanu Reeves’ gunslinging for “John Wick,” and likewise here we’re prepared to dole out some respect to Capt. Kirk for his display of ballistic badassery.
Bruce Willis stars with Frank Grillo (The Grey, Captain America: Civil War) in a new explosions-in-space film called Cosmic Sin.
Set in 2542, 400 years after humans colonized other planets, Willis plays a retired military general who is called back into service after a hostile alien threat with the power to infect and take over human bodies attacks a remote planet. Willis teams up with Grillo and a team of elite soldiers to face off against the alien fleet.
Written by Corey Large and Director Edward Drake (who co-wrote Breach, another sci-fi feature starring Willis), Cosmic Sin also stars Adelaide Kane, Luke Wilson and Lochlyn Munro. This of course isn’t Bruce Willis’ first sci-fi or even space rodeo. The action star is known for his work in The Fifth Element, Looper, 12 Monkeys, and, of course, Armageddon.
Cosmic Sin comes to theaters, On Demand, and On Digital on March 12, 2021.
If you’re thinking about skipping Captain Marveland going straight to Avengers: Endgame, think again. Early reviews of Captain Marvel say that the movie is not only fantastic but that it will be essential viewing for anyone going to see the next installment of the Marvel Cinematic Universe. Here’s the early consensus, totally free of spoilers for the movie.
Eric Eisenberg, of CinemaBlend, said the movie has “surprises” that audiences won’t see coming.
Steve Weintraub at Collider said the movie made him “So ready for Avengers: Endgame.”
Meanwhile, Anna Klausen of Newsweek, Bustle and The Daily Beastsaid, moviegoers, should “watch closely” for “lots of fun Easter eggs” and links to the “history and other films in the MCU.”
At this point, critics who have seen the movie aren’t able to reveal any spoilers for the film, so what we’re seeing now is general impressions of the film. Elsewhere in the universe, a smattering of trolls who have not seen the film yet are trying to destroy the Rotten Tomatoes Score of Captain Marvel before the movie is released. Several publications have already likened this sexist campaign to what happened around the time The Last Jedi was released. Needless to say, if someone hasn’t seen the movie, and they’re trashing it, we don’t have to spend much time thinking about their opinion.
For the rest of us, it sounds like Captain Marvel might not be a perfect movie, but then again, none of these superhero movies really ever are. And for those of us who have daughters — or just like to see heroes who aren’t dudes — Brie Larson as Carol Danvers can’t come soon enough.
First used by the Russians in 1891, the Mosin-Nagant was modified from a standard service weapon to a sniper rifle in the 1930s. This five-shot, bolt-action rifle was a highly effective killing tool on the battlefield because of its sturdy construction and accuracy.
The Mosin-Nagant rifle typically weighs in at 8.8 pounds and has a muzzle velocity of nearly 3,000 feet per second — but the rifle is only as good as the man or woman who pulls its trigger.
During the Battle of Stalingrad, talented Russians snipers used the Mosin-Nagant PU version to wreak plenty of havoc against their Nazi adversaries. One of those talented sharpshooters was none other than the Soviet hero himself, Vasily Zaytsev.
Zaytsev’s remarkable story was brought to life in 2001’s feature film “Enemy at the Gates” starring Jude Law. As a young boy, he learned his expert marksmanship skills while hunting game and tracking wolves near his home in desolate Siberia.
In 1937, Zaytsev was recruited into the Red Army, volunteered to be transferred to the front lines and waged a one-man war against the Nazis and reportedly killed 250 enemy troops with his Mosin-Nagant.
Reportedly, Zaitsev was involved in a historical sniper duel with Maj. Konig, the former head of the German Army’s sniper school. During an afternoon of stalking one another, Zaitsev scored a righteous kill shot eliminating the German sniper from the war — using his famous Mosin-Nagant.
Roughly, 17 million Mosin–Nagant were produced during War World II, and its devastating 7.62 x 54R round is still used today in several Russian-made weapons.
Christopher Nolan has now applied his moody and precise visual style on World War II. The “Inception” and “The Dark Knight” director tells the story of the “Miracle at Dunkirk,” a large-scale evacuation that saved approximately 338,000 Allied troops.
“Dunkirk” features frequent Nolan collaborator and “Mad Max: Fury Road” star Tom Hardy, Academy Award winner and “Bridge of Spies” star Mark Rylance, and Shakespeare master and robot-spider enthusiast Kenneth Branagh.
“Dunkirk” opens July 21, 2017. Watch the trailer below.
Yet another patriotic war movie has taken Russia by storm.
T-34, a high-octane tribute to the Soviet tank that played a key role on the Eastern Front of World War II, is the latest in a series of big-budget history flicks sponsored by the Culture Ministry and lavished with round-the-clock coverage on Russian state TV.
Spanning the years 1941-45, the film tells the story of Red Army Lieutenant Nikolai Ivushkin’s unlikely attempt to escape a German prisoner-of-war camp in a T-34 tank that he and three other men are tasked with repairing by their Nazi overseers. The fugitives are cornered in a German village near the Czechoslovak border, where an epic tank battle culminates the movie.
The slow-motion projectiles and video-game graphics give the movie a modern feel, and its simple storyline is thin on nuance. According to director Aleksei Sidorov, the aim of the film was to “tell the story of war in a way that appeals to the youth but doesn’t prove controversial among those who still keep the Great Patriotic War [World War II] in their memory,” the Culture Ministry quoted himas saying in a press release.
T-34 | Official HD Trailer (2018) | WORLD WAR II DRAMA | Film Threat Trailers
This time, a formula used in dozens of similar films appears to have finally struck gold. T-34 is the third Russian film devoted to World War II-era tanks since 2012 — but unlike its predecessors, 2012’s White Tiger and 2018’s Tanks, it’s proving a major hit with Russian audiences.
Since its nationwide release on Jan. 1, 2019, the movie has raked in more than a billion rubles, securing the top spot at the Russian box office. More than 4 million theatergoers have seen the film so far, according to stats from the Russian Cinema Fund.
Powerful backing played a role. The producer of T-34 is Len Blavatnik, a Ukrainian-born billionaire businessman with Kremlin ties. “For me, T-34 is more than a perfectly conceived adventure flick,” Blavatnik told reporters at the Cannes Film Festival in May 2017, where the film’s budget was estimated at 600 million rubles (currently million). “My grandfather was a World War II veteran, and that great victory is part of our family lore.”
The war cost the lives of more than 26 million Soviet civilians and military personnel, and is held up as a point of national pride. The memory of the heroic Soviet campaign to oust the German invaders has often been used as fodder in propaganda, a fact noted by film critic Anton Dolin. But in a review for the independent news site Meduza, Dolin argues that T-34 avoids the primitive methods on display in other war movies sponsored by the Russian government.
“I thank the authors for creating a high-budget war blockbuster almost clear of propagandistic and ideological motives,” Dolin writes. “Even the word ‘Stalin’ is mentioned here only once, and in a facetious context. That’s a rarity in our times.”
White Tiger Official Trailer (2014) – Russian World War 2 Tank Movie HD
But T-34 is not completely free of references to contemporary geopolitics, it seems. In the tank battle that opens the movie, a cowardly Ukrainian soldier who gets mouthy with Ivushkin dies, while the tough Belarusian who obeys the lieutenant’s orders remains by the Russian’s side till the happy ending.
The film Tanks, which was released in 2018 and directed by Kim Druzhinin, can be seen as a prequel of sorts to T-34. It tells the story of two T-34 prototypes making their way from Kharkov to Moscow as the Nazi leadership looks for ways to destroy them and preempt the havoc they would soon wreak. The first audience for Tanks, according to Russian newspaper Novaya Gazeta, was servicemen at the Russian-run Khmeimim air base in Syria.
But while Tanks was widely panned by critics and proved a flop at the box office, T-34 has rolled over its competition. Perhaps it’s the lazy January holidays that bring Russians en masse before the screens.
“What could be merrier,” Dolin writes, than “crushing the fascist toad, and then chasing the victory down with mandarins and champagne?”
Heading into Sunday’s Battle of Winterfell “Game of Thrones” episode, fans had their sights on the crypts of Winterfell and were prepared for horror to be unleashed inside. But, strangely, none of the characters on the HBO show seemed concerned about hiding out among decaying bodies when their enemy had the ability to raise the dead.
“We’re in a crypt. Nobody thought of that,” Peter Dinklage, who plays Tyrion Lannister, said in an HBO video. “[The Night King is] bringing all the dead people back to life. And they’ve put the women and children in a crypt with all the dead people so … blah.”
Game of Thrones | Season 8 Episode 3 | Game Revealed (HBO)
Dinklage appears clearly flummoxed by the characters’ lack of foresight when it came to the dangers of the crypts.
“Tyrion is smart, but I guess not that smart,” Dinklage continued.
Ahead of the episode, fans were theorizing the many different ways the fight against the Night King might shake down. The dead Starks buried in the crypts being raised by the Night King and attacking all the people hiding in the “safe” place was among the chief predictions.
Some people, including us, thought this was a terrible guess because surely Jon Snow and the Starks would’ve thought about this possibility? But nope. The dead were raised, and many people were killed. (Though not any of the main characters who were in the crypts.)
Varys even joked about how the crypts were a good place to die.
We were surprised to see nobody defending the living against the dead inside the crypts, either. Arya had given Sansa a dragonglass dagger, but she hid with Tyrion and didn’t use it.
In the above HBO video, behind-the-scenes footage seems to show Dinklage and Sophie Turner (Sansa) getting in on the action and taking down a pair of wights. But either that wasn’t a real scene they were filming, or that moment never made it into the episode.
And so many lives were sacrificed both inside and out of the crypts of Winterfell. For a full rundown of the major fallen characters, read our list of the dead here.
“Game of Thrones” season eight continues on Sunday at 9 p.m. ET.
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
Joe Avella: In the span of three movies the “John Wick” films have racked up a body count of nearly 300. And to do that, you need guns.
John Wick: Lots of guns.
Joe: Meet Taran Butler. He’s a world champion competitive shooter. He’s also the owner of Taran Tactical. They’re responsible for teaching some of Hollywood’s top action stars how to handle firearms for film and television. Today, for the first time ever, I’ll be shooting a pistol, a shotgun, and an assault rifle just to see how Keanu learned to look like an expert marksman for the big screen. What’s the worst that could happen?
Could you imagine if we were doing this with the loaded guns? I would’ve shot all my feet off.
First, the stars of “John Wick” had to learn some basics before they could start shooting like international assassins.
Jade Struck: So we have this thing called 180-degree line. So when you’re the shooter on the firing line, think of it like there’s a force field pulling your muzzle downrange. Never bring the muzzle back past the 180-degree line. Finger off the trigger, unless you’re shooting. And always treat every gun as if though it’s loaded. I’m gonna teach you how to check to make sure that they’re not.
Joe: After getting a feel for the pistol, it was time for the real deal.
How Keanu Reeves Learned To Shoot Guns For ‘John Wick’ | Movies Insider
Taran Butler: So we’ve got the three primary pistols of “John Wick” two and three. This is the gun you were training with with Jade. The gun that you see Keanu training with here on the range with a lot. In “John Wick 3,” Charon suggests, he goes, “John, since you’ve been gone something new has come out. The 2011 Combat Master. Loaded in 9 millimeter major, 125 grain bullet, major business.” So both guns shoot 9 millimeter.
Taran: The difference is, is this gun here can shoot 9 millimeter major. This is the 9 millimeter major, it’s a lot taller ’cause it’s got a lot more powder in it. The only difference is more powder. So, regular 9 millimeter on the left, 9 major on the right.
Joe: Yeah, that was awesome.
Taran: This gun here is Halle Berry’s Glock 19 from “John Wick 3.” So when the shoot-out takes place, she grabs this gun off one of the bad guys. She enjoyed the hard work and training. She had three broken ribs through most of the training here. So she wasn’t at her top. Same with Keanu, getting beat up on the horses. But she just got really good at it, and I’d say, hands down, she’s the best female weapons handler in Hollywood.
Joe: Taran has Hollywood’s action stars start with a small firearm and a simple combo.
Taran: Let’s do something fun and fast first. First off, no surfing, you were laid back like Jeff Spicoli. OK, start on this guy, easiest guy in the world. I’m gonna say, “Shooter ready, stand by.” When you hear the beep, you’re gonna come up, two to the body, one to the head. It’s called the Mozambique.
Joe: Two to the body, one to the head.
Taran: Yeah. Shooter ready, stand by.
Joe: Did I get him? Taran: You got in the head, it counts. Pop the safety on when you’re done. Finger off the trigger. OK, that’s 4:41, let’s destroy that time. Just do one more clean one, no box-offices fiascos. Shooter ready, stand by. Good, OK, that was 1:63.
Joe: Hey, all right!
Taran: You went from 4:41 to 1:63 in a couple rounds.
Joe: Booyah. It’s easy.
The next level is rifle handling. Placement is key, as is learning how to smoothly replace your ammo.
John Wick: I need something robust, precise.
Sommelier: Robust, precise. AR-15. 11.5 inch, compensated with an iron-bonded bolt carrier.
Joe: All right, so it’s, like, here?
Jade: Left hand out farther. Boom boom boom, drop. Yep, you’re good, keep it going.
Joe: As I’m going.
Jade: Watch it go in. Button. Paddle.
Joe: What button?
Jade: It’s this paddle right there.
Joe: Oh, why do I…? Oh, Jesus!
Jade: So, drop the bolt. Drop the bolt, and then you’re back on.
Joe: Gotcha. Boom boom, boom boom. Oh no, I’m out.
Jade: Feed, button, on. Good! We’re learning how to manipulate our weapons without ammunition in them so we know all of the functions.
Joe: Could you imagine if we were doing this with the loaded guns? I would’ve shot all my feet off.
Jade: Oh, goodness.
Joe: The true test was a more complicated combo. One similar to the kind Keanu and Halle had to master before hitting the set.
Taran: The director, Chad Stahelski, he wanted everything. He wanted three-gun loading, he wanted all kinds of ways to load the shotgun, all kinds of pistol reload, transitions, rifle, shotgun, pistol, everything.
Boom boom boom, boom boom, boom boom, ding. That’s it.
Joe: All right, this might take a while.
Taran: You can do it, Mr. Wick. Shooter ready, stand by. Faster. Little guy. Good!
Joe: All right.
Taran: Safety on? Joe: Yes, sir.
Taran: You’re at 13:67, a lot better than 27 seconds. You want to do it again?
Joe: Yeah, of course.
Taran: Are you sure you’re not bored yet?
Joe: Yeah, this is awesome.
Taran: Let me fix that one plate so it’s not in your way this time.
Joe: It’s funny, he’s so good with guns, he’s just like, “Let me move that for you,” ba-bam. Now, it was Taran’s turn. Shooter ready, stand by. 5.17, that’s ridiculous. Last but not least, it was time to try out a “John Wick” fan favorite.
Sommelier: May I suggest the Benelli M4? An Italian classic.
Taran: In “John Wick 3,” by far the coolest part was the quad loading with the shotgun. That’s something, no movie would ever have done that. Quad loading is a very difficult thing to learn, and only a few people can do it really good. So we got that going, and towards the end he did amazing.
Joe: Is this thing gonna, like, have a real big kick that’s gonna hurt?
Taran: No, there’s no recoil at all on this one. Good, that guy. Little guy.
Jade: Lean into it.
Joe: Ah, I think I’m out.
Taran: Oh, match saver! Ah, “You set me up!” All right.
Joe: Oh, that’s what that last one was for.
Taran: Yeah, the match saver.
Jade: Good job!
Joe: Thank you very much.
Joe: How come those guys didn’t fall down?
Taran: They did, but they came back up.
Joe: Oh, OK. Thank God.
Taran: I’ll finish them off.
Joe: I love this habit you have of being like, “Let me take care of that,” bang. Are you walking around the house like, “Let me get the lights,” pow pow?
Taran: Pretty much.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
When Elvis Presley turned 18 years old in 1953, he registered for the draft – just like every other young American male during that time. The rules governing the draft stated that all young men that were in good health were required to serve in the United States military for a minimum of two years. When he signed his name on that line, promising to serve, he had no idea of the superstar fame that would soon be coming his way.
After signing up for the draft, he graduated high school and soon began his entertainment career. Three years later in 1956, he was a film and recording star. Presley was in the middle of filming King Creole when he received his draft notice. He requested a delay so he could finish filming, which he was granted.
On March 24, 1958, with his family and friends by his side, The King reported to the Memphis draft board. Once he was sworn in and processed with others into the Army, he boarded a bus to Arkansas.
He would go on to coin the phrase “hair today, gone tomorrow” after he received his G.I. haircut.
Once Presley finished his basic training, he was on leave and managed to do a concert and recording session in Nashville. He then headed back to Ft. Hood, Texas, to complete his advanced training. His mother became ill during this time and passed away and Presley was granted leave to be with her.
When he returned to Ft. Hood, he was assigned to the Third Armored Spearhead Division. He soon boarded the U.S.S. Randall and sailed for Germany. Upon arrival, he served in Company C, which was a scout platoon. He was declared off limits to the press.
Presley would be right there in the thick of things alongside his unit. He completed all required duties. Some research suggested that he did more than what was required of him because he didn’t want people to assume he got special treatment. He would go on to earn a medal for expert marksmanship and rise to the responsibility of an NCO, all without seeking celebrity treatment.
He was honorably discharged from active duty in 1960.
The cast of the next Matrix is looking pretty fly. Sometime in the near future, possibly the most popular movie franchise from your high school years will return. And now, it doesn’t have anything to do with superheroes or Jedi knights. As of right now, production on The Matrix 4 has begun and that means we’ve started to figure out who is actually in the cast. Now, there are a few obvious ones, but there are also a few surprises.
So, who is in and who is out for Matrix 4? Here’s the good, the bad, and the you-had-no-idea about the casting for this retro-cyberpunk sequel, coming out, sometime in the next few years.
Keanu Reeves as Neo
This was an obvious one. You can’t go back to the Matrix without Neo. So yeah, Keanu is back.
Carrie-Anne Moss as Trinity
Ditto for Trinity. Carrie-Anne Moss was announced when the project was announced.
Neil Patrick Harris as somebody
What’s this! It’s the villainous ac-tor Count Olaf? Yep, the excellent Neil Patrick Harris is somehow in the movie. Let’s hope he’s the bad guy.
Yahya Abdul-Mateen II as somebody else
The actor perhaps most famous for a supporting role in Aquaman is rumored to the lead of this film. Is he the new Neo?
Jada Pinkett Smith as Niobe
While not 100 percent confirmed, there’s also talk that Jada Pinkett Smith as been approached to reprise her role as Niobe from the original trilogy. This has not been made clear, but obviously, if you saw her in Gotham, you know she can still nail this kind of crazy role.
Laurence Fishburne as Morpheus
So far, nothing has been said about whether or not the most badass member of the original Matrix squad will return. Right now, let’s just cross our fingers that Morpheus is a surprise secret revelation.This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.