Neal Schrodetzki and Ethan Morse, who served together as guards at the Tomb, have created a docu-series about the intense training cycles that prepare soldiers for The Regiment, the Honor Guard Caisson Platoon, the U.S. Army Drill Team, or a Full-Honors funeral ceremony at Arlington National Cemetery.
The four-part Sam Elliott-narrated series has been acquired by Amazon and it will debut online digitally Christmas Day. The series will then arrive on more than 50 streaming services throughout 2021.
WATCH THE TRAILER:
The four-part docuseries took more than three years to complete, and showcases four unique specialty platoons of the 3rd U.S. Infantry Regiment in Washington D.C. Also known as The Old Guard, the 3rd Infantry Regiment is perhaps best known for hosting the Sentinels who guard the Tomb of the Unknown Soldier.
Neal and Ethan were ecstatic to have Hollywood legend and Air Force veteran Sam Elliott as the narrator for the series.
“Working with an icon like Mr. Elliott was surreal. I grew up watching his movies, and I had just viewed A Star Is Born a few days before meeting him for the first time in the recording
studio. It was like a dream come true,” recalled Morse. Neal received exclusive access to film their former unit, the 3rd U.S. Infantry Regiment, after releasing an award winning documentary called The Unknowns in 2016. “The amount of history and honor on display in the 3rd Infantry Regiment is difficult to encapsulate in a four-hour docuseries, but it’s a story we want to share with the world,” stated Schrodetzki.
The commercial starts out with two American jets entering the frame, then after buzzing past the camera a few times — one of the pilots decides he needs a diet Pepsi. As he pulls a lever back, a chilled drink pops up out of a customized metal container.
But as he goes to lift it up, there’s a malfunction, and the Pepsi doesn’t want to come out of its customized storage unit — and that’s a problem.
The other pilots jokingly mock him for a few moments, but our “Mustang” Pepsi drinker takes a bottle opener and removes the cap. He then rolls the plane into an inverted position just like Maverick and Goose did at the beginning of “Top Gun.”
As the jet turns over, the Pepsi pours into a cup the pilot has made ready to hold his delicious drink and positions himself right above his sh*t talking fellow pilots.
But really, spoilers for The Mandalorian Chapter 12 ahead.
Let’s start with a bit of non-linear history. In the first season of The Mandalorian, we were introduced to the Yoda Baby — an “asset” sought out by the remnants of the Galactic Empire under the orders of Moff Gideon (Giancarlo Esposito). We knew Gideon and his scientist Dr. Pershing (Omid Abtahi) were using the child for experiments and we knew of course that the Yoda Baby has a powerful affinity for the Force, but we didn’t know what the connection was.
Let’s jump to the beginning of The Siege, shall we? Din Djarin and his little charge are working to repair the Razor Crest. Djarin’s got the Yoda Baby in a small compartment trying to re-work some electrical lines. This had me wondering, from a cognitive perspective, how old the Yoda Baby is meant to be here. I know he’s fifty years old (and we know that Yoda lived to be nearly 900 years old) but what’s the age that you would try having your kid accomplish a dangerous task where he can sort of understand your directions but not completely and he can’t speak yet? I’m not a parent, but, like, is this like dealing with a two year-old?
Anyway, after electrocuting the infant they realize they need some help so they head back to Nevarro. We meet some ballsack aliens Aqualish thugs gearing up to murder a cute alien muskrat. Luckily Cara Dune — Nevarro’s new Marshal — returns in time to save the little feller.
Dune and Greef Karga (Carl Weathers, also the director of this episode) have a little side-mission for Djarin while he waits for his ship repairs: they want his help in destroying a nearby Imperial base. (My Dungeon Master pointed out that each episode of The Mandalorian is like a DND session and it made perfect sense. I think that’s also the series’ greatest struggle — the connecting lore isn’t quite strong enough to throw us all around the galaxy with random characters and missions.)
They leave the yoda baby with the other school children (which basically just endangers the other children, right? When has the yoda baby literally EVER not been attacked?) and we are given some new Yoda Baby meme-fuel when he steals a kid’s macaron. Plus now we can eat macarons at Star Wars parties.
Djarin, Dune, Karga, and Mythrol (Horatio Sanz), who was once a target for Djarin and is now an indentured servant of Karga — and the butt of too many bad jokes — head off to the base. Thanks to The Rise of Skywalker, every time I see Stormtroopers die, I wonder if they’re child soldiers. I still hate that JJ Abrams did that to me. Gina Carano’s gleeful little cheers whenever she kills one don’t help.
So here we are back to the controversial little midi-chlorians, introduced to aghast Star Wars fans during The Phantom Menace. The higher a creature’s “m-count,” the more Force-sensitive they are. Here at the base, which turns out to be a laboratory, we learn that Pershing desired the Yoda Baby for his high m-count in order to conduct his experiments.
It looks like Moff Gideon is trying to create a unit of Force-sensitive combatants, which is why he’s so eager to recover the Yoda Baby. After a very Star Wars-y canyon chase and TIE Fighter aerial battle (seriously, how amazing is Star Wars sound design? TIE Fighters sound so cool and distinct), the remaining Imperials are defeated and all is well.
The final scenes reunite us with New Republic pilot Captain Carson Teva (Paul Sun-Hyung Lee), who attempts to recruit Dune to the cause, and introduce us to a new adversary, an Imperial Comms officer (Katy M. O’Brian) who ordered a tracking beacon attached to Djarin’s Razor Crest.
Peter with his platoon at Army boot camp. He is third row from bottom, far right. Photo credit Peter Markle.
Peter Markle grew up during a period of intense change for the country with the Civil Rights Movement and the Vietnam War etched into his mind. His father proudly served in WWII in the Pacific where he brought those hard-learned lessons and values back to the family, which greatly impacted Peter. After time in the U.S. Army Reserves and on the USA Hockey Team, Markle decided to become a filmmaker. He has directed many great films, especially military and historical ones, to include Bat 21, Faith of my Fathers, Flight 93, Saving Jessica Lynch, Nightbreaker and Youngblood. Markle has also directed numerous episodes for hit shows including the X-Files, CSI, Without a Trace, Life, NYPD Blue, Burn Notice, Rescue Me, ER and Homicide: Life on the Street.
WATM: Tell me about your family and your life growing up?
I was born in Danville, PA. in the Geisinger Hospital that my mother’s father started. We lived on a farm outside Hazelton, PA. I have vivid memories from my first years there. The barn and particularly the hay loft, the fresh fruit that was picked daily in season, the creek where one of the workers killed a water moccasin one day. In first grade we moved to Minneapolis where my father got a job at a bank and I was introduced to a real winter. And the rink directly across the street in the park where I discovered ice hockey.
When I grew up there was no social media and absolutely no restrictions what you did with your free time when not in school. We had a black lab that left the house in the morning with us, went on his own way when he got bored with our activities which included exploration, sports, fishing etc. My dad hung a huge bell that could be heard
a half a mile away which was rung for lunch and dinner. The dog was always the first one back. Times have changed. We had enormous freedom and there was no temptation to bury our faces in smart phones. All activity was self-created.
I distinctly remember being fascinated the movies and got completely lost in them at the local cinema which is still there today. One of my favorites was Shane with Alan Ladd. Years later his son, Alvan Ladd, Jr. greenlit one of my films (Youngblood).
Markle with Flint Generals (IHL). Photo credit PM.
I continued hockey throughout high school and my senior year was asked to join the Olympic Hockey development program which ran through the summer. I played at Yale, had a tryout after my senior year with Boston, played minor league hockey and then three years with the US National team participating in two World tournaments.
Markle with the USA team. First row second from the right. Photo credit PM.
WATM: What is the most distinct memory of your mother and your father?
My parents were very social and community involved. My dad was one of the founders the youth hockey program in our area which started with one team and expanded in a few years into 500 participants. My mother worked throughout her life for hospitals concentrating on rehabilitation. Her interest in health care no doubt emanated from her father who was first assistant surgeon to Will and Charlie Mayo and at one point in his career became President of the American College of Surgeons. They were both extremely social and the vast majority of their best friends served in some way during WW2, many as Naval pilots. My dad was interested in everyone he met. He was the best listener I’ve known. That did not imply he didn’t have a point of view. His advice was judicious and more than often accepted. My mother was a community organizer. That would include in her community as well as her hospital work. Her friends would call her in the morning for their marching orders for the day.
WATM:What values were stressed at home?
It was the traditional ‘Golden Rule’. It’s a timeless aphorism and sometimes hard to follow in a competitive world like film but being honest and empathetic wins out in the short and long run. My mother also told me that lying not only was reprehensible but far more difficult to keep track of than the truth. Both underscored that failure was the inevitable pathway to success. It all depends on how you react to it.
WATM: What influenced you to join the US Army, what was your experience and what lessons did you take away from your service?
I graduated from college at the height of the Vietnam conflict and joined the rest of my class in deciding what was the next move. A significant number of the class including myself applied for the Naval OCS (officer candidate school) in the language division which was in Monterey, Ca. The sample copy of the test which was based on a made-up language was circulated around the campus. I remember looking at it and getting the gist of the concept. Apparently, the other students there got the gist as not one of several hundred who took it missed a question. There was some sort of investigation by the Navy, but it was dropped. I did not attend OCS and assumed upon graduating I would be drafted. I was playing professional hockey when I was told to report to Fort Snelling where the Minnesota Army Reserve was located. I was with four other players at the end of a 200-person line when our names were called, and we were told to report to the front. We were all inducted into the Reserves and told that we would all get time off when playing for the US National hockey team including world tournaments. A month later I was in Stockholm.
Peter lining up for the action shot even before becoming a director. Photo credit PM.
I did basic training at Fort Leonard Wood in the middle of the summer. It was incredibly hot and humid. I made fast friends in my platoon and had a great drill sergeant. It was a lot like summer football camp but with longer hours. Up at 4am for a 5-mile run in army boots to lights out at 10pm. I was told that you had to learn how to stand in formation while asleep. Done. We had soldiers who gained 80 pounds (never had more than one meal a day) and others who lost 80 (never ran over 10 yards in their lives before). It was a very different mix from my fraternity in college where we had 4 Olympic Swimmers (including Don Schollander who won 5 gold medals and Calvin Hill who was All Pro in the NFL. As a footnote The President of the frat my sophomore year was Fred W. Smith, founder/CEO of FedEx and decorated US Marine in Vietnam, and for my senior year it was George W. Bush who also ended up in the Air Force Reserves.
The harassment was handed out pretty democratically until the PT contest. Parallel bars, low crawl, 100-yard man carry, the 6-minute mile in army boots, push ups etc. I scored the only perfect score in my company (200 men) and was given the weekend off. That would not have happened if my 98-pound roommate, Eddie Pragg, didn’t let me use him for the man carry.
I have to underscore that my boot camp experience on every level was positive. It was tough but extremely well organized. The officers were exacting but fair. The staff was totally professional. It ran like clockwork at a time when so many were going through the turnstile each day. There are some correlations to making a film where it demands a unified front and an ability to make quick adjustments according to the situation at hand. I was just a grunt in the machine but there were numerous examples among the staff on every level as well as my fellow platoon mates that have stayed with me my entire life.
No one knew other than a small handful of reservists as to whether they would end up in Vietnam. I did not have to confront the prospect of being shipped out. I realized that I was uniquely privileged. I did OJT (on the job training) at Fort Ord in Chicago before ending back in Minneapolis for weekend duty once a month at Fort Snelling. Motor pool, clerical work, city public projects. No riots or disasters to contend with. We did summer camp at Fort McCoy in Wisconsin and in addition to my normal duties and drills I was an editor of the camp newspaper distributed the last day. I decided to take a somewhat satirical angle on the experience and was surprised at the reception. There was laughter, soldiers reading bits out loud and fortunately no reprisals from the brass. I was encouraged to write by my freshman English professor in college and never took it seriously until listening to the reception of my version of ‘The Onion’ distributed around camp.
I would be remiss not to mention that it was my father who was the real soldier. He dropped out of the University of Pennsylvania to join the Navy. He got his pilot license at 17 and became one the youngest flight instructors in the armed forces during WW2. He was assigned to the USS Bataan, a light aircraft carrier, and fought in the last years in the Pacific through the surrender which he witnessed being docked next to the Missouri in Tokyo Bay. Because of his flight experience he was put in charge of the CIC (combat information center) directing planes when airborne, spotted bogies (enemy planes) and skunks (unidentified surface ships) basically directing aerial combat operations along with the brass. They were in the middle of the kamikaze blitz and had numerous close calls. He witnessed both the Bunker Hill and the Franklin take direct hits some less than 200 meters away with the loss of over 1000 sailors. During one Kamikaze attack a sister ship got hit and 19 soldiers were thrown overboard. Dad marked his ship’s position using the DTR (dead reckoning system) and he convinced the brass to take 8 ships after dark for a search. They implemented a staggered zig zag course for six hours and miraculously found the sailors within 10 minutes of the search stop order. To be noted as well, his brother, Alvan, landed on Omaha Beach, fought 5 major battles in the Bulge as an artillery captain and was honored the Chevalier of the Legion of Honneur by the French. He attended the 70th Anniversary of Normandy.
Peter’s father (Thomas) during WWII. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
WATM: What values have you carried over from the Army into directing and writing?
It’s a tiresome analogy but it would be teamwork. I’ve been on series where one show had 4 stages in use at the same time. One devoted primarily to build sets designed for a particular episode, another three with sets for shooting a current episode, pickups from previous episodes and for the next one. Well over 100 people will be working to accomplish the same goal. Each department head is crucial to the mission (production; accounting; director and assistant directors; art; camera; casting; catering; construction; costume; lighting; grip; locations; makeup/hair; medic; post-production; property; publicity; research; script supervision; set dressing; sound; special effects; stand-ins; stunts; transportation; video playback; visual effects. The similarity to the chain of command in the military is obvious. Lots of departments. Lots of personnel. And all interdependent with one another. I guess the ‘weakest link in the chain’ is a prevalent dynamic in both film and the armed forces. I was shooting a film in Borneo (Bat 21) and the special effects department head had set a series of explosions along a path through the jungle Gene Hackman and Danny Glover would run by. This was primarily done using a nail-board which each nail represented an explosion. After going hot contacting the individual nails with metal (could be a screwdriver) set off the blast. The department head said that he was going to use a computer program instead of the old system, the ‘eyeball approach’. I questioned whether it made sense to switch now but he said it was safer. I called action and Danny and Gene started running along a riverbank. An explosion (representing a bomb) goes off so close to them that they both instinctively duck and cover their faces but continue running. The second explosion is closer, and we get the same reaction for the talent. I look over at effects and he is white as a ghost. The shot was incredible, but we almost lost two actors. Back to the nail board. We never told Gene or Danny.
WATM: What is the most fulfilling project you have done and why?
I guess it’s always the first one because you actually pulled off the impossible. It was a low budget comedy called The Personals where no one was paid. It got great reviews and a crazy learning experience. Bat 21 was up there for the subject matter, the location and working with Gene and Danny. Flight 93 was the first 9/11 film and it was done for AE TV. It was nominated for and won a bunch of Emmys. It was also a challenge to write because the majority of the account took place on the plane. The 9/11 Commission report had just come out and had a great deal of information that I was able to incorporate into the film. We covered not only the drama on the plane but also the families as well as the air traffic controllers and military involvement on the ground.
WATM: What was your experience like in working with such talents as Gene Hackman, Danny Glover, Senator John McCain, Kiefer Sutherland, Dennis Hopper, Daryl Hannah, Rob Lowe, Patrick Swayze, Keanu Reeves, Cynthia Gibb, John Candy, Jerry Reed, Joe Pantoliano, Ed Lauter and the like?
After a tryout with the New York Islanders and being assigned to a farm team I made the abrupt decision to become a filmmaker. A good friend of my parents told me something that I never forgot – ‘If you do something you love you increase the odds a hundred-fold that you will be happy and successful.’ I gave it a shot. I ended up doing several military related projects including Bat 21 with Gene Hackman, Faith of my Fathers with Scott Glenn and Shawn Hatosy, Saving Jessica Lynch, Flight 93 and Nightbreaker with Martin Sheen and Emilio Estevez.
All were based on true stories. Bat 21 chronicled the rescue of a 52-year-old Air Force Colonel who was flying a mission to identify through electronic surveillance SAM missile sites that would be knocked out by fighter jets prior to a B52 carpet bombing. His plane was hit by a SAM and he ended up in enemy territory with no ground combat experience. He was guided to his rescue by a spotter plane that flew daily missions tracking him. Gene Hackman played the Colonel and Danny Glover the pilot. Both actors were terrific to work with. Gene prepped at night and arrived early in the day to walk the ‘set’ (only locations in our case). I don’t think I ever did more than 3 takes with him in a scene. Danny is a natural and had great insights into his character. All day aerial shooting was done with him in the plane. It was 95 degrees, humid and our takes had to be limited to seconds in some cases. It was major hazard duty, but Danny embraced it. At times he had control of the stick and relied on our stunt pilot in the other seat to let him know when to bank away.
On the set of Bat 21 with Gene Hackman and Peter. Photo credit Peter.
Clayton Rohner and Danny Glover in Bat 21. Photo credit IMDB.com
Faith of my Fathers was based on John’s McCain’s early days at Annapolis through his release from the Hanoi Hilton where he was imprisoned for 5 years. Shawn Hatosy was remarkable as he had to age 20 years over the course of the film in portraying John. Scott Glenn was perfect, giving an understated yet powerful performance as his father who was commander of all U.S forces in the Vietnam theater. McCain himself visited the set in New Orleans where we reconstructed an abandoned brewery into the prison. One day I watched him walk over to a cell by himself and enter. I joined him and asked him what he thought. His reply, ‘it’s identical. But you know at times I actually miss it.’ Perplexed, I asked, ‘miss what?’ John replied, ‘being there. I made some great friends. It was one of those shared experiences that forms you for the rest of your life.’ That summed up John McCain for me.
Peter, Shawn Hatosy and Senator John McCain on the set of Faith of my Fathers. Photo credit Peter.
Saving Jessica Lynch was a jingoistic, short of the facts script when I received it. I did extensive research which included interviewing soldiers who were in Iraq and one we hired as an extra who was part of the actual rescue effort. The final product told the real story: A convoy consisting of essentially non-combat personnel (cooks and clerks) made a couple of bad decisions and ended up driving through a town inhabited by Fedayeen. The New York Times and other reputable news outlets broke stories that our film debunked. Lynch did not shoot back during the attack. Eleven American soldiers died. She was taken to a hospital and was on her back through her rescue. The Times wrote a retraction after the film aired praising the film for its authenticity.
Laura Regan in Saving Jessica Lynch. Photo credit IMDB.com
Pete and Laura on set. Photo credit PM.
A scene from Saving Jessica Lynch. Photo credit IMDB.com.
Peter directing a scene of Saving Jessica Lynch. Photo credit PM.
Just before filming starts on the set of Saving Jessica Lynch. Photo credit IMDB.com
An action sequence from Saving Jessica Lynch. Photo credit PM.
Nightbreaker was a pet project of Martin Sheen. It chronicled the use of army soldiers as guinea pigs to determine the short- and long-term effects of being exposed to a nuclear blast. This was a story from the 50s when nuclear proliferation was at its apex. Emilio plays Martin role as a young man during the actual tests. It tracks the character in middle age trying to come to terms with his involvement. Both actors were terrific to work with and inhabited the pervasive guilt from being involved in the malignant endeavor. Joey Pantoliano played a Sergeant who was in charge of a platoon of guinea pig soldiers and brought the entire range of conflicted emotions to his part.
Peter with Martin Sheen on the set of Nighbreaker. Photo credit Peter.
Joe Pantaliano, Peter and Emilio Estevez on set for Nightbreaker. Photo credit IMDB.com
Peter and Martin on set. Photo credit Peter.
Flight 93 was the first film about 9/11. Obviously, there was a military component as soon as it was discovered that it was a coordinated terrorist attack. I remember someone seeing the film and mentioning that it must have been harrowing to make. I noted that our fuselage (the real interior of a 757) was flying at an altitude of one meter, zero knots and within a 15 second walk to craft services (snacks). The best we could do would imagine how we would have reacted in the situation. Would we have been that heroic? Would we be at the head of the conga line attacking the cockpit or hiding in the bathroom in the back? Maybe somewhere in the middle? The coordination between the military and the civilian air services was impressive even though three of the four targets were hit. The passengers on 93 had more time to gather information and communicate with ground control so enable them to coordinate an attack.
Peter on the set of Flight 93. Photo credit IMDB.com
What the outside of the set looked like. Photo credit PM.
Peter working with the cast on Flight 93. Photo credit IMDB.com
More on set work for Flight 93. Photo credit IMDB.com
93 was an intense journey as are all films. Lots of moving parts, decisions, conflicts and compromises. But ultimately it is teamwork that wins out.
Rob Lowe, Pete and Patrick Swayze on set for Youngblood. Photo credit IMDB.com
Pete (bottom center) with the cast and some crew of Youngblood. Photo credit IMDB.com
Youngblood was a passion project and a blast to make. It was about a young hockey player from the US trying out for an elite Canadian junior team. Rob Lowe, Pat Swayze and Cindy Gibb were the leads. Keanu Reeves played a goalie and it was his first job in a film. Goalies are characters because it’s such an insane position and he was totally quirky in the audition. Rob was great to work with. He had no previous experience skating but progressed quickly enough for us to make it work. He had two doubles who filled in the action scenes who were both elite players.
Pat was a figure skater and quickly adjusted to hockey skates. Rob would agree with me that Pat was a force of nature. He’d be working on 10 other personal projects when not on the set. He composed the song ‘She’s like the Wind’ in his hotel room using a portable mixing setup. We had two scrimmages a week during prep with crew and our hockey extras. Our extras were elite players (two went into the NHL a month after wrap and had huge careers). An executive from MGM came up to make sure I wasn’t participating in the games for obvious reasons and was taken to the rink and just as he sat down, he saw me collide with another player. Pat who knew the exec was there skated over to me and said ‘stay down. He’ll have a heart attack.’
Rob, Peter, Ed Lauter and Ken James. Photo credit PM.
Pete on the ice with his DP Mark Irwin. Photo credit PM.
Tony Danza, Pete, Nick Tuturro and Samuel L. Jackson on the set of Dead and Alive: The Race for Gus Farace. Photo credit IMDB.com
Frank Vincent, Tony Danza and Pete on Dead and Alive: The Race for Gus Farace. Photo credit IMDB.com
Danny Glover and Pete sharing a moment. Photo credit PM.
Dayton Callie, Michael Madsen, Pete and Dennis Hopper on the set of The Last Days of Frankie the Fly. Photo credit IMDB.com
Pete on the set of “The X-Files” with David Duchovny. Lily with the poncho, Pete, David and Melinda (Pete’s wife) Photo credit IMDB.com
Peter and Louis Gossett Jr. on the set of El Diablo. Photo credit IMDB.com
Pete and Daryl Hannah taking a break on The Last Days of Frankie the Fly. Photo credit IMDB.com
WATM: As a veteran, how do we get more veteran stories told in the Hollywood arena?
There are so many diverse stories that can be told. The multiple perspectives include what branch of service, when, the mission, the soldiers involved, fact or fiction etc. Like any project it depends on the strength of the narrative and its ability to attract the actors that help finance the project and the studio/production company to green light it. Personally, I think the number is infinite. All conflicts are different just like every individual is different.
Dennis Hopper, Pete and Kiefer Sutherland on The Last Days of Frankie the Fly. Photo credit IMDB.com
Gillian Anderson and Peter on the set of “The X-Files”. Photo credit IMDB.com
WATM: What are you most proud of in life and your career?
First would be having a family which I did at an advanced age. I met my wife, Melinda, while casting a television film. I guess you could call it an acceptable version of the casting couch. That is to say I wasn’t the only one in the room and it wasn’t at the Peninsula Hotel. She was the best actress for the part, and I was immediately attracted to her by her performance and presence. We laughed and argued (about the role) in the room. I knew she was going to be a challenge, but it has made our lives infinitely interesting. And, of course, I’m a guy and like most of our species have not progressed that much from the stone age. We have two kids, Lily and Lucas. As moms and dads know, when children make an appearance, life as you knew it evaporates. But in a good and challenging way. When they got into their teens, I learned so much. Such as I was a horrible dresser and not to yell at basketball or soccer officials. We taught them both to ski and the progression of literally carrying them down the hill to not being able to ski any of their favorite double black runs with them is humbling. You realize that you can give them some direction but that they are on their own paths and need to fumble and fall and learn to pick themselves up again.
Per career I think it would be not willing to quit. To keep trying. I never had a film gross 100 million and did not play one game in the NHL, but I was rewarded in countless ways for my efforts. I have met so many wonderful, dedicated, talented people along the way which is one of the most valid ways to judge one’s life. And I can say that my time spent in the Army was an integral part of the on-going journey.
The first footage of Todd Phillips’ origin story tale of DC Comics villain the Joker is finally here.
Warner Bros. released a teaser of the movie on April 3, 2019, starring Joaquin Phoenix as the man before becoming the Clown Prince of Crime. This follows the footage being shown April 2, 2019, at CinemaCon, the annual convention for theater owners in Las Vegas, which Business Insider is attending this week. As part of Warner Bros. showing off its 2019 slate, Phillips came out and introduced the teaser to a packed house of exhibitors and press.
He said the movie was still “taking shape,” and that most of the chatter about the movie online “hasn’t been very accurate.” He added: “I guess that’s what happens when you set out to do an origin story about a character that doesn’t have a definitive origin.”
But he did give a little hint about the movie’s tone, saying “it’s a tragedy.”
The teaser certainly has that feel. Phoenix plays the character Arthur as a sad clown. He’s someone who seems very attached to his mother and finds love at home but outside, in a very grimy and dangerous Gotham City, is often picked on and violently attacked. Then it seems something finally snaps in Arthur, or maybe it was always there and circumstances lead the other side of him to finally come out.
But his descent into madness has a very Travis-Bickle-in-“Taxi-Driver” feel. The only difference is Travis wanted to wipe the scum off the streets of New York, and it seems in “Joker” Arthur wants to be the leader of the scum of Gotham.
We’ll find out what happens when “Joker” hits theaters Oct. 4, 2019.
Canadian filmmaker Paul Gross was never a soldier, but he has great respect for them. He comes from a military family; his grandfather and his father both served. Gross ended up in the arts, but he believes that soldiers represent their countries with an enormous amount of dignity and honor and they should be acknowledged for that.
“A soldier signed a piece of paper at one point, saying ‘I am willing to die for my country,'” Gross says. “That’s an extraordinary fucking thing. Did you ever sign such a piece of paper? I know I sure as shit didn’t.”
Gross wrote, directed, and stars in Hyena Road, a film about a Canadian Forces effort to build a road into the heart of enemy-held territory in Afghanistan. Gross plays Pete Mitchell, a sage intelligence officer responsible for convincing the local warlords to stop planting improvised explosive devices along the construction path .
“My character is loosely based on this real officer who was my guide,” Gross says. “Through this intelligence guy I started to learn stuff about Afghanistan. Not just the combat, I started to learn about Afghans.”
Mitchell needs to understand Afghan culture as he tries to bring a mysterious former Mujahid known as “the Ghost” to his side of the fight. The Ghost, played by Niamatullah Arghandabi, is a local Afghan elder who has a hidden identity as a legendary warlord who disappeared after the Russians withdrew.
Gross made two trips to Afghanistan to visit the Canadian Forces fighting there. The second time, he decided to film everything he could. He didn’t have a story at the time. A lot of that footage wound up in the final cut of Hyena Road. He talked to a lot of soldiers and took a lot of notes. When he returned to Ontario, he wrote a screenplay.
“Everything in the movie is pretty much based on stuff that I either heard or witnessed or was sort of common knowledge,” Gross says. “In other words, I didn’t make up anything.”
The film also features a very non-traditional actor in Arghandabi. He now serves an advisor to the Afghan government, and in 1979 he was a mujahid during the Soviet invasion.
“Since he was a kid, he was fighting Soviets,” the director says. “When he was 16, he was living in a cave coming out with Stinger missiles to knock down helicopters. I dragged him out and made him an actor.”
The director met the Arghandabi at Kandahar Airfield while on a visit there in 2011.
“I sat down with this guy and talked with him through an interpreter for about two and a half hours,” Gross recalls “I thought to myself, ‘I could spend the rest of my life with this guy and I would not understand one thing about him.’ That’s how different our cultures are.”
‘The Ghost’ told Gross of the time he met Osama bin Laden. To him Bin Laden wasn’t a fighter; he was a “clown.”
“It’s the weirdest thing,”Gross remembers of Arghandabi. “Talking to these people who knew all these bad guys. Bin Laden was one of the baddest guys we ever thought of, and [Arghandabi] thought he was a clown.”
Gross wants people to walk away from the film entertained, but also better informed because in his opinion, everyone should understand what it is they’re asking their military forces to do.
“That doesn’t mean you have to be against war,” Gross says. “It’s just that most of us wander around with blinders on. We should know what our neighbors, our cousins, our friends are doing there because we’re the one sending them there.”
Hyena Road is in theaters and on iTunes on March 11th.
Steven Spielberg’s Saving Private Ryan captured the respect of both veteran and civilian audiences across the country with a realistic, heartfelt, and grim depiction of World War II. The movie follows a squad of Soldiers from the 2nd Army Rangers who embark on a near-impossible mission to locate a single troop in the middle of the war.
Facing incredible odds, the Rangers tirelessly search for the native Iowan and sustain heavy causalities along the way. The film won several awards and is considered, by some, to be one of the best pieces of film in cinematic history.
Spielberg expertly captured the brutality of war on film, but the little-known things that happened behind the scenes helped contribute to the film’s authenticity.
Sgt. Horvath (played by Tom Sizemore) stands next to Capt. Miller (played by Tom Hanks) before storming the Omaha Beach.
How it got its unique look
Typically, a movie camera’s shutter is set at a 180-degree angle. However, legendary cinematographer Janusz Kaminski decided to set the camera to a 90- and 45-degree shutter instead. This shortened the amount of time the film was exposed to light, creating an incredibly sharp image.
When sending the film off to be processed, Kaminski had it run through the developer more than usual to achieve that washed-out look.
His idea delivered a fantastic visual, and the film looks freakin’ great for it.
The actors’ weapons came with squib sensors
We’ve seen movies where an actor points his or her weapon, takes a shot, and the round’s impact doesn’t feel entirely organic. For Saving Private Ryan, the special-effects guys rigged the actors’ rifles with special sensors that send a signal to exploding squibs located on their targets.
Shortly after an actor pulls the trigger, the targeted squib detonates, creating a realistic impact for both shooter and target.
Steven Spielberg as he discusses the next scene with the crew.
Reportedly, Spielberg didn’t storyboard the film
Instead, the filmmaker made incredible decisions on the fly, putting the camera up to each scene and determining the direction from there. This might have been career suicide for a lesser director, but Spielberg wanted his shots to feel unpredictable, just like a real firefight.
Although the film has several epic moments, the opening sequence in which American troops storm Omaha beach is one that you’ll never forget. Spielberg decided to drop the audience inside an incredibly intense battle scene and, to tell the story, used three different perspectives: Capt. Miller’s, the German machine gunners’, and a characterless camera.
The YouTuber Nerdwriter1 broke the epic scene down and counted each of the 200 shots that takes place over the 24-minute scene. That’s right: 200 shots. That’s 7.2 seconds per shot.
There were a lot of big name winners at the 17th Annual Academy Awards in 1945, Bing Crosby, Ingrid Bergman, and… the United States Marine Corps. That’s right, USMC Combat Cameramen won the Oscar for Best Documentary Short for their coverage of the Battle of Tarawa in 1943. Tarawa was unique because of the coverage COMCAM operators were able to give the battle.
November 20-23 1943 saw a thousand Marines die fighting to take the tiny, two mile wide island of Tarawa from Imperial Japanese forces during World War II. Two thousand more Marines were injured. 4,700 Japanese died defending the island with only 17 surrendering to U.S. forces. Hundreds of Korean slave laborers also died.
Combat Camera Marines with the 2nd Marine Division were along for the ride and after the battle, edited With the Marines at Tarawa, a twenty minute short film designed to bring the story of the battle to Americans on the home front. The goal was to give people as close to a first hand experience of the horrors of war as film could get them.
In an eleven minute newsreel from the Army-Navy Screen Magazine designed to be viewed by servicemen, Marine Corps Combat Cameraman Norm Hatch narrates the footage he filmed during the battle of Tarawa.
The narration was clearly written by a screenwriter (this is WWII propaganda, after all), and it includes a short skit as a premise for the story, but the combat footage is heavy and graphic at times.
The end may seem out of place, but the quick construction of the airfield at Tarawa is a reminder of the importance of the battle and the need for the island’s strategic position. It’s also a good reminder of what Marines can do when called upon: The Japanese admiral commanding Tarawa boasted the Marines couldn’t take Tarawa with a million men in a hundred years.
It was the dawn of a new decade, and a new generation of war flicks that proved to take the world by storm. Yes, we’re talking about modern-day movies that turned into instant classics — that is, instant mega-million dollar producing classics. Films that are still household names today, and those that star big movie stars, either in the height of their fame or as they were just starting out in their career.
These movies brought a whole new generation to the movies and showed them (sometimes graphic) portrayals of how ugly war can be. All while our country itself was at the onset of a new war, all the way up to years deep in the process.
Join us as we take a walk down memory lane in these not-so-long-ago war films that took over the 2000s and the start to the 21st century.
The Patriot, 2000
This historical war movie tells the story of a man in South Carolina and his involvement in the Revolutionary War. Mel Gibson, Heath Ledger, and Jason Isaacs star in the movie that, despite bad reviews, more than doubled its budget at the box office. The Patriot received criticism for its historical inaccuracies, most notably, its portrayal of British soldiers and other figures.
Black Hawk Down, 2001
Based on a 1993 event in which an attempted rescue mission started the battle in Mogadishu, Black Hawk Down, the movie, is derived from the 1999 book of the same name. The film stars an ensemble cast of Josh Hartnett, Ewan McGregor, Eric Bana, and Tom Hardy. The movie took home two Academy Awards, for Best Film Editing and Best Sound. It was highly praised and is listed as a favorite by many film critics.
Pearl Harbor, 2001
Another big release in 2001, Pearl Harbor shows a fictionalized version of the attack on Pearl Harbor during WWII, directed and produced by action powerhouse team, Michael Bay and Jerry Bruckheimer, respectively. The film received mixed negative reviews but is one of the highest-earning war films to-date, bringing in $450 million worldwide. The film earned Academy Award and Golden Raspberry nominations alike. Actors Ben Affleck, Josh Hartnett, Kate Beckinsale, Cuba Gooding Jr., Jon Voight, and Alec Baldwin star.
Flags of Our Fathers, 2006
In the 2000s, Clint Eastwood helped create two films covering the Battle of Iwo Jima. The first, Letters From Iwo Jima, depicted the Japanese side of the 1945 battle and was directed by Eastwood. It received a limited release in the U.S. The American counterpart came with Flags of Our Fathers and was based on the 2000 book of the same title. Both stories cover the famous battle and subsequent flag raising made famous in Joe Rosenthal’s photograph. The film failed to profit at the box office, but remains a fan favorite.
Named for Operation Valkyrie, a German national emergency plan, the film follows a real-life plot of German officers to assassinate Adolf Hitler and take over the territory. Tom Cruise starred, which initially caused problems with filming locations, as his religion, Scientology, is legally questioned by the German government. However, German media and film outlets remained positive about the film and its storyline. The film opened on Christmas Day and went on to earn more than $200 million.
The Hurt Locker, 2009
This thriller film was made of an ensemble cast including Jeremy Renner, Anthony Mackie, Ralph Finnes, David Morse, and Guy Pearce. The story followed a team of Explosive Ordinance Disposal professionals and their mission while being targeted by insurgents. It was directed by Kathryn Bigelow, who won an Academy Award for Best Director, along with five others for the film, including: Best Picture, Best Original Screenplay. The film also remains the only female-directed movie to win Best Picture and Best Director. It was listed as “culturally, historically, or aesthetically significant” by the National Film Registry in 2020.
Inglourious Basterds, 2009
Quentin Tarantino made waves with his war film, Inglourious Basterds, yet another plot to assassinate Adolf Hitler. However, this film served a fictionalized account. The title was taken from the 1978 film, The Inglorious Bastards, which had its own unique plot. The movie starred a big-name cast including Brad Pitt, Christoph Waltz, Michael Fassbender, Eli Roth, and Diane Kruger. The film followed a screenplay that Tarantino had penned more than a decade before but struggled with concluding the storyline. He returned to the story years later and had it picked up by Universal Pictures. It went on to earn more than $320 million, his highest-earning film at the time.
Netflix dropped its latest British TV series on March 29, a spy thriller set at the end of World World II.
“Traitors” is streaming globally exclusively on Netflix outside of the UK and Ireland, and airs on the UK’s Channel 4 network. It stars “Call Me by Your Name” actor Michael Stuhlbarg, Emma Appleton, and Keeley Hawes.
Netflix describes the series like this: “As World War II ends, a young English woman agrees to help an enigmatic American agent root out Russian infiltration of the British government.”
Netflix has built a library of British shows in its effort to draw worldwide audiences, many of which are co-productions with UK networks. The strategy benefits both Netflix and British TV networks like the BBC, as the shows reach a wider audience and can reel in potential subscribers.
Other British shows Netflix has acquired include “The Last Kingdom,” which wasn’t a hit in the UK but found a worldwide audience; “The End of the F—ing World,” which Netflix renewed for a second season; and “Bodyguard,” which was nominated for the best drama series Golden Globe this year and won the Globe for best actor in a drama series for star Richard Madden.
From left to right: Luke Treadaway, Michael Stuhlbarg, Emma Appleton, Keeley Hawes, Brandon P. Bell.
(‘Traitors’ on Netflix)
Critics are mixed on “Traitors” but leaning positive. “Traitors” has a 71% Rotten Tomatoes critic score. Den of Geek called it a “satisfyingly grown-up spy thriller,” but others criticized how it takes historical liberties.
“I don’t usually mind this kind of revisionism; can appreciate, revel in its freshness, its new eyes, but this is in mild danger of being slathered on with a trowel,” Observer’s Euan Ferguson wrote. “It’s always heartily good to keep an open mind. Maybe not so open that your brains fall out.”
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Thirteenth Floor is an Akron, Ohio art and clothing store whose run by Billy Ludwig, an artist working under the name Impale Design.
“All of the artwork is my own, Ludwig says. “Although my work can take on different styles and personalities, the majority of my work revolves around the paranormal and macabre.”
He has a small staff who runs his Akron-based warehouse, from where they run their online store. Ludwig and Thirteenth Floor also sets up shop at Comic-Cons and horror conventions throughout the United States.
“I was renting an old store front in Massillon, Ohio, our original location,” Ludwig recalls. “[It was] as a rehearsal studio, and I decided to convert it into an art gallery to sell my artwork along with other regional artists.”
Ludwig has been a Star Wars fan since he was able to say the word “Star Wars.” He was inspired to create a signature poster series, merging World War II imagery with imagery from Star Wars.
“Many of George Lucas’ concepts for Star Wars came from WWII,” he says. “I thought it would be interesting to combine the two. It was just something I did for fun, and over time has gained quite a large following.”
Ludwig is currently creating a fourth series of posters, and plans to create some interesting surprises for his series and for the fans who frequent his work.
Check out Thirteenth Floor’s Instagram and Website for more beyond the “SWVSWWII” Series.
In last year’s Rogue One: A Star Wars Story, they finally sealed the thermal exhaust port sized plot hole of how to destroy the First Death Star without “many Bothans” dying.
Jyn Erso, a former criminal turned rebel soldier, leads her team in the Battle of Scarif where they capture the blueprints — and vulnerabilities — of the Death Star, which helps Luke Skywalker eventually destroy the moon-sized weapon. Before she goes on that mission she’s given another: hunt down and locate Saw Gerrera for Capt. Andor to kill.
Makes sense in the logic of the series. The group labelled “The Rebel Alliance” is a ragtag group comprised of many different rebel groups to restore the Galactic Republic. Gerrera was an extremist who gave the Rebellion a bad name and needed to be removed so they could claim morale superiority over defeat the Empire and the Dark Side.
However, in Saw Gerrera’s final moments, he isn’t given the “good riddance” treatment as with most villain deaths — he has a sweet farewell. Nothing about his character was deserving of that moment.
Comparing him to all of the heinous and messed up things done by the real world Osama bin Laden isn’t too far of a stretch.
The Rebels aren’t exactly without blood on their hands. Remember, they were willing to blow up a Death Star — and everyone on it — three times.
Gerrera isn’t just a one-off character in the Star Wars canon. He’s appeared in novels, cartoons, and comics as well. In the novel “Rebel Rising,” Saw proves that he’s willing to do just about anything to achieve his ends — including gunning down thousands of innocent lives to get to just a few Imperials.
The Mujahideen did the same thing happened to Osama after the Soviet-Afghan War.
It’s very subtly talked about and most people gloss over it, but the book mentions that he trained Jyn Erso from a young age. She mentions the reason she left was because she couldn’t handle the fighting at age 16.
This is not unlike how the Taliban uses child soldiers to fight and plant IEDs. The Taliban knows that Americans and our NATO allies would hesitate before pulling the trigger on a child. So they use kids.
Just this scene in Rogue One
To set the scene: a group of soldiers are patrolling through an occupied desert city. Some on foot, others in the vehicle. An insurgent grenade is tossed in the crowded street, taking out a few. The insurgents pull weapons out of their robes and start gunning down the soldiers.
It’s true the soldiers cause collateral damage, but the insurgents intentionally kill innocent to get to the soldiers. The insurgents are not afraid to blow themselves up to kill a soldier or two.
Which am I talking about? The real life fight in Afghanistan or Rogue One: A Star Wars Story?
Shortly after Orville and Wilbur stopped making bicycles and started hanging out around Kitty Hawk, Hollywood took to making movies about those who venture into the wild blue yonder.
Here are the best Air Force characters they’ve created over the years. Remember: half of these guys are real people. That’s what makes being in the military so great – the chance to do something someone might make a movie about one day.
1. Captain Virgil “The Cooler King” Hilts — “The Great Escape”
The Great Escape is one of the best heist-style films of all time. It’s also one of the best military films of all time, based on the true story of a group of Allied POWs put together in a Nazi “escape-proof” camp because of their ability to escape from POW camps.
Captain Hilts of the Army Air Corps constantly frustrates guards with escape attempts, landing him in solitary confinement, or the “cooler.” Hilts is easily #1 on this list, not only because he’s depicted on screen by Steve “The King of Cool” McQueen, but also because the real guy this character is based on David M. Jones.
Jones was an Air Corps pilot who started World War II as a Doolittle Raider (the character can also be seen in “Thirty Minutes Over Tokyo”), and flew sorties over North Africa before being captured and held by the Germans for nearly three years. Jones survived the war and went on to a 37-year career in the Air Force.
2 . Lt. Col. James Rhodes aka War Machine — “Iron Man”
James Rupert “Rhodey” Rhodes is not based on a real character, though having the War Machine around IRL would make life a lot easier for much of the Air Force (and the lawless areas of Pakistan too… probably).
Rhodes is the stable, dependable version of Tony Stark in the Marvel Cinematic Universe (In the Marvel Comic, Rhodey is a Marine). Colonel Rhodes is also Stark’s best friend and the DoD liaison to Stark Industries, which means he gets to pal around on private jets and hang with the Avengers while taking down terrorists and robot drones (that aren’t American).
3. Lt. Colonel Iceal Hambleton — “BAT 21”
BAT 21 is a the dramatized story of the rescue of Lt Col. Hambleton (whose call sign was BAT 21 Bravo), the largest, longest and most complex search and rescue operation of the Vietnam War. He was the navigator on a USAF EB-66 aircraft and an expert in signals intelligence whose aircraft was destroyed by a surface-to-air missile. Hambleton was the only survivor, but his parachute took him well behind the North Vietnamese lines.
With the amount of classified information in Hambleton’s head, capture by the communists would have been extremely detrimental to U.S. security. Hambleton (played by Gene Hackman, who is awesome in every movie) makes radio contact with Birddog and makes his way South to be picked up.
To communicate his intended path, Hambleton, in true Air Force fashion, uses a code comprised of various golf courses he knows. The actual rescue of Hambleton took 11 days, six American troops’ lives, a lot more ARVN lives, and another plane being shot down.
In real life Hambleton was rescued by Navy SEAL Thomas R. Norris (who was awarded the Medal of Honor for the rescue) and a South Vietnamese Navy Petty Officer.
4. Capt. John Yossarian — “Catch-22”
Alan Arkin headlines the legendary cast of Catch-22 as Yossarian, a US Army Air Forces B-25 Bombardier, stationed in the Mediterranean during WWII. He’s committed to flying the dangerous missions as quickly as possible so he can go home, but his squadron commander keeps raising the required number of missions.
Yossarian can’t even claim a mental breakdown to go home because famously, Airmen “would be crazy to fly more missions and sane if he didn’t, but if he was sane he’d have to fly them. If he flew them he was crazy and didn’t have to; but if he didn’t, he was sane and had to.”
5. Airman Second Class Adrian Cronauer — “Good Morning, Vietnam”
Another real Airman, A2C Cronauer is an Armed Forces Radio Service DJ stationed in Vietnam whose DJ style is less than appreciated by his superiors but beloved by the men in the field.
When Cronauer is suspended for his style and his determination to read the news, the command is flooded with letters demanding his reinstatement. Few things in life are more satisfying than someone thumbing their nose at a stodgy old command.
Cronauer’s real-life show was called “Dawn Buster” and its opening was immortalized forever by Robin Williams’ GOOOOOOOOOOOOOD MORNING VIETNAM.
6. Hannibal Lee — “The Tuskegee Airmen”
Some points have to be added when the whole world is against you, even your own government. Lee was loosely based on Robert W. Williams, an actual Tuskegee Airman who helped co-author the screenplay.
In the film (and IRL), the famous group of African American pilots struggling to join the US war effort as capable fighter pilots finally get their chance when Hannibal Lee (Fishburne) and his wingman get the chance to protect B-17s over Italy and sink a destroyer for good measure.
7. Robert “Dutch” Holland — “Strategic Air Command”
Jimmy Stewart plays Holland, a St. Louis Cardinals baseball player who is on inactive reserve in the Air Force who gets recalled to active duty for 21 months, which would be unbelievable for anyone else but Jimmy Stewart. Stewart, whose family military tradition dated back to the Civil War, enlisted in the Army Air Corps as a private, was an officer pilot within a year, and so enjoyed bombing Germans in his spare time he would eventually retire from the Air Force Reserve after 27 years. Holland’s life is on constant hold as he is on alert status to deter the Soviets from starting WWIII. He forces a landing of a damaged aircraft in Greenland after his crew bailed out then flies new jets to Japan with a broken arm from that landing, an injury which ends both his military career and his baseball career, and he seems mildly okay with it.
Holland’s life is on constant hold as he is on alert status to deter the Soviets from starting WWIII. He forces a landing of a damaged aircraft in Greenland after his crew bailed out then flies new jets to Japan with a broken arm from that landing, an injury which ends both his military career and his baseball career, and he seems mildly okay with it.
8. Brigadier General Jack D. Ripper — “Dr. Strangelove”
A commie-obsessed Air Force General, he starts World War III after describing a Communist plot to pollute the bodily fluids of Americans. He launches an all-out attack on the USSR and refuses to give the codes that will belay the launch orders.
While the Kubrick’s masterpiece obviously isn’t based on a real war, the crazed General is based on Air Force General Curtis LeMay, who once threatened to bomb the Soviet Union back into the Stone Age.
9. Colonel Jack O’Neil — “Stargate”
Who better to lead a team through an alien-created wormhole navigated by hieroglyphs uncovered in Giza than a career Air Force Special Operations officer? No one, obviously, as Colonel Jack O’Neil (Kurt Russell, with a severe flat top) takes a day off of contemplating suicide to lead one last mission to destroy the Stargate and ends up saving humanity by beaming a nuclear weapon onto an alien ship.
It’s not (just) science fiction. It’s what we do every day.
10. American Astronaut George Taylor — “Planet of the Apes (1968)”
George Taylor’s background doesn’t specifically mention his Air Force affiliation, but does mention he was a West Point grad in 1941 and flew missions in World War II and Korea, and his then becoming an astronaut is clearly indicative of a U.S. Army Air Corps to Air Force transition.
So the Air Force gets Charlton Heston (also Marky Mark Wahlberg‘s Capt. Leo Davidson from the 2001 remake, clearly identified his tribe as United States Air Force). Taylor earns a spot on this list because of Charlton Heston’s iconic performance.
Edit 5/28 2:07 pm:
Twitterati and US Air Force Pararescue Jumper @PJMatt reminded me about the 1983 epic The Right Stuff and Sam Shepard’s badass take on the legendary USAF test pilot Chuck Yeager.
@PaulSzoldra@blakestilwell So The Right Stuff never happened? You could put Chuck Yeager, correctly, at 1 (Sam Neil) and 2 (drunk in bar)
The author hangs his head in shame as both a film student and Air Force veteran. Few scenes in cinema rival the scene where Yeager is walking away from a smoldering heap, badly burned, holding his parachute because anyone who’s ever met Yeager in real life knows that’s the kind of badass sh*t he did every day of his career.