The second season of The Mandalorian brought much content out of the Star Wars franchise Legends and into the new Canon. From Boba Fett’s return to the Krait Dragon, season 2 was a Star Wars fan’s dream come true. Included in the revival of Star Wars past were the Empire’s deadly dark troopers. More than just a commentary on the color of their armor, dark troopers were among the most feared of the Empire’s tools of war. While a garrison of them seemed more than a match for Mando and his allies (but not a Skywalker in a hallway), there’s an aspect of dark troopers that was touched on that made them darker than you may think.
The Clone Wars that led to the rise of the Empire saw the Grand Army of the Republic’s clone troopers pitted against the Confederacy of Independent Systems’ droid army. Whereas the droids could be more easily mass-produced and overwhelm their enemy with superior numbers, the clones were more creative and genetically-based on the legendary bounty hunter Jango Fett. However, the clones had to be modified with an age accelerator that doubled their growth rate in order to meet the manning needs of the GAR. As a result, clones reached the end of their combat life more quickly than a regular person. Anyone in the military will tell you that time in the service already adds additional years of wear and tear on the body. For the clones, three years of constant and intense combat on top of their age acceleration took a heavy toll.
When the Empire rose from the ashes of the Republic, the fate of the ageing clone troopers came into question. The vulnerability of a genetically-pure army was made apparent during the Clone Wars and the Empire needed to cut spending across the military to fund the Death Star. Rather than continue to clone and raise their army from birth, the Empire returned to more traditional recruitment and training to fill the ranks. However, these new recruits could hardly match the lethality and professionalism of the clones that came before them. “Since the Empire has redirected the clone trooper program to other pursuits and stepped up recruiting inferior humans from the Outer Rim, the operational effectiveness of this army has declined significantly,” noted Clone Commander Cody. Cody was a Clone War veteran and one of the best-trained clones that the Republic had produced. His years of experience made him, and other clones like him, a valuable asset to train the new recruits. However, there was one other program that could make use of the clones’ combat experiences.
While the bodies of the clone veterans were deteriorating past their combat usefulness, their minds were full of tactical, operational, and strategic knowledge that could still be useful to the Empire. This idea led to the creation of the Dark Trooper Program. Using much of the same cyborg technology used to transform Darth Vader into a cyborg after his duel with Obi-Wan Kenobi on Mustafar, the Empire began transforming clone troopers into cyborg dark troopers. The process involved integrating the trooper’s brain and nervous system with a mechanical exoskeleton that could perform even better than a clone in his prime. With over 70% of their bodies replaced with enhanced cybernetics, the clones were able to return to combat deadlier deadlier than ever. Equipped with more heavy weaponry than a regular human could carry, the dark troopers were also fitted with jump packs that allowed them to transit the battlefield quickly. Like Vader, the clones were more machine than man; their bodies discarded and their minds now sealed in durasteel.
In the finale of The Mandalorian Season 2, the evolution of the dark troopers is revealed. When Mando asks how many troopers are armed in the dark trooper suits aboard Moff Gidedon’s cruiser, he gets an answer that he doesn’t like. “These are third-generation design. They are no longer suits,” Doctor Pershing explained. “The human inside was the final weakness to be solved. They’re droids.” Though the fate of the cyborg dark troopers is not revealed, it’s unlikely that the Empire gave them a severance package and a gold watch so that they could retire peacefully on Naboo. Despite their loyal service to the Republic as clone troopers and their sacrifice to continue serving the Empire as cyborg dark troopers, it’s likely that they were attritted out of service or simply discarded like other obsolete military equipment. Whatever the case, the gruesome fate of the clones who were turned into dark troopers is yet another tragic story from the galaxy far, far away.
“Jerry Stiller’s comedy will live forever,” shared Jerry Seinfeld of the late Gerald Isaac “Jerry” Stiller, who was perhaps best known for his Emmy-nominated role of George Costanza on the iconic television sitcom Seinfeld.
Stiller’s son, actor Ben Stiller, tweeted the news of his father’s passing early on Monday May 11, 2020, writing that his father had died of natural causes.
I’m sad to say that my father, Jerry Stiller, passed away from natural causes. He was a great dad and grandfather, and the most dedicated husband to Anne for about 62 years. He will be greatly missed. Love you Dad.pic.twitter.com/KyoNsJIBz5
“He was a great dad and grandfather, and the most dedicated husband to Anne for about 62 years. He will be greatly missed,” the actor wrote.
Stiller was born in Brooklyn on June 8, 1927 to Bella and William Stiller. Long before he would play the quick-tempered father of Festivus Frank Costanza, Stiller served in the Army during World War II.
After the war, Stiller utilized the G.I. Bill to attend Syracuse University, graduating with a degree in speech and drama in 1950. Shortly after, he returned to New York City where, in 1953, he met his future wife, Anne Meara.
“I really knew this was the man I would marry,” Meara told People in 2000. “I knew he would never leave me.”
She was right. The couple tied the knot in 1954. Stiller and Meara would go on to become a successful comedy team starring in everything from television variety programs to radio commercials to the 1986 television sitcom The Stiller and Meara Show. They were married for over 60 years, until her death on May 23, 2015. They had two children together, Ben and actress Amy Stiller.
For his role of Frank Castanza, Stiller was nominated for an Emmy for Outstanding Guest Actor in a Comedy Series in 1997 and garnered an American Comedy Award for Funniest Male Guest Appearance in a TV Series in 1998.
Jerry Stiller on being cast on Seinfeld – TelevisionAcademy.com/Interviews
Stiller nearly turned his Seinfeld role down. In the entertaining video above for the Television Academy, Stiller shared how he won the iconic role — and turned it into one of the most memorable parts in TV history.
Though he had reportedly intended to retire after Seinfeld, Stiller joined the cast of The King of Queens in order to play the cranky father figure Arthur Spooner from 1998 until 2007.
“This was an opportunity for me, for the first time, to test myself as an actor because I never saw myself as more than just a decent actor,” said Stiller of the role.
Stiller’s robust career expanded beyond television, from Broadway to the big screen to a star on the Hollywood Walk of Fame, which he also shared with his wife, Anne. After his passing, those who knew him took to social media to share fond memories of their time together.
The rest of us will always remember him as a man who could make us laugh. Rest in peace, Soldier.
The truth is that this happened all the time with Jerry Stiller. He was so funny and such a dear human being. We loved him. RIP Jerry Stiller.https://www.youtube.com/watch?v=L2LdHH0hmHY …
Fort Jackson, SC is a major hub of military education. The base hosts, Army basic training and AIT, the Adjutant General School, Finance School, Chaplain School, and the Interservice Postal Training Activity. Consequently, hundreds of thousands of people come through the base every year. This year, the base hosted a very special guest and assisted him with research.
Michael B. Jordan spent four days at Fort Jackson to prepare for an upcoming movie role. He was hosted by the base Commanding General, Brig. Gen. Milford Beagle, Jr. “Glad we could show him Army hospitality and the training excellence that we have here,” Brig. Gen. Beagle said.
Jordan previously appeared in the blockbuster hits Creed and Black Panther. Although it is unclear what movie he was preparing for, the actor is appearing in the upcoming action thriller Without Remorse. Based on the Tom Clancy book of the same name, Without Remorse follows a former CIA Navy SEAL who seeks revenge after his wife is killed by a drug lord and finds himself in a larger conspiracy. The book exists in the same universe as Jack Ryan.
Recently, the Tom Clancy film franchise has been in a slump. Although older films based on the late author’s works like The Hunt for Red October and Patriot Games are still widely popular, recent films like The Sum of All Fears and Jack Ryan: Shadow Recruit have been met with mixed reviews. The Tom Clancy name was reinvigorated with the release of Amazon’s television series Jack Ryan. Moreover, the titular main character is played by 13 Hours star John Krasinski. The show has been renews for a third season.
Without Remorse was originally slated to be released by Paramount Pictures. However, in July 2020, the studio began talks with Amazon who seeks to acquire the rights to the film.
Who will play the next James Bond? Daniel Craig is ready to leave, which feels almost impossible. By the time No Time To Die hits theaters on October 8, 2021, Daniel Craig will have been the incumbent James Bond for 15 years. Interestingly, in that time, he’s only been in 4 007 movies, and No Time To Die will be his fifth, and final outing as the suave super-spy who loves to tell bad dad-pun jokes.
Prior to Craig, the actor who was Bond for the longest number of years was Roger Moore, who played Bond for 12 years between 1973 and 1985. Want proof that the movie industry was way different back then? Moore made seven different Bond films in that period. And, from 1963 to 1971, Sean Connery made six Bond movies, one more than Craig, in only 8 years. (He also took a break while George Lazenby made On Her Majesty’s Secret Service in 1969.
The point is, historically, Craig’s tenure as Bond is somewhat unprecedented insofar as he’s been embedded into the public consciousness as James Bond for a decade-and-a-half, with a significantly smaller output than at least two of his predecessors. This isn’t Craig’s fault or anything, but the result is that it’s probably going to be very hard for movie audiences to accept a new actor in the role. Craig’s new Bond films have become cultural events insofar as they are as anticipated as much as they are actually watched. Spectre, the last Craig film was released in 2015, three years after the smash-hit success of Skyfall, which, was shocking, released six years after Craig’s breakthrough with Casino Royale. Daniel Craig’s Bond feels contemporary, but his tenure of Bond films are actually now just a part of early 21st Century film history.
So, who the hell is going to replace him? Bond boss Barbara Broccoli has gone on record that the character of James Bond will always be a man. That said, it’s almost been 100 percent confirmed that Lashana Lynch’s new agent in No Time To Die might be assigned the number “007,” since that designation is interestingly not unique to the character of Bond. (In several iterations of the character, Bond inherits that number from a previously deceased agent.)
James Bond then will live on as a new man, even if 007 becomes a new character, possibly played by Lynch. So, thinking about the next Bond, which actors are even worthy?
5. Tom Hardy
He’s been Bane. He’s been Venom. He’s even played the younger-clone of Captain Picard. Could Tom Hardy make a convincing James Bond, or do we associate him too much with anti-heroes? Back in September 2020, a huge rumor made the rounds that not only was Hardy in contention to play Bond but that the deal was a lock. Since then, we haven’t heard much, but if there’s one actor on this list who feels very similar to the rugged and dangerous feeling of Daniel Craig, it’s probably Tom Hardy. But will it happen? Is Tom Hardy 007’s reckoning?
4. Henry Cavill
Back before Daniel Craig was cast as 007 for Casino Royale, Henry Cavill auditioned for EON and was seriously considered. Yes, you probably think of Cavill as Superman, (or The Witcher, or more recently Sherlock Holmes) but in 2005 he was very close to becoming Bond. Sure, he’s famous for his faux-American accent, but Cavill is British. At 37-years-old right now, he’s kind of the perfect age to take over for Bond. And, if he got it, he’d be the second Bond to have played Sherlock Holmes (Roger Moore played Holmes in 1976), and the absolute first who had also played Superman.
That’s right. Finn from the Star Wars sequel trilogy is a real contender for a new Bond for several reasons. For one thing, his fame could actually mean that doing Bond could almost scan as John Boyega doing that franchise as a favor. The Bond films need Boyega, arguably more than he needs them. The notion of a Black Bond has been floated for a long, long time. Boyega was born in London, meaning Bond is, in some ways, a natural fit. That said, Boyega is 28-years-old, which would make him the youngest Bond of all time, period. Though, as Esquire notes, even Boyega has admitted he’s still a “bit too young” for the role.
Of all the names on this list, Sam Heughan has been in the news a whole lot, discussing the possibility of becoming the next Bond. The star of Outlander has said he doesn’t want to “jinx” his chances at becoming Bond, and most recently added that he didn’t think Bond should be too “posh.” As Jamie on Outlander, Heaughan has already made a huge name for himself as a TV leading man. Notably, Roger Moore and Pierce Brosnan did the same thing before becoming Bond. Heaughan is also Scottish, and if cast as Bond, would be the first Scottish Bond since Sean Connery.
1. Someone You’ve Barely Heard Of
An early publicity still of Daniel Craig as Bond
Something that every tends to forget is that back when Daniel Craig was cast as James Bond, the initial response from a lot of press was negative. If you were a hip kid who watched a random British thriller, then you knew he was amazing in Layer Cake. If you’d gone to see the first Angelina Jolie Tomb Raider film, then you were aware he was in that movie, but you probably forgot because he was playing second fiddle to freaking Angelina Jolie. The point is, Daniel Craig was not Daniel Craig in 2006. When he was cast, he was disparaged as “James Blond” since, apparently, some people thought Bond had to have really dark hair. It’s also notable that in the early press for Casino Royale Daniel Craig’s haircut was totally different than the close-cropped look we’re used to. When he was the first cast, for many, he didn’t feel like Bond yet.
Obviously, from the first moment of Casino Royale, all of that changed. James Bond doesn’t. become James Bond until we see him on screen. And whoever follows Daniel Craig will be exactly the same, regardless if they were famous for doing something other than drinking very precise martinis.
If you were taken aback by Tony Stark’s face during his final moments in “Avengers: Endgame,” it could have looked a lot more grisly.
“We gave the filmmakers a full range [of looks] to choose from and one of those was where the energy from the stones had acted right up into his face and popped one of his eyeballs out and it was hanging out on his cheek,” Weta digital VFX supervisor Matt Aitken told Insider of one of the most gruesome designs they did for Iron Man’s death.
“They didn’t go for that one,” Aitken chuckled.
The “Endgame” visual effects team, consisting of Industrial Light and Magic (ILM), Marvel, and Weta Digital, put together a full range of looks for Marvel Studios and directors Anthony and Joe Russo to look over.
The team needed to strike the perfect balance between a look that was believable enough that Tony could die, but that wasn’t too scary for kids and families to watch together.
This was one of many designs made for Tony’s death scene.
“With any development item, you want to be able to give the filmmakers a full gamut, from sort of a light touch all the way to horror, and this will never be in it,” said Marvel VFX producer Jen Underdahl. “But by doing that exercise and by letting them see sort of every stage, they can kind of pinpoint and circle the drain on where they think the look is going to settle.”
“We did go several rounds on that guy from grisly to not so grisly to more light of a touch, back to OK this is the spot where we think the audience is not going to get too freaked out, but also really understand that Tony has reached the point of no return,” Underdahl added.
The film helped lay out viewer’s expectations for Tony’s impending death by physically showing the damage the stones did to two other larger, powerful characters. The idea was that, hopefully, by the time Tony snapped and used the gauntlet viewers would be able to see the consequences of him wielding the stones.
“We had seeded in the film this notion of Thanos having damage. There are consequences to him snapping and pursuing this ideology. You see the damage in his face and what that did to him, and he’s built for this,” said Underdahl. “Then [you] see the consequences to Smart Hulk, who was made of gamma radiation and the damage that it did there.”
If this is what the stones did to Hulk, then you had to know it wasn’t going to go well for Tony.
(Marvel Studios, composite by Kirsten Acuna)
“You knew somewhere in the math that Tony himself, even though he’s got this suit and it’s going to fight for him, ultimately what’s going to result would be something he couldn’t recover from,” she added.
Atkins, Underdahl, and Marvel visual effects supervisor Swen Gillberg said they pushed the design past where they wanted to go so that they ultimately fell somewhere right in the middle of two extremes.
Another one of those extreme looks involved a nod to one of Batman’s most famous villains.
“We did do a Two-Face version where you got inside and you saw the sinews and you saw them in the teeth and that,” said Underdahl of another one of the more grisly Tony Stark designs.
In “The Dark Knight,” the Batman villain, Harvey Dent, is severely burned after half of his face is lit on fire.
For reference, here’s how Dent/Two-Face looks. I think it’s safe to say no one would have wanted to see this version of Tony.
“It takes you away from this really powerful moment,” said Underdahl of why that wouldn’t have been the right move for that moment. “You don’t want to be focusing on that or grossed out.”
“When he’s collapsing against the tree stump, you’ve got to know that he’s in a really bad predicament, that he has made this terrible sacrifice,” Atkins added. “But then you also didn’t want it to distract from his performance. And it’s a really subtle performance that he has in those intimate moments with Spidey and then with Pepper. So yeah we definitely worked quite hard on achieving that one, but we got there.”
“Avengers: Endgame” is one of 10 films on the shortlist for the visual effects category at the 92nd Academy Awards. The five final Oscar nominees will be announced Monday morning.
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
“An author cannot, of course, remain wholly unaffected by his experience.”
These are the words of arguably the most influential writer of the 20th century and WWI veteran, John Ronald Reuel “J.R.R.” Tolkien.
In June 1916, the newly commissioned lieutenant kissed his newly married wife goodbye as he boarded the transport to Calais, France. Come July 1st, one of the bloodiest battles in human history took place near the Somme River. That day, his closest friend was killed and Tolkien forever changed.
Shouldering the burden of leadership and the ever looming threat of death, by disease or the enemy, Tolkien carried on. Ultimately, it was Trench Fever that sent him home ten days before the dust settled.
Deemed no longer medically fit for service, Tolkien returned to his passion: writing. The rest is history.
When the second edition of TheLord of the Rings was released, the foreword stated: “The real war does not resemble the legendary war in its process or its conclusion.” Tolkien continued with, “But I cordially dislike allegory in all its manifestations, and always have done so since I grew old and wary enough to detect its presence. I much prefer history, true or feigned, with its varied applicability to the thought and experience of readers.”
He hated direct comparisons of his works to real world events. No real world leader is Sauron. No real world army are the orcs. And the One Ring is not a reference to the nuclear bomb.
Much of the psychology and emotions of his works, however, did pull from his time on the battlefield, most notably with the Dead Marshes. In the second volume (and film) The Two Towers, the ghoulish Gollum lead the protagonist, Frodo Baggins, through a swamp full of bloated bodies under the mud and water.
Tolkien’s biography, The Letters of J.R.R. Tolkien, explained that what Frodo experienced in the Marsh was specifically based on the Battle of the Somme where Tolkien saw countless bodies across the muddy battlefield.
Themes were also pulled from his leadership and the bravery of his men. Tolkien studied at Oxford and lead men from mining, milling, and weaving towns of Lancashire. In another biography, Tolkien and the Great War, Tolkien said he “felt an affinity for these working class men, but military protocol forbade him from developing friendships with ‘other ranks’.” This man-apart thematically affected many of the characters in his novels.
One of the largest changes from the novel to any film adaptation is the “Scouring of the Shire” and the mindset of Frodo after the war. In the final chapters of the last book, Saruman attacked the Shire and all of the townspeople had to defend their home.
Afterward, Frodo was left alone.
War changed him. Frodo couldn’t just return to being a happy, singing Hobbit like everyone else after the war. He’d been stabbed, poisoned, and lost a finger. Frodo, like Tolkien himself, had become “shell-shocked” after combat.
The forward of the 1991 release of The Lord of the Rings added another Tolkien quote: “The country in which I lived in childhood was being shabbily destroyed before I was ten. Recently I saw in a paper a picture of the last decrepitude of the once thriving corn-mill beside its pool that long ago seemed to me so important.”
Vigilance Elite just released footage from a training session with Reeves for John Wick: Chapter 3 – Parabellum, and you can see that he’s training like an operator, not just an actor. In the video below, trainer and former Navy SEAL Shawn Ryan walks Reeves through room clearing with a rifle — in particular, negotiating the “fatal funnel.”
This kind of dedicated training is just one reason why Reeves is highly respected and his films are so fun. Check out the video for a bit of Reeves-worship…but stay for the refresher in case you ever get into a sh*t sandwich.
Keanu Reeves Tactical Training for John Wick 3 with Vigilance Elite .MP4
“My character’s always in shit sandwiches,” jokes Reeves.
Reeves maintains a professional, respectful demeanor throughout the process, which is exactly the kind of attitude that bridges the divide between military and civilian audiences. Reeves is believable as an assassin because he puts in the work to understand weapons and tactics; military audiences can spot a phony a mile away and it ruins the cinematic experience.
“I became a man in the Navy,” he said in a PR.com release. “That’s where I got my first apartment, my first marriage, my first bank account, my first car… it all happened there. That was a good experience.”
“I’ll tell you something bizarre. I was never issued dog tags. It’s part of your uniform, but I never got them. I thought it was for ID. But it’s not to ID you. It’s to ID your corpse. That’s why they make them out of metal,” he was quoted as saying.
After separating from the military, Murphy became the head of security for his little brother, Eddie Murphy, before launching his own career as a writer, actor, and standup comedian. The older Murphy helped write the movies “Vampire in Brooklyn” and “Norbit” which his younger brother starred in.
Charlie also played small parts in “Night at the Museum,” “The Boondocks,” and the 2012 reboot of “Teenage Mutant Ninja Turtles.”
The last major movie of the summer is upon us, and you’re in for a good time and a few surprises with “Hobbs and Shaw.”
The “Fast & Furious” spin-off puts Vin Diesel in the backseat as the Los Angeles lawman Luke Hobbs (Dwayne Johnson) and the former British military elite operative Deckard Shaw (Jason Statham) are forced to reluctantly work together to save the world.
What went so wrong that Dominic Toretto couldn’t be called? The two enemies need to save the world from Brixton Lorr (Idris Elba), a cybergenetically enhanced superhuman who, along with an evil global organization, is trying to get his hands on a virus to make more of the human race just like him.
Does the premise seem a bit silly? You bet! But if you’ve been following this franchise since 2001, then you know what you’re in for — fast cars, big action sequences, and a bad guy who needs to be stopped. It’s just another day at the office for the Fast fam.
This is a fun one that feels right at home in the “Fast and Furious” universe.
How much did you want to see a movie with these two after this scene?
(Universal Studios image)
Why you should care: It’s the first ‘Fast & Furious’ spin-off movie, and it features two fan-favorites from the franchise.
This is simple. It’s the Rock/Dwyane Johnson and Jason Statham in a movie. If you saw 2017’s “The Fate of the Furious,” you’ve been waiting for this team-up since their memorable prison-escape sequence.
According to the film’s production notes, the idea for a spin-off Hobbs film had been floated around since he joined the “Fast” franchise in 2011’s “Fast Five.” The “Deadpool 2” and “John Wick” director David Leitch is in the directing chair for this one, so buckle up for some great fight sequences.
The fate of the world is in these guys’ hands… if they can stop fighting long enough.
(Universal Studios image)
What’s hot: The chemistry of The Rock and Jason Statham, the addition of Vanessa Kirby, some unexpected surprises, and two of the big action sequences.
If you told me years ago that I’d be rooting for Deckard Shaw, the man who killed off one of the most beloved characters in the “Fast” franchise (RIP Han), I’d think you were joking. But here we are. Whoever thought it was a good idea to put Johnson and Statham in a movie together made the right call.
You can easily watch Johnson and Statham banter for a full two hours. One of the jokes may get old after its third run-through, but their inability to cooperate for a majority of the film to save the world makes for a fun watch.
One of the biggest delights of “The Fate of the Furious” was seeing the Academy Award winner Helen Mirren join the cast as Shaw’s mother. She had said she really wanted to be a part of the franchise, so it was great to see her in “Hobbs and Shaw,” if only for a bit. You can tell she has so much fun doing these films. Mirren told Entertainment Weekly she wanted to drive in the next “Fast and Furious” film. She’ll be in next year’s ninth film, so here’s to hoping.
Helen Mirren is in “Hobbs and Shaw” and in jail for some unknown reason.
The addition of Vanessa Kirby as Shaw’s little sister Hattie is simply great casting. Not only does she look and sound like a young, feisty Helen Mirren, but Hattie is exactly what Johnson and Statham needed to ground their characters so they simply weren’t bickering for over two hours.
Vanessa Kirby is convincing as Helen Mirren’s badass daughter.
(Universal Studios image)
If you felt as if you saw the majority of “Hobbs and Shaw” in the trailers released, that’s relatively true. However, Universal did a great job of leaving two major surprises out of the film I won’t name here. You’ll never guess them, but one of the major additions received the most laughs of the entire movie.
While watching, I couldn’t stop thinking that one or two of the large action sequences would make for a great ride at Universal’s theme parks. Yes, they already have “Fast and Furious” rides at the Hollywood and Orlando, Florida, parks, but two, even three, chase scenes felt immersive enough to make for good additions. You’ll feel as if you’re on a ride yourself.
And pay attention to the music while watching. Elba, who’s also a DJ in real life, also wrote and performed a song that appears in the movie called “Even if I Die (Hobbs Shaw).”
I love Idris Elba, but when did the “Fast and the Furious” become “The Terminator”?
(Universal Studios image)
What’s not: There are some really silly moments, and the entire premise of the movie’s villain starts to take the franchise into the sci-fi genre.
Over the years, the “Fast” franchise has gotten more ridiculous in pushing the limits of where the films can go. If you’re along for the ride, you kind of just go with it. (The seventh film had Dom’s team go after a device called God’s Eye.)
But the villains thought up for “Hobbs and Shaw” make the “Fast” franchise feel as if it’s moving from action genre to sci-fi. And it should probably stick to action.
The bad guys want to genetically enhance and evolve the human race for unspecified reasons I’m guessing we’d learn more about in a sequel. That’s textbook villainy from a superhero movie.
That’s not all. There are a few moments when Idris Elba’s character, Brixton, starts to feel like a “Terminator” villain who just keeps coming back for more.
I guess at some point heist movies and chasing after drug cartels aren’t large-enough stakes when you’re 10 movies into a franchise.
(Universal Studios image)
Brixton is even referred to as such at one point on-screen because his character has been fused with some sort of machine so he can accurately predict others’ hits and movements. As a result, he’s a super soldier who’s more machine than man and appears unstoppable. At another point in the film, he’s called Black Superman.
Then there’s a faceless omniscient machine that’s pulling the strings behind-the-scenes. I’m sure the wizard behind the machine will be revealed to be someone with a grudge against Hobbs or Shaw in an inevitable sequel. But in this film, at least, the machine is a bit over-the-top. Every time its booming voice comes on-screen, it feels as if you’re watching a cheesy superhero film from the early 2000s.
It would all be a lot tougher to swallow if the chemistry between Johnson and Statham weren’t so good. Their wisecracks and fight scenes against Brixton’s goons are good enough to keep you distracted from thinking about how silly the villains are.
Jason Statham fight scenes? Sign me up.
(Universal Studios image)
Other than the villain, the entire third act of the film gets a bit silly when the group abruptly heads to Hobbs’ birth place of Samoa (eagle-eyed viewers will notice that they actually filmed in Hawaii) to enlist his estranged family to take down some high-tech baddies. What about the rest of the Fast fam? Where are they? Shaw only saved Dom’s baby in the previous movie. Surely, they owe him one.
I’ll let the location slide because the Rock himself is from Samoa. Throughout the “Hobbs and Shaw” press tour, he has repeatedly said he wanted to honor his culture on-screen. He even speaks in Samoan in the film. That’s sweet.
But once the Rock meets up with his older brother, Jonah, it’s a little bit tough to take Cliff Curtis seriously as someone who’s related to Hobbs. Curtis is fine in the movie, but he’s given two giant braids of hair to wear for the part. If you’re familiar with the actor from “Fear the Walking Dead,” it’s a jarring look that you never get used to while watching the movie.
It’s not a perfect film, but it has family at its heart. That’s the mainstay of a “Fast and Furious” film.
(Universal Studios image)
The bottom line: The Rock and Jason Statham keep the energy high in this crowd-pleasing spin-off. Expect more from these two.
I say this every time a “Fast and Furious” movie comes out. These aren’t movies that you take too seriously. They’re a good, fun time with explosions, high action, fast cars, faster car chases, and a few good brawls. If that’s what you go in expecting, that’s what Universal delivers with “Hobbs and Shaw.”
Is it a bit silly? Sure. Did I laugh and enjoy watching the Rock and Jason Statham bicker back and forth? Definitely. But most important, the film doesn’t forget its franchise roots. For as ludicrous as some of the film’s plot becomes, family is always at the heart of the spin-off.
If “Hobbs and Shaw” performs well at the box office, and I expect it will, get ready for a whole lot more of Luke, Deckard, and maybe Hattie as well. Make sure to stay until the film’s very end for a few unexpected end-credits scenes.
“Hobbs and Shaw” is in theaters Friday. Watch a trailer for the movie below.
Fast & Furious Presents: Hobbs & Shaw – Official Trailer #2 [HD]
Don’t get me wrong. Cherry was a very well-done film that authentically portrays the cluster f*** of the military. And it should — the screenplay was based on a semi-autobiographical novel written by Nico Walker, who served as an Army medic in Iraq from 2005-2006. After over 250 combat missions, Walker suffered from undiagnosed PTSD, became addicted to heroin, robbed banks to get money for his addiction before he was arrested and sentenced to eleven years in prison for his crimes.
While in jail, he wrote his novel, Cherry; both it and the film portray the horrors of war and addiction. Most veterans I’ve spoken to don’t love watching war films, which can be very triggering. A friend of mine was killed in her humvee during an IED attack, making caravan attack scenes extremely painful for me to watch. I can’t imagine what those scenes are like for the men and women who have lived through caravan attacks.
And Cherry doesn’t pull any punches.
The film does not glamorize or romanticize the military experience, which is refreshing. From duck walks at MEPS to boot camp shenanigans to the absolute carelessness afforded to service members overseas to the violence of war and the inevitability of addiction and depression as a result of untreated trauma, Cherry gets it right.
I’m just not sure who wants to watch it. Maybe veterans who need to see themselves and their pain reflected in art, but I’d argue it’s more important for our government leaders to confront the reality of the wars they engage in. Maybe teens interested in enlisting should watch before they sign up to be a hero.
No one I know feels like a hero. Superbly directed by Anthony and Joe Russo (Captain America: The Winter Soldier, Avengers: Endgame), written by Angela Russo-Otstot (The Shield, V) and Jessica Goldberg (The Path), and starring Tom Holland (currently playing Spider-Man in the Marvel Cinematic Universe), Cherry was released in theaters on Feb. 26, 2021 and premiered digitally on Apple TV+ on March 12, 2021.
Robert Duvall has had a remarkable career. With iconic roles in The Godfather I and II, Lonesome Dove, The Apostle, Tender Mercies, To Kill a Mockingbird, Apocalypse Now, Days of Thunder, and many more, Duvall is best known for his roles on screen and as an accomplished filmmaker. Perhaps lesser known is that he served in the Army for two years during the 1950s and comes from a military family where his father was a Rear Admiral.
WATM had the opportunity to speak with Duvall to hear about his fascinating life, from growing up as an Admiral’s son to working with some of the greatest minds in entertainment of all time.
WATM: What was your family like and your life like growing up?
We moved a lot because of being in a military family. We lived in San Diego and then Annapolis, MD, at the Naval Academy. I remember seeing a movie when I was really young at Camp Pendleton for a dime back in the 1930s when we lived in Mission Hills in San Diego. Right before WWII started, my dad was transferred from Pacific Fleet to the Atlantic Fleet, which led to our move to Annapolis for eight straight years. My father’s first ship was in the Atlantic. My grandmother lived with us for a while as well back then. As a young boy, I watched athletic events at the Academy and became inundated with their sports as a kid. I remember watching Army and Navy games when Army players such as Doc Blanchard and Glenn Davis were on the field.
My father was a good line officer and had a solid war record where he retired as a Rear Admiral. His first command was in San Pedro which was the USS Clark, which was a minesweeper. He was with destroyers from Europe to North Africa where his last command was USS Juno, which was a light cruiser. My father served on the USS Indianapolis (famous for delivering parts for Little Boy and then being sunk by the Japanese losing a large percentage of the crew to sharks) and carried President Roosevelt’s bags for him while he was on the ship. My father kept quiet about his service in retirement and didn’t go out on ships once retired..
We prayed and did our bit at home while he was abroad fighting in the war. One funny thing was how my father stopped smoking during the war, so we sent him chewing gum instead. My father worked with the British Navy and enjoyed serving with them. He told us how the British Navy would toast the Queen but not the President of the U.S. After they would have dinner and wine, the British would have wrestling matches where it was best two out of three falls. My dad respected the British and Churchill. Thank God for Churchill as he was likely the greatest man in the 20th century.
As a young teen, me and my siblings went out to our uncle Harold Prescott’s 40,000-acre cattle and sheep ranch in Montana for two summers in a row. This happened at the end of WWII. These memories and experiences at the ranch I’ll never forget; they embedded in me a certain culture. We would go there by train on the Empire Builder of the Great Northern. It would take us from Chicago where we took the Baltimore Ohio the first way and my aunt would pick us up when the Empire Builder would stop in the open fields.
We rode horses, cleaned out the chicken coop, went camping in the mountains and fly fishing with my uncle. I met Jimmy Morrison, a great veterinarian and immigrant from Scotland, while at the ranch and learned a lot about handling animals from him. He was just good to be around where we pitched horseshoes every night with him. Jimmy roped a baby coyote from his horse once and he raced full speed on his quarter horse and touched a galloping antelope on the neck.
They would have big dances there in Montana where if you asked the wrong woman to dance the whole place would turn into a gigantic fist fight, thereby ending the dance. My uncle even gave us a salary at the end of the summer for the work we did around the ranch. He told us, “With your father off fighting the war the least I can do is pay you boys something for your work around here.” My uncle Harold fought in WWI in the Battle of Belleau Wood as a Marine.
I went into a small college, Principia College where my military family pushed me into acting. I changed my major to drama after my first A in an acting course and found myself.
WATM: What is the most distinct memory of your mother and your father?
My mother ran the home while my father was away. My father could be gone for eight months and we respected him for his service. He was a good man and taught us work ethic by example. My mother ran a cotillion for dancing as we grew up where we learned social graces and how to interact with people, especially women. She made for us a good and stable home life with great experiences.
WATM: What values were stressed at home?
We were taught to believe in God, do good for other people and to be patriotic. We were taught to keep positive thoughts even in hard times.
WATM: What influenced you to join the U.S. Army and what lessons did you take away from your service?
I was drafted and went in for two years where the Army was okay. I did a lot of imitations of people I met in the Army which was shared with my family and friends. One experience really stuck with me was with a fellow soldier nicknamed 3-D, who was like six feet six inches tall and could hardly see. We were marching one night and he disappeared as he had fallen into a fox hole. It struck me as strange that Mickey Mantle was 4F, but that 3-D was considered service worthy. How is a star center fielder for the Yankees not able to serve but this guy is?
I really brought away humor and the ability to tell stories from the Army and served my time. It served me later for playing military roles and allowed me to have a respect for the part. I have a respect for the military, so I played those parts with credence and professionalism.
WATM: What are the best lessons that Sanford Meisner taught you?
I trained with Sanford on the GI Bill where he taught me how to be as simple as possible in connecting with people. He showed us how to be basic and get to the core of communication. He taught me a legitimate and helpful shortcut in acting. Meisner once said he was easier to please than Lee Strasberg at the Actors Studio. Meisner was friends with Horton Foote, who gave me my first film in “To Kill a Mockingbird.” Horton had seen me in a play that Meisner had directed at the Neighborhood Playhouse and liked what they saw, so from that I got Boo Radley. It was a wonderful part to start off with and Horton really helped me a lot in my career.
WATM: What was it like transitioning from stage actor to Film/TV actor?
I started out in the theatre and did summer stock. The main difference is you just speak up a little more on stage than you do in film and TV. You are still believing in an imaginary set of circumstances and going into an imaginary world. It is you doing it yourself where you are appearing as you are becoming something else as we have only one set of emotions and psyche. One of my favorite stage parts ever, American Buffalo, I did on Broadway, which is the Mamet play, it was the best. You do eight shows a week which can wear you down. I would nap between shows and just get up and stumble on stage from that deep nap. Rest is very important.
WATM: What are some of your best memories from your early to mid-career working on great shows and films?
There were parts I was able to grow in and was able to get better as I got older. There are always some parts you do better than other parts for whatever reasons. Eastwood was good to work with and I liked working with John Wayne as well. The Duke was just neat to be around. He did some good work and stuck up for me on the set of “True Grit.” I was having struggles working with the director of the film where Duke chimed in to balance the odds.
Ulu Grosbard was a close friend and gave me a lot of help early in my career. He directed me in Broadway and Off-Broadway plays. If I needed something from him, he would help me right away. He was a great guy.
Brando was the great one to work with and was so innovative. A memorable story is where I met a great English stage actor that went to see a Streetcar Named Desire when Brando was in it on Broadway. The English actor got embarrassed because he thought a stagehand had wandered on stage by mistake. The “stagehand” was so natural, but it turned out that it was just Brando on stage. The English actor went to see it seven times. Gene Hackman, Dustin Hoffman and I would meet at Cromwell’s drug store two or three times a week for an hour. We mentioned Brando nearly every day in those conversations. Working with Brando was amazing; he turned the world upside down when he came around.
Jimmy Caan is super funny and an extremely quick wit. James has a lot of talent and is a wonderful actor where we stay in touch with each other. De Niro was wonderful and I did summer stock with Gene Hackman. One note on Gene, when I busted my pelvis on set a long time ago, he offered me his last 0. I didn’t take it but he is a great guy to be around. Gene Hackman was a Marine and played on the USMC Football team with Joe Bartos, a Naval Academy grad and professional football player for the Redskins. Gene also served in Korea and stood duty in the cold there. He used to tell me stories about his time in Korea. Dustin Hoffman was my roommate and was a character where he belongs in the business. I kept in touch with Wilford Brimley as well when he was a bodyguard for Howard Hughes and a Marine.
WATM: What was your experience like working on the military films “Apocalypse Now” and “The Great Santini?”
When I went in to read for “Apocalypse Now,” the initial writing for the character I played wasn’t written very well. Colonel Carnage was the original name for LtCol Kilgore and was made more of a caricature of the Army than a realistic portrayal. It was just too much for me. Coppola allowed me to adjust the LtCol for the film and to find the uniform and the hat for the character. Coppola always allowed me to find the character and was very instrumental in my career. He helped me a lot. Coppola and I were so close, we would have arguments on the phone about artistic points, but we had a mutual respect. I really like working for him.
When I did “The Great Santini,” I went down early to location to get settled in Beaufort, South Carolina. I found a place to live and went into a real estate office where they thought I was a Marine. One funny memory was when I went up to a beautiful house on the hill when looking for a place to rent. I went up to the door with the real estate people where this sweet, little southern lady opened it and I asked her if she would allow me to rent the home from her. She had the most honest and funniest response with her draw, “Well where would I go?” I thanked her for her time, and we left.
I would get up at 5:30 in the mornings and go hang out with the drill instructors at MCRD Parris Island. They seemed more beat up and tired than the recruits were. They were hoarse and exhausted from their work training them. I went to the officers and non-commissioned officers’ ball while on base where I had a great time with them. I always try to be as accurate as I can with military parts, especially in “The Great Santini.” Overall, working with the Marines was great! I love Marines!
Robert Duvall with Francis Ford Coppola on set of “Apocalypse Now.”
WATM: What are your favorite moments from your mid-career to now on such films?
“Tender Mercies” comes to mind where I insisted on Wilford being in the film with me where he had my back in dealing with the director. Wilford helped with the common distance between a foreign director and a native actor, which was taking place in my situation. One of the best memories from that set is when the director, Bruce Beresford, told us to, “pick up the pace,” on set. Wilford responded with, “I didn’t know anybody dropped it.” . Wilford’s retort drew laughter from the cast and crew.
I once walked into the dining room on “Lonesome Dove” and told them, “We were making the Godfather of Westerns.” I really believe that and playing Gus is probably my most favorite part to play overall.
“Days of Thunder” was a lot of fun working with Tom Cruise. Tom Cruise is a good guy to work with and he bought me a ,000 jumping horse. He really is a terrific and very giving guy. It was great to be with him again on “Jack Reacher.” I played a retired Marine in that film with him.
Working on “Falling Down” with Rachel Ticotin was wonderful. She is a smart and fun actress to work with. We had a great time on set for the film.
“The Apostle” was a wonderful film to make. Miranda Richardson was so talented in the film and we had Farrah Fawcett, who was underrated, in it as well. I put my own money in that film and we got it back. Marlon Brando loved it and so did Billy Graham, so I got praise on both sides from the secular and religious. Brando wrote me a letter that is framed on my wall and it still means a lot to me what he wrote.
Hank Whitman is another talented professional to work with where we worked together on “Wild Horses” in 2015. He is a Texas Ranger and served in the Marines. He is a classy guy and a man of his word.
My favorite film to work on recently was “Get Low,” just loved the character. It was just a nice production to work on, especially with Lucas Black who I worked with on “Sling Blade.”
WATM: What are you most proud of in your life and career?
I am proud of my wife Luciana and we have a nice relationship. She is a great cook, she is going for her brown belt in Brazilian Jiu-Jitsu and is studying Kali which is Filipino knife training. She has a great family she comes from in Argentina where she is the granddaughter of Argentinian aviation pioneer Susana Ferrari Billinghurst. We love our dogs and they are like kids.
Picture of Robert with his wife Luciana at an event for “The Judge.” Credit IMDB.com.
Few things have the power to transport people like the cinema.
Who can forget Robert Williams’ “Good morning, Vietnam” or Marine Corps DI Hartman’s memorable quotes?
The following list is of our favorite military movies to watch over Fourth of July weekend.
“The Longest Day” (1962)
“The Longest Day”tells the story of heroism and loss that marked the Allies’ successful completion of the Normandy Landings on D-Day during World War II.
The film stands out due to its attention to detail, as it employed many Axis and Allied D-Day participants as advisers for how to depict the D-Day landings in the movie.
“Lawrence Of Arabia” (1962)
Based on the exploits of British Army Lieutenant T. E. Lawrence during World War I, “Lawrence of Arabia” tells the story of Lawrence’s incredible activities in the Middle East.
The film captures Lawrence’s daring, his struggles with the horrific violence of World War I, and the incredible British role in the foundation of the modern Middle East and Saudi Arabia.
“The Great Escape” (1963)
“The Great Escape” is based on a novel of the same name, which was a nonfiction account of a mass escape from a German prison camp in Poland during World War II. The film follows several British German prisoners of war as they try to escape from the Nazis and make their way back to Allied-controlled territory.
“The Dirty Dozen” (1967)
Extremely loosely inspired by true acts during World War II, “The Dirty Dozen” tells the story of 12 Army convicts trained for a nearly impossible mission deep in Nazi-occupied France before D-Day, and the film follows their exploits in training and beyond.
“MASH” is a black comedy set on the frontlines of the Korean War. The story follows a group of Mobile Army Surgical Hospital officers as they carry out their mission against the bleak backdrop of the seemingly ceaseless conflict miles from their position.
A movie documenting the life and exploits of General George S. Patton.
A wartime hero of World War II, the film covers Patton’s exploits, accomplishments, and ultimate discharge.
“The Deer Hunter” (1978)
“The Deer Hunter” follows the story of a trio of Russian-American steelworkers both in Pennsylvania before their service and during the Vietnam War.
The film, which stars Robert De Niro, Meryl Streep, and Christopher Walken, won multiple awards, including the Academy Award for best picture, best director, and best supporting actor for Walken.
“Apocalypse Now” (1979)
Featuring an all-star cast (Marlon Brando, Martin Sheen, Robert Duvall, and Dennis Hopper) and directed by Francis Ford Coppola, “Apocalypse Now” is a modern adaptation of Joseph Conrad’s classic “Heart of Darkness.”
Set in Vietnam in 1970, the film shows to what depths men will sink during wartime.
“Das Boot” (1981)
“Das Boot” is a German film depicting the service of German sailors aboard fictional submarine U-96. The story has been lauded for personalizing the characters during World War II by showing both the tension of hunting ships, as well as the tedium of serving aboard submarines.
“Top Gun” (1986)
Starring Tom Cruise and Val Kilmer, “Top Gun” follows Cruise as he attends the Top Gun aviation school. An aggressive but extremely competent pilot, Cruise competes throughout his training to become the best pilot in training. The film was selected in 2015 by the Library of Congress for preservation due to its cultural significance.
“Platoon,” featuring Charlie Sheen, depicts the horrors and difficulties of the Vietnam War. The movie both shows the difficulty in locating potential insurgents in a civilian population, as well as the strains and struggles war can place on brothers-in-arms.
“Good Morning Vietnam” (1987)
Loosely based on a true story, “Good Morning Vietnam” is a comedy-drama starring Robin Williams as a radio DJ in Saigon during the Vietnam War.
Williams earned an Academy Award for best actor.
“Full Metal Jacket” (1987)
Directed by Stanley Kubrick, “Full Metal Jacket” follows two new recruits as they enter bootcamp during the Vietnam War. From depicting the struggles of training to the savagery of war, “Full Metal Jacket” remains a timeless classic.
Featuring Matthew Broderick, Denzel Washington, Cary Elwes, and Morgan Freeman, “Glory” follows the US’s first all African American regiment, the 54th Massachusetts Volunteer Infantry.
Denzel Washington won an Academy Award for his performance.
“The Hunt For Red October” (1990)
Based on Tom Clancy’s bestselling novel, “The Hunt For Red October” is set during the last stages of the Cold War.
The film stars Sean Connery as a rogue Soviet naval captain who is attempting to defect to the US with the Soviet Union’s most advanced nuclear missile submarine.
“Schindler’s List” (1993)
Directed by Steven Spielberg and starring Liam Neeson, “Schindler’s List” tells the true story of how businessman Oskar Schindler evolves from seeing Jews as nothing but human chattel to doing his best to save as many Jews from Nazi death camps as possible during the Holocaust. The film, based on a true story and painfully told, won the Academy Award for best picture.
“Saving Private Ryan” (1998)
Directed by Steven Spielberg and featuring Tom Hanks, “Saving Private Ryan” showcases both the brutality of World War II while also paying tribute to the amazing courage and honor that each person can rise to. The movie won Spielberg an Academy Award in 1999 for best director.
“Three Kings” (1999)
Featuring Ice Cube, Mark Wahlberg, and George Clooney, “Three Kings” shows a stark depiction of life on the ground in Kuwait and Southern Iraq following the end of the Gulf War.
The movie depicts the brutality that Iraqis faced from the regime of Saddam Hussein after trying to rise up against the government at the end of the war.
“Black Hawk Down” (2001)
Directed by Ridley Scott, “Black Hawk Down” follows the tragic exploits of US special forces that were sent into Somalia on a peacekeeping mission in 1993. The movie won the Academy Award for best film editing in 2002.
“Jarhead,” directed by Sam Mendes and starring Jake Gyllenhaal, depicts a realistic look at the mix of drudgery and tension that exists for soldiers in a war zone.
The movie spans from the late 1980s through the US involvement in the Gulf War.
“Downfall” depicts the end of the European stage of World War II from inside Adolf Hitler’s bunker in Berlin. The movie depicts Hitler’s final days as he, and his fellow high-ranking Nazis, realize the futility of their position in the war and the end of the Third Reich.
“Tae Guk Gi: The Brotherhood of War” (2005)
“Tae Guk Gi” follows the tale of two South Korean brothers during the start of the Korean War. Drafted into combat, the older brother continuously volunteers for the most dangerous missions in exchange for his little brother’s safety. But, as the movie depicts, such constant violence takes the toll of all involved.
“Letters From Iwo Jima” (2006)
Directed by Clint Eastwood, “Letters From Iwo Jima” tells the story of the Battle of Iwo Jima from the Japanese perspective. The film is a companion to Clint Eastwood’s film “Flags Of Our Fathers,” which also tells the story of the Battle of Iwo Jima but from the American perspective.
“Beasts Of No Nation” (2015)
Released on Netflix, “Beasts of No Nation” is based on a book of the same name by Uzodinma Iweala. Set in an unnamed West African country, the film depicts the horror of civil war and the use of child soldiers.
The film is told from the point of view of the child soldier Agu, played by Abraham Attah, as he attempts to survive and is forced to fight in the war.
Comfort is one of the last things in mind when the U.S. Navy designs a submarine. There’s little room to walk around, restrooms and showers are kept as cramped as possible to make room for ordnance and mechanics, and the perpetual lack of sunlight and fresh air will make you forget what time of the day it is.
Add all that up and you’ll quickly realize being deployed for months on end on a submarine is enough to make most people go crazy with cabin fever — but the submariners of the United States Navy are legitimate badasses, so they make due.
We Are The Mighty is proud to support the release of ‘Hunter Killer,’ a submarine thriller starring Gerard Butler and Gary Oldman that hits theaters on October 26, 2018.
An extra two hours of duty is nothing if it means not losing your freakin’ mind.
(U.S. Navy photo by Mass Communication Specialist 1st Class Jeffrey M. Richardson)
There’s a certain flow that gets developed while underway. The lack of sunlight actually makes it easier on the human body to adapt to a new circadian rhythm, which makes splitting shifts a little easier. There’s a running joke among submariners that the only reliable way to tell the time it is by what the mess hall is cooking. If it’s waffles, it’s probably morning. If it’s leftovers, it’s definitely midnight.
The crew takes turns cycling through three eight-hour shifts: eight hours of sleep, eight hours of duty, and eight hours of free-time. Prior to 2014, submariners endured an 18-hour day that was split into three sections of six hours of each, but it was decided by the powers that be that shifting people off of a 24-hour cycle was a terrible idea for everyone’s sanity.
This 15 sq. foot rack can be all yours for the low, low price of a one enlistment contract!
(U.S. Navy photo by Mass Communication Specialist 1st Class Jeffrey M. Richardson)
When it comes to sleeping, it’s not an exaggeration to say that the racks resemble coffins. Stacked two high and barely arms-width apart, the only way you can get any kind of privacy is via a tiny, little curtain. If you can get used to that, great. If you can’t, well, sucks to be you…
The space for your personal belongings amounts to all of a single drawer under your rack and a cabinet above your pillow. To everyone else in the military, that’s about a duffel bag’s load of stuff to last you an average of 90 days. What this means is that you’ll usually take changes of uniforms, the occasional personal memento, and that’s about it.
Slackers, rejoice! You probably won’t be PTing that much while you’re underway. Just remember that PT standards still apply when you’re back on land, so there’s that…
(U.S. Navy photo by Mass Communication Specialist 1st Class Steven Khor)
After the submariner finishes their assigned watch, their time is their own until they head back to bed. They’ll often get called back for work or get stuck on some mind-numbing detail — but sometimes, it’s a nice break in the monotony.
Since you can’t really chill out in the living quarters if you’re lower rank, the preferred way to relax is to crowd into the mess hall and watch TV. New submarines are being fitted with internet access to give submariners something to do — but don’t expect speeds greater than old-school dial-up all the way down there. There are gyms on board, but you’ll have to stretch your definition of “gym” to mean two machines that are shared among the crew.
Life isn’t easy on a submarine. It’s not for everyone. But if you can endure the extensive training to earn your Submarine Warfare Insignia and knock out a deployment-at-sea in a cramped tin can, you’ve earned the right to be objectively cooler than (nearly) everyone else in the Navy.
We Are The Mighty is proud to support the release of ‘Hunter Killer,’ a submarine thriller starring Gerard Butler and Gary Oldman that hits theaters on October 26, 2018.