The Coast Guard has long been given huge tasks without getting a lot of the manpower, hulls, or aviation assets needed to complete them. Considering how much ground they need to cover with what little they have, it’s safe to they they’re the experts at working with what they have.
That said, it’s pretty obvious the Coast Guard could use a few more tools for the job. In the past, the Navy has been happy to pass pieces of gear along — here are a few ships and planes the Coast Guard could use today.
At least 20 Perry-class hulls are awaiting sale or the scrapyard. Perhaps the Coast Guard could claim a few…
Oliver Hazard Perry-class guided-missile frigates
In 2004, the Navy removed Mk 13 launchers from Perry-class frigates, greatly diminishing their firepower in the process. Even still, a 76mm gun and helicopter hangar makes them excellent complements to the Coast Guard’s National Security Cutters. At least twenty of these ships are awaiting sale or scrapping, but they could see decades more of service with the Coast Guard.
A Cyclone-class patrol craft has a top speed of 35 knots, something very useful for chasing down drug smugglers.
(Customs and Border Patrol)
Cyclone-class patrol craft
Although they’re back with the Navy now, the Coast Guard once operated five of these vessels. Their high speed and respectable firepower give them excellent drug-interdiction capabilities. These 13 vessels would complement the planned 58 Sentinel-class patrol cutters extremely well.
The Avenger-class mine countermeasure ships may be old, but they could help the Coast Guard around Alaska.
Avenger-class mine countermeasures ships
These 13 vessels may be slow, but they’re built tough. Some of the Coast Guard’s missions, especially around Alaska, place a premium on ships that can take some punishment. Ships intended to hunt mines can do just that. Adding these ships to the fleet frees up other cutters for missions elsewhere.
SPY-1 radars and Aegis make the early Ticonderoga-class cruisers, like USS Yorktown (CG 48), potential assets for the Coast Guard.
Ticonderoga-class guided-missile cruisers
The former USS Ticonderoga (CG 47) and USS Yorktown (CG 48) are berthed in Philadelphia, awaiting the scrapyard. However, the SPY-1 radars and Aegis systems aboard these vessels would greatly aid the Coast Guard’s maritime security mission.
The E-2C Hawkeye could give the Coast Guard an eye in the sky.
The Navy is getting newer E-2D Hawkeyes, but the older E-2Cs would still be very useful for the Coast Guard in helping maintain situational awareness. The Coast Guard once operated Hawkeyes — doing so again would take a burden off of the Navy.
P-3 Orion maritime patrol aircraft could help the Coast Guard track ships for long periods of time.
Often, cartels will use makeshift subs to try and get drugs into the United States. The P-3s that the Navy is planning on retiring could be extremely useful assets for the Coast Guard in finding these undersea mules. Additionally, these planes could supplement the HC-130 Hercules aircraft in service, often by handling surveillance missions. With loads of sensors aboard the P-3, there’s nowhere for the bad guys to hide.
The fact is, the Coast Guard has always been able to give old gear new life. With a couple of hand-me-downs, the Coast Guard just might find itself with new ability — without busting the budget.
The coronavirus that causes the illness COVID-19 first appeared in central China but has since become a global pandemic, and it has infected three US sailors aboard three different Navy warships, the service said.
The three sailors are in isolation at home, as are individuals identified as having had close contact with them. Military health professionals are investigating whether or not others were exposed, and the ships are undergoing extensive cleaning.
For the Navy, protecting its warships are a serious concern.
Last year, the Whidbey Island-class dock landing ship USS Fort McHenry experienced an unusual viral outbreak. Mumps hit the ship hard, infecting 28 people despite efforts to quarantine the infected and disinfect the vessel.
That was a vaccine-preventable illness. There is no available vaccine for the coronavirus, which has infected over 200,000 people and killed more than 8,000 worldwide. Sailors live in close proximity aboard Navy ships, and communicable diseases are easily transmittable.
Navy ships are filled with personnel and are not exactly conducive to social distancing. The Boxer, for instance, can carry up to 1,200 sailors and 1,000 Marines.
Pacific Fleet is begging sailors to stay off ships if they feel unwell. “We don’t want sick sailors on our ships right now,” Cmdr. Ron Flanders, Naval Air Forces spokesman, told The San Diego Union-Tribune on Monday. “If sailors are feeling ill, they should notify their chain of command.”
When you’re on deployment in the middle of nowhere, calling friends and family can be challenging. The satellite phones might be down for various reasons — or since you’re probably in different time zones — the person you’re trying to reach has been in bed for hours.
Get used to it because you have six more months until you rotate home.
As more and more people use social media these days versus talking on the phone, new problems will surface for our deployment service members — all because of freakin’ social media.
In the six months since its activation, the Navy’s 2nd Fleet has bulked up and is embracing its mission in the North Atlantic and the Arctic, where the US and its partners are focused on countering a sophisticated and wily Russian navy.
Second Fleet was deactivated in 2011 for budget reasons — 65 years after being set up to deter the Soviet Union in the Atlantic and around Europe. Most of its assets were shifted to Fleet Forces Command.
The fleet returns amid a shift toward a potential great-power conflict, but the new version will differ from its predecessor by being “leaner, agile, and more expeditionary,” Rear Adm. John Mustin, the fleet’s deputy commander, said Jan. 16, 2019, at the Surface Navy Association’s annual symposium.
Rear Adm. John Mustin at Naval Base San Diego, Feb. 24, 2017.
(US Navy photo by Mass Comm. Specialist 3rd Class Craig Z. Rodarte)
“When I say lean, what does that mean? The staff complement is organized and billeted to be operational. The majority of staff will focus on operations, intelligence, plans and training,” Mustin said.
Questions have been raised about how 2nd Fleet will integrate with other numbered fleets — particularly 6th Fleet, which oversees waters around Europe, and 4th Fleet, which is responsible for the Caribbean Sea and waters around Central and South America — but Navy officials have said the goal is not to draw stark lines in the sea.
Second fleet’s primary focus will be working with 6th Fleet and 4th Fleet “to ensure a seamless command and control for force employment — ensuring there is no vulnerability, no seam in the Atlantic,” Lt. Marycate Walsh, a spokesperson for 2nd Fleet, told Business Insider in December 2018.
US Navy guided-missile destroyer USS Jason Dunham hits heavy seas in the Atlantic Ocean, deployed in the 2nd Fleet area of operations, Dec. 18, 2018.
(Navy photo by Mass Comm. Specialist 2nd Class Jonathan Clay)
Prior to its deactivation, 2nd Fleet was mostly a training command for units getting ready to deploy.
Now, however, the focus is “to develop and dynamically employ maritime forces ready to fight across multiple domains in the Atlantic and Arctic,” Mustin said at the symposium.
“Previously, forces reported to 2nd Fleet when they entered the fleet’s geographic area of operations. Under the new model forces will be assigned once in the final stage of the training cycle and through the end of the period in which forces are available for operational tasking, unless the unit transitions to the control of another numbered fleet,” Walsh told Business Insider in December 2018.
“This allows 2nd Fleet to focus its attention on the development and employment of forces at the highest level of warfare,” Walsh added.
An MH-60S Seahawk helicopter crewman watches simulated fast-attack craft approach the USS Kearsarge during a Surface Warfare Advanced Tactical Training exercise, June 24, 2018.
(US Navy photo Mass Comm. Specialist 2nd Class Ryre Arciaga)
Like the stand-up of 2nd Fleet, the Navy’s first East Coast use of Surface Warfare Advanced Tactical Training — a Top Gun-like exercise meant to impart advanced knowledge of weapons and tactics to surface crews — is part of the effort to train for warfare against an enemy fleet.
Mustin said during his remarks that he was the 18th staff member to report to 2nd Fleet and that by March the command will have 85 people assigned — a “number that will continue on a glide slope that is increasing rapidly,” he said.
To avoid bloat and redundancy, the 2nd Fleet will work with Fleet Forces whenever possible, Mustin said. Both commands are based in Norfolk, Virginia. Ships will be under Fleet Forces’ operational command, while 2nd Fleet will have tactical control.
A fire controlman trains sailors on firefighting tactics in an engine room l aboard Navy guided-missile destroyer USS Jason Dunham in the 2nd Fleet area of operations, Dec. 17, 2018.
(US Navy photo by Mass Comm. Specialist 2nd Class Jonathan Clay)
But the fleet is growing to be fit for purpose and fit for its time, Walsh told Business Insider.
“It makes sense to describe 2nd Fleet in terms of capability rather than in terms of the number of personnel assigned,” Walsh said. Most of the personnel assigned to it will focus on operations, intelligence, plans and training, “with only a few staff members focused on higher headquarters administrative functions.”
Mustin also told attendees at the symposium that they could expect 2nd Fleet personnel to be roaming their area of operations — working from forward posts on command ships or from austere locations ashore — while keeping in touch with home base in Norfolk.
Guided-missile destroyer USS Jason Dunham approaches fleet-replenishment oiler USNS Joshua Humphreys, right, for replenishment-at-sea in the 2nd Fleet area of operations, Dec. 19, 2018.
(US Navy photo Mass Comm. Specialist 2nd Class Jonathan Clay)
Those personnel will include staffers from allied countries and other partners who are fully integrated rather than assigned as liaisons, said Mustin, who added that surface warfare officers interested in 2nd Fleet had been approaching him at the symposium.
Moreover, plans are to rotate Navy reservists through the fleet to work alongside active-duty sailors, with the goal of keeping those reservists up-to-date. “This is not your grandfather’s 2nd Fleet, or, as my staff likes to point out, my father’s 2nd Fleet,” Mustin said.
Second Fleet will also work on development in other aspects of naval warfare.
Lt. Gen. Robert Hedelund, commander of II Marine Expeditionary Force, and Vice Adm. Andrew Lewis, commander of 2nd Fleet, at Camp Lejeune, North Carolina, Aug. 27, 2018.
(US Marine Corps photo by Pfc. Nicholas Guevara)
Working with the Naval War College and the Warfare Development Centers, the fleet “will be a hub for the Navy’s concept development and implementation, ensuring that when the Navy operates around the world, it is prepared to compete, fight, and win in great-power competition,” Walsh told Business Insider in December 2018.
In September 2018, the Center for Executive Education at the Naval Postgraduate School led 2nd Fleet staff in a seminar to develop the fleet’s mission set, and in coming months the 2nd Fleet will work with the Naval War College on staff training to “ensure the fleet is equipped to command and control naval forces at the highest level of warfare,” Walsh said, adding that most 2nd Fleet staff will attend the school’s College of Maritime Operational Warfare.
“Going forward, this same kind of integration applies to the employment of the naval forces [that] 2nd Fleet commands,” Walsh added.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Godzilla’s roar has long been considered one of cinema’s most iconic and recognizable sounds. Oft-copied or otherwise homaged, the original and rather unique roar terrified audience goers in the 1950s and has been built upon to dramatic effect in the numerous sequels and remakes since. So how did they actually make the original sound and where did the idea for Godzilla come from in the first place?
As for the idea behind the monster, producer Tomoyuki Tanaka was looking for a project to work on after another film he was involved with got scrapped. Given the popularity of such films as King Kong among Japanese audiences, he decided to create a similarly themed movie. Except in this case, the monster would function as a not so subtle metaphor for the devastation of nuclear destruction and its radioactive aftermath ‚ hence Godzilla being a prehistoric creature awakened and energized by atomic explosions, and who in turn shoots a radioactive heat beam out of its mouth, leaving a wake of death and destruction, with many survivors in turn suffering from radiation sickness.
As for the final version of the creature itself (and, yes, while in Western versions Godzilla is generally referred to as a “he”, in the Japanese versions the creature is an “it”), before the iconic design we know today was settled on there were differing ideas on how to best realise the monster. An idea that was proposed early on before being eventually rejected was to make Godzilla resemble a large gorilla/whale hybrid, more or less mimicking the whole King Kong thing, but making the animal somewhat amphibious too. (Note here, the name Godzilla ultimately derives from the Japanese name “Gojira”, which is in turn a portmanteau of “whale” and “gorilla”.)
Behind the scenes photograph from the set of Godzilla Raids Again.
This whale/gorilla hybrid idea was initially proposed by Tanaka. However, when an artist was brought in to create a design for the creature based on this general idea, it was quickly rejected because the results ended up looking too human-like; they wanted something much more unique and ancient looking.
Switching it up, sculptor Teizo Toshimitsu and art director Akira Watanabe decided to base the design of Godzilla on that of dinosaur, specifically the T-Rex, with elements of other dinosaurs such as the Iguanodon and modern reptiles like the alligators thrown in. On top of that, to double down on the atomic radiation association, they put keloid scars all over its body, which would have been familiar to Japanese audiences, with these scars commonly showing up on survivors of the nuclear blasts.
As for Godzilla’s exaggerated dorsal fins, these originally were not meant to serve any purpose in the 1954 film, and were simply added to give the creature a more distinctive silhouette. However, it would ultimately be established that they can be used by Godzilla to absorb nearby radiation or even as a weapon.
After creating the monster, Godzilla needed a voice. As it was designed to be an unnatural combination of various creatures both alive and dead, the sound crew found it especially difficult to come up with something that worked for its roar. According to famed composer Akira Ifukube, who created both Godzilla’s roar, the sound of its footsteps, and composed the film’s soundtrack, sound engineers went to a local zoo and recorded the roars and cries of virtually every animal there to try to come up with something usable.
They then tried a number of combinations of these sounds to create something distinct, failing each time because the resulting roar always sounded too familiar. Ikufube notes that the engineers eventually got so desperate they even tried distorting the cries of random animals like herons to the point that they were unrecognisable, but nothing was satisfactory.
The problem, at least in Ikufube’s eyes, was that the roars of other animals, even when heavily distorted, still sounded too natural. What they really wanted was a unique sound like nothing ever heard from an animal before, but still animal-like, and a little terrifying. Thus, scrapping all the previous sounds, despite working under an incredibly tight deadline, Ikufube decided to look at other potential means to make the roar. For the solution, he states, “For the roar of Godzilla, I took out the lowest string of a contrabass and then ran a glove that had resin on it across the string…. The different kinds of roars were created by playing the recording of the sound that I’d made at different speeds.”
And just as a brief aside here when talking about the tight deadline in scoring movies in Japan at the time, when asked about whether his now iconic music for Godzilla was among his favorite compositions, Ikufube stated,
Unlike American film score composers, Japanese film score composers are given only three or four days in which to write the music for a movie. Because of this, I have almost always been very frustrated while writing a score. I therefore can’t select any of my scores as favorites.
Going back to the roar, the resin on the glove helped create the added friction needed while being dragged across the string to make a noticeably grating sound that would hopefully cause a feeling of unease in those who heard it— akin to nails on a chalkboard, but with a lot more depth.
Attempting to recreate some version of Ikufube’s sounds for the 2014 version, Erik Aadahl and Ethan Van der Ryn, who created the new roar, stated, “We dissected that original roar and figured out exactly which key musically it was in, which is a C to D on the piano, and the finishing bellow that has the same notes on a lower octave. We figured out the timing, cadence and musical pitch of that original roar, and then started to experiment with different ways to re-create it.”
After a whopping six months of experimenting, they settled on a combination of sounds, though as to how they came up with them, they’ve promised to take that secret with them to the grave. Said Aadahl, “I think more so than any other sound effect we’ve designed, we have a certain protectiveness over that sound. It’s when you’re giving voice to something, you’re giving it its soul. And if we tell everybody exactly how we did it, people will think of that when they hear the roar, and we want them to think of Godzilla.”
Scene from Godzilla: King of the Monsters.
That said, what little they have revealed is that the sound, much like Ikufube’s, was the product of friction using something man-made, rather than modifying an animal sound. They also note that over the course of their experiments they played with things like car doors with rusty hinges, as well as rubbing the heads of drums, among other things. They further state they found that using the plastic sole from a hiking boot on the strings of a double bass produced the closest they could get to the original roar in their experiments.
During the course of all of this, to get an even more unique sound, Van der Ryn states, “We bought a microphone that was able to record above the range of human hearing. We started experimenting will all different types of sounds — sounds that we couldn’t actually hear when we were recording. But when we slowed them down into the human range of perception, we had an incredible palette of normally invisible sounds that people normally don’t get to hear.”
Finally, to get proper echo sounds, as well as what it would sound like from within a building or a car, etc. (basically different ways it might be heard in the final film), they managed to convince the band Rolling Stones to let them use their tour speakers. They then set everything up outside at various locations at Warner Brothers studios, and simply blared the roars at high volume and recorded the result from various other locations nearby.
Naturally, they got some complaints about this, with Aadahl stating, “The neighbors started tweeting, like, ‘Godzilla’s at my apartment door! And we were getting phone calls from Universal Studios across town, because tour groups were asking, ‘What’s all that commotion going on down in the valley?’ The sound that we were playing actually traveled over 3 miles… 100,000 watts of pure power.”
Going back to the original Godzilla, if you’re wondering about the aforementioned footstep sounds, according to Ikufube, the story behind those was,
One of Toho’s electrical engineers made a simplistic amplifying device some time before production on GODZILLA – KING OF THE MONSTERS got underway. It was just a box that had several coils connected to an amplifier and a speaker in it. When you struck it, the coils would vibrate, and a loud, shocking sound would be created. I accidentally stepped on the device while I was conducting the score for a movie that was produced shortly before GODZILLA – KING OF THE MONSTERS was made. I said, “What the heck is that?” when I heard the noise that was produced. When I was asked to create Godzilla’s footfalls, I decided to use the device.
Ever wonder how they made the sound effect for the lightsaber? Well, wonder no more, sound engineer Ben Burtt states, “In the booth where we projected the films… Those projectors would make a hum. They weren’t running, they were idling, the motors would just sit there with this kind of magical, mysterious humming sound that I thought was musical in a way and I thought that’s probably what a lightsaber would sound like… And I was searching for some other element, and I had a tape recorder with a broken mic cable that the shielding had come off of and when I walked passed a television set in my apartment it picked up the hum from the picture tube directly into the broken wire, and that made a buzz, and I thought, that’s a great buzz, that sounds dangerous… normally a sound person doesn’t want a buzz or a hum, but in this case a buzz and a hum was the answer.”
Moving on to the famous “Star Wars scream”, more properly known as the “Wilhelm Scream”, heard in hundreds of movies, this was created via the vocal talents of Sheb Wooley, perhaps better known for his hit 1958 song “Purple People Eater”. The genesis of the scream was that Wooley had an uncredited part in the first film the scream was heard in, a 1951 film called Distant Drums. At one point during the film, Captain Quincy is leading his soldiers through a swamp when one of them gets attacked and dragged under by an alligator, screaming in the process. During post-production recordings, Wooley recorded various vocal sound effects for the film, including a batch of screams.
So why was it dubbed the “Wilhelm Scream” if the man who did the scream was named Sheb Wooley? After being plucked from the Warner Brothers stock sound library, the scream was used in the 1953 film The Charge at Feather River, starring Guy Madison as Private Wilhelm. The sound effect is used when Private Wilhelm is shot in the thigh with an arrow. The scream was nicknamed “Wilhelm” from then on.
The Hollywood tradition / inside joke of purposefully using the Wilhelm scream in a variety of films began with aforementioned sound effects designer Ben Burtt, who worked on numerous films, including Star Wars as noted. He noticed the scream being used in certain Warner Brother’s films, such as Them in 1954, Helen of Troy in 1956, and The Green Berets in 1968. Burtt then began slipping the Wilhelm Scream into every movie he worked on, beginning with George Lucas’s Star Wars: A New Hope. And it just sort of caught on from there.
“The Hero Of The Game program is a season long commitment made by the LA Kings to pay tribute to local military personnel and their families. The LA Kings host one military family at each home game to show our gratitude for their continued commitment and sacrifice. As the Hero Of The Game, honorees are treated to dinner in the Lexus Club prior to the game and are recognized on ice during the National Anthem and again during the second period.” — The Official Site of the LA Kings
On March 18, 2019, I was honored by the LA Kings — and it was one of the most patriotic moments of my life.
Being the ‘Hero of the Game’ really wasn’t about me — it was about the service of our nation’s military. The truth is, most of the veterans I’ve spoken with have an uncomfortable relationship with the word “hero.” Few of us personally feel like we live up to the title.
What I tell every veteran who carries survivor’s guilt or who feels like they didn’t do enough is this: you answered your nation’s call. You volunteered, you took an oath, and you were ready to give your life to protect and defend the constitution of the United States against all enemies. That’s pretty heroic.
Still, deep down, I don’t personally feel heroic.
I think most of us struggle with this, so when I was informed by a representative of the L.A. Kings that they would like to honor me, I wasn’t really sure what to expect — and honestly, I wasn’t really sure if I deserved it.
Here’s what the night entails:
From left to right: Pin-Ups for Vets founder Gina Elise, U.S. Air Force veteran Shannon Corbeil, Forest Corbeil, Monica Kay
The L.A. Kings have this process down. I was given a very clean itinerary for the evening, including details about complimentary parking, when to pick up my tickets (for myself and three guests), and where to meet a rep from the L.A. Kings who would escort my group to dinner.
In fact, the process is so streamlined that Kings fans know about it and wait to greet that night’s Hero. One woman with season tickets likes to meet the service members and take photos before the game with a touching art print of what it means to be a hero.
Before we even made it inside the Staples Center, patriotic fans were eager to meet me and thank me for my service.
We had no idea what was in store.
The Kings treated us to a delicious (and customized) dinner at the Lexus Club with a great view of L.A. Live and Downtown Los Angeles. We had an hour to eat (and grab some candy) before our rep came back for us and brought me to the ice.
I was informed ahead of time that I would stand on the ice during the National Anthem — and as the Kings were playing the Winnipeg Jets, both the Canadian National Anthem and the U.S. National Anthem would be performed.
The National Anthem during the opening ceremony of the Kings vs Jets.
(Photo by Simone Lara, California Army National Guard)
I don’t know if I should admit this, but I probably cared more about proper protocol and uniform standards during this event than I ever did while on active duty. It was very important to me to reflect well upon my branch and the military as a whole. Strangely, Air Force Instruction 34-1201 doesn’t expressly state uniform guidance for the Hero of the Game — an indoor event with a formation of…me…so I was left to interpret the manual for myself (with the help of previous honorees).
I decided to wear my cover so I could salute the flags during both anthems — and I found myself proud that it is tradition in the United States to infuse a moment of patriotism into our sporting events.
I had been nominated for my work in the veteran community — and specifically for my volunteer efforts with Pin-Ups for Vets, a non-profit organization that helps hospitalized and deployed service members and their families. To make the night even more special, the Kings offered Pin-Ups for Vets ambassadors and their guests free tickets, so after this high-visibility moment, I started receiving messages from fellow vets in the crowd.
Then we were escorted to our holy sh** seats.
One of our neighbors said we were in Eric Stonestreet’s seats — and if this is true, someone please thank him for me.
Seats for the Hero of the Game are graciously donated by a patriotic donor for the season. We got lucky that night because our seats were upgraded further — right up against the glass. That’s how we discovered that hockey is exhilarating and completely vicious.
If it wasn’t the puck flying at my face and ricocheting off the glass, it was the players slamming each other into the wall twelve inches from where we were sitting. Most of the other fans seated next to us held season tickets, so this was normal for them — but for us, it was thrilling.
Oh — and you’re allowed to bang on the glass. I highly recommend it.
As I walked around, people approached to greet me and thank me for my service or, my favorite, tell me about their own time in the military or their family’s service. It was great to connect with people who were excited about the military. It made me realize how far our country has come.
Then, during the first period I really learned what it meant to be the Hero of the Game.
My name came up on the Jumbotron and I looked up, a bit embarrassed, as pictures of me in uniform flashed across the screen. I turned to give my sister a disparaging look and realized she was standing.
The entire arena was standing.
At that moment, I didn’t feel like me, Shannon — I felt like a veteran of the United States Air Force.
As someone who shares military stories on We Are The Mighty, I’m well-versed in how poorly our country treated our Vietnam War Veterans. I have stood witness to the devastation that has been inflicted upon the men and women who have worn the uniform throughout history. I’ve watched my fellow veterans struggle with seen and unseen wounds. I’ve experienced them myself.
Yet that night, as thousands of people stood to honor the Hero of the Game, I felt a deep sense of gratitude and hope. I’m thankful that our countrymen and women support the troops and that Americans recognize and appreciate the sacrifices of our military and want to give back.
I felt so grateful that there are advocates for veterans and that there are non-profits serving them. It was as if I was in a room of people who want the best for each other, which is why we have a military in the first place.
The military stands for the best in the American people, and that night, the American people were standing for the military.
Thank you to the LA Kings, not just for the incredible experience you gave me, but for supporting the military all season long. It means more than you know.
You can nominate a deserving service member as Hero of the Game right here.
South Carolina is no stranger to hurricanes and each one takes its toll on shorelines and beach communities located across the Atlantic coastal region.
After each significant storm, U.S. Army Corps of Engineers personnel assess erosion impacts, work hand-in-hand with state and local partners to determine mitigation measures for erosion damage to shoreline projects and take authorized measures to rehabilitate effected areas.
According to USACE Deputy Commanding General for Civil and Emergency Operations, Maj. Gen. Scott A. Spellmon, these efforts are extremely beneficial to both local communities and nationwide efforts to protect the environment and foster economic growth.
U.S. Army Corps of Engineers beach renourishment operations underway along Myrtle Beach, S.C., following Hurricane Florence, Sept. 22, 2018.
(Photo by Edward Johnson)
“Our scientists venture out and measure where shoreline erosion has occurred,” said Spellmon. “At Myrtle Beach, it appears the impacts of Hurricane Florence were enough that we’re adding additional quantities of sand to an existing contract underway to address damages from Hurricanes Matthew and Irma.”
U.S. Army Corps of Engineers Deputy Commanding General for Civil and Emergency Operations, Maj. Gen. Scott Spellmon (left), discusses beach renourishment operations with Chris Promfret, a USACE contractor with the Great Lakes Dredge and Dock LLC, following Hurricane Florence, Sept. 22, 2018.
(Photo by Edward Johnson)
Work was paused because dredging craft were moved to safe harbor during the storm, but has since resumed.
“We’re deploying high-tech equipment to quantify the losses and then utilizing dredging vessels and ship-to-shore pipelines to rehabilitate the federal project, thus ensuring beaches and dunes are ready to provide their full benefits whenever the next storm may impact the area,” added Spellmon.
U.S. Army Corps of Engineers beach renourishment operations underway along Myrtle Beach, S.C. (lower left), following Hurricane Florence, Sept. 22, 2018.
(Photo by Edward Johnson)
Great Lakes Dredge Dock LLC, contracted to complete this project, utilizes hopper dredges to vacuum sand from the sea floor through drag arms from a location approximately three miles from the impacted shoreline.
Chris Promfret, a USACE contractor with the Great Lakes Dredge and Dock LLC, says the sand being pumped to the beach comes from an underwater area about 30 feet below the Atlantic ocean’s surface.
U.S. Army Corps of Engineers Deputy Commanding General for Civil and Emergency Operations, Maj. Gen. Scott Spellmon, points out beach renourishment operations to local government officials, USACE personnel and contractors along Myrtle Beach, S.C., following Hurricane Florence, Sept. 22, 2018.
(Photo by Edward Johnson)
The renourished shoreline beaches and dunes serve to reduce the impacts of future hurricanes and other coastal storms to communities and infrastructure. With that in mind, USACE partners with state and municipal officials on shoreline restoration initiatives.
A hopper dredge vessel uses a ship-to-shore pipeline to transfer sand from the ocean flood to the shoreline as part of U.S. Army Corps of Engineers beach renourishment operations underway along Myrtle Beach, S.C., following Hurricane Florence, Sept. 27, 2018.
(Photo by Edward Johnson)
Chief of Programs and Civil Project Management for USACE, Charleston District, Brian Williams, says this project covers more than 25 miles of beach shoreline.
“Under normal conditions, we cost-share 65 percent of this work at the federal level,” said Williams. “But in emergency situations like the one following Hurricane Florence, we fully fund all rehabilitation operations, subject to Congressional appropriations, in support of our state and municipal partners.”
They do things a little differently over in Britain. They say the U.S. and the UK are two nations separated by a common language — but we’re also separated by food quality and bizarre traditions. Just as the English might be a little concerned when the Leader of the Free World pardons a turkey every year, we’re a little leery when we see Queen Elizabeth II holding a member of Member of Parliament hostage — as she does every year.
It’s now more a Parliamentary tradition more than the political necessity it once was, but every year, the English monarch does take a member of Parliament hostage.
While this may seem like a strange tradition for one of the world’s top ten powers, remember that the United States purposely keeps a lower-ranking member of the Presidential Cabinet away from the State of the Union Address just in case everyone in that room dies somehow.
For example, this would have been your President if something like that happened at the 2018 State of the Union Address. If you know who that is without looking it up, you are 70 percent more ‘Murica than everyone else.
At the opening of Parliament every year, the reigning monarch delivers a speech from the throne. It’s just one part of a grand tradition that really showcases a lot of British governmental history. But before she gets to the throne, a number of fascinating events take place. They first ensure there aren’t any Guy Fawkes impersonators loading gunpowder in the cellar, then the members (called “Peers”) assemble. Then, before the monarch leaves the palace, one of the members of the body is taken hostage to ensure the safe return of the Queen.
“Let us all be prepared to ruuuuuuuuuuuuuuuuumble.”
The reason for this was that Parliament hasn’t always been a welcoming place for the monarch. In fact, a very long war resulted from this division that left Britain under the rule of a de-facto military dictatorship for a few years. King Charles I was actually beheaded in 1649 as part of that Civil War.
Nowadays, Parliament keeps Charles’ execution warrant displayed in the monarch’s dressing room as a reminder of what can happen if the Queen oversteps her authority.
Once the monarch’s crown and regalia arrives and the Hostage MP is under guard, the Queen departs Buckingham Palace to the Palace of Westminster (where Parliament meets). The Commons are called to assemble in the Lords chamber, where the monarch will deliver her speech.
The sitting monarch has not entered the Commons chamber since Charles I burst in, trying to arrest five members of Parliament whom he believed were using a Scottish invasion as a pretext to rally the people of London to rise against him. We already covered where this took the English Monarchy and Charles I personally.
Once assembled in the House of Lords’ Chamber, the Queen will give a speech, written by the Prime Minister and the cabinet, outlining the body’s agenda for the coming year. The whole procession is then done in reverse, with the monarch departing Westminster for Buckingham Palace.
Once the Queen has safely returned to the Palace the Hostage MP is released, presumably unharmed.
Whether he spends his weekends streaming on Twitch or if he’s lucky enough to squeeze in a few hours a week, every gaming dad needs the best gear to unlock his next achievement. From the resurgence of retro consoles to the latest in high-resolution headphones, here are 11 gifts that can help any dad level up his game.
1. NES Wireless Controllers for Switch
It’s the perfect hybrid of old-school aesthetics and modern tech. This wireless two-pack brings back the vintage NES controllers as an alternative for the Nintendo Switch. This isn’t some nostalgia cash grab, it’s specifically for the classic NES games you can play on the Switch via the Nintendo eShop. Plus, there are just two updates — the controllers come with two new shoulder buttons.
Created by eSports innovative tech company Scuf Gaming, this controller reimagines Sony’s DualShock 4 by borrowing the style of the Xbox One controller and ups the customization factor. With additional buttons (paddles, actually) placed under the gamepad, you can create custom button settings allowing you to keep your thumbs on the sticks during any game.
Nintendo Labo not only gets kids more involved with gaming titles, but it also invokes a DIY spirit before the console is turned on. Their newest kit, the Labo Vehicle, gives you everything you need to craft a cardboard steering wheel and pedal for racers, a joystick for planes, and a submarine wheel for underwater adventure.
Following in the footsteps of the absurdly successful and adorably cute retro consoles by Nintendo, Sony is dipping its toes in the nostalgia pool with their PlayStation One Classic. Roughy 45% smaller than the 1994 original, the Classic comes with two wired controllers, an internal memory card, and 20 preloaded titles including Metal Gear Solid, Ridge Racer 4, Twisted Metal and Rayman.
The world’s first certified high-res gaming headphones may just be the best set of cans for gaming. The headphones can take PS4 or PC audio and deliver lossless, crystal clear sound. Not to mention, they’re equipped for online chat with a built-in retractable mic, comfy leather ear cushions, and the Arctis signature ski goggle suspension strap over the steel headband for a perfect fit. Choose a reliable wired controller, or go wireless.
Fans of Red Dead Redemption have waited eight long years to traverse the wild west once again. Red Dead Redemption 2 is already being called an all-time great, and Sony is celebrating the critically acclaimed sequel with a PS4 Pro bundle. The PS4 Pro itself may have no RDR2 inspired decorations or skins, but with the game in full 4K glory, no one will ever look at the console.
Delivering the best VR visuals with no PC or wired connection needed, and at half the price of the Oculus Rift, Go is the sleekest VR headset to date. The elastic straps on the Go make for the most pleasant fitting VR headset available, and with thousands of compatible apps for the Go, you’ll appreciate the comfort after a few hours.
8. Blood Sweat & Pixels: The Triumphant, Turbulent Stories Behind How Video Games Are Made
It can take hundreds of people countless hours over a number of years to create one single game. All of that work often goes unnoticed, until now. Jason Schreier, an editor at Kotaku, takes readers through first-hand tales of video game development from the biggest AAA games to the smallest indies, giving credit to the unsung heroes behind your favorite games including Destiny, Dragon Age, and games that made it to consoles.
It’s the biggest video game of 2018, and Microsoft is piggybacking off of the popular title with an Xbox One S bundle. The 1TB edition comes with a full download of the first person shooter and a DLC complete with different skins, 2,000 in-game money (V-Bucks) and a free month to Xbox Live. It’s worth nothing, Fortnite has cross-platform play, so you can take on friends who are playing on other gaming systems.
According to the science from Kontrol Freek, the company feels every gamer would see an improvement in performance if every thumbstick on current controllers were just taller. Freek says their sticks ups your accuracy and takes the tension off your thumbs. And with a slew of different styles, colors, and game themes, you can find the thumbstick that’s just right for you.
In June 1919, the bulk of the German High Seas Fleet was sitting at anchor at Scapa Flow in the Orkney Islands. The cruiser Emden sent out the message, “Paragraph 11; confirm.” Then, all 74 of the warships in the natural harbor attempted to scuttle themselves en masse, and 52 successfully destroyed themselves before British sailors were able to beach them or stop their sinking.
21st June 1919: The German fleet is scuttled at Scapa Flow
It’s important to remember for this story that wars have two ending points. There’s the armistice that stops the actual fighting, and then a lengthy peace process will usually result in a full treaty ending the war. After the armistice ended World War I fighting on Nov. 11, 1918, a large portion of the German navy was interned for the treaty process.
The navy had been largely sidelined during the war thanks to a British blockade, so it was largely intact that November. And the Allied powers, in order to ensure that Germany went through with the peace process, demanded that the nation’s most powerful and modern fleet be sequestered at a neutral port.
But, no nearby neutral port agreed to accept the ships, and so 70 of Germany’s best vessels were sent to the British harbor at Scapa Flow, a natural harbor that housed one of the British fleets. Four other German ships would later meet them there.
Three German ships, the Emden, Frankfurt, and Bremse, enter Scapa Flow on November 24, 1918.
When the German ships were officially handed over on November 21, literally hundreds of ships and thousands of people were present to watch the event. Over 190 Allied ships escorted the first batch of 70 German ships to surrender, making that day the largest concentration of naval power in the history of mankind, even if 70 of the ships had breech blocks in their guns to prevent a sudden return to hostilities.
But the fleet languished there for months. Morale on the German ships was bad during the war and worse while they were confined to ships on short rations in British territory. And the German commander had an order from his superiors to prevent the seizure of the ships by any means necessary.
The German navy seems to have believed that the ships would eventually be returned, Britain wanted to see them scrapped, and the rest of the Allies wanted to divvy them up. But as the negotiations in France made it clear that Germany would not get the ships back, German Adm. Ludwig von Reuter planned for how to destroy his own fleet.
A German destroyer largely flooded at Scapa Flow in 1919.
He didn’t know that the deadline had been extended to June 23, but this actually worked out well for him. The British commander had plans to seize the German ships on June 23 if the German diplomats still hadn’t signed the treaty by then.
And so the ships suddenly began to sink. The German sailors raised their German navy flags from their masts for the first time since they had arrived in the harbor. British sailors in the harbor quickly alerted their own fleet as to what was happening, and the fleet rushed back to save what it could.
A good half of the German fleet had already disappeared, the water was one mass of wreckage of every description, boats, carley floats, chairs, tables and human beings, and the ‘Bayern’ the largest German battleship, her bow reared vertically out of the water was in the act of crashing finally bottomwards, which she did a few seconds later, in a cloud of smoke bursting her boilers as she went.
The German admiral proceeded to the British flagship and declared that he had “come to surrender my men and myself. I have nudding else.”
British sailors were quickly dispatched to the sinking ships to re-close the valves and pump water out. Some British sailors nearly drowned in this endeavor, but they saved 22 of the ships as 52 settled into the mud at the bottom.
A salvage crew works on the largely underwater German battleship Baden after the Scuttling at Scapa Flow. The partially submerged ship at the left is the cruiser Frankfurt.
The British sailors were under orders to only kill those Germans who refused to close valves when ordered or who resisted British actions to save the vessels. Nine German sailors were killed, but there is some controversy over whether all these sailors had resisted or not.
Still, it was the single largest loss of naval power in one day in human history, even though it was a calm day and no battle had actually taken place.
Marine Corps Gen. James “Mad Dog” Mattis is known for his aggressive tactics and his even more aggressive quotes.
While he embraced counter-insurgency tactics with the rest of the military, his quotes put a decidedly lethal spin on “low-intensity combat.” Check out these 15 great Mattis quotes — but be warned… they’ll make you want to charge into hordes of America’s enemies with nothing but a Ka-Bar:
11. “There are hunters and there are victims. By your discipline, cunning, obedience and alertness, you will decide if you are a hunter or a victim.” (Told to troops at Al Asad, Iraq)
12. “No war is over until the enemy says it’s over. We may think it over, we may declare it over, but in fact, the enemy gets a vote.”
13. “There is nothing better than getting shot at and missed. It’s really great.”
14. “You cannot allow any of your people to avoid the brutal facts. If they start living in a dream world, it’s going to be bad.”
15. “You go into Afghanistan, you got guys who slap women around for five years because they didn’t wear a veil. You know, guys like that ain’t got no manhood left anyway. So it’s a hell of a lot of fun to shoot them. Actually it’s quite fun to fight them, you know. It’s a hell of a hoot. It’s fun to shoot some people. I’ll be right up there with you. I like brawling.” (Said during a panel discussion in San Diego, via CNN)
In August, 1914, British troops were in full retreat from the World War I Battle of Mons in Northern France. The Germans chasing them were far greater in number, and the men were desperate. In a turn of good luck, they happened to pass a celebrated old battle site that turned the tide of their retreat, in an almost supernatural way – and that’s exactly how it was remembered.
The Battle of Mons went as well for the Brits as could be expected. It was the first test of the British Expeditionary Force in continental Europe. They fought hard, and the Germans paid dearly for their advance. But the French Fifth Army gave way to the Germans, and the British could not hold the line on their own. An orderly battle turned into a two-week rout that would end with the epic Battle of the Marne – but not unless the BEF could escape the oncoming Germans. They retreated south as orderly as possible.
On their way, they passed the site of the famous medieval Battle of Agincourt, where King Henry V’s English longbowmen devastated a French Army that outnumbered the English with estimates as high as 6-to-1. The retreating British troops of 1914 were on the run from a numerically superior German force when legend says a British soldier said a prayer to Saint George that changed the outcome of their retreat.
St. George, the Christian dragon slayer.
George was a Roman Praetorian Guard for Emperor Diocletian, and was executed for not recanting his professed Christian faith centuries before the emperor converted the empire to Christianity. He is probably the most prominent of all soldier-saints. So, when a retreating British soldier asked St. George for help, it makes sense for the men of the retreating army to believe he may have intervened when the Germans suddenly broke off their pursuit.
After the battle, men present during the fighting chalked the sudden turn of events up to a number of supernatural explanations, each more awe-inspiring than the next. In the most prevalent retelling, the prayer to St. George caused an army of spectral English bowmen to appear, which both frightened and slaughtered the pursuing Germans.
Looks like St. George needs to train his angels a bit.
The claims of the English soldiers were grounded by a fictional short story called “The Bowmen” written by Arthur Machen after the battle. In the book, angelic archers appear after a British soldier prays for help from St. George. Led by the patron saint of England, a thousand archers appeared and mowed down the enemy. Afterward, the German generals determined the BEF must be using a new gas weapon, as there were no wounds on the dead German troops.
Machen’s story was a fabrication, of course, based on a different story by Rudyard Kipling. That one was set in Afghanistan. But veterans of the Battle of Mons soon began to claim they were eyewitness to the spectral event. In each retelling, the story changes: German soldiers are found with arrow wounds, the ghost army was actually a team of angels in the form of medieval knights and led by St. George, or the BEF was able to retreat into a wall of clouds.
World War I Ex Machina.
The Angels of Mons very quickly entered the lore and legends of the First World War, joined there by stories of ghouls living in No Man’s Land, crucified Canadian soldiers, and the end of the war by Christmas.
Tom Clancy’s 1986 novel Red Storm Rising is arguably his literary tour de force. Following on the heels of 1984’s The Hunt for Red October, it cemented Clancy’s status as the inventor of the techno-thriller genre. Despite being a massive best-seller, Clancy never won a Pulitzer Prize or Nobel Prize for his contributions to the field of literature.
In Red Storm Rising, “Dance of the Vampires” featured a Soviet attack on a NATO carrier force centered on USS Nimitz (CVN 68), USS Saratoga (CV 60), and the French carrier Foch (R99). In the book, the Nimitz was badly damaged by two AS-6 Kingfish missiles, while the Foch took three hits and was sunk.
There was little understanding of how new technology like the Tu-22M Backfire would play into a war.
But how did Clancy manage to make that moment in the book so realistic? The answer lies in a wargame designed by Larry Bond called Harpoon. Bond is best known as a techno-thriller author of some repute himself, having written Red Phoenix, Cauldron, and Red Phoenix Burning, among others. But he designed the Harpoon wargame, which came in both a set of rules for miniatures and a computer game. (Full disclosure: The author is a long-time fan of the game, and owns both miniature and computer versions.)
Alas, poor Foch, you were doomed from the start.
(U.S. Navy photo)
At WargameVault.com, Larry Bond explained that while the end result had been determined, what was lacking was an understand of two big areas: How would all these new systems interact, and what would the likely tactics be? As a result, they ran the game three times, and it was not a small affair: A number of others took part, resulting in each side’s “commander” having “staffs” who used written standard orders and after-action reports.
A simulated massacre of Tu-22M Backfires off Iceland also shaped the plot of ‘Red Storm Rising.’
Each of the three games had very different results, but the gaming helped to make Red Storm Rising a literary masterpiece of the last 20th century. Incidentally, Harpoon further shaped Red Storm Rising through a scenario called the “Keflavik Turkey Shoot” – a gaming result that convinced Clancy to include the Soviet Union taking Iceland in the early portions of the book.
While she sits in reserve today, at the time of ‘Red Storm Rising,’ USS Ticonderoga (CG 47) was the latest and greatest in naval technology.
(US Navy photo)
Bond released a collection of those scenarios, and some other material into an electronic publication called “Dance of the Vampires,” available for .00 at WargameVault.com. It is a chance to see how a wargame shaped what was arguably the best techno-thriller of all time.