If you’ve never heard of Max Uriarte, you’re in for a treat. He’s the Marine, writer, and artist best known for his comic Terminal Lance, which pokes fun at the Marine Corps from a grunt’s point of view. Now he’s teamed up with The Call of Duty Endowment to create the Call of Duty: “Night Raid” PlayStation 4 Dynamic Theme.
The Call of Duty Endowment “helps veterans find high quality careers by supporting groups that prepare them for the job market and by raising awareness of the value vets bring to the workplace.”
All proceeds from the sale of the Night Raid theme ($2.99) go directly to the endowment to help vets get jobs after service. The Call of Duty Endowment has placed over 57,000 veterans thus far. Their new goal is placing 100,000 veterans into high quality jobs by 2024.
Check out some of the awesome artwork below:
Call of duty Endowment night raid dynamic theme tier 3
Uriarte deployed to Iraq twice with 3rd Battalion, 3rd Marines. In 2007 he operated as a turret gunner out of Fallujah and in 2009 he was a combat photographer out of al Asad. His second deployment left a lasting impact on his civilian career as an artist — or, to be more specific, a Combat Artist.
“Combat Art is the act of capturing beauty in places you wouldn’t normally find it. It…exists solely for the purpose of creating art on the battlefield. When events are filtered through an artist’s eye, they capture things that maybe a camera does not, such as the feelings and emotion of the place or subjects. A photograph is objective — it shows reality. A sketch or a painting is subjective, it shows what the artist interpreted and what the artist saw that maybe no one else did (or could),” Uriarte told Fletcher Black of Activision.
U.S. Marine Max Uriarte (left); ‘Terminal Lance’ Marines Abe Garcia (right)
‘Terminal Lance’ strikes true with Marines — and vets from all branches — who’ve dealt with some of the…color…military service has to offer. The comic makes light of the tedium and nonsense that come with the job.
But Uriarte also has a serious side. His graphic novel, The White Donkey, was based on his combat deployment in Fallujah. His upcoming graphic novel, Battle Born: Lapis Lazuli, promises to be a visceral examination of the effects of war on an Afghanistan province.
Who better to design art for the Call of Duty Endowment than a combat-experienced Marine with an artist’s eye and a creator’s hand?
Call of Duty®: Black Ops 4: C.O.D.E. Jump Pack
You can also support veterans by grabbing the new Call of Duty®: Black Ops 4 – C.O.D.E. Jump Pack, which includes a special wingsuit, parachute, and trail. 100% of the proceeds will go directly toward helping veterans get jobs after their military service.
Check out both the Jump Pack and the “Night Raid” Dynamic Theme on your PlayStation!
The Marine Corps is filled with individuals from all walks of life. Regardless of where you came from, every single person who bears the title of United States Marine started out at either the Marine Corps Recruit Depot in San Diego, California or the one at Parris Island, South Carolina.
Marine recruits come from all over the country (some are even originally from other countries) to earn their place among the world’s finest fighting force. So, it should come as no surprise that you’re going to meet several different types of people as you train. Everyone’s different, sure, but you’re definitely going to meet these archetypes.
Atop the list is the most common type of recruit. It’s the people who spent their high school careers bouncing between different sports who have the easiest time with the physical training or “incentive” training. You might also find that some of the more physically fit recruits are some of the dumbest. But, then again, it is the Marine Corps.
At first glance, you might think this guy is the same as The Athlete — he’s not. Someone who has big muscles might not have an easy time with the cardio-based workout regimen put forth by Drill Instructors. Usually, these types are the berserker-class of recruit and they’ll do as much heavy lifting as they can to maintain their mass.
Make no mistake, though, big muscles will not intimidate Drill Instructors. In fact, they’ll probably pick The Bodybuilder out as a prime target to break mentally.
There’re always bigger fish.
(U.S. Marine Corps photo by Cpl. Damon A. Mclean)
The JROTC douche
These are the types who show up to boot camp thinking they know how to play the game and usually try to be a guide for others right off the bat. The problem, however, is that they think their military knowledge is enough to get them through. They often underestimate the Drill Instructors and overestimate their own mental fortitude.
These d-bags show up cocky and leave feeling like the common folk.
The military brat
This person might not have been in JROTC, but they grew up hearing stories from one or both of their parents about boot camp from ages ago and show up thinking they know how it works. The truth is, they don’t — and they’ll come to understand that soon enough.
Their parents’ service isn’t encoded in their genetics. It doesn’t count for anything except (maybe) a cool story.
The ninja or thief
They’ll try to tell you that no one steals in the Marine Corps. Yeah, that’s bullsh*t. People steal all the time and it’s certainly no secret. You’ll meet the thieving types during boot camp. The ones who will lie, cheat, and steal, either for personal gain or to help out their platoon.
When it comes time to return gear or someone needs a specific item (i.e. extra undershirts, peanut butter, etc.), you might be willing to cut a deal with them. Maybe you’ll take their midnight firewatch in exchange for their “services.” As much as it sucks to have something stolen, these types often come in handy in saving you (and the rest of the platoon) from an infamous “tornado.”
If they do become a scribe, make sure you’re friends. They may come in handy.
These recruits are not very common but every platoon will have at least one. You often question why they chose the Marine Corps since their intelligence and physical performance level screams Air Force. They may not always be the most physically fit, but they’re often the most mentally strong since they have to compensate in some way.
This can mean a few things. This recruit is good at drawing, painting, singing, or all of the above. Regardless, one thing is for sure: They’re here for the same reason you are. The drawing/painting types might end up as an “artist recruit” who paints emblems or draws cool things for the Drill Instructors, but they strive to be Marines first and foremost.
The grand old man
They’re not actually very old, given the Marine Corps’ recruitment age cap is set to 28 without a waiver. Since a lot of recruits in boot camp are between 18 and 21, the “grand old man” is usually between 24 and 26. Most people around that age get sent during the spring or fall when the 17-year-old prospects are still in high school, but they still might end up in platoon full of much younger recruits.
They usually have a lot of life experience, some might even have college degrees or be married. These are the recruits you want to talk to for some wisdom since they know more about life than you do.
Just when you thought things were getting nice and boring, a 1st Lt goes and steals an APC and drives it through Richmond. You know, deep down, the mechanic responsible for that vehicle is secretly proud that their M577 managed to keep up in a police pursuit.
The APC started up, managed to get off base and drive 60 miles to Richmond with the cops on his ass within 2 hours — all without breaking down. Sure, that lieutenant is going to be turning big rocks into smaller rocks for a while but, holy crap, someone give that motor sergeant a medal!
(Meme via Air Force Nation)
(Meme via Why I’m Not Re-Enlisting)
(Meme via Valhalla Wear)
(Meme via Awesome Sh*t My Drill Sergeant Says)
(Meme via Army as F*ck)
“I went where you told me. I took a left on Victory Road and still didn’t see it.”
(It’s funny because every installation has at least two “Victory Road”s.)
(Meme via Sh*t My LPO Says)
(Meme via PT Belt Nation)
I swear that this is the last ACP Joyrider meme… this week…
Nuclear weapons take less than a millionth of a second to detonate. Meanwhile, the resulting fireball from a thermonuclear or hydrogen bomb can swallow and incinerate a 1-mile area in about a second.
Such rapid and raw power can seem as abstract as it is terrifying. But humanity has triggered and observed more than 2,420 nuclear blasts since the first one in July 1945, according to a recent tally by Alex Wellerstein, an historian of physics and nuclear weapons at the Stevens Institute of Technology.
To make the legacy of nuclear blasts more accessible to the average person, Brooklyn-based artist Eric LoPresti tried something unusual and symbolic: He filmed his Aikido dojo members reenacting every known nuclear blast as hand-to-hand combat moves.
“I wanted to make it visceral,” LoPresti said. “Every time someone’s thrown, there’s this slight slapping noise on the ground. That’s a way of taking a fall — a potentially lethal fall — in a non-lethal and a safer way. It’s called a breakfall, and that sound reminded me of the sound of a sped-up nuclear explosion.”
LoPresti presented his video installation, called “ Center-Surround” at a public expo of Reinventing Civil Defense, a project that aims to “restore a broad, cultural understanding of nuclear risk.”
The art exhibit plays three different videos on three screens in sync. One displays a colored tile with the name and date of a nuclear explosion, while a second screen displays a supercut of the Aikido sparring that’s coordinated to mirror those detonations. A third screen displays a grid-style visualization of all the test names and dates.
There have been so many nuclear explosions — most of them test blasts by the US and Russia — that the film takes roughly two hours to complete one loop, despite the lightning-fast attacks. (There’s one Aikido attack roughly every 3 seconds.)
The trailer below shows a couple minutes of an earlier version of the video.
In an ideal setting, the music-less installation plays in a darkened corner lined with martial arts mats, which exhibit-goers can sit on.
LoPresti wants those who see “Center-Surround” to feel the effort that his dojo members (the artist is also in the film) put into working through thousands of nuclear blasts.
“We did survive without injury, but it’s painful, it’s effortful. I wanted that cathartic experience, almost like an endurance piece,” LoPresti said.
In full, the visual experience is meant “to humanize this vast subject” of nuclear weapons and their history, he added.
LoPresti said his choice of Aikido was deliberate, since it’s a martial art that “grew up around post-World War II Japan,” which is where the US unleashed the first two wartime nuclear attacks.
“Before the war, the founder of Aikido described it as sort of the most lethal martial art. It’s the most sophisticated. It was a combination of all that had come before it — one strike Aikido could kill. After the war, it became the ‘way of harmony,'” LoPresti said.
He added that the modernized form of the martial art is built around movements to protect both the defender and attacker.
“It’s premised on the idea that you should endeavor to engage in conflict resolution without defeating your enemy, right? Because if you defeat your enemy, they’re just going to come back for another round,” he said.
LoPresti’s exhibit debuted in late 2018, but it’s being updated with a grant from Reinventing Civil Defense, a project organized by the Stevens Institute of Technology in Hoboken, New Jersey.
Artist from a nuclear residence
LoPresti grew up in Richland, Washington, one of several communities that housed workers from the Hanford Site: a nuclear reservation where plutonium-239 was manufactured and refined for tens of thousands of US warheads.
A 99.96% pure ring of plutonium.
(Los Alamos National Laboratory)
LoPresti said nuclear weapons were a fixture of the town and, for his dad, a subtext for making a living. Hanford Site employed LoPresti’s father, a statistician, who worked on projects to clean up environmental damage left over from the decades-long Cold War nuclear arms race.
That childhood in what he called a “nuclear town” guided his future relationship with atomic weapons. Today, LoPresti said, his art strives to take nukes out of the realm of what philosopher Timothy Morton called a “hyperobject” — something so large a person can’t think about it, yet without it the world wouldn’t make sense — and into one that’s comprehensible.
“Center-Surround” is LoPresti’s first video installation; most of his other works are paintings. His prior exhibits almost all focus on nuclear weapons, too, and several lean on his obsessive visual studies of the Nevada National Security Site, which sits about 65 miles northwest of Las Vegas.
Previously called the Nevada Test Site, the 1,350-square-mile desert laboratory is where the US set off more than 1,000 nuclear weapons, some 921 of them in underground chambers. This left behind a pockmarked landscape of hundreds of roughly 800-foot-wide craters.
These radioactive scars show up in many of LoPresti’s paintings.
“I would submit this is a better way to think about nuclear weapons than a mushroom cloud,” he said. “Nuclear weapons are one of those very strange things, which is both omnipresent, everywhere, and also sort of impossible to visualize in a concrete way. Because most of it happens invisibly.”
With “Center-Surround,” LoPresti hopes to make nuclear weapons something anyone can understand as part of US history. He said he’s watched people go into his exhibit and relax, only to shudder as they learn about what the numbers and their Aikido representations mean.
“But there wasn’t that fear, an amnesia of terror,” he said — and quashing that fear is what he believes is a vital step to doing something about nukes.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Capt. Stephen Scott (left), and Chief Warrant Officer 4 Eric Carver receive the Distinguished Flying Cross with Valor award at the North Carolina National Guard Joint Force Headquarters in Raleigh, North Carolina on August 18, 2020. (North Carolina National Guard/Lt. Col. Matthew Devivo)
Two North Carolina National GuardAH-64Apache pilots received the Distinguished Flying Cross with Valor last week for providing cover to Army special forces in a remote Afghanistan village in 2018.
Army Capt. Stephen Scott and Chief Warrant Officer 4 Eric Carver, both of the 1-130th Attack Reconnaissance Battalion, received the medals for their support of the 7th Special Forces Group’s Operational Detachment Alpha (ODA) 7225 during Task Force Panther, according to a release.
In November 2018, troops from ODA 7225 were dropped off in a remote area of Afghanistan’s Uruzgan Province when they began taking heavy enemy fire, the release said. Scott and Carver, flying in an Apache, quickly identified enemy positions and “engaged them after permission was given,” it said.
One of the objectives during the night raid was to capture a senior Taliban Leader in Deh Rawud District, Chief Warrant Officer 2 Brandon P. Faia, ground force commander for Special Forces ODA 7225, said in the release.
Acting as co-pilots and gunners, Scott and Carver were “repeatedly engaging a robust enemy force at … close range to friendly forces,” according to their award citations, obtained by The Fayetteville Observer.
Their steadfast reaction “resulted in a successful mission for ODA 7225 without injuries or loss of lives,” the release said.
Faia hailed their achievement, and said the two were consistently reliable in risky situations.
“Pilots and Green Berets have their own languages,” Faia said. “We could always count on Carver and Scott to chime in and say, ‘Oh yeah, the place you are going to is not safe, but you can count us in.'”
He added, “Immediately we became friends.”
Three months earlier that year, Taliban fighters launched an offensive assault in Ghazni province that spilled over into neighboring districts. Insurgent assaults continued weeks following, with many Afghans fleeing to southwest regions like Uruzgan and where Afghan forces faced off against Taliban fighters, according to the Washington Post.
The very moment a United States Armed Forces recruit steps foot off the bus, they’ll be greeted by a non-commissioned officer wearing a campaign hat and, in that moment, their life will change forever. Every branch in the Armed Forces (with exception of the Navy) uses a variation of the same, broad-brimmed hat. When you see someone wearing it, you know they’re dedicated to breaking the civilian out of young prospects and molding Uncle Sam a batch of new, capable warfighters.
But long before the campaign hat became the official headgear of every private’s nightmares, it was used by soldiers in the Old West, who casually wore it for so long that it just kind of became an official thing.
Don’t get this confused with the Stetson worn by cavalrymen. The campaign hat was mostly worn by infantrymen.
The campaign hat was first worn back in the 1840s by soldiers making their way across the country toward the Pacific. The typical forage cap used out east simply wasn’t a suitable option for blocking out the blinding sun that hung relentlessly above the American deserts.
The soldiers heading west were so far away from the brass (and military regulations was comparatively relaxed in those times) that they simply substituted regulation gear with whatever else made more sense. It was said that they were inspired by the sombreros of the Mexican Vaqueros, but the soldiers made their hats smaller to be more practical for longer rides.
The new unofficial hat finally got recognition and was authorized in the 1870s. This version was made of black felt, had a softer brim, and was still missing the distinctive pinch on the top. Over the years, the hat underwent several slight adjustments until becoming the campaign hat we know and love/fear today.
Technically speaking, Smokey the Bear has been around longer (1944) than the Army has officially had drill sergeants (1964). So they kinda took his hat.
(U.S. Air Force Photo by Senior Airman Stephen Linch)
The British took note of the campaign hat and soon incorporated it into the wardrobe of their armies located around the Empire, as many fought under conditions similar to those of the Wild West — like the Boer Wars in South Africa. Canadian, South African, and Kiwi troops all adapted the hat — the Canadian Military then famously handed it down to the Royal Canadian Mounted Police.
By the turn of the century, the hat also became synonymous with the Buffalo Soldiers — in fact, they were responsible for sewing in the iconic “Montana Pinch” we all recognize today. The Buffalo Soldiers were tasked into various national parks and became some of the first national park rangers.
Later, park rangers, CBP agents, and highway policemen would all wear similar campaign hats in honor of the Buffalo Soldiers who’d, essentially, laid the foundation for their careers. Meanwhile, the troops tossed the hat at the advent of WWI as helmets were the preferred combat headgear.
Never thought we would all have to thank the Coast Guard for keeping this terror-inducing hat alive and well… but they adopted it during the Spanish-American War and never abandoned it during the World Wars.
(U.S. Coast Guard photo by Petty Officer 2nd Class Richard Brahm)
One by one, each branch began putting recruits through more extensive and intense recruit training programs, helmed by the finest NCOs each branch had to offer. The Marines were the first in 1956 — and they needed an easily identifiable symbol to distinguish the drill instructor from everyone else.
They chose the campaign cover for all the same reasons the soldiers of the Wild West did — the fact that recruits couldn’t clearly see the eyes of the DI under the brim was just an added bonus. Other branches quickly followed suit. The Army adopted it in 1964 and the Air Force and Coast Guard did so in 1967
Which leaves out the Navy. Fact is, the Navy has just never had a reason to use the hat and has never showed any intentions of switching.
Play calling in the NFL is a lot more difficult than it looks, but there are some moments in recent football history that were just so unbelievable, we can’t understand how they even happened.
If you’re a fan of one of these teams, you’ll never forget it. If you were a fan of the opposing team, you at least got a good chuckle out of it. The rest of us are still in disbelief. These are the plays that made us wonder just what the hell they were trying to accomplish.
6. Cincinnati falls apart
This is less of a single play and more of a series of unfortunate events. Cincinnati hasn’t won a playoff game since 1990, but finished strong in the 2015-2016 season, earning a Wild Card spot and a shot at eliminating their AFC North rival, the Pittsburgh Steelers. Bengals-Steelers games are always a toss-up, but can be particularly brutal. This one is a game neither will forget.
With just 1:45 left in the game and the ball under Bengal control, Cincinnati running back Jeremy Hill fumbled and it was recovered by the Steelers. In the time that was left, Cincinnati players racked up 30 yards in penalties, which moved the Steelers into field goal range. Cincinnati lost by two points.
5. Seahawks Super Bowl pass
The Seahawks made it all the way to Super Bowl XLIX on the back of their beastly running back, Marshawn Lynch. Lynch was arguably the best running back of the season, and perhaps one of the best of all time. So with 25 seconds left in the game and the Seahawks down by four points, it’s second and goal. The Seahawks handed off to the unstoppable Lynch and won the game.
Just kidding, they went for a pass that was picked off by New England who ran the clock out and went home with the Lombardi Trophy. What, exactly, they were thinking has been a mystery ever since.
4. The Jets score a touchdown on their own kickoff
It’s New Years Day 2017 and the Bills decide to start the new year in the most Buffalo way possible. With three minutes left in the game, the Jets are up 23-3 and kick off to Buffalo following their latest garbage-time score. Returner Mike Gillislee opted not to field the ball, instead letting it bounce into the end zone — where it came to a complete stop, untouched by any Bill.
Jets safety Doug Middleton jumped on the ball in the end zone, giving New York another six points.
3. “The Buttfumble”
This might be the only play on this list that deserves its own 30 for 30 and the clip above features Rex Ryan talking about it. It was a terrible call from the start, the national game for NBC’s Thanksgiving Day football coverage. Some 20 million people watched Jets quarterback Mark Sanchez run head-first into the rear end of Jets Guard Brandon Moore.
If that wasn’t bad enough, the “Butt Fumble” (as it came to be called) caused Sanchez to drop the ball, which was picked up by the New England Patriots’ Steve Gregory and returned for a defensive touchdown.
2. DeSean Jackson Literally Drops The Ball
Jackson, who has a history of dumb plays, picked up a 65-yard touchdown pass from Donovan McNabb during his rookie season with the Philadelphia Eagles. To celebrate his touchdown, he dropped the ball in the end zone with some swagger and flourish — except it wasn’t a touchdown.
And there was definitely nothing to celebrate. It turns out, Jackson dropped the ball on the one-yard line, where it was eventually called dead because no one on the cowboys went to pick it up, either. The Eagles were lucky to regain possession on the 1.
1. The Colts’ Worst Punt/Pass Protection
I’m still not sure what to call this. The Colts wanted to trick the Patriots on a fourth down punt-or-pass play by shifting all their players to the right side of the field — except for two. The Colts were down by six points but had plenty of time left in the game on their own 43 yard line, so a punt (a real one) made sense. That’s not what happened. The snap and everyone involved with it was overwhelmed and crushed.
Maybe it was a try to get New England to jump offsides on 4th and 3. Instead, the Colts received an illegal formation penalty and the ball was turned over to the Patriots with great field position. The Patriots scored on that possession and won the game 34-27.
It’s the summer of 1968 in Vietnam, a sergeant with Company K, 3rd Battalion, 7th Marine Regiment was forced into a position he never could have imagined. He had to lead his entire company through a deadly enemy ambush after the company commander, platoon commander, and senior enlisted leadership were wounded in the fight.
These were the circumstances of retired Marine 1st Sgt. John J. Lord during the battle of Hue City, nearly half a century ago, during the Vietnam War.
Lord was awarded the Navy Cross, the nation’s second highest award for combat bravery, during a ceremony at a Marine Corps Birthday Ball celebration in Vancouver, Washington Nov. 17, 2018. The Navy Cross award was an upgrade from a Bronze Star that Lord received in 1975, seven years after he put himself in the cross-hairs of the North Vietnamese Army when rescuing his fellow Marines who were wounded.
Lord took over command of the entire company and located one of the only working radios and then started directing air support against the enemy.
U.S. Marines fighting in Hue.
The day immediately following the battle, now retired Lt. Col. Michael Sweeney began pushing for Lord to be awarded the Navy Cross for his heroism and valor during the fight. Even after the Bronze Star was awarded, Sweeney continued to push for the Navy Cross. Finally, 43 years later, Sweeney’s efforts bore fruit.
According to his citation, Lord’s actions helped turned the tide of the battle. However, he always stayed true to his men and their efforts during the fight.
“Everything on that citation is true except one thing they left off,” Lord said. “They left off the Marines who served with me that day.”
Four of his fellow unit members were in attendance the night of the ceremony, and stood at Lord’s behest to receive a standing ovation from all who were in attendance just like they did for Lord just moments prior. Lord proclaimed how honored he was to serve with these Marines and how important they are to the mission.
“I can only stand here and say how proud I am to have served with you Marines — and corpsman, I won’t forget you too,” Lord said. “I am honored to call you brothers in arms.”
It’s been more than 150 years since Confederate General Robert E. Lee surrendered to Union Army Commander Ulysses S. Grant at Wilmer McLean’s Appomattox home, but the legacy of the Civil War still lingers.
From the recent controversies over Confederate memorials to the tens of thousands of hobbyists who dress in grey and blue every summer to reenact key battles, Americans continue to wrestle with the causes and ramifications of the War Between the States.
These nine films, which cover the conflict from the hallways of Congress to the scorched earth of Bleeding Kansas, are packed with insights and (usually) authentic historical details. Just as importantly, they’re guaranteed to entertain.
Widely considered one of the greatest films of all time, this four-hour epic won 10 Academy Awards, broke box office records, and introduced the myth of the Lost Cause to generations of moviegoers. For the role of Scarlett O’Hara, producer David O. Selznick considered nearly every leading lady in Hollywood–from Katharine Hepburn to Tallulah Bankhead to Lana Turner–before settling on Vivien Leigh, a relatively unknown English actress. Her iconic performance immortalized the character of the spoiled, strong-willed Southern belle.
To cast Clark Gable as Rhett Butler, Selznick had to delay production and give away half his profits. In return, Gable got the most famous exit line in movie history: “Frankly, my dear, I don’t give a damn.” Hewing closely to Margaret Mitchell’s bestselling novel, the screenplay features insightful period details (Confederate blockade runners, Carpetbaggers bribing freed slaves for their votes, etc.) and an epic recreation of the burning of Atlanta. While Gone with the Wind has been rightly criticized for misleading viewers about the horrors of slavery, its emotional impact and sweeping scale make it a must-see for anyone interested in the legacy of the Civil War.
Denzel Washington won his first Academy Award for his portrayal of a runaway slave turned soldier in this captivating drama about the 54th Massachusetts Voluntary Infantry, the first all-black regiment in the history of the US Army. Matthew Broderick stars as Robert Gould Shaw, the white officer who commanded the 54th.
The Confederate Army had recently announced that any captured black Union soldier would be enslaved or killed alongside his white officers, and Shaw had doubts about the unit’s chances for success. But he was impressed by the soldiers’ grit and determination in the face of relentless discrimination and eventually joined their protest to be paid the same as white soldiers.
Tasked with the impossible mission to take Fort Wagner in Charleston Harbor, Shaw and the men of the 54th fought with incredible courage. Their sacrifice is memorialized in a bronze statue in Boston Common, which inspired screenwriter Kevin Jarre to pay tribute to their story.
Daniel Day-Lewis spent a full year researching Abraham Lincoln’s life in preparation for his Oscar-winning turn as the 16th president of the United States. The result is a tender, lived-in portrayal of the man behind the myth–from his slumped shoulders and high-pitched Illinois twang to his unwavering sense of conviction.
Pulitzer Prize-winning playwright Tony Kushner draws on Doris Kearns Goodwin’s biography Team of Rivalsto dramatize the political machinations involved in the passage of the 13th Amendment to the Constitution. Lincoln knew that the permanent abolition of slavery was necessary to the nation’s survival but had to race against the clock to get the bill passed before the South could negotiate peace.
By revealing the drama and intrigue behind one of Congress’s most significant pieces of legislation, director Steven Spielberg offers a civics lesson as thrilling as it is necessary.
Originally planned as a TV miniseries, this four-hour epic based on Michael Shaara’s Pulitzer Prize-winning novel Killer Angelsstars Tom Berenger, Jeff Daniels, and Martin Sheen. Director James Maxwell convinced the National Park Service to allow him to film on the actual Gettysburg battlefield, and thousands of Civil War reenactors came from all over the country to recreate crucial moments in the three-day campaign, including the assault on Devil’s Den and Pickett’s Charge.
The film, like the novel, focuses on the decisions and actions of key players including General Robert E. Lee (Sheen), Lieutenant General James Longstreet (Berenger), and Colonel Joshua Lawrence Chamberlain (Daniels). Daniels, in particular, delivers a rousing performance as the commander of 20th Maine Volunteer Infantry Regiment, whose stout defense of Little Round Top against repeated Confederate assaults helped to turn the tide of the battle and the war. With its massive scale, brilliant cinematography, and rigorous attention to historical detail, Gettysburg does justice to the deadliest battle in US history.
When it was first broadcast on five consecutive nights in September 1990, this documentary miniseries drew an average of 14 million viewers per night–the largest audience in the history of PBS. Over the course of nine episodes, director Ken Burns and his team of researchers, video editors, historians, and actors unspooled the full story of the Civil War, from John Brown’s uprising at Harper’s Ferry to Lincoln’s assassination and the capture of John Wilkes Booth.
Inspired by Matthew Brady’s photographs of the conflict, Burns used a panning and zooming technique (thereafter known as the “Ken Burns effect”) to bring to life roughly 16,000 still images. Excerpts from the letters and diaries of Robert E. Lee, Walt Whitman, Frederick Douglass, and less-known historical figures such as Mary Chestnut and George Templeton Strong provide an intimate perspective on large-scale events like the Battle of Gettysburg and Sherman’s March to the Sea.
The Civil War reignited popular interest in America’s bloodiest conflict and helped to pave the way for bingeable TV documentaries such as The Jinxand OJ: Made in America.
Based on Charles Frazier’s blockbuster novel of the same name, this Anthony Minghella-directed epic is the story of W.P. Inman (Jude Law), a Confederate deserter trying to make his way home to North Carolina in the final months of the Civil War. Gravely wounded in the Battle of the Crater and recovering in a field hospital, Inman decides to leave the war when he reads a letter from his beloved, Ada Monroe (Nicole Kidman), imploring him to do just that.
While Inman and the other Cold Mountain men have been off fighting, Ada has been struggling to work her deceased father’s farm. Eventually she’s helped in her efforts by Ruby Thewes (Renée Zellweger in an Oscar-winning performance), an unlettered woman well-versed in the hardscrabble life of a subsistence farmer.
The film brilliantly interweaves Inman’s encounters with all manner of desperate characters–from ribald preachers to villainous Confederate Home Guards –and scenes of Ada and Ruby learning to fend for themselves. Natalie Portman, Philip Seymour Hoffman, Brendan Gleeson, Donald Sutherland, and Jack White round out the all-star cast of this story of war-torn country and lovers.
Starring Tobey Maguire, Skeet Ulrich, Jewel, and Jeffrey Wright, this underrated film is based on Daniel Woodrell’s novel Woe to Live On. Maguire stars as young Missouri farmer Jake Roedel, who joins the Bushwhackers, a pro-Confederate guerrilla force, when his German immigrant father is killed by pro-Union Jayhawkers from Kansas.
Alongside his best friend Jack Bull Chiles (Ulrich), Roedel roams the border between Kansas and Missouri, skirmishing with Union regulars and irregulars. But when the Bushwhackers, led by militiaman William Quantrill (John Ales), raid Lawrence, Kansas and massacre 150 unarmed men and boys, Roedel must ask himself where his loyalties truly lie.
Jeffrey Wright delivers a stellar performance as a freed slave who fights for the South, and director Ang Lee brings deep sensitivity and impressive historical accuracy to this searing portrayal of a largely forgotten chapter of the Civil War.
This John Ford-directed Civil War Western is loosely based on the real story of Grierson’s Raid, a daring Union cavalry incursion some six hundred miles into hostile territory that set the stage for the siege of Vicksburg, Mississippi.
John Wayne stars as Colonel John Marlowe, a railroad construction engineer who leads his men on a mission to destroy a railroad and supply depot in Newton’s Station, Mississippi. When a Southern belle overhears the brigade’s plans, Marlowe is forced to take her and her slave, Lukey, captive. Legendary tennis ace Althea Gibson, the first black woman to win a Grand Slam title, was cast as Lukey but objected to the character’s scripted stereotypical “Negro” dialect. Ford had the dialogue changed at her request.
With Ford’s dynamic visual style and a well-matched rivalry between Wayne’s colonel and William Holden as a regimental surgeon haunted by the horrors of warfare, The Horse Soldiers captures the drama and audacity of one of the war’s most brilliant campaigns.
Inspired by real-life rumors of lost Confederate gold, this epic spaghetti Western follows three gunslingers across a southwestern landscape ravaged by the Civil War. Clint Eastwood is Blondie (The Good), a lone-wolf bounty hunter with a sense of justice; Lee van Cleef is Angel Eyes (The Bad), a cold-blooded mercenary who never lets a contract killing go unfulfilled; and Eli Wallach is Tuco (The Ugly), a voluble Mexican bandit wanted for a long list of crimes.
As these drifters cross and double-cross each other in pursuit of 0,000 in buried treasure, Union and Confederate forces clash for control of the New Mexico Territory. In director Sergio Leone’s vision of the Civil War, neither side fights with honor. Greed, violence, and stupidity rule the day. With brilliant cinematography and an iconic score by Ennio Morricone, The Good, the Bad, and the Ugly is one of the 20th century’s most unique and influential films.
Roald Dahl is often considered to be one of the greatest storytellers for children of the 20th century. Among his most popular publications are classic stories like James and the Giant Peach, Matilda, Fantastic Mr Fox, The BFG and Charlie and the Chocolate Factory. Even if you haven’t read the books or seen their film adaptations, the titles of these stories have achieved a mythical status in the world of children’s entertainment. Those that have read his second autobiographical publication, Going Solo, will know that Dahl served as a fighter pilot with the Royal Air Force during WWII. In the book, he details his service to King and Country and his combat experiences against Axis forces.
After finishing school and taking a hiking trip through Newfoundland in 1934, Dahl went to work for the Shell Petroleum Company. Following two years of training in Britain, he was assigned to Mombasa, Kenya and then Dar es-Salaam, Tanganyika (present-day Tanzania); the former German colony was still home to many Germans. In August 1939, as a second war with Germany loomed on the horizon, Britain made plans to round up the hundreds of Germans living in Dar es-Salaam to prevent any sort of rebellion or uprising. Dahl joined the King’s African Rifles, receiving a commission as a lieutenant and command of a platoon of indigenous askari soldiers.
In November of that year, Dahl joined the RAF as an aircraftman and made the 600-mile drive from Dar es-Salaam to Nairobi where he was accepted for pilot training. Of the sixteen other men that joined with him, only three would live to see the end of the war. After just seven hours and forty minutes of instruction in a De Havilland Tiger Moth, Dahl made his first solo flight.
Following his initial flight training, Dahl received advanced flight training at RAF Habbaniya outside of Baghdad. He trained there for six months on Hawker Harts before he was commissioned as a pilot officer on August 24, 1940.
Dahl was assigned to fly the obsolete Gloster Gladiator, the RAF’s last biplane fighter, with No. 80 Squadron RAF. Though he received no training on the Gladiator nor any specific instruction on aerial combat, Dahl received orders on September 19, 1940 to fly his Gladiator from Abu Seir to No. 80 Squadron’s forward airstrip near Mersa Matruh. On the last leg of his flight, Dahl could not locate the airstrip and was running low on fuel. With night approaching, he attempted an emergency landing in the desert. The undercarriage of his Gladiator hit a boulder and Dahl crashed, fracturing his skull, smashing his nose, and emerged from his aircraft’s wreck temporarily blinded. He passed out and was rescued by friendly forces who took him to the aid station at Mersa Matruh before being transferred to the Royal Navy hospital in Alexandria. An RAF inquiry later revealed that Dahl had been given an incorrect location and was mistakenly sent to the no man’s land between the British and Italian forces.
In February 1941, Dahl was discharged from the hospital and returned to flight status. By then, No. 80 Squadron had been transferred to Eleusina, near Athens, as part of the Greek campaign. The squadron had traded in their Gladiators for the new Hawker Hurricane and Dahl was ordered to fly one across the Mediterranean in April after just seven hours in the aircraft. Luckily, Dahl made it to Greece without incident and rejoined his squadron. At this point in the Greek campaign, the RAF combat aircraft in the operating area consisted of just 14 Hurricanes and four Bristol Blenheim light bombers.
On April 15, Dahl got his first taste of action flying solo over the city of Chalcis. He intercepted a formation of six Junkers Ju 88 bombers that were attacking ships and managed to shoot one of them down. The next day, he scored another kill on a Ju 88.
On April 20, Dahl took part in the Battle of Athens alongside his friend David Coke and Pat Pattle, the highest-scoring British Commonwealth ace of the war. The battle was an absolute furball which Dahl described as “an endless blur of enemy fighters whizzing towards me from every side.” Five of the twelve Hurricanes involved in the battle were shot down and four of their pilots were killed including Pattle. Greek observers counted 22 German aircraft shot down, but because of the chaos of the aerial melee, none of the pilots were able to take credit for specific kills. Dahl received credit for one kill, though he likely shot down more.
In May, as the Germans closed on Athens, Dahl and No. 80 Squadron were evacuated to Egypt and reassembled in Haifa. From there, Dahl flew daily sorties over the course of four weeks. On June 8, he shot down a Vichy French Air Force Potez 63 heavy fighter, and on June 15, he shot down his third Ju 88.
Following this period, Dahl began to suffer from headaches that caused him to blackout and he was invalided home to Britain. He would serve the rest of the war as a diplomat and an intelligence officer, attaining the rank of wing commander by its end. In 1946, he was invalided out of service with the rank of squadron leader. His combat record of five aerial victories, confirmed by post-war research and cross-referenced with Axis records, qualify him as a fighter ace.
Dahl would go on to write the aforementioned children’s stories and many more besides. His kindhearted books and their warm sentiment serve as the antithesis to his violent wartime experiences.
There’s a constant debate within the nerd-o-sphere about which superhero film is best. Some score points for being accurate to the source material, some are of a higher quality than others, and some are just downright enjoyable to sit through while munching down a tub of popcorn.
In the end, this debate always boils down to personal preference, but there’s no denying that just one film truly cemented the audience’s desire for more superhero films — and that’s 2002’s Spider-Man, starring Tobey Maguire. Sure, it’s not the best filmmaking that the genre’s ever seen, nor is it even close to being the highest grossing, but what this film can claim that no other superhero film can is a crucial role in American pop culture following the horrific events that occurred the morning of September 11th, 2001.
I mean, the guy is so down on his luck that he has to live with his aunt.
For anyone unfamiliar with his role in the comic books, Peter Parker was never some big, strong superhero. He never wore a cape and he he was never really a permanent member of some greater superhero alliance. In fact, he was generally the opposite of what most people would assume a superhero would be. He’s a quiet, shy nerd who works a low-paying, entry-level job for a boss that hates him.
In both the films and the comics, Peter Parker is actually the stand-in for the audience. The general public isn’t made up of rich billionaire philanthropists or Norse gods — they’re just average Joes trying to make ends meet.
We told ourselves we would rebuild. And we did.
The film was in production for years and, just like in the comics, it showcased New York City a character, as much as anyone else in the film. So, in much of the film’s advertisements, they used the two most iconic buildings in the New York skyline: the Twin Towers. In promotional posters and even a stand-alone story trailer that showed Spider-Man stopping bank robbers in a getaway helicopter, the Towers placed a fairly central role.
Then, the day that none will forget came. Four passenger airliners were hijacked. Two successfully struck their target, the World Trade Center in New York City, and another hit the Pentagon. The fourth was brought down in Shanksville, Pennsylvania.
What seemed like an eternity to onlookers took one hour and seventeen minutes. There’s no denying that, in this moment, all American felt scared and, for once, vulnerable.
America was hurting bad. Meanwhile, certain scenes had to be re-shot that featured the New York skyline. This, of course, shuffled the release date back. But in the process, Sam Raimi, the director of the film, added one iconic moment that made the most lasting impression on pop culture — the very last twenty seconds of the film.
Spider-Man had saved the day, saved a hurting New York City, swung up to the top of the Empire State Building, and stood in front of a proud, billowing American flag.
It was exactly what most people, especially the film’s target demographic — a younger crowd that couldn’t really comprehend what had happened — needed to hear. Your average, everyday guy who just happened to be bit by a radioactive spider, is there to save the day.
U.S. troop withdrawal could be up for negotiation if North Korea and South Korea can solidify a lasting peace deal, Defense Secretary Jim Mattis said April 27, 2018.
Mattis was cautious in his response to a question on the potential for withdrawals following the historic meeting on April 27, 2018, of the leaders of North and South Korea.
“That’s part of the issues that we’ll be discussing in negotiations with our allies first, and of course with North Korea,” he said.
He made no predictions on the status of the 28,000 U.S. troops now stationed in South Korea.
“I think for right now we just have to go along with the process, have the negotiations and not try to make pre-conditions or presumptions about how it’s going to go,” he said.
“The diplomats are going to have to go to work now,” Mattis said at the Pentagon after an honor cordon for visiting Polish Defense Minister Mariusz Blaszczak.
The prospect that a U.S. Secretary of Defense would have entertained even the vaguest thought of troop withdrawal from the peninsula would have been unthinkable only a few weeks ago, but North Korean leader Kim Jong-un’s attempted transformation from dictator and nuclear bully to potential peace partner has altered the diplomatic and military equation.
“We will build, through confidence building measures, a degree of trust to go forward. So we’ll see how things go,” Mattis said. “I don’t have a crystal ball. I can tell you we are optimistic right now that there’s opportunity here that we have never enjoyed since 1950,” when the Korean War started.
Late April 2018, the U.S. held a drill for the evacuation of civilian personnel from South Korea in the event of war. On April 27, 2018, a smiling Kim stepped across a line in the Demilitarized Zone and was greeted by a beaming South Korean President Moon Jae-in.
They shook hands, took a walk together, planted a tree together and later signed the “Panmunjom Declaration for Peace, Prosperity and Unification on the Korean Peninsula.”
The declaration held out the possibility for the denuclearization of the peninsula and a formal end to the Korean War, which concluded with an armistice in 1953.
The Kim-Moon meeting also set the stage for a summit between Kim and President Donald Trump at the end of May or early June 2018. A site for the talks has yet to be determined.
“We seek a future of peace, prosperity, and harmony for the whole Korean Peninsula unlocking, not only a brighter future for the people of Korea, but for the people of the world,” Trump said at the White House. “However, in pursuit of that goal, we will not repeat the mistake of past administrations. Maximum pressure will continue until denuclearization occurs.”
This article originally appeared on Military.com. Follow @military.com on Twitter.
With the U.S. Navy’s longest-range platform — aircraft carriers — maxing out at a range of about 550 miles, this means China could theoretically use the missiles to shut the U.S. out of a battle for the South China Sea.
But theories and lines drawn on paper won’t beat the U.S. military in a battle.
In pursuing the strategy of anti-access/area denial, known as A2AD, China assumes that the U.S. must launch aircraft from bases or aircraft carriers. But the F-35B, the U.S. Marine Corps’ variant of the most expensive weapons system of all time, doesn’t work that way.
“You can fly the F-35B literally anywhere,” David Berke, a retired U.S. Marine Corps lieutenant colonel, told Business Insider. “If your traditional places of operation are unavailable” — perhaps because Chinese missile fire cratered them, a likely tactic in a war — “the F-35B can be there.”
By taking off in just a few hundred feet or so and landing from a vertical drop, the F-35B frees up the Marine Corps from worrying about large, obvious bases.
If China targets carriers, the U.S. won’t use carriers
Marines have been training for this operating concept in the Pacific as well. In mid-January 2018, they landed an F-35B on a sloped platform, showing that future pilots could land their plane almost anywhere.
Throughout last year, F-35B crews trained on tactics like “hot loading” and “hot refueling,” which aims to turn reloading the F-35 — usually an affair that takes time, space, and a massive air base to support — into the equivalent of a NASCAR pit stop.
For the F-35B, the ground crew runs up to the jet while it’s still running to pump more fuel and load more bombs. In just a few minutes, atop a dirt floor with minimal support infrastructure in an improvised location China’s missiles won’t know to hit, the F-35B can take off again.
“Find me 600 feet of flat surface anywhere in the world, and I can land there,” said Berke, who compared the F-35B to the A-10 “Warthog,” the U.S. Air Force flying gun famous for its ability to land on dirt roads and fight on despite getting roughed up.
So while China has focused on pushing back the U.S.’s aircraft-carrier-bound fleets of F-18s, the Marines have cooked up a new strategy involving smaller carriers, like the USS Wasp, and heavy-lifting, quick-flying helicopters for support. Using the V-22 Osprey’s and the CH-53’s extreme-lifting capability, Marines could set up makeshift bases inside China’s supposed A2AD bubble.
From there, the stealth F-35Bs could take out the threats keeping the carriers at bay, poking holes in that bubble.
“If you’re looking at warfare two-dimensionally, you’re looking at it wrong,” Berke, a former F-35 squadron commander, said of the A2AD concept. “You don’t beat me in a boxing match ’cause your arms are longer than mine.”
The U.S. is sending the F-35B to the Pacific ASAP
The U.S.’s faith in the F-35B’s ability to shake up the balance of power in the Pacific is evident in recent deployments. The first outside the U.S. was in Japan.
“You’re about to put for the first time ever fifth-generation fighters on a ship at sea and put it into a highly contested area that is fraught with geopolitical risk and controversy and tensions,” Berke said.
“The implications of a fifth-generation airplane being in [the Pacific] is impossible to overstate,” he added. “They’re going to provide capability that nobody knows exists yet.”