Army Game Studio developer, TheTots, explained on the forum for America’s Army that the new game be used by both players and developers to test out the new capabilities for the Army. The game will feature new concept vehicles ranging from tanks to deployable UAVs.
Players can also customize new vehicles and test them in a no-stress situation that could one day be developed into actual combat vehicles.
The Army Capabilities Integration Center’s Lt. Col. Brian Vogt said, “Gaming is a tremendous medium to connect soldiers to the concept. Gaming is not just for entertainment anymore, now it is for experimenting.”
There is a precedent for gamers being used to improve complex research and development projects like this.
Back in 2008, scientists were trying to figure out the detailed molecular structure of a protein-cutting enzyme from an AIDS-like virus found on monkeys. It stumped molecular biologists for years.
After the game Foldit (a collaborative online game to solve this exact issue) came out, gamers solved it in just 10 days.
The best ideas from the game will likely be adopted by Army RDECOM for new weapons platforms, tactics and specs based on the game’s detailed analytics.
John Rambo was almost any other throwaway movie veteran. But luckily for the character – and fans of the Rambo series – the script for First Blood was in the hands of Sylvester Stallone. For Sly, something felt a little off about the story. So he asked real Vietnam veterans what was missing.
And movie history was made.
Sly gets input from veterans when it comes to writing “Rambo”
Given John Rambo’s place in the action movie pantheon,First Blood isn’t the shoot-em-up action movie someone might expect. In between the fight scenes, it’s a poignant remark on the treatment of Vietnam veterans, a wound that was still fresh when the movie was released in 1982. It started life as a book, but John Rambo’s speech at the end – the words that bring the entire story and its message together – wasn’t in the book. Stallone added it with the input from Vietnam veterans. It was a message that resonated with Vietnam vets in their own words.
Sly didn’t stop there. For the sequel, where Rambo is sent to Vietnam to rescue POW/MIA still in captivity, Stallone reached out to vets at Soldier of Fortune Magazine to talk about Vietnam War prisoners that might be held over. For the third, he tapped troops with experience in Afghanistan. He did the same to learn more about the decades-long civil war in Burma.
Stallone reprising his iconic role a John Rambo in Rambo: Last Blood.
Stallone’s favorite ‘Rambo’ weapon isn’t the trademark knife
There are a lot of now-iconic action scenes where John Rambo is using weapons to great effect. The large survival knife from First Blood is legendary, but Rambo has a whole cache of other tools. He uses the compound bow in every Rambo movie to come after, an M60E3 with one hand in First Blood Part II, and who could forget the time he uses a Browning M2 to first obliterate a Jeep driver at close range before taking out half of Burma’s army in 2008’s Rambo.
For Stallone, the latest weapon resonated most with him. Rambo is short on time in Last Blood and has to fashion a few weapons for himself. Among those is a “vicious” weapon crafted from a spring on a car for use in close combat. Stallone calls it a “war club” with the emphasis on war.
“That thing talks to me,” the actor tells We Are The Mighty.
Imagine all the places this pitchfork is gonna go.
John Rambo enlisted in the Air Force first
Sorry, Big Army. Before Rambo joined the U.S. Army’s most elite Special Forces unit, he crossed into the blue. It wasn’t just something he did for a few minutes before realizing he wanted to be in the Army, either. John Rambo did two tours in Vietnam as a combat helicopter pilot and even received the Medal of Honor before he ever thought about being in the Army.
According to the man who plays Rambo himself (in the video above), John Rambo got into a fight in Saigon with a bunch of Special Forces guys who told him that anyone could fight in the sky. So Rambo went to Fort Bragg as soon as he could, reenlisting so he could join the Army’s Special Force. In the film, you’ll see John Rambo in Air Force blue.
Catch Rambo: Last Blood in theaters starting Friday, Sep. 20, 2019.
These guys all seem to be really into his whole “eat a live frog” phase…
For the Bounty Collection, you can be just like our Mandalorian and collect the baby! Isn’t that fun? These little 2.2-inch Yoda Babies come in three 2-packs “to choose from.” None in the bassinet, though. Interesting.
Um. One of those poses is called “don’t leave” — talk about manipulation.
In the latest episode of Game of Thrones, Daenerys Targaryen has finally done it. She’s managed to pull off her version of one of “Mad Dog” Mattis’s signature moments — albeit after some serious military blunders and at least one close call.
Early on in the episode “Eastwatch,” Daenerys gave a speech that boiled down to “I come in peace. I didn’t bring artillery. But I’m pleading with you, with tears in my eyes: If you f#ck with me, I’ll kill you all.”
Well, Randyll Tarly and his son Dickon f#cked with the Mother of Dragons and became crispy critters as a result. The demonstration was effective – in essence, the Breaker of Chains is telling Westeros that they can have “no better friend, no worse enemy” than her.
Not so well-known, though is the fact that Jon Snow is obeying another teaching from “St. Mattis of Quantico.”
In 2010, Mattis famously said:
In this age, I don’t care how tactically or operationally brilliant you are, if you cannot create harmony — even vicious harmony — on the battlefield based on trust across service lines, across coalition and national lines, and across civilian/military lines, you need to go home, because your leadership is obsolete. We have got to have officers who can create harmony across all those lines.
Jon Snow has demonstrated this multiple times throughout the series. He’s managed to stitch together numerous alliances over six-plus seasons – to the point that he now has a coalition of Northerners, Free Folk, Knights of the Vale, and is now carrying out a special operation with the Westerosi version of the “Dirty Dozen.”
Now, for a case of the stupids.
Arya Stark is falling for an “AF is low on water” gambit being run by “Littlefinger” Baelish. Unless Arya can keep calm and ask why Littlefinger wants her to have that specific document, it looks like the Stark girls are headed for trouble – and we could see a fight between Brienne and Arya that is for real.
Video gamers got a taste of military operations when Marine veteran and former Green Beret Chase Millsap took them through an obstacle course in actual armor with dummy weapons.
As you might expect, the civilians struggle with the low crawls, fireman carries, and other tasks they’re asked to perform. Both teams drop their weapons and leave them behind at some point, and a few of the players have trouble even getting their armor on.
Ian Fleming, the creator of James Bond, served with British Naval Intelligence during World War II, and his service influenced the character and his stories.
Fleming was recruited into the Royal Navy in 1939 by Rear Admiral John Godfrey, Head of Naval Intelligence. Fleming entered as a lieutenant and quickly promoted to lieutenant commander. Although initially tasked as Admiral Godfrey’s assistant, Commander Fleming had greater ambitions. He is widely believed to be the author of the “Trout Memo” circulated by Godfrey that compared intelligence gathering to a fisherman casting for trout. In the memo, he independently came up the plan to use a corpse with false documents to deceive the Germans, originally conceived by another agent and later used in Operation Mincemeat.
Fleming was obsessed with collecting intelligence and came up with numerous ways to do so, some seemingly right out of spy novels. One such mission, Operation Ruthless, called for acquiring a German bomber, crashing it into the English Channel, and then having the crew attack and subdue the German ship that would come to rescue them. Mercifully, it was called off. Fleming was also the mastermind of an intelligence gathering unit known as (No. 30 Commando or 30 Assault Unit, 30 AU). Instead of traditional combat skills, members of 30 AU were trained in safe-cracking, lock-picking, and other spycraft and moved with advancing units to gain intelligence before it could be lost or destroyed.
Fleming was in charge of Operation Goldeneye and involved with the T-Force. These would also influence his work. Operation Goldeneye was a scheme to monitor Spain in the event of an alliance with Germany and to conduct sabotage operations should such an agreement take place. Fleming would later name his Jamaican home where he wrote the James Bond novels “Goldeneye.” It would also be the title of seventeenth James Bond movie. As for the T-Force, or Target Force, Fleming sat on the committee that selected targets, specifically German scientific and technological advancements before retreating troops destroyed them. The seizure by the T-Force of a German research center at Kiel which housed advanced rocket motors and jet engines was featured prominently in the James Bond novel “Moonraker.”
In the actual creation of the character James Bond, Fleming drew inspiration from himself and those around him. Fleming said the character of James Bond was an amalgamation of all the secret agent and commando types he met during the war. In particular, Bond was modeled after Fleming’s brother Peter, who conducted work behind enemy lines, Patrick Dalzel-Job, who served in the 30 Assault Unit Fleming created, and Bill “Biffy” Dunderdale, who was the Paris station chief for MI6 and was known for his fancy suits and affinity for expensive cars. Fleming used his habits for many of Bond’s. He was known to be a heavy drinker and smoker. Bond purchased the same specialty cigarettes Fleming smoked and even added three gold rings to the filter to denote his rank as a Commander in the Royal Navy, something Fleming also did.
Bond’s code number, 007, comes from a means of classifying highly secretive documents starting with the number 00. The number 007 comes from the British decryption of the Zimmerman Note, labeled 0075, that brought America into World War I. Bond received his name from a rather innocuous source, however, an ornithologist. Bond’s looks are not Fleming’s but rather were inspired by the actor/singer Hoagy Carmichael, with only a dash of Fleming’s for good measure.
Fleming did draw on those around him for other characters in the James Bond novels. Villains had a tendency to share a name with people Fleming disliked while other characters got their names from his friendly acquaintances. The character of M, James Bond’s boss, was based on Fleming’s boss Rear Admiral Godfrey. The inspiration for the single-letter moniker came from Maxwell Knight, the head of MI5, who was known to sign his memos with only his first initial, M. Also, the fictional antagonistic organization SMERSH, takes its name from a real Russian organization called SMERSH that was active from 1943-1946. In the fictional version, SMERSH was an acronym of Russian words meaning “Special Methods of Spy Detection” and was modeled after the KGB; the real SMERSH was a portmanteau in Russian meaning “Death to Spies” and was a counterintelligence organization on the Eastern Front during WWII.
Finally, the plots for many of the Bond novels came from real-world missions carried out by the Allies. “Moonraker” is based on the exploits of the 30 AU in Kiel, Germany, while “Thunderball” has loose connections to Fleming’s canceled operation Ruthless. Fleming also ties in his fictional world to the historical one after the war and during the Cold War.
Fleming’s novels became very popular during his life and have remained so long after his death in 1964. His work spawned one of the most successful movie franchises in history.
The WATM team sums up the classics to save you time as you go about living your busy lives. VX gas, chemical warfare and Alcatraz-infiltrating SEALs are all a part of this rundown of Michael Bay’s classic flick, “The Rock.” And it’s all presented in under 2 minutes. You’re welcome.
When Robert Pattinson was cast as the next Batman earlier this year, the internet did what it usually does when a new Batman is announced; freak out. But now, that the reality probably setting in for everyone that the former Twilight heartthrob is the next caped-crusader, what’s it going to be like? According to Pattinson himself, being Batman is apparently the best of times and the worst of times. Particularly for his ass.
On Sep. 3, 2019, Variety published a new interview with Pattinson in which the actor revealed, that yes he’s tried on the new batsuit and yes, it’s already changed his outlook on the world and that being in the iconic costume is “transformative.” Though, that doesn’t mean it’s easy to get into the suit.
(Photo by Gage Skidmore)
“It’s maybe the craziest thing I’ve ever done in terms of movie stuff,” the former teen-vampire said. “You do feel very powerful immediately. And it’s pretty astonishing, something that is incredibly difficult to get into, so the ritual of getting into it is pretty humiliating. You’ve got five people trying to shove you into something. Once you’ve got it on, it’s like, ‘Yeah, I feel strong, I feel tough, even though I had to have someone squeezing my butt cheeks into the legs.”
So, basically, if you want to be Batman, you have to get used to people shoving a bunch of rubber all over your ass and legs. But, according to Pattinson, it’s worth it.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
It’s one of the coolest moments in medieval fantasy films. A blacksmith sweats over the forge, slowly pouring bright-orange, molten iron into an open-topped stone mold of a mighty sword while the audience watches a cool shot of the weapon taking shape.
Go ahead and toss in a shot of the warrior looking on with joy, let the audience watch as they quench the hot blade in snow, a person, or whatever, and presto, our hero has a neat toy for the next scene.
It’s too bad that this isn’t how any of it’s done in real life — and if it were, it’d be a sign of terrible craftsmanship.
The switch to iron and steel meant that they could make weapons longer without sacrificing durability. Which is important when you’re trying to stab someone without getting stabbed.
(Picture by J.J. Luder)
First, it should be stated that there’s a huge difference between casting a weapon and forging one. Back in the Bronze Age, before blacksmiths knew any better, they would take molten bronze and pour it into a stone cast to create a battle-ready weapon. This is casting.
Bronze was made from mixing copper and tin. For blacksmiths in 1200 BCE, this wasn’t a problem as both were abundant enough. Mankind had known about iron for hundreds of years at this point, but using it required a tremendous effort to create a product that was on par with bronze alternatives. When it was discovered that just a bit of carbon could turn the Earth’s most abundant metal into steel, they embraced the challenge.
Steel makes for stronger, more durable weapons, so blacksmiths began using this metal instead, but the process required was much different. To create something, smiths needed to forge it, starting from a blank (or piece of metal) that was the relative size of the weapon they intended to make, heating it, and painstakingly hammering it into shape.
No matter how cool of an opening scene this is, it’s still kinda of wrong.
It’s not impossible to cast iron weapons — but the process will yield a cheap, crude weapon. This works for the Uruk-hai Orcs of The Lord of the Rings, but it’s just not practical for anyone else. This is also how most cheapo swords that medieval fans have on their walls are made. For decorative weaponry, that’s fine, but the blade would probably snap in half given just a bit of pressure.
When you pour the metal into the cast, it’s going to take shape of the mold. Which means that it’s only going to be half made when it’s done with an open-top cast. The other half of the sword will be flat when the metal hardens. If they were to rework the metal into a complete shape after that, it’d defeat the purpose of the mold all together.
If you want a durable weapon made out of anything but bronze and looks beautiful, you’re going to need to forge it. This process can take days — even just to get a standard-looking sword. You’re looking at weeks of master craftsmanship to get the caliber of weapons used by main characters.
Most films opt to go with the more cinematic approach. Bright-red liquid (fun side note: Molten iron heated to the point where it can be cast is actually more of a pale yellow. They’re using aluminum) looks cool when it takes form, but the actual process of making real weapons is far more impressive — even if it takes a lot longer than a montage.
There were a lot of big name winners at the 17th Annual Academy Awards in 1945, Bing Crosby, Ingrid Bergman, and… the United States Marine Corps. That’s right, USMC Combat Cameramen won the Oscar for Best Documentary Short for their coverage of the Battle of Tarawa in 1943. Tarawa was unique because of the coverage COMCAM operators were able to give the battle.
November 20-23 1943 saw a thousand Marines die fighting to take the tiny, two mile wide island of Tarawa from Imperial Japanese forces during World War II. Two thousand more Marines were injured. 4,700 Japanese died defending the island with only 17 surrendering to U.S. forces. Hundreds of Korean slave laborers also died.
Combat Camera Marines with the 2nd Marine Division were along for the ride and after the battle, edited With the Marines at Tarawa, a twenty minute short film designed to bring the story of the battle to Americans on the home front. The goal was to give people as close to a first hand experience of the horrors of war as film could get them.
In an eleven minute newsreel from the Army-Navy Screen Magazine designed to be viewed by servicemen, Marine Corps Combat Cameraman Norm Hatch narrates the footage he filmed during the battle of Tarawa.
The narration was clearly written by a screenwriter (this is WWII propaganda, after all), and it includes a short skit as a premise for the story, but the combat footage is heavy and graphic at times.
The end may seem out of place, but the quick construction of the airfield at Tarawa is a reminder of the importance of the battle and the need for the island’s strategic position. It’s also a good reminder of what Marines can do when called upon: The Japanese admiral commanding Tarawa boasted the Marines couldn’t take Tarawa with a million men in a hundred years.
I think this should go without saying, but, here’s your obligatory Spoiler Warning.
If you saw Game of Thrones Season 7 Episode 6 (or you don’t really care about spoilers) then read on. If you haven’t watched the episode but you’re reading articles about the show…here’s an article we did about cats.
Situational awareness isn’t a skill a warfighter picks up overnight. It’s the concept of living your life with your head on a swivel. It’s why so many veterans and active duty troops keep their back to a wall and an eye on the door like they’re Jason Bourne.
White is being blissfully ignorant and Orange being hyper-vigilant to the point of paranoia. Yellow is the perfect middle ground of quietly observing. It’s also referred to as “relaxed alert.”
Red, Gray, and Black are the states of action with varying degrees of how one reacts in confrontation to a threat. Red or “primed for action” is the desired state when sh*t hits the fan. Grey is a state of chaos and Black is total panic, both causing the war fighter to ignore or forget their surroundings.
We can break down the reactions of how the team of Westeros’ greatest fighters devised a strategy to capture and extract a wight (the reanimated skeletons that fight for the Night King.)
As the team of badasses move through the frozen north, they generally maintain Condition: Yellow. Tormund may be joking about his three best ways to keep warm, but he’s still eyeing his surroundings.
It’s only Gendry, the fighter with the least experience, who is in Orange. He’s uneasy about his “squad mates.” He’s never been beyond the wall, or even acclimated to the snow. He’s nervous and it shows.
When the group comes to the open field shrouded in snowfall, the group loses their control of situational awareness. And this is common in every battle.
The Prussian military analyst Carl von Clausewitz said of this: “War is the realm of uncertainty; three quarters of the factors on which action in war is based are wrapped in a fog of greater or lesser uncertainty. A sensitive and discriminating judgment is called for; a skilled intelligence to scent out the truth.”
This has since been called the “fog of war.” Same concept as in video games, but our heroes also have to contend with a literal fog that hide their enemies as well as allies. With the probable threat nearby, they form up and prepare to engage.
Note the 360° Perimeter (Photo via Wikimedia Screen grab via HBO Go)
The squad isn’t able to spot the zombie bear in time and after it caught on fire, Sandor Clegane is terrified. He is a prime example of how even the greatest of war fighters can still lose their composure. He’s in Condition: Gray.
They find their stray wight with a white walker and his soldiers. The rest of the steps in maintaining situational awareness are further explained in fighter pilot and military strategist John Boyd’s OODA Loop, which is the constant cycle of Observing, Orienting, Deciding, and Acting.
Through the OODA Loop, they observe the valley and have a count how many enemies there are. They orient themselves to position themselves to push through with the exit to their front. They decide who is attacking whom, with John (the only one with a Valerian Steel sword) attacking the leader.
And in action, it works flawlessly. They capture and bind the enemy. But not before it calls for reinforcements.
They send Gendry as a runner to get the message back to Daenerys. Keeping higher command aware of what’s going on in the field is paramount for operation success. But Gendry has another critical mission: to call in air support.
As the undead horde swarms the squad, they come across a lake with thin ice and an island with a high observation point. They use this perfectly to their advantage. The ice shatters, creating a moat-like barrier around their island. They can hold the island long enough for extraction.
If it looks stupid but works — it ain’t stupid.
Operationally, everything has been relatively smooth. Only one character with a name has died so far. It’s cold, but they have eyes on every target, including the enemy leaders — who’s elimination would end their magically undead army. You can point out everything thus far as prime examples of things you should do before and after first contact.
Now comes the example of what happens when you march into battle with no situational awareness, no understanding of your enemy, very little experience, and way too much confidence.
Air Extraction has touched down on the landing zone and air support is (literally) lighting up the enemy. Daenerys and her dragons have arrived. Minutes before, she didn’t believe the enemy existed and now she’s fighting the massive army of the dead.
Her dragons have been injured before; Drogon has taken spears from Sons of the Harpy and the Lannister’s Scorpion and he survived. And in battle, we all think we are invincible…until we’re not.
Viserion, the golden dragon of Daenerys, is slain after the Night King impales him with an ice spear.
It was the lack of situational awareness that kept the group from identifying not one but two ice spears. Jon Snow, with all of his experience in combat, really is a slow-learner as far as battle tactics go. He spots the second spear in time to send off a warning, but is left stranded on the battlefield with plan.
Sure, he’s alright and thanks to plot armor he makes it out of there alive, but really Jon, it’s time to start studying combat strategy. It’s almost as if he forgot everything he had learned about situational awareness up until this point…
I went to the LA Film Festival to watch a film about a female Marine, expecting to be bored and disappointed. I was neither.
“Blood Stripe” is a well-crafted piece of cinematic art that describes bluntly – and accurately – the difficulties faced by the main character “Sarge” (Kate Nowlin) when she comes back home after serving in the Marine Corps. She realizes she has changed, and those around her cannot fully relate to the person she has become. Her circle questions her emotions, reactions, and behavior, oblivious to the trauma she just left.
As I said, my initial expectations were low. What could civilians know about making war movies, especially war movies about women? I assumed the film would be some “GI-Jane” type of nonsense, a cliché like Jessica Simpson’s character in the atrocious “Private Valentine.” Simpson, clad in a full face of makeup, hair out of regs, clean, and completely un-military is the type of Hollywood characterization that could well make women avoid watching military movies at all. I anticipated a tepid film with a fairytale ending where everyone solves their problems and proclaims “the war is over, let’s all be happy!” In life, especially the military, there is rarely a fairytale ending.
In life, especially the military, there is rarely a fairytale ending. Sarge comes home to the husband she left behind, she gets a job, she drinks a lot of beer; her life may not be great, but it’s okay. Something deep inside keeps nagging at her, memories she would rather forget bubble to the surface. We see a very broken woman, unable to put the pieces of her life back together after an intense military experience. As she slides deeper into alcoholism, Sarge decides to run away from her life and work at Camp Vermillion, the summer camp snuggled deep in the woods of Minnesota, which she attended as a child.
But something deep inside keeps nagging at her, memories she would rather forget bubble to the surface. We see a very broken woman, unable to put the pieces of her life back together after an intense military experience. As she slides deeper into alcoholism, Sarge decides to run away from her life and work at Camp Vermillion, the summer camp snuggled deep in the woods of Minnesota, which she attended as a child.
Sarge is dealing with issues normally portrayed by male characters — dark emotions and feelings not typically associated with women veterans. She is not looking to be a hero nor trying to find a savior; she does not want a parade nor does she want accolades. The war has followed her home, and the tentacles of a vile monster called PTSD are beginning to creep into her life.
The metaphor of running is used throughout the film. Sarge vainly attempts to work out her issues in the typical military manner: She PTs. She does scores of push-ups and sit-ups and tries to literally run from her problems. She can run, but the deep-seated internal turmoil of combat is always there.
The film highlights not only the struggles of most service members to successfully readjust to post-military life but accurately shows the obstacles female veterans explicitly face. One of Sarge’s new friends at Camp Vermillion repeats a line not dissimilar to what many female veterans often hear: “You’re a girl Marine–do they even make those?”
Yes, yes they do. These words demonstrate what females face once they have left the military: disbelief about their military service and treated as if they are not true veterans.
Society has still not fully embraced the notion that women are capable of both giving and taking life; that women can struggle with a war long after arriving back home. Kate Nowlin does an excellent job portraying a woman coming to grips with herself. Her character is both credible and authentic, and alarmingly real. Military women come from all walks of life, they look like your sister or mother or cousin or neighbor; they are unassuming women accomplishing extraordinary feats – although most of them keep their remarkable achievements to themselves.
The war gave Sarge a lot of things: a sense of purpose, pride, strength, and courage. It also took a lot of things away from her: identity, her sense of security, camaraderie. War changes us, life changes us. In the end, this was a film not merely about war and women, but also the struggles we all face during this unique human experience and a longing to find our way back home, wherever that may be.
“Blood Stripe” had its world premiere in June 2016 at the Los Angeles Film Festival to a sold-out audience. It won the coveted U.S. Fiction Award.