A good film can do amazing things for a viewer. It can you give an authentic glimpse into a real-life situation. It can stir up emotions and force you to sit with them. Yes, there is a reason that it’s called, “movie magic.”
Of course, we know that not everything can be good. There are far more bad films than there are good ones — this is equally true of the war movie genre.
This is, in part, because the details are what make a military movie good (more so than in other genres) and, when those details are missing, the films can get downright hard to watch.
There’s a reason that Stallone is still relevant many years after we were first introduced to him. His first two major releases (Rocky, Rocky II) endeared us all to him so much so that we’ve given him more than a few passes for some of his less impressive work.
One of his most notorious missteps is Rambo III. Sadly, this series evolved from a rich, layered film in First Blood to our eponymous hero inadvertently supporting the Taliban in the debacle that is Rambo III. Even watching this as a very young kid, the movie left plenty to be desired.
I was a young airman stationed in Oahu when this came out. While the cool quasi-group, Section 8, inspired many a young service member and friend to create “wild” cliques, that cape made anything and everything else about the movie unacceptable.
4. Jarhead 2
Jarhead is based on the real-life accounts of the Persian Gulf War from a real-life Marine, Anthony Swofford. I’m still trying to figure out what the sequel is based on.
Why was considered a good idea to made two sequels that have little in common with the original outside of the title, anyway?
3. The Marine 2
Two things that just make it uber hard to take this film seriously.
1. It is made by the WWE.
2. The lead actor is Ted DiBiase Jr. No, not the Million Dollar Man, Ted DiBiase… but his son.
In a classic example of style over substance, Windtalkers is easily one of the most inaccurate, poorly executed war movies of the last 20 years. Not coincidentally, it enjoyed the third biggest financial loss for a war-themed movie ever.
This is a three-hour movie, though only roughly 20 minutes of it is actually about the attack on Pearl Harbor. I was stationed at what is now Joint Base Hickam-Pearl Harbor when this premiered back in 2001 and there were some survivors there.
Some of those survivors explored the two bases — taking a trip down memory lane, I’m sure — before and after the premiere. I was lucky enough to converse with a few of them.
Let’s just say they didn’t have the best opinion of the movie and when I was able to see it, I understood exactly why.
Bishop and motion capture actors for EA’s Battlefield4 video game.
Greg Bishop advanced from private in the Army to Lieutenant Colonel, across a spectrum of specialties from Infantry to the Signals Corps and finally to Public Affairs. He had a dream to work in Hollywood when he was young which he fulfilled through his military service. Bishop runs MUSA Consulting now for the entertainment industry advising on different projects. Bishop has produced his own feature Ktown Cowboys and worked on projects such as Transformers: Revenge of the Fallen, The Day the Earth Stood Still, GI Joe: The Rise of Cobra, Battlefield4 and Snitch.
1. Can you share about your family and your life growing up?
I grew up in the suburbs of Louisville, KY, in a normal, all-American, middle-class family and experience. I was the third of four boys, I had loving parents who are still married today. My father, who was a Marine Corps officer and Vietnam Veteran, was tough but a great role model. My mother took great care of us boys and she was our superhero. We grew up in the pre-home-video game era, so we spent most of our time outside, playing sports, riding bikes, chasing girls and getting into normal boyhood trouble complete with skinned knees and elbows, broken bones and hearts.
2. What values were stressed at home?
With my father being a Marine, and having four boys within six years of one another, discipline, hard work and personal responsibility were paramount in the Bishop household. A strong work ethic was instilled in all of us, so all of the Bishop Boys worked as soon as we were big enough to rake leaves, shovel snow, or cut grass. Our family also pretty much had a newspaper delivery dynasty in the neighborhood for several years. All of us delivered papers until we were old enough to have a regular job, and that was back in the days when newspapers were delivered two times a day. Once old enough, we all had after school jobs washing dishes, busing tables, working in fast food, or whatever we could do to make money legally.
We all went to private Catholic high schools and we were expected to pay half of our tuition for the first three years; our parents covered all of it in our senior year. At the time it was tough. My friend’s parents were giving them money for their hobbies and entertainment while I had to work to pay for the things I wanted or wanted to do. My Mom would slide us a couple bucks if she knew we were tight on cash, but for the most part if I wanted to go to the arcade and play video games, those were my quarters going in the machine. I bought my first car at 15 before I even had a driver’s license. It was a lot of work for a kid, but in the end, my parent’s lessons paid off. All of my brothers currently work for themselves in one capacity or another.
3. What made you want to become a soldier and what was your experience like?
I wasn’t the best student in high school. I had to go to summer school my freshman year, and I think I only had two A’s in my four years…one in Physics and one in Film Appreciation. Don’t ask me to explain that. In my junior year I was cast as an actor in a local educational video on teen suicide. The director allowed me to tag along throughout the production and post-production process. That was my first taste of video production and I really loved it. My senior year, in the film appreciation class, I made a Super-8 movie as the final project, and that’s when I really fell in love with film and video production. I loved the process and everything about it. I knew I needed to go to film school.
Now, there were no film schools in Louisville, so I attended a couple regional colleges for a couple of years, but it wasn’t really doing anything for me. I desperately wanted to go to film school. Then one day I saw an Army commercial promoting the GI Bill and the Army College Fund which just so happened to be the amount of money I needed. I went to see a recruiter; told him I wanted the college money and if I was going to join the Army, I also wanted to paint my face green and run through the woods with a gun. I signed up for the infantry and I shipped off to Basic Training February 27, 1989. While at Fort Benning, I was offered the opportunity to apply for Army OCS (Officer Candidate School). I was accepted and made it through OCS. I was commissioned a year and a day after I arrived at Basic Training and spent the first half of my career as an Army Signal Officer serving in Korea, Fort Campbell and Germany. I wasn’t really thrilled with being a Signal Officer.
While at Fort Campbell I met, fell in love and married my amazing wife, and then the Army let me finish my degree through their Degree Completion Program. I got my bachelor’s degree from Austin Peay State University, which is right outside of Fort Campbell. I studied public relations there and did a summer internship in an advertising firm. At this point the film school dreams began to dwindle, but I enjoyed advertising because it was still very creative. So while still serving I took the GMAT, applied for MBA programs, all with the intention of getting out of the Army and going to work in advertising.
I still owed the Army a few years because of the time they gave me to finish my degree, so fast forward a couple of years, in the mid-90’s, I was stationed in Germany and deployed to Bosnia. One day I stumbled on an article in the Stars and Stripes, about Army Advertising, that changed my life. I learned that I could do advertising IN the Army. I loved being a Soldier, I just didn’t like the Signal Corps. I learned I needed to become a public affairs officer to get that job, so after my company command time in the Signal Corps, I transitioned over to Army Public Affairs, and my first job in that career field was with Army Recruiting Command’s Advertising Directorate at Fort Knox.
While stationed at Fort Knox I was accepted into the Army’s Advanced Civil Schooling program and I went to USC (University of Southern California) where I got my MA in Strategic Public Relations. While there, I learned about this awesome job in LA where a Public Affairs Officer served as the Army’s liaison to the entertainment industry. I really wanted THAT job one day.
While at USC, OIF and OEF started, so after graduating I was assigned to Fort Campbell and deployed to Iraq with the 101st Airborne Division from ’05-’06. I was one of the first brigade combat team PAOs during the Army’s “Transformation” period. I had a great team, an important mission, and was part of one of the best divisions in the Army. It was a tough but rewarding year.
After Iraq I was assigned as the Deputy PAO for the Headquarters of the U.S. Army Corps of Engineers in downtown DC. After serving there for a couple of years it was again time for a reassignment. I learned an important lesson from a senior officer once and it was to not just accept any assignment the Army offers you. If you want something, you have to fight for it. I fought very hard to get the PAO job in Hollywood. My branch manager told me that the entertainment office position was open, but he would not fill the slot because the Chief of Public Affairs (2-star general) believed it didn’t need to be filled. I told my branch manager that that position was one of the most important public affairs jobs in the Army, but he assured me the general had made his decision, and it was “final.” I told him that I was going to write a white paper on why it was such a critical position and why I was the right guy for it…I asked him to promise me that he’d read it. He did, and he agreed, but now had to go change the mind of a 2-star general to put me into that position.
The general called me into his office a couple weeks later, told me my white paper made sense and he thanked me for keeping him from making a mistake. I admired him for his humility. He told me to pack my bags, you’re going to Hollywood. A few months later, I was on the set of Transformers: Revenge of the Fallen and I thought to myself, “Holy shit, the Army got me to Hollywood.” It was a surreal experience. I retired from the Army about 10-years ago and have been working in the entertainment industry ever since.
Bishop with his Drill Sergeant on Basic Training graduation day.
4. What are you most proud of from your service in the Army?
I am most proud of just being a soldier and serving. I am proud to represent our country. I’m proud that I began my Army career as a Private First Class with no degree and finished as a Lieutenant Colonel with a master’s degree. My proudest achievement in service was the year I spent in Iraq where I like to say we fought the information war. Serving as a PAO doing media relations with major news agencies was interesting but working with the Iraqi people to set up their own newspapers and media outlets was the most rewarding. I helped Iraqi citizens run their own businesses, instructing them on how to create a revenue model for their newspapers, radio and TV stations. I also helped my two interpreters create a market research company that helped the local government, the U.S. Army and the U.S. State Department understand the concerns and opinions of local Iraqi citizens. We advised the police, fire and government public affairs of what it means to tell their citizens the truth. We were there for the first election in Iraq and I got to be a small part of it. It was an incredible experience.
Bishop (top left) deployed in Bosnia.
5. What values have you carried over from the Army into Hollywood?
The military and entertainment business are very similar. I told Michael Bay once that, “you shoot film and we (the Army) shoot bullets, everything else is the same.” People in entertainment might be shocked to hear this, but both industries require teamwork, leadership, planning, and even OPSEC. You deal with fiefdoms, budgets and timelines. Hard work and discipline are key. Understanding the commander’s intent, or the director’s vision, it’s the same. Neither culture suffers fools for very long. Both are meritocracies for the most part. I think it’s more so in the military than in Hollywood, and Hollywood is more nepotistic that the military, even though that exists in both worlds. But if you’re good at what you do, you’ll succeed. I knew the Army trained me to be a producer, I just needed to learn the entertainment industry language.
6. What project did you most enjoy doing while working in Hollywood?
I worked in Hollywood as a soldier and as a civilian. As a soldier, Transformers: Revenge of the Fallen was the most fun. It was a Michael Bay movie, so we blew things up and we fired thousands of rounds on set. We had nearly everything in the Army inventory in that movie. There were so many explosions. We shot live rounds from Abrams tanks and Bradley Fighting Vehicles on set. The set caught on fire a couple times. Everybody was out there putting the fire out. Even Michael Bay had a hose in his hand putting out the fire. Every day was just a blast.
As a civilian, it has to be producing my first movie Ktown Cowboys with my business partner Brian Chung. We took it from script all the way to distribution. It premiered at SWSX (South-by-Southwest) in 2015 and it was a nerve-racking experience having so many strangers watching our film. But there’s nothing more rewarding than watching an audience laugh and enjoy a film that your team made. Finishing a movie is very tough. Making a bad movie is hard, making a great film is almost impossible. The military trained us to face challenges and solve difficult situations. That’s true in a military operation and it’s true in the film business.
MLRS from the Army in Transformers Revenge of the Fallen. Photo credit Paramount Studios.
MLRS from the Army in Transformers Revenge of the Fallen. Photo credit Paramount Studios.
The film that Greg produced. Photo credit IMDB.com
7. What was it like transitioning to Hollywood?
Even though I had worked in the Entertainment industry for the Army it was harder than you may think. The industry doesn’t have the time to help anybody else achieve their dreams unless it’s a family member. Most people stop returning my phone calls once I no longer “had the keys” to Army helicopters, troops, vehicles, locations, etc.
I knew some people at Electronic Arts who worked on the Battlefield franchise. Working with them was one of our first gigs. One of the early challenges we had was knowing how much to charge for our services. As a Soldier, you work as long as it takes to accomplish the mission and your pay is the same regardless of outside circumstances. There’s really no relationship between pay and time in the military. I remember in one of our early phone calls with EA one of the producers asked us how much we charge for our services. At the time we had no idea what our time and expertise was worth. We threw out a number and the EA guys laughed at us. They literally said, “We can pay you more than that!” Lesson learned.
We probably wasted a lot of money and time starting a business immediately after retirement because we were career military guys and not trained businessmen. We made some mistakes, learned a lot, but we’ve been doing this for more than 10-years now.
One other similarity between Hollywood and the military is both cultures tend to slap labels on people. In the military we literally wear those labels on our uniform. That’s one of the things that always bothered me about the military culture. Promotions and career paths tend to be very rigid and bureaucratic. In the civilian world there are 25-year old CEOs and they’re judged on performance of their leadership and the company. There aren’t any 25-year-old generals. The entertainment industry is similar though because if you’re a consultant, in their mind you’ll always be a consultant. It’s tough to use that role as a stepping stone into something bigger like acting, or directing, or producing.
Our consulting company was essentially our film school. It helped us learn the language of the industry. In 2012 we created our production company, and while our consulting company is still operating and growing, our production company is our primary focus these days.
Bishop working with Norman Lear on Netflix’s reboot of “One Day at a Time”.
Keanu Reeves in The Day the Earth Stood Still. Photo credit IMDB.com
A screenshot of Battlefield 4. Photo credit imdb.com.
GI Joe: The Rise of Cobra released in 2009. Photo credit IMDB.com.
8. What leadership lessons in life and from the Army have helped you most in your career?
I have a few leadership lessons.
For big challenges, eat the elephant one bite at a time. Don’t let the scope of the challenge intimidate you. Take it on incrementally.
You have to do the work. A lot of young people think accomplishing something is as easy as Googling it. It isn’t. You have to do the work, and oftentimes the work is more difficult than you imagine.
Don’t take “no” for an answer. Write the white paper telling the two-star general he is making a mistake.
Teamwork. It’s critical that you come together to achieve a common mission or objective. You won’t do it alone.
For those getting out of the military soon, I recommend that you find and do something you’re passionate about. Do something that excites you. Do something that will make you look at weekends as a distraction and look forward to Monday mornings. Whatever you are passionate about and love doing, find a way to do it and make money from it. If it doesn’t work, you can always get a government job or contracting job or whatever job other retired military people do.
9. As a service, how do we get more veteran stories told in the Hollywood arena?
In 1927 the first Academy Award for Best Picture went to the Army for a movie called Wings. The military has been part of Hollywood ever since and military stories have always been a part of the DNA of filmmaking and storytelling in Hollywood. For decades Hollywood was patriotic and told mostly pro-American stories portraying our troops against foreign enemies. Yes, it was probably borderline propaganda, but it was a unifying effort from people who loved their country. After the Vietnam War, and even more so after 9/11, most films and television programs about our troops were about fighting their own government, their chain of command or themselves. The politics in the industry shifted along with the way Hollywood portrayed our military. Hollywood struggles with telling authentic stories about our military. It seems we’re mostly portrayed as superheroes or broken mental patients. To answer your question, the only way we can change Hollywood is to do it ourselves. That is the only way it is going to get done authentically. We need to work to become the writers, or producers, or financiers to fund our own content. It’s easier to do that today than it’s ever been, but it’s still extremely difficult.
A scene from Wings in 1927 that won the first Oscar for Best Picture. Photo credit Paramount Studios.
10. What are you most proud of in life and your career?
Personally, I am most proud of my marriage to my wife of 25 years. She is my life’s purpose. Career wise, building three businesses with my business partner Brian Chung. But I am not done yet, so we will see what comes next.
When it comes to changing anything with tradition, Marines are quick to give their opinion. Marines like to think of themselves as some of the biggest military history buffs, and boot camp is where this thought processes begins. So when the Corps talked about changing how their rank will be displayed on combat utilities – from metal chevrons to cloth – Marines took to social media to express their displeasure.
What Marines today may not know is the material and placement of the rank was changed only after the Korean War. For the longest time, rank was placed on the sleeve of the utility uniform. This was to keep in line with the other dress uniforms. Some were cloth, others were stenciled on the sleeves.
WWII-era Marines started hand-marking chevrons on their HBT utilities sleeves with ink, but often in the Pacific they did not bother with rank insignia at all – a way to keep the enemy from knowing who was an officer and who was enlisted.
By the start of the Korean War, utilities chevrons were commonly marked on the utilities with stencil kits.
The placement and material of the rank is relatively new, considering the age of the Corps. The change to putting rank on the collar came after the Korean War. Screw in posts were the first type used to attach them. Over the years it changed again to the type secured with pins. Interestingly, the crossed rifles came in 1959, after pinning the rank on the collar. Yes – crossed rifles are new as well.
If Marines are traditionalists at heart, then we should return to our roots when it comes to rank, right? Imagine: no more collarbones writhing in pain from the metal stabbing into it.
Then comes invading someone’s personal space so you can address them, which is still a problem in today’s Marine Corps. The digital pattern camouflage makes it hard to see a black chevron against a black pattern. Commandant of The Marine Corps Gen. Robert Neller wants to fix this, which has lead Headquarters Marine Corps to start looking into the matter.
If Marines really want to keep with tradition, then they should accept wearing rank on the sleeves of utilities – keeping with the oldest traditions of the Marine Corps.
A North Korean defector who made a mad dash to freedom amid a hail of bullets in November 2017 says he’s lucky to be alive.
In his first television interview with a US broadcaster since his escape, Oh Chong Song told NBC Nightly News with Lester Holt that it’s a “miracle” he made it out.
Oh, a former North Korean soldier, made international headlines when he bolted through the Demilitarized Zone into South Korea, suffering multiple gunshot wounds as his comrades, hot on his heels, pumped rounds into the fleeing man.
“I was extremely terrified,” Oh told NBC, recounting his escape. “I was wearing a padded jacket and the bullet penetrated through here and came out this way. Because of that penetration wound, the muscle there was blown apart and I could feel the warmth of the blood flowing underneath me. I still ran.”
He collapsed on the South Korean side of the demilitarized zone. “I did think that I was going to die as I was lying there,” he explained. South Korean soldiers rushed to him and dragged him to cover.
“I watch this video once in a while and every time I see it, I realize the fact that I am alive is a miracle,” Oh explained. “I can’t believe it’s me in the video.” He told NBC Nightly News that he was not in his right mind as he was escaping. “I was driving at a very high speed.”
Fleeing to South Korea was an impulsive, spur-of-the-moment decision. He said that had he been caught, assuming they didn’t kill him as he fled, he “would have been either sent to a concentration camp for political prisoners or, worse, executed by firing squad.”
The US medic who treated the defector never thought the young man, who was shot five times during his escape, would even make it to the hospital.
“I remember thinking this guy is probably going to die in the next 15 minutes,” Sgt. 1st Class Gopal Singh previously told Stars and Stripes. The Black Hawk helicopter, flying as fast as the crew could go at 160 mph, needed at least 20 minutes to get to the medical center.
But Singh managed to keep him alive as Oh drifted in and out of consciousness.
“I am truly grateful to him and I hope there will be an opportunity for me to meet him. If I do, I want to thank him in person for everything.” the defector told NBC.
“It’s truly a miracle. He was fighting all the way,” Singh told reporters, saying he’d like to meet Oh. “But just knowing that he’s OK, that’s a pretty good reward.”
Doctors, who fought fiercely to keep Oh alive, also called his survival miraculous.
When the defector arrived at Ajou University Trauma Center in Suwon, just outside of Seoul, he was bleeding out and struggling to breathe. Not only did the doctors have to treat Oh for gunshot wounds, but they also had to deal with large parasites as they worked to repair his intestines, which were torn open by bullet fragments.
South Korean surgeon Lee Cook-Jong said Oh was “like a broken jar.”
“His vital signs were so unstable, he was dying of low blood pressure, he was dying of shock,” he told CNN. Oh had multiple surgeries over a period of several days. “It’s a miracle that he survived,” the doctor said.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
None of this has anything to do with gender or anything as asinine as that. The fact is, Wonder Woman was the best superhero movie of 2017 (yeah, I know when Logan was released, and I stand by this statement). And Wonder Woman is easily the best part of the current DC cinematic universe. But this is history.
World War I is a lot more complex than when Steve Trevor tells Diana that he’s the good guy and the bad guys are the Germans wading ashore. It was nice of her to just take his word for it. These are my issues with this mostly-fantastic film.
Wonder Woman does not like doors.
Ok, this isn’t historical, it’s more of a stylistic criticism. Batman and Superman get to fly in or punch their way through a group of bad guys while Wonder Woman has to explode through the wall like an ancient, mythical Kool-Aid Man.
How did that guy not see this coming?
The Germans look completely incompetent.
They’re not just the traditional, evil villainous henchmen — they’re bad at it, too. Maybe that’s why they need to be directed by the God of War. After chasing Steve Rogers Steve Trevor onto the hidden island of Themyscira, they encounter a group of natives who seem technologically inferior… so, obviously they have to murder them all, right?
No. World War I Germans were not the Nazis. Historically, they were as much a victim of circumstance as any other combatant in the war. Germans were arguably the best at fighting World War I. That’s why they took a lot of heat in Versailles, and that’s why World War II happened — the Germans didn’t technically lose. A general staff, a standing professional army — these are all pioneering developments from 19th/20th-Century Germany, but you’d never know it watching Wonder Woman.
A very important lesson for Diana.
No one lives up to their established reputation.
Eventually, the Germans who land on Themyscira all get slaughtered, despite the warship off the island’s coast that never gets used. Despite their guns and grenades, they get creamed by an Amazonian army using swords and arrows, which begs another question: Why are these highly-trained professional soldiers just standing in the open as projectiles are fired at them?
Sure, the Amazonians have never fought rifles before, but with all their superhuman abilities, why can’t they see these as projectile weapons? And the Germans can definitely see all the well-aimed arrows raining death on them, but there they are, kneeling in the open sand, waiting for death.
Germans in Wonder Woman just seem incompetent or lazy or both. Only Steve, the American, has the good sense to take cover on the beach that day.
Remember: They did this to save the town.
Wonder Woman does not do stairs.
There’s a sniper in the bell tower! Luckily everyone has cover, and he’s the only enemy left, so we can just head to the church and use the stars, right? No. That would require going through a door — we talked about that, remember? Let’s just throw Wonder Woman at the building and see what happens.
In their shoes, you’d have shot at Wonder Woman. And probably would have had trench foot.
The Germans didn’t start World War I.
They weren’t really the “bad guys,” they just happened to not be on America’s side. These aren’t Nazis and not every German soldier was responsible for the Rape of Belgium. A lot of them were conscripted, just like the guys on the other side of No Man’s Land. When it came to chemical weapons, the Allies used them on the Central Powers just as much as the other way around, and the same goes for submarine warfare, forced civilian labor, machine guns, and every other horrible thing about World War I on the Western Front.
If anything, she should be taking down Serbia and Austria-Hungary.
Through the goddamned window.
It’s way different for junior enlisted people.
While watching Wonder Woman for the first time, I remembered what it was like to pull security details as an E-2 while deployed. When Diana liberated Veld from the Germans, I couldn’t help but think of the circumstances surrounding it. While it’s totally awesome to watch her clear a trench, the war was almost over, and everyone knew it. The armies around Veld had been there for a year, and not much progress was made to advance either way. This means that everyone was likely just hunkering down to wait out the end of the war, content not to kill or be killed.
So, imagine being a German private, coming to work in the headquarters building, dreaming of returning home to Munich or Trier or wherever to be with your family again in just a few weeks when, suddenly, a Greek Goddess bursts in and starts murdering all your friends during frühstück and kaffee.
In the Navy, there are many different ways to reward a sailor for their excellent work performance, like a promotion in rank or special liberty (time off). On the contrary, there are also several ways to discipline a sailor, for instance using non-judicial punished or Captain’s Mast.
A service member falling asleep on watch, destruction of government property or theft are just some the reasons why a sailor would get sent to stand in front of their commanding officer for disciplinary action.
If a sailor is found guilty of a violation, the 12-years of good service starts over. Punishments for violations can range from restriction to discharge, depending on the severity of the offense.
Every day, Hospital Corpsman encounter challenges and surprises they just can’t predict. Whether they’re stationed with the Marines, working sick call in a hospital, or sitting behind a desk handling necessary paperwork — it can get hard out there for a Doc.
But one thing that never changes is their comedic outlook and perspective on how they see the world around them.
2018 marks the 20th anniversary of Steven Spielberg’s Saving Private Ryan, an iconic film that remains one of the most honest depictions of war.
“It was a mentally demoralizing experience for us,” Spielberg told film critic Roger Ebert. Nevertheless, it was important for the director “to show America the dark side of the face of war.”
(Photo by DreamWorks Studios and Paramount Pictures)
Spielberg made many deliberate decisions to ensure the authenticity and the truth of war portrayed in this film, and the behind-the-scenes footage is riveting. The D-Day invasion scene took over two weeks to shoot and involved thousands of extras — including Irish Army reservists and real amputees.
Even the camera movements and lenses were all designed to follow the movement of combat and obscure the viewer’s vision, replicating the chaos and confusion of battle. Spielberg shot the film chronologically, which is an unusual choice for filmmakers.
“We shot in continuity, from beginning to end. We were all reliving the story together…but I didn’t realize how devastating that was going to be for the whole cast to actually start off with Omaha Beach and survive that as a film team, and then move into the hedgerows, move into the next town, as we all began to get whittled down by the storytelling.”
It was important for Spielberg to honor those who fought in World War II. “I think it is the key — the turning point of the entire century. World War II allowed my generation to exist.” His own father, Arnold Spielberg, enlisted in the U.S. Army after the attacks against Pearl Harbor.
(Photo by DreamWorks Studios and Paramount Pictures)
Saving Private Ryan perfectly balanced the inhumanity of war with the very-human warfighters, and continues to be one of the most celebrated films of all time.
To honor the 20th anniversary, the film is now available on 4K UltraHD™ as well as Blu-Ray™ and Digital. Check out the video below for a deeper look at how it was made:
What happens when troops return from the battlefield with no enemy left to fight? According to Navy SEAL Mikal Vega, we bring the enemy home — and it destroys us.
“While in the military, we focus on cultivating a destructive force that we unleash on the battlefield within our respective fields — which we do with great success — but what happens when there’s no longer an enemy to release that energy upon is that it still remains. We create an enemy and that can manifest in a myriad of ways,” he cautions.
“The only thing we can do to offset it — and warriors throughout history that we model ourselves after understood this — is the cultivation of creative forces. The warrior walks that razor’s edge in between the two, drawing strength from both the creative and the destructive side of the spectrum.”
Vega developed his Vital Warrior Program to help break down the stigma associated around cultivating creativity and healing. Vital Warrior at its core is all about teaching men and women to go inside, discover their creative talents, and use those creative talents in service of the people around them and to uplift and inspire them to do the same for others.
He served 22 years within the Navy SEAL Team and EOD communities. While deployed in support of Operation Iraqi Freedom, and while manning the turret of an HMMWV, he sustained an injury from an IED detonation that caused severe cervical trauma, ulnar nerve damage, and a Mild Traumatic Brain Injury (MTBI).
After a medical retirement and VA-prescribed narcotic painkillers and psychoactive drugs, Vega hit his limit. He recognized that the medications were having an adverse affect on his health and he decided to explore his own healing regimen of myofascial release, acupuncture, and yoga.
He takes a discipline-oriented and regimented approach to his yoga practice, which he now teaches in Venice, CA, offering free classes to veterans in a donation-based environment. He empowers his students to reject the victim mindset and take responsibility for their health. In the military community in particular, that often means breaking through pre-conceived notions about yoga, breaking the stigma about practices like meditation, and introducing the modern warrior mindset into peaceful practices.
“Once vets show up and do it — and really try — they’re floored,” he shared.
[instagram https://www.instagram.com/p/B1SZmUIAOGy/?utm_source=ig_web_button_share_sheet expand=1]Mikal A. Vega on Instagram: “This track is available now with your preorder (link in bio). Vital Warrior music was created to increase performance and creative flow.…”
He talked about that nagging sense of anxiety when you ignore the work you know you should be doing and its adverse effect on the warrior in particular. “If you’re not engaged in the fight, you know you’re not and you’ll be crushed by the energy of it,” he observed.
Vega has a steady career in TV and film, with past credits including Colony, Hawaii Five-0, and Transformers: Age of Extinction. He’ll also appear in the upcoming second season of Mayans M.C., set to premiere September 3rd.
His entertainment career allows him to serve his non-profit, leading to one of his most exciting endeavors yet: a music album appropriately titled Vital Warrior, available now on iTunes, Spotify, Amazon, and more. Featuring deep earthy tones and Vega’s rich voice, the album is designed to not only increase performance and creative flow, but, through the use of the mantras selected, to become a transport vehicle to a better place.
Whether you listen to it during strength-training or yoga, the music will hit the right spot.
Vega served as both the Executive Producer on the album, as well as a vocalist and composer, along with Composer, Musician, and Vocalist Jesus Garcia and Latin Grammy winner and Sound Engineer Rubén Salas — both of whom also produced the album.
“This practice is the hardest thing I’ve ever done. I can see why people might resist it. I’m going up against higher versions of myself, and doing it every day. There is nothing else — it’s me up against me,” he confessed. “It is our sincere desire that this album and this technology engages people because if it does, their life will become better. It doesn’t matter where they are or what they’re doing — they’re life will become better.”
Just days after the attack on Fort Sumter in 1861, Peter Conover Hains graduated from the U.S. Military Academy at West Point. At a time when officers and cadets were deserting the U.S. military in favor of serving their home states, especially those who seceded from the Union, this Philadelphia native stayed put — and the U.S. Army would get their investment back in spades.
After 26 of his 57 classmates left to join the Confederacy, Hains became an artillery officer, firing off the first shot of the Battle of Bull Run. There, he fought bravely, even though the Union Army lost terribly. After as many as 30 smaller combat engagements, he eventually found himself in the Army Corps of Engineers and the United States would never be the same.
During the 1863 Siege of Vicksburg, the Union’s Chief Engineer fell ill and was unable to fulfill his duties. So, the responsibility shifted to then-lieutenant Hains. The engineering at Vicksburg would be crucial to the Union victory, so there could be no mistakes. The 12-mile ring of fortifications and entrenchments around the city kept the 33,000 Confederate defenders bottled up and isolated from the outside world. The surrender of Vicksburg, after a 40-days-long siege, along with the Confederate defeat at Gettysburg sounded the death knell for the Confederacy.
Grant promoted Hains to captain for his work.
In the postwar years, he was appointed Engineer Secretary of the U.S. Lighthouse Board and his constructions were so sound that many still stand to this day, undisturbed by rising sea levels or tropical storms. He also fixed the foul-smelling swamp that was Washington, D.C. by designing and constructing the Tidal Basin there, a sort of man-made reservoir that flushes out to the Washington Channel.
Still in the Army by the outbreak of the Spanish-American War in 1898, he served as a brigadier general of volunteers, but no known record of deploying to fight exists. Before and after the Spanish-American War, Hains served on the Nicaragua Canal Commission and was responsible for successfully arguing that such a canal should be built in Panama.
He retired from the Army in 1904 — but the Army wasn’t done with him. World War I broke out for the United States and in September, 1917, Peter Conover Hains was recalled to active duty one last time. For a full year, he managed the structural defenses of Norfolk Harbor and was the district’s Chief Engineer. At age 76, he was the oldest officer in uniform.
His sons and their sons all continued Hains’ military tradition, attending West Point and serving on active duty. He, his sons, and his grandson are all interred in Arlington National Cemetery.
The Marine Corps wants the defense industry to design a wireless, non-lethal munition capable of stunning individuals out to 100 meters.
The human electro-muscular incapacitation, or HEMI, munition is intended to be a small-caliber, non-lethal round that can be fired from current conventional small arms, according to a Sept. 24 solicitation posted on www.sibr.gov, a government website for the Small Business Innovation Research (SBIR) program, which is designed to encourage small business to engage in federal research and development.
Currently, all the services field a version of the Taser International X-26 “Taser,” a pistol that fires a wire-tethered cartridge out to 25 feet to disrupt the body’s electro-muscular system for about five seconds.
The Marine Corps is “seeking innovative technologies to design” a HEMI munition capable of “hitting human targets at an effective range of 100 meters and physically disabling them for at least 30 seconds up to more than three minutes,” the solicitation states.
The projectile would have to be capable of withstanding the force of being fired from weapons chambered in calibers such as 9mm or 12-gauge, according to the solicitation.
“At least four previous DoD-sponsored SBIR efforts have been initiated on this technology area … but none led to the development of an effective HEMI munition that met the [Joint Non-Lethal Weapons Program] capability gap,” it says.
Gunnery Sgt. Alexander H. Orellana, a non-lethal weapons instructor, fires the X26 Taser into the leg of Pfc. Luis E. CruzLopez with 2nd Battalion, 5th Marines, 31st Marine Expeditionary Unit.
(U.S. Marine Corps photo by Lance Cpl. Andrew Kuppers)
If successful, the new technology may not be cheap. The solicitation states that the Marines want a “low-cost” solution described as less than “id=”listicle-2608119323″,000 per round.”
“The prototype design may or may not be single use (i.e., parts of the design could be designed to be reusable),” the solicitation states. “This re-usability would be a design enhancement.”
The closing date for the solicitation is Oct. 24, 2018.
Early prototypes that pass initial testing will be “utilized to build additional (100+) advanced prototypes for a long-range, extended-duration HEMI munition,” according to the solicitation, which did not give a timeline for program completion.
In addition to the Marine Corps, “this developed capability to non-lethally disable/incapacitate individuals at distances in excess of 100 meters is needed to support the joint services, civilian law enforcement, the Department of Homeland Security, Department of State, Department of Justice, the Secret Service, and Customs and Border Protection,” it states.
This article originally appeared on Military.com. Follow @militarydotcom on Twitter.
Names like Blackbeard and The Barbarossa Brothers may ring a bell. They conjure visions of a billowing Jolly Rogers flag, bands of thieving pirates, and of poor souls walking the plank to their watery graves. But you probably also picture only men. Contrary to popular belief, female pirates have also sailed the high seas, from the very beginning of piracy’s existence.
These swashbuckling female pirates left their mark on history. They defied odds when women weren’t even permitted on ships, commanded crews, and carried out some of the wildest heists in history.
Madame Ching, also known as Cheng I Sao, was a pirate who terrorized the China Sea in the early 19th century. She commanded over 300 ships, and 40,000 pirates, including men, women, and even children. Skirmishes with the British Empire, Portuguese Empire and the Qing dynasty were common during her reign.
But Madame Ching wasn’t always a successful pirate. She was born in 1775 and is believed to have worked in a brothel until she was in her late teens. Then in 1801, she met Cheng I, a notorious pirate with whom she fell in love. They were married and adopted a son, Cheung Po, who was being taught the ways of piracy by Cheng I. Allying with Madame Ching allowed Cheng to access the alliance and powers of the mainland underworld. Madame Ching, a cunning woman, only allowed his access on the condition that she have equal control and share of their fortune.
Six years after the two were married, Cheng died. Madame Ching took advantage of the opening. She was one of the few female pirates who was fully accepted by an entirely male crew, being adopted wholeheartedly by Cheng I’s crew. Madame Ching rose to become one of China’s most notorious pirates. Once she was in charge, Madame Ching also instituted a code of law for her pirates unlike any seen before. They included prohibition from stealing from friendly villagers, beheading for any rapes, and more.
By the time Madame Ching died in 1844, she held numerous coastal villages under her control, levying taxes and protecting towns from other pirates.
Despite Anne Bonny’s historic reputation, very little is known about her life. We know she was an Irish pirate who spent most of her life in the Caribbean. She’s thought to have been born somewhere near Cork, Ireland in the late 1600s or early 1700s. She and her father moved to London after a fight with his wife—who was not Anne’s mother. He began dressing her as a boy around that time. They later moved to Carolina, then Nassau in the Bahamas.
There, Anne met John “Calico Jack” Rackham, a well-known pirate captain. The two quickly became secret lovers, although Anne had already married James Bonny. She was brought on board his ship in her old male disguise.
She took equal part in combat alongside the men, becoming well-liked amongst the crew. Together, they plundered the waters surrounding Jamaica. However, in 1720, Rackham and his crew were attacked by a patrolling ship commissioned by the Governor of Jamaica. Most were taken off guard and too drunk to fight, but Bonny and a female crewmate (and rumored lover), Mary Read, held off the assailants for at least a short while.
Eventually, the entire crew was taken, convicted and hanged. Both Read and Bonny were able to gain a stay of execution due to their “delicate conditions” (read: pregnancies). However, Read died in prison, most likely during childbirth or from its aftereffects. Bonny gave birth in prison, then was released. Her fate after this is unknown. Some believe she actually died in prison, others that she escaped and returned to a life of piracy.
Grace O’Malley has become a legendary figure in Irish folklore despite her very real roots—she was even an inspiration for Anne Bonny to take up piracy. From a young age, O’Malley longed to follow in her father’s footsteps as a privateer on the seas. She once asked her father if she could join him on a trading venture to Spain. She was promptly rejected: Her father said her hair was too long and would get caught in the ship’s ropes. In response, O’Malley chopped off her hair.
With this proof of her seriousness, her father backed down, and she joined him on his next journey to Spain. Upon his death, she took control of the family’s land and sea despite having a brother. She paraded up and down the coastline thieving and bringing her findings back to her family’s coastal stronghold.
Her marriage to Donal an Chogaidh brought her even greater wealth and power. She had three children, including a daughter who took after her mother. When an Chogiaidh was murdered in an attack on his lands, O’Malley was ready to seek vengeance. She launched an attack on Doona castle, whose owners were thought to be responsible. The ferocity of this attack left her with a lasting nickname: the Dark Lady of Doona.
Later in life, O’Malley had an ongoing battle with Sir Richard Bingham, an English officer who was responsible for the Tudor conquest of England. Irish nobles like O’Malley were unwilling to give up their freedom of rule and fought viciously against the Tudor monarchy. After her sons were captured during a battle, O’Malley decided to visit the Tudor court to plead for their freedom.
She and Queen Elizabeth spoke in Latin, their common language (Elizabeth spoke no Irish, O’Malley no English). O’Malley refused to bow to the queen, as doing so would recognize her rights as the Queen of Ireland. The court was scandalized by O’Malley’s behavior, including blowing her nose in front of the queen. Their meeting resolved in O’Malley’s sons’ freedom and the removal of Bingham from Ireland. O’Malley continued to support the Irish insurgency by sea and land until her death in (approximately) 1603.
Beloved by Irish nationalists, O’Malley was renamed Gráinne Mhaol after her death and held up as a symbol of Irish indepence.
4. Sadie Farrell
Though there is some speculation about whether she actually existed, Sadie Farrell, also called Sadie the Goat, was an American criminal, gang leader, and river pirate who operated primarily in and around Manhattan. Her nickname emerges from how she would attack her victims on land: ramming headfirst into her target’s gut while a nearby acquaintance readied their slingshot.
When she tired of thieving on land, Sadie traveled to the waterfront in West Side Manhattan. It was here that she witnessed a failed attempt by the Charlton Street Gang to board a small riverboat and rob it. She offered up her services to the group and soon became their leader. Within days, she’d organized a highly successful theft which ignited her career as a pirate.
She and the Charlton Street Gang would soon be seen sailing up and down the Hudson and Harlem Rivers raiding small villages with a Jolly Roger flying from their sloop’s masthead. She was notorious for kidnapping men, women and children for ransom and is said to have made countless men walk the plank. Within a few months, people began anticipating the gang’s raids and what successes they had became smaller. Eventually, the gang returned to the Bowery for the more consistent life offered there.
This Breton pirate sailed the English Channel during the 1300s, and in these years earned the title Lioness of Brittany. Born in 1300, de Clisson was married first at 12. She had two children during her first marriage. Her husband, despite being only seven years older than her, died in 1326. Jeanne remarried twice after this. Her third and final marriage was rather unusual for the time—it seemed to be a love match. She and Oliver de Clisson had five children together, one of whom may have been born before they were actually married.
Her path to piracy began during the Breton War of Succession. For most of the fight, she sided with the French. That is, until her husband was lured onto French soil under the guise of achieving some kind of peace deal. He and his companions were captured, with their peers alleging that they had committed treason with the British. They were all tried and beheaded.
As revenge, de Clisson raised a force of loyal men and started attacking French forces in Brittany. With the English king’s help, she decorated three warships completely in black and, so the tale goes, wrote “My Revenge” across the vessels. It was on these ships that she patrolled the English Channel, hunting down and destroying French ships for 13 years before calling it quits. Jeanne seemingly decided that she had achieved sufficient vengeance out of nowhere and simply stopped wreaking terror upon the high seas. She died in a small port town on the Brittany coast in 1359.
Though Sayyida al Hurra never sailed much, if at all, she was regarded as a queen of the pirates in the Mediterranean. Between 1515 and 1542, she was both the actual Queen of Tétouan in northern Morocco and a pirate queen. She controlled the western Mediterranean Sea and was well-respected throughout the Mediterranean for her ability to rule on her own terms and to resist occupation when her power was threatened. In fact, her name means “noble lady who is free and independent; the woman sovereign who bows to no superior authority.”
She was born into a family of power in 1485, and quickly rose in ranks, marrying Tétouan’s ruler in her teens. When he died, she became ruler in her own right, at about 30. Not long after, the King of Fez, another Moroccan city, sought Sayyida’s hand. They were married, and Sayyida began realizing how piracy could revitalize her city after invading Christian forces devastated it.
By 1523, Sayyida was running the Mediterranean Sea. Her pirates stalked Portuguese shipping routes, stealing goods and money for the benefit of Tétouan. Although it’s possible that Sayyida was never actually on board any of her ships, her strategy and skill were able to create the opportunities that her people needed to rebuild Sayyida’s most beloved city.
7. Charlotte de Berry
De Berry is another possibly mythic female pirate. Stories of her life only appear in writing two centuries after her supposed death. Despite this, many believe that Charlotte de Berry did in fact exist and did take to the seas.
Born in the mid-1600s, de Berry grew up in England. In her late teens, de Berry fell in love with a sailor, married him, and started on her journey to piracy. Disguised as a man, she joined her husband onboard and fought valiantly alongside her crew. After one of the ship’s crew discovered that de Berry was a woman, her husband was killed. De Berry barely managed to escape, shedding her sailor garb and posing as a woman working on the docks.
While she was working on the docks, a captain kidnapped de Berry and forced her to marry him. He was brutal to de Berry. In order to escape him, she convinced the crew to betray their captain. De Berry decapitated him before the crew, and took his role as captain of the ship.
For many years following, she sailed the seas, attacking ships and stealing their treasures. She fell in love with a Spaniard, and invited him to join her crew. Shortly after they were shipwrecked. Most of the crew perished, including de Berry’s lover. The survivors were rescued by a Dutch ship, but de Berry jumped into the ocean rather than leave her lover behind. Her fate after this is unknown.
This article originally appeared on Explore The Archive. Follow @explore_archive on Twitter.
The Game Awards 2019 has announced this years list of nominees, which includes 107 different games spread across more than 20 categories.
Established in 2014, The Game Awards is an annual ceremony featuring live performances, celebrity presenters, major industry announcements, and world premiere trailers. More than 26 million people streamed the awards last year.
This year’s nominees are led by games like “Death Stranding,” “Fortnite,” “Control,” “Apex Legends,” and “Super Smash Bros. Ultimate,” all of which received three or more nominations. The Game Awards also includes special categories for unique genres, independent releases, virtual reality, and esports.
Fans can help choose the winners in every category on the event’s website or by searching “TGA vote” on Google. You can vote for a winner in each category once per day through December 11 — your vote will be authenticated with an existing social media or Google account. (Chinese viewers can use Bilibili to vote.)
The Game Awards ceremony will be held on December 12 at the Microsoft Theater in Los Angeles at 5:30 p.m. PT. The awards will be streamed live on more than 60 different international platforms — including YouTube, Twitch, Twitter, Facebook, and Mixer — but tickets to attend the event in person are also on sale now.
Cinemark Theatres across the United States will host a special event in 53 of its theaters where it’ll pair a live simulcast of the awards with the world premiere screenings of “Jumanji: The Next Level.”
Here’s the full list of The Game Awards 2019 nominees: