Bruce Willis stars with Frank Grillo (The Grey, Captain America: Civil War) in a new explosions-in-space film called Cosmic Sin.
Set in 2542, 400 years after humans colonized other planets, Willis plays a retired military general who is called back into service after a hostile alien threat with the power to infect and take over human bodies attacks a remote planet. Willis teams up with Grillo and a team of elite soldiers to face off against the alien fleet.
Written by Corey Large and Director Edward Drake (who co-wrote Breach, another sci-fi feature starring Willis), Cosmic Sin also stars Adelaide Kane, Luke Wilson and Lochlyn Munro. This of course isn’t Bruce Willis’ first sci-fi or even space rodeo. The action star is known for his work in The Fifth Element, Looper, 12 Monkeys, and, of course, Armageddon.
Cosmic Sin comes to theaters, On Demand, and On Digital on March 12, 2021.
Netflix is on a roll this October, leading with “Patton,” which won 7 Oscars and made the case for military valor at the height of the anti-Vietnam protests. Plus a Coast Guard action picture that deserves your attention and an Oscar-winning drama about the man who cracked the Enigma code. Plus “Three Kings” is back.
This biopic about General George S. Patton won 7 Oscars, including Best Picture, Best Actor for George C. Scott and Best Original Screenplay for Francis Ford Coppola. Opening with a less profane version of the general’s legendary speech to the Third Army in 1944, “Patton” was an unabashed celebration of the military spirit. Even though it was released at the height of protest against the Vietnam War, the movie was a box office smash and received almost unanimous critical acclaim. (1970)
2. The Finest Hours
Chris Pine and Casey Affleck star in Disney’s action movie about the Coast Guard’s legendary 1952 rescue of the SS Pendleton off the coast of Cape Cod, Massachusetts. Pine is Bernie Webber, the young petty officer who led what everyone believed was a suicide mission. Affleck is Ray Sybert, the Pendleton senior officer who tries to keep the crew focused in the face of almost certain doom. “The Finest Hours” wasn’t a box office hit, but it’s most definitely worth watching. (2016)
3. The Imitation Game
Benedict Cumberbatch plays pioneering computer genius Alan Turing, who led the effort to break Nazi Germany’s Enigma code during World War II. Turing is socially awkward, difficult and brilliant and the film details his struggles to communicate with his colleagues. After the war, Turing was prosecuted under Britain’s anti-homosexuality statues and committed suicide in 1954. (2014)
4. Three Kings
Hollywood loves director David O. Russell these days because of”The Fighter,” “Silver Linings Playbook” and “American Hustle,” but this satire about the first Gulf War is his best movie to date. George Clooney, Mark Wahlberg, Ice Cube, Spike Jonze (!) and Jamie Kennedy (!!) star as US. Army and Army reservist troops who hatch a plan to steal gold and other goods that Iraqis plundered from Kuwait. Watch it. (1999)
5. Saving Private Ryan
What can you say about this one? The D-Day invasion at the beginning is greatest military action sequence in movie history. Everything good about the entire “Band of Brothers” TV series (which is still awesome) gets distilled down into less than 3 hours. Tom Hanks has never been better and an entire generation learned to appreciate the sacrifices and heroism during WWII for the first time. (1998)
Daniel Craig and Liev Schreiber star as Tuva and Zus Bielski, Jewish brothers who led a guerrilla resistance against Nazi troops in Belarus during WWII. Based on real events, it got a limited release and deserves a much bigger audience than it found in theaters. (2008)
7. Black Hawk Down
Ridley Scott’s drama is based on a real-life 1993 raid in Somalia to capture faction leader Mohamed Farrah Aidid. The 75th Rangers and Delta Force go in and things quickly go south, the troops face down enemy forces in a brutal battle and 19 men (and over 1,000 Somali citizens) are killed before the mission is complete. Scott brings a compelling visual style to the material and the cast features a host of young actors who went on to great success, including Josh Hartnett, Ewan McGregor, Tom Hardy, Orlando Bloom and Eric Bana. Sam Shepherd and Tom Sizemore also play key old-guy roles. (2001)
Sailors from the British destroyer HMS Bulldog really did capture an Enigma machine from Germany’s U-110 U-boat in 1941. Hollywood must’ve though that was boring, so they made up a story involving the U.S. submarine S-33 and the German U-571. Brits were mad about the movie, but if you can get past the made-up story, it’s a fine submarine thriller. (2000)
9. Top Gun
Is Tony Scott’s movie about Naval aviators technically accurate? No way. Is it even dramatically effective? Absolutely not. But Tom Cruise’s Maverick, Val Kilmer’s Iceman and Anthony Edwards’ Goose managed to inspire a generation of young men to pursue their flyboy dreams. It’s hard to imagine that the upcoming sequel will mean as much to people, especially if they ruin the original vibe by shifting to properly staged dogfights. (1986)
10. The Heavy Water War
This 6-episode TV series tells the story of Operation Grouse, the action by Norwegian commandos who blew up a power plant and prevented the Nazis from getting access to the deuterium oxide (a/k/a heavy water) they wanted to use in the nuclear reactors that Germany wanted to build. If you can handle the subtitles, this is yet another example of the amazing untold stories of WWII. (2015)
We all know there’s a special place in Hollywood hell for film producers who make half-assed sequels to films we freakin’ love just to make a few bucks. The majority of the time, these sequels don’t live up to the genius of the original and they crash and burn.
Either the sequels make their debut too soon or the trailer fails to spark interest or they’re just plain bad.
But, when done correctly, sequels deliver more of the goodness of the original.
So, check out these five military movies that we think deserve a sequel — and why.
Actually, we think this film deserves a prequel.
Remember when War Daddy jumps out of a tank and kills that German soldier riding a white horse? Well, that opening scene takes place in the ruins of what appears to have been an epic battle. We also learn that a member of the crew fell in battle, but we don’t get much more information than that.
We think it’d be cool to see a full-length feature film of Fury’s crew rolling into battle for the first time.
4. The Hurt Locker
Now, we know this film doesn’t deliver the most authentic military experience, but the film does end with Ssgt. William James walking toward another bomb threat as he begins yet another deployment. A sequel may not win any more Oscars, but it could be good if they aim for a little more realism (for example, this time maybe don’t pull on the command wire of a rigged daisy chain of IEDs).
3. In The Army Now
In The Army Now features Pauly Shore as Bones, a complete slacker and electronics salesman who gets fired from his job and joins the United States Army Reserve with his buddy, specializing in water purification. Hilarity ensues as they find themselves in combat, eventually save the day, and go home just to open an electronics store.
We’re hoping that one day those reservists from Glendale, Ca. will get called back into action — to filter more water.
2. A Few Good Men
In A Few Good Men, Nicholson drops perhaps one of the best lines ever delivered,
“You can’t handle the truth!”
This film shocked audiences and introduced us to the notion of “code red.” Now, we’re positive that Lt. Kaffee didn’t get out of the Navy right after getting his two Marine clients off the hook, so having him take on another case could be pretty exciting to watch if done right.
Gunny Thomas Highway is the sh*t! Unfortunately, audiences have only caught the tail end of his combat-decorated career. There’s definitely room for more of his story to be told, and we think he deserves a prequel that shows his badass backstory.
Only kidding. They’ve made way too many of these suckers already.
“Game of Thrones” composer Ramin Djawadi has been a central craftsmen of HBO’s iconic series since the very first episode. For the coming final season, he’s keeping the secrets of the score close to his chest.
“I don’t know if I should … or what I can even say at this point,” Djawadi told INSIDER at the season eight premiere in New York City last week when asked if there are any new instruments we’ll hear on season eight. “I can say there are new themes, definitely, and there are plenty of the existing themes as well, with new iterations.”
Djawadi says the experience of producing this final season has been “bittersweet.”
“It’s obviously super exciting but writing this final season was definitely very emotional for me,” Djawadi said. “I went through all the ups and downs all by myself.”
He was sent the final season’s episodes earlier this year, but had to watch them by himself in order to maintain the secrecy of how the show ends.
“Obviously it’s so under wraps that even my direct team can’t have access to my studio,” Djawadi said. “So it was just me and nobody else, all the doors were locked. It was quite emotional.”
The music you hear on “Game of Thrones” isn’t just written by Djawadi; he plays most of the instruments himself and then assembles the individual layers into one cohesive piece for the score.
Djawadi told INSIDER he watched all six episodes “straight through” before he started writing any music.
“Then I re-watched them countless times,” Djawadi said. “Like hundreds and hundreds of times.”
One theme INSIDER is eager to hear on the coming official soundtrack is the music which plays during Jaime Lannister’s signature moments, including the memorable bathtub monologue on season three and when Jaime goes to treat with the Blackfish on season six.
Neither of those pieces of score were put on the official released compilations fans can buy or stream. But Djawadi says he hopes to get Jaime’s theme onto the released season eight soundtrack.
“Yes, definitely,” Djawadi said. “A lot of people have approached me [about that]. It’s interesting, when I get stuff ready for the soundtrack I sometimes think, ‘Oh this piece is too short,’ and then all these people ask why it’s not on there.”
“I feel like I should go back and look through all the unreleased material and do something with it,” Djawadi said.
We suggested he release a bonus soundtrack after the series finale.
“Yeah, I think we have to,” Djawadi replied.
“Game of Thrones” premieres Sunday, April 14, 2019, at 9 p.m. ET. Tune in to hear if any of those new themes teased by Djawadi makes it into the first episode of season eight.
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
When Matthew Callahan was first introduced to the movie Top Gun at 2 years old, the film became an instant favorite.
So when the award-winning video producer for the Navy’s All Hands Magazine was tasked with producing a series of videos for Naval Air Station Oceana’s Virtual Air Show last month, Callahan drew inspiration from director Tony Scott’s Cold War classic.
“Top Gun was my first true love of cinema,” Callahan told Coffee or Die Magazine. “It’s a movie of its time — the late ’80s, when they were just overdoing everything — but the way it’s filmed is beautiful. I’ll never forget that opening scene with footage at sunrise or sunset on the ship. You don’t often see military personnel and equipment framed that way, where it’s kind of treated like a total spectacle, and I try and capture that same feeling with a lot of my stuff because it cuts through a lot of noise.”
Callahan was part of a three-man production team including All Hands video producer Jimmy Shea and Mass Communication Specialist 2nd Class Michael Jorge. Together, they spent five days producing eight videos for NAS Oceana’s virtual air show. Trying to convey the excitement and spectacle of an air show with a series of short videos is no easy task, but Callahan and his team worked hard to translate their own passion for viewers.
“We produced eight or nine video products in five days,” Callahan said. “The tempo was pretty nonstop. It was exhausting but also amazing.”
The Next Generation: VFA-106 Prepares F/A-18 Aircrew For Fleet
The standout production from the trip is a roughly three-minute video about NAS Oceana’s Strike Fighter Squadron (VFA) 106. The Virginia Beach-based training squadron prepares freshly minted F-18 aircrews for fleet service.
Callahan said for that video he supplemented the team’s production from Virginia with footage provided by the Navy’s advertising agency.
“I asked for cool, sexy carrier footage, and the ad agency really delivered,” Callahan said. “It seems like Top Gun really set a kind of visual precedent for filming jets on an aircraft carrier, and I wanted to produce something fast but serious in a brass-tacks kind of way.”
Callahan said that while he realizes most of his audience engages with his productions online or on mobile devices, he still tries to include some audio and visual treats for true cinephiles who might watch on a larger TV screen or with noise-canceling headphones.
“I’m always editing and creating soundscapes for that one person who might wanna watch these stories on a big display with a good sound system,” he said. “It’s almost never the case, with most folks engaging on mobile, but there’s always gonna be someone who does. I hope that there’s a payoff for those few who chose to watch that way.”
Spider-Man has officially been booted out of the MCU, and the Marvel stars are just as upset as we are. Earlier this week, it was announced that Sony and Disney were unable to reach a new deal on the new films, so Tom Holland’s Spider-Man would no longer be a part of the Marvel Universe. Fans are heartbroken over the news, and it looks like MCU actors Jeremy Renner and Ryan Reynolds are equally torn up.
Jeremy Renner, who plays Hawkeye in the Avengers franchise, called Sony out in an Instagram post last night. “Hey @sonypictures we want Spider-Man back to @therealstanlee and @marvel please, thank you. #congrats #spidermanrocks#? #please,” the actor wrote alongside a photo of himself as Hawkeye.
Even if Disney is technically to blame for the decision (they wanted a 50/50 co-financing agreement), fans were quick to cheer Renner on. “YES!!! Thank you for speaking up Renner!! #savespidermanfromsony” one user commented.
Deadpool star Ryan Reynolds also chimed in to support Spidey after a fan tweeted at him and Tom Holland: “Can we get a Spiderman Deadpool movie now?” Reynolds responded: “You can. But you can only see it in my heart.”
This was clearly too soon for heartbroken fans, as the replies are full of crying gifs and teary emojis. Some fans are even begging Reynolds to somehow step in and reverse the decision. “RYAN U HAVE MORE POWER THAN ANY OF US PLEASE DO SOMETHING” one Twitter user replied.
It’s likely that even Reynolds’ clout won’t change Spidey’s fate at this point, but as Spider-Man taught us: with great power comes great responsibility.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
The United States Marine Corps gave its final goodbye to one of its most famous and most revered alums, actor and Vietnam veteran R. Lee Ermey, on Jan. 18, 2018 as his remains were laid to rest at Arlington National Cemetery. The revered Gunny died on Apr. 15, 2018 at age 74 from complications during pneumonia treatment.
His body was cremated after death, and his ashes were buried with full military honors.
Ermey as Gunnery Sgt. Hartman in 1987’s “Full Metal Jacket.”
There was more to R. Lee Ermey’s life than just the 1987 Stanley Kubrick film that made his career while defining the image of the Marine Corps Drill Instructor. He was the living embodiment of a Marine who never gives up, being forced into the military, working a bar and brothel after leaving the service, and taking advantage of the opportunities presented to him.
The man we know as “Gunny” was medically discharged in 1972, and didn’t even make the rank of Gunnery Sgt. until after his military career. That’s how important his image is to the Corps. Even though his Hollywood career began to flag as he aged, he was always a vocal supporter of the military and the troops who comprise it.
His internment at Arlington was delayed due to the backlog of funeral services there. The backlog for eligible veterans to be buried there is so great that even a veteran of Ermey’s stature – a Vietnam War-era Marine who served in aviation and training – must wait several months before the services can be performed.
In 1986, Paramount released Top Gun, story about a hotshot Naval aviator named “Maverick” who had some extreme daddy issues. The film was action-packed with awesome dogfights and a classic rivalry.
Did you ever wonder how different Top Gun would have been if Iceman — Maverick’s only competition — was the star of the film?
We did and here are seven reasons why we think the movie should have been about Iceman.
1. We would have seen way more pen flipping.
There nothing more badass than a classic stare-down to start off an epic rivalry. But add in a slick gold pen being flipped through the fingers of a top-notch Naval aviator, and you have the coolest introduction to a character (pun intended).
2. There would have been way more classic insults.
Let’s face it, Maverick wasn’t known for his sh*t talking other than “flipping off” an enemy pilot while being inverted — but Iceman was pretty damn good at it.
“The plaque for the for the alternates is down in the ladies room.” — Iceman
3. Top Gun would have had way more sex scenes in it — and they wouldn’t have been in complete darkness.
Iceman wasn’t looking to hook up with an instructor — he was much more interested in every single girl that was near the base.
Iceman wears sunglasses at night — and he totally pulls it off. (Source: Paramount/ Screenshot)
4. They would have finished the iconic volleyball game since Iceman is no quitter.
Need we say more?
5. No one would have traumatized over Goose’s death.
It would have just been another accident from a “military exercise” resulting in a fatality. That is all.
6. Iceman and Maverick would have totally got into a fistfight.
Do you really think Maverick could have beaten Iceman in a brawl? Well, if Iceman was the star of the movie, we probably would have found out for sure.
7. The Top Gun graduation would have been shown since Iceman did beat out Maverick.
We think it would have been cool to know how he got the gold pen he was flipping around his fingers earlier — he might have told the story during his plaque presentation.
The first trailer for No Time to Die interrupts James Bond’s short-lived retirement when an old CIA buddy asks for help. Felix Leiter (played by Westworld’s Jeffrey Wright) reaches out to his old pal Bond (rumored to be played by Daniel Craig for the last time) to help locate a missing scientist.
Bond partners with a new 00 agent, Nomi, (Captain Marvel’s Lashana Lynch) who rocks some excellent and understated swagger in the trailer, and his ol’ buddy Q (with Ben Whishaw returning) and the team are off to face a new enemy and an old flame.
The trailer kicks off with the possibility that Bond has been betrayed by a woman yet again. Léa Seydoux returns as Madeleine Swann, who is keeping a secret that will to lead them to Rami Malek’s villain, Safin.
“You gave up everything for her. When her secret finds its way out, it will be the death of you,” taunts Christoph Waltz’ Blofeld.
Leiter calls Bond “brother” so we know how close they are.
No Time to Die, Universal
After the reunion and the surprise encounter with Swann, the trailer cleverly plots the stakes: the woman — and the world.
“Your skills die with your body. Mine will survive long after I’m gone,” hints Safin. We can all agree that Malek was born to play a Bond villain right? Especially one that is armed with some kind of creepy technology?
There’s some kind of human experimentation going on here and I don’t care for it.
No Time to Die, Universal
“History isn’t kind to men who play god,” warns Bond.
Daniel Craig has been playing James Bond since 2006’s Casino Royale, and after five films, this will finally be his swan song. The film has every reason to succeed.
With the end of Season 2 of The Mandalorian, the next Star Wars media fans can expect is Star Wars: The Bad Batch. The animated series is slated to premiere sometime in 2021 and is a spinoff of the popular Star Wars: The Clone Wars series. However, some fans may not know that there was a Clone Wars series before the one that just ended. Although it is now considered non-canonical, Star Wars: Clone Wars can serve as a fix for fans in need of more Star Wars content before The Bad Batch is released.
Like the series that came after it (at least initially), Clone Wars aired on Cartoon Network. Unlike its successor, the series utilizes 2D animation and was released in shorts. The first two seasons contain 10 3-minute episodes each while the third and final season consists of five 12-minute episodes. The series was released over the course of three years between 2003 and 2005 and served as the bridge between Star Wars Episode II: Attack of the Clones and Star Wars Episode III: Revenge of the Sith. Fans who left theaters in 2002 wanting to see the new clone troopers in action got plenty of it in Clone Wars.
While the original 2D Star Wars series still has its share of politics and character development, it can be argued that it also has grander and more epic battles than the later 3D series. Although the series has a total runtime of just 2 hours, it’s packed with intense lightsaber duels and heavy clone vs. droid action that keeps viewers entertained the whole way through. This is due in large part to the series’ creator, producer, and director Genndy Tartakovsky.
Tartakovsky is well-known for his work on other Cartoon Network shows like Dexter’s Laboratory and Samurai Jack. The latter inspired much of the action that makes Clone Wars such an epic show. Whereas the 3D series started off more kid-friendly before it evolved to a (mostly) more serious show, the original Clone Wars was not afraid to give viewers a more intense flavor of action right off the bat. Without spoiling anything for new viewers, themes like the dark side of Anakin Skywalker and the brutality of the Clone Wars are featured prominently in the series. Expect to see droid bits flying, clone trooper helmets getting crushed, and lots of lightsaber-swinging action.
Though Clone Wars has been placed under the Star Wars Legends banner, many of its characters and events carried over into its canon successor. Fans of the 2008 series can expect to see more serious versions of villains like Asajj Ventress and General Grievous. Moreover, elite clones like the ARC Troopers are depicted as deadlier and more efficient than their 2008 series counterparts. Fans will also recognize James Arnold Taylor who voices the ever sassy Obi-Wan Kenobi in both Clone Wars series.
Clone Wars is the perfect addition to a Star Wars marathon. Put it on after Episode II and before Episode III for a seamless transition and an action-packed summary of the legendary Clone Wars. Though it’s not available on streaming services like Disney+, it has been uploaded to websites like YouTube for easy viewing. Alternatively, for fans that prefer physical mediums, the DVD box sets can be found used online. Just be sure to search for Star Wars: Clone Wars Volumes 1 & 2.
Composer Ramin Djawadi had a formidable task ahead of him for the final season of “Game of Thrones.” Back when he was working on the seventh season in 2017, Djawadi didn’t know his music written for Jon and Dany would also need to play right as Jon Snow plunged a dagger into Daenerys’ heart.
Showrunners David Benioff and D.B. Weiss had “talked a little bit in riddles” about Dany’s fate and the music Djawadi needed to write, the composer said in an interview with INSIDER on June 11, 2019.
“They said, ‘OK, this needs to be a really romantic theme, but make sure that it’s a love theme that can imply complications,'” Djawadi said. “That’s how they started me out. They said things turn differently and things go wrong.”
Their love “theme” (the term Djawadi uses to refer to the melody unique to a character’s scenes that you can hear on the soundtrack) was worked into a track on the season eight score called “The Iron Throne.”
Daenerys and Jon embracing just before her death.
The song played just as Jon and Dany kissed, mimicking the way she believed they were going to have a happy ending. But it was cut short, right as Jon stabbed his queen. Djawadi says “The Iron Throne” is one of the songs he’s most looking forward to playing live later this year when the “Game of Thrones Live Concert Experience” goes on tour.
Keep scrolling to read INSIDER’s full interview with Djawadi, in which he reveals the “positive” message of the final scene with Jon Snow.
Kim Renfro: The final song heard on the show, called “A Song of Ice and Fire,” is obviously such an important endcap to the series. What were the emotions that you wanted baked into that particular track?
Ramin Djawadi: The thought was to really create a bookend to the whole show. We have our main title song that really represents everybody and the entire series, and we thought there’s no better way to end the show than with our main title theme. But this time it was with a full choir. We have men and women and children actually singing it.
Jon leading the remaining wildlings beyond the Wall.
We’ve heard that main title so many times at every beginning of the episode, so we wanted to leave the show with that — including the very last note on our small dulcimer [instrument]. The main title ends when the title card goes to black and they have that little “dum dum ba ba bum bum” on the dulcimer, and those are the same last notes people will hear on the show.
Renfro: Did you have any conversations with showrunners David Benioff and D. B. Weiss about what is going on with Jon specifically? I feel like the shows ends on this optimistic note, where he’s half-smiling and there are children around him. The children’s presence felt really important in that scene, because it’s this mark of the future and possibility. At the same time it’s a little sad, because he’s going into exile, basically, and leaving behind his past life. Were there conversations about that?
Djawadi: Yeah, absolutely. The idea is really that he stops and he looks back, and then the main title starts, and it’s the idea of a new beginning. It’s supposed to be positive and yeah, like you said, the fact that there are children around and [other] people — he’s not just by himself.
Jon taking one last look at Castle Black before heading into the North.
Djawadi [continued]: Originally [he was] with the Night’s Watch, and you’re not allowed to have a wife and children and all that, but this is him going out there with the wildlings, and you can interpret it like he’s starting a new life. He’s a changed man, and he’s leaving the past behind, and so it’s definitely supposed to be something positive. There are many possibilities now — that’s how we can look at it.
Renfro: I’d to talk about Brienne and Jamie, and the music you wrote for their important scenes. How did you approach that aspect of season eight, and especially the romantic element with both of them?
Djawadi: What’s interesting is their theme together came out of what I call the “Honor Theme” […] over the seasons, when they met and the way they treated each other, it was always an honorable theme. So that became their music. And the other big scene which I loved so much there, when she gets knighted, it was used there, and then, yeah, then we basically every time, I’m pretty certain with the development of their relationship, their theme was playing.
Djawadi: Yeah, I was going to get to that [laughing]. I just threw that in there because I thought it would be a subtle nod to their relationship. When she sits there and she thinks about him and writes down all the things he had done, the second half is the ‘Honor’ theme, but yeah a big chunk of that [song] is the wedding theme.
It’s just a hint of what their relationship — if they had stayed together, if he was still alive — what it could have been. What they could have become. That’s why I put that in there. I was amazed some people picked up on it. I was hoping people would go, ‘Wait a minute, that’s from season two.’ And that was exactly my intent. I thought it would be very appropriate.
Renfro: People absolutely loved that. A lot of fans were so attached to their relationship, and I think that it was really special to get a hint at that dream. Like Jaime and Brienne could have been married in some alternate timeline.
Brienne writing down Jaime’s deeds in the White Book.
Djawadi: Exactly. That was exactly my intention. It just shows the power of music, right? There were no words [in that scene] but by putting that in there your imagination goes [into] where this could have gone. I wanted people to have that emotion, and have those thoughts. I’m glad it was picked up.
Renfro: What was the most challenging scene to write music for this season?
Djawadi: I find almost everything challenging [laughing]. I guess maybe “The Night King.” I definitely knew that I wanted to really try to wrap up [on the show] things nicely with all the themes that we know and have come to love, so there were opportunities for that, but there were opportunities for new things.
Obviously “The Night King” theme was our big new theme this season, and writing that piece was challenging in many ways. One is because we decided to for the second time in “Game of Thrones” history to really focus on the piano again. We felt this was an opportunity to have a big piano piece, and we wanted to call back to “Light of the Seven.”
Game of Thrones S8 – The Night King – Ramin Djawadi (Official Video)
Djawadi [continued]: But then of course I had to reinvent myself, and here I was, thinking, “OK, how can I beat myself? I need to have something that has the same impact at this particular moment on the show and call back to ‘Light of the Seven,’ but it can’t be the same piece.”
If I had done an arrangement of “Light of the Seven” again it wouldn’t have made any sense. Cersei was nowhere to be seen, and that piece belongs to Cersei. But it was a very long scene, just like “Light of the Seven.” There were a lot of similarities, so I definitely made a connection [between them]. For example, I end up in the same key and tempo as the “Light of the Seven” by the end of “The Night King.”
But I also [wrote it knowing] when the piano drops people would sit up and go, “Oh, piano’s coming. This means something’s happening now. What’s going on here?” And the idea was that it would have the reverse effect. That you’d see the Night King on his final march towards Bran, and you’d think back to the Cersei theme and that this is all going his way and he’s going to win and it’s over.
We just had 50 minutes of action music and battle and they tried and tried, and they just can’t do it. It was supposed to feel like a finale and that they were all going to die. And then of course the big surprise happens at the end.
Arya surprised everyone when she killed the Night King.
Renfro: I know for past seasons there were times when Benioff and Weiss would give you some advance notice of an arc that was coming, because you needed to start planting those musical themes a little bit sooner. Did you have any advance notice that Dany was going to die, or that she was going to have this kind of turn at the end? The theme you used for her and Jon, called “Truth” on the season seven score, comes back into play right as she’s dying. Did you know when you wrote it that it was going to be a part of her death?
Djawadi: They showed me this season very early, earlier than any other season. But they weren’t that specific about Dany dying back in season seven. We’ve had such a good working relationship; they always give me exactly the information I need to know at the time.
When I wrote [Jon and Dany’s] theme, they said, “OK, this needs to be a really romantic theme, but make sure that it’s a love theme that can imply complications.” That’s how they started me out. They said things turn differently and things go wrong […] they talked a little bit in riddles.
To be honest, I never even thought about who was going to die, but I just took it as, “I need to write a love theme that has some drama to it, that can show complications.” That’s really the word they used, that things will go wrong and [it’s] “complicated.” That word gave me enough information.
The Jon and Daenerys love theme played during their season seven finale sex scene.
Renfro: So the “Game of Thrones Live Concert Experience” is coming back. I’m super excited. I live in LA now, so I get to go to the Hollywood Bowl version. What made you decided to go with an outdoor/amphitheater vibe versus in the indoor arena setup from the past two iterations?
Djawadi: We just want to try different things. The Hollywood Bowl is a historic venue, and performing there has been on my bucket list. With venues like the Hollywood Bowl and others in all the different cities, these outdoor concerts can be very special. It’s just another way of performing it, and obviously the stage brings different challenges by being outside, but it’s exciting.
I’m actually really majorly reworking [the show] right now, because there’s so much material from season eight — we could have done a concert just with season eight alone. I’m trying to keep a cohesive story from seasons one through eight, which is tricky because I only have that limited amount of time. It’s exciting that I have choices, which is great. So I’m in the process of doing that right now. I can’t wait. Hollywood Bowl will be amazing.
Renfro: Is there a particular part of season eight you’re most excited to perform live for people?
Djawadi: Well, of course “The Night King” because it’s just a great set piece, and it’ll be fun and exciting to perform. And another one, I have to say, is actually [“The Iron Throne”]. It’ll be in there in one way or another. That’s the theme from when Dany dies, and it was such an emotional scene for me to write. I’m just really attached to it. I think it’s such a powerful scene, with Drogon, and so that piece is just special to me. I’m very excited to play that live with an orchestra.
Renfro: Well, I can’t wait to see it. Thank you for bringing all this music to life, and congratulations on finishing out this series. It’s really incredible that it’s come all this way, and that you’ve been there from the start.
Djawadi: Thank you. I think it still hasn’t caught up with me fully that [it’s over]. The live concert tour is helping me with it, because I just don’t want to let go, just how many fans probably don’t want to let go of the show. It helps me to still be working on the music and just stay in that world longer.
And yes, looking back it’s crazy when I think of how this all started out in 2011. And now with the concert tour, all this music that I’ve written and just going through it, I feel very lucky that I’ve been part of this. It’s been unbelievable.
Infantrymen train countless hours on immediate action drills, patrolling techniques and room clearing during their pre-deployment work up. The goal for every successful combat pump is to complete the mission and get your a** home safe.
While on a combat deployment, you made some epic memories — some good and some bad.
But one memory you’ll probably never forget is that first time you took enemy contact.
Fans now have one more reason to be excited for the upcoming release of Avengers: Endgame. According to the film’s director, the fourth flick will feature Stan Lee’s final cameo in a Marvel movie.
“It’s his last one committed to film,” Joe Russo told Mashable at a press day in Los Angeles, squelching the rumor that had been going around that Lee’s final appearance would be in July 2019’s Spider-Man: Far From Home.
Russo went on to add, “I have to say, I think it’s astonishing that this would be his last cameo. It’s just kind of mind-boggling that he made it to the end of this run. I can’t believe it.”
Since Iron Man in 2008, the comic book legend, who passed away in 2018 at the age of 95, has found his way into every installment of the Marvel franchise, even after his death. His most recent cameo was in Captain Marvel, which came out in March 2019. In the brief clip, Lee plays himself as a passenger on a train, rehearsing lines from a script.
And while the upcoming film will be the last time viewers get to see Lee on-screen, some wonder whether the Avengers movie will contain more than one cameo due to its three-hour length. After all, at just over two hours long, Guardians of the Galaxy Vol. 2had not one but two appearances from Lee.
Regardless, fans of the superhero series don’t have to wait much longer to find out. Avengers: Endgames is set to be released in theaters nationwide on April 26 2019.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.