With the end of Season 2 of The Mandalorian, the next Star Wars media fans can expect is Star Wars: The Bad Batch. The animated series is slated to premiere sometime in 2021 and is a spinoff of the popular Star Wars: The Clone Wars series. However, some fans may not know that there was a Clone Wars series before the one that just ended. Although it is now considered non-canonical, Star Wars: Clone Wars can serve as a fix for fans in need of more Star Wars content before The Bad Batch is released.
Like the series that came after it (at least initially), Clone Wars aired on Cartoon Network. Unlike its successor, the series utilizes 2D animation and was released in shorts. The first two seasons contain 10 3-minute episodes each while the third and final season consists of five 12-minute episodes. The series was released over the course of three years between 2003 and 2005 and served as the bridge between Star Wars Episode II: Attack of the Clones and Star Wars Episode III: Revenge of the Sith. Fans who left theaters in 2002 wanting to see the new clone troopers in action got plenty of it in Clone Wars.
While the original 2D Star Wars series still has its share of politics and character development, it can be argued that it also has grander and more epic battles than the later 3D series. Although the series has a total runtime of just 2 hours, it’s packed with intense lightsaber duels and heavy clone vs. droid action that keeps viewers entertained the whole way through. This is due in large part to the series’ creator, producer, and director Genndy Tartakovsky.
Tartakovsky is well-known for his work on other Cartoon Network shows like Dexter’s Laboratory and Samurai Jack. The latter inspired much of the action that makes Clone Wars such an epic show. Whereas the 3D series started off more kid-friendly before it evolved to a (mostly) more serious show, the original Clone Wars was not afraid to give viewers a more intense flavor of action right off the bat. Without spoiling anything for new viewers, themes like the dark side of Anakin Skywalker and the brutality of the Clone Wars are featured prominently in the series. Expect to see droid bits flying, clone trooper helmets getting crushed, and lots of lightsaber-swinging action.
Though Clone Wars has been placed under the Star Wars Legends banner, many of its characters and events carried over into its canon successor. Fans of the 2008 series can expect to see more serious versions of villains like Asajj Ventress and General Grievous. Moreover, elite clones like the ARC Troopers are depicted as deadlier and more efficient than their 2008 series counterparts. Fans will also recognize James Arnold Taylor who voices the ever sassy Obi-Wan Kenobi in both Clone Wars series.
Clone Wars is the perfect addition to a Star Wars marathon. Put it on after Episode II and before Episode III for a seamless transition and an action-packed summary of the legendary Clone Wars. Though it’s not available on streaming services like Disney+, it has been uploaded to websites like YouTube for easy viewing. Alternatively, for fans that prefer physical mediums, the DVD box sets can be found used online. Just be sure to search for Star Wars: Clone Wars Volumes 1 & 2.
But a lot will change for the MCU after this year.
Disney, which owns Marvel, will own the film rights to the X-Men and the Fantastic Four after merging with Fox. The producer Kevin Feige has said he expects that to happen within the first six months of 2019, at which point he’ll get the green light to develop projects with those characters.
It comes at a good time, as “Endgame” marks the end of this era for the MCU, and veteran actors like Chris Evans (who plays Captain America) are expected to retire from their roles.
But before the MCU faces a big shakeup, we ranked all 21 movies — including “Captain Marvel” — from worst to best.
Here’s every Marvel Cinematic Universe movie, ranked:
The MCU has since become a well-oiled machine that knows how to balance it all. But in 2010, it was still working on that.
20. “Thor” (2011)
Directed by Kenneth Branagh
There’s nothing particularly horrible about “Thor,” but there’s nothing memorable either. It’s impressive that the movie works at all, considering that Thor, an alien god with daddy issues, was such a little-known character at the time, and Chris Hemsworth was not the superstar he is now. But James Gunn managed to turn even lesser-known and weirder characters into MCU standouts in “Guardians of the Galaxy.” It would take a while for Thor to really come into his own.
We now know Mark Ruffalo as Bruce Banner/Hulk, but in the second MCU movie, Edward Norton was in the role.
Out of all the MCU movies, “The Incredible Hulk” feels the least connected to the universe. Liv Tyler’s Betty Ross, Banner’s love interest, has never appeared again, and neither has Tim Blake Nelson, who was teased as the Hulk’s archnemesis, the Leader.
But even with that tease, a sequel never happened, and the only character besides the Hulk to have any meaningful connection to the MCU has been General “Thunderbolt” Ross, played by William Hurt, who popped up again in 2016’s “Captain America: Civil War.”
(Disney / Marvel)
18. “Thor: The Dark World” (2013)
Directed by Alan Taylor
It’s almost pointless to compare the first two “Thor” movies, as they’re both toward the bottom of the MCU barrel. But “The Dark World” is a tad more fun than “Thor,” and it’s integral in introducing one of the Infinity Stones (the Reality Stone) that Thanos ends up using to destroy half of humanity.
But Marvel still hadn’t realized that Hemsworth’s best attribute in the role is his humor, and the character — and the first two movies — suffer because of it.
17. “Doctor Strange” (2016)
Directed by Scott Derrickson
“Doctor Strange” is the most overrated movie in the MCU. By 2016, movies like the Russos’ “Captain America: The Winter Soldier” and “Civil War” had progressed the MCU into new territory, but “Doctor Strange” felt like a step back. Sure, the magic was cool, but it also relied on a formulaic plot with a forgettable love interest. (How do you not give Rachel McAdams more to do?!)
16. “Avengers: Age of Ultron” (2015)
Directed by Joss Whedon
This “Avengers” sequel made the same mistake as “Iron Man 2”: cramming too much into its plot to serve the future of the franchise.
The movie features some cool action sequences, notably the Iron Man-Hulk battle. But it fails to distinguish Ultron, the Avengers’ biggest enemy in the comics, from other two-dimensional MCU villains, and it spends too much time setting up future movies. (What exactly is Thor doing?)
15. “Ant-Man” (2015)
Directed by Peyton Reed
“Ant-Man” is a fun little Marvel movie, but not much else. Paul Rudd is charming in the lead role, and Evangeline Lilly is more than just a love interest as Hope van Dyne (the future Wasp). But the movie still falls into familiar territory, including a lackluster villain in Corey Stoll’s Yellowjacket.
(Disney / Marvel)
14. “Captain America: The First Avenger” (2011)
Directed by Joe Johnston
“The First Avenger” is arguably the first movie that “mattered” in the MCU. While “Iron Man” is better, “The First Avenger” sets up “The Avengers” better than “Iron Man,” which basically acts as a prequel to the big team-up movie.
“The First Avenger” would prove essential to the movies that came after — even “Infinity War” with the unexpected return of a character thought to be dead.
13. “Iron Man 3” (2013)
Directed by Shane Black
“Iron Man 3” is the most divisive movie in the MCU, and for good reason. It takes some wacky turns, with a major twist that ruined the movie for plenty of people. But I admire that Black just went for it with this movie and delivered something that fans still argue over.
12. “Ant-Man and the Wasp” (2018)
Directed by Peyton Reed
While it’s not necessarily an “essential” MCU movie, it improves on the first “Ant-Man” in nearly every way, with plenty of heart and humor.
Reed came back to direct after replacing Edgar Wright at the last minute on the first movie, and “Ant-Man and the Wasp” feels as if he was more adjusted to the job, with some well-polished action sequences and a great handle on the characters.
11. “Captain Marvel” (2019)
Directed by Anna Boden and Ryan Fleck
Maybe in time “Captain Marvel” will inch higher on this list. But for now, it’s a solid entry into the MCU, but not a fantastic one.
Boden and Fleck are at their best in the character-driven aspects of the movie. Unfortunately, it’s the action the movie is lacking, which hurts it by the end.
Brie Larson is perfect in the title role, though, and her chemistry with Samuel L. Jackson’s Nick Fury makes the movie. There are also some surprising twists that elicited plenty of reactions from theater audiences. If anything, this is a worthy appetizer for “Avengers: Endgame.”
10. “Spider-Man: Homecoming” (2017)
Directed by Jon Watts
I didn’t have a strong positive reaction to “Homecoming” when I first saw it, but it’s grown on me. Peter Parker’s motivations throughout the movie to be a hero — impressing Tony Stark — rubbed me the wrong way at first. But it’s hard not to like Tom Holland’s spot-on portrayal of the character, and the movie knows exactly what it wants to be: high-school ’80s classic meets modern superhero flick. And Michael Keaton is truly menacing as Adrian Toomes/Vulture in what began a hot streak for villains in the MCU.
9. “Guardians of the Galaxy Vol. 2” (2017)
Directed by James Gunn
Though “Guardians of the Galaxy Vol. 2” is a step back from the first movie, it’s still the most underrated MCU movie. The “Guardians” movies are unique entries in the franchise, and it’s a shame Gunn was given the boot from the third movie, which is in limbo.
8. “Iron Man” (2008)
Directed by Jon Favreau
The first movie — and still among the best — “Iron Man” kicked off what has become the most lucrative movie franchise of all time. But in 2008, it was just a fun superhero origin movie that defied the odds.
Robert Downey Jr. is Tony Stark, and it’s hard to think of anyone else who could have embodied the role with so much of the necessary charisma to sell a character who casual audiences hadn’t cared about.
7. “The Avengers” (2012)
Directed by Joss Whedon
Four years after “Iron Man,” “The Avengers” proved that Marvel had what it takes to pull off a connected universe of movies. It’s even more impressive considering that the early MCU movies, like “Thor,” “Iron Man 2,” and “The Incredible Hulk,” are some of the worst in the franchise. But “The Avengers” course-corrected, delivering a bona fide blockbuster that hadn’t been achieved before.
(Disney / Marvel)
6. “Captain America: The Winter Soldier” (2014)
Directed by Joe and Anthony Russo
2014 marks the point when the MCU really got it together. There have been minimal low points since, and it’s because Kevin Feige and crew finally had the machine running smoothly with low-profile directors who could deliver surprising superhero movies.
Among those filmmakers were the Russos, who have become somewhat of the architects of the universe. After “The Winter Soldier,” an expertly crafted espionage thriller posing as a superhero movie, they went on to direct “Civil War,” “Infinity War,” and “Endgame.”
(Disney / Marvel Studios)
6. “Thor: Ragnarok” (2017)
Directed by Taika Waititi
“Thor: Ragnarok” is the most absurd movie in the MCU, but that’s only part of what makes it so good. This is when Marvel finally realized that Chris Hemsworth is an extremely funny guy with loads of charm and built a movie around that.
It’s also probably the closest thing we’ll get to another Hulk movie in the MCU.
4. “Captain America: Civil War” (2016)
Directed by Joe and Anthony Russo
“Civil War” is loosely based on a 2007 comic-book event of the same name that pits Marvel’s superheroes against one another over the ethics of a registration act making it illegal for any superpowered person to not register their identities with the government.
The MCU version is obviously more contained, but that’s what makes it so good. It takes a huge storyline and successfully tells it through Captain America’s perspective, making it even more personal.
(Walt Disney Studios Motion Pictures)
3. “Black Panther” (2018)
Directed by Ryan Coogler
“Black Panther” is a lot of firsts: the first superhero movie to be nominated for best picture, the first movie to win Oscars for Marvel Studios, the first superhero movie with a predominantly black cast.
It was more than just an MCU movie — it was a cultural event. And its box office reflects that. It was the highest-grossing movie in the US in 2018, breaking barriers and riding its success all the way to Oscar gold.
2. “Avengers: Infinity War” (2018)
Directed by Joe and Anthony Russo
“Infinity War” is an order of magnitude bigger than “Avengers” or “Civil War.” With a cast of over 20 characters, “Infinity War” is the culmination of 10 years of universe-building.
The Russos pulled it off, and they’re not done yet. After the most shocking ending in an MCU movie, the story will continue in “Endgame.”
But on its own, “Infinity War” is an impressive balancing act, and Josh Brolin’s Thanos lives up to the hype.
1. “Guardians of the Galaxy” (2014)
Directed by James Gunn
“Guardians of the Galaxy” was the first MCU movie that really felt disconnected from the rest of the universe, but not in a negative way like “The Incredible Hulk.” It’s an important entry in the franchise from a story standpoint — but it’s also just a hilarious, fun, self-contained movie that turned an unknown group of characters into fan favorites.
It’s the most rewatchable movie in the MCU, with a brilliant soundtrack, but it’s the characters that really make it, from the dynamic between Rocket and Groot to the oblivious Drax. They don’t like each other at first, but the audience loves them as soon as they’re introduced.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Bayonets epitomize the warrior mentality. Although it’s been a good while since the last official call was made to “fix bayonets” in an actual combat mission, the ancillary CQC weapon retains a special place in many warfighters’ hearts. Of course, if troops like to attach a sharp, pointy knife to their rifle’s end, then they’d surely love to affix a chainsaw. What could be better?
Chainsaw bayonets have become a trope in popular sci-fi, but there is none more iconic, overly-gratuitous, and awesome than those attached to the Mark 2 Lancer Assault Rifle in the Gears of War series. This futuristic weapon is a massive, fully-automatic rifle outfitted with a roaring chainsaw bayonet. It works well in the game, but it wouldn’t stand a chance in the real world.
There aren’t any official technical specs available for the Lancer, so it’s impossible for us to accurately judge its effectiveness, but we’ve seen a few people try to recreate the chainsaw bayonet themselves. Still, this technique is nowhere near as common as pop sci-fi would have you believe — for good reason.
In real life, the chainsaw bayonet is extremely flawed for a number of reasons. Firstly, there isn’t really any way to store the gasoline needed to power the chainsaw, so it won’t run for long. The workaround here would be to add a larger fuel source, but by doing so, you’d add to the already-bulky weight of the saw.
Then there’s the weight-distribution problem. It’s never an issue for the hulking heroes of Gears of War, but real-world troops aren’t so massive. Adding weight to a rifle will likely throw off its center of balance. When the front of a gun is far heavier than the back, it simply won’t fire accurately.
The center of balance is almost always closer to the butt-stock so the user has more control over control the weapon. Firearms without butt-stocks are also balanced in a way so that the recoil doesn’t shift the sight picture. Attachments to the front of a weapon, like suppressors, can help regulate weight distribution, but these are very specialized tools. The bulk of a functioning chainsaw would be incredibly difficult to offset.
Finally, we have a hard time seeing a situation in which a chainsaw bayonet would be more effective — not just more enjoyable — than a standard bayonet.
For a quick rundown on why this weapon would also be a complete safety hazard, check out this video.
Game of Thrones may have come to an end on HBO Sunday night but the saga continues off-screen, in the yet-unfinished series of books penned by George R.R. Martin which inspired the hit show. On May 20, 2019, the author reacted to the finale and also hinted at what’s to come for fans.
“Let me say this much — last night was an ending, but it was also a beginning,” Martin wrote in a post on his website, Not a Blog. “There are characters who never made it onto the screen at all, and others who died in the show but still live in the books… if nothing else, the readers will learn what happened to Jeyne Poole, Lady Stoneheart, Penny and her pig, Skahaz Shavepate, Arianne Martell, Darkstar, Victarion Greyjoy, Ser Garlan the Gallant, Aegon VI, and a myriad of other characters both great and small that viewers of the show never had the chance to meet.”
George R. R. Martin speaking at the 2013 San Diego Comic Con International, for “Game of Thrones”, at the San Diego Convention Center in San Diego, California.
The 70-year-old went on to add that he’s still working on the next installment in the series, The Winds of Winter, which was originally supposed to be published in 2015. “Winter is coming, I told you, long ago… and so it is,” he promised. “[The next book] is very late, I know, I know, but it will be done. I won’t say when, I’ve tried that before, only to burn you all and jinx myself… but I will finish it.”
And that won’t even be the last book. Martin said that fans can also expect A Dream of Spring to round out what he thinks will be a total of 3,000 pages between the final two reads.
As for whether the books will end the same way as the show, Martin remained vague, saying, “well… yes. And no. And yes. And no. And yes.”
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Let’s be honest, punching paper at the range is boring.
If the RO is a hardass, it’s standard targets, a second between shots and no movement or draws.
But when you get out to the wilds and can really stretch out your irons, it’s a perfect time for a little trickery.
These 12 trick shots performed by the crew at Dude Perfect take some serious skill to ace. If you’ve got a range where you can shoot props, stick to the four rules, and give ’em a whirl.
1. The Rainbow Six kick shot
This is more of a physics problem than anything else, but nailing a three-point shot with help from the butt end of a scattergun is kinda rad.
via GIPHYNot sure if I’d want to heft a basketball hoop into the backcountry for that one though.
2. Splitting the bullet
First of all, rocking a Kriss Vector with a can is badass enough, but splitting those 230 grains of .45 ACP ballistic goodness on the edge of an axe? Now that’s taking it to a whole new level of awesomeness.
Who doesn’t love drones bro? Who doesn’t hate the idea of one snooping on you? This is one all “people of the gun” should embed firmly into their muscle memory for the day when the government goons come to take our pieces.
via GIPHYJust don’t try it on that $1,000 DJI Phantom.
4. Firepower versus fruit
It’s the bread and butter shot of folks like FPSRussia and the Fruit Assassin, but who doesn’t like seeing the pulp fly with a little 30-06 fun through a watermelon?
But still, shot placement is key here — get it right in the sweet spot and you’re go for throttle up.
7. The blind shot
OK, now this one gives us a case of the heebie jeebies since we’re technically violating one of the four rules of firearm safety here (“know your target and what’s beyond”). But it’s such a radical shot that no tactard out there could admit to not wanting to try at some point on their ballistic bucket list.
Few substances have done more to sex up the art of backyard plinking than the mix-and-go explosive fun of Tannerite. I mean, you can buy buckets of it at Walmart so why not race your friends to blow up buckets of it?
And we like the fact that the bolt gunner smoked the competition here.
9. Fog blaster
We’re not sure what’s so tricky about this one, but like the “splitting bullet” shot, it’s kind of all about the blaster. And pairing a .50 caliber SASR with a bucket of Tannerite? That’s like washing down a dry aged Strassburger ribeye with a 1947 Cheval Blanc.
via GIPHYIt looks like a hand-me-down .22 with iron sights. Could there be some ballistic app running in the background there?
Not sure, but this is one we’re definitely going to try the next time the RO isn’t breathing down our necks.
12. Rainbow Six half mile shot
At the end of the day, making long shots is impressive in its own right. And while stretching it out to about 900 yards isn’t totally, wickedly difficult, dropping a b-ball into the hoop by popping a balloon at 900 yards is kinda darn awesome.
via GIPHYBe sure to watch the entire Dude Perfect trick shot video for more gun fun.
When you talk about a career after military service, oftentimes the conversation veers toward opening a small business, going back to school for a degree or entering the corporate world.
But for a select few, it can mean more of the same — and sometimes a lot more than they’d ever bargained for.
That’s what happened to Bill Fulton when he left the Army after an accident blew out his knees. Not satisfied that his days of working with soldiers would be over, Fulton started a military surplus business in the wilds of Alaska.
And he had no idea just how wild it would eventually get.
Dubbed the “Drop Zone,” Fulton’s store in Anchorage eventually became a kind of sanctuary for fellow vets — sharpshooting hippies, crew-cutted fundamentalists, PTSD sufferers — all seeking purpose and direction.
But the Last Frontier is vast wilderness, the perfect refuge for fugitives, and the perfect place for vets itching for a mission. So Fulton and his crew formed a fugitive recovery business, nabbing bad guys for law enforcement across the state. In the end, more than 400 fugitives would meet Fulton and company on the wrong end of a gun.
Maybe it was the dark or the cold or the isolation, but Alaska provided a never-ending stream of violent felons, meth cookers, heroin dealers, and thieves. For Fulton and his fellow vets, reminding these fugitives they weren’t above the law, and going out with guns in hands to bust bad guys was way more therapeutic than laying on a couch talking about the war.
From tiptoeing through cracking snow on a bust to confiscating a fugitive’s handgun from the place “where the sun don’t shine,” Fulton and his crew had their share of adventure. But it all came to a head when the FBI asked the Army vet to go undercover to blow the lid off of a separatist leader and his band of crooks.
That’s when his raid focused on a small house in Wasilla, Alaska, home of 2008 vice-presidential candidate Sarah Palin. What he found there was a lot more than Fulton and his band had bargained for.
But “Blood of Patriots” is about a lot more than guns and glory, it’s about a team of men who came together in the remotest corner of the U.S. to bring justice to those who avoided it. Guys like “Suicide,” who had an “act first and think later” mentality.
And “Clay Aiken,” who got his country-singer handle from his Southern drawl. Everyone loved Clay and trusted him with their lives—but not their women.
The ironically-named and always mopey “Sunshine” spread his Eeyore vibe wherever he went. The Big Mexican was both, and came to snowy Alaska from East LA via the military.
And then there was “Gunny,” a six-foot-four brick sh@thouse of a man, who stood in a doorway like a solar eclipse, with thick, black, coiled tribal tattoos creeping up his neck and out the bottom of his black leather trench-coat sleeves.
Gunny was a former Marine who worked for a three-letter government organization he wouldn’t name, disappearing for months on special ops missions to parts unknown.
“Blood of Patriots” is the kind of adventure story that makes you wonder if fact really is stranger than fiction, but it also reminds you that some of our fighting men and women carry on the call long after their military service ends.
Bill Fulton’s “Blood of Patriots” is available on Amazon.com.
Although we’re not always keen to admit it, the way we see the world and how we function in it tends to be largely informed by the pop-culture we consume along the way. The movies and TV shows we watch as kids not only help us to perceive a world beyond our views out the window, they have a habit of planting the seeds of foolish thought in our brains Inception-style; leaving us with a skewed idea of things like what really goes on in a fight, thanks to how often we see them depicted inaccurately on screen.
In fact, if you’ve never had the misfortune of suffering a nasty injury on one of your limbs, getting knocked out, or being in close proximity to an explosion, you might be harboring some pretty unrealistic ideas about just how deadly each can be. It might sound silly to suggest that people can’t tell the difference between something Wolverine can do and something your average Joe can… but many of these movie tropes have become such deep-rooted parts of our cultural lexicon that it starts to get difficult to discern truth from fiction. That is, unless you’ve been there first hand.
This is actually how Chuck Norris babysits people’s kids.
Being knocked out is totally fine
It’s Batman’s bread and butter, it helped Marty McFly’s mom gets handsy with her time traveling son, and it’s the most common workplace hazard for henchman and thugs, but the truth is, getting knocked out could seriously mess you up.
Movies may make it seem like getting knocked out with a single blow is basically the same thing as racking out for an impromptu nap, but here in the real world, blunt force trauma to the head tends to come with some serious repercussions. The Riddler’s henchman may come to in a few hours and complain of feeling groggy, but if you’re ever knocked out for hours, you’ll almost certainly wake up in the ICU of your local hospital, surrounded by some very concerned family members (and hopefully you’ll still know your name).
Head trauma that’s sufficient to knock you unconscious actually creates a neurochemical reaction in the brain that causes cell death that can potentially affect you for the rest of your life.
Fire is apparently the only dangerous part of explosions
Watching a protagonist walk toward the camera while a slow-motion explosion unfolds in the background might be one of the most overused (and somehow still rad) shots in cinematic history… but it’s also totally ridiculous. Movies treat explosions like it’s the fireball you have to be worried about, but the most dangerous part of an explosion is usually invisible to the naked eye: the shockwave.
Way back in the first “Mission Impossible” movie, Tom Cruise’s Ethan Hunt actually managed to seemingly ride the shockwave of an exploding helicopter (that was foolishly made out of dynamite, apparently) onto a speeding train. The shot is incredible, and it actually makes the superhero-like sequels make a lot more sense, since Ethan Hunt must actually be dreaming in a coma from that point on, while surgeons try to do something about the soup that used to be his organs.
Anyone that’s ever thrown a grenade can tell you that explosions are far faster and more dangerous than they’re depicted in movies. Most happen so quickly that we perceive them as little more than a thunderous impact and sudden poof of smoke, but it’s the shockwave that will literally liquify your inside parts (like your brain). In the medical community, they call this internal mushification “total body disruption,” which may not sound as cool as “internal mushification” but is apparently just as deadly.
I mean, the bleeding has already stopped. This guy might actually make it if he quits now.
Flesh wounds are no big deal
There’s no faster way to show us how badass a movie hero really is than to watch him dismiss a gunshot to the arm as “nothing but a flesh wound.” John Mcclane loses enough blood in the “Die Hard” movies to keep the Red Cross from chasing down donations for at least a year, but somehow those injuries never seem to slow him down at all.
These “flesh wounds” usually exist only so the female lead’s character arc can develop from annoyed at the hero to empathetic: “You’re hurt!” She exclaims as she runs to check the flap of skin hanging off of our hero’s tricep.
“It’s nothing,” he grimaces as he loads another seemingly infinite magazine into his weapon. As Jesse Ventura said in “Predator,” and probably at least once as Governor of Minnesota, “I ain’t got time to bleed.”
The problem is, you can absolutely die from a wound on your arm or leg. In fact, you can die pretty damn quickly if you rupture an artery. When it comes to unchecked bleeding, what you really don’t have time for is ignoring it.
Robert Downey Jr. just threw down the (infinity) gauntlet in front of his Avengers co-stars. Downey tweeted a picture of himself in between photos of Mark Ruffalo and Chris Evans. All three have mustaches, and Downey has a simple question: Who wore it best?
Ruffalo has a not quite pencil-thin, John Watters-esque lip sweater, Evans looks like he just pulled you over for doing 60 in a 55, and Downey looks just like Marc Maron, as one user pointed out. (Maron agreed.)
That’s to say that there were some strong opinions, but thankfully our world isn’t so dumb (yet) that people actually took this seriously. The Great Marvel Mustache debate was classic fun Twitter, so there were also plenty of animated gifs, memes, and general internet weirdness in the replies.
Even Ruffalo himself got in on the action. He whipped up a collage of himself rocking various ‘stache styles over the years. Or maybe he already had it ready to go, we honestly can’t say for sure.
Chris Evans has, sadly not yet weighed in, but we’re hoping to hear from him soon. Until then, he definitely has his defenders.
There are, at last count, a bajillion characters in the Marvel movies, and plenty of folks felt emphatically that Downey’s trio did not include the true Marvel mustache champion.
For our money, there is a correct answer, and we weren’t alone in making this selection. Several users replied with photos of the right guy, so without further ado, the greatest mustache in the Marvel Cinematic Universe obviously belongs to…
Now that we’ve settled that, it’s back to waiting to Endgame to finally hit theaters on April 26, 2019
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
One of my NCOs gave me a copy of Joseph Heller’s satirical novel Catch-22 as a promotion gift when I became a captain.
It was an ironic gesture, given that he was probably the person I commiserated with the most about ridiculous military rules. Now, George Clooney has directed a six-episode adaptation of the book so you can relive the blood-boiling insanity of active duty all over again.
The series centers on Christopher Abbott’s Captain John Yossarian, a World War II bombardier going crazy trying to stay alive while his commanding officer, Colonel Cathcart (Kyle Chandler), tries to impress his superiors by continually increasing the number of missions his men must fly. Yossarian has already flown 50 and he wants out.
There’s a rule which allows pilots who are crazy to be grounded, but because being driven crazy by fear is fundamentally rational, he’s certified fit to fly. This is the titular catch-22 —and the reason everyone now knows the phrase.
In Heller’s words, “[He] would be crazy to fly more missions and sane if he didn’t, but if he was sane he had to fly them. If he flew them he was crazy and didn’t have to; but if he didn’t want to he was sane and had to.”
The military’s response to logic.
Based on the jokes in the trailer, it looks like the series will attempt to capture Heller’s satirical commentary on the absurdity of war (especially when bureaucracies are involved) — and Heller wrote Catch-22 before the United States even became completely entrenched in asymmetrical war-fighting!
Any veteran, especially one who has served in combat or during wartime, can attest to the fact that military decision-making is often based on antiquated laws, procedures, and mindsets. While the United States has continued to maintain global military superiority thus far, we’re certainly not achieving our prime objectives so much as holding a defensive line — and we’re definitely not taking care of our service members the way we should (especially for the amount of money allotted in the defense budget).
Been there, buddy.
I have a feeling the series will capture what it feels like to serve in a system that expects its troops to “shut up and color,” rather than fostering innovation, mental health, and, oh I don’t know, watering the grass with water instead of blood blood blood?
The TV adaptation debuts on Hulu on May 17, 2019, and also stars Kyle Chandler, Hugh Laurie, Giancarlo Giannini, and Daniel David Stewart.
This article should probably start off with a spoiler warning. Then again, if you’re reading things about “Game of Thrones,” you are either caught up, have no intentions of watching the show, or don’t care about spoiler warnings.
If by some reason you aren’t any of those and wouldn’t want this week’s episodes spoiled, here’s an article about MREs.
The final shot of this week’s episode finished with Jon Snow, Gendry, Jorah, The Hound, Tormund, Beric, and Thoros all headed beyond the wall to capture a wight to prove that the dead are a threat.
One thing I noticed was how perfectly everyone in lined up with a modern unit composition.
Bear in mind, they are undermanned compared to an actual fire team, with only seven men out in the field, one garrisoned at Eastwatch, and another in Winterfell. A full SFOD-A team consists of twelve men on mission. Normally, there would also be two communications experts, a medical doc, and an engineering sergeant on the team.
In this exercise at least, all of the key positions are at least filled. Here’s how:
Detachment Commander (18A) — King Jon Snow
Every team needs a dedicated leader. A voice everyone can rally behind. Someone with a clear vision of what the objective is and how to achieve it.
Being King of the North and the one who brought them all together definitely qualifies Jon Snow as the leader of this team.
Assistant Detachment Commander (180A) — Lord Beric Dondarrion
The second in command needs to be a skilled warfighter. If the team separates, the second would step in to lead a group. They must also be willing to assume control of the whole unit if the worst happens to the commander.
Beric lead the Brotherhood Without Banners until they reached the Wall. If anything, he’s still in charge of both Thoros and The Hound.
Operations Sergeant (18Z) — Ser Davos Seaworth
The Operations Sergeant is responsible for the overall organization and functionality of the team. They are also the senior most enlisted advisor on the team.
Although Davos didn’t join them beyond the wall, he was still pivotal in assembling the team and advising Jon Snow on how to carry out the mission.
Assistant Operations and Intelligence Sergeant (18F) — Tormund Giantsbane
The Assistant Operations and Intelligence Sergeant ensures the team is war-fighting capable. They also gather and analyze all the mission-critical information.
Tormund lived his life Beyond the Wall. No one knows the area and the enemy better than him.
Weapons Sergeants (18B) — Sandor “The Hound” Clegane and Ser Jorah Mormont
Weapons Sergeants must be experts in a wide variety of weapon systems. Any weapon they get their hands on can and will be used.
Both Sandor and Jorah are some of the best fighters in Westeros. They have each proven to be lethal no matter what weapon they had — and in any arena.
Engineering Sergeant (18C) — Gendry
Engineering Sergeants are masters of construction and destruction. They can build a bridge just as flawlessly as they can destroy one.
Gendry trained many years under the greatest blacksmith in the series. If Valerian Steel weapons are needed to fight the dead, he’s ready. Afterall, he was trained under Mott (the guy that reforged Ned Stark’s sword into two more Valerian Steel swords.)
Medical Sergeant (18D) — Thoros of Myr
Special Operations Medical Sergeants are experts in treating battlefield trauma. They are tasked with providing life-saving aid to the team.
The Lord of Light has brought back the dead many times in the books, making Thoros a handy guy to have around in battle. It’s not perfect, with each resurrection taking a part of the person that dies, but it is invaluable to keeping his men in the fight.
Communications Sergeant (18E) — Lord Bran Stark the “Three-Eyed Raven”
The Communications Sergeant is the life blood between fire teams and command. They are required to maintain a constant flow of information between all troops.
In the show, Bran wasn’t seen joining the group. He’s still in Winterfell. But in the same episode the group was formed, he was flying around the enemy in raven form.
We may find out until next episode that he’ll be assisting Jon’s team.
All told, it was exciting to see this rag-tag group come together to go beyond the wall.
Recently, we delved into the 5 best military movies of the 1990s, so it only seemed right that we give the 1980’s the same treatment, especially now that most of us are stuck in our houses without much else to do than take a trip down cinema’s memory lane.
Whenever you’re compiling a list of movies like this, it’s inevitable that you’ll miss some really good picks. In a decade like the 1980s, when there was a laundry list of great films depicting military service or a time of war, the chances that you’ll miss a doozy becomes that much more significant. After all, how do you choose between Clint Eastwood’s “Heartbreak Ridge,” and Robin Williams’ “Good Morning Vietnam?” Easy, I didn’t include either — and I’m sure that’ll ruffle some feathers.
That’s what’s so great about film and analyzing its value or impact. A movie that means the world to you may not have had any impact at all on the next guy. It’s value to you isn’t diminished by his opinion and it doesn’t have to be. Everybody can have their own favorites.
So with the understanding that this list won’t be exhaustive and will probably make some folks mad — here’s my list of the best military movies of the 1980s.
Right out of the gate, including this movie on the list requires a disclaimer: In order to be a good military movie, you don’t need to be realistic. “Iron Eagle” is a lot of things, but realistic isn’t one of them.
For those who haven’t seen it, “Iron Eagle” is the story of a young man named Doug Masters who aspires to be a pilot like his father, U.S. Air Force fighter pilot Col. Ted Masters. When Col. Masters is shot down over the fictional Arab nation of Bilya, Doug enlists the help of another fighter pilot, Colonel “Chappy” Sinclair. The two hatch a scheme to steal two F-16 Fighting Falcons and somehow fly them all the way to the Middle East, take on an entire Air Force, land on an enemy airstrip, and fly Doug’s dad home.
This movie is about as realistic as my chances of being elected president in 2020, but that doesn’t matter. This silly romp is a blast to watch, especially if you enjoy ironically watching ridiculous movies.
While it maybe a bit slow paced compared to high budget action movies of today, “Red Dawn” earns its spot on this list thanks to solid acting from its young cast (some of whom went on to successful careers in Hollywood) and its semi-serious approach to depicting an America that’s not only at war… but losing it.
“Red Dawn” can certainly be categorized as pro-American propaganda, but if you ask me, that just makes it all the more fun. Despite the fall of the Soviet Union, Russia remains one of America’s primary diplomatic opponents on the world’s stage, making it that much easier to revel in the Wolverine’s efforts to take back their town from the combined Cuban and Soviet occupational forces.
If you can watch this movie and not scream “Wolverines” at the top of your lungs, you’re a better movie-goer than I am.
What do you get when you take two future governors, a Hollywood script writer, and Apollo Creed and stick them in the jungle with a bunch of guns? You get what is perhaps the greatest piece of action satire of all time.
You might be surprised to hear me refer to “Predator” as a satire film, but when you take a step back and really look at the framework of this movie, you’ll realize that it is a pretty clever deconstruction of the big-budget action movies of the 80’s. It’s got all the same ingredients of an 80’s thrill ride, but delivered in a way that takes the wind right out our action hero’s sails. After using traditional action movie tactics to easily wipe out a village of bad guys, Dutch’s vaguely special operations crew are then faced with a far worthier opponent: a monster that doesn’t yield to the tropes of action movie heroes.
What follows is a rapid transition from action movie to slasher flick, and a movie that doesn’t just hold up over time, but offers an insightful critique of movie culture in general.
While “Top Gun” may take the number two spot on this list, it’s ranked number one in terms of recruiting. “Top Gun” offered many Americans their first glimpse into the world of Naval aviation, and in particular, the Navy’s very real Strike Fighter Tactics Instructor Program.
With a long awaited sequel slated to drop later this year, Top Gun’s appeal clearly stands the test of time, even if Maverick is admittedly a pretty bad pilot that has no place in the cockpit of an F-14 Tomcat. This movie led to a boon in Navy recruiting, with some recruiters setting up tables right outside cinema doors to engage with excited young aspiring pilots while their blood pressure was still high.
Once again, “Top Gun” proved that you don’t have to be realistic to be great. Here’s hoping the new one can do the same.
After the massive hit that was “Alien,” the much anticipated sequel somehow managed to add a platoon of Space Marines and still retain the chilling vibe the “Alien” universe is known for. Now, this movie may not take place in a fictional Arab nation or involve existing military branches, but who doesn’t love a story about Space Marines fighting alien monsters?
This movie might be the least “military” of the lot, but it’s also the most fun to re-watch again and again, which earns it a whole lot of extra credit in my book. For Marines like me, we may not want to associate with the cowardly yelps of Bill Paxton’s Pvt. Hudson, but let’s all be honest with ourselves… a few yelps are warranted when you’re being hunted by a slimy space monster with acid for blood.
That does it for my list of the best military movies of the 1980s, so the question is: what’s on your list?
The first season of The Terror centered around a failed British expedition to find the Northwest Passage. The second season of this horror anthology takes place in the (fictional) Colinas de Oro War Relocation Center, a Japanese Internment Camp during World War II.
Star Trek’s George Takei stars in the show and came aboard this season as a consultant.
“Set during World War II, the haunting and suspenseful second season of the horror-infused anthology The Terror: Infamy centers on a series of bizarre deaths that haunt a Japanese-American community, and a young man’s journey to understand and combat the malevolent entity responsible,” reads the official synopsis.
The Terror: Infamy Season 2 Trailer | Coming This August
Screenshot from official trailer for ‘The Terror: Infamy’
The 10-episode season is co-created by Max Borenstein (Kong: Skull Island) and Alexander Woo (True Blood). The first season was praised for its supernatural suspense and currently has a 95 percent approval rating on Rotten Tomatoes. The second season will premiere on Monday, August 12 at 9/8c.
You know Abraham Lincoln as the emancipator and one of America’s greatest presidents, but a wrestler?
At 6-feet-4, 180 pounds, the frontier man was a highly regarded grappler who went 12 years with only one defeat in approximately 300 matches. According to Lincoln biographer Carl Sandberg, Abe was also an accomplished trash talker once challenging an entire crowd of onlookers after beating a foe: “I’m the big buck of this lick. If any of you want to try it, come on and whet your horns.”
Historians recount Lincoln’s badassery to as early as his teenage years. At age 19, he defeated the Natchez thugs by throwing them overboard during their attempted to hijack Lincoln’s stepbrother’s river barge. Ten years later, while working for an enterprising storekeeper in New Salem, Illinois, he doubled as a prize fighter for his boss who promoted his famous match against county champ, Jack Armstrong. Lincoln won by knockout when he threw Armstrong off his feet.
Lincoln was neither the first nor last president to succeed in wrestling. At age 47, George Washington famously defeated seven members of the Massachusetts militia during the American Revolution, Teddy Roosevelt cross trained in boxing and Jiu-Jitsu. Andrew Jackson, Zachary Taylor, Ulysses S. Grant and William Taft were also champions, wrote Jennie Cohen for History.
Legend has it that Lincoln once beat a man by picking him up and tossing him 12 feet during a campaign speech. This American Heroes Channel video perfectly shows why you don’t want to get into a scuffle with honest Abe.