Over the course of 17 days, Marines fighting at North Korea’s Chosin Reservoir during the Korean War put out a call for “Tootsie Rolls,” their code for 60mm mortar rounds. When supplies were finally airdropped to them on the ground, they opened the crates to find… candy. Thousands of actual Tootsie Rolls.
The Marines were surrounded and outnumbered by Chinese and North Korean troops as much as 10-to-1. Temperatures fell as low as 30 to 40 degrees below zero; Jeep batteries cracked, weapons wouldn’t cycle, and foul weather inhibited resupply missions. You might imagine how pissed off the Marines were to find candy where their mortar rounds should have been… and you’d be wrong.
Since the bitter cold also froze the Marines’ C-rations, Tootsie Rolls became an easy source of calories. The small chocolates were also easy to warm up and reform, so the Marines would use them to plug bullet holes in Jeeps, barrels, and other materials. The candies would quickly freeze solid again, and the materiel was ready for use.
The Tootsie Rolls absolutely reinvigorated the 1st Marine Division. Marines are known for their ability to “make do” and the Tootsie Roll airdrop was no exception. Chairman Mao ordered the complete annihilation of the Marines at Chosin, but like Popeye the Sailor and his spinach, United States Marines fueled by small candies wiped the frozen Siberian tundra with 120,000 Chinese Communists.
To this day, when the Chosin Few have reunions, the Tootsie Roll Company sends boxes to them, wherever they are. See the full story below.
The British monarchy has a long tradition of military service, but there has only been one woman from the British royal family to ever serve in the Armed Forces. That’s right, Queen Elizabeth II served in WWII.
When WWII ravaged Europe, nearly everyone stood up to defend their homeland. Men, women, farmers, and businessmen did their duty alike. This includes then-Princess Elizabeth. Like her father, who served in WWI, she enlisted on her 18th birthday despite being in the line of succession for the throne and her father’s reluctance.
Princess Elizabeth enrolled in the Women’s Auxilary Territorial Service (ATS), similar to the American Women’s Army Corps, where many women actively served in highly valuable support roles. Responsibilities of the ATS included serving as radio operators, anti-aircraft gunners and spotlight operators, and, her occupation, as mechanics and drivers.
It wasn’t a lavish position, but despite the grit and grime, she didn’t symbolically change a single tire and call herself a mechanic. She took her duties very seriously and she was spectacular. She took great pride in her work and loved every moment of it. Collier’s Magazinewrote at the time that “one of her major joys was to get dirt under her nails and grease stains on her hands, and display these signs of labor to her friends.”
She learned to drive every vehicle she worked on, which includes the Tilly light truck and ambulances. On VE Day, The Princess Elizabeth slipped away with her sister to cheer with the crowds. The war was finally over and no one recognized the Princesses as they walked through the crowds incognito.
Less than a decade later, she would be crowned the Queen of England. Her independent spirit has endured to this day, as she isn’t a fan of being chauffeured around when she can drive herself.
To watch some archival footage of Her Most Excellent and Britannic Majesty, Elizabeth II, by the Grace of God, of the United Kingdom of Great Britain and Northern Ireland, and of Her Other Realms and Territories, Queen, Head of the Commonwealth, Defender of the Faith in her younger, WWII days, watch the video below:
Elephantry in the ancient world was the weaponized manifestation of an emperor’s power and wealth. India was the first and the last country to officially use them in direct combat. These majestic beasts were captured and trained to serve as ‘tanks’ from as early as 1500 B.C. to 1800 A.D.
They also served as beasts of burden for engineers in World War II.
Male elephants were captured in the wild and were trained to indiscriminately attack humans. It was once thought that elephants could not tell the ethnic differences between people, but modern studies have debunked this myth. Considering this, armies would dress in vivid colors to differentiate themselves from the enemy. However, it didn’t always work out so well.
Warfare evolves and, as a result, war elephant armor went from mundane and utilitarian to extravagant. Towers were tied onto their backs like saddles to house up to six warriors. Mounted personnel would consist of one officer, archers, and spearmen who, while astride the elephant, would have a mobile height advantage and protection. Spikes or swords were fastened onto the tusks and ankles of the elephant to increase lethality. They were raised to spearhead formations and break the lines of a phalanx. Their purpose was to instill terror and exacerbate the fog of war.
To ensure maximum aggression, handlers would serve elephants wine before battle then prod them at the ankles to direct their anger forward. The elephants would charge into formations, blinded by rage, and unleash a symphony of violence and death.
Dumbo, drinking the grog at the Marine Corps Ball, circa 1996, colorized. (Image from Disney’s Dumbo)
At the Battle of the Hydaspes, in 326 B.C., King Porus of Paurava and King Alexander III of Macedon showcased how elephantry was employed and taken down in battle. Alexander ordered his Phalanx to take on Porus’ elephantry, but their sheer size and fearsome force were enough to break the lines in several places. Seeing his infantry decimated, he ordered his cavalry to reinforce the lines.
On Alexander’s orders, the light infantry sent javelins into the eyes of the beasts in tandem with the heavy infantry who cut at their hamstrings with axes and scimitars. The elephants, wild with pain and fear and unable to defeat the Phalanx, stampeded onto their own troops. King Porus’ ordered a full attack as a last-ditch effort to retake the initiative, but his forces were slaughtered. The surviving elephants were then captured and used by Alexander in subsequent battles.
As exciting as it may be to imagine something out of a Greek epic, the quality of life for these creatures was often abhorrent. Elephants are one of the few animals in the animal kingdom to mourn friends and relatives. Their intelligence and memory have become synonymous with serenity and grace.
These veterans of the ancient world have done their service and are no longer used in battle. Their watch has ended.
When special operators (or any armed force, for that matter) goes on an operation, Murphy (of “Murphy’s Law” fame) can be an uninvited and very unwelcome guest — whether with last minute changes in the plan, an inopportune discovery by civilians, or gear breaking down.
America’s highly-trained commandos have an amazing track record of achievement, wracking up huge wins with very few losses over the decades since World War II. But their missions are often so high stakes that when Murphy does pay a visit, the damage has an outsized public impact.
Here are some of the more notable instances where Murphy’s Law sent spec ops missions into a tailspin.
1. Desert One
On April 24, 1980, the newly established Delta Force attempted a daring rescue mission of the 66 Americans being held hostage in Iran.
At the initial landing site codenamed “Desert One,” the mission went south in a big way. Ultimately, eight special operators died in the abortive effort, which contributed to the undoing of the Carter administration. The mission did become the backdrop used for the opening of the Chuck Norris classic, “The Delta Force,” which was also Lee Marvin’s last role.
2. Operation Urgent Fury
After a Marxist coup seized power of the small Caribbean nation of Grenada in 1979, tensions between the country (essentially a Cuban puppet) and the United States increased. After an internal power struggle ended up leaving the island nation’s president dead, President Ronald Reagan ordered American forces to settle the matter.
The Navy SEAL Museum notes that a drop that was supposed to be in daylight and calm seas got delayed to night. A bad storm resulted in the loss of four SEALs. The lack of reconnaissance and bad comms (SEALs who rescued the island’s governor, had to use a phone to call HQ for support) created problems, but the operation was successful.
The SEALs at the governor’s mansion were eventually rescued by Force Recon Marines. Other SEALs managed to destroy a radio tower and swim out to sea, where they were picked up. Grenada was a success, and many of the lessons learned were applied in the future.
3. Operation Just Cause
The SEALs again were involved in an op where Murphy paid a visit when the United States decided to remove Manuel Noriega from power after Panamanian troops killed a U.S. Marine.
SEAL Team 4 drew the assignment of taking Punta Paitilla airport and disabling Noriega’s private jet. According to the Navy SEAL Museum’s web page, Noriega’s jet had been moved to a hanger.
As a result of the move, the SEALs ended up into a firefight that left four dead. One of those killed in action. SEAL Don McFaul would receive a posthumous Navy Cross, and have an Arleigh Burke-class destroyer, USS McFaul (DDG 74), named in his honor.
4. ODA 525 – Desert Storm
In this special op, Murphy took the form of children discovering the hide site of nine Green Berets lead by Chief Warrant Officer Richard Balwanz. Balwanz made the decision to let the kids, go, and his force found itself under attack.
Despite being heavily outnumbered, the Daily Caller noted that Balwanz brought his entire team back. In this case, the special operators overcame Murphy in an outstanding feat of arms that few Americans have heard about.
If you’ve seen “Black Hawk Down,” you pretty much know the story of how the firefight in Mogadishu went down. In this case, a 2013 article at RealClearDefense.com noted that two MH-60 Blackhawks from the 106th Special Operations Aviation Regiment (the “Nightstalkers”) were shot down. Murphy had a lot of room to maneuver when armor and AC-130 support was denied.
6. Operation Red Wings
If you read the book, “Lone Survivor” (or saw the movie), you have a very good sense as to what went wrong here. Lieutenant Michael Murphy’s team of SEALs was discovered by civilians, a force of insurgents launched an attack and three SEALs were killed in the harrowing firefight.
It got worse when a Chinook helicopter carrying a quick reaction force was shot down by insurgents, killing 11 SEALs and eight Nightstalkers.
A Rasmussen poll released at the end of June 2018 revealed a fear among voters that political violence is on the rise, with one in three concerned a second US Civil War is on the horizon. The poll was conducted among likely American voters who were asked via telephone and online survey how likely that war would be.
The poll also revealed that 59 percent of voters are fearful that those opposed to President Trump will resort to violence to advance their cause and another 33 percent were very concerned. A similar poll was conducted in the second year of Barack Obama’s presidency that revealed similar fears in similar numbers.
The difference this time around lies in the recent public confrontations of Trump Administration officials, something neither Obama nor Bush officials faced during their Presidents’ tenures. Media outlets posture that the public pressure is backlash from this administration’s “Zero Tolerance” policy that pulled migrant children from their parents at the U.S.-Mexico border.
By no means did civility rule the day for Obama officials. By this time in President Obama’s presidency, South Carolina Representative Joe Wilson interrupted the President’s speech to a joint session of Congress with a shout of, “You lie!” The heretofore unheard of interruption earned him a public rebuke in the House, and also led to his constituents chanting the same at him less than a decade later.
Obama’s first two years as President dealt largely with the global financial crisis of 2008, automaker bailouts, and financial regulations. As the Brookings Institution points out, no one in power thrives when the economy suffers and the Democrats lost their Congressional majority in the 2010 midterms.
A Second American Civil War would not be as clean cut as the pro-slavery vs. anti-slavery arguments or the federal authority vs. states’ rights arguments of the actual Civil War. The United States is now almost three times the size it was in the 1860s and belief systems and population are very different than they were back then. The issues facing the country are also much different, separated by more than 150 years.
The solution to this is to simply let your vote speak for your beliefs instead of your fists, or worse, a weapon. The peaceful transition of power ensures American democracy will endure, no matter who wins in 2020. The only Civil War sequel America needs is another Captain America movie.
The favoured instrument of the likes of Lisa Simpsons, former President Bill Clinton, and the co-author of this article and founder of TodayIFoundOut, the saxophone has variously been described as everything from “the most moving and heart-gripping wind instrument” to the “Devil’s horn.” Rather fittingly then the instrument’s inventor, Adolphe Sax, was a similarly polarising figure and led a life many would qualify as fulfilling all of the necessary specifications to be classified as being “all kinds of badass.”
Born in 1814 in the Belgian municipality of Dinant, Sax was initially named Antoine-Joseph Sax but started going by the name Adolphe seemingly almost from birth, though why he didn’t go by his original name and how “Adolphe” came to be chosen has been lost to history.
The son of a carpenter and eventual master instrument maker Charles Sax, Adolphe Sax was surrounded by music from an early age, becoming especially proficient at playing both the flute and clarinet. Sax’s affinity for wind instruments quickly became apparent in his early teens when he began improving upon and refine the designs of these instruments, as well as coming up with many more. But we’re getting ahead of ourselves because Sax was immeasurably lucky to even make it to adulthood given what he went through as a child.
Described as chronically accident prone, throughout his childhood Sax fell victim to a series of increasingly unusual mishaps, several of which nearly cost him his life. Sax’s first major incident occurred at age 3 when he fell down three flights of stairs and landed unceremoniously at the bottom with his head smacking on the stone floor there. Reports of the aftermath vary somewhat, from being in a coma for a week, to simply being bedridden for that period, unable to stand properly.
A young Sax would later accidentally swallow a large needle which he miraculously passed without incident or injury. On that note, apparently keen on swallowing things that could cause him harm, as a child he drank a concoction of white lead, copper oxide, and arsenic…
In another incident, Sax accidentally fell onto a burning stove reportedly receiving severe burns to his side. Luckily, he seemingly avoided severe infection that can sometimes follow such, though part of his body was forever scarred.
Perhaps the closest he came to dying occurred when he was 10 and fell into a river. This fact was not discovered until a random villager observed Sax floating face down near a mill. He was promptly plucked from the river and later regained consciousness.
But wait, we’re not done yet, because in another incident he got blown across his father’s workshop when a container of gunpowder exploded when he was standing next to it.
Yet again courting death, a young Sax was injured while walking in the streets when a large slate tile flew off a nearby roof and hit him right on the head, rendering him temporarily comatose.
All of these injuries led Sax’s understandably worried mother, Maria, to openly say her young son was “condemned to misfortune”, before adding, “he won’t live.” Sax’s numerous brushes with death also led to his neighbours jokingly referring to him as “the ghost-child from Dinant.”
Besides apparently giving his all to practicing for a future audition in a “Final Destination film,” on the side, as noted, Sax made musical instruments.
In fact, he became so adept at this that when the young man grew into adulthood and began submitting his instruments to the Belgian National Exhibition, for a few years running he was recommended by the judges for the Gold Medal at the competition, only to have the Central Jury making the final decision deny him such because of his age. They explained to him that if he won the gold, he would then have already achieved the pinnacle of success at the competition, and thus would have nothing to strive for in it the following year.
In the final of these competitions he entered at the age of 27 in 1841, this was actually to be the public debut of the saxophone, but according to a friend of Sax, Georges Kastner, when Sax wasn’t around, someone, rumored to be a competitor who disliked the young upstart, kicked the instrument, sending it flying and damaging it too severely to be entered in the competition.
Nonetheless, Sax was recommended for the Premier Gold Medal at the exhibition thanks to his other submitted instruments, but the Central Jury once again denied this to him. This was the final straw, with Sax retorting, “If I am too young for the gold medal, I am too old for the silver.”
Now a grown man and having seemingly outgrown what it was possible to achieve in Dinant, Sax decided a move was in order, choosing Paris as is destination to set up shop. As to why, to begin with, in 1839 he had traveled to Paris to demonstrate his design for a bass clarinet to one Isacc Dacosta who was a clarinet player at the Paris Academy of Music. Dacosta himself also had created his own improved version of the bass clarinet, but after hearing and playing Sax’s version was quickly impressed by it and Sax himself. He then subsequently introduced Sax around town to various prominent musicians, giving Sax many notable connections in Paris to start from.
Further, not long after he was snubbed at the Exhibition, Sax had learned that certain members of the French government were keen on revitalizing the French military bands and were seeking new and improved instruments to do so. After mulling it over for some time, he decided to try his hand in the big city.
Upon arriving in Paris in 1842, supposedly with a mere 30 francs in his pocked, Sax invited noted composer Hector Berlioz to come review his instruments, resulting in an incredibly glowing review published on June 12, 1842 in the Journal des debats.
Unfortunately for him, this was the start of an issue that would plague Sax for the rest of his life — pitting himself up against the combined might of the rest of the musical instrument makers in Paris who quite literally would go on to form an organization just to take Sax down.
But we’re getting ahead of ourselves.
As for Berlioz’s review of Sax’s work, he wrote,
M. Adolphe Sax of Brussels… is a man of penetrating mind; lucid, tenacious, with a perseverance against all trials, and great skill… He is at the same time a calculator, acoustician, and as necessary also a smelter, turner and engraver. He can think and act. He invents and accomplishes… Composers will be much indebted to M. Sax when his instruments come into general use. May he persevere; he will not lack support from friends of art.
Partially as a result of this piece, Sax was invited to perform a concert at the Paris Conservatoire to much fanfare and success. This, in turn, along with his former connections from his 1839 visit, ended up seeing Sax making many friends quickly among certain prominent musicians and composers impressed with his work. All this, in turn, saw Sax have little trouble acquiring the needed funds to setup the Adolphe Sax Musical Instrument Factory.
Needless to say, this young Belgian upstart, who was seemingly a prodigy when it came to inventing and improving on existing instruments, threatened to leave the other musical instrument makers in Paris in the dust.
Said rivals thus began resorting to every underhanded trick in the book to try to ruin him, from frequent slanderous newspaper articles, to lawsuits, to attempts to have his work boycotted.
For example, in 1843, one Dom Sebastien was composing his opera Gaetano Donizetti and had decided to use Sax’s design for a bass clarinet which, as noted, was significantly improved over other instrument makers of the day’s versions. Leveraging their connections with various musicians in the opera, many of whom worked closely with various other musical instrument makers around town, the threat was made that if Sebastien chose to have Sax’ bass clarinet used in the opera, the orchestra members would refuse to play. This resulted in Sebastien abandoning plans to use Sax’ instrument.
In the past, and indeed in many such instances where his instruments would be snubbed or insulted by others, Sax had been known to challenge fellow musicians besmirching his name to musical duels, pitting their talents against one another in a very public way. Owing to his prodigious skill at not just making extremely high quality instruments, but playing them, Sax frequently won such “duels”. In this case, it is not clear if he extended such a challenge, however.
Whatever the case, as one witness to the harassment, the aforementioned composer Hector Berlioz, would write in a letter dated Oct. 8, 1843,
It is scarcely to be believed that this gifted young artist should be finding it difficult to maintain his position and make a career in Paris. The persecutions he suffers are worthy of the Middle Ages and recall the antics of the enemies of Benvenuto, the Florentine sculptor. They lure away his workmen, steal his designs, accuse him of insanity, and bring legal proceedings against him. Such is the hatred inventors inspire in rivals who are incapable of inventing anything themselves.
His audacious plans didn’t help matters. As noted, when he got to Paris, one of the things he hoped to accomplish was to land a rather lucrative contract with the French military to see his instruments alone used by them. A centerpiece of this, he hoped, was his new and extremely innovative saxophone.
While it seems commonplace today, in a lot of ways the saxophone was a revolution at the time, effectively combining major elements of the woodwind families with the brass. As Berlioz would note of the saxophone in his review of it, “It cries, sighs, and dreams. It possesses a crescendo and can gradually diminish its sound until it is only an echo of an echo of an echo- until its sound becomes crepuscular… The timbre of the saxophone has something vexing and sad about it in the high register; the low notes to the contrary are of a grandiose nature, one could say pontifical. For works of a mysterious and solemn character, the saxophone is, in my mind, the most beautiful low voice known to this today.”
Exactly when Sax first publicly debuted the saxophone to the world isn’t clear, with dates as early as 1842 sometimes being thrown around. However, we do know that during one of his earliest performances with the instrument at the Paris Industrial Exhibition in 1844, Sax played a rousing solo from behind a large curtain. Why? Well, Sax was paranoid about his instrument’s design being copied and, as he hadn’t patented it yet, decided that the best way to avoid this was to simply not let the general public see what it looked like.
This brings us to the military. As previously noted, the French military music was languishing in disgrace. Thus, keen to revitalize it in the name of patriotism, the French government created a commission to explore ways to reform the military bands in innovative ways. Two months after announcing this to the world and inviting manufacturers to submit their instruments for potential use by the military, a concert of sorts was put on in front of a crowd of 20,000 in Paris on April 22, 1845.
Two bands would perform in the concert, with one using more traditional instruments and the other armed with various types of saxophones and other modifications on existing instruments by Sax. Both bands played the same works by composer Adolphe Adam.
The band using Sax’s instruments won by a landslide. Several months later, on Aug. 9, 1845, they awarded Sax the lucrative military contract he’d set out to get when he first moved to Paris.
This was the last straw — when Sax, a Belgian no less, secured the contract to supply the French military, his rivals decided to literally form an organization who might as well have called themselves the “Anti-Sax Club”, but in the end went with — L’Association générale des ouvriers en instruments demusique (the United Association of Instrument Makers). This was an organization to which the most prominent and talented instrument maker in France at the time was most definitely not welcome to join.
Their principal order of business throughout Sax’s lifetime seemed to be to try to ruin Sax in any way they could. To begin with, adopting the age old practice of “If you can’t beat ’em, sue ’em,” a long running tactic by the organization was simply to tie up Sax’s resources, time, and energy in any way possible in court.
The first legal action of this group was to challenge Sax’s patent application on the saxophone, initially claiming, somewhat bizarrely, that the instrument as described in the patent didn’t technically exist. When that failed, they claimed that the instrument was unmusical and that in any event Sax had simply modified designs from other makers. They then presented various other instruments that had preceded it as examples, none of which the court agreed were similar enough to the saxophone to warrant not granting the patent.
Next up, they claimed that the exact design had long existed before, made by other manufacturers in other countries and that Sax was falsely claiming it as his own. To prove this, the group produced several literally identical instruments to Sax’s saxophone bearing foreign manufacturing markings and supposedly made years before.
The truth was that they had simply purchased saxophones from Sax’s company and sent them to foreign workshops where Sax’s labeling had been removed and replaced with the shop owner’s own.
Unfortunately for the United Association of Instrument Makers, this ruse was discovered and they had to come up with a new strategy.
They then claimed that since Sax had very publicly played the instrument on several occasions, it was no longer eligible for a patent.
At this point, fed up with the whole thing, an infuriated Sax countered by withdrawing his patent application and giving other instrument makers permission to make a saxophone if they had the skill. He gave his rivals a year to do this, in which time nobody was able to successfully replicate the instrument with any quality. Shortly before the year was up, with no challenger apparently capable, he then re-submitted his patent application and this time it was quickly granted on June 22, 1846.
Apparently not content with just trying to metaphorically ruin his life and business, at one point Sax’s workshop mysteriously caught fire and in another an unknown assassin fired a pistol at one of Sax’s assistants, thinking it was Sax, with it being rumored that the United Association of Instrument Makers was behind both of these things.
Whether true or not, things took a turn for the worse for Sax after King Louis-Philippe fled the country in 1848. In the aftermath of the revolution, and with many of Sax’s high placed friends now ousted, the United Association of Instrument Makers were able to simultaneously petition to have Sax’s contract with the military revoked and, by 1849, were able to have his patents for the bugles-a-cylindres and saxotromba likewise revoked, freeing his rivals up to make the instruments themselves. They also attempted to have his patent for the saxophone squashed, but were unsuccessful on that one.
Sax, not one to take this sitting down, appealed and after a five year legal battle, the Imperial Court at Rouen finally concluded the matter, siding with Sax and reinstating his patents, as well as ordering the Association to pay damages for the significant loss of revenue in the years the legal battle had raged.
Nevertheless, before this happened, in 1852, Sax found himself financially ruined, though interestingly, his final downfall came thanks to a friend. During this time, as noted, Sax was fighting various legal battles, had lost his military contract, and was otherwise struggling to keep his factory afloat. That’s when a friend gave him 30,000 francs to keep things going. Sax had originally understood this to be a gift, not a loan. Whether it was or wasn’t isn’t clear, but when said individual died a couple years later in 1852, his heirs certainly noticed the previous transaction and inquired about it with Sax, demanding he repay the 30,000 francs and giving him a mere 24 hours to come up with the money.
Unable to do so, Sax fled to London while simultaneously once again finding himself embroiled in yet another legal drama. In this case, the courts eventually demanded Sax repay the 30,000 francs, causing him to have to file for bankruptcy and close down his factory.
But this is Adolphe Sax we’re talking about — a man who had survived major blows to the head, drowning, explosion, poisoning, severe burns, beatings by thugs presumably hired by the United Association of Instrument Makers, an assassination attempt, and literally the combined might of just about every prominent instrument maker in his field in Paris leveled against him.
Adolphe Sax in the 1850s.
Fittingly for a man who is quoted as stating, “In life there are conquerors and the conquered; I most prefer to be among the first”, Sax wasn’t about to quit.
And so it was that continuing to work at his craft, in 1854, Sax found himself back on top, appointed Musical Instrument Maker to the Household Troops of Emperor Napoleon III. His new benefactor also helped Sax emerge from bankruptcy and re-open his factory.
It’s at this point, however, that we should point out that, as indicated by his childhood, it clearly wasn’t just other instrument makers that were against Sax, but the universe as well.
A year before his appointment by Napoleon III, Sax noticed a black growth on his lip that continued to grow over time. By 1859, this tumor had grown to such a size that he could not eat or drink properly and was forced to consume sustenance from a tube.
Just to kick him while he was down, shortly before this, in 1858, Sax’s first born child, Charles, died at the age of 2.
Going back to the cancer, his choice at this point in 1859 was to be subjected to a risky and disfiguring surgery, including removing part of his jaw and much of his lip, or submit himself to experimental medicine of the age. He chose the latter, ultimately being treated by an Indian doctor by the name of Vries who administered some private concoction made from a variety of herbs.
Whether the treatment did it or Sax’s own body simply decided that it would not let something trivial like cancer stop it from continuing to soldier on, within six months from the start of the treatment, and after having had the tumor for some six years at this point, Sax’s giant tumor began to get smaller. By February of 1860, it had disappeared completely.
The rest of Sax’s life went pretty much as what had come before, variously impressing the world with his talents in musical instrument making, as well as fighting constant legal battles, with the United Association of Instrument Makers attempting to thwart him in any way they could, while simultaneously the musical instrument makers behind it profited from Sax’s designs as his patents expired.
Finally fed up with everything, a then 72 year old, near destitute Sax attempted to get justice outside of the courts, with an aptly titled article called “Appeal to the Public”, published in the La Musique des Familles in 1887. The article outlined the many ways in which Sax had been wronged by the United Association of Instrument Makers and the near constant, often frivolous, legal battles he fought throughout his time in Paris with them. He summed up,
[B]efore me, I am proud to say, the musical instrument industry was nothing, or next to nothing, in France. I created this industry; I carried it to an unrivaled height; I developed the legions of workers and musicians, and it is above all my counterfeiters who have profited from my work.
While none of this worked at getting the general public to rally to his defense, it did result in many prominent musicians and composers around Paris petitioning that Sax, who had indeed contributed much to the French musical world, should be given a pension so that he could at least be comfortable in the latter years of his life. The results of this was a modest pension ultimately granted towards this end.
On the side when he wasn’t fighting countless legal battles and inventing and making instruments, Sax also had a penchant for dreaming up alternate inventions, such as designing a device that could launch a 500 ton, eleven yard wide mortar bullet, he called — and we’re not making this up — the Saxocannon. He also designed a truly massive organ intended to be built on a hillside near Paris, capable of being heard clearly by anyone throughout the city when it was played.
In the end, Sax died at the age of 79 in 1894 and was buried in the Montmartre Cemetery in Paris.
This article originally appeared on Today I Found Out. Follow @TodayIFoundOut on Twitter.
According to medieval legend, King Arthur lived in the late 5th and early 6th centuries where he fought off the Anglo-Saxons with his legendary sword, Excalibur. He lived in Camelot, and his life long mission became the quest for the Holy Grail.
While Arthur would attend festivals, his noble knights often got into violent brawls over who should be sitting at the head of the table — granting them power over those in attendance. The other war-hardened Knights just couldn’t figure out a resolution to the issue.
Therefore, King Arthur used his wisdom had a round table constructed, making all his men feel equal. It was a good leadership move and created what we all know today as the “Knights of the Round Table.”
The Knights embodied a unique code of chivalry like righteousness, honor, and gallantry towards women — but one of them was bound to carry it too far.
Sir Lancelot was King Arthur’s closest friend, the best swordsman and knight in all the land. He was also known for sleeping with a lot of women. He even started a romantic affair with Arthur’s wife, Queen Guinevere. This action sparked a civil war, which led to the death of King Arthur and the dissolution of his knights.
But the legacy of the Knights of the Round Table lives on forever. Learn more in the video above.
For decades, our troops have faced awful weather, separation from their families, and a diet consisting of the same daily rations, and yet they still complete their vital missions.
In our eyes, that’s badass!
However, as time moves forward, so, too, does technology. Because of that, many modern troops don’t face the same problems as those that came before them. It’s important to always remember and respect just how tough our brothers and sisters-in-arms had it way back in the day.
To all past, present, and future veterans out there, WATM salutes you for your outstanding service. Be thankful that you don’t have to worry about these problems that once plagued the old-timers.
Two trusty SAPI plates.
Getting shot by a small-caliber round
We understand that getting shot sounds like a huge deal — because it is. However, allied troops on the modern battlefield wear a particular type of body armor, called “SAPI plates.” The inserts are made from a ceramic material and are worn over vital organs. These plates protect from small-arms fire and they’re a massive step up compared to what troops wore in Vietnam.
In Vietnam, troops wore only the uniforms issued to them as protection. Taking a round to the upper torso was, almost without exception, a profound injury that left long-term effects.
Lance Cpl. Eric W. Hayes makes a phone call to his mother from the phone center at Camp Buehring, Kuwait.
(Photo by Gunnery Sgt. Mark E. Bradley)
Not hearing from your family back home
Back in the day, the art of letter-writing was a troop’s only avenue of communication with family and friends back home. Those letters could take weeks to be delivered.
Today, we still have a mail service up and running, but we also have this thing called “the internet” — ever hear of it? — that can keep deployed troops in the loop. Soldiers, sailors, and Marines today also have access to phones through the USO and, sometimes, satellite phones to connect them with home in a matter of seconds.
Frequent weapon jams during a firefight
Those of us who’ve fired a weapon or two in our lives may have experienced a jam at some point. Even those of us who have seen combat in Iraq and Afghanistan rarely experience weapons malfunctions while sending rounds downrange because modern weapons are so well-manufactured and well-maintained.
It hasn’t always been this way. Ask any Vietnam veteran and they’ll tell you that their weapons would jam “just by looking at them.” We can’t imagine anything worse than losing your primary weapon when fighting the enemy on their home turf.
Staff Sgt. Bryan Robbins calls in for mortars during a live-fire exercise.
(Photo by Cpl. Jonathan Wright)
Communication issues between troops
Today, calling a service member from another platoon or company is as easy as picking up the comms gear headset and requesting someone’s call sign.
Although troops have had verbal communication systems in place for decades, they weren’t nearly as mobile or readily available as they are today. Back then, the radioman was in charge of carrying the proper equipment and usually stuck closely to their superior to make sure they maintained quick access. If that unit’s radio was down, replacing it wasn’t as easy as going to Radio Shack and buying another.
Today, many key members of the infantry platoon carry vital gear, making communication easy as f*ck. If a radio goes down, you can have it replaced in a few hours.
For troops on the frontlines, receiving mail from home is a welcome reprieve from the stress and dangers of combat. During WWII, it was the job of units like the 6888th Central Postal Directory Battalion to make sure that mail sent from the states got to the troops overseas. What made the 6888th unique was that it was the only all-Black battalion of the Women’s Army Corps to serve overseas during the war.
Because of the high demand for frontline troops, the Army had a significant shortage of soldiers who could manage postal services in theater. In 1944, Black civil rights activist Mary McLeod Bethune lobbied First Lady Eleanor Roosevelt for “a role for Black women in war overseas.” Her efforts were joined by Black newspapers who called for the Army to give Black women the opportunity to support the war effort in a more direct role.
The Army responded by creating the 6888th Central Postal Directory Battalion in the Women’s Army Corps. Nicknamed the “Six Triple Eight”, the unit’s motto was “No mail, low morale.” The battalion was made up of 855 women, both officers and enlisted. Most of them worked as postal clerks. However, the women also filled other positions like cooks and mechanics. Because of this, the 6888th was a self-sufficient unit.
The 6888th left the United States for Europe on February 3, 1945. Twelve days later, the women arrived in Birmingham, England where they found the backlog of mail that they were responsible for. In the temporary post office, a converted aircraft hangar, mail was stacked to the ceiling. Some letters were postmarked as early as 1943. Part of the problem was that mail was commonly addressed with only a soldier’s first name or even a nickname.
The Army gave the 6888th six months to sort through the backlog of mail and sent a white officer to the unit to tell them how to do the job right. The 6888th’s commander, Major Charity Adams Earley responded by saying, “Sir, over my dead body.” The women devised their own system to sort the mail. Working in three shifts, seven days a week, each shift handled an estimated 65,000 pieces of mail. They completed their six-month tasking in just three months.
After they cleared the enormous backlog of mail in Birmingham, the women of the 6888th were sent across the Channel to France in May, 1945. The unit was camped in Rouen where they given another backlog of mail, some of which was postmarked 1942. According to Army historians, the military police of the 6888th were not allowed to carry weapons. As a result, the MPs were trained in jujitsu to deter “unwanted visitors.”
In May 1945, the women of the 6888th marched in a parade ceremony in honor of Joan of Arc through the marketplace where the saint was burned at the stake. By 1945, the women had cleared the Rouen backlog of mail and were sent to Paris. Upon their arrival, they marched through the city and were welcomed enthusiastically by the Parisians. They were even housed in a hotel where the staff treated them like top-tier guests.
With the war over on all fronts, the 6888th was cut by 300 women with 200 set to be discharged in January 1946. In February 1946, the women that remained were sent to Fort Dix, New Jersey where the unit was disbanded. There was no public recognition for the unit’s service.
In 2009, the 6888th was honored at the Women in Military Service for America Memorial at Arlington National Cemetery. Seven years later, the 6888th was inducted into the U.S. Army Women’s Foundation Hall of Fame. In 2018, a monument to the women of the 6888th was erected at Fort Leavenworth, Kansas. When asked about her service by the American Veterans Center, 6888th veteran Anna Mae Robertson said with a chuckle, “I was doing the best I could.”
These incredible women weren’t the only ones to break new grounds during WWII. To learn about some of our country’s first Black Marines, keep reading here.
As he slides his hands across the edges of the wings and walks from nose to tail, inspecting all aspects of the jet, a wave of emotion begins to hit Jim Harkins.
His weathered features appear calm and determined, but they hide the tears he is fighting back.
While he walks around the aircraft, he greets each maintainer and says, “Thank you.” Harkins rubs and taps the bulging nose of the QF-4 Phantom II, like an aged cowboy saying hello to a trusty steed, and then climbs into the cockpit.
“One last time,” Harkins says and the canopy closes around him.
For Harkins and the F-4, this is a day of lasts. For Harkins, it’s the last time he will fly for the Air Force and, for the Phantom, the last time it will take to the skies.
It’s their final flight.
“It’s not really sad, because in the military you get used to a lot of lasts, but it’s humbling,” Harkins said.
Harkins isn’t the only one feeling nostalgic and emotional about the aircraft affectionately referred to as “Old Smokey.” Hundreds of “Phantom Phixers,” “Phantom Phliers” and “Phantom Phanatics” gathered on the flightline at Holloman Air Force Base, New Mexico, to watch the final F-4 flight.
Some used to work on the aircraft, some are just fans and others, like retired Col. Chuck DeBellevue, had the privilege of actually flying the fighter.
DeBellevue flew the F-4 in Vietnam, where he had six confirmed kills – two against the Mikoyan-Gurevich MiG-19 and four against the MiG-21, the most of any U.S. aviator during the war.
He’s not just saying farewell to an amazing machine, he’s saying goodbye to an old friend.
“A friend who got me home more times than I care to remember,” DeBellevue said. “Being back on the flightline today brought back a lot of memories, not all are good. I lost a lot of friends, but it was a great airplane. I loved to fly that airplane. It’s very honest and it got me out of a lot of tight spots during the war.”
DeBellevue recalls the Navy originally bought the F-4 to be a fleet interceptor and the Air Force bought it in 1963 to do everything – and it did do everything. It served as the primary air superiority fighter for both the Navy and Air Force, but it also served roles in ground-attack and aerial reconnaissance and, once taken out of active service, was designated the QF-4 where it flew as aerial targets.
The F-4 was a workhorse weapons system for the Air Force through the 1990s and it still hold the distinction of being the first multi-service aircraft. During it’s heyday, the F-4 set 16 speed and altitude records and demonstrated its effectiveness time and again throughout its lengthy career.
The Phantom looked cool doing it, too.
“You didn’t get into the F-4, you put it on, it became you,” DeBellevue said. “It was a manual airplane, not like an F-16 or F-15, they were aerodynamic and designed well. The F-4 was the last plane that looked like it was made to kill somebody. It was a beast. It could go through a flock of birds and kick out barbeque from the back.”
On the flightline at Holloman, the final flight of four F-4s prepare to take off for the last time. The engines rumble and smoke flies.
In his jet, Harkins looks over the crowd, dancing in the cockpit, revving up the on-lookers and saluting those in attendance. Everyone cheers as the final four F-4s begin their last taxi.
Harkins is first to pass the crowd, followed by pilots Eric “Rock” Vold, Jim “Boomer” Schreiner and finally Lt. Col. Ronald “Elvis” King, the last active duty F-4 pilot and commander of Det. 1, 82nd Aerial Target Squadron. Together these men will fly the Phinal Phlight demonstration before King officially retires the QF-4 program during a ceremony following the flight.
“I don’t want to sound cheesy, but every time I get into the F-4 I can’t help but think of all the stories of all the pilots and all the maintainers who made this aircraft great,” King said. “The history and the heritage to me is the biggest satisfaction of flying the airplane.”
King had no concept when he became the squadron commander he would be the last active duty pilot. It didn’t really set in until he and Harkins began taking the F-4 on a farewell tour during to air shows and aviation expos last year. King felt obligated to take the F-4 on the road, to give admirers the chance to see it, touch it and share their stories one last time. It was then he realized this tour piloting the F-4 would be something special.
“It’s going to be sad to shut those engines down for the last time, but she’s served our country well,” King said of the F-4. “It’s exciting too, because our mission is to provide full scale aerial targets and we are going to be able to do that now with an airplane that’s better suited, provides higher performance and is more representative of the threats we face today in the QF-16.”
King said it was getting more and more difficult to keep the F-4’s in the air, and the only reason the QF-4 lasted as long as it did was because of the maintainers of the 82nd ATS.
Unfortunately, he says, there is no longer a need for the F-4. All remaining aircraft will be de-militarized at Holloman and used as ground targets at the White Sands bombing range.
King says most people don’t like to hear the fate of the last F-4s, and he understands, but it’s too costly to maintain as a heritage piece or to preserve them for museums.
“At the end of the day, the Air Force isn’t real sentimental,” King said. “It will have a warrior’s death.”
Engines roar and a flume of dust and smoke signals to the crowd the final four F-4s are off. The first two jets, piloted by King and Schreiner take off in a two-ship formation. Harkins follows in the third position and Vold in fourth. The last two jets perform an unrestricted climb, staying low to the ground in afterburner before pulling into a vertical climb at the end of the runway. The crowd goes crazy.
The sound of the F-4 is distinct. As Harkins passes over the crowd in a low-altitude turn it sounds like the jet is ripping the sky.
Multiple passes are made in four-ship, two-ship and stacked formations over the crowd of hundreds in attendance. Camera shutters clicking at a furious pace can be heard down the tarmac.
Out of nowhere, the sky cracks open and multiple booms shake the ground, buildings and cars, setting off alarms across the base. The concussions signal the F-4s going supersonic high above.
Harkins swoops down out of the sky passing over the crowd multiple times, and makes his final approach. As his wheels touch back to Earth, Harkins enters the history books as the last pilot to fly 1,000 hours in the F-4.
“I can’t imagine a better way to go out than with the F-4, it’s a special moment and a special jet and then … done,” Harkins said. “Although I flew F-16s and I went down to the F-4, but I consider myself going out on top.”
As climbs down from his jet he’s doused with water from his comrades and sprayed with champagne. In the distance, King lands his F-4 and with the front landing gear touching the asphalt, the history books close on the aircraft’s legacy.
But while the Phantom’s time in the sky may be over, the tales of its exploits are far from done. For those who flew the F-4, there is always time to wax poetic about the good ‘ole days, tearing across the wild blue yonder on “Old Smokey.”
Twenty-eight years after the untimely death of T. E. Lawrence — the Englishman known the world over as “Lawrence of Arabia” — Hollywood made a movie about him.
It was, in the parlance of the day, a “doozy.”
Epic in scale and scope and concerning the extraordinary particulars of Lawrence’s role in the Arab Revolt against the Ottoman Empire leading up to World War 1, “Lawrence of Arabia” was nominated for ten Academy Awards in 1963 and took home seven including Best Picture.
Though many with first hand knowledge of the true events of Lawrence’s life were quick to criticize the film’s dramatic liberties, much of the frisson that makes it a cinematic tour de force arises from the undeniably ambiguous nature of the man himself.
T. E. Lawrence was a poet, an archeologist, a diplomat and a spy. He spoke French well enough to translate whole volumes of its literature to English. He spoke Arabic well enough to forge alliances between feuding Bedouin tribes. The question of his sexuality has been a matter of scholarly gossip for the better part of a century. Setting his extreme need for personal privacy against his talent for finding the center of world-changing events, the journalist Lowell Thomas famously commented that Lawrence “had a genius for backing into the limelight.”
But for all that’s debatable about T. E. Lawrence, many of his military superlatives are accurately recorded and verifiably real. As a British Army advisor to Arab Prince Faisal, Lawrence helped organize — and in many cases participated in — a number of the most pivotal maneuvers of the Arab Revolt. We was, to use a modern term, as deeply embedded amongst the tribes of the Arabian Peninsula as the necessity of his assignment required, perhaps more than his superiors in the British Army would deem advisable, certainly beyond what Edwardian cultural empathy could possibly conceive.
Lawrence saw the desert and went all in.
The film culminates with the Oct. 1, 1918, reclamation of Damascus, when the Arab forces, led in part by Lawrence and backed by the British Army, marched through the gates of the city in triumph. All across the Arab Peninsula, the forces of the Ottoman empire were retreating or surrendering to Prince Faisal’s nationalized Arab army.
The organized harassment campaign deployed against Ottoman railroads, depots and installations–a guerrilla approach perfected by Lawrence and his Bedouin irregulars from 1917 through 1918–had so destabilized the Ottoman position in the region that when it finally came time to take Damascus, the city surrendered without resistance. By the end of the war, the Arab Coalition had seized Palestine, Transjordan, Lebanon, southern Syria and vast swaths of the Arabian Peninsula. British General Allenby hailed Prince Faisal for his role in the victory (but was surely, in the same breath, congratulating himself for following Lieutenant Colonel Lawrence’s lead with the strong-willed Arab peoples):
I send your Highness my greetings and my most cordial congratulations upon the great achievement of your gallant troops … Thanks to our combined efforts, the Ottoman army is everywhere in full retreat.
As word of the adventures and exploits of Lawrence of Arabia spread throughout the West, the sheer romantic gall of the man, not to mention the exotic backdrop against which he won his fame, fired an insatiable public story engine that would spin over the particulars of his life forever after. The 1963 film was, among many takes on the subject matter, perhaps merely its most high-profile.
Lawrence’s own memoir of the Arab Revolt, “The Seven Pillars of Wisdom,” complicates his legacy far more than it elucidates, fueling unending debate among his biographers. As fodder for the imagination, it’s really all too perfect. His story is the stuff of legend precisely because it raises more questions than historical sleuthing can answer. But whatever the truth, the film that emerged is a juggernaut, a four hour cinematic tone poem about the ravenousness of Destiny when it’s got a man like T. E. Lawrence in its jaws.
For centuries, friends and foes of Russia marveled at the fierce fighting skills of their Cossack Warriors. The Cossacks fought to defend the Russian Czar against any manner of enemies – from Ottoman Turks to Napoleon’s Grande Armée, through a World War, and even against the Bolshevik Red Army.
They expanded the borders of the Russian Empire, conquering Siberia and the Caucasus regions for the Czar, all the way to the Bering Sea – capturing one-sixth of the Earth’s land area. Their martial prowess was unmatched in the region for a long time and they refused to be tied to any master. Even the name “Cossack” in the Turkic languages of the time and area meant “free,” “adventurer,” or “wanderer.”
Cossack loyalty to the Russian Czar was earned over centuries of fighting to maintain that independence. Many Czars were faced with Cossack uprisings and were forced to deal with them in their own ways, from putting down the rebellion or forcibly moving the population to another area of the Russian Empire.
From a young age, Cossacks raised their children to be elite warriors and ethnically Cossack in every way possible. Training could begin in infancy and only ever stop in an actual pitched battle.
Eventually, the Russian nobility came to accept the Cossacks, endowing them with certain rights and privileges in the Empire for their continued service in defending Russia’s borders. And they earned those rights, too. After his Grand Armée was forced out of Russia, the Cossacks harassed them all the way back to France. It was the Cossacks who captured Paris and unseated the French Emperor.
When the Empire fell during World War I and the Czar abdicated, the Cossacks were divided between the Red and White factions of the Russian Civil War. They fought primarily for the White (anti-Communist) Russians, which earned them persecution when the Bolsheviks won the war and founded the Soviet Union.
The persecution got so bad, many Cossacks fought for Nazi Germany during WWII.
Britain’s Challenger-1 tank was originally designed to be sold to the Shah of Iran, but with the Iranian Revolution in 1979, that sale was cancelled. Britain developed the tank for its own use instead, and it’s a good thing it did. The Challenger 1 became one of the most effective tanks in the history of armored warfare.
The British didn’t even realize what a powerful weapon system they built until it was battle-proven in combat fighting Saddam Hussein’s Iraq in desert combat. The Challenger was about to make combat history.
In 1991, the United Kingdom deployed 221 of its Challenger tanks to Saudi Arabia as part of the Gulf War. The Challengers were its contribution to the Coalition to oust Iraq from nearby Kuwait, Operation Granby. During Desert Shield, the UK’s 1st Armoured Division was the easternmost unit of the famed “left hook” that outflanked the Iraqis in Kuwait while protecting the invasion force’s main flank.
The chief concern of British commanders were the Iraqi’s Soviet-built T-72 tanks. The British made special modifications to their tanks that would increase its survivability in desert combat. They even flew out engineers from Vickers, the company that manufactured the Challenger tanks, to make the modifications.
On the morning of Feb. 24, 1991, the ground campaign of Operation Desert Storm was launched and the British 1st Armoured Division rolled along with it. Over the course of the next two days, British Challenger tanks knocked out an estimated 300 Iraqi tanks. Their fears over the T-72 were overblown. The Iraqi Republican Guard wasn’t even present, having been withdrawn before the battle.
According to some historians, Iraq’s main battle tank was no match for the Challenger. With improved reactive armor and some carrying powerful depleted uranium shells, the Challenger easily cut through its enemies. Moreover, the Iraqis were totally unprepared for a tank of its ability, with one Iraqi commander claiming he’d never seen a Challenger until it was rolling up to his doorstep that February morning.
To top off its offensive and defensive capabilities, the Challengers also featured an advanced global positioning system and a Thermal Observation and Gunnery System that allowed it to see at night, through smokescreens and in the poor visibility of the battlefield caused by massive oil fires, lit by retreating Iraqi troops.
The Challenger 1’s most significant tank kill came at this time, and has been (mostly) well-documented. A Challenger with the callsign 11B fired at an Iraqi main battle tank from a distance of more than 5,100 meters – just above three miles – with an armor-piercing fin-stabilized discarding-sabot round, the longest tank-on-tank kill ever.
Although the 5,100 meter distance is what is often recorded in history books, at least one British tanker who was in the battle says the kill came at only 4,700 meters, just shy of three miles. If he’s right, It would still be the longest tank-on-tank kill and would be no less impressive, considering the tank’s operation range is 1,200 meters, more than a third of that distance.
Saddam Hussein’s Iraqi Army failed to take out a single Challenger 1 tank and the only ones that didn’t make it through the entire battle did so because of technical issues, not due to enemy action.