The 38th Parallel between North and South Korea isn’t a place known for comedy, and lately it’s been even more un-funny than usual.
American General Curtis Scaparrotti, commander of U.S. forces in the country, recently said that tensions on the Korean Peninsula were at their highest level in more than 20 years. So Conan O’Brien took his late night show on the road to provide a little levity for the troops stationed along the DMZ.
They went to the Joint Security Area (JSA) on the border, the only place where North and South Korean troops stand face to face. The JSA is used to hold diplomatic engagements between the two countries who are still technically at war. They were startled to discover the North keeps a closed circuit television feed on the buildings in the JSA to monitor activity there.
While there, O’Brien and crew performed the first late night talk show ever performed in the Hermit Kingdom, albeit just a few feet across the border. His first guest was “The Walking Dead’s” Steven Yeun. Watch the whole segment below, then check out an outtake from the DMZ Gift Shop.
The Mandalorian is a big hit for Disney+, largely because of the popularity of “The Child,” better known by the malapropism Baby Yoda. It’s the cutest, most memorable thing we’ve seen in a while, but the need to keep it a secret (Baby Yoda is revealed at the end of the first episode) meant Disney couldn’t have Baby Yoda toys ready to go from day one.
The only Mandalorian Lego set is the AT-ST Raider from episode four, which sadly does not come with a Minifigure of “The Child.” Thankfully, Reddit user u/hachiroku24 stepped in to fill the void with an impressive custom-designed and built Baby Yoda model (complete with a floating carriage!) that’s so accurate that it’s actually pretty damn cute.
Every piece is 100 percent unaltered Lego, even the cloth (from a posable Obi-Wan buildable figure released in 20TK) and Baby Yoda’s signature ears (from a Goblin-themed set released in 2017).
Hachiroku24 also posted a video to YouTube showing the build process.
Reddit being Reddit, another user, u/00squirrel, modeled the build in Bricklink Studio, an online 3D modeling software for Lego designers. It also has Easy Buy, a feature that makes it simple to order all of the necessary pieces from Lego parts purveyors around the world, which definitely beats buying whole sets just for one or two esoteric pieces.
That’s kind of pricey for a 123-piece set, for sure, but considering the DIY origins and lack of any kind of official Baby Yoda set, it’s a great option for builders who just can’t wait to bring “The Child” to life in brick form.
And once you have all of the necessary pieces, the software also has step-by-step building instructions that are as easy to follow as anything Lego has ever printed.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
In the late 1950s, Kubrick became so concerned about the possibility of nuclear war that he read over 50 books on the subject. One of those books was Peter George’s Red Alert, which a friend had recommended. Mesmerized by the novel, he purchased the rights and began developing a reality-based thriller called Edge of Doom based on Red Alert.
But as he wrote the lighter side of armageddon emerged. “He kept coming across various aspects of the story that weren’t tragic but were comic,” said film critic Alexander Walker. “For example, if a man learns of nuclear annihilation in his office, the result is a documentary. When he’s in his living room, it’s a social drama. When he’s in the bathroom, it’s a comedy.”
Kubrick chose the latter, and the result is Dr. Strangelove. The film holds the record for being the 24th greatest comedic film of all time on Total Film magazine and has a 99 percent rating on Rotten Tomatoes.
This video is an interesting look into how the movie was made. Watch:
Before his sudden reemergence at the Caspian Economic Forum, speculation had recently been swirling in Turkmenistan after the country’s strongman president disappeared from public view for more than a month.
Considering that Gurbanguly Berdymukhammedov regularly dominates the airwaves in the tightly controlled state, his abrupt absence did not go unnoticed, prompting speculation that he was in poor health or even dead.
This obviously posed a problem for the Turkmen authorities, who have spent years cultivating an elaborate cult of personality aimed at boosting the totalitarian leader’s power and prestige.Turkmenistan’s Singer, Race-car Driver, Jockey, Autocrat
When ubiquitous dictators suddenly evaporate into thin air, it can have a destabilizing effect on their regimes.
Perhaps hoping to avoid the crippling uncertainty that gripped the Soviet Union immediately following the demise of Stalin or the rampant rumors that accompanied the long-drawn-out announcement of Islam Karimov’s death in neighboring Uzbekistan in 2016, the Turkmen authorities went into overdrive to assure the populace, and the world at large, that their glorious leader was alive and well.
This all culminated in state TV broadcasting an Aug. 4, 2019 highlights package showing a 35-minute montage of clips of what Turkmenistan’s all-singing, all-dancing president had been doing on his “holidays,” including riding a bicycle, firing an automatic weapon in combat gear, bowling with astonishing accuracy, riding a horse, working on a new book, composing a new song, and driving an SUV through the desert to the Gates of Hell — a perpetually burning crater that resulted from a Soviet attempt to flare gas there in the early 1970s.
In a five-minute segment on The Daily Show, Noah used the opportunity to reprise some of the video “highlights” of Berdymukhammedov’s bizarre reign, including the South African comedian’s own personal favorite, which shows the Turkmen leader rocking out with his grandson.
Among other things, Oliver took great delight in dissecting the Turkmen president’s fascination with horses, which RFE/RL has also covered in the past.
The British-born comic paid particular attention to the time when Berdymukhammedov had an embarrassing fall while riding a beloved steed, a story that the Turkmen authorities did their best to try and bury.
Besides mining the subject for laughs, however, both also made sure to draw attention to the dark side of life in Turkmenistan, particularly its abysmal human rights record.
According to its latest World Report, Human Rights Watch singled out the country for particular criticism, calling it “one of the world’s most isolated and oppressively governed” states, where “all forms of religious and political expression not approved by the government are brutally punished.”
With this in mind, Oliver also took the time to take a swipe at Guinness World Records for actually sending verifiers to validate what he described as Berdymukhammedov’s “bizarre obsession” with setting global firsts (something he shares with some Central Asian counterparts).
John Oliver repeatedly cited RFE/RL reporting in his Berdymukhammedov segment.
(Last Week Tonight/YouTube)
In Oliver’s view, enabling Berdymukhammedov to register such Turkmen records as having “the most buildings with marble cladding” or the “world’s largest indoor Ferris wheel” only serves to “reinforce a cult of personality and confer a sense of legitimacy on a global stage.”
Typically, Oliver was to have one last laugh at the Turkmen leader’s expense, however.
Taking a leaf out of Berdymukhammedov’s book, the Last Week Tonight ended the show by attempting to break another record, making what Oliver described as the “world’s largest marbled cake” — a 55-square-meter confectionery decorated with a huge picture of the Turkmen president infamously falling off his horse.
It’s probably safe to assume that this is probably not a record achievement Turkmen state TV is going to be trumpeting anytime soon.
Well, here it is, the ten funniest war movie characters of all time. Oddballs. Gallows humor. Hard asses. In exact order. Presented as fact. With absolutely no room for improvement. Don’t think so? Take it up with the complaint department below, because now that we think of it, everything is subjective and you probably have a very good idea that was missed by this perfect list.
Brad Pitt in “Inglorious Bastards”
Hearing an undercover soldier from the deep south try to say “Gorlami” in an Italian accent is absolute comedic bliss. Watching him scalp some Nazis is bliss of another kind. Brad Pitt anchors this list off with this classy badass in the instant classic from the mind of Tarantino.
Cuba Gooding Jr. in “The Way of War”
Okay, so this one isn’t technically a comedy. But in the same way that a tomato isn’t “technically” a vegetable. If you haven’t seen heard of this movie– you are not alone. In fact, you are very, very crowded. I don’t think JK Simmons has heard of this movie, and he is in it. Watch it if you want to see Cuba Gooding: kill a guy with a shower curtain, call himself “the wolf” for no discernible reason, and threaten to murder the entire family of an innocent shopkeeper who SAVED HIS LIFE. It has a 4% on Rotten Tomatoes, which is generous.
Damon Wayans in “Major Payne”
The idea of getting a wounded Marine’s mind off a shoulder wound by breaking his pinky is something only Major Payne could make funny. That and comforting a child with a hell-torn Fallujah version of “The Little Engine that Could.” This movie is silly. This movie is stupid. But so are you if you don’t laugh at it.
Alan Alda in “M*A*S*H”
Uh oh, this one’s not even a movie–don’t care— there’s no way a list about the funniest war characters was going to leave out M*A*S*H. While there are probably 3-4 characters from M*A*S*H that could make the list (I’ll give you a hint, one wears a dress, and it’s not Margaret Houlihan). However, Alan Alda is so effortlessly sarcastic in this, that he left an impression on all dads in the US born between 1950-1969 with a TV.
Donald Sutherland in “Kelly’s Heroes”
I don’t think my father would continue to claim me as his own if I didn’t include Kelly’s Heroes on here. Donald Sutherland as “Oddball” is an offbeat performance which really captures the existentialism of conflict. Some men are fighting, some men are repairing a downed vehicle–Oddball is just “drinking wine and eating cheese and catching some rays, ya know?”
Sam Elliot in “We Were Soldiers”
“Good morning Sgt. Major.” … “How do you know what kind of God damn day it is?” Sam Elliot (a.k.a the voice in those “Coors Banquet Beer” commercials) keeps this entire movie on its feet by his rugged portrayal of the hilariously pissed off Sgt. Major Plumley. Plus his voice sounds like beef jerky tastes.
Robert Downey Jr. in “Tropic Thunder”
“I know who I am. I’m a dude playing a dude disguised as another dude.” This line alone about sums up Robert Downey Jr.’s “Tropic Thunder” performance. One of only three other Oscar-nominated performances on this list (almost, Cuba), Robert Downey’s ballsy meta performance is as controversial as it is hilarious.
Robin Williams in “Good Morning Vietnam”
This one is just a requirement. Like it feels like if it wasn’t on here, there would (rightfully) be an uproar. Not to say that Robin Williams isn’t hysterical in this–he is. In fact, he’s so good that it’s an unexciting pick. It’s like, duh, Good Morning Vietnam is amazing, and Robin Williams is unbelievably funny. And he improvised a lot of it. It should be higher, but this list is subjective, and nothing matters.
Bill Murray in “Stripes”
This role spawned (or popularized, rather) an entire archetype in comedies–the slack off reluctantly leading a rebellion of misfits. Bill Murray’s portrayal of John Winger is played seemingly with a wink to the audience throughout the whole movie. The character was even adapted by Dan Harmon as the lead in the popular series “Community” and named “Jeff Winger.”
Peter Sellers, Peter Sellers, and Peter Sellers in “Dr. Strangelove”
Everything is up for debate except for this spot. Peter Sellers plays three completely unique and separate characters, and they all have made me spackle my laptop screen with Doritos bits with laughter. The scene where Peter Sellers plays “Dr.Strangelove” an obvious Nazi scientist who is eternally fighting against one arm that is permanently possessed with exaltation for the Third Reich. It is physical comedy at its purest form. Legend has it that this scene is the only thing that has ever made Stanley Kubrick laugh on set–and apparently to tears. Even in the final cut, you can see some background actors bite their lips to stop smiling, and hear stifled laughter.
Creating a realistic battle scene — whether it’s from World War II or the Napoleonic Wars — demands technical know-how and precise attention to detail.
Paul Biddiss, the military technical adviser on the upcoming World War I movie “1917,” taught the actors everything they needed to know, from proper foot care to how to hold a weapon, “which allows the actor to concentrate on his primary task. Acting!” Biddis told Insider.
Biddiss has worked on projects from a variety of time periods — “large Napoleonic battles through to World War I, World War II, right up to modern-day battles with Special Forces,” Biddiss said.
Read on to learn about how Biddiss prepared “1917” performers for the gruesome, grueling warfare of World War I.
(Air Force photo by Senior Airman Javier Alvarez)
Biddiss spent 24 years in the British military before finding a career in film.
Biddiss, a former paratrooper, started his film career as an extra on the movie “Monuments Men.”
Since then, he has worked on projects like “Mission: Impossible Rogue Nation,” HBO’s “Catherine the Great,” and “The Crown.”
“I always tell people military film advising is 60% research and 40% of my own military experience added in to the mix,” Biddiss told Insider by email.
To prepare for a shoot, Biddiss obtains authentic training manuals appropriate to the conflict.
“I like to first understand the recruitment and training process, the rank structure and attitude between the ordinary ranks and officers,” he said. “This helps me better understand the battles and tactics used by the men and what must have been going through their heads at the time.”
That helps him structure a training program appropriate to the conflict, and safe for the performers — even when he’s short on prep time.
“When tasked to train 500 supporting artists for [the BBC’s] ‘War and Peace,’ I only had three days to research Napoleonic warfare and prepare a safe structured training program before flying out to Lithuania to train the men before a large battle sequence.”
Director Sam Mendes with actors Dean-Charles Chapman and George MacKay on the set of “1917.”
Training on “1917” started from the ground up — literally.
“Foot care was one of the first lessons I taught George [MacKay] and Dean [Charles Chapman], the importance of looking after their feet daily,” Biddiss said, referring to two stars of “1917.” “Basic recruits are taught this still even today.”
Trench foot, a common condition in World War I, is caused by wet, cold, and unsanitary conditions. It can be avoided by keeping the feet dry and clean, but left untreated it can lead to gangrene and amputation.
“The boys were wearing authentic period boots, walking and running in the wet mud all day and if not addressed early would have cause them major problems on set,” Biddiss said. “I taught them how to identify hot spots on the feet where the boots rubbed, taping up those hotspots to prevent blisters and applying talc and clean socks at every opportunity.”
A battle scene in “1917.”
Battle scenes require a lot from performers, but Biddiss said he “would never dream of asking an actor to do something I was not physically able to do myself.”
“I naturally train most days to keep myself in shape” and to instill confidence in his abilities, Biddiss told Insider.
“It’s not a good look if you’re a military adviser and you’re carrying around excess weight” and get winded after a short walk, he said.
Shooting a scene from “1917.”
(Universal Pictures and DreamWorks Pictures)
With hundreds of extras, making sure all the performers were right for the movie was a massive task in itself, Biddiss said.
“We first ran local auditions,” Biddiss said. “I then ran assessments before boot camps to make sure we had the right people who not only looked right, but were coordinated and physically robust to take on the task.”
After the performers were selected, “I started with basic arms drill to test coordination, fitness to test stamina,” he said. “Then to weapon handling, historical lessons, and tactics.”
“There so much attention to detail, like I’ve never seen before on set,” Biddiss said.
Mendes with Chapman and MacKay on the set of “1917.”
Biddiss has to teach the performers how to look and feel both natural and accurate when using their weapons.
Weapons handling is one of the main hurdles in preparing an actor for battle.
“There could [be] over 500 supporting artists on set with bayonets fixed and firing blank rounds,” Biddiss said. “The blanks used are very powerful and can still do permanent damage, so if time is not invested in training it could all go horribly wrong.”
It’s also one of the things he notices other productions often don’t get right. Biddiss said he notices performers never reloading their weapons or always having their fingers on a gun’s trigger.
MacKay in a scene from “1917.”
Throughout the production, the mindset of the performers has to be just like that of a soldier, Biddiss said.
“I like to impress on one aspect,” Biddiss said. “Fear and anger.”
“I tell actors and supporting artists that they need to show both feelings on their faces when about to act a battle sequence,” he said. “Fear of dying, but anger towards the people who have brought them to this situation.”
“There is nothing ninja about soldiering,” Biddiss tells the performers he trains. “You have one job. Close in and kill the enemy.”
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
It’s the classic battle between masters of the martial arts.
Snipers embody the best of stealth, reconnaissance and camouflage and are at the top of their game when it come to dispatching targets with precision from a great distance.
“One shot, one kill” is no joke.
And when it comes to the best way to combat an enemy sniper, there’s no better weapon than a good guy sniper.
But what happens when the bad guy turns the tables and the good guy becomes the hunted? That’s exactly what happens in the new film from Amazon Studios and Roadside Attractions titled “The Wall.”
Starring Aaron Taylor-Johnson and WWE superstar John Cena, “The Wall” depicts a sneak attack on a U.S. sniper team in Iraq by a diabolical enemy sharpshooter called “Juba,” played by Laith Nakli. The movie explores the psychological jiujitsu from each side as they try to outmaneuver one another in a battle where moving an inch in the wrong direction could mean certain death.
The enemy sniper from “The Wall” is loosely based on the infamous insurgent sharpshooter with the Juba nom de guerre in Iraq. The real Juba was reportedly killed by ISIS in 2013.
Roger Deakins has dazzled moviegoers for decades with visuals that have gone on to become the most memorable in modern film history.
The frigid vistas in “Fargo,” the dreamy Western plains in “The Assassination of Jesse James by the Coward Robert Ford,” the gritty underground world of drug cartels in “Sicario,” and the washed out future in “Blade Runner 2049” (which finally earned him his first-ever Oscar), all came from Deakins.
It’s hard to imagine he could do anything that would top this legendary body of work.
But he has with “1917.”
Marking Deakins’ latest collaboration with Sam Mendes (the two worked together on “Jarhead,” “Revolutionary Road,” and “Skyfall”), the story follows two British soldiers during World War I who have to travel behind enemy lines to deliver a message that will stop 1,600 of their allies from walking into a trap. And in telling that story, Deakins makes it feel like the entire movie is done in one continuous shot.
The hugely ambitious idea paid off. The movie, currently in theaters, has found critical acclaim, box-office glory, and award-season praise as it won three Golden Globes (including best director for Mendes and best drama) followed by 10 Oscar nominations.
“Blade Runner 2049” is the only movie for which Roger Deakins has won an Oscar.
Among them was Deakins for best cinematography, the 15th time he’s been nominated.
If you were looking for a sure bet this Oscars, it’s that Deakins will take home his second Oscar when the awards are handed out on February 9. But don’t count on the man himself to get too excited.
The 70-year-old Englishman has been the frontrunner too many times before, only to leave empty-handed, to listen to any Oscars handicapping. In fact, he’s so modest it’s hard to get many details out of him on how he actually pulled off the ambitious shooting technique that has become the biggest draw of the movie.
“We had a lot of prep and we could just work through all the problems,” he said in a laid-back tone to Business Insider hours after the Oscar nominations were announced on Monday.
But finally he let out something that did scare him. It was something that even a legend like himself, who has come across seemingly every scenario behind the camera, could not control: the weather.
“That was a bit tricky,” he said, with just the hint of dry English humor.
Most of “1917,” which takes place over two days, is shot over grey skies. The gloom adds to the despair of the story’s war-torn surroundings. But Deakins said it was also a choice he kept pushing for early on in preproduction.
“Just practically we had to shoot in cloud,” he said, looking back. “Either you shoot it in real time, at the right time of day, which you never do unless you have months and months of time. Or you shoot in cloud and time it to look that way.”
Knowing most of the filming would be done at Shepperton Studios in Scotland, the movie’s production office looked up what the weather was in the area the year before at the time they were going to shoot. Deakins was disappointed in the answer: “Apparently it was gorgeous.”
But the movie moved forward, which included Deakins and his team rehearsing the shots constantly with the small, light-weight cameras made especially for the movie from Arri Alexa.
Everyone was ready when the first day of shooting came in April of last year, but there was one problem.
“There wasn’t a cloud in the sky,” Deakins said. “It certainly made me anxious.”
While producers were on the phone explaining to the studio, Universal, and financiers why they couldn’t begin production because the weather was too nice, Mendes, Deakins, and the rest of the actors and crew were back to rehearsing in the trenches made for the movie.
Thankfully, the second day was a cloudy one and production was able to get back on track as they also made up the previous day’s shooting. Deakins said that’s how it was for most of production. If clouds weren’t in the forecast, everyone waited around until the day came when there was — and then everyone doubled their efforts to stay on schedule.
“We would literally stand around for hours waiting for a cloud to come by,” Deakins said. “I had five different weather apps on my iPhone. Every radar I could get. You look at them and try to find the one that will tell you what you want.”
Shooting a scene from ‘1917.’
(Francois Duhamel / Universal Pictures and DreamWorks Pictures)
Then the day came when he wanted some sun. At the end of the movie, for a shot where the movie’s lead, Schofield (George MacKay), is sitting by a tree, Deakins said he wanted the shot to show some rays of sunlight in the sky.
“There was this little cloud coming over the sun so before we shot that section we called everyone over and said, ‘Let’s shoot it, we might get lucky,’ and sure enough when it got to the end of the take the sun came out,” he said.
“That was the first take,” Deakins continued, with a certain pride he didn’t show earlier in our conversation. “We shot it another fifteen or twenty times, but Sam liked that first one. And it was the only one where the sun came out. We never got that again.”
Looking back on the experience, Deakins said he would be up for shooting a movie again like this — though he wonders if anyone would want to.
“I don’t think many directors would want to tell the story in that way,” he said. “But it doesn’t scare me off at all. It would be quite fascinating to do it on something else.”
It’s good to see that even a legend has dreams for what the future could hold.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Before George Jones made it big in country music with his 1959 hit, “White Lightning,” the Hank Williams-obsessed twentysomething was a United States Marine. Six years later, he was recording a song written by the Big Bopper and writing songs that would be sung by Johnny Cash, Willie Nelson and Loretta Lynn.
Jones’ military career was just three years long. Stationed in San Jose, California, he managed to miss the entire Korean War, being discharged in 1953.
Through it all, the legendary singer-songwriter struggled with alcoholism like his daddy before him. Even after he was invited to sing at the Grand Ole Opry in 1956, he was already once divorced, singing at the worst honky tonks in Texas. Throughout the 1960s, Jones was known for showing up drunk to things, be it a show, a recording or a friend’s house in the middle of the night.
In 1967, Jones actually had to be forced into a detox facility to help curb his drinking habit. But nothing could actually stop him if he wanted a drink – and his ability to get a drink if he wanted one was as legendary as his songwriting.
One alcohol-related incident is remembered above all others, and is the subject of many stories, murals, and no fewer than three recreations in modern country music videos.
His then-wife, Shirley Corley, claims she hid the keys to both cars one night while the couple was living outside of Beaumont, Texas. As far as he might go to get a drink, walking eight miles to get to the closest liquor store was a little too far. Jones, according to his autobiography, “I Live to Tell It All,” looked out the window and saw his salvation.
“There, gleaming in the glow, was that ten-horsepower rotary engine under a seat. A key glistening in the ignition. I imagine the top speed for that old mower was five miles per hour. It might have taken an hour and a half or more for me to get to the liquor store, but get there I did.”
Jones drove the eight miles to Beaumont, Texas, to get his drinks, aboard a riding lawn mower. It was a move he would reference over and over in years to come, including in his own music videos.
He wrestled with his drinking habit – and sometimes drug habits – for most of his career. He managed to clean up for most of the 1980s but finally kicked the booze after a 1999 car accident found he was drunk behind the wheel. According to Jones, it “put the fear of God” in him.
Jones died at age 81 in 2013. His funeral produced more musical tributes than a three-day summer country concert, all for the former Marine who embodied an entire generation of country music.
The Magnum P.I. and Blue Bloods star may be best known for Hawaiian shirts and the Gatling gun of mustaches, but did you know he also served in the Guard?
After he was drafted during the Vietnam War, Selleck joined the 160th infantry regiment of the California National Guard. “I am a veteran. I’m proud of it,” he said. “I was a sergeant in the U.S. Army infantry, National Guard, Vietnam era. We’re all brothers and sisters in that sense.”
Selleck served from 1967 to 1973, including six months of active duty. Before his military career, however, Selleck had already begun to pursue the entertainment industry, including commercial work and modeling, which makes it no surprise that he would later appear on California National Guard recruiting posters.
Former National Guard member, Tom Selleck, shares Guard facts in this 1989 commercial
In the video, Selleck uses a mixture of voiceover and direct-to-camera dialogue interspersed with facts about the National Guard throughout modern conflicts and operations: “Some people think the National Guard is just an excuse for a bunch of guys to get together and have a good time. That they’re not as trained or committed as other branches of the military. That they’re weekend warriors — not real soldiers. And people wonder what business they have being in a foreign country. Well I can’t clear up all the misconceptions people have about the National Guard so let me leave you with one important fact: if you bring together all the ready forces of the Army, Air Force, Navy, Marines and Reserves, you still have only half the picture. The other half? The National Guard, skilled, capable, intelligent people. People like you and me. American’s at their best.”
The video is certainly different from what contemporary audiences are accustomed to. While modern recruiting videos show off assets and firepower, this one feels a little more solemn and defensive. This may be a reflection of the nation’s shift in National Guard duty rights during the 80s.
In 1986, Congress passed a Federal law known as the Montgomery Amendment, which removed state governors’ power to withhold consent for orders summoning National Guard units to active duty without a national emergency. The law was originally created in response to the decision made by several governors to withhold their consent to send units for training in Honduras. In 1989, a Federal appeals court upheld the law when it was challenged by the Massachusetts and Minnesota governors.
According to the 1989 Profile of the Army, additional missions were transferred to the National Guard and Army Reserve as the Army increased its focus as an integrated and cohesive “TOTAL FORCE” ready to respond to Soviet attacks on NATO or the Persian Gulf and defend U.S. interests abroad.
Selleck’s patriotism extended beyond his service to recruitment just in time to help boost numbers before the Persian Gulf War the following year.
Infantrymen train countless hours on immediate action drills, patrolling techniques and room clearing during their pre-deployment work up. The goal for every successful combat pump is to complete the mission and get your a** home safe.
While on a combat deployment, you made some epic memories — some good and some bad.
But one memory you’ll probably never forget is that first time you took enemy contact.
Operation Deadstick was the first engagement of D-Day but many people don’t know the awesome story of how a small group of British glider soldiers captured two bridges intact and held them against German counterattacks. Now, the epic fight is becoming a movie.
So, on Jun. 6, 1944, the men of D Company, 2nd Oxfordshire and Buckinghamshire Light Infantry crash-landed in gliders at only 16 minutes past midnight. A brilliant performance by pilots put the closest group of paratroopers only 47 yards from the first objective while avoiding anti-glider poles that were still being emplaced around the bridges.
The British commander had a fright when thought he had gone blind, but he realized the crash had dislodged his helmet and slid it over his eyes. He put it on right and led his men up the nearby embankment and onto the first bridge.
There, Lt. Den Brotheridge led First platoon across the Caen Canal Bridge, firing from the hip. Brotheridge gunned down a German soldier on the bridges who fired a flare, achieving the first ground kill of D-Day. Tragically, he himself was shot just moments later and became the first Allied casualty of the day.
Still, the company was able to complete the assault only 10 minutes after landing, grabbing both bridges before the Germans could detonate the explosives on them. Sappers immediately got to work cutting wires and fuses to make sure a German counterattack would not be able to easily destroy them.
It turns out, the reason the bridges weren’t destroyed was two-fold.
First, the German commander had ordered the bridge wired to explode, but that the actual charges be stored nearby so that French partisans or an accident could not destroy the bridges unnecessarily. He had reasoned that the explosives could be placed and destroyed faster than a paratrooper assault could capture the bridges. He was wrong.
Second, only he could order the charges put into place and the bridges destroyed and he was busy visiting his girlfriend in the nearby village. He was drinking wine and eating cheese with her when he heard all the gunfire coming from the direction of the bridges.
He decided to investigate the noises but apparently thought an attack was unlikely because he packed a picnic basket and tried to bring his girlfriend. He ended up dropping her off when she begged and cried, but he continued to the bridge with little caution.
His driver approached the bridge so fast that the two Germans actually blew past the British lines and were on the bridge before they realized that the German defenders had been killed. The British quickly captured both Germans and the picnic basket while the commander started crying about having let down his fuhrer.
The British then got ready for the inevitable counterattacks. The first came quickly as a German tank made its way to a nearby intersection in an attempt on the bridges. One of the glider troops engaged it with a Piat anti-tank grenade launcher, killing it with a single hit.
Luckily for the British, larger counterattacks wouldn’t come for some time. While Lt. Col. Hans von Luck, the Panzer commander who would lead the counter assault, had his entire formation ready to go by 3 a.m., he wasn’t allowed to move forward without Hitler’s say-so. And Hitler slept in on D-Day.
Von Luck sent his grenadiers, one of the few units he could move forward without authorization, to the bridges but the British had been reinforced with paratroopers by that point. The British were able to stop the grenadiers’ advance and the Germans dug in, sure that armored support would be coming soon.
Forward German units did come to assist and were able to begin pushing the British back. The British were picked at by snipers and German rocket fire and were slowly surrounded, but they managed to hold out until the afternoon despite dwindling ammo and a limited number of men.
In the early afternoon, reinforcements in the form of British commandos finally came and the combined force held off German armored attacks, killing 13 of 17 tanks and plenty of German soldiers. They also had to fight off a German gunboat that attacked from the river.
The successful capture and defense of the bridges is a major part of British airborne history. Both bridges were renamed in honor of the British. The Caen Canal Bridge was renamed Pegasus Bridge after the symbol of the British airborne soldiers. The nearby river bridge was renamed Horsa Bridge after the Horsa gliders the first troops rode in on.
Wojtek endeared himself to members of a Polish army unit in 1942 when he alerted them to the presence of a spy in their camp.
The Polish soldiers, who were released by Russia after the German invasion in 1941, were passing through the Middle East on their way back to Europe. Picking up new members on such a trip wouldn’t be unusual, but Wojtek’s case was a little different, because he was a bear.
Wojtek, whose mother is thought to have been shot by hunters, was bought by Polish soldiers while they were in Iran and eventually joined what would become the Polish II Corps’ 22nd artillery supply company in 1942.
He continued with them through Iraq and into Egypt.
To board a ship to Europe in 1943, Wojtek needed to be a soldier, so the Poles formally enlisted him as a private — with his own pay book and serial number.
Wojtek, who eventually weighed well over 400 pounds, also got double rations.
The badge of the 22nd Artillery Support Company of the 2nd Polish Corps.
“He was like a child, like a small dog. He was given milk from a bottle, like a baby. So therefore he felt that these soldiers are nearly his parents and therefore he trusted in us and was very friendly,” Wojciech Narebski, a Polish soldier who spent three years alongside Wojtek during the war, told the BBC in 2011.
They also shared a name — Wojtek is a diminutive form of the name Wojciech, which means “happy warrior.”
Now Wojtek’s story is being documented in an animation feature by Iain Harvey, an animator and the executive producer of the 1982 adaptation of Raymond Brigg’s children’s story “The Snowman,” which was nominated for an Oscar and is still shown every year at Christmas on British television.
The bear smoked, drank, and wrestled with soldiers
When he was told about Wojtek, Harvey thought the story was “pure fantasy,” he told the Times of London this week. “It’s fantastic to have a piece of magic that’s real.”
Wojtek, who eventually rose to the rank of corporal, became a mascot for his unit.
Soldiers would box and wrestle with the bear, who was also fond of smoking and drinking. “For him one bottle was nothing,” Narebski told the BBC. “He was weighing [440 pounds]. He didn’t get drunk.”
He was trained not to be a threat to people and was “very quiet, very peaceful,” Narebski said. But he didn’t get along with another bear and a monkey that were also adopted by the soldiers.
Wojtek was a source of good cheer for the unit, Narebski told the BBC. “For people who are far from families, far from their home country, from a psychological viewpoint, it was very important.”
But he was more than good company during the fighting in Italy.
A British soldier at the Battle of Monte Cassino said he was surprised to see the six-foot bear hauling artillery shells to resupply Allied forces. The company’s patch also featured Wojtek carrying a shell.
Filmmakers released a documentary about Wojtek in 2011. Harvey’s project, “A Bear Named Wojtek,” has secured funding from Poland, but he is still seeking a British partner, telling The Times that he would contact Channel 4 and the BBC as well as companies like Netflix.
Harvey’s project is being set up for release on the 75th anniversary of Victory in Europe Day on May 8, 2020.
According to The Times, it will take 30 animators roughly a year to produce the 30-minute film, hand-drawing each scene on a tablet.
Narebski last saw Wojtek in April 1945, before the Battle of Bologna in Italy.
Once his unit was demobilized in Scotland, the bear was resettled at the Edinburgh Zoo.
A monument to Wojtek in Krakow.
Former members of his unit often visited him at the zoo, where he lived until his death in 1963 at age 21.
Narebski returned to Poland but had trouble keeping in touch with his former comrades — both human and bear — because of restrictions put in place by the Polish government.
He never forgot about Wojtek, however.
“It was very pleasant for me to think about him,” Narebski told the BBC. “I felt like he was my older brother.”
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.