Veterans who are fans of the hit series “Drunk History” will appreciate a new, hilarious vet version of the show. “Drunken Debrief” features real U.S. military veterans drinking real whiskey and telling true stories from their time in service. It’s like listening to a bunch of your fellow vets sitting around recounting stories from their time in service over and over, only this time the stories are on YouTube and they’re actually funny (and true).
Drunken Debrief is the brainchild of Eli Cuevas, who came up with the idea one day while figuring out production ideas for video games with his friend and fellow veteran Justin Ennis while working for RocketJump, a video game-oriented company. Cuevas enlisted help from Ennis, and Guy Storz, guys with whom he deployed to Iraq in 2007-08 while attached to the 2nd Infantry Division Strykers, first to Combat Outpost Blackfoot, then to Diyala Province. After they all got out of the Army, they started Double Tap Gear, a company whose clothing sales fuels the video production. The team also includes a civilian, Gallagher Scott, who does their concept art. From start to finish, the team wants the best possible product.
“We shoot on RED,” Cuevas said. “No expense spared, I want this to to be as high quality and professional as possible.”
Cuevas also wants to include veterans in the production of the Debrief, and is looking for veteran actors (that is to say, actors who are also veterans) to reach out to Double Tap via their Facebook page. Cuevas and company are also looking for veterans to share their stories the same way. If your story is picked, Cuevas will fly you out to sit with the Double Tap crew and knock back some Leadslinger’s Whiskey as you share your stuff with the world.
The first series is a trilogy and features Army veteran Luke Denman telling the story of a fellow soldier with whom he served. The story of “Staff Sergeant Walker” (named changed for obvious reasons) was just too big to be kept to one video.
“I knew Luke from growing up together,” Cuevas says. ” I knew he was a good storyteller. I remembered one time, he told us a story about some dude on a deployment who brought a dildo. We got drunk, turned on the camera, and he just killed it.”
“The Big Flopper” is just part one in the series. Part two tells the story of Staff Sgt. Walker’s “Negligent Discharge,” and part three is about Walker’s inability to remember his radio call sign. Double Tap will put out new Drunken Debriefs every other week, while the weeks in between will feature “Military Minute,” a quick, funny way to keep their fans informed and entertained while they finish new debriefs. If you love Double Tap’s shirts, you can get your own at TeeBlaster.
Cuevas and the crew at Double Tap have plans to expand, and new episodes of Military Minute and Drunken Debrief are in the works. Cuevas will be collecting barracks stories from the guys at Article 15 and Black Rifle Coffee.
When Army basic training soldier Jennifer Campbell was told to run through smoke on the obstacle course, she leaned into it and went for the awesome photo moment of charging through the thickest plume of smoke.
Unfortunately for her, it wasn’t white smoke; it was o-chlorobenzylidene malononitrile, a potent form of tear gas used to teach basic trainees to trust their chemical masks and other gear. But Campbell wasn’t wearing chemical gear; she was running full speed and sucking down air on an obstacle course.
So the young soldier got two lungs full of the agitating gas, forcing violent coughs as her drill sergeants got a good laugh and the other trainees scrambled to get their masks on.
But what doesn’t kill you makes you stronger, and Campbell got her own laughs when the winds shifted and the rest of her platoon got hit unprotected, including the drill sergeant who triggered her episode. See how it all went down in the Go90 video embedded at the top.
When he meets the love of his life, a hot nurse, she’ll take some of Desmond’s blood but fails to use the proper angle when inserting the needle.
At this angle, she would have poked right through the vein at the AC space (antecubital) and into his muscle — what little Andrew Garfield has.
2. A below-the-knee tourniquet
Quentin Tarantino may be a genius at writing great character dialogue, but his medical knowledge of how to treat a gunshot wound needs a little work.
The female on the table has a tourniquet in place below her knee to help stop any arterial bleeding. A typical piece of cloth wouldn’t help a GSW too much.
Fun Fact: Your tibia and fibula are located in below the knee and the artery runs in between the two bones to provide it protection. A tourniquet placed below the knee would have no effect in stopping a massive bleed.
3. Robbed the armory?
Veterans give military movies a lot of crap, especially the 2nd and 3rd acts of “Full Metal Jacket.” But this time we’re calling out how could Gomer Pyle managed to snag a rifle and ammo while in boot camp from the armory (where they would have been stored).
Let’s face it, Pyle’s character wasn’t a genius and doubtfully would be able to pull off a single rifle heist.
4. Shoot the rear tank?
In “Fury” we got an opportunity to experience the dangers of being a tanker during WWII. In the film, David Ayer chose to make the Germans shoot and destroy the last American tank in a ranger file — even though he knew that would not be an accurate military tactic.
That would have been great if the real Germans used such ineffective tactics during the war — it would have been over way sooner. (Source: Sony/Screenshot)
In real life, they should have hit the tank in front, forcing the rest to halt and stopping the line. But if they had destroyed the front tank (War Daddy’s), the credits would roll because the movie would now be over.
Okay, Tropic Thunder isn’t technically a war movie, but it did win Tugg Speedman the fictional Oscar for best actor for “Tropic Blunder,” the true story behind the making of the most expensive fake true war story ever.
But in this helicopter insertion scene, there’s no way the men could hear the director’s instructions in a loud helicopter cargo bay (with the doors open) without proper headsets.
If any movie producers and directors out there need help on military consulting, feel free to contact us.
The “Batwoman” premiere didn’t keep fans waiting long to learn the identity of the villainess Kate Kane is up against is actually her sister, Beth, who was believed to be killed in a horrific accident when the two were young.
Instead of dragging the reveal out for a few weeks, showrunner Caroline Dries told Insider they decided to reveal Alice’s real identity in the pilot for a couple of reasons.
“One is that, for a shock value, for those of us who knew from reading the comics that they were sisters,” Dries said of staying ahead of fans who are familiar with the characters.
“I wanted to just put it out there because if people did watch the show and had known about the comics, I was worried that it would be spoiled anyway and that everyone would just be waiting for the reveal. We would be playing catch up as opposed to keeping the audience guessing,” she added.
As Dries told Insider, if you’re familiar with the comics then you know who Alice is and you’re just waiting for the big reveal.
Beyond staying ahead of the audience and keeping them on their toes, Dries wanted to make it clear from the get-go that Alice has as much of a bond to Batwoman as the famed Batman and Joker relationship.
“The real reason [to reveal Alice’s identity] is because that relationship is what’s, to me, the most unique part of the show,” said Dries.
We’ll see this family relationship continue to play out over the first season.
“[Kate’s] greatest enemy is a woman that she wants to save,” she continued. “It’s somebody that she cannot kill. It’s somebody that she has to keep others from killing. It’s her twin sister. It’s her other half of her basically.”
As the series progresses, Dries is interested in exploring how Kate’s relationship with her sister played into the character’s growth throughout the series.
“I was really intrigued by an emotional journey for Kate that is all about, ‘How do I get my sister back? Even though she seems so lost right now, how do I find her again and at what cost?” said Dries.
Beth and Alice have a lot to work out.
Alice won’t be the only villain who Kate Kane will face on the show’s first season. Dries said popular “Batman” villain Hush will appear on episode three.
“Batwoman” airs Sunday nights at 8 p.m. on “The CW.”
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
It’s that time of year when everyone turns on their TVs, sits down with a nice bowl of popcorn, and gets a little spooky. That horror flick you’re watching for the 13th time isn’t throwing any curve balls. Obviously, the supernatural killer with a highly marketable mask/face is going to slay those oblivious teenagers who’ve never heard of strength in numbers.
But there’s one glaringly stupid trope that happens in nearly every zombie film or show ever made.
At one point, the lone survivor of the group ends up stumbling across the remains of what used to be a military unit. Turns out, the odds are so stacked against mankind that even the world’s best-trained fighters didn’t stand a chance against a swarm of undead monsters. Our protagonist then arms themselves with the leftover military gear and sets off in search of a more pleasant ending.
In reality, however, this just wouldn’t happen. Not in a million years. In fact, it’s more difficult to find a single scenario in which the zombies did stand a chance against the U.S. Armed Forces. — but we tried, anyway. Let’s take a look at what kind of damage those lifeless shamblers could do, given a perfect scenario, before taking yet another trip to the dirt.
There are countless different types of zombies, depending on the fiction to which you subscribe, but, in all likelihood, the U.S. military actually does have a plan to counter each and every one of them outlined in CONPLAN 8888. From your standard Romero/Walking Dead zombies to the 28 Days Later, rage-virus zombies to voodoo zombies to, hell, even the Plants vs. Zombies zombies, all accounted for. Sure, each plan may be written by a bored staff officer as part of a clearly tongue-in-cheek thought experiment, but it’s still official military doctrine.
But for the sake of this article, we’re going to need to make a few assumptions:
First, we’re going to stick with the standard zombies — you know, the slow, shuffling type you’re used to seeing in pop culture.
Second, we’re going to face those zombies off against the military at its lowest level of self-sufficient operations: a battalion-sized force. Shy of any single platoon going on a patrol, military commanders would never spread their units any thinner than this in such a dire emergency. A battalion has enough of every type of support troop to keep the operation moving along until they can reconnect with a larger force.
Finally, the zombies are going to exclusively face infantrymen in engagements because once you add the might of an A-10 Warthog or an Abrams tank, it’s just unfair. In the event of an actual world-ending apocalypse at the hands of brain-eating zombies, the military has thousands upon thousands of vehicles that wouldn’t take a scratch from corpse claws.
So, a battalion of infantrymen it is.
There are only a handful of ways that the zombies could ever gain a tactical advantage: surprise or vastly superior numbers. Both are lost after a battalion sets up a perimeter and holds off an area. The U.S. Army has finely honed an ability to create a fully functional forward operating base in just 72 hours. This time frame is good anywhere in the world. That number would presumably be even lower if said base was needed near an existing military installation and they have the means to production.
There will be guards posted at every angle of approach, so there’s no way any zombies could get past the constant guard duty. Even their number advantage is negated when impenetrable barriers are placed. Given enough zombies, they could probably push down a chain-linked fence, but the military makes good use of hastily-made and ready-to-go Hesco Barriers and concrete T-walls. This impassable wall would force any attacking zombies into a funnel, moving towards the one and only entrance, which we can assume is heavily guarded.
If the zombies fail to overrun the troops in those first 72 hours, their only bet is to pick them off slowly as they patrol outward. Even then, the outcome doesn’t look so great for the visitors.
Troops live by the military strategy of asymmetrical warfare, meaning that there’s no such thing as “fair fight” in war. Since zombies are a clear-cut bad guy that troops have been itching to fight, don’t expect them to go easy on ’em just because they’re slow. Even pitting one troop against a swarm of the undead would likely end in favor of the living. Not only are Zombies slow, they also tend to stack up their weak points (the head, for those who’ve never seen a movie before) in a nice row, all lined up for a rain of machine gun fire.
But let’s pretend that the troops and the zombies play a game of attrition and see who lasts the longest. The troops would still win. Depending on weather conditions, a lifeless body left outside starts decomposing in about 24 hours and turns to goop after about a month. So, supplies, both scavenged and rationed, for a month? The military knows logistics.
Okay, let’s say they don’t decompose while “alive.” The only thing troops would need a constant replenishment of is food, and there are MREs left in Connexes found all over military installations. The shelf life of an MRE in moderate conditions is five years.
Marine Corps drill instructor and Hollywood actor R. Lee Ermey was robbed of an Oscar for his legendary portrayal of Gunnery Sergeant Hartman in Stanley Kubrick’s 1987 classic “Full Metal Jacket” and snubbed by the Academy’s Oscar “memoriam” montage.
But while the Academy may not have thought his contribution worth recognition, we know the Gunny knew a thing or two we should all remember about military service.
Ermey had a long career. As well as his iconic role in “Full Metal Jacket,” where he improvised most of his dialog, and that long run on “Mail Call,” he played iconic roles as the police captain in “Se7en,” the voice of Sarge in the “Toy Story” movies, the mayor in “Mississippi Burning” and a chilling serial rapist in a 2010 episode of “Law & Order: SVU.”
Ermey also had a wicked sense of humor, one that allowed him to play the over-the-top movie director Titus Scroad in the cult TV series “Action” and the lead kidnapper in the “Run Ronnie Run,” the bizarre comedy from “Mr. Show With Bob and David” guys Bob Odenkirk and David Cross.
He left us on April 15, 2018, and he’s now at rest at Arlington National Cemetery.
So what did his TV and movie appearances teach us about service? Here are nine great examples.
1. Once a Marine, always a Marine.
In his “Full Metal Jacket” rants, Gunny Hartman tells his recruits that their Marine Corps training had permanently changed them. They’re no longer mere men: They’ve become Marines.
“Today, you people are no longer maggots. Today, you are Marines. You’re part of a brotherhood. From now on, until the day you die, wherever you are, every Marine is your brother. Most of you will go to Vietnam. Some of you will not come back. But always remember this: Marines die. That’s what we’re here for. But the Marine Corps lives forever and that means you live forever.”
2. You gotta break someone before you build them up.
Few civilians understand the bonds of trust required for a military unit to function and even fewer can grasp the process that goes into tearing down the idea of the individual so a person can be truly absorbed into the group. Gunnery Sgt. Hartman can help you with that.
“If you ladies leave my island, if you survive recruit training, you will be a weapon. You will be a minister of death praying for war. But until that that day, you are pukes. You are the lowest form of life on Earth. You are not even human fucking beings! You are nothing but unorganized grab-ass-tic pieces of amphibian shit! Because I am hard, you will not like me! But the more you hate me, the more you will learn! I am hard, but I am fair! There is no racial bigotry here. I do not look down on niggers, kikes, wops, or greasers. Here you are all equally worthless. And my orders are to weed out all non-hackers who do not packed the gear to serve in my beloved corps. Do you maggots understand that?”
Gunny Hartman may have been talking about Pablo Picasso’s 1939 portrait of Dora Maar.
3. Modern art is not good art.
Hidden in Gunny Hartman’s psychological tear down are some important observations about other parts of our world. He’s also an art critic.
“You’re so ugly you could be a modern art masterpiece!”
Truthfully, Gunny Hartman’s material is closer to Don Rickles than Steve Martin but Steve’s the one who said, “Comedy is not pretty.”
4. Comedy is not pretty.
He’s a talented insult comic.
“Well I’ve got a joke for you, I’m going to tear you a new a–hole.”
Ask yourself: “Is my toilet clean enough that I could invite the mother of Our Savior to use my bathroom?”
5. A clean toilet is a holy toilet.
He’s concerned that our religious icons have a good bathroom experience.
“I want that head so sanitary and squared away that the Virgin Mary herself would be proud to go in there and take a dump.”
What’s YOUR major malfunction?
6. A great catchphrase works in any situation.
Ask anyone who grew-up in a household where dad always asked “What’s your major malfunction?” Every Single Time they did something he didn’t like.
7. The Heart is the Deadliest Weapon.
He even operates on multiple levels. He may SAY a Marine is the deadliest weapon but listen closely: The threat really comes from a Marine’s cold, cold heart.
“The deadliest weapon in the world is a Marine and his rifle. It is your killer instinct which must be harnessed if you expect to survive in combat. Your rifle is only a tool. It is a hard heart that kills. If your killer instincts are not clean and strong, you will hesitate at the moment of truth. You will not kill. You will become dead Marines. And then you will be in a world of s***. Because Marines are not allowed to die without permission. Do you maggots understand?”
8. Everyone Needs Mail.
Ermey did his part on his long-running History Channel series to educate a generation of Americans who knew nothing about the military. He also reminded everyone that communication is critical for men and women who are serving their country. If you want to remember Ermey, write a letter, send an email or make a phone call in honor of his service.
This article originally appeared on Military.com. Follow @militarydotcom on Twitter.
A US Army spokesman told INSIDER that the fan had a point but that calculating the exact dollar amount isn’t so simple.
Here’s the backstory.
After defeating Hydra in World War II, Captain America was lost in the Arctic north from 1945 to 2011. During those six decades on ice, he was never technically discharged. As a result (the theory goes), the government owes him payment for those 66 years of service.
Redditor Anon33249038 crunched the numbers and concluded that the First Avenger is entitled to $3,154,619.52, adjusting for inflation.
The analysis factors in the Army’s 1945 pay grade, biannual raises, and how long Cap spent on ice before he returned to active duty in 2011 at the start of “The Avengers.”
Wayne Hall, an Army spokesman, says there’s more to it than that.
“If Capt. Steve Rogers (aka Captain America) were not a fictional character and the circumstances surrounding his disappearance and recovery actually real, he may actually be entitled to receive back pay,” Hall told INSIDER in an email. “However, a wide variety of variables would have to be taken into consideration to actually calculate the true amount of back pay to which he would be entitled to receive; given that he is a fictional character we cannot truly capture all of those variables accurately.”
Hall went on to say that the Redditor had some of his facts wrong.
“Yes, it is correct that the O-3 (Army captain) pay grade in 1945 was $313.50; however it was a monthly pay rate vs. quarterly as the original poster indicated.”
The fan theory also “misinterpreted military pay scales” when arriving at the figure for the biannual increase of pay, Hall said, and failed to take in “any potential promotions that may have been bestowed upon Rogers while he was listed in a ‘Missing’ status.”
Whatever the final amount of back pay the government would owe Captain America for his decades of service, it’s almost certain that he would still have way less money than Tony Stark.
Americans love them some Navy crime drama. Nothing shows more evidence of that than the success of the Emmy-winning, long-running show, “JAG.” If the show’s 227 episodes weren’t enough proof, consider that this show also spun off an even more popular show, “NCIS,” and its own spin-offs.
That’s right, “JAG” has grandchildren.
But the show wasn’t going to survive on mundane drama — no one cares if Petty Officer Valle was late coming back from LIBO — it needed some real juicy crime drama. The show was among the first to use “ripped from the headlines” plots — and no one can garner headlines like the U.S. military.
The show ran from 1995-2005 and, along the way, it covered some very interesting moments in U.S. Navy history. Now, “JAG” has finally found a home on cable television on WGN America, so you can experience these classic episodes and many, many more.
“Valor” – Season 6, Episode 17
This episode from 2001 features a character who was found aboard a boat laden with explosives. Terrorists captured a U.S. Marine and coerced her into helping them use the boat to hit an American destroyer. The Marine in question is held as the JAG officers try to determine if she was forced to assist the terrorists or if she had been turned by them.
The terrorist plot depicted in “Valor” is based on the 2000 bombing of the USS Cole while it was refueling in Yemen’s port city of Aden. Unlike the boat in the episode, the boat that attacked the Cole was completely destroyed and had no potentially traitorous Americans aboard.
The real bombing killed both boat drivers, along with 17 sailors. The blast wounded 39 more U.S. troops.
“Defensive Action” – Season 1, Episode 13
In the 1990s, the U.S. was heavily invested in the Balkan Conflict of the former Yugoslavia, especially the areas around Bosnia. So it makes good sense that conflict found its way onto the show. On a mission to return a Hind helicopter to Serbia, a Navy F-14 Tomcat malfunctions and explodes and the Serbian Hind begins strafing the ejected pilots. The Tomcat’s wingman lights up the Hind, earning a court-martial in the process. One of those ejected Tomcat pilots survives and evades Serbian patrols on the ground until he’s eventually rescued.
This is in reference to the rescue of U.S. Air Force pilot Scott O’Grady, who was shot down in an F-16C by Bosnian Serb SAM batteries. O’Grady evaded Serbian patrols for a solid week until he was rescued behind enemy lines by a force of United States Marines.
“Clipped Wings” – Season 3, Episode 22
During an exercise in the Mediterranean, an F-14 Tomcat collides with an Italian civilian helicopter, killing six people. The Italians demand to prosecute the pilot, and the Italian people are outraged. The pilot swears there was another aircraft he was avoiding when he ran into the helicopter.
In the real world, a Marine Corps aircraft did kill a number of Italian tourists as an EA-6B Prowler cut the cable of a cable car while flying lower than it should have been near Cavalese, Italy. The falling gondola killed all 20 people aboard, and the crew of the Prowler was put on trial for involuntary manslaughter, of which they were acquitted.
“Into the Breach” – Season 5, Episode 12
On April 19, 1989, a 16-inch gun turret aboard the USS Iowa exploded, killing 47 sailors and damaging the turret. The Navy concluded that one of the crewmen purposely caused the explosion. Congress, however, hated the Navy’s explanation and sent the GAO in to do an independent review. The GAO’s scientists found that an overram of powder bags was the likely explanation for the explosion.
In this episode, Harm and Mac are working an old case for law students in a mock trial — a case in which 29 sailors were killed when a disgruntled gun captain exploded his own turret. In the process of reviewing the old case, however, the two JAG officers find new evidence and new witnesses – enough to retry it.
“The Court-Martial of Sandra Gilbert” – Season 3, Episode 2
In this episode, Sandra Gilbert is a top-rated Cobra pilot who was suddenly grounded and charged with conduct unbecoming and disobeying orders when she begins an illegal relationship with an enlisted man, a Gunnery Sergeant. As it turns out, however, the Gunny is a married man. So, Harm has to defend Gilbert as the Corps tries to railroad charges against him.
A similar incident happened to U.S. Air Force Lt. Kelly Flinn, the first female B-52 pilot in Air Force history. In 1997, Flinn was discharged from the Air Force as a result of her adulterous affair with an enlisted subordinate’s husband, lying to Minot AFB officials about the affair, and then disobeying her superior’s order to break off the relationship.
As you can imagine, the media had a field day with the news.
So, if you’re in the market for heart-pounding drama and high-stakes operations, look no further than “JAG.”
By the time Nate Ellis reached the sixth grade he knew there were two things he wanted to do with his life: make movies and fly airplanes for the military.
Ellis was raised in a family with military experience. His father had joined the Coast Guard during the Vietnam era as a way to avoid the draft and his older brother had joined the Air Force ROTC program as a way to pay for college. He says he was the first among them to go in actually motivated to serve.
“All I wanted to do was Army aviation,” he said.
Ellis attended Austin Peay State University in Tennessee on a ROTC scholarship and wound up the top-ranked cadet nationwide among aviation selectees. Three days after graduation he found himself at Fort Rucker ready to start flight school. A year or so later he was a Blackhawk pilot.
In time he found himself in Afghanistan, stationed at Shindand Air Base in the western area of the country as part of the 4th CAB contingent there. He was assigned as the “battle captain,” overseeing all of the unit’s air operations, a position of great responsibility.
He was also flying Blackhawk sorties, and one night he launched as part of an air assault package comprised of three Blackhawks and two Chinooks. The helicopters carried a total of 99 troops — Italian special operators and Afghan National Army regulars — for a raid to capture a “high-value target,” one of the Taliban’s bad guys.
The helicopters touched down at the LZ around 3 AM, and after the troops jumped out they immediately came under fire. The helos took off and held nearby.
“We were at the holding point listening to the chaos, waiting, burning gas,” Ellis said. “It was the worst.”
There were two Apache attack helicopters on station, but one ran out of ammo and the other took an enemy round through the cockpit. The ground force, facing overwhelming numbers, wanted to get out of there immediately. But, by the helicopters’ operating procedures, it was too hot for them to fly back in to pick them up.
The mission commander, a lieutenant colonel, made the call to go in, but only after taking a quick survey of his fellow pilots over the radio to see what they thought about the risk.
“We went up and down the line, and all aircrews said they wanted to go in,” Ellis remembered. “But everyone was concerned at the same time. Everyone knew what they were getting into.”
The LZ was in the middle of a valley, what Ellis described as “the worst place to fly into.”
He saw the gunner in the Blackhawk ahead of him return fire on a group behind a wall as his own gunner froze, unable to pull the trigger. Sixty of the troops came running at them trying to load up. The Blackhawk only had room for 12 of them, so Ellis’ crew chief heroically jumped out and sorted the situation out as the bullets landed around them. After “the longest 3 minutes of my life,” they lurched back into the air at the Blackhawk’s maximum takeoff weight.
“Because we were heavy we couldn’t yank and bank,” Ellis said. “We had to fly straight ahead. My missile warning gear was going off the whole time.”
Once he was out of harm’s way, he had an epiphany.
“I was more present than I ‘d ever been in my life,” he said. “It was like all of the bullshit in my life came to the surface and skimmed off. I heard my inner voice: ‘Life is short. Live with a purpose. Do what you love.'”
And Ellis realized — along with flying Army helicopters — that he loved making movies, something he’d continue to dabble in even during the most demanding parts of his military life.
“I was always working on something while I was in,” Ellis said. “Short films — writing and directing. I’d edit them on my computer and post them to YouTube or wherever.”
After his war tour, he was stationed in South Korea while his marriage to another Army helicopter pilot came apart. “Long story short, we were separated for 18 months,” he said.
He was ready for a change in his life. So after 7 years of active duty, he resigned his commission and entered USC to get a master’s degree in filmmaking. While he immersed himself in the curriculum, he also found himself processing a lot of anger.
“I’d lose my temper if somebody jumped in front of me at a bar or cut me off in traffic,” he admitted. “I felt this sense of entitlement, like, who are they to treat me like that? Don’t they know who I am and what I’ve done?”
By his own account, it took him three years of grad school to process his emotions.
“I don’t want to be that person,” he said. “I don’t want to feel that way. Now it’s more like who cares? That guy, that girl, they have their own thing going on. They have their own path.”
He made a name for himself among the talented grad students at USC. He created five short films, including “10,000 Miles,” his thesis film that had a $30,000 budget plus a $350,000 Panavision grant.
Ellis also made “The Fog,” which he describes as “very personal,” another short that won a faculty screenwriting award and “Best Narrative Short” at the 2016 GI Film Festival. “The Fog” was also a semi-finalist for the student Academy Awards.
Ellis left USC with an impressive body of work, and an effective Hollywood network that included his USC-assigned mentor who also happened to be the president of a major studio. With his master’s degree in hand, he’s wasted little time in making some things happen. He wrote a screenplay based on “Chickenhawk,” the classic Vietnam-era story about a helicopter pilot, and he said Harrison Ford is “interested.”
At the same time, he worked as a production assistant on “The Wall,” directed by Doug Liman (who also directed “Mr. and Mrs. Smith” and “Bourne Identity”), wrote another screenplay targeting both Chinese and American audiences, and co-created an animated web series called “Thrift Video” that he described as “‘Adult Swim’-type humor.”
And, somewhat ironically, Ellis’ work in Hollywood placed him behind the controls of a helicopter again.
“My USC mentor introduced me to the president of Studio Wings, Steve Stafford, a Marine vet,” he explained. “I’ve been flying a Huey, one of the types of helicopters I flew during my time in the Army.”
And the Studio Wings Huey is owned by one Vince Gilligan, the creator of the hit series “Breaking Bad.” Ellis and Gilligan have co-piloted the Huey on several occasions.
“Vince is a super-nice guy and very interested in my active duty experience,” Ellis said. “He’s also interested in my screenplay.”
Ellis is quickly learning that success in the movie business is about two things: who you know and how much talent you have.
“All this stuff is just coming out of the blue,” Ellis said. “But I love the non-linear aspect of Hollywood. You’re thrown into the big mix with everybody. How do you set yourself apart?”
Ellis has also learned when and where to leverage his military experience and the limits of it.
“The whole reason I’m flying helicopters with Vince Gilligan is because I flew helicopters in the Army,” he said. “But after that, it’s about the quality of my work.”
Bruce Willis stars with Frank Grillo (The Grey, Captain America: Civil War) in a new explosions-in-space film called Cosmic Sin.
Set in 2542, 400 years after humans colonized other planets, Willis plays a retired military general who is called back into service after a hostile alien threat with the power to infect and take over human bodies attacks a remote planet. Willis teams up with Grillo and a team of elite soldiers to face off against the alien fleet.
Written by Corey Large and Director Edward Drake (who co-wrote Breach, another sci-fi feature starring Willis), Cosmic Sin also stars Adelaide Kane, Luke Wilson and Lochlyn Munro. This of course isn’t Bruce Willis’ first sci-fi or even space rodeo. The action star is known for his work in The Fifth Element, Looper, 12 Monkeys, and, of course, Armageddon.
Cosmic Sin comes to theaters, On Demand, and On Digital on March 12, 2021.
The second season of The Mandalorian brought much content out of the Star Wars franchise Legends and into the new Canon. From Boba Fett’s return to the Krait Dragon, season 2 was a Star Wars fan’s dream come true. Included in the revival of Star Wars past were the Empire’s deadly dark troopers. More than just a commentary on the color of their armor, dark troopers were among the most feared of the Empire’s tools of war. While a garrison of them seemed more than a match for Mando and his allies (but not a Skywalker in a hallway), there’s an aspect of dark troopers that was touched on that made them darker than you may think.
The Clone Wars that led to the rise of the Empire saw the Grand Army of the Republic’s clone troopers pitted against the Confederacy of Independent Systems’ droid army. Whereas the droids could be more easily mass-produced and overwhelm their enemy with superior numbers, the clones were more creative and genetically-based on the legendary bounty hunter Jango Fett. However, the clones had to be modified with an age accelerator that doubled their growth rate in order to meet the manning needs of the GAR. As a result, clones reached the end of their combat life more quickly than a regular person. Anyone in the military will tell you that time in the service already adds additional years of wear and tear on the body. For the clones, three years of constant and intense combat on top of their age acceleration took a heavy toll.
When the Empire rose from the ashes of the Republic, the fate of the ageing clone troopers came into question. The vulnerability of a genetically-pure army was made apparent during the Clone Wars and the Empire needed to cut spending across the military to fund the Death Star. Rather than continue to clone and raise their army from birth, the Empire returned to more traditional recruitment and training to fill the ranks. However, these new recruits could hardly match the lethality and professionalism of the clones that came before them. “Since the Empire has redirected the clone trooper program to other pursuits and stepped up recruiting inferior humans from the Outer Rim, the operational effectiveness of this army has declined significantly,” noted Clone Commander Cody. Cody was a Clone War veteran and one of the best-trained clones that the Republic had produced. His years of experience made him, and other clones like him, a valuable asset to train the new recruits. However, there was one other program that could make use of the clones’ combat experiences.
While the bodies of the clone veterans were deteriorating past their combat usefulness, their minds were full of tactical, operational, and strategic knowledge that could still be useful to the Empire. This idea led to the creation of the Dark Trooper Program. Using much of the same cyborg technology used to transform Darth Vader into a cyborg after his duel with Obi-Wan Kenobi on Mustafar, the Empire began transforming clone troopers into cyborg dark troopers. The process involved integrating the trooper’s brain and nervous system with a mechanical exoskeleton that could perform even better than a clone in his prime. With over 70% of their bodies replaced with enhanced cybernetics, the clones were able to return to combat deadlier deadlier than ever. Equipped with more heavy weaponry than a regular human could carry, the dark troopers were also fitted with jump packs that allowed them to transit the battlefield quickly. Like Vader, the clones were more machine than man; their bodies discarded and their minds now sealed in durasteel.
In the finale of The Mandalorian Season 2, the evolution of the dark troopers is revealed. When Mando asks how many troopers are armed in the dark trooper suits aboard Moff Gidedon’s cruiser, he gets an answer that he doesn’t like. “These are third-generation design. They are no longer suits,” Doctor Pershing explained. “The human inside was the final weakness to be solved. They’re droids.” Though the fate of the cyborg dark troopers is not revealed, it’s unlikely that the Empire gave them a severance package and a gold watch so that they could retire peacefully on Naboo. Despite their loyal service to the Republic as clone troopers and their sacrifice to continue serving the Empire as cyborg dark troopers, it’s likely that they were attritted out of service or simply discarded like other obsolete military equipment. Whatever the case, the gruesome fate of the clones who were turned into dark troopers is yet another tragic story from the galaxy far, far away.
The Danish film ‘A War’ is about an officer who had to make a hard decision under fire and the legal charges he faced when he returned home. It’s an unflinching look at military families, the strains of separation during deployment, and the unforgiving nature of commanding troops under fire while wrestling with restrictive rules of engagement.
The film has been nominated for an Academy Award for Best Foreign Language Film and will be released in limited theaters starting February 12.
Once in a lifetime, there comes a motion picture which changes the whole history of motion pictures. A picture so stunning in its effect, so vast in its impact, that it profoundly affects the lives of all who see it. One such film is, yes, Monty Python and the Holy Grail. And while I lifted that copy (which was originally intended to be tongue-in-cheek) straight from the trailer, the film’s legacy has proven the trailer correct.
Even those who don’t think they’ve heard some of the most memorable lines from the movie likely have, whether they smell of elderberries or they’ve heard of the knights who say “ni.” Perhaps the most memorable scene, however, is the one where Arthur is forced to fight the Black Knight guarding a small footbridge, one who refuses to accept defeat.
The story that exposes all of the historical narratives and false legends about the chivalry and bravery of Medieval knights through vicious mockery turned history on its head even further in the encounter with the Black Knight. On the Wired podcast “Geek’s Guide to the Galaxy” Monty Python member John Cleese spoke about the inspiration for the Black Knight scene in a memory of his time at school, where he was taught by a two-time World War veteran.
“There was a lovely guy named ‘Jumper’ Gee who died at the age of 101, and who managed to fight in both World Wars—I never came across anyone else who did that. He was a good teacher of English and I liked him enormously, and he would go off on these wonderful excursions where they were nothing to do with the subject he was teaching, and he told this story about a wrestling match that had taken place in ancient Rome. … There was a particularly tough contest in progress, and one of the wrestlers, his arm broke—the difficulty of the embrace was so great that his arm broke under the pressure—and he submitted because of the appalling pain he was in. And the referee sort of disentangled them and said to the other guy, ‘You won,’ and the other guy was rather unresponsive, and the referee realized the other guy was dead. And this was an example to ‘Jumper’ Gee of the fact that if you didn’t give up you couldn’t lose, and I always thought this was a very dodgy conclusion…”
Pictured: The Eleans crowned and proclaimed victor the corpse of Arrhachion.
The story “Jumper” was trying to relate is that of Arrachion of Phigalia, an athlete in ancient Greece who was skilled at the pankration event. Pankration was an event similar to today’s Ultimate Fighting Championship, where the winner must force his opponent to submit, through some kind of brute force. Arrachion was fighting for the championship. One ancient historian described the hold that not only killed Arrachion but caused his opponent to submit to the then-deceased Arrachion’s own hold.
It seems Arrachion’s opponent choked the life from the great wrestler as Arrachion wrapped part of his body around his opponent’s foot. Arrachion yanked the man’s ankle from his leg as the undefeated wrestler died in his opponent’s chokehold, and his opponent was forced to tap out from the pain. Arrachion, now dead, remained undefeated.
He got a statue for his efforts, the stupid bastard.