Solo, the origin story of everyone’s favorite space smuggler, blasts into theaters May 2018. To celebrate the film’s impending arrival, one die-hard Star Wars fan re-enacted the movie’s trailer with Legos. The remade stop-motion trailer features the audio from the film’s actual one-minute spot but all of the actors have been replaced with Legos new minifigs and ships. And it’s pretty freaking amazing.
What’s most impressive about the trailer is its dead-on accuracy. YouTuber Huxley Berg Studios clearly put in a lot of time and effort to meticulously recapture the best moments from the trailer, and his hard work absolutely paid off. It’s impossible not to get caught up in the moment when Lando tosses Han a blaster, even if they are both technically tiny pieces of plastic.
Star Wars and Lego have a long and beloved partnership so seeing Lego Han, Lego Chewie, and Lego Lando head off on some wild space adventure just feels right. And while the trailer might only be a minute, there are more than enough iconic moments captured to make any fan want to rewatch it. For now, the trailer only has a few thousand views but don’t be surprised if it ends up going viral, as there are few things people love more in the world than Legos and Han Solo.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
The team behind the upcoming 007 film, dubbed Bond 25, released an unconventional first look in the form of behind-the-scenes footage and peeks from the movie. Set to take place all over the world, per usual, star Daniel Craig’s Bond-swan-song definitely looks to be a colorful flick.
The reveal includes Fukunaga in action, Craig looking cool-as-always, Westworld’s Jeffrey Wright as “Felix Leiter” (“a brother from Langley”), and Captain Marvel’s Lashana Lynch as “Nomi” on location in the Caribbean.
One of the most interesting and exciting additions to the project is writer Phoebe Waller-Bridge, creator of Killing Eve and Fleabag — projects praised for their levity, humor, and surprising character moments.
Waller-Bridge will join Neal Purvis, Robert Wade, and Scott Z. Burns.
The official James Bond Twitter account is killing it when it comes to sharing Bond history, stories, and progress, including behind-the-scenes looks like this:
Daniel Craig and the @astonmartin V8 on location for #Bond25pic.twitter.com/cPgfMSlUYm
Celebrities are just like anyone else — they’re mammals and have family members. So, yes, they are just like you and me.
It seems unfair that even with their international fame, hordes of adoring fans, and millions of dollars, celebrities’ family members are often just as memorable to the history books as the celebrities themselves. If there were any real justice in this world, every celebrity relative would be like Roger Clinton, who got caught in a cocaine-related sting operation authorized by his brother, Bill. Or like Billy Carter, who used to pee on airport runways in front of the U.S. media.
But, no. Not only do celebrity relatives have all the trappings of stardom, but no one is out to embarrass them either. In fact, it only makes their lives seem that much better than our own.
1. Jim Morrison’s dad sparked the Vietnam War
Rear Admiral (Lower Half) George S. Morrison was spending just another day as the commander of American naval forces in the Gulf of Tonkin on Aug. 2, 1964. Aboard his flagship, the USS Bonhomme Richard, he received reports of an alleged torpedo attack from the North Vietnamese on the USS Maddox.
Two days later, he received another report of a similar incident. He informed President Lyndon B. Johnson, who began to escalate the U.S. presence in Vietnam under the Gulf of Tonkin resolution — and the rest is history. Admiral Morrison did not think rock music was the best career for his son.
2. Pee-wee Herman’s dad helped Israel gain statehood
Obviously, Pee-wee is not the comedian’s real name. His name is Paul Reubens and his father’s name is Milton Rubenfeld. The elder Rubenfeld was also one of five American World War II pilots who flew fighter planes in Israel’s 1948 war for independence.
Milton Rubenfeld was raised as an Orthodox Jew and his skills as a pilot were honed and hardened against the Nazi Luftwaffe over Europe. So, when every neighboring Arab country moved in to eradicate the would-be Israelis, five fighters took to the skies to give the nascent nation a fighting chance.
3. Chevy Chase’s grandfather turned the tide in the Pacific
Miles Browning, grandfather to Chevy Chase, was aboard the USS Enterprise during the WWII Battle of Midway — a battle that, essentially, ensured the Americans would win the war. Three irreplaceable Japanese aircraft carriers ended up at the bottom of the ocean that day and it was Capt. Browning’s “judicious planning and brilliant execution” (as Admiral Halsey would later write on Browning’s Distinguished Service Medal citation) that put them there.
Browning was a dive-bomber expert, so when the Japanese naval air forces were spotted at the extreme range of U.S. Task Force 16, it took expert guidance and planning to make sure the Navy’s best aviators could not only hit the Japanese carriers, but also make the trip home.
Joe Avella: In the span of three movies the “John Wick” films have racked up a body count of nearly 300. And to do that, you need guns.
John Wick: Lots of guns.
Joe: Meet Taran Butler. He’s a world champion competitive shooter. He’s also the owner of Taran Tactical. They’re responsible for teaching some of Hollywood’s top action stars how to handle firearms for film and television. Today, for the first time ever, I’ll be shooting a pistol, a shotgun, and an assault rifle just to see how Keanu learned to look like an expert marksman for the big screen. What’s the worst that could happen?
Could you imagine if we were doing this with the loaded guns? I would’ve shot all my feet off.
First, the stars of “John Wick” had to learn some basics before they could start shooting like international assassins.
Jade Struck: So we have this thing called 180-degree line. So when you’re the shooter on the firing line, think of it like there’s a force field pulling your muzzle downrange. Never bring the muzzle back past the 180-degree line. Finger off the trigger, unless you’re shooting. And always treat every gun as if though it’s loaded. I’m gonna teach you how to check to make sure that they’re not.
Joe: After getting a feel for the pistol, it was time for the real deal.
How Keanu Reeves Learned To Shoot Guns For ‘John Wick’ | Movies Insider
Taran Butler: So we’ve got the three primary pistols of “John Wick” two and three. This is the gun you were training with with Jade. The gun that you see Keanu training with here on the range with a lot. In “John Wick 3,” Charon suggests, he goes, “John, since you’ve been gone something new has come out. The 2011 Combat Master. Loaded in 9 millimeter major, 125 grain bullet, major business.” So both guns shoot 9 millimeter.
Taran: The difference is, is this gun here can shoot 9 millimeter major. This is the 9 millimeter major, it’s a lot taller ’cause it’s got a lot more powder in it. The only difference is more powder. So, regular 9 millimeter on the left, 9 major on the right.
Joe: Yeah, that was awesome.
Taran: This gun here is Halle Berry’s Glock 19 from “John Wick 3.” So when the shoot-out takes place, she grabs this gun off one of the bad guys. She enjoyed the hard work and training. She had three broken ribs through most of the training here. So she wasn’t at her top. Same with Keanu, getting beat up on the horses. But she just got really good at it, and I’d say, hands down, she’s the best female weapons handler in Hollywood.
Joe: Taran has Hollywood’s action stars start with a small firearm and a simple combo.
Taran: Let’s do something fun and fast first. First off, no surfing, you were laid back like Jeff Spicoli. OK, start on this guy, easiest guy in the world. I’m gonna say, “Shooter ready, stand by.” When you hear the beep, you’re gonna come up, two to the body, one to the head. It’s called the Mozambique.
Joe: Two to the body, one to the head.
Taran: Yeah. Shooter ready, stand by.
Joe: Did I get him? Taran: You got in the head, it counts. Pop the safety on when you’re done. Finger off the trigger. OK, that’s 4:41, let’s destroy that time. Just do one more clean one, no box-offices fiascos. Shooter ready, stand by. Good, OK, that was 1:63.
Joe: Hey, all right!
Taran: You went from 4:41 to 1:63 in a couple rounds.
Joe: Booyah. It’s easy.
The next level is rifle handling. Placement is key, as is learning how to smoothly replace your ammo.
John Wick: I need something robust, precise.
Sommelier: Robust, precise. AR-15. 11.5 inch, compensated with an iron-bonded bolt carrier.
Joe: All right, so it’s, like, here?
Jade: Left hand out farther. Boom boom boom, drop. Yep, you’re good, keep it going.
Joe: As I’m going.
Jade: Watch it go in. Button. Paddle.
Joe: What button?
Jade: It’s this paddle right there.
Joe: Oh, why do I…? Oh, Jesus!
Jade: So, drop the bolt. Drop the bolt, and then you’re back on.
Joe: Gotcha. Boom boom, boom boom. Oh no, I’m out.
Jade: Feed, button, on. Good! We’re learning how to manipulate our weapons without ammunition in them so we know all of the functions.
Joe: Could you imagine if we were doing this with the loaded guns? I would’ve shot all my feet off.
Jade: Oh, goodness.
Joe: The true test was a more complicated combo. One similar to the kind Keanu and Halle had to master before hitting the set.
Taran: The director, Chad Stahelski, he wanted everything. He wanted three-gun loading, he wanted all kinds of ways to load the shotgun, all kinds of pistol reload, transitions, rifle, shotgun, pistol, everything.
Boom boom boom, boom boom, boom boom, ding. That’s it.
Joe: All right, this might take a while.
Taran: You can do it, Mr. Wick. Shooter ready, stand by. Faster. Little guy. Good!
Joe: All right.
Taran: Safety on? Joe: Yes, sir.
Taran: You’re at 13:67, a lot better than 27 seconds. You want to do it again?
Joe: Yeah, of course.
Taran: Are you sure you’re not bored yet?
Joe: Yeah, this is awesome.
Taran: Let me fix that one plate so it’s not in your way this time.
Joe: It’s funny, he’s so good with guns, he’s just like, “Let me move that for you,” ba-bam. Now, it was Taran’s turn. Shooter ready, stand by. 5.17, that’s ridiculous. Last but not least, it was time to try out a “John Wick” fan favorite.
Sommelier: May I suggest the Benelli M4? An Italian classic.
Taran: In “John Wick 3,” by far the coolest part was the quad loading with the shotgun. That’s something, no movie would ever have done that. Quad loading is a very difficult thing to learn, and only a few people can do it really good. So we got that going, and towards the end he did amazing.
Joe: Is this thing gonna, like, have a real big kick that’s gonna hurt?
Taran: No, there’s no recoil at all on this one. Good, that guy. Little guy.
Jade: Lean into it.
Joe: Ah, I think I’m out.
Taran: Oh, match saver! Ah, “You set me up!” All right.
Joe: Oh, that’s what that last one was for.
Taran: Yeah, the match saver.
Jade: Good job!
Joe: Thank you very much.
Joe: How come those guys didn’t fall down?
Taran: They did, but they came back up.
Joe: Oh, OK. Thank God.
Taran: I’ll finish them off.
Joe: I love this habit you have of being like, “Let me take care of that,” bang. Are you walking around the house like, “Let me get the lights,” pow pow?
Taran: Pretty much.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
On July 19, the stars of Paramount’s “Star Trek Beyond” joined First Lady Michelle Obama in hosting more than 100 service members, veterans and their families for an advance screening of the upcoming film.
The screening was a part of the First Lady and Dr. Jill Biden’s Joining Forces initiative. The cast dropped in as part of their publicity blitz for the movie’s July 21 premiere. This was an exceptional screening for the cast, as the Star Trek franchise has always held members of the military and their families in high esteem.
The previous Star Trek film, “Star Trek Into Darkness” was dedicated to The Mission Continues, an organization dedicated to helping troops as they return home from war. It featured cameos from several veterans dressed as Starfleet officers in the film’s final scenes. Members of the cast also showed the first film of the Star Trek reboot series to active-duty service members in Kuwait.
At the White House, Chris Pine, Simon Pegg, and Karl Urban were humble in their brief introductions to the film and the First Lady. The actors joked that the veterans made better actors than the Hollywood stars.
In her remarks at the screening, the First Lady highlighted the important role that military families — especially the children of service members — play in allowing active duty servicemen and women to do their jobs. She ended with the Vulcan salute and a heartfelt “May the force be with you!” (wrong movie, of course) to the delight of the crowd.
For the cast, the screening was a small way to thank service members and their families. They also seemed a little star struck themselves; Urban interrupted Pine’s speech with an excited “We just met the first lady!” Pine referred to them as “a bunch of 8-year-olds” while touring the White House.
Pine, Pegg and Urban stuck around after the showing for photo ops and to say thank you to the veterans and their families.
“Star Trek Beyond” premieres in the U.S. on July 21.
If you have the money, do you hesitate when presented with the opportunity to buy a dinosaur skull for your children? The answer should be unflagging YES. YES YOU SHOULD. And yet, we think there’s a more important — very quick — follow-up question to ask before buying said dinosaur skull. It’s a question a child would ask, but a question that a well-meaning father (like the beloved star of Gladiator Russell Crowe, for example) might forget to ask. And that question is: What kind of dinosaur skull?
On June 20, 2019,Vulture reported that Russell Crowe has been telling the tale of the time he got shit-faced on vodka and bought a real dinosaur skull from Leonardo DiCaprio. “I bought it for my kids, and you know, cut myself a little bit of slack here, there was a bunch of vodka involved in the transaction and it happened at Leonardo’s house,” Crowe told Howard Stern. So far, so good, right? If you had the kind of income Crowe has, you’d do this for your kids, too, right? I mean, my kid is two-years-old, and she already loves dinosaurs. But, also relevantly, like all cool children who love dinosaurs, my two-year-old can already distinguish between types of dinosaurs. This is a super-power most little kids have, and it makes them all seem like they know more about the world than they actually do. My daughter can tell the difference between a stegosaur, a triceratops, and yes, even a pachycephalosaurus. Guess who probably can’t remember the importance of these distinctions? Yep, you guessed it, a shit-faced Russell Crowe!
From back to front: Ankylosaurus, Tyrannosaurus, Quetzalcoatlus, Triceratops, Struthiomimus, Pachycephalosaurus, and the unnamed dromaeosaurid and caenagnathid now named Acheroraptor and Anzu respectively.
The dinosaur skull Crowe bought from Leo was a Mosasaurus. A what? That’s right, it’s that underwater dinosaur that was a big deal in the first Jurassic World movie. Now, I’m not saying this kind of dinosaur isn’t cool per se, but it’s certainly not 30K cool, and I bet my daughter would be disappointed we missed some mortgage payments over this particular dino skull.
A T-Rex? A Triceratops? I mean, I think anyone could understand. But, a dinosaur that looks like a glorified crocodile? This seems like the real mistake here.
The lesson here is very clear. If you’re making late night drunken purchases of the remains of prehistoric creatures, you should, by all means, think of your children. But, more importantly than that, if you want that purchase to matter, think like a child.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
There’s an extraordinary brotherhood that exists among us but few will ever actually meet these honored members. Like our sacred flag, woven together by humility, valor and extreme courage, this is a community of men who never sought recognition — rather earned it — through their own strength, service and sacrifice. These incredible heroes are the recipients of the Medal of Honor.
In the military community, these men are treated with an indescribable reverence; a gratitude that runs deep because of the understanding of the gravity of the citation. Most of these men shouldn’t be alive and many who have earned the Medal never lived to see it. But in the civilian community, the awards often blend together, confusing hearts with crosses, silver with purple.
Now, a major motion picture is closing that information gap, educating the public on the Medal of Honor while pulling at your heartstrings. The Last Full Measure, in theaters nationwide on January 24, has an all star cast that tells the incredible, true story of William H. Pitsenbarger. Pitsenbarger was a U.S. Air Force Pararescueman credited with saving over 60 men after an ambush on the Army’s 1st Infantry Division during a battle in Vietnam. The story couples his heroic actions with the relentless efforts, spanning three decades, made by the men he saved to ensure he was posthumously honored.
Following the Washington, D.C. premiere screening of The Last Full Measure, We Are The Mighty had the opportunity to sit with Medal of Honor recipient First Lieutenant Brian M. Thacker and Medal of Honor Foundation Vice President of External Affairs Dan Smith, to get their take on the movie.
WATM: Tell me your thoughts on the movie.
Thacker: This fills in so many blanks. I knew the Pitsenbarger story and then all of a sudden it kind of happened. In the story, it becomes very clear. The question you have is what was the Air Force guy doing with a leg unit in the first place? And then you think about it and yeah, it’s exactly how it works: the guys closest respond to the call. They were doing joint operations back then and they didn’t even know it. The movie is no frills, a straight story of not just Pitsenbarger, but the whole unit that kept the dream of the award moving forward. It’s a story that needs to be told. There’s a story like that behind every Medal of Honor ever presented.
If you were over there, you know there are many other stories that deserve to be recognized. For a long time, Pitsenbarger was one of them.
WATM: I understand why this story is so important for the Medal of Honor brotherhood and to the veteran population. Why do you think it’s critical for civilians to see as well?
Thacker: First of all, they need to learn what the Medal means. It’s not a me award. Pitsenbarger is the medic with the award, but it really goes to all of the men in that company that were put in an untenable situation. The stories that came out of what happens as a result are equally as important. It’s not over when the shooting stops. The camaraderie and the close bond of serving together is what gets us through.
WATM: There’s a great line in the movie about how the medal means so much more than a battle; it’s the story behind it that connects us all. What story does your medal tell?
Thacker: The other half of the story behind mine is that of a Recon Sergeant that got an assignment he didn’t want but came out with a DSC. My guess is that his citation, like mine, was written at the highest level. But our unit was a Joe six pack, a bunch of people from all over the country that didn’t realize how untenable our situation was really going to be until the first shot was fired. Then it was, ‘Oh Lord, just let us hang on. We just need to get through this day.’ It all comes down to everyone just trying to help each other get through the day. Certainly you don’t do it by yourself.
WATM to Smith: What does having a MOH recipient in the audience tonight mean to you?
Smith: It’s beyond special. Young airman Pitsenbarger’s story is inspiring and remarkable. What we try to do and what our mission is, is to raise resources to let recipients tell their stories and to bring that and the legacy of the Medal to the communities. The most senior leaders in our military and our government talk about the less than one percent who serve and this growing civilian and military divide.
For these gentlemen to be able to tell their stories, not just to the military but to the community will close this gap. I’m hopeful that everyday people will see this movie, hear these heroic stories and change the ambivalence that often comes without knowing the impact of the award. So many men came home from Vietnam and weren’t able to tell their stories. I’m hopeful this will reach not just veterans of that generation but the younger generations as well.
WATM: What do you think this film teaches the next generation?
Thacker: We did everything we could to bury Vietnam. The young people that were born after the war grew up in the dark, unless you were living with a Vietnam veteran and you were living it right with your dad. It’s very symbolic. We see the same thing with young people who volunteered after 9/11; this mentality that I need to be a part of this. It’s 50 years later but it’s the same ethic that bubbles up.
You can take that notion of service far beyond the military. It’s in the fire departments, police departments and even the teaching community; this sense of service above self. You see bits and pieces of that in this movie and I hope it’s one the kids will watch because it’s living history.
WATM: Was there any particular scene in this movie that really resonated with you?
Thacker: When Pitsenbarger realized he had to go down to help them to teach them how to use the litter. Being in that position does something to your pucker factor. People who have been there, you can ask them: ‘Do you remember what it felt like?’ They’ll tell you they were very afraid. Knowing you are in over your head and wondering who you turn to for help, that happens all the time. There will be a lot of people who understand that feeling of all of a sudden being in charge.
WATM: As a MOH recipient, I imagine you’re invited to events like this all of the time. Is there a particular event you have been a part of that has had a profound impact on your life?
Thacker: Being able to attend an Inauguration and to witness the peaceful transfer of power was an incredible experience. I don’t think people understand how truly special and uniquely American that is.
WATM: Is there anything else you want people to know about either you or the Medal of Honor Foundation?
Thacker: We still have something to say. I remember when the Baby Boom generation wasn’t going to amount to much. Now we’re saying the same thing about Millenials, and I promise you, we’ll be as wrong about them as our parents were about us. That willingness to stand up and take the risk is fairly common.
Smith: These men have incredible stories to tell. My hope is that through films like The Last Full Measure we’ll be able to connect communities with this heroism.
The Last Full Measure will be in theaters January 24. These stories deserve to be told and the valor of The Medal of Honor should live on through all of us. Perpetuating the legacy should be our collective Last Full Measure.
It’s been four months since the kinda disappointing Game of Thrones finale, but HBO is trying to make it up to us with new shows set in the same universe. Filming on a pilot starring Naomi Watts has already wrapped, and now the network appears close to ordering another.
The as-yet-untitled series would take place 300 years before Thrones and focus on the origins of House Targaryen, that of the Mad King, the Mother of Dragons, and — outdated spoiler alert — Jon Snow himself.
The concept for the show was created by writer and producer Ryan Condal and George RR Martin. It’s based on Fire Blood, a series Martin created as a spin-off to the A Song of Ice and Fire and reportedly represents a new take on one of the five prequel scripts HBO commissioned in 2017.
The tagline of Fire Blood is “when dragons ruled Westeros,” which means instead of Daenerys’s three miracle dragons the spin-off should feature way more winged beasts and, we can only presume, a healthy dose of aerial combat.
To date, only the first volume of Martin’s series has been published, which makes us wonder if Martin could be in another situation where a TV series of his lurches ahead of the books it’s ostensibly based on.
Three hundred years is a long time in anyone’s family history, so don’t be surprised if there’s some complicated family tree math to be done connecting the characters in this show to those we meet in Game of Thrones, drawings not unlike those you’d find in the front of one of Martin’s books or on your mail-in DNA test results page.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
A sharp-eyed aviation photographer caught a photo of a U.S. Navy F/A-18F Super Hornet two-seat variant transiting through the Star Wars canyon, one of the most popular western U.S. low-flying areas, earlier this month during what appears to be filming of in-cockpit sequences for the upcoming “Top Gun: Maverick” movie.
The photo, posted to Instagram by Christopher Lohff (@lohffingfoto), shows the pilot/front-seater wearing the same HGU-68/P lightweight flight helmet with custom graphics as seen in previously leaked photos from the production of “Top Gun: Maverick”. The upcoming film, slated for release on June 26, 2020 in the U.S., is likely entering the final stages of its production phase before going to post-production and editing.
[instagram https://www.instagram.com/p/BvdEMuyAKOK/ expand=1]Christopher Lohff on Instagram: “Someone’s excited for the Top Gun sequel! This VFA-122 Flying Eagles F/A-18F pilot was sporting what I can only recognize as Maverick’s…”
Another interesting detail in the photo is the appearance of an array of what appears to be four of the new Sony VENICE CineAlta video cameras on the coaming of the rear cockpit. The new Sony VENICE CineAlta is a full-frame, 36x24mm digital video camera that shoots at a maximum resolution of 6048×4032 and can be modified to shoot at even higher quality resolution. The cameras cost about ,000 USD each without lenses or upgrades for higher resolution.
The Sony VENICE CineAlta array seen in the F/A-18 appears includes four rearward-facing cameras in the aft cockpit of the F/A-18 with various focal length lenses including at least two very wide-angle lenses. The camera array is fitted to the top of the rear cockpit coaming at the top of the instrument panel with a custom machined mount.
These photos give a clue about what some of the in-cockpit sequences may look like when the film debuts next year.
Just before the photos from the western low-flying areas appeared on Instagram, the Internet was filled with “spy” photos of an F-14 Tomcat being used in filming for the upcoming movie. The appearance of the Tomcat suggests a retrospective sequence, some kind of “flashback” to the original “Top Gun” in this upcoming release.
[instagram https://www.instagram.com/p/BvkSnlkl6uJ/ expand=1]Skid Voodoo on Instagram: “Our Hero Tomcat should be returning to the San Diego Air & Space Museum Annex soon. Its service to the new film is coming to a close after…”
The F-14 Tomcat that was sighted around Coronado Island and North Island NAS also showed up on the deck of the nuclear-powered aircraft carrier USS Theodore Roosevelt (CVN-71) for some filming sequences. One sequence included the aircraft being stopped in the large net/arresting barrier used for emergency recoveries onboard ship. The F-14 used in the filming is likely Grumman F-14A Tomcat #159638, an aircraft previously on display at the San Diego Air Space Museum’s Gillespie Annex in El Cajon, California.
This article originally appeared on The Aviationist. Follow @theaviationist on Twitter.
Weeks prior to the 2017 NFL draft, service members from Joint Base McGuire-Dix-Lakehurst in Mount Laurel, New Jersey, were given the chance of a lifetime to undergo a surprise mission as part of the “Salute to Service” program.
Hosted by USAA, these unexpected military analysts from the Army, Navy, and Air Force, received the opportunity to team up with NFL broadcasters Ron Jaworski and Sal Paolantonio (US Navy vet) for a chance of a lifetime and partake in a draft strategy session.
You could be turning your passion into profit by teaching like-minded Thrones fans the language of Essos.
That’s according to leading local services marketplace Bark.com who say that tutors can earn upwards of £40 ($53) per hour teaching High Valyrian, the language spoken by Daenerys Targaryen and Lord Varys.
The tuition service is available for fans across the US and UK, who can either sign up to be a tutor here or to hire tutors here.
Bark.com says those who sign up to be High Valyrian tutor will be required to provide proof of their knowledge of the language.
The role will involve creating a variety of reading, writing and speaking exercises for students, alongside role-playing scenarios to enhance the learning experience.
Daenerys Targaryen is a High Valyrian speaker.
Kai Feller, co-founder of Bark.com, said: “Game of Thrones is more than another hit show — it’s become a worldwide sensation! And with the highly anticipated final season fast approaching, the show is more popular than it has ever been. That’s why we’ve launched our latest service — High Valyrian tuition.
“At Bark.com, we love giving people different ways to earn and this is the latest service we’ve launched to do that. High Valyrian is a complex language and this is a fantastic opportunity for anyone who has worked hard to become fluent to share their knowledge — not to mention it would be a fantastic string to any fan’s bow!”
Though the High Valyrian dialect appears occasionally in George R.R. Martin’s “A Song of Ice and Fire” series of fantasy novels, the author did not develop it beyond a few words and phrases. The actual language, which now comprises of around 2,000 words, was created for the HBO TV adaption by linguist David J. Peterson, who also fleshed out the language of the Dothraki.
Tyrion Speaking Valyrian and Banter with Jorah, Grey Worm
The Economist called Peterson’s take on Dothraki and Valyrian “the most convincing fictional tongues since Elvish,” which was created by J.R.R. Tolkien himself for Middle Earth.
New learners of the language will have to deal with verb conjugation and possessives but, fortunately, not a different writing system, which Peterson said might look something like “Egyptian’s system of hieroglyphs — not in style, necessarily, but in their functionality.”
Those wishing to get a head start on the competition can start learning High Valyrian in bite-sized lessons on Duolingo, taking courses which Peterson himself contributed to.
Those taking on the challenge of learning the fictional language will have to try harder than Tyrion Lannister, whose Valyrian was “a bit nostril” by his own admission.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Dr. Vince Houghton is a U.S. Army veteran and Historian and Curator of the International Spy Museum in Washington, D.C. He grew up watching and loving the original Star Wars Trilogy. While in the Army, he served in a sort of intelligence role and after leaving the military, he earned a Ph.D. in Intelligence History with a background in diplomatic military history.
Every year on May 4th, he gives a lecture at the museum, making the argument for Star Wars being a series of spy films.
“People always debate about it,” Houghton says. “Is this fantasy, is this sci-fi, is it a western in space? For whatever reason, I’ve always seen it as a spy movie.”
Houghton argues that the backbone of the original trilogy is a spy operation — a story made into the latest Star Wars film, Rogue One: A Star Wars Story. That story is the catalyst for Star Wars IV: A New Hope, which he sees as a classic spy movie.
“You could replace the death star with V2 or V1 or a German atomic bomb or the Iranian atomic bomb or any kind of scientific and technological intelligence and it becomes a spy movie,” he says. “Strip away all the science fiction and it’s a woman with stolen plans for a weapon trying to get them to a group of guerrillas fighting against this totalitarian empire — it could be the World War II resistance.”
But Houghton takes his argument further.
“With Empire Strikes Back, the whole thing is kicked off by the Empire attempting to use imagery intelligence, their drones, their probes, to locate the secret base of the rebels,” he says. “It’s still an intelligence operation, just a different kind.”
Houghton claims Return of the Jedi is a story based on intelligence gathering and counterintelligence.
“That’s also the catalyst behind Return of the Jedi,” Houghton says. “It’s stealing the plans for the second death star. It turns out, that’s actually a big deception operation — another key issue when it comes to intelligence.”
The Spy Museum Curator is talking about Emperor Palpatine allowing the Rebel Alliance to know the location of the second Death Star. Rebel Bothan spies capture the location and plans for the space station, but it’s a ruse for the Emperor to defeat the Rebel fleet on his chosen battlespace; it was a trap, a classic deception operation designed to hide the true strength of his forces.
“You could go all the way back to Mongolians in this case,” says Houghton. “Genghis Khan did everything from tying brooms to his horses’ tails so it would kick up a lot of dust and make sure it looked like there were thousands of soldiers instead of hundreds.”
In the case of Return of the Jedi, the Emperor’s plan just didn’t work because, you know, it’s Star Wars.
Rogue One: A Star Wars Story is in theaters Dec. 16th. You can catch more of Dr. Vince Houghton on the International Spy Museum’s weekly podcast, Spycast, on iTunes and AudioBoom.
Marine recruiters talk a good game to get prospects to sign on the dotted line, but words can only carry so much motivation. For some, it’s visual representation that can genuinely inspire a young adult to sign a contract and serve in the Corps.
Although posters are pretty cool, epic commercials that put adventure and self-righteousness on display are better.
One of the great recruiting commercials highlights the transformation of driven, young women into the ultimate Marine. Katy Perry may have intended to make her music video Part of Me feel like this motivating video, but she fell short.
Released in the late 1980s, this commercial showcases the Corps’ fighting spirit. The video symbolizes how troops will be trained to eliminate any threat that challenges their nation’s existence, even if that threat is a giant, flaming monster.
Taking a page out of the Legend of King Arthur, the Marines’ 1987 commercial invokes medieval knights to tell young men that if they become a part of the Corps, they would be seen as one of the greatest warriors who ever lived.
Now, who wants to sign up?
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