Normal screen time suggestions have been thrown out the window! We’re stuck at home, we’re enjoying the great outdoors but we’re also taking full advantage of programs offering free streaming options. Take a look at these game-changing programs that are offering widespread access to the masses, free of charge.
Amazon is offering free streaming on kids’ shows through the pandemic to all users with or without an account. However, any new user can sign up for 30 days of free content before committing to an entire year. Choose from their extensive selection of free streaming options or link up your card and rent/buy movies and shows as needed. But considering the trial comes with free shipping on all your Amazon orders, why not?! The grace period is also good for previous customers who no longer subscribe. Prime Video will cost you 9 annually, or per month.
Stay in and listen to the radio. Or for all you essential soldiers, tune in on your way to and from work. SirusXM Premier is offering all of its paid content free through May 15 — that’s over a month of access to music, talk shows and their exclusive programming. The service normally runs per month.
CBS All Access
Stream for free through April 23 with ViacomCBS. Users can use the promo code GIFT to access shows from Nickelodeon, the Smithsonian Channel and over 1,000 Paramount movies. Perfect for all you milspouse moms and dads who are suddenly homeschooling!
Considering social distancing was extended through April and in many states, much longer, now is the perfect time to cash in on your free 30 day Hulu trial. All you need is an email address that has not yet been associated with the program. Normally or per month (the latter comes commercial free), Hulu is ideal for watching current and past TV shows. Users can also bundle their Hulu account for a deal on additional streaming options.
Ethelbert “Curley” Christian was the first and only surviving Canadian quadruple amputee of the First World War.
Born in Pennsylvania, Christian settled in Manitoba before enlisting in the Canadian Armed Forces almost a year and a half before U.S. involvement. It was in the Canada’s most celebrated victory at Vimy Ridge that Christian sustained his injuries, resulting in the loss of all four of his limbs.
Prince Edward VIII (who would later become King Edward VIII) visited Christian at the Toronto hospital and wrote about him in what would become a long string of inspiration that became Metallica’s One.
But it’s in their music that they show their support for the troops, using the “plight of the warrior” as a reoccurring theme. None of their songs (or their music videos) capture this more than 1988’s One.
The song takes inspiration from the novel “Johnny Got His Gun” written by Dalton Trumbo. The music video uses many clips from the same 1971 film, which was also written and directed by the novel’s author, Trumbo.
“Johnny Got His Gun” is about a World War I soldier, Joe “Johnny” Bonham, who suffers severe injuries. After losing all four limbs and most of his senses in combat, Johnny reflects on his life, as memories are all he has left. The film and novel are remembered for the ending where, after many years of insanity of being trapped, Johnny wishes only for death.
Having read Prince Edward VIII’s letter, Trumbo used the story as the inspiration for what would be his best selling novel.
Johnny may have been a fictional character, but Curley was the real soldier. And very much unlike Johnny, Curley loved life despite all that was thrown at him.
Ethelbert “Curley” Christian never lost any of his senses, unlike his fictional counterpart, and remained in high spirits through out his life.
His cheer was noticed by the then Prince of Wales, who wrote about the joyous veteran. Christian fell in love with his caretaker, a Jamaican volunteer aide named Clep MacPherson. The two would marry shortly after. Their love — and her nursing skills — would spark the Canadian Veterans Affairs to enact the Chapter 5 – Attendance Allowance, one of the first in its kind.
Years later, Christian would meet King Edward VII at the dedication to the Canadian National Vimy Memorial. He described to the Toronto Star their second encounter: “Just as he was passing he paused and pointed to me, saying, ‘Hello, I remember you. I met you in Toronto 18 years ago,’ as he broke through the double line of guards.”
After many years of a happy marriage and raising a son, Douglas Christian, Curley Christian passed away on the 15th of March, 1954. His legacy still carries on through both his advancement of Canadian Veterans Affairs and being the true inspiration for one of the most iconic power ballads.
The Walt Disney Company announced another — and very exciting — streaming series for Disney+. Straight from Black Panther director Ryan Coogler himself, we are getting a series all about the kingdom of Wakanda.
With the devastating death of Chadwick Boseman in 2020, the fate of the Black Panther sequel is currently unknown. Disney has promised not to recast the role of T’Challa, but as we learned in the first installment, the Black Panther is a title and legacy that can be passed along to other people. All we know is the Coogler is currently writing the sequel, which has a release date of July 8, 2022.
And now, as part of a five-year deal with Disney, Coogler will begin to explore other stories.
Danai Gurira, Lupita Nyong’o, and Florence Kasumba in a scene from Black Panther. (Matt Kennedy / Disney / Marvel Studios)
“It’s an honor to be partnering with The Walt Disney Company. Working with them on Black Panther was a dream come true. We look forward to learning, growing, and building a relationship with audiences all over the world through the Disney platforms,” stated Coogler.
In his statement, he also mentioned the possibility of multiple shows. “We are especially excited that we will be taking our first leap with Kevin Feige, Louis D’Esposito, Victoria Alonso, and their partners at Marvel Studios where we will be working closely with them on select MCU shows for Disney+. We’re already in the mix on some projects that we can’t wait to share,” he shared.
Black Panther grossed $1.34 billion and earned a best picture nomination at the Academy Awards. Not only that, it inspired millions around the world with its celebration of African talent, music, languages and culture. As of this publishing date, WandaVision is more than delivering a compelling story for fans, with The Falcon and the Winter Soldier hot on its heels. Signs are promising that Coogler’s Wakanda series won’t be one to miss!
The “Miracle at Dunkirk,” when 338,000 troops were evacuated in Operation Dynamo where optimistic estimates topped out at 45,000 might be rescued, was a turning point for the allies, allowing them to salvage troops that would fight in North Africa, at D-Day, and beyond.
In 7 steps, here’s how the British Expeditionary Force was trapped on the beaches of France and then rescued in Operation Dynamo.
The military maneuvers and buildup between the two sides were dubbed the “Phoney War.” Belgium, the Netherlands, and other countries across Europe prepared for the likelihood of a German invasion.
2. The Germans invade
On May 10, 1940, the “Phoney War” came to a violent end as the Germans invaded the Netherlands and Belgium. The Germans quickly took ground and captured bridgeheads on the River Meuse, allowing them to invade France through the Ardennes Forest.
4. The French and British withdraw towards the beaches
As army after army and country after country surrendered to the German war machine, those still fighting were forced to withdraw further and further east and north. They were pushed against the beaches of France. Panzer forces attacked and captured the French deep-water ports at Boulogne and Calais on May 25 and 26, limiting the potential evacuation options.
5. The Panzers stop
The 48-hour timeline was agreed upon because it was the longest that forces could reliably hold out against German armor. But the German tanks had mysteriously stopped their push towards Dunkirk itself on May 23 by order of Gen. Ewald von Kleist. The next day, a full “stop order” was given by Hitler.
The Allies responded by quickly shoring up their defenses as best they could. What was a loose line of troops on May 23, likely to be brushed aside quickly, became a much more formidable line of dug in but exhausted forces.
One of the most shocking events in the evacuations began on May 27 when the Royal Navy requisitioned small vessels for use in the evacuations. Most of the ships were manned by the Royal Navy, but some ship owners insisted that they would pilot their craft to assist in the evacuation.
Joel Lambert spent ten years as a Navy SEAL and is now the star of the Discovery Channel’s “Lone Target” (called “Manhunt” outside the U.S.)
“In China, it’s called ‘Capture the Special Master,’ and that’s awesome,” Lambert says.
“Lone Target” pits Lambert and his survival and evasion skills against some of the world’s best trackers, from Maori warriors in New Zealand to the U.S. Army’s Phantom Recon unit in the Arizona deserts. He is inserted into the “Hunter Force Unit’s” area of control and must reach a designated extraction point within a certain amount of time.
“SERE [survival, evasion, resistance, escape] was something I enjoyed as a SEAL,” Lambert says. “The field craft, SERE, heavy weapons and explosives were the kind of things I gravitated towards and did a lot of training in.”
Before he trained with the Navy, Lambert actually did some acting.
“I had a background in commercials,” Lambert says. “I never thought this would ever be part of my life again. A friend of mine said he was putting a show together, looking for special operations guys with tracking and survival background. I went out there and saw they had guys from [the British] Special Air Service, Recon Marines, all these guys with specific skills sets. I thought, okay maybe this is more than just a guy trying to cobble together a pilot.”
He was right. “Lone Target” is a hit for the Discovery Channel. And what Lambert did next would change his life.
“I ran into the desert, built some booby traps, talked about tracking and tactics, the psychology of being hunted or hunting,” he says. “They offered me the gig and I thought, ‘I don’t want to do this.’ My ego is at stake. I’m going to be wearing that trident on my chest whether I talk about it or not. I’m going to be representing all my brothers. It was a huge risk.”
“Those are exactly the reasons why I had to do it,” he laughs. “It was the most amazing experience.”
Lambert was caught three time out of six in the first season and only once the second.
“It’s a very hard thing, especially doing it in daytime so we can film and I have a camera guy with me,” he says. “All the things that are necessary to making the show handicap me, not the hunter force. At first I thought it was just unfair, but the more I thought about it, I was like, ‘You know what? It makes it even better because when I do get away because then I’ve really pulled some shit off.'”
A show with insurmountable odds each week is the perfect fit for a guy who joined the military just to be a SEAL. When he was ten years old his father introduced him to a friend who had just finished BUDS, and the young lad was taken with the stories about how challenging it was both physically and mentally. That feeling stuck with him until he focused on getting in peak shape at age 22.
“I moved into this crackerbox studio apartment and started doing nothing but training because I wasn’t sure I had it in me physically,” Lambert says. “I woke up five in the morning, out there running five miles in boots, doing hundreds of push ups. I think it was a little over a year that I really dedicated everything in my life to training for BUDS.”
But not everyone can be the subject of their own Discovery Channel show, so Lambert has a little advice for those whose military specialty doesn’t exactly have a civilian counterpart.
“I see these guys like Team Rubicon, they’re moving from swinging the sword to building the city,” he says. “Ryan Zinke, Montana Congressman, he’s moving from kicking in doors to leading and serving. Just because you’re not toting a weapon anymore doesn’t mean your path has ended. It’s there, you just keep moving forward.”
He was injured while serving as an Infantry Officer during Vietnam, and after months of surgeries and recovery, he extended his commitment to teach counterinsurgency tactics before finally separating.
Deep down, Smallwood is a soulful artist. An actor, writer, singer, and musician, he has made a career for himself in theater and on-screen, but it’s his writing and his music that really makes him stand out.
We Are The Mighty sat down with him to talk about his relationship with music.
“I can hear some music and know the setting behind it, and it just goes straight to my part that feels.”
He couldn’t speak when he woke up in the hospital in Vietnam, but rest assured, his voice healed and transformed into something rich and soothing.
Check out his video, not only for the Battle Mix that makes him think of his time in service, but for a performance with his acoustic guitar that will leave you wanting more:
When the cheers of the viral military homecomings have dissipated and the videos stop playing, real life begins. Netflix’s new documentary, Father Soldier Son, pulls back the curtain and brings the viewer into the reality of the military family and the devastating cost of a 20-year war.
The public perception of a military service member leans toward words like heroic and exceptional. But they are human beings with real struggles as they live with the aftereffects of their commitment to this country. Father Soldier Son reveals that to the public. To create the documentary, two journalists from The New York Times spent 10 years (yes, 10 years) following American soldier Brian Eisch and his family.
What initially began as a film to document a battalion’s year-long deployment in 2010 during a troop surge evolved into an unexpected new project for directors Leslye Davis and Catrin Einhorn.
“We really wanted to tell the stories of American soldiers and Brian was just one of many [in that deployment]. But his kids were just so captivating and they spoke with such honesty, openness and emotion about what they were going through. They really stuck with us,” Einhorn explained.
The documentary begins with Eisch’s sons, Issac and Joey. They share their feelings about their dad being deployed overseas and their deep fears for his safety. This is another unique perspective of this film; the public is given a glimpse of how deployment impacts military children.
The viewer then witnesses the joyful reunion for the boys when their dad comes home for a break in his deployment. It’s not unlike the homecomings that go viral on social media. But then, the directors bring you in deeper with the emotional, compelling moments when the boys have to say goodbye; something not many members of the public ever witness.
When Eisch returned to combat in Afghanistan, he was shot.
Viewers are then brought on Eisch’s journey of being a wounded warrior. “We were able to show the before and what the boys were going through while he was away and the anxiety and fear that they have. Then we showed what happened after,” Einhorn explained. She continued, “There’s this sort of iconic idea of a hero, but what does that really mean? What is the sacrifice? Brian had a truck drive into a field and then jumped out of it to try and rescue this wounded ally of his. That is a very heroic thing by all accounts and he received an award for that. But what did that mean for him and his life afterward?”
Every time the directors thought the film was done, things kept happening in Eisch’s life that brought them back. “We got to take this personal and deep dive into this family to show how it [war] impacted them over time,” Davis said.
Three years after his combat injury, the constant pain forced Eisch to undergo a leg amputation.
The events that unfold after following that are a reality for many service members experiencing physical or invisible wounds of war. This film will bring viewers on a journey filled with hope, but also devastating loss and pain. “As journalists we really wanted to make it a window into a military family…These quiet consequences and how they can ripple through a family and reshape things. That’s what we witnessed with this family and felt hadn’t been explored,” said Einhorn.
Directors Catrin Einhorn (left) and Leslye Davis (right).
Both directors were asked how the family reacted to the documentary once it was revealed.
“We got to watch it with the family…He [Eisch] thinks it’s true. He thinks the story accurately depicts his life. The first time the family watched it – it was very retraumatizing. They were in grief watching it, and shock. But it seems that it has their seal of approval,” Davis shared. Einhorn added, “He said it was both joyful and devastating for them to watch it. He turned to us at the end and said, ‘It’s true, I am struggling.'”
“We look forward to what people take away from the film,” Davis said.
The documentary is available at midnight on July 17 to Netflix subscribers. The directors shared that the New York Times will be releasing a follow up a few days after the release to give viewers an update on the family.
When watching the film, it will take viewers into the unadulterated reality for military families. Father Soldier Son is a stark reminder of the far reaching ripple effects of war.
Henry Hughes deployed twice to Afghanistan as an airborne infantry officer and is now hoping his debut short film, “Day One” will bring home an Oscar on February 28.
Day One, which follows a female Afghan-American interpreter named Feda on her first day of patrols in Afghanistan, is Hughes’ first movie.
“I didn’t think it would happen this quickly,” Hughes told WATM about being nominated for an Oscar for his first film. “It’s a wonderful, serendipitous, golden ticket-type thing.”
In the film, the interpreter and the infantry platoon she works with go to the home of a suspected insurgent. At the house, the mission quickly gets complicated as the insurgent’s pregnant wife goes into labor. The interpreter, the platoon leader, and the insurgent all have to navigate the needs of the mother, the child, and the social and religious customs of Afghanistan.
It’s complicated stuff and very intense.
The story is inspired by real events, and most of the details come from Hughes’ experiences in Afghanistan with the 173rd Airborne Brigade Combat Team. He decided to focus on the interpreter instead of the platoon leader so the movie would feel fresh to audiences used to seeing things from a soldier’s point of view.
“On my second tour I had a female interpreter,” he said. “She is an American, an Afghan-American. And I kind of just realized that if I was going to tell a story about our community, about our experiences, we needed a new way to get into it.”
Following this woman who was new to the war gave him a chance to show the dual nature of combat.
“I thought, maybe we hadn’t seen something that was as enlightening as some of the moments in combat felt to me,” Hughes said. “Very sublime, hyperbolic. Where things are beatiful and kind of harsh at the same time. And I thought a way to do that would be to go through this woman who has to deal with both these gender issues and the culture issues.”
Learn more about the movie at its website and check out the trailer below. “Day One” will be available as a streaming movie for rental or purchase March 15th on Vimeo.
For once, Internet rumors have proved true. Swedish video-game developer DICE, a subsidiary of EA, is looking to the past for the setting of the newest installation in its Battlefield series of first-person shooters.
But how realistic are the weapons in Battlefield 1? It turns out — pretty realistic for a game of this sort. But there are a couple of odd anachronisms.
DICE launched the Battlefield series back in 2002 with Battlefield 1942, set during World War II. Most of the Battlefield games are set in the present or future, but one takes place during the Vietnam War. As such, the Battlefieldseries has a history with, ahem, history.
Today in 2016 we’re in the middle of the Great War centennial — and this no doubt inspired DICE’s decision to set Battlefield 1 during World War I. It’s also possible that the developers hoped to recreate the success of the excellent multiplayer game Verdun, which recreates the eponymous 1916 battle.
Having played some of their earlier games — namely Battlefield: Bad Company 2: Vietnam — and having been impressed with the level accuracy and detail, I decided to take a close look at some of the weapons that appear in the 60-second teaser trailer DICE recently released for Battlefield 1.
In the first 10 seconds of the trailer, we see what looks to be a German soldier wearing a Gaede helmet and a gas mask and bludgeoning an enemy with a trench club.
At left — EA capture. At right — German soldiers in Gaede helmets, c. 1915. Photo via Reddit
A short while later, the trailer cuts to what appears to be a sabre-wielding Arab horseman charging through a desert. All pretty convincing.
At left — EA capture. At right — Arab cavalry in 1916. Library of Congress photo
Thirteen seconds into the trailer, there’s a spectacular aerial shot of a Western Front battlefield from over the shoulder of an observer manning what appears to be a Mk. II Aerial Lewis Gun.
Another scene again shows a Gaede-wearing German dispatching an apparent American infantryman armed with what could be a Winchester M1897 Trench Gun or, alternatively, a Remington Model 10A Trench Gun, which the U.S. Marine Corps deployed in limited numbers during World War I.
The shotgun’s profile — it doesn’t appear to have an exposed hammer like the Winchester does — and its bayonet lug indicate it’s the latter weapon. However, the weapon lacks the wooden heat shield which fit to the top of the Model 10A’s barrel. The pump handle also appears to be missing!
Maxim LMG 08/15
The trailer features a series of aerial dogfights over a number of different theaters. Twenty seconds in, we see a red German plane — possibly a Fokker Dr.I — chase an Allied biplane through a canyon, ultimately destroying it with its MG 08/15 Maxim machine guns.
At the 25-second mark, the world’s first anti-tank rifle — the German T-Gewehr — is briefly visible. A soldier sprints beside a British Mk. IV Male tank — which, by the way, is moving far too fast to be realistic. It’s quite the feat, considering the T-Gewehr weighed 41 pounds!
At left — EA capture. At right — New Zealand troops with a captured T-Gewehr. Imperial War Museum photo
Halfway through the trailer, there’s a brief glimpse of a 1911 pistol. This scene also hints that the game could involve more than just trench combat.
At left — EA capture. At right — Photo via Zwickelundkrieg
At the trailer’s midpoint, we finally get our first glimpses of gas warfare. A shattered ruin collapses under artillery fire and a Lewis Gun operator blasts a German infantryman before donning a gas mask.
At left — EA capture. At right — A U.S. Marine test-fires an M1917 Lewis Gun in 1917. Library of Congress photo
Carcano M1891 Carbine
The trailer cuts to a group of what seem to be Italian infantry wearing Adrian helmet — and getting brutally cut down by machine-gun fire. The carbines they carry are the trailer’s first mystery. They’re not quite Carcanos, but what else would Italian troops be carrying in 1916?
The weapons lack the Carcano’s curved bolt handle, folding bayonet and magazine — but no other weapon fits the bill. Maybe this represents a rare oversight in DICE’s game design. Or maybe the weapon we see in the trailer is a placeholder for a gun that the designers are still working on rendering.
At left — EA capture. At right — YouTube capture
At 38 seconds, the iconic British Short Magazine Lee-Enfield makes an appearance as the camera pans across a trench full of British troops scrambling to fix bayonets.
At left — EA capture. At right — British soldiers with Lee-Enfield rifles during World War II
Scoped Gewehr 98
For a split-second as a building explodes, we catch a glimpse of a sniper’s scope-equipped Gewehr 98 rifle.
At left — EA capture. At right — A German soldier with a Gewehr 98. Capture from the 1943 film ‘Sahara’
MG 08/15 or Bergmann MG15nA
It’s difficult to see quite what this unrealistically armor-clad soldier is hip-firing, but it’s probably either a MG08/15 or possibly a Bergmann MG15nA — which had a carrying handle — as these were the only light machine guns Germany used during the war.
This brief scene concerns me, as the armor looks more like something from the 15th century than from World War I. Not only that, the MG 08/15 weighed nearly 40 pounds, so it was impossible to fire from the hip for very long.
While it’s true that the Germans experimented with infantry armor during World War I, most of the combatant nations — including Germany — found heavy armor to be impractical and never deployed it outside of static fortifications.
At left—Bergmann MG15nA. World.guns.ru photo. At right — Mg 08 15. Mitrailleuse.fr photo
Mauser C96 Bergmann MP18
Let’s round things out with a look at the weapons in the first promotional images DICE made available following the trailer’s debut. They show a man armed with a trench club in one hand, the iconic Mauser C96 in the other and a Bergmann MP18 submachine gun — complete with a trommel magazine slung at his side!
At left — Mauser C96. Photo via Wikipedia. At right — Bergmann MP18. World.guns.ru photo
No doubt, once Battlefield 1 drops in October 2016, we’ll also see BARs,Chauchats, Lebels, Lugers and a host of Maxim guns. But what about more obscure weapons? Perhaps an Italian Villar Perosa, a French RSC 1917, a British Webley automatic or even a Pedersen Device jutting out of an M1903 Springfield.
One of if not the most dramatic moments in Avengers: Endgame is the scene in which a shieldless Captain America wields Mjolnir, Thor’s hammer that Odin enchanted so that only the worthy are able to lift it. There’s an entire scene in Age of Ultron showing the other Avengers trying and failing to pick it up. Or at least that’s what we thought was happening.
In a new interview, Endgame directors Joe and Anthony Russo were asked why Cap is able to pick up Mjolnir in Endgame but not in Age of Ultron. What changed between the two films, about nine years of Marvel Cinematic Universe time?
Anthony replied: “In our heads, he was able to wield it. He didn’t know that until that moment in Ultron when he tried to pick it up. But Cap’s sense of character and humility and, out of deference to Thor’s ego, Cap, in that moment realizing he can move the hammer, decides not to.”
Avengers: Age of Ultron – Lifting Thor’s Hammer – Movie CLIP HD
There is a brief moment in that Ultron scene in which the hammer appears to move ever so slightly and a look of panic flashes across Thor’s face, so it’s not as though Russo’s explanation comes completely out of left-field. The problem is simply that his version is just not as interesting as the prevailing theory.
Many thought that in Ultron, Cap couldn’t quite pick up the hammer because he was keeping a huge secret from Tony. In Captain America: Civil War he was forced to admit that Bucky was the one who killed the Starks. So by the time that scene in Endgame rolls around, he is worthy of wielding Mjolnir. It’s a nice arc that makes narrative sense and puts adherence to a moral code, the foundation of any good superhero story, at the forefront.
And now the Russos have deflated it. Because as nice as it is to be humble and not show up your friends, it’s not nearly as interesting as telling your friend that you’ve been keeping the identity of his parents’ murderers a secret.
J.K. Rowling learned the hard way that fans don’t particularly like it when architects of elaborate fictional worlds make statements outside of their work that alters their experience.
So while theorizing about this stuff is fun, creators have to know that when they do it comes from a place of authority that can have the effect of erasing fan speculation. That robs fans of the fun of speculating themselves and, as in this case, it can provide a less interesting “answer” to the most exciting questions the work in question raises.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
The United States Marine Corps gave its final goodbye to one of its most famous and most revered alums, actor and Vietnam veteran R. Lee Ermey, on Jan. 18, 2018 as his remains were laid to rest at Arlington National Cemetery. The revered Gunny died on Apr. 15, 2018 at age 74 from complications during pneumonia treatment.
His body was cremated after death, and his ashes were buried with full military honors.
Ermey as Gunnery Sgt. Hartman in 1987’s “Full Metal Jacket.”
There was more to R. Lee Ermey’s life than just the 1987 Stanley Kubrick film that made his career while defining the image of the Marine Corps Drill Instructor. He was the living embodiment of a Marine who never gives up, being forced into the military, working a bar and brothel after leaving the service, and taking advantage of the opportunities presented to him.
The man we know as “Gunny” was medically discharged in 1972, and didn’t even make the rank of Gunnery Sgt. until after his military career. That’s how important his image is to the Corps. Even though his Hollywood career began to flag as he aged, he was always a vocal supporter of the military and the troops who comprise it.
His internment at Arlington was delayed due to the backlog of funeral services there. The backlog for eligible veterans to be buried there is so great that even a veteran of Ermey’s stature – a Vietnam War-era Marine who served in aviation and training – must wait several months before the services can be performed.
The Armed Services Arts Partnership (ASAP) is an organization based in Virginia that builds communities for veterans, service members, and military families through classes, performances, and partnerships in the arts. As part of their mission, ASAP offers a Comedy Bootcamp for veterans to explore and develop their comedic abilities. These three veterans are alumni of the Comedy Bootcamp program and have been given the unique opportunity to perform their standup routines at the Gotham Comedy Club in New York City. Backed by veteran headliners PJ Walsh and Dion Flynn, the alumni put on a great show for their New York audience and proudly represented the armed services on the big stage.
Moviegoers across the nation love to get a fresh bucket of popcorn and sit down in front of the big screen to watch a well-crafted action film. With so many cool explosions and witty one-liners, there’s only one thing left to take a movie from great to legendary: an epic knife fight.
From a directorial standpoint, capturing an excellent knife fight on film is both dangerous and difficult, but the following movies managed to pull off the impressive feat in unique ways.
In 1986, New York City got its first taste of the knife-wielding, Aussie bushman, Michael J. ‘Crocodile’ Dundee. The character from down under was a huge blockbuster for Paramount Pictures and featured one of the funniest almost-knife fights to ever hit the big screen.
In a knife-measuring contest, Dundee’s unveils his monster blade and dwarfs the tiny switchblade brandished by thugs who wanted his wallet. Unfortunately for the muggers, the Aussie’s steel was far too fierce.
It may not be the most action-packed knife fight, but it’s f*cking hilarious. Who could forget this line?
It’s safe to say that Jean-Claude Van Damme was one of Hollywood’s biggest action stars. Known for his cinematic helicopter kicks, Van Damme takes on a bunch of murderous thugs in his living room while sporting nothing but his undies.
In attempts to avenge the murder of his wife, the Belgian martial artist travels through time to try and rewrite history, defeating all the bad guys along the way.
When moviegoers show up to the cinemas to watch a Tarantino film, they know they’re in for some witty dialogue and a sh*t-ton of F-bombs. When they showed up to watch Kill Bill: Volume 1, they got just that — and a whole lot of action. In this scene, our protagonist goes up against an old enemy and the two immediately draw steel. Uma Thurman and Vivica A. Fox put on a dazzling display — until they’re interrupted by a four-year-old girl.
Although 1992’s Under Siege, starring Steven Seagal, defies many of the real-life attributes of life in the Navy, it does showcase a pretty cool knife fight that you wouldn’t have expected out of acclaimed actor Tommy Lee Jones. Seagal and Jones go toe-to-toe, pitting a real-life Aikido expert up against a talented actor in one of the best knife-fight scenes ever to take place on a Navy vessel.
Tommy Lee Jones takes the two top spots on this list — who would’ve thought this veteran actor was so freakin’ talented with a blade? In 2003, William Friedkin brought The Hunted to the big screen, which follows an FBI tracker (played by Jones) as he sets out to capture a trained assassin (played by Benicio Del Toro), who’s made a sport out of killing humans.
The film features some pretty epic knife fights and showcases some interesting human-tracking skills.