The 1965 movie “The Battle of the Bulge” is generally considered by war movie buffs to be the most inaccurate war movie ever made. It stars Henry Fonda leading a large cast of fictional characters (though Fonda’s Lt. Col. Kiley was based on a real U.S. troop). The film was made to be viewed on a curved Cinerama screen using three projectors. Watching it on DVD doesn’t give the viewer the intended look, which especially hurts the tank battle scenes, according to the film rating website
There are so many inaccuracies in the film that it comes off as interpretive instead of dramatic. In the film’s opening, a precursor to the errors to come, the narrator describes how Montgomery’s 8th Army was in the north of Europe; they were actually in Italy. The inaccuracies don’t stop there.
The weather was so bad at the launch of the German offensive that it completely negated Allied air superiority and allowed the Nazi armies to move much further, much fast than they would have had the weather been clear. In the 1965 film, the weather is always clear. When the film does use aircraft, the first one they show is a Cessna L-19 Bird Dog, a 1950s-era plane.
Despite the time frame of the real battle, December 1944- January 1945, and the well-documented struggles with ice and snow in the Ardennes at the time, there is no snow in the movie’s tank battle scenes. Also, there are few trees in the movie’s Ardennes Forest.
In an affront to the men who fought and won the battle, the film uses the M47 Patton tank as the German King Tiger tanks. The filmmakers show U.S. tanks being sacrificed to make the Tiger tank use their fuel so the Germans will run out. The U.S. didn’t need to use this tactic in the actual battle, as the Germans didn’t have the fuel to reach their objectives anyway.
Speaking of tactics, a German general in the film orders infantry to protect tanks by walking ahead of them after a Tiger hits a mine, which ignores the fact that a man’s weight is not enough to trigger an anti-tank mine and therefore none of them would have exploded until tanks hit them anyway.
Other inaccuracies include:
The uniforms are all wrong.
Jeeps in the film are models that were not yet developed in WWII.
Salutes are fast, terrible and often indoors.
The bazookas used in the films are 1950s Spanish rocket launchers (the film was shot in Spain)
American engineers use C-4, which wasn’t invented until 11 years after the war’s end.
Soldiers read Playboy Magazine from 1964.
The technical advisor on the film was Col. Meinrad von Lauchert, who commanded tanks at the Bulge… for the Nazis. He commanded the 2nd Panzer Division, penetrating deeper into the American lines than any other German commander. Like the rest of the Nazis, he too ran out of fuel and drove his unit back to the Rhine. He swam over then went home, giving up on a hopeless situation.
The reaction to the movie was swift: That same year, President Eisenhower came out of retirement to hold a press conference just to denounce the movie for its historical inaccuracies.
The cover story of National Geographic magazine’s February issue, “The Invisible War on the Brain,” takes a close look at a signature injury of the Afghanistan and Iraq Wars—traumatic brain injuries (TBIs) caused by the shock waves from explosions. TBIs have left hundreds of thousands of U.S. veterans with life-altering and sometimes debilitating conditions, the treatment of which can be extremely complicated. At Walter Reed Medical Center in Bethesda, Maryland, soldiers paint masks that help them cope with their daily struggles and help them reveal their inner feelings. We invite you to see the service members’ masks and read the full story here.
Impeccable in his Marine uniform and outwardly composed, McNair sits on the porch of his parents’ home in Virginia, anonymous behind a mask he made in an art therapy session. “I was just going through pictures, and I saw the mask of Hannibal Lecter, and I thought, ‘That’s who I am’ … He’s probably dangerous, and that’s who I felt I was. I had this muzzle on with all these wounds, and I couldn’t tell anyone about them. I couldn’t express my feelings.”
Wearing his mask—half patriotic, half death’s-head—Hopman confronts the battery of medications he takes daily for blast-force injuries he sustained while treating soldiers as a flight medic. “I know my name, but I don’t know the man who used to back up that name … I never thought I would have to set a reminder to take a shower, you know. I’m 39 years old. I’ve got to set a reminder to take medicine, set a reminder to do anything… My daughter, she’s only four, so this is the only dad she’s ever known, whereas my son knew me before.”
“Detonation happened, and I was right there in the blast seat. I got blown up. And all this medical study—nobody ever thought that they [blast events] were very harmful, and so we didn’t log them, which we should because all blast forces are cumulative to the body. On a grade number for me, it would probably be 300-plus explosions … I’m not going to not play with my children. I’m not going to let my injuries stop them from having a good life.”
Tiffany H., as she prefers to be known, was “blown up” while helping women in a remote Afghan village earn additional income for their families. Memory loss, balance difficulties, and anxiety are among her many symptoms. The blinded eye and sealed lips on her mask.
Suiting up before attempting ordnance disposal “is the last line. There’s no one else to call … It’s the person and the IED … and if a mistake is made at that point, then death is almost certain. They call it the long walk because once you get that bomb suit on, number one, everything is harder when you’re wearing that 100 pounds … Two, the stress of knowing what you’re about to do. And three, it’s quiet, and it seems like it takes an hour to walk.”
Hiroo Onoda was an Imperial Japanese Army intelligence officer who refused to believe that World War II had ended. He spent nearly 30 years holding out in the Philippine jungle waiting to be officially relieved.
According to his memoir, Onoda – just an apprentice officer at the time – received direct orders from the division commander to lead the Lubang Garrison in guerilla warfare. His men were to destroy the airfield and harbor installations to stop the advance of American forces.
Before carrying out his orders, he got a pep talk from Lieutenant General Akira Muto, Chief of Staff of the Fourteenth Area Army who dropped in unexpectedly:
You are absolutely forbidden to die by your own hand. It may take three years, it may take five, but whatever happens, we’ll come back for you. Until then, so long as you have one soldier, you are to continue to lead him. You may have to live on coconuts. If that’s the case, live on coconuts! Under no circumstances are you to give up your life voluntarily.
To put it in perspective, that was the equivalent of having an O-8 and an O-9 giving orders to an O-1. On top of that, he believed the emperor was a deity and that the war was a sacred mission. Onoda was deeply honored and impressed; he took these orders more literally and seriously than any trooper could have.
A few months later, the Imperial Japanese forces surrendered, leaving thousands of soldiers scattered across the South Pacific and Asia. Many of these stragglers were captured and sent home while others went into hiding, committed suicide, or died of starvation and sickness. The remaining stragglers – including Onoda – took leaflets and radio announcements of Japan’s surrender as enemy propaganda and trickery.
On Lubang, Onoda’s men and several other groups retreated into the jungle when the allied forces overran the island. They continued to fight, but after several attacks the groups dwindled into cells of less than five men each. There was four in Onoda’s cell: Cpl. Shoichi Shimada, Pvt. Kinshichi Kozuka, Pvt. Akatsu, and Onoda.
Thinking that they were still at war, they survived by eating coconuts and wild fruits, stealing from locals, and occasionally killing their livestock for meat. They evaded Filipino search parties and killed 30 people who they believed were enemies. In 1950, one of the enlisted men surrendered and the other two were later shot dead by the local police in 1954 and 1972.
In 1974, Norio Suzuki, a Japanese college dropout, found Onoda shortly after arriving in the Philippines. According to Onoda’s memoir, “when Suzuki left Japan, he told his friends that he was going to look for Lieutenant Onoda, a panda, and the Abominable Snowman, in that order.”
Onoda didn’t budge with Suzuki’s request to return to Japan because he still considered himself to be under orders. Suzuki took photos with Onoda and returned to Japan to show the government that the World War II vet was still alive. The Japanese government sent Onoda’s former commanding officer to formally relieve him of his duty.
Onoda came home to a hero’s welcome filled with parades and speeches by public officials. He was the pride of Japan, the loyal soldier, who some believed could claim victory because he never surrendered.
It was a huge morale boost for the battle-weary soldiers living at Patrol Base Murray the morning they got a visit from the Army’s top general. They couldn’t have imagined that anyone of that importance would come to their dusty, dangerous slice of the combat zone.
It felt good, but less than an hour after he and his entourage went wheels up, five of their fellow soldiers would be dead, the victims of a cunning sniper who sucked them into his web with ruthlessly primitive tactics.
The first victim was Spc. William Edwards. On a patrol outside the wire during the four-star general’s visit, he cautiously popped his Bradley’s driver hatch open three-quarters of the way to peer outside, and was shot high on his back squarely between the shoulders.
“It was a great sniper shot,” then-Lt. Col. Ken Adgie, commander of 1st Battalion, 30th Infantry, said of the clean hit, which Edwards’ platoon immediately knew had come from a three-story house about 200 meters away.
As the medics and docs in the aid station worked to save Edwards’ life, the rest of his buddies from Bravo Company, 2nd Platoon went into reaction mode and headed straight for the house to find the sniper.
The battalion, part of the 3rd Infantry Division, was on mission in the region of Arab Jabour about six miles southeast of the Baghdad, a lush agrarian area where magnificent houses that once belonged to the ruling Sunni elite grace the banks of the Tigris River.
It was now teeming with al-Qaeda operatives and their hired help. The troops called it “IED Alley” — aptly named as the division’s tally of men lost after a year in combat was more than 150, mostly to buried bombs. But the sniper threat was a constant.
The presumed sniper house was on a ribbon of land between a one-lane hardball road and the river less than a mile south of Patrol Base Murray, and 2nd Platoon had surrounded it within 15 minutes of the incident with Edwards.
Four soldiers – Sgt. Scott Kirkpatrick, Spc. Justin Penrod, Sgt. Andrew Lancaster and Staff Sgt. William Scates – went into the house to clear it. They entered through the back door.
“There was a trip wire deep in the house at the end of the hallway going into the living room. A pressure sensitive wire, something under the carpet,” Adgie said.
Unbeknownst to the soldiers, the house was booby trapped with as many as four 155 mm artillery rounds enhanced with homemade explosives and when the first soldier stepped on the trigger, it tripped a circuit and detonated the charge, blowing everyone up in a fiery explosion.
The soldiers were killed, a heavy toll that raised to five the number of soldiers the battalion lost that day, all within 30 minutes.
“The explosion was huge,” Adgie said. “Structurally the house stood, but it caught fire then burned for six hours. We had to wait for it to go out and the Navy EOD guys to go in and make sure it was safe before we could get one of the bodies out.”
Early that evening, with the scope of the tragedy barely having sunk in yet, the company commander and platoon leader went back to the house with an interpreter and climbed an inside stairway to the third floor to see if they could find a clue about the sniper.
On the wall, in Arabic, was a hateful taunt from the sniper himself, a message that read, roughly, “This is where the sniper got your guys.”
But the sniper was long gone and had left nothing behind but the note.
Infuriated by the deadly “gotcha” they had found, the unit’s human intelligence collection team went to work immediately, plying every source in every corner of their battle space to find out who the sniper was.
One of their best resources was a small team of Iraqis the battalion called their “Bird Dogs,” three men – former insurgents – who lived with the unit at Patrol Base Murray and ran a cell phone operation to reach out to a network of sympathetic friends in Arab Jabour.
The sniper, it turns out, was already famous in the Al Qaeda-friendly area for his highly successful and prominent ambush and a short 48 hours later, the U.S. soldiers, with the help of the Bird Dogs, had a name and a description.
He was Mohamed Uthman, a 5-foot, 2-inch tall foot soldier for Al Qaeda who had a reputation for being a murderous criminal. And, no surprise, he was already known as a “high value target” on a list the Americans had of their most wanted.
“Word on the street was, this is the guy who did it, and he kept on working after that. He was a cold blooded killer and he killed more Iraqis than he did Americans,” Adgie said.
The mean little sniper eluded capture for months, until one night when he made the decision to go out and kill people with the wrong insurgent mortar team.
It was December 11, 2007, four months to the day he had snuffed out the lives of the five soldiers, and Adgie cleared an Air Force F-16 hot to drop a bomb on the mortar team, unaware that Uthman was one of the teammates.
They found out after a site exploitation team identified one of the dead as the diminutive sniper.
“When Adgie lost those soldiers in that house borne IED, I flew in and we were on our knees praying and crying like babies,” said then-Maj. Gen. Rick Lynch, commander of 3rd ID. “We learned, but we learned the hard way. If something looked like it might be rigged with explosives, we just blew it up. I wasn’t going to allow my kids to go in there again because we’d already lost four.”
The tiny killer was gone, but insurgent snipers continued to bedevil the troops, said Lynch, who recalled the death of a soldier in an Abrams M1A1 tank, who, like Edwards in the Bradley, opened his hatch while the tank was on the move and was shot by a sniper from a range they estimated at about 1,000 meters.
“He’s a thinking, adaptive enemy,” Lynch said. “They watched our movements and based on their training they could pace their engagement on the rate of movement of the vehicle.”
Lynch pointed out that the division’s brigade and battalion commanders under his command had all been to Iraq at least once before and had come to know the value of having well trained and equipped sniper teams.
In Arab Jabour the sniper teams were used consistently to overwatch IED hot spots and other things like long range cameras placed on elevated platforms. The cameras provided overwatch as well, but the snipers came into play and could shoot from concealed locations if anyone messed with those cameras.
“There’s clearly a continuing role for our snipers. They found their niche on the battlefield,” Lynch said.
Gina Cavallaro is the author of Sniper: American Single-Shot Warriors in Iraq and Afghanistan.
This incredible story was brought to you by Amazon Studios and Roadside Attractions which are set to release the military thriller “The Wall” May 12. The movie, starring Aaron Taylor-Johnson and John Cena, is a harrowing story pitting the infamous insurgent sniper known as “Juba” against an American sharpshooter who uses an unsteady wall for protection as he tries to rescue his wounded comrade.
Archibald credits these shortcomings to the plane’s design period, when the US Air Force placed a budget cap on developing the avionics for the Raptor.
This means that the Raptor is blind to the infrared spectrum, which has extreme value to fighter jets as all planes and missiles emit heat. The lack of side-looking radars limits how the plane can guide missiles flying at more than 90 degrees away from the plane’s nose.
For the Flanker, the IRST provides a vital but limited tool against the ultra-stealthy F-22. As the Flanker has almost no hope of detecting the F-22 by conventional radar, it must rely on finding the F-22’s heat signature; but, as combat aviation expert Justin Bronk previously told Business Insider, looking for fifth-generation aircraft in the open skies with IRST is like “looking through a drinking straw.”
“Just because I knew I could outmaneuver an enemy, my objective wouldn’t be to get in a turning fight and kill him,” Berke said.
However, cheek-mounted radars have utility beyond dogfights, and by requiring the pilot to point his nose at a target to guide a missile, the plane has essentially handcuffed the pilot who could be doing other tasks.
To observe Purple Heart Day, WATM is celebrating some of the heroes we’ve featured on the site who kept fighting after they were wounded:
1. Air Force combat controller Robert Gutierrez thought he would die within three minutes after being shot through the lung in Afghanistan, but he kept calling in air strikes, saving his element and earning himself the Air Force Cross.
2. Joe Pinder left professional baseball to volunteer for the Army in World War II. He was wounded almost immediately after leaving his boat on D-Day, but refused medical aid and searched through the surf and chaos to find missing radio equipment. He finished finding and assembling the missing equipment right before he was killed.
5. Nine Green Berets and Afghan Commandos were seriously wounded but kept fighting in the Battle of Shok Valley, including Staff Sgt. Daniel Behr who had his leg nearly amputated by enemy fire at the start of the conflict but stayed in the fight for another 6 hours.
7. The possible first casualty on D-Day was an airborne lieutenant who was mortally wounded before jumping into Normandy, meaning he could have stayed on the plane and sought medical attention. He led his paratroopers out the door anyway.
8. 2nd Lt. Daniel Inouye was shot just before he took out two German machine gun nests with grenades and a Thompson submachine gun. Then, after his arm was nearly severed by an enemy grenade, he took out a third machine gun nest.
The USS Hancock burns after being struck by a kamikaze pilot.
Everyone knows that, in World War II, you couldn’t find nearly as much information on Twitter or Google. No, if you wanted to learn what was happening on the frontlines of the war in the early 1940s, you had to rely on newsreels played before movies and newspapers.
The battleship USS Tennessee bombards Okinawa as troops move forward to land.
(U.S. Navy History and Heritage Command)
But the newsreels were the much more visceral way to learn about the conflict. Often, censors would tone down depictions of combat and remove reports of some ship sinkings. But at other times, particularly when personnel were especially heroic, the military would allow reports of a ship sinking and even release the footage.
That was the case with this footage of the fighting on Okinawa and the near-sinking of the USS Franklin, an aircraft carrier hit by a kamikaze strike. The Franklin erupted in flames after the explosion ripped through it, but hundreds of sailors remained at their post even after the fleet’s admiral gave the captain permission to abandon the ship.
Instead, the crew evacuated non-essential personnel and got to work battling the flames and securing volatile ammunition and fuel stores to prevent further explosions. The ship’s chaplain even stayed on duty, performing last rites for the hundreds of young men dead and dying in the stricken ship.
WWII OKINAWA INVASION & SAGA OF AIRCRAFT CARRIER USS FRANKLIN NEWSREEL 72352C
And this footage, much of it shot by military combat cameramen, was released by the military in order to show the heroism of the sailors to moviegoers back home. And, it was combined with footage from the action ashore where soldiers and Marines enjoyed a lightly resisted landing but then had to fight fiercely for every additional yard as cave after cave after cave was found to contain fanatical defenders, well-armed and well-trained to bleed the landing forces dry.
A quick warning before you play the footage, though: This is some of the most visceral footage released by the military during the war, and it contains images of combat on Okinawa and at sea. There are multiple shots of combatants on both sides of the fight as they are dead or dying. So, only forge ahead if you’re prepared to see all of that.
Boeing shares have soared 34% this year, contributing 812 points of the index’s 2,807-point gain so far this year. Without Boeing’s contribution, the index would be up about 8% YTD.
(Bespoke Investment Group)
The index’s outsized gain is driven by Boeing having the heaviest weighting, 11.4%, among the Dow’s 30 stocks. The Dow is a price-weighted index, meaning the company with the highest share price, Boeing, has the heaviest weighting. Boeing’s stock price is the highest in the index and the only one over 0.
Unlike the Dow, the SP 500 is weighted by market cap, meaning Microsoft has the heaviest weighting. By comparison, Boeing commands the 15th biggest weighting of SP 500 names.
Army Sgt. Tyler Waters, a motor transport operator with the 337th Engineer Battalion, 55th Maneuver Enhancement Brigade, 28th Infantry Division, placed 17th in the competition.
“I’ve been a fan of the show for years and I’ve always felt that I had the combination of strength and athleticism to excel on any of the ever-changing courses,” Waters said.
Waters came within seconds of advancing to the national competition held in Las Vegas, which would have required finishing in the top 15.
‘The experience was great’
“The experience was great,” he said. “It was interesting to see the different competitors from different walks of life that excelled in the course. Simply being physically fit, as some of the competitors appeared to be sculpted from stone, wasn’t enough.”
Sgt. Tyler Waters.
Waters credits both his family and his unit for supporting him through the competition.
“Being in the Army definitely helped to sharpen what I already envisioned as a strength of mine; my mental focus and toughness,” he said.
In his civilian life, Waters is a Pennsylvania State Trooper, which he said has many similarities to a military career and allows him to carry the same mindset he’s cultivated as a soldier at all times.
This mentality enabled Waters’ success in the American Ninja Warrior contest, and he said he hopes to compete again and reach the finals.
Rebecca Murga is an Army Public Affairs Officer with a passion for storytelling. Since she was commission through ROTC in 2004, documenting the stories of soldiers has become the foundation of her service.
“I became a 25 Alpha [signal officer] but at the time I didn’t realize officers don’t do the things enlisted folks do,” Murga says. “But I happened to be in a unit that didn’t have a lot of video support and they really wanted their story told, so I covered all the communications systems and all the networks in Iraq and Afghanistan.” The experience of meeting soldiers in the field and relaying their lives to viewers changed her career forever.
“I got to meet a lot of soldiers, and I think that’s where I really started to fall in love with telling these stories,” Murga recalls. “I would talk to these people on the ground. They all came from different places and had unique individual stories. I think documenting these stories is important.”
After her time in active duty, she continued serving as a contractor in the CENTCOM theater, deploying in 2011 attached to Combined Forces Special Operations Command in Afghanistan. She supported Navy SEALs and Special Forces and other SOF units doing village stabilization and cultural support. That year was the first time women were embedded with special operators in teams called Cultural Support Teams.
“Ask any Marine that was in Helmand,” Murga says. “When you can’t search a woman because of cultural sensitivities, it becomes a security problem. When you have a woman with you who can pull an Afghan woman from the field to be searched, that’s incredibly important.”
She deployed at a time when the combat exclusion rule for women was still in place. Women were not supposed to be embedded with these combat units, but the operational needs made it necessary.
Murga is now an award-winning filmmaker who has produced work for Fox, ABC, and CBS. Last year, she was one of ten selected for the American Film Institute Conservatory Directing Workshop for Women.
“The military actually gave me the courage to pursue something that I love,” she says. “It’s a struggle. It’s definitely not something that you go in to naively. You can only choose it if you absolutely love it.”
Murga’s latest work is Earning the Tab, a three-part digital series about Maj. Lisa Jaster, the third woman to graduate from the U.S. Army Ranger School.
The need for women in forward-deployed combat zones despite the rules against it, coupled with requests from those units, made Murga wonder why the controversy surrounds women graduating from Ranger school.
“It’s a leadership school,” Murga says. “It trains you how to deal with high stress combat situations. A lot of people that go to Ranger school don’t necessarily go to the 75th Ranger Regiment. They’ll get fielded out. Until this past year no women have been allowed to go to leadership schools like that. It goes to how well trained you want your force.”
Graduating from Ranger School does not automatically earn a spot in the 75th Ranger Regiment. The 75th has its own requirements and initiation processes. Murga’s point is especially important, however, because the Army’s plan to integrate women into combat functions starts with putting female officers in combat leadership positions.
“There’s talk about how they expected less from these folks and they weren’t allowed to go to certain schools,” Murga says. “But you can’t send people out to war and limit the amount of training you give. I’m talking about offering training that was not given to women.”
Maj. Jaster is a 37-year-old Army Reserve officer and engineer. She is a West Point graduate, a veteran of the wars in Iraq and Afghanistan and she was not eager to be a part of Murga’s series.
“I had to convince her,” Murga says. “It took a lot of convincing. She knew there would be backlash like ‘Oh, you only did this to be famous and you only did this because you wanted a TV show,’ but it’s historic. I suggested we just video tape her around her house, five days before and then you have it and if nothing ever comes of it, then nothing ever comes of it.”
Murga did not film Jaster in training at Fort Benning. Ranger training is closed to external media. The Ranger training footage in Earning the Tab was shot by the U.S. Army’s own combat camera troops. Murga interviewed Jaster before and after the training, with the idea of documenting it because of its historical importance. Murga was just as interested as any one else in the rumors surround Jaster: Did she really earn it? Did the Army lower the standard? Why did she want to go through something so rigorous?
“I wanted to know why this mother of two, who loves fitness, who loves spending time with her family, why she wanted to do this,” Murga recalls. “She gave me the same answer most men I talk to gave me which is ‘I wanted to just prove to myself and see if I can do it.'”
Though she did her best to strip away the politics, Murga still found the same polarization over women in Ranger training, even among her friends.
“The tricky part for me as a filmmaker was to try to tell this story in a way that was just storytelling,” she says. “It really wasn’t taking up a side or political position. It wasn’t examining the idea of women in combat, it was looking at this one school with this one woman and her experience there.”
South Korean President Moon Jae-in took office hoping to engage diplomatically with North Korea, but as tensions soar between the two countries, he’s considering his offensive options.
Moon called for South Korea to prepare to “immediately switch to offensive operations” if North Korea makes a “provocation that crosses the line,” according to NK News.
Moon told his top military officers they should “strongly push ahead with a reform of the military structure to meet [the requirements] of modern warfare so that it can immediately switch to offensive operations in case North Korea makes a provocation that crosses the line or attacks a metropolitan area,” NK News notes.
Additionally, South Korea is developing a three-axis system to respond to a North Korean attack that contains preemptive strikes on North Korea’s missile systems, air and missile defenses, and something called the “Korea Massive Punishment and Retaliation system.”
Moon has tried to engage closely with North Korea, even going as far as suggesting the country host some of South Korea’s 2018 Winter Olympics, but to no avail as of yet.
At the same time, South Korea is building up a “decapitation force” meant to kill Kim Jong Un and other key North Korean leaders while building up missile defenses. Under Moon, the country has also developed an impressive ballistic-missile fleet that can drill deep underground to hit high-value targets in bunkers.
South Korean Vice Minister of National Defense Suh Choo Suk told reporters the country hoped to have perfected its offensive and defensive plan to win a war against North Korea by the early 2020s.
Chinese President Xi Jinping on July 30 presided over a massive military parade from an open-topped jeep, declaring, “The world is not peaceful, and peace needs to be defended.”
And as China’s show of force demonstrates, Beijing may have the will and the strength to replace the US as the world’s defender of peace.
“Our heroic military has the confidence and capabilities to preserve national sovereignty, security, and interests … and to contribute more to maintaining world peace,” Xi said at the parade, one day after US President Donald Trump lashed out at Beijing for its inaction regarding North Korea’s nuclear and ballistic missile programs.
China’s massive military modernization and increasing assertiveness have irked many of its neighbors in the region, and even as the US attempts to reassure its allies that US power still rules the day, that military edge is eroding.
China showed off new, mobile intercontinental ballistic missiles that it says can reach the US in 30 minutes, along with its J-20 stealth interceptor jets. And Xi inspected thousands of troops drawn from the 2 million-strong People’s Liberation Army on its 90th anniversary.
The historian Alfred McCoy estimates that by 2030, China, a nation of 1.3 billion, will surpass the US in both economic and military strength, essentially ending the American empire and Pax Americana the world has known since the close of World War II.
But China could achieve this goal patiently and without a violent struggle. China has employed a “salami-slicing” method of slowly but surely militarizing the South China Sea in incremental steps that have not prompted a strong military response from the US. However, the result is China’s de facto control over a shipping lane that sees $5 trillion in annual traffic.
“The American Century, proclaimed so triumphantly at the start of World War II, may already be tattered and fading by 2025 and, except for the finger pointing, could be over by 2030,” McCoy wrote in his new book, “In the Shadows of the American Century: The Rise and Decline of US Global Power.”
China’s J-20 jet also most likely borrows from stealth secrets stolen from the US through a sophisticated hacking regime. Though China hasn’t mastered stealth technology in the way the US has, the jet still poses a real threat to US forces.
Meanwhile, the US is stretched thin. It has had been at war in Afghanistan for 16 years and in Iraq for 14, and it has been scrambling to curtail Iranian and Russian influence in Syria while reassuring its Baltic NATO allies that it’s committed to their protection against an aggressive Russia.
Under Xi, who pushes an ambitious foreign policy, China’s eventual supremacy over the US seems inevitable.
Marine veteran Adam Driver and Navy veteran Sturgill Simpson are joined by a host of stars in director Jim Jarmusch’s zombie comedy “The Dead Don’t Die,” out now on Blu-ray, DVD and Digital.
Jarmusch is an arthouse director best known for underground hits like “Mystery Train,” “Stranger Than Paradise,” “Broken Flowers” and the recent vampire satire “Only Lovers Left Alive.” Actors love working with him, and he’s managed to also cast Bill Murray, Tilda Swinton, Tom Waits, Chloë Sevigny, Danny Glover, RZA from Wu-Tang Clan, Iggy Pop, teen star Selena Gomez and up-and-comer Austin Butler (who shined this summer in Quentin Tarantino’s “Once Upon a Time … in Hollywood” and will next play Army veteran Elvis Presley in Baz Luhrmann’s upcoming biopic).
That’s a lot of star power for an incredibly dry and low-key comedy about how small-town cops deal with a zombie invasion. The script beats its jokes into the ground, and how funny you find the movie is 100% dependent on how much you like that kind of humor.
There’s no one better than Driver to deliver a deadpan joke, and he’s hilarious as the dim deputy who works for Murray’s police chief. Not much happens in Centerville (“A Nice Place to Live,” promises the sign on the edge of town) and Driver’s Officer Ronnie Peterson has obviously had plenty of time to read up on the particulars of zombie invasions.
Driver previously worked with Jarmusch on “Paterson,” a character study about a New Jersey bus driver. It focused on the small details of his life and is a celebration of working-class life. It’s slow but beautiful. And it’s the best performance of Driver’s career to date. (You can stream it if you’ve got Amazon Prime.)
The former Marine is having a huge year. He was Oscar-nominated for his outstanding performance in Spike Lee’s 2018 movie “BlackKklansman.” Driver is again on Oscar watch lists as he stars in “The Report,” an upcoming film in which his character leads an investigation into the CIA’s post-9/11 Detention and Interrogation Program. Finally, he repeats his role as Kylo Ren in this December’s “Star Wars: The Rise of Skywalker,” the long-promised end to the original nine-movie Star Wars saga.
Sturgill Simpson – The Dead Don’t Die [Official Video]
Simpson wrote and recorded the theme song for “The Dead Don’t Die.” It’s a hard-core honky-tonk country song, and it’s constantly playing in the background during the movie, either on the radio or from a bootleg CD purchased from the town’s comic book shop. One of the movie’s running jokes is that one of the characters mentions the song and artist every time it’s heard in the movie. “Sturgill Simpson’s ‘The Dead Don’t Die'” is most definitely the phrase heard most often in the movie. Simpson also appears briefly as a guitar-dragging zombie.
Ironically, “The Dead Don’t Die” sounds like the throwback country hit that fans of his breakthrough 2014 album “Metamodern Sounds in Country Music” have long wanted to hear. Simpson won a Grammy for Best Country Album and was nominated for Best Album with the 2016 followup “A Sailor’s Guide to Earth.”
Simspon resumes his music career this Friday with the release of “Sound Fury,” an unapologetic rock album that leaves country music behind, possibly for good. A huge weekend profile in The New York Times suggests that Simpson became disillusioned with Nashville and unhappy with his own country material.
He served in Japan during his Navy stint and developed a love for the country’s manga (comics) and anime (animated films). He completed “Sound Fury” a couple of years ago and decided that he wanted anime films to go along with each song. Simpson enlisted top Japanese artists and sold the finished film to Netflix, where it will premiere Sept. 27, 2019, alongside the LP’s release.
Simpson is obviously both a restless soul and an ornery cuss. Will his country music fans follow him down this new path? It’s a huge and daring risk, one that doesn’t really have a parallel in country, rock, RB or pop music history.
He also filmed a part in the satirical action movie “The Hunt,” which was also scheduled for theatrical release this weekend before the studio freaked out about recent mass shootings and pulled the movie from release. Will we ever see “The Hunt”? It seems likely that it’ll go straight to home video sometime next year, after everyone forgets the controversy.
Sept. 27, 2019’s still a big day for Sturgill with the album and Netflix film. In the meantime, fans of his earlier music should check out “The Dead Don’t Die” to hear those sweet country western sounds that made him famous.
This article originally appeared on Military.com. Follow @militarydotcom on Twitter.