100 years after its groundbreaking, the National WWI Museum is as current as ever

A barren, war-torn landscape with a deep trench running through the center. The ground is rough and uneven, scattered with debris and broken tree stumps, indicating heavy bombardment and destruction. The sky is overcast, adding to the bleak and desolate atmosphere.
WWI saw 19th century tactics used with 20th century weapons and resulted in horrific casualties on both sides (Imperial War Museum)

WWI, known as the Great War before there was a second, was one of the deadliest conflicts in human history. By the time it ended on November 11, 1918, empires rose, fell, and the stage was set for a second world war. However, many people believed that the Great War was so horrific that it was the war to end all wars. The war needed a national memorial to honor those who gave their lives, provide a focal point for veterans and preserve the lessons learned for future generations.

Two weeks after the armistice ended the war, a group of 40 prominent Kansas City business leaders and other citizens gathered to begin the process of creating such a memorial. The city was a major hub of industry and also served as a crossroads of America. Most soldiers who crossed the country from the west came through Kansas City on their way to Europe.

A large crowd gathered outdoors around a monument with multiple flagpoles displaying various flags, including American flags. The scene appears to be a significant public event or ceremony, with people densely packed on the left side near a large building and more spread out on the right side near the monument and steps. The image is in black and white, suggesting it is historical.
The site dedication and groundbreaking in 1921 drew huge crowds (National WWI Museum and Memorial)

A committee was formed to raise funds for the memorial. In February 1919, a two-week public subscription campaign was held and raised over $2.5 million (over $39 million in 2021). A public survey determined the citizens of Kansas City and the surrounding areas wanted not only a memorial, but a museum as well.

Five military officers stand side by side, dressed in formal uniforms adorned with medals and decorations. Four wear peaked caps and one wears a naval officer's hat. The officer on the far right wears a dark naval uniform with gloves, while the others wear lighter-colored army uniforms with belts and gloves. They stand behind a decorative stone railing with a geometric pattern. The photo is black and white, suggesting it is historical.
(Left to right) Lt. Gen. Baron Jacques, Gen. Armando Diaz, Marshal Ferdinand Foch, Gen. John Pershing, and Adm. Lord Beatty at the groundbreaking (National WWI Museum and Memorial)

Before there was even a building to house it, the museum was established in 1920 and began collecting items from the war. Simultaneously, a design competition was held to select the memorial’s architect. The winner was Harold van Buren Magonigle, who previously designed the USS Maine National Monument in Manhattan’s Columbus Circle.

A man in a dark coat stands on an elevated platform with ornate trim, holding a bouquet of flowers. Two other men are seated behind him. A flagpole with a flag is visible behind the standing man. Below the platform, a crowd of people, including men in military uniforms and hats, are gathered. The scene appears to be a formal or ceremonial event.
Then-Vice President Coolidge speaks at the museum and memorial groundbreaking ceremony (National WWI Museum and Memorial)

Over 200,000 people attended the groundbreaking ceremony on November 1, 1921, in Kansas City, Missouri. VIPs included Vice President Calvin Coolidge and the five main allied commanders from the war: Lieutenant General Baron Jacques of Belgium, Admiral of the Fleet Lord Beatty of Great Britain, General Armando Diaz of Italy, Marshal Ferdinand Foch of France, and General of the Armies John Pershing of the United States. “It was the only time in history that those five men were together in the same place at the same time,” noted Senior Curator Doran Cart. A local veteran was also chosen to present flags to the five commanders. The Kansas City local was Harry Truman, future 33rd President of the United States.

A group of men in suits standing on a raised, draped platform with large curtains. One man is speaking at a podium with microphones, while others stand nearby, some clapping. The setting appears formal, possibly a public speech or event.
Coolidge returned as President to dedicate and open the museum and memorial (National WWI Museum and Memorial)

On November 11, 1926, eight years after the end of the Great War, Coolidge returned as president to dedicate the completed memorial and museum. During the dedication, Coolidge said that the memorial, “…has not been raised to commemorate war and victory, but rather the results of war and victory which are embodied in peace and liberty.” Another speaker at the dedication was Queen Marie of Romania who served as nurse during the war.

A stone memorial wall featuring five bronze relief portraits of military figures in uniform, each set within an octagonal frame. Below the portraits, names are inscribed in the stone: Beatty, Foch, Pershing, Diaz, and Jacques. Additional engraved text is visible on the wall, partially readable, with a dedication message and other inscriptions. The wall is outdoors with trees and buildings visible in the background.
The dedication wall features bronze reliefs of the five allied commanders who attended the groundbreaking (National WWI Museum and Memorial)

When it opened in 1926, the memorial included the central Liberty Tower along with other buildings designed in a classical Egyptian Revival architecture style. However, the Great Frieze, depicting America’s progress from war to peace in stone, was not complete until the early 1930s. Also completed later was the site dedication wall built where the temporary platform stood during the groundbreaking in 1921. The wall features bronze reliefs of the five allied commanders.

A tall, cylindrical stone monument rises behind a wide stone wall featuring a detailed bas-relief sculpture depicting multiple human figures in various poses. The monument and wall are set against a clear blue sky, with green grass in the foreground and steps leading up to the wall.
The Great Frieze on the north side of the memorial (National WWI Museum and Memorial)

The original museum opened with the memorial in 1926. Much of its collection was donated by war veterans and their family members as well as foreign governments and museums. Over time, the collection grew and the buildings began to wear from the elements. In 1994, the memorial and museum were closed for restoration. Local shopping malls volunteered to display part of the museum’s collection during the closure.

The Kansas City community passed a limited-run sales tax in 1998 to help raise funds for the restoration. Along with national and international support, over $100 million was raised. In 2004, Congress officially recognized the museum as the nation’s official WWI Museum. As a result, construction began on the 80,000-square-foot museum expansion along with the Edward Jones Research Center beneath the original memorial.

A tall stone tower stands prominently in the center of a large memorial complex with well-maintained green lawns and pathways. Surrounding the tower are several rectangular buildings with classical architecture. In the background, a city skyline with modern high-rise buildings is visible under a bright blue sky with scattered clouds.
An aerial view of the museum and memorial site (National WWI Museum and Memorial)

On September 20, 2006, the museum and memorial were added to the National Register of Historic Places and designated as a National Historic Landmark. The new museum and restored memorial were opened to the public on December 2 later that year. Interestingly, despite President Coolidge dedicating it as the national WWI memorial in 1926, it was not until 2014 that President Obama signed legislation recognizing it as “a World War I Museum and Memorial.” It was only then that the entire site was redesignated as the National World War I Museum and Memorial.

A museum exhibit depicting a muddy battlefield scene with three soldier mannequins walking through debris and mud. In the background, a large black-and-white projection shows a group of smiling soldiers, with a sign reading "PRIVATE U.S. NAVY." The exhibit includes scattered rocks, wooden planks, and a rusty piece of military equipment. The setting is dimly lit, emphasizing the muddy terrain and the historical atmosphere.
The museum depicts the war as it was (National WWI Museum and Memorial)

The museum collects all items from WWI and from any nation that was involved in the conflict. “We still collect today,” Cart said. “About 97% of the materials are donated from the United States and around the world.” The collection began with a Navy torpedo and has grown to include uniforms, weapons and other artifacts from the war. “Anything you can imagine from WWI, the museum has collected.”

A large, rectangular stone building illuminated with warm yellow lights at dusk, featuring tall vertical windows and a central entrance with steps. Two large urns flank the entrance, and a vintage-style street lamp glows brightly on the right side. The background shows a cityscape with distant lights under a deep blue sky transitioning to sunset colors near the horizon.
The Exhibit Hall on site (National WWI Museum and Memorial)

The National WWI Museum collaborates with other museums like the Smithsonian and the First Division Museum to share artifacts and conduct research. Recently, they loaned several pieces to the Smithsonian’s National Museum of African American History and Culture for an exhibit. Lesser known experiences from WWI like those of minorities, women, and indigenous people have become a major focus for the museum and the field as a whole. Cart noted that the research is a constant endeavor. “I think I find something new everyday.”

War Remains transports visitors to the trenches of WWI (National WWI Museum and Memorial)

Visitors to the National WWI Museum and Memorial are invited to experience the conflict not only through the artifacts and the context that they are presented in, but also through a new immersive VR experience. War Remains transports visitors to the Western Front through a custom set, stunning visual effects, and powerfully designed sound. With the power of VR, visitors feel like they’re in the trenches as the ground shakes from the explosions all around them.

A group of people, including adults and children, gathered around a large, illuminated interactive display table with various images and text. The setting appears to be indoors with warm lighting, and the people are engaged with the content on the table, some holding stylus-like tools. The background features wood-paneled walls and a doorway with bright light.
The museum is constantly optimizing how it presents history to all of its visitors (National WWI Museum and Memorial)

The museum is also working on a gallery refresh that will allow visitors to view interpretive material on their digital devices. “Even though we deal with a subject that’s well over 100 years old, we also realize that there are many ways of presenting the story of the war to the public,” Cart said of the museum. “We adapt very well to different ages and we’re building upon that today.”

The National World War I Museum and Memorial features a tall, cylindrical stone tower with sculpted figures near the top. The tower is flanked by two large stone sphinx statues and is set against a backdrop of a clear blue sky with scattered clouds. The memorial is surrounded by well-maintained green lawns and symmetrical staircases leading down to the entrance. Two rectangular buildings and trees are visible on either side of the tower.
(National WWI Museum and Memorial)

The National WWI Museum and Memorial remains committed to preserving the history of the war in a holistic way and presenting it to the public so that people of all ages and backgrounds can appreciate the scale of devastation that the conflict brought about. After all, those who fail to learn from history are condemned to repeat it.

Miguel Ortiz Avatar

Miguel Ortiz

Senior Contributor, US Army Veteran

Miguel Ortiz graduated from San Diego State University and commissioned as an Army Officer in 2017. His passion for military culture and history led him to freelance writing. He specializes in interesting and obscure military history. When he’s not writing, Miguel enjoys traveling and watch collecting.


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