There’s been a ton of great Captain America movies over the last few years, but they’re far from the first. Check out some of Chris Evans’s predecessors below!
Let’s look back at previous times Captain America graced the silver screen and “marvel” at how far he’s come. Some of these films have stood the test of time better than others, but all had some part in the way that the Cap has evolved over time:
1. Captain America 1944
This one stars Dick Purcell as Cap. He still rides a motorcycle, but in this one his alter ego is Grant Gardner. It’s a serialized cinematic version where Captain America hunts down the Scarab and his minions who poison their enemies and destroy buildings with a stolen device that uses vibrations to wreak havoc.
This must have looked awesome in the 1940s, but at about nine minutes in it feels like a goofy man in pajamas is just beating old-timey gangsters to death.
2. Captain America 1979
This 1979 made-for-TV movie featured Reb Brown as Captain America, complete with everything you’d expect from a show made during the late ’70s. In this adaptation Brown plays Steve Rogers, whose father was a government agent in the 1940s. His father’s zeal for America earned him the nickname “Captain America” and despite the fact that this name was used to ridicule his father, Rogers assumes the moniker. His strength and agility are boosted by a super steroid (you read that right). Cap drives around in a van (this is the 70s after all) which launches a high-tech motorcycle.
This film spawned a made-for-TV sequel called Captain America II: Death Too Soon.
3. Captain America 1990
This version’s plot is eerily similar to the Marvel Cinematic Universe’s Captain America: The First Avenger, complete with Red Skull, dramatic super serum scene, and an ice-watery doom. This one has the added bonus of Ned Beatty in giant eyeglasses. Cap is played by Matt Salinger who looks like your dad in a skin tight onesie catching a frisbee.
Disney’s “The Finest Hours” tells the story of a Coast Guard motorboat crew dispatched into an Atlantic storm after two 500-foot tankers break apart in 1952.
The crew is led by Boatswain’s Mate Bernard Webber, played by Chris Pine. Webber is second string, the junior ranking boatswain assigned to Chatham lifeboat station in Massachusetts.
The senior boatswain leads the rescue effort to the first tanker reported broken in the storm, the Fort Mercer. So when a Coast Guard plane spots the broken Pendleton, it falls to Webber and a few volunteers to attempt to rescue the 33 survivors in a small motorboat.
The movie does a good job of showing the perils of a rescue at sea in a severe winter storm. The waves crash onto a deadly sandbar with ominous booms, the boat is flipped in the waves, and the compass is ripped from the boat by a severe wave crash.
Crossing the sandbar was one of the most dangerous parts of the mission. Attempts to cross it could have easily destroyed the boat and left the crew drowning in the icy waters.
These details and others come from the factual book the movie is based on, and they’re brought to life by Craig Gillespie, the film’s director who spent his young life near the ocean.
“I grew up on the water in Australia, and I have a lot of respect for the ocean,” Gillespie told We Are The Mighty. “I sailed, I grew up surfing.
“When there’s a huge swell, you can hear it a mile and a half from the ocean, and it’s scary,” he said.
While the movie depicts the events on the boat and the Pendleton largely right, it takes more liberties with the story of Webber’s girlfriend, Miriam. During the real rescue, Miriam and Bernard were already married and Miriam was too ill to comprehend when told of Bernard’s mission.
But the movie Miriam is healthy and attempts to aid Bernard from the shore. She first argues with his commanding officer. When that doesn’t help, she seeks ways of ensuring that Bernard, if he’s successful in the rescue, will be able to make it home without a compass or any visible stars to follow.
Actress Holliday Grainger shaped her portrayal of Miriam after speaking to the Webber family and spending time at Chatham lifeboat station that the Coast Guard still operates.
She said that Miriam’s journey in the movie is about learning what it takes to be a Coast Guard wife.
“He will always be in danger,” Grainger told We Are The Mighty when discussing Miriam’s attitude toward Bernard, “and if she wants to be with him, she has to live with that, because he does it for the greater good. He can’t always put their family first. He has to put others lives first.”
“The Finest Hours” deftly weaves Bernard and Miriam’s stories, breaking up the chaos at sea with the tension on the coast.
“The Finest Hours” opens in theaters nationwide on Jan. 29.
Whether or not you agree with the popular theory that the 1988 action picture “Die Hard” is really a Christmas movie, you’ll have to admit that NYPD detective John McClane is Bruce Willis’ greatest role.
There have been four sequels of varying quality over the past decades, but it had been seven years since Willis had played the part. That changed over the weekend when a new “Die Hard” movie showed up on YouTube.
“Die Hard” 2020 is actually a commercial for DieHard, the iconic battery brand formerly owned by Sears and now sold by Advance Auto Parts. The spot brings back a pair of iconic characters from the original movie.
McClane’s car won’t start and he heads to an auto parts store for a new battery. He runs into the original movie’s computer hacker Theo (Clarence Gilyard Jr.), who’s still out for revenge 32 years later.
Theo sends a posse of musclebound thugs to finish off the detective, who crashes through the store window to buy his new battery. After escaping through the ventilation system, he runs into limousine driver Argyle (De’voreaux White), who’s finally paid off the same car he was driving in the first movie.
As they try to get back to McClane’s broken-down muscle car, Theo runs them down and crashes into the limo. The DieHard battery takes a bullet but still works when installed and they crank up the car for an escape.
Will Theo get his revenge or will McClane escape again with a few more scars but still in one piece? You’ll have to watch for the result.
If you’re shocked that Bruce was willing to play John McClane in a commercial, he’s got some thoughts for you.
“I’ve never done any sort of commercial with the John McClane character, but Advance Auto Parts brought an idea to integrate DieHard the battery into the ‘Die Hard’ story through a short film that’s authentic to McClane and both brands,” Willis said in a press release.
“Advance approached this like a motion picture — the script is clever, the production intense and the spot is entertaining,” he continued.” This is what ‘Die Hard’ fans expect. I think they will dig the DieHard –‘Die Hard’ mashup.”
Back in the day before its release, the movie title was a clever play on an iconic brand name. Over the years, the movie became a brand that’s probably bigger than the battery ever was. And now we’ve come full circle: A battery looks to get a boost from a movie that once got a boost from the battery.
Enjoy the spot and don’t get your back up. Bruce’s movie career got jump started by DieHard back in the day and now he’s returning the favor.
Here’s the classic DieHard battery commercial that the movie title was supposed to evoke for audiences back in 1988.
Diehard Battery Ad – Sears Roebuck Auto Center (1976)
In countless movies, in references across all mediums, the red phone exists. Brightly hued and highlighted through dramatic dialogue, we are shown this famous form of communication within the White House. But why is there a red phone in the first place? What does it do? And why it is so famous? After all, it’s just a phone.
But, in actuality, it wasn’t a phone at all. Known as the Moscow-Washington Hotline, it was a direct line of communication between the White House and the Kremlin (where the Soviet Communist Headquarters resided). The line was established in 1963 after the Cuban Missile Crisis so that President John F. Kennedy, Russian leader Nikita Khrushchev and their advisors could connect directly and quickly.
The need for the line was put into place after the 1962 crisis, when it took the United States 12 hours to translate a message from Khrushchev. The 3,000-word message is stated as taking a “dangerous amount of time” in translation. This prompted both sides to streamline communication. Hence, the hotline.
The communication first consisted of teletype machines. In the ’80s it was transitioned to a fax machine, and in 2008, it became an email line connected by a secure computer link with lightning-fast connection speeds.
Origins of the idea
There are several people who claim to have come up with the idea for direct communication, including a Harvard professor who had previously worked with the Department of Defense on nuclear war policies. The professor, Thomas Schelling, said the 1958 book Red Alert (which prompted the movie Dr. Strangelove) gave government officials the idea to connect directly– specifically, by showing the benefits of fast and direct conversations.
After the agreement was signed, both sides began working on the logistics to lay this line, including ways to keep it secure such as encryption. The first message was sent on August 30th, 1963, including numbers and an apostrophe to ensure the connection worked properly.
The US sent: “The quick brown fox jumped over the lazy dog’s back 1234567890,” a common test message, as it includes all 26 letters of the English alphabet. The first official use was to announce the assassination of JFK to Russia.
Over the years, the line has been accidentally cut multiple times, including when it was unknowingly bulldozed in Denmark. Today, there are bright and clear markers in Finland, as well as other countries, to help keep the line free from damage.
Why a red phone?
Because there was never an actual red phone — or a phone at all for that matter — it’s an interesting addition to pop culture. Countless movies, video games and even movies portray a fictional red phone as a quick way to reach Russia.
So where did the idea come from? It likely came from the movie, Dr. Strangelove, itself. The idea was then used throughout the 80s in political commercials, where it took off. President Ronald Reagan used the phone to market himself, showing off his Strategic Defense Initiative. In the 80s, it made another appearance for the 1984 election. It was also used in 2008 throughout Hilary Clinton’s campaign. In years since, it’s simply become a pop culture icon that remains recognizable in movies, museums and beyond.
Feature image: Jimmy Carter Library and Museum (Wikimedia Commons)
The military isn’t all action and adventure. There are plenty of dull tasks required of service members that can send even the most motivated of troops to sleep. Whether it’s writing an after action report, studying for your promotion board, or trying to figure out the convoluted requirements to get your leave approved, here are some of the best military soundtracks to listen to and keep you on track. Note that this isn’t a list of the most epic military soundtracks, hence the omission of legendary film soundtracks like Das Boot, Black Hawk Down, and Crimson Tide.
1. Band of Brothers
If you’re like me, you’ve lost count of how many times you’ve watched Band of Brothers. From watching reruns on TV to popping in the DVD/BluRay for a mini marathon, Michael Kamen’s arrangements have graced the ears of thousands of viewers. The combination of beautiful orchestral melodies combined with the almost haunting choral work makes this soundtrack an excellent choice for some calming background music. That said, you’d be forgiven if you kept the Main Titles, Suite One, and Suite Two on repeat. After all, they are the most used songs from the legendary mini-series. Its spiritual successor, The Pacific, also has a noteworthy soundtrack. However, it’s a bit too intense with its dramatic swells and drum beats to make the list for studying and relaxing music.
2. Saving Private Ryan
It makes sense that the forerunner of the previous entry be on this list too. Band of Brothers took a lot of production cues from Saving Private Ryan including its score. Produced by the legendary John Williams, the same man that brought us the music for iconic films like Star Wars, Jurassic Park, Indiana Jones, E.T., and Jaws, the soundtrack from Saving Private Ryan does not disappoint. The opening song, “Hymn to the Fallen”, is iconic in its own right and is often used for Veterans Day and Memorial Day events and videos. Additionally, the soundtrack itself is over an hour long, so you can get plenty of work done while it plays. If you enjoy this soundtrack, I also recommend giving the original Medal of Honor video game soundtrack a listen. The game was conceived by Spielberg after he completed Saving Private Ryan and Michael Giacchino, the game’s composer, was heavily inspired by Williams and went on to compose for eight more WWII-based video games.
Come on, this one counts as a military movie. After all, Maximus Decimus Meridius was a Roman general commanding an army in battle at the film’s opening. At any rate, composers Hans Zimmer and Lisa Gerrard built a truly inspirational soundtrack for the film. You don’t even need to have seen Gladiator to appreciate its music as a studying or working accompaniment. Additionally, the album won the 2001 Golden Globe for Best Original Score – Motion Picture.
4. The Thin Red Line
Yes, it’s another Zimmer entry. Anyway, the 1998 film is a bit of a departure from other war films of its time like Saving Private Ryan or Platoon. At any rate, its soundtrack was nominated for Original Dramatic Score at the 71st Academy Awards. Although it didn’t win, its impact on movie music is long-felt. The film’s main theme, “Journey to the Line”, has been used in the trailers for Man of Steel, 12 Years a Slave, and X-Men: Days of Future Past. It was also used in the trailer for Pearl Harbor, the soundtrack of which was also composed by Zimmer and features heavy influence from The Thin Red Line. Pearl Harbor didn’t make this list due to its more melancholic tones.
5. Dunkirk (Honorable Mention)
Hear me out. This one is absolutely not a good choice to study or relax to. Its time ticking theme and anxiety-inducing builds are not the kind of sounds you want to hear if you need to slow your heart beat. However, if you’re on a time crunch, this might be just what you need to get yourself in the zone. Picture this: It’s 0400 and you’ve been up since 0300…the previous day. You’re running on pure caffeine and adrenaline and both are running dangerously low. Your task, whether its a slide deck, a new SOP, or a stack of evals, is due first thing in the morning. Some people thrive under the pressure, and if that’s you, why not add some epic background music to your sprint to the finish line? The satisfaction garnered from completing your last minute task just before its deadline will be sweetened by having the film’s “End Titles” play you through to your victory.
Peter with his platoon at Army boot camp. He is third row from bottom, far right. Photo credit Peter Markle.
Peter Markle grew up during a period of intense change for the country with the Civil Rights Movement and the Vietnam War etched into his mind. His father proudly served in WWII in the Pacific where he brought those hard-learned lessons and values back to the family, which greatly impacted Peter. After time in the U.S. Army Reserves and on the USA Hockey Team, Markle decided to become a filmmaker. He has directed many great films, especially military and historical ones, to include Bat 21, Faith of my Fathers, Flight 93, Saving Jessica Lynch, Nightbreaker and Youngblood. Markle has also directed numerous episodes for hit shows including the X-Files, CSI, Without a Trace, Life, NYPD Blue, Burn Notice, Rescue Me, ER and Homicide: Life on the Street.
WATM: Tell me about your family and your life growing up?
I was born in Danville, PA. in the Geisinger Hospital that my mother’s father started. We lived on a farm outside Hazelton, PA. I have vivid memories from my first years there. The barn and particularly the hay loft, the fresh fruit that was picked daily in season, the creek where one of the workers killed a water moccasin one day. In first grade we moved to Minneapolis where my father got a job at a bank and I was introduced to a real winter. And the rink directly across the street in the park where I discovered ice hockey.
When I grew up there was no social media and absolutely no restrictions what you did with your free time when not in school. We had a black lab that left the house in the morning with us, went on his own way when he got bored with our activities which included exploration, sports, fishing etc. My dad hung a huge bell that could be heard
a half a mile away which was rung for lunch and dinner. The dog was always the first one back. Times have changed. We had enormous freedom and there was no temptation to bury our faces in smart phones. All activity was self-created.
I distinctly remember being fascinated the movies and got completely lost in them at the local cinema which is still there today. One of my favorites was Shane with Alan Ladd. Years later his son, Alvan Ladd, Jr. greenlit one of my films (Youngblood).
Markle with Flint Generals (IHL). Photo credit PM.
I continued hockey throughout high school and my senior year was asked to join the Olympic Hockey development program which ran through the summer. I played at Yale, had a tryout after my senior year with Boston, played minor league hockey and then three years with the US National team participating in two World tournaments.
Markle with the USA team. First row second from the right. Photo credit PM.
WATM: What is the most distinct memory of your mother and your father?
My parents were very social and community involved. My dad was one of the founders the youth hockey program in our area which started with one team and expanded in a few years into 500 participants. My mother worked throughout her life for hospitals concentrating on rehabilitation. Her interest in health care no doubt emanated from her father who was first assistant surgeon to Will and Charlie Mayo and at one point in his career became President of the American College of Surgeons. They were both extremely social and the vast majority of their best friends served in some way during WW2, many as Naval pilots. My dad was interested in everyone he met. He was the best listener I’ve known. That did not imply he didn’t have a point of view. His advice was judicious and more than often accepted. My mother was a community organizer. That would include in her community as well as her hospital work. Her friends would call her in the morning for their marching orders for the day.
WATM:What values were stressed at home?
It was the traditional ‘Golden Rule’. It’s a timeless aphorism and sometimes hard to follow in a competitive world like film but being honest and empathetic wins out in the short and long run. My mother also told me that lying not only was reprehensible but far more difficult to keep track of than the truth. Both underscored that failure was the inevitable pathway to success. It all depends on how you react to it.
WATM: What influenced you to join the US Army, what was your experience and what lessons did you take away from your service?
I graduated from college at the height of the Vietnam conflict and joined the rest of my class in deciding what was the next move. A significant number of the class including myself applied for the Naval OCS (officer candidate school) in the language division which was in Monterey, Ca. The sample copy of the test which was based on a made-up language was circulated around the campus. I remember looking at it and getting the gist of the concept. Apparently, the other students there got the gist as not one of several hundred who took it missed a question. There was some sort of investigation by the Navy, but it was dropped. I did not attend OCS and assumed upon graduating I would be drafted. I was playing professional hockey when I was told to report to Fort Snelling where the Minnesota Army Reserve was located. I was with four other players at the end of a 200-person line when our names were called, and we were told to report to the front. We were all inducted into the Reserves and told that we would all get time off when playing for the US National hockey team including world tournaments. A month later I was in Stockholm.
Peter lining up for the action shot even before becoming a director. Photo credit PM.
I did basic training at Fort Leonard Wood in the middle of the summer. It was incredibly hot and humid. I made fast friends in my platoon and had a great drill sergeant. It was a lot like summer football camp but with longer hours. Up at 4am for a 5-mile run in army boots to lights out at 10pm. I was told that you had to learn how to stand in formation while asleep. Done. We had soldiers who gained 80 pounds (never had more than one meal a day) and others who lost 80 (never ran over 10 yards in their lives before). It was a very different mix from my fraternity in college where we had 4 Olympic Swimmers (including Don Schollander who won 5 gold medals and Calvin Hill who was All Pro in the NFL. As a footnote The President of the frat my sophomore year was Fred W. Smith, founder/CEO of FedEx and decorated US Marine in Vietnam, and for my senior year it was George W. Bush who also ended up in the Air Force Reserves.
The harassment was handed out pretty democratically until the PT contest. Parallel bars, low crawl, 100-yard man carry, the 6-minute mile in army boots, push ups etc. I scored the only perfect score in my company (200 men) and was given the weekend off. That would not have happened if my 98-pound roommate, Eddie Pragg, didn’t let me use him for the man carry.
I have to underscore that my boot camp experience on every level was positive. It was tough but extremely well organized. The officers were exacting but fair. The staff was totally professional. It ran like clockwork at a time when so many were going through the turnstile each day. There are some correlations to making a film where it demands a unified front and an ability to make quick adjustments according to the situation at hand. I was just a grunt in the machine but there were numerous examples among the staff on every level as well as my fellow platoon mates that have stayed with me my entire life.
No one knew other than a small handful of reservists as to whether they would end up in Vietnam. I did not have to confront the prospect of being shipped out. I realized that I was uniquely privileged. I did OJT (on the job training) at Fort Ord in Chicago before ending back in Minneapolis for weekend duty once a month at Fort Snelling. Motor pool, clerical work, city public projects. No riots or disasters to contend with. We did summer camp at Fort McCoy in Wisconsin and in addition to my normal duties and drills I was an editor of the camp newspaper distributed the last day. I decided to take a somewhat satirical angle on the experience and was surprised at the reception. There was laughter, soldiers reading bits out loud and fortunately no reprisals from the brass. I was encouraged to write by my freshman English professor in college and never took it seriously until listening to the reception of my version of ‘The Onion’ distributed around camp.
I would be remiss not to mention that it was my father who was the real soldier. He dropped out of the University of Pennsylvania to join the Navy. He got his pilot license at 17 and became one the youngest flight instructors in the armed forces during WW2. He was assigned to the USS Bataan, a light aircraft carrier, and fought in the last years in the Pacific through the surrender which he witnessed being docked next to the Missouri in Tokyo Bay. Because of his flight experience he was put in charge of the CIC (combat information center) directing planes when airborne, spotted bogies (enemy planes) and skunks (unidentified surface ships) basically directing aerial combat operations along with the brass. They were in the middle of the kamikaze blitz and had numerous close calls. He witnessed both the Bunker Hill and the Franklin take direct hits some less than 200 meters away with the loss of over 1000 sailors. During one Kamikaze attack a sister ship got hit and 19 soldiers were thrown overboard. Dad marked his ship’s position using the DTR (dead reckoning system) and he convinced the brass to take 8 ships after dark for a search. They implemented a staggered zig zag course for six hours and miraculously found the sailors within 10 minutes of the search stop order. To be noted as well, his brother, Alvan, landed on Omaha Beach, fought 5 major battles in the Bulge as an artillery captain and was honored the Chevalier of the Legion of Honneur by the French. He attended the 70th Anniversary of Normandy.
Peter’s father (Thomas) during WWII. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
WATM: What values have you carried over from the Army into directing and writing?
It’s a tiresome analogy but it would be teamwork. I’ve been on series where one show had 4 stages in use at the same time. One devoted primarily to build sets designed for a particular episode, another three with sets for shooting a current episode, pickups from previous episodes and for the next one. Well over 100 people will be working to accomplish the same goal. Each department head is crucial to the mission (production; accounting; director and assistant directors; art; camera; casting; catering; construction; costume; lighting; grip; locations; makeup/hair; medic; post-production; property; publicity; research; script supervision; set dressing; sound; special effects; stand-ins; stunts; transportation; video playback; visual effects. The similarity to the chain of command in the military is obvious. Lots of departments. Lots of personnel. And all interdependent with one another. I guess the ‘weakest link in the chain’ is a prevalent dynamic in both film and the armed forces. I was shooting a film in Borneo (Bat 21) and the special effects department head had set a series of explosions along a path through the jungle Gene Hackman and Danny Glover would run by. This was primarily done using a nail-board which each nail represented an explosion. After going hot contacting the individual nails with metal (could be a screwdriver) set off the blast. The department head said that he was going to use a computer program instead of the old system, the ‘eyeball approach’. I questioned whether it made sense to switch now but he said it was safer. I called action and Danny and Gene started running along a riverbank. An explosion (representing a bomb) goes off so close to them that they both instinctively duck and cover their faces but continue running. The second explosion is closer, and we get the same reaction for the talent. I look over at effects and he is white as a ghost. The shot was incredible, but we almost lost two actors. Back to the nail board. We never told Gene or Danny.
WATM: What is the most fulfilling project you have done and why?
I guess it’s always the first one because you actually pulled off the impossible. It was a low budget comedy called The Personals where no one was paid. It got great reviews and a crazy learning experience. Bat 21 was up there for the subject matter, the location and working with Gene and Danny. Flight 93 was the first 9/11 film and it was done for AE TV. It was nominated for and won a bunch of Emmys. It was also a challenge to write because the majority of the account took place on the plane. The 9/11 Commission report had just come out and had a great deal of information that I was able to incorporate into the film. We covered not only the drama on the plane but also the families as well as the air traffic controllers and military involvement on the ground.
WATM: What was your experience like in working with such talents as Gene Hackman, Danny Glover, Senator John McCain, Kiefer Sutherland, Dennis Hopper, Daryl Hannah, Rob Lowe, Patrick Swayze, Keanu Reeves, Cynthia Gibb, John Candy, Jerry Reed, Joe Pantoliano, Ed Lauter and the like?
After a tryout with the New York Islanders and being assigned to a farm team I made the abrupt decision to become a filmmaker. A good friend of my parents told me something that I never forgot – ‘If you do something you love you increase the odds a hundred-fold that you will be happy and successful.’ I gave it a shot. I ended up doing several military related projects including Bat 21 with Gene Hackman, Faith of my Fathers with Scott Glenn and Shawn Hatosy, Saving Jessica Lynch, Flight 93 and Nightbreaker with Martin Sheen and Emilio Estevez.
All were based on true stories. Bat 21 chronicled the rescue of a 52-year-old Air Force Colonel who was flying a mission to identify through electronic surveillance SAM missile sites that would be knocked out by fighter jets prior to a B52 carpet bombing. His plane was hit by a SAM and he ended up in enemy territory with no ground combat experience. He was guided to his rescue by a spotter plane that flew daily missions tracking him. Gene Hackman played the Colonel and Danny Glover the pilot. Both actors were terrific to work with. Gene prepped at night and arrived early in the day to walk the ‘set’ (only locations in our case). I don’t think I ever did more than 3 takes with him in a scene. Danny is a natural and had great insights into his character. All day aerial shooting was done with him in the plane. It was 95 degrees, humid and our takes had to be limited to seconds in some cases. It was major hazard duty, but Danny embraced it. At times he had control of the stick and relied on our stunt pilot in the other seat to let him know when to bank away.
On the set of Bat 21 with Gene Hackman and Peter. Photo credit Peter.
Clayton Rohner and Danny Glover in Bat 21. Photo credit IMDB.com
Faith of my Fathers was based on John’s McCain’s early days at Annapolis through his release from the Hanoi Hilton where he was imprisoned for 5 years. Shawn Hatosy was remarkable as he had to age 20 years over the course of the film in portraying John. Scott Glenn was perfect, giving an understated yet powerful performance as his father who was commander of all U.S forces in the Vietnam theater. McCain himself visited the set in New Orleans where we reconstructed an abandoned brewery into the prison. One day I watched him walk over to a cell by himself and enter. I joined him and asked him what he thought. His reply, ‘it’s identical. But you know at times I actually miss it.’ Perplexed, I asked, ‘miss what?’ John replied, ‘being there. I made some great friends. It was one of those shared experiences that forms you for the rest of your life.’ That summed up John McCain for me.
Peter, Shawn Hatosy and Senator John McCain on the set of Faith of my Fathers. Photo credit Peter.
Saving Jessica Lynch was a jingoistic, short of the facts script when I received it. I did extensive research which included interviewing soldiers who were in Iraq and one we hired as an extra who was part of the actual rescue effort. The final product told the real story: A convoy consisting of essentially non-combat personnel (cooks and clerks) made a couple of bad decisions and ended up driving through a town inhabited by Fedayeen. The New York Times and other reputable news outlets broke stories that our film debunked. Lynch did not shoot back during the attack. Eleven American soldiers died. She was taken to a hospital and was on her back through her rescue. The Times wrote a retraction after the film aired praising the film for its authenticity.
Laura Regan in Saving Jessica Lynch. Photo credit IMDB.com
Pete and Laura on set. Photo credit PM.
A scene from Saving Jessica Lynch. Photo credit IMDB.com.
Peter directing a scene of Saving Jessica Lynch. Photo credit PM.
Just before filming starts on the set of Saving Jessica Lynch. Photo credit IMDB.com
An action sequence from Saving Jessica Lynch. Photo credit PM.
Nightbreaker was a pet project of Martin Sheen. It chronicled the use of army soldiers as guinea pigs to determine the short- and long-term effects of being exposed to a nuclear blast. This was a story from the 50s when nuclear proliferation was at its apex. Emilio plays Martin role as a young man during the actual tests. It tracks the character in middle age trying to come to terms with his involvement. Both actors were terrific to work with and inhabited the pervasive guilt from being involved in the malignant endeavor. Joey Pantoliano played a Sergeant who was in charge of a platoon of guinea pig soldiers and brought the entire range of conflicted emotions to his part.
Peter with Martin Sheen on the set of Nighbreaker. Photo credit Peter.
Joe Pantaliano, Peter and Emilio Estevez on set for Nightbreaker. Photo credit IMDB.com
Peter and Martin on set. Photo credit Peter.
Flight 93 was the first film about 9/11. Obviously, there was a military component as soon as it was discovered that it was a coordinated terrorist attack. I remember someone seeing the film and mentioning that it must have been harrowing to make. I noted that our fuselage (the real interior of a 757) was flying at an altitude of one meter, zero knots and within a 15 second walk to craft services (snacks). The best we could do would imagine how we would have reacted in the situation. Would we have been that heroic? Would we be at the head of the conga line attacking the cockpit or hiding in the bathroom in the back? Maybe somewhere in the middle? The coordination between the military and the civilian air services was impressive even though three of the four targets were hit. The passengers on 93 had more time to gather information and communicate with ground control so enable them to coordinate an attack.
Peter on the set of Flight 93. Photo credit IMDB.com
What the outside of the set looked like. Photo credit PM.
Peter working with the cast on Flight 93. Photo credit IMDB.com
More on set work for Flight 93. Photo credit IMDB.com
93 was an intense journey as are all films. Lots of moving parts, decisions, conflicts and compromises. But ultimately it is teamwork that wins out.
Rob Lowe, Pete and Patrick Swayze on set for Youngblood. Photo credit IMDB.com
Pete (bottom center) with the cast and some crew of Youngblood. Photo credit IMDB.com
Youngblood was a passion project and a blast to make. It was about a young hockey player from the US trying out for an elite Canadian junior team. Rob Lowe, Pat Swayze and Cindy Gibb were the leads. Keanu Reeves played a goalie and it was his first job in a film. Goalies are characters because it’s such an insane position and he was totally quirky in the audition. Rob was great to work with. He had no previous experience skating but progressed quickly enough for us to make it work. He had two doubles who filled in the action scenes who were both elite players.
Pat was a figure skater and quickly adjusted to hockey skates. Rob would agree with me that Pat was a force of nature. He’d be working on 10 other personal projects when not on the set. He composed the song ‘She’s like the Wind’ in his hotel room using a portable mixing setup. We had two scrimmages a week during prep with crew and our hockey extras. Our extras were elite players (two went into the NHL a month after wrap and had huge careers). An executive from MGM came up to make sure I wasn’t participating in the games for obvious reasons and was taken to the rink and just as he sat down, he saw me collide with another player. Pat who knew the exec was there skated over to me and said ‘stay down. He’ll have a heart attack.’
Rob, Peter, Ed Lauter and Ken James. Photo credit PM.
Pete on the ice with his DP Mark Irwin. Photo credit PM.
Tony Danza, Pete, Nick Tuturro and Samuel L. Jackson on the set of Dead and Alive: The Race for Gus Farace. Photo credit IMDB.com
Frank Vincent, Tony Danza and Pete on Dead and Alive: The Race for Gus Farace. Photo credit IMDB.com
Danny Glover and Pete sharing a moment. Photo credit PM.
Dayton Callie, Michael Madsen, Pete and Dennis Hopper on the set of The Last Days of Frankie the Fly. Photo credit IMDB.com
Pete on the set of “The X-Files” with David Duchovny. Lily with the poncho, Pete, David and Melinda (Pete’s wife) Photo credit IMDB.com
Peter and Louis Gossett Jr. on the set of El Diablo. Photo credit IMDB.com
Pete and Daryl Hannah taking a break on The Last Days of Frankie the Fly. Photo credit IMDB.com
WATM: As a veteran, how do we get more veteran stories told in the Hollywood arena?
There are so many diverse stories that can be told. The multiple perspectives include what branch of service, when, the mission, the soldiers involved, fact or fiction etc. Like any project it depends on the strength of the narrative and its ability to attract the actors that help finance the project and the studio/production company to green light it. Personally, I think the number is infinite. All conflicts are different just like every individual is different.
Dennis Hopper, Pete and Kiefer Sutherland on The Last Days of Frankie the Fly. Photo credit IMDB.com
Gillian Anderson and Peter on the set of “The X-Files”. Photo credit IMDB.com
WATM: What are you most proud of in life and your career?
First would be having a family which I did at an advanced age. I met my wife, Melinda, while casting a television film. I guess you could call it an acceptable version of the casting couch. That is to say I wasn’t the only one in the room and it wasn’t at the Peninsula Hotel. She was the best actress for the part, and I was immediately attracted to her by her performance and presence. We laughed and argued (about the role) in the room. I knew she was going to be a challenge, but it has made our lives infinitely interesting. And, of course, I’m a guy and like most of our species have not progressed that much from the stone age. We have two kids, Lily and Lucas. As moms and dads know, when children make an appearance, life as you knew it evaporates. But in a good and challenging way. When they got into their teens, I learned so much. Such as I was a horrible dresser and not to yell at basketball or soccer officials. We taught them both to ski and the progression of literally carrying them down the hill to not being able to ski any of their favorite double black runs with them is humbling. You realize that you can give them some direction but that they are on their own paths and need to fumble and fall and learn to pick themselves up again.
Per career I think it would be not willing to quit. To keep trying. I never had a film gross 100 million and did not play one game in the NHL, but I was rewarded in countless ways for my efforts. I have met so many wonderful, dedicated, talented people along the way which is one of the most valid ways to judge one’s life. And I can say that my time spent in the Army was an integral part of the on-going journey.
Bayonets epitomize the warrior mentality. Although it’s been a good while since the last official call was made to “fix bayonets” in an actual combat mission, the ancillary CQC weapon retains a special place in many warfighters’ hearts. Of course, if troops like to attach a sharp, pointy knife to their rifle’s end, then they’d surely love to affix a chainsaw. What could be better?
Chainsaw bayonets have become a trope in popular sci-fi, but there is none more iconic, overly-gratuitous, and awesome than those attached to the Mark 2 Lancer Assault Rifle in the Gears of War series. This futuristic weapon is a massive, fully-automatic rifle outfitted with a roaring chainsaw bayonet. It works well in the game, but it wouldn’t stand a chance in the real world.
There aren’t any official technical specs available for the Lancer, so it’s impossible for us to accurately judge its effectiveness, but we’ve seen a few people try to recreate the chainsaw bayonet themselves. Still, this technique is nowhere near as common as pop sci-fi would have you believe — for good reason.
In real life, the chainsaw bayonet is extremely flawed for a number of reasons. Firstly, there isn’t really any way to store the gasoline needed to power the chainsaw, so it won’t run for long. The workaround here would be to add a larger fuel source, but by doing so, you’d add to the already-bulky weight of the saw.
Then there’s the weight-distribution problem. It’s never an issue for the hulking heroes of Gears of War, but real-world troops aren’t so massive. Adding weight to a rifle will likely throw off its center of balance. When the front of a gun is far heavier than the back, it simply won’t fire accurately.
The center of balance is almost always closer to the butt-stock so the user has more control over control the weapon. Firearms without butt-stocks are also balanced in a way so that the recoil doesn’t shift the sight picture. Attachments to the front of a weapon, like suppressors, can help regulate weight distribution, but these are very specialized tools. The bulk of a functioning chainsaw would be incredibly difficult to offset.
Finally, we have a hard time seeing a situation in which a chainsaw bayonet would be more effective — not just more enjoyable — than a standard bayonet.
For a quick rundown on why this weapon would also be a complete safety hazard, check out this video.
By the time Nate Ellis reached the sixth grade he knew there were two things he wanted to do with his life: make movies and fly airplanes for the military.
Ellis was raised in a family with military experience. His father had joined the Coast Guard during the Vietnam era as a way to avoid the draft and his older brother had joined the Air Force ROTC program as a way to pay for college. He says he was the first among them to go in actually motivated to serve.
“All I wanted to do was Army aviation,” he said.
Ellis attended Austin Peay State University in Tennessee on a ROTC scholarship and wound up the top-ranked cadet nationwide among aviation selectees. Three days after graduation he found himself at Fort Rucker ready to start flight school. A year or so later he was a Blackhawk pilot.
In time he found himself in Afghanistan, stationed at Shindand Air Base in the western area of the country as part of the 4th CAB contingent there. He was assigned as the “battle captain,” overseeing all of the unit’s air operations, a position of great responsibility.
He was also flying Blackhawk sorties, and one night he launched as part of an air assault package comprised of three Blackhawks and two Chinooks. The helicopters carried a total of 99 troops — Italian special operators and Afghan National Army regulars — for a raid to capture a “high-value target,” one of the Taliban’s bad guys.
The helicopters touched down at the LZ around 3 AM, and after the troops jumped out they immediately came under fire. The helos took off and held nearby.
“We were at the holding point listening to the chaos, waiting, burning gas,” Ellis said. “It was the worst.”
There were two Apache attack helicopters on station, but one ran out of ammo and the other took an enemy round through the cockpit. The ground force, facing overwhelming numbers, wanted to get out of there immediately. But, by the helicopters’ operating procedures, it was too hot for them to fly back in to pick them up.
The mission commander, a lieutenant colonel, made the call to go in, but only after taking a quick survey of his fellow pilots over the radio to see what they thought about the risk.
“We went up and down the line, and all aircrews said they wanted to go in,” Ellis remembered. “But everyone was concerned at the same time. Everyone knew what they were getting into.”
The LZ was in the middle of a valley, what Ellis described as “the worst place to fly into.”
He saw the gunner in the Blackhawk ahead of him return fire on a group behind a wall as his own gunner froze, unable to pull the trigger. Sixty of the troops came running at them trying to load up. The Blackhawk only had room for 12 of them, so Ellis’ crew chief heroically jumped out and sorted the situation out as the bullets landed around them. After “the longest 3 minutes of my life,” they lurched back into the air at the Blackhawk’s maximum takeoff weight.
“Because we were heavy we couldn’t yank and bank,” Ellis said. “We had to fly straight ahead. My missile warning gear was going off the whole time.”
Once he was out of harm’s way, he had an epiphany.
“I was more present than I ‘d ever been in my life,” he said. “It was like all of the bullshit in my life came to the surface and skimmed off. I heard my inner voice: ‘Life is short. Live with a purpose. Do what you love.'”
And Ellis realized — along with flying Army helicopters — that he loved making movies, something he’d continue to dabble in even during the most demanding parts of his military life.
“I was always working on something while I was in,” Ellis said. “Short films — writing and directing. I’d edit them on my computer and post them to YouTube or wherever.”
After his war tour, he was stationed in South Korea while his marriage to another Army helicopter pilot came apart. “Long story short, we were separated for 18 months,” he said.
He was ready for a change in his life. So after 7 years of active duty, he resigned his commission and entered USC to get a master’s degree in filmmaking. While he immersed himself in the curriculum, he also found himself processing a lot of anger.
“I’d lose my temper if somebody jumped in front of me at a bar or cut me off in traffic,” he admitted. “I felt this sense of entitlement, like, who are they to treat me like that? Don’t they know who I am and what I’ve done?”
By his own account, it took him three years of grad school to process his emotions.
“I don’t want to be that person,” he said. “I don’t want to feel that way. Now it’s more like who cares? That guy, that girl, they have their own thing going on. They have their own path.”
He made a name for himself among the talented grad students at USC. He created five short films, including “10,000 Miles,” his thesis film that had a $30,000 budget plus a $350,000 Panavision grant.
Ellis also made “The Fog,” which he describes as “very personal,” another short that won a faculty screenwriting award and “Best Narrative Short” at the 2016 GI Film Festival. “The Fog” was also a semi-finalist for the student Academy Awards.
Ellis left USC with an impressive body of work, and an effective Hollywood network that included his USC-assigned mentor who also happened to be the president of a major studio. With his master’s degree in hand, he’s wasted little time in making some things happen. He wrote a screenplay based on “Chickenhawk,” the classic Vietnam-era story about a helicopter pilot, and he said Harrison Ford is “interested.”
At the same time, he worked as a production assistant on “The Wall,” directed by Doug Liman (who also directed “Mr. and Mrs. Smith” and “Bourne Identity”), wrote another screenplay targeting both Chinese and American audiences, and co-created an animated web series called “Thrift Video” that he described as “‘Adult Swim’-type humor.”
And, somewhat ironically, Ellis’ work in Hollywood placed him behind the controls of a helicopter again.
“My USC mentor introduced me to the president of Studio Wings, Steve Stafford, a Marine vet,” he explained. “I’ve been flying a Huey, one of the types of helicopters I flew during my time in the Army.”
And the Studio Wings Huey is owned by one Vince Gilligan, the creator of the hit series “Breaking Bad.” Ellis and Gilligan have co-piloted the Huey on several occasions.
“Vince is a super-nice guy and very interested in my active duty experience,” Ellis said. “He’s also interested in my screenplay.”
Ellis is quickly learning that success in the movie business is about two things: who you know and how much talent you have.
“All this stuff is just coming out of the blue,” Ellis said. “But I love the non-linear aspect of Hollywood. You’re thrown into the big mix with everybody. How do you set yourself apart?”
Ellis has also learned when and where to leverage his military experience and the limits of it.
“The whole reason I’m flying helicopters with Vince Gilligan is because I flew helicopters in the Army,” he said. “But after that, it’s about the quality of my work.”
Over 160,000 Black people are currently in the United States military, serving a critical role in keeping our country safe, and they’ve been doing so for a long, long time. In fact, many of the Black celebrities you know and love are veterans! Keep reading to learn about 10 of the most famous Black veterans…you might be surprised!
Born in 1956, Montel Brian Anthony Williams is best known for his work as a TV host and motivational speaker. His show, The Montel Williams Show, ran for 17 years, but that’s not his only claim to fame. Williams served in both the U.S. Marine Corps and the U.S. Navy. After enlisting in 1974, he attended a four-year officer training program, graduating with a degree in general engineering and a minor in international security affairs.
After completing Naval Cryptologic Officer training, he spent 18 months as a cryptologic officer in Guam. He later became supervising cryptologic officer at Fort Meade, eventually leaving the navy after achieving the rank of Lieutenant Commander.
He earned several awards including the Meritorious Service Medal, the Navy Commendation Medal and the Navy Achievement Medal.
Food Network personality Sunny Anderson grew up as an Army brat. Her family’s ongoing travels and her parents’ love of food gave her a chance to explore international cuisines, inspiring her future career. After graduating high school in 1993, she joined the United States Air Force, where she earned the rank of Senior Airman. She also worked as a military radio host in Seoul, South Korea, going on to work for the Air Force News Agency radio and television in San Antonio from 1993 to 1997.
Stanley Kirk Burrell, better known as MC Hammer, is one of the most well known American rappers of the late 80s. He rose to fame quickly both as a rapper, dancer and record producer, coming out with hits like “U Can’t Touch This” and “2 Legit 2 Quit.” In addition to creating the famous “Hammer pants” and his successful entertainment career, Burrell served in the Navy for three years as a Petty Officer Third Class Aviation Store Keeper until his honorable discharge.
Tracy Lauren Marrow, AKA Ice-T, is a multi-talented entertainer with a tumultuous background. He had more than one run-in with the law in his youth, but after his daughter was born he decided to join the Army. Marrow served a two year and two month tour in the 25th Infantry Division.
Military life wasn’t for him, however, and he used his status as a single father to leave the Army and begin his career as an underground rapper. Since then, he has made a name for himself as a musician, songwriter, actor, record producer and actor, starring as a detective on Law Order SVU and hosting a true-crime documentary on Oxygen.
Jamaican-American singer, songwriter, activist and actor, Harold George Bellanfanti Jr is no stranger to hard work. He enlisted in the Navy at the start of World War II while he was still finishing high school. After an honorable discharge two years later, he focused on his music career, bringing Caribbean-style music to the US. One of his first albums, “Calypso,” was the first million-selling LP by a single artist.
He was also a passionate supporter of the civil rights movement, going on to advocate for humanitarian causes throughout his life. Since 1987, he has been a UNICEF Goodwill Ambassador and currently acts as the American Civil Liberties Union celebrity ambassador for juvenile justice issues.
Ever heard of Orville Richard Burrell? Don’t worry, I hadn’t either, but you probably know his stage name: Shaggy. Burrell was born in Kingston, Jamaica, in 1968. He began taking voice lessons in the early 80s, filling the streets with music. His talent was apparent early on, but in 1988 he joined the Marine Corps, serving with the Field Artillery Battery in the 10th Marine Regiment during the Persian Gulf War. He achieved the rank of lance corporal, and continued to sing while he did it. He went on to earn seven Grammy nominations, winning twice for Best Reggae Album.
James, better known as Jimi, Hendrix, began playing guitar in his hometown of Seattle at just 15 years of age. After enlisting for a short time in the Army and training as a paratrooper in the 101st Airborne Division, he continued his music career to become one of the most renowned guitarists of all time. His music career, much like his military career, was brief, but powerful. He earned a spot in the Rock and Roll Hall of Fame, which describes him as “the greatest instrumentalist in the history of rock music.”
Berry Gordy Jr
American record, film, and tv producer and songwriter Berry Gordy Jr didn’t get his start in the music industry. He dropped out of high school to become a professional boxer, which he excelled at until he was drafted by the U.S. Army in 1950. He was first assigned to the 58th Field Artillery Bn., 3rd Inf. Div. in the Korean War, later playing the organ and driving a jeep as a chaplain’s assistant. When his tour was over in 1953, his music career took off.
He founded the Motown record label, which was the highest-earning African American business for several decades. Several of his songs topped the charts, and he’s known for helping budding artists like Marvin Gaye, Stevie Wonder and the Supremes achieve greatness.
Actor and film narrator Morgan Freeman is yet another famous veteran. He earned a partial drama scholarship from Jackson State University, but he turned it down to enlist in the U.S. Air Force. There, he served as an Automatic Tracking Radar Repairman, rising to the rank of Airman 1st Class.
After being discharged four years later, he moved to Los Angeles and studied theatrical arts at the Pasadena Playhouse. Considering he has since won an Academy Award, a Golden Globe, a Screen Actors Guild Award and many Oscar nominations, it looks like his hard work paid off!
James Earl Jones
Few voices are as iconic and recognizable as that of American actor James Earl Jones. Before launching his acting career, Jones served in the military, receiving his Ranger tab and helping to establish a cold-weather training command at the former Camp Hale. During his time in the military, he was promoted to first lieutenant. Following his discharge, he served his country in a different way, with over seven decades of theatrical excellence. In addition to winning numerous Tonys, two Emmys and a Grammy, he was presented with the National Medal of the Arts by President George H.W. Bush in 1992. Nearly two decades later, President Barack Obama invited him to perform Shakespeare at the White House. Wow!
These Black veterans aren’t the only ones we should care about.
The history of African American military personnel is as old as our country itself. Countless Black Americans have made their mark on U.S. Military history, and they continue to do so today. Click here to explore the firsthand experiences of Black vets, or learn more about how to support them here.
War can be hell…and war can be absolute boredom. There are few better ways to pass the time than by playing cards. Anyone who served in the military and made it past basic training probably ended up in a game of cards with their fellow troops.
They’re easy to carry: small and lightweight, they fit into a rucksack, duffel bag, or Alice pack without having to sacrifice any piece of essential gear. Plus, they’re cheap. It just makes sense that the troops and playing cards would pair so well together.
Wartime decks have been used to help soldiers in the field learn about their enemies and allies, to identify aircraft, and even teach a little about American history. Even in the 2003 Invasion of Iraq, American forces used playing cards to identify the most wanted members of Saddam Hussein’s regime.
Playing cards themselves can be traced back to 12th century China. Some scholars think they made their way to Europe through Italian traders. The cards (and maybe even the games) predate the United States. But Americans have their own love affair with cards, and the military is no different.
Early special decks were released depicting Presidents Washington, Jefferson, Jackson, and (John Quincy) Adams as the kings of the deck. By the time of the Civil War, playing cards were in every American camp, Union or Confederate.
Since troops in the Civil War spent a lot of time in camp and had easy access to decks, alcohol, and firearms, a cheater could make the game go very badly for himself. The war actually shaped the way playing cards are printed, so players could hold a tighter hand.
Another innovation of that era was the design on the backs of cards. Before then, most were made with plain backs, ones that were easy to mark and see through. The new back designs made short work of that problem.
In 1898, the Consolidated Playing Card Company created a cheap deck and poker chips for troops deploying to the Spanish-American War. For World War I, the U.S. Playing Card Company released special decks just for a few specialties of service in the Great War, namely Artillery, Navy, Air Corps, and Tank Corps. The German High Command in WWI considered the game so important to morale, they called the cards kartonnen wapens – cardboard weapons.
Many playing card factories converted to war production during World War II, but that certainly didn’t mean no decks were printed. The aforementioned cards used to identify aircraft, known as “spotter cards,” were essential to the war effort.
During the Vietnam War, playing card companies sent deployed soldiers and Marines special decks comprised of just the ace of spades, believing the Viet Cong considered the symbol to be a deadly serious omen.
Watch below as magician Justin Flom recounts the oft-told story of a Revolutionary War soldier and his deck of cards, which acts as his bible, calendar, and almanac. Be sure to watch til the end for a magician’s tribute to American troops overseas.
J. D. Pardo and Vincent Vargas in ‘Mayans M.C.’ (FX)
Lockdown measures have meant that almost everyone is spending nearly all their time on Twitter. Those familiar with the social media platform would know that every new day during these difficult times sees a new celebrity being canceled. One of those celebrities was Adam Driver, for his supposed Islamophobic sentiments for enlisting.
On April 20, the hashtag #adamdriverisoverparty started trending on Twitter after a 2019 interview of the actor resurfaced. In the interview, Driver spoke about how he joined the Marines after 9/11 because he felt a deep desire for retribution against an invisible and unknown enemy.
“It wasn’t against Muslims,” he said. “It was: We were attacked. I want to fight for my country against whoever that is.”
What followed was a horde of Twitter users using Driver’s comments to accuse him of being Islamophobic and launching the hashtag. “#AdamDriverIsOverParty forget that ugly Islamophobic troll stream my amy adams fancam,” said one.
‘Mayans M.C.’ actor Vincent Vargas spoke to MEA WorldWide (MEAWW) on what he thought about Driver being subjected to the cancel culture. He said, “I think right now, people are completely polarized and completely divided on opinions on everything in the world. I believe they took Adam Driver’s quotes on what he talked about, why he wanted to serve our country and turned it against him as if he [were] an Islamophobe.”
He added, “I just didn’t think it was fair to someone who [served] our country, someone who decided to join for whatever reasons that might be and then to turn around and try and damage his career because of unpopular opinions of other people. It’s a small demographic of individuals that use social media to essentially bully someone on their own opinion.”
Vargas also said that Driver’s 2019 interview might have resurfaced as people are bored of being on quarantine and stuck indoors. He added that Driver is “a brilliant actor,” and that he did not think “any kind of assumption of his character is going to ruin his career.” Vargas said, “Whatever they took out of context, that’s on them.”
He said, “For it to kind of blow-up again was kind of weird. I was almost amazed by it and kind of blown away that someone who serves in America, who [makes] the kind of entertainment that we enjoy that is mostly made in America — the land of opportunity that actors from other countries come to — was [bashed].”
Vargas believes that it’s “honorable and commendable” that Driver chose to serve in the war, whether “people believe in the [purpose of the] war or not.” He said, “[Driver] was trying to serve a greater purpose than himself.”
Vargas himself is a veteran. The actor enlisted for the military and served in both Iraq and Afghanistan between 2003 and 2007 and did three tours. At the time, Vargas enlisted partly for financial reasons. He had a child he needed to support, but also because he wanted to do his part to help. He said, “I wanted to try and do it the right way and try and do special operations.”
The actor was part of both Operation Iraqi Freedom (the United States’ invasion of Iraq from 2003 to 2011) and Operation Enduring Freedom (what the Global War on Terrorism was called by the United States government).
Vargas was sent to learn Pashtu for several months so he could communicate with the Afghani population in the hills. He said he would check on them to see how things were going as well as to establish that “we’re here looking for terrorist fighters.”
Vargas said there was an interesting dynamic between the soldiers and the civilians of those countries. He told MEAWW, “Are we there for the right reasons? That’s a question to answer, but I’m here to do [the] job that has been asked of me by the military.”
On being asked his opinions on the civilian casualties during the United States’ operations in Iraq and Afghanistan, Vargas said, “I think we all know and [have] seen that there are civilian casualties in war all the time and it’s a super unfortunate thing to happen.”
He added, “It’s obviously not something I condone or support but I also know that there’s this crazy thing that happens in the fog of war and it’s unfortunate. It’s unfortunate that a lot of terrorist acts happened in our country and some civilians, innocent people, and bystanders get hurt in those as well. When you have a country at war, those things are to be expected and it’s not a good thing. It’s not something to be proud of, but it is something that we have to acknowledge exists.”
Vargas plays the role of Gilberto “Gilly” Lopez on FX’s ‘Mayans M.C.’. Crucially, he also serves as a technical advisor on the show. Vargas tells us that it is just him and Tyler Grey (of ‘SEAL Team’) who are veterans who served in active combat duty who work as actors on mainstream television today.
Vargas said, “I believe it’s kind of my place to make sure that veterans are represented in the right light and not to be bashed on for serving our country. Think about Hollywood. In the 50s and 60s, it was [run] by veterans who served in Vietnam and before that in World War 2.”
As the technical advisor, Vargas helps make sure that everything done on the show regarding law enforcement, military, and border patrol are authentic. When the writers want to include material on those aspects, Vargas, makes sure that it is something that is correct and “valid toward the truth.”
While it may seem that veteran representation in Hollywood is aplenty, veterans often lament that their on-screen counterparts are often portrayed in extremes. Veteran Chris Marvin told the New York Times that veterans were being stereotyped by what he believes has become the dominant image on television and in Hollywood today: the “broken hero,” as he puts it, “who once did incredible things but is now forever damaged and in need of help.”
“The truth is, 99 percent of us are neither heroic nor broken,” Marvin said. “We are people — people the public has invested in who have a lot of potential. And it’s time to get over the pity party.”
Marvin believed that the portrayals may color the public’s perceptions, causing people to think that veterans are more likely to be unemployed and to commit suicide than their civilian peers, which he insisted is not true.
Marine corporal and well-known TV and film actor Tim Matheson spent a morning with We Are The Mighty. He discussed everything from growing up in Hollywood, to his service in the Corps in the late 1960s and 1970s, to his starring in many great, classic films.
Matheson is notable to audiences worldwide for his performances in John Landis’ Animal House, Steven Spielberg’s 1941, Mel Brooks’s To Be Or Not To Be, with Chevy Chase in Fletch, as Vice President John Hoynes in the award-winning show West Wing and more recently as President Ronald Reagan in the TV movie Killing Reagan. He got his start in TV back in the 1960s on such series as Leave It to Beaver with Jerry Mathers; being the voice of Jonny Quest in Jonny Quest and guest-starring on Bonanza, The Virginian and Adam-12. His early film roles offered him the chance to work with Dick Van Dyke, Bob Hope, Jackie Gleason, Lucille Ball, Debbie Reynolds and Jane Wyman in such films as Divorce American Style; Yours, Mine, and Ours; and How to Commit Marriage. He starred with Clint Eastwood, David Soul, Hal Holbrook, Robert Urich and Kip Niven in the second installment of the Dirty Harry series Magnum Force.
Matheson described coming up in the industry as: “I learned on the job as an actor. I took classes when I was younger, but most of it was OJT. I’d get a day job here and a day job there. I sort of got the hang of it and it evolved into me learning my craft. The most interesting show I did was Yours, Mine, and Ours with Lucille Ball. It was like my first big movie and it was a big part with Henry Fonda, and he played a Naval Officer. It was based on a real story about this family. My character had a draft physical and then enlisted in the Marines. I think I was 18 and the day I was to shoot that scene. It was the day I actually had a draft physical. Passed it of course and became 1A, which means I am available to be drafted. Then I am wearing a Marine uniform (for the scene), I remember walking and didn’t know any of the etiquette or anything, I just knew I felt really strange wearing a uniform. I was actually out on the street. I had to walk from where I had lunch over to the studio, where someone yelled, ‘Hey Marine!’ I didn’t know what to do.”
Shortly after that experience, Matheson enlisted in the Marine Corps Reserve and went to bootcamp at MCRD San Diego. He kept his identity incognito during his bootcamp experience so as not to stick out as the “Hollywood” type in his platoon. During boot camp, he was chosen to be a squad leader and he picked up PFC out of bootcamp.
Matheson told a story while marching on base by the base theater which was showing a film he had worked on. The base was showing Divorce American Style with Dick Van Dyke and Debbie Reynolds as they marched by. He thought, “Oh dear, I don’t want to blow my cover now!” He considers boot camp the toughest time of his life. He described it as, “One of those things that you hated every minute of it and yet when you look back at it you learn so much. I think mostly about yourself and what you can do and what you are capable of doing. I was a Hollywood actor. I had never really done anything physically, I could run … there were these kids in my squads who were from the south and played football; I remember one kid, in particular, that would just break down. He couldn’t run. He’d just say, ‘I can’t do it,’ and broke down in tears. I would tell him, ‘Listen, look at me, if I can do it you can do it. I’m telling you seriously, you are in better shape than me. It’s all here (points to mind)…Get your mind right,’ and we nursed him all through that. That is the training that everybody gets. You all have your breaking point and you all have to learn how to get beyond it.
“There is a reserve and a resource inside you can call upon when is necessary and you can go farther than you think you can.” The Marines offered him the opportunity to compete for a slot at OCS. He declined the offer and was happy with being enlisted. He was stationed at the Naval and Marine Corps Reserve Center in Chavez Ravine, which is close to Dodger Stadium. It is now the Frank Hotchkin Memorial Training Center and run by the LAFD. He would go to 29 Palms with his reserve unit in the summers. He was part of his unit’s press department that would put out a paper even though he served in an artillery unit. Matheson made good friends in the Corps and enjoyed going through training with fellow Marines. He said, “There is a bond there you created that will never, ever go away. You have gone through something together. You’ve supported each other. You are there for each other….such a memorable time.”
One of Matheson’s funniest moments in boot camp was during pugil sticks training. His platoon fought against one of the platoons that was mostly made of up inner-city tough guys from Chicago. The tough guy platoon had a recruit named “Melson”, who looked, sounded and acted like Mike Tyson. Melson was considered the baddest guy in all of the platoons. While waiting for his pugil stick match, Matheson realized he was about ten recruits back from the start in which case Melson was about seven back, so he was in the “clear” or so he thought. He had not been paying attention when he realized he was six back and Melson was six back. His fellow recruits had been peeling off and going to the back, so they didn’t have to face Melson. Matheson was too close to the front of the line to get out of it. At the time he weighed about 160lbs and Melson was, “formidable.” His DI’s suited him and wished him luck in the pugil stick bout. Matheson said, “I’m just gonna go for it, I’m not going to just jab him. So, I go out there, KABAM! I hit him as hard as I could. He (Melson) looked at me, he throws down the pugil stick and dives on me. We have helmets on and he starts pounding my helmet. Everybody is laughing so hard.” The DIs separated the two of them.
Matheson found his way to the Corps through one of his industry friends, Mike Stokey Jr. Stokey’s family was in the Hollywood business as well. Matheson would take Stokey down to Camp Pendleton at times and his experiences of the Corps led him to pursue enlistment in the Marines. After boot camp, he did four weeks of ITR, which was that era’s infantry training. During ITR, the students of the school that ran the show were hardened street kids from Chicago. If other students didn’t go along with how things were being run, at night they would be chased through the billeting, likely en route to a beating of sorts. Matheson then went to radio school for his primary MOS of Field Radio Operator and was trained on the PRC-25.
While finishing up his time after radio school he was put on mess duty and then was sent to NYC to be on the “Ed Sullivan Show”. He shared, “…the Sergeant in charge of wherever I was….he said, ‘Matheson there is a car coming to pick you up tomorrow and you’re getting four days to go to NYC to do the Ed Sullivan Show for Yours, Mine, and Ours.'” Lucille Ball had called Bob Hope who then called HQMC to get Matheson permission to appear on the show. A car picked up Matheson and took him right to the airport. He had only one dollar in his pocket on the way to NYC; he didn’t have enough time to eat breakfast and couldn’t afford it arriving at The Plaza Hotel in the city. Until given some money, he was unable to eat. He said of being in NYC, “It was night and day different from being in training.” The Bee Gees were the guest of the week on the Ed Sullivan Show and he said, “It was a thrill to be on The Ed Sullivan Show (Matheson does his best Ed Sullivan impersonation).” Sullivan was filmed on Sunday and he was sent back to Camp Pendleton on Monday morning. By Tuesday he was back to swabbing the deck and he kept the visit to the show under wraps with Marines in his unit. He said of potential reactions, “Oh, here comes Hollywood, oh yeah, let’s get you down here. Scrub that toilet.” He made sure to fly below the radar most of the time, which made for a smooth enlistment.
When asked about Vietnam, Matheson shared, “I had mixed feelings about it and mixed feelings about what I should do, yet I did feel an obligation and sense of devotion to my country that I needed to do something. The Marine Corps Reserve was the perfect solution for me. If I am activated, at least I will be a Marine. With all due respect to the US Army, I did not want to be one of a huge number of people that was not seriously training. I knew the training in the Marine Corps was going to serve me well, so that if I ultimately ended up in combat I would be better prepared to handle it than I would if I had just been drafted and rushed through with the herd….it made me proud to be a brother of theirs (Marines that served and went to Vietnam), to stand alongside them and to feel that I had done a little bit for my country. And then it made me realize the obligation a citizen really does have in terms of service. It is so different today.” He said of the Corps, “I was proud to be part of that organization…I totally respected the price that was paid by all my brothers and sisters who did what they did and paid the ultimate price.” He shared, “It grew me up from being some kid in the valley…to seeing really what it was like to be trained and then shipped right over. Getting to know them when they came back or didn’t come back….You really learn the mettle of the men and women that you train with.”
Matheson retains a strong sense of pride, maturity and appreciation from his service. He carries over many values from his service such as, “Your word is your bond. It takes a team and you need leaders. Leadership was the thing I learned. I was a squad leader and then a guide at ITR. I learned how to take control and command. You couldn’t just stand in the back.” He credits the Corps with helping him ultimately become a director in TV and movies because of his leadership and initiative training. He believes running a film set is similar to running a military unit, especially in getting people to do things they don’t want to do yet need to be done. He was taught during automatic weapons training at Camp Pendleton if caught out in the open with no possible cover, to turn and to run toward the guns. His unit crossed paths in the chow hall with Navy SEALs and he was impressed with their toughness. “I had never seen any group eat as much and as fast as those guys. I thought we Marines were tough, and then I saw those guys! That was the first time I’d ever heard of SEALS. I never forgot them!”
Matheson is proud of his work with Clint Eastwood on Magnum Force. He said of Eastwood, “He was quiet, but filled with authority. He was the real deal.” He trained and qualified with the pistol for his role in the film. Matheson also did ride alongs with the police. He shared, “Clint always had a crew that just stayed with him through the years and they were the best.” Prop master Eddie Aiona on the film gave Matheson a .357 magnum to practice speed loading with to take back to his hotel room. Eastwood told Matheson of running lines and rehearsing before their scene, “No, I think there is something very special the first time that you hear those words and it should be on camera.” Eastwood’s comments surprised Matheson. He said of Eastwood, “He was the best listener I had ever worked with….he is totally listening to what I say and then I say what I had to say, and then he responded and changed one word that affected my next line…it was totally natural and totally spontaneous. I walked away at the end of that day saying, ‘This guy is the real deal; I mean wow.’ He was gracious to everybody and in public, he was very personable. Generally speaking, he had a way of moving around the city that you didn’t notice him. He just cut through all the blather. But if anybody stopped him, he would say ‘Hi’ and he would sign his autographs. He was the real deal and I just loved working with him.”
When asked who some of his more memorable colleagues were, Matheson shared, “Certainly John Belushi on Animal House was one of my favorites. He was one of the greatest guys, tremendous actor, wonderful improv. I remember the scene in the cafeteria where he is eating his lunch and stealing the food — he did it in one take. ” Belushi invented a lot of his work on the spot. “He couldn’t have been more gracious and generous to me. It was my first comedy.” Matheson speaks of the rivalry between New York and Los Angeles actors with, “None of that with John. Belushi set the tone of the film. John was just generous and loving and supportive of everybody and just great. Heartbreaking that his multiple successes took his life…that was when drugs weren’t bad for you…he just couldn’t get away from it. It was just a tragedy that we lost him.”
Matheson as a young actor got to work with many Vaudeville performers turned actors; Lucille Ball, Jackie Gleason, Bob Hope. “I learned a sense of discipline and how professional they were. Lucy was like a DI. I remember one scene with Lucille Ball where there were 11 kids around and there is a prop guy hiding under the sink … he has got to pop toast up that she’s gotta catch on a certain line. And at one point she looked around at everybody and she said, ‘Always rehearse with your props.’ It was just like a DI…it was one of those moments where this is what you do.” He is grateful for his good fortune in working with such greats and in the wisdom they imparted to their cast-mates.
Additionally, Matheson is grateful for having been able to work with great voice actors such as Mel Blanc (voice of Bugs Bunny), Dawes Butler (voice of Yogi the Bear, Snagglepuss, Huckleberry Hound, etc.) and Don Messick (voice of Papa Smurf, Scooby-Doo, Bamm Bamm Rubble, etc.). He got to see Mel Blanc perform a scene as two different characters/voices talking to each other, which floored Matheson. He said, “One of the finest actors I have ever worked with was Mel Blanc. Because he created the third-dimension voice, and you could see the character.” Matheson was a series regular on The Virginian,Bonanza and his own western with Kurt Russell called The Quest for a year each. His career was part of the waning time of western TV shows in the 1970s. He decided to start doing improv comedy to change the kind of parts he got which opened the door for doing Animal House, which opened even more doors for him.
He plans to keep on working as an actor with his current characters being more doctor roles now. “I must say the one thing I also learned from the Marine Corps was, ‘Get your ass in shape.’ I ran and ran and ran for years and did marathons until my knees started acting up. Now I am into spinning bikes and stuff like that. That was the main thing it instilled in me a sort of discipline; get up, work out…I see actors come to the set at 6:30 or 7 o’clock in the morning. They just woke up. I have been up for two hours, worked out because I want the blood flowing in my brain before I get to the dialogue — film is forever and pain is temporary so you are not embarrassed when your kids look at it in 20 years.”
Regarding veteran stories in Hollywood, Matheson sings high praises of Rod Lurie’s work directing The Outpost. He said, “ I thought it was an exemplary piece of work.” Matheson has positive feelings for Eastwood’s film Letters from Iwo Jima, as well. He shared, “I thought that was a masterful film…that he just threw together….I actually liked it better than the other film (Flags of Our Fathers)…I just think that those personal stories like that show the valor, gumption, strength and what it takes to be a leader in the service.” He said of working with Steven Spielberg on 1941: “Steven was one of the most wonderful, giving….and was very collaborative and encouraged me and my directing life and was quite an inspiration. He is just one of those guys that thinks differently. He is a genius and I look at his films and just study them because I find I learn so much in simply watching how he does things.” Working with Lurie on Killing Reagan was a great experience for Matheson and he describes Lurie as, “What a gem…and a gift he gave to me and Cynthia Nixon who played Nancy…to create an environment for us to play in…it was a memorable experience….I hold him (Lurie) in the highest esteem.” He said of political candidates that have served in the military: “I want them in our government. I want them to run a lot of different things.” His faith in military service and the Corps is still intact.
The Corps provided him with the following leadership takeaways: “The buck stops with me and I should be there for people that need help….To create a team in whatever situation you are in to do it better.” He is most proud of his kids in life and making them into responsible adults. He is glad to be in a position to keep learning his craft and is grateful to share the screen with great artistic craftsmen.
Avengers: Endgame has officially come to theaters, destroying every box office record with a ferocity and ruthlessness that would make Thanos proud. And while the movie has received an overwhelmingly positive response from critics and fans alike, the massive movie has also raised a fair amount of pointed questions. Like who was that random teen at Tony’s funeral? Who makes outfits for Hulkified Bruce Banner? And, most importantly, why did Endgame completely waste Captain Marvel? After all, the newest Avenger seemed destined to establish herself as the baddest hero around but instead, she did very little in terms of what actually happened in the movie.
Before we look at Marvel’s surprisingly small role in Endgame, let’s look at why people assumed she would have a big role in the first place. The biggest reason that most of us assumed Captain Marvel would have a massive presence in Endgame‘s endgame was her sudden and mysterious prominence in the larger MCU canon, starting with Nick Fury reaching out to her just as he was about to disintegrate at the end of Infinity War. As the architect of the Avengers, Fury has always prided himself as a man with all the answers and so it stood to reason that if he used what could possibly have been his last moments of existence making sure Captain Marvel returned to earth, she must be pretty fucking essential to saving the day.
This line of thinking was only magnified by Captain Marvel coming to theaters a little over a month before Endgame, as well as the movie itself, which made a clear demonstration of the fact that the titular hero had powers that would even make Thor shake in his Asgardian boots. The cherry on top of the speculative cake was Captain Marvel‘s mid-credits scene, where we see Captain America, Black Widow, Bruce Banner, and War Machine in a S.H.I.E.L.D. hideout wondering about the pager when suddenly, Captain Marvel appears and asks where Fury is.
With this mountain of evidence, speculation naturally abound. Some wondered if she would team up with Ant-Man to use the Quantum Realm to travel through time. Others said she is the one strong enough to beat Thanos. But no matter what particular theory you subscribed to, there only seemed to be one logical conclusion: Captain Marvel would prove to be the key to the Avengers undoing Thanos’ unique form of population control.
But it turns out, Marvel’s role in Endgame was pretty cool but mostly inconsequential. She shows up to help the Avengers find Thanos working on his garden, allowing Thor to finish the job and behead the being responsible for wiping out half the universe, which is shown to be little more than a moral victory. After that? Marvel is basically relegated to second-tier status on the Avengers, as she is briefly shown five years later just to let everyone know that she was off helping other planets, taking her completely out of commission during the time travel saga (aka the actual plot of the movie).
Marvel does return in time for the massive final showdown against Thanos and his forces and, to be fair, she kicks a whole lot of ass during the super war to end all super wars. But even as she is making her case to take the title of mightiest Avenger from Hulkified Bruce or Thor, she still doesn’t have a hand in the plan to take down Thanos other than participating in the extended game of keep-away with his beloved gauntlet.
Why did Captain Marvel play such a small role? The obvious answer seems to be due to the fact that this is the last ride for Tony Stark and Steve Rogers, so the majority of Endgame was dedicated to the original Avengers. But if that’s the case, why was perennial B-lister Ant-Man so fucking important to the plot? And given Endgame’s three-hour runtime, it’s hard not to feel like Marvel’s overall presence in Endgame was entirely underwhelming and a massive waste of an opportunity by the MCU.
With Tony and Steve officially riding off into the sunset, this was the perfect time to reassure fans that they were still in capable hands with the remaining supers, especially the brand new hero who arguably has the best powers of any of the Avengers and shares the name with the damn franchise. It stands to reason that Captain Marvel’s role in the MCU will only grow with the upcoming Fourth Phase and what better way to understand her place in the Avengers than to actually give her something important to do? Instead, she was forced to mostly sit on the sidelines while Iron Man, Captain America, and the rest of the OG gang got to have all the fun. What a waste.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.