There’s been a ton of great Captain America movies over the last few years, but they’re far from the first. Check out some of Chris Evans’s predecessors below!
Let’s look back at previous times Captain America graced the silver screen and “marvel” at how far he’s come. Some of these films have stood the test of time better than others, but all had some part in the way that the Cap has evolved over time:
1. Captain America 1944
This one stars Dick Purcell as Cap. He still rides a motorcycle, but in this one his alter ego is Grant Gardner. It’s a serialized cinematic version where Captain America hunts down the Scarab and his minions who poison their enemies and destroy buildings with a stolen device that uses vibrations to wreak havoc.
This must have looked awesome in the 1940s, but at about nine minutes in it feels like a goofy man in pajamas is just beating old-timey gangsters to death.
2. Captain America 1979
This 1979 made-for-TV movie featured Reb Brown as Captain America, complete with everything you’d expect from a show made during the late ’70s. In this adaptation Brown plays Steve Rogers, whose father was a government agent in the 1940s. His father’s zeal for America earned him the nickname “Captain America” and despite the fact that this name was used to ridicule his father, Rogers assumes the moniker. His strength and agility are boosted by a super steroid (you read that right). Cap drives around in a van (this is the 70s after all) which launches a high-tech motorcycle.
This film spawned a made-for-TV sequel called Captain America II: Death Too Soon.
3. Captain America 1990
This version’s plot is eerily similar to the Marvel Cinematic Universe’s Captain America: The First Avenger, complete with Red Skull, dramatic super serum scene, and an ice-watery doom. This one has the added bonus of Ned Beatty in giant eyeglasses. Cap is played by Matt Salinger who looks like your dad in a skin tight onesie catching a frisbee.
A huge battle featuring the Battletoads, Ninja Turtles, Ultraman, Mechagodzilla, a team of Spartans from Halo, and about a thousand other beloved pop-culture and childhood icons is something we sadly had to leave behind once all our action figures were cleaned up and mom called us down to dinner.
Kinda like that — but not at all.
Well, not anymore.
Hundreds of pop culture references from the 1970s, 1980s, 1990s, and recent years are featured heavily in Steven Speilberg’s new film, Ready Player One. It’s a film the director says was three years in the making and required the coordination of hundreds of artists and creatives the world over — including author Ernest Cline. Cline’s 2011 sci-fi novel of the same name was also filled with these great easter eggs.
The film is about the quest for such an “easter egg,” which, for the unfamiliar, is an inside joke, hidden message, or secret feature created by the designer of a work. Watching or reading Ready Player One is a lot like trying to get to the center of the world’s largest Matryoshka nesting doll of easter eggs.
Set in a poor area of Columbus, Ohio in the year 2045, film centers around Wade Watts, a young gamer inside the Oasis, an open, massively multiplayer, online world – essentially, it’s a video game that has supplanted the real world in popularity. The Oasis is populated primarily by other gamers and almost everyone has a customized avatar. Wade’s avatar is called “Parzival” and, in the Oasis, he’s on the quest for the greatest easter egg in history.
The Oasis’ late creator, James Halliday, left a series of clues to help people find hidden keys. Once all three keys are collected, the winner can claim the easter egg – Halliday’s fortune and ownership of the Oasis. Watts, in his quest, stumbles upon another gunter (or “egg hunter”), Samantha (also known as Art3mis) and three gamers he knows only through the Oasis: Aech (pronounced “H“), a samurai called Daito, and a ninja called Sho.
Together, as they unlock the secrets to finding the keys, they have to contend with billionaire businessman Nolan Sorrento, CEO of Innovative Online Industries. IOI’s corporate villain has seemingly unlimited resources, unlimited lives, and a vast army of digital slaves helping him wrest ownership of and monetize the Oasis, an idea anathema to the god-like Halliday’s vision.
By the time we get to the Battle of Castle Anorak (Anorak being the name of the late Halliday’s avatar), Parzival has rallied the entire Oasis – the entire world – to fight to keep their digital world pure. Rolling in the DeLorean time machine from Back to the Future, wielding crowd-pleasing weaponry, like Monty Python’s holy hand grenade, and fighting alongside horror movie legend, Chucky, Parzival and friends take on IOI’s respawning army of employees.
I know, it seems like a lot — even if you’ve already read the book. But look: If you’re a fan of the pop culture of the 1980s, this is the movie for you (listen up, Gen-Xers). The film loves the 1980s as much as you do. More than that, Ready Player One is a throwback to the popcorn-peddling, fun, thrill-ride of movies from the 80s.
Even if you don’t love video games or cheeky 80s references, there’s still something for everyone to love in Ready Player One. This is a movie for your inner pop-culture fan.
Just make sure you’ve seen The Shining before you go.
“Ranger Games,” by former Seattleite Ben Blum, is something of a genre mashup, part journalism and part family memoir.
The journalistic part pieces together, in high definition, the brazen 2007 robbery of a South Tacoma bank by a group of Army Rangers from Fort Lewis. The robbery, Rick Anderson’s coverage of which for Seattle Weekly gets brief mention (“Soldiers of Fortune,” Nov. 29, 2007), is a stranger-than-fiction tale in which a possibly psychopathic Army specialist convinces a “cherry” private and a small group of others that their training makes them well-suited to take out a bank.
As Blum describes it, the robbery sounds like something that would have been fun to watch were you not facing the barrel of one of the AK-47s the robbers hoisted: Rangers vaulting over barriers, calling out precise time checks, and then respectfully thanking everyone when it was done, all within 2 minutes. Astoundingly, the elite soldiers’ dexterous robbery was undone when they drove away, with security cameras watching, in one of their own cars with the license plates in full view. Arrests were made within a day.
None of these details are spoilers, by the way; so rich is this book that the facts of the robbery are dealt with quickly in the first few pages.
Which brings us to the family memoir part of the book: Blum’s insight into this piece of local history is sharpened by the fact that his cousin was one of the robbers—or the get-away driver, to be precise. Pfc. Alex Blum’s Audi with Colorado plates was the team’s undoing, and a large portion of Ranger Games is devoted to Ben Blum trying to figure out how Alex wound up involved in such a fiasco. As described by the author, the Blum family is an all-American sort, which is not necessarily a flattering look: they are wealthy, white, apathetic toward the Iraq War Alex would soon be fighting in, and sitting ducks for the looming housing crisis.
Blum’s portrait of his cousin is unsparing, peppered with quotes that make you kind of hate him. “I play a tough guy on the exterior, but a kid gives me a card, I hang it in my office. He signed it himself, in his little retard writing,” Blum quotes his cousin at one point in full bro mode.
Indeed, it is Ben Blum’s love-hate relationship with his cousin that is the driving tension of the book. The central question is how willing a participant in the robbery Alex was. Through breezy explanations of Ranger culture and prisoner psychology, Blum builds a plausible case that Alex was completely at the mercy of his military chain of command, and so when a superior told him to drive to a bank with a bunch of guns in the back seat he had no choice but to follow orders.
This theory was endorsed by none other than Philip Zimbardo, the psychologist who orchestrated the Stanford Prison Experiment in 1971. At one point, Zimbardo and Alex appeared on the Dr. Phil show to explain how it all worked in Alex’s brain. “So what you’re telling me,” Dr. Phil says at one point, speaking for the entire world, “is that you did not know that you were involved in an armed. Robbery. Of a bank.”
Blum shares Dr. Phil’s skepticism. The author is careful to note the holes in this explanation, and as the book progresses those holes grow and shrink. The book reaches its climax when Blum has an 8-hour interview in a federal penitentiary with Luke Elliott Sommer, the ranger who orchestrated the heist. Blum contemplates whether Sommer is a psychopath—with the help of a clinician from Washington’s McNeal Island—to uncertain results.
What’s clear is the guy is highly manipulative and fucking nuts, a dangerous combo if there ever was one. He was prone to forcing subordinates to do “suicide checks” at Fort Lewis, which entailed giving soldiers a gun and demanding they hold it to their head and pull the trigger, to prove loyalty and trust. Blum writes that he could empathize with those who obeyed the crazy orders.
“At the distance of a small table from Elliott, there was a strange double quality to my consciousness,” Blum says in describing falling into Sommer’s trap, “one half telling myself I could see right through him, the other half helplessly interacting on his terms.”
More than anything else this is a book about uncertainty: Uncertainty in one’s consciousness, in one’s family lore, in Dr. Phil, in what we can call free-will. Uncertainty in why the robbers didn’t cover up the Audi’s license plate.
The legendary rock band Kiss is known for their makeup, over-the-top stage show, and hits like “Rock ‘n Roll All Night” and “Detroit Rock City.”
They aren’t known as historians, although two of the band’s members — Gene Simmons and Tommy Thayer — have remarkable stories to tell about what their families went through during World War II. And equally remarkable is how these stories link the two members of Kiss to each other.
Backstage at a Kiss concert in northern Virginia in late July, lead guitarist Tommy Thayer talked about his father’s military service. James B. Thayer retired as a brigadier general in the mid-60s, but in 1945 he was an first lieutenant in charge of an anti-tank mine reconnaissance platoon that made its way across France into southern Germany. The unit saw a lot of action, including battles with Waffen SS troops – among the Third Reich’s most elite fighters – that involved bloody hand-to-hand combat.
As the platoon made its way farther south they stumbled upon the Mauthausen-Gusen concentration camp. “The SS had just fled,” Tommy Thayer said. “They left behind 15,000 Hungarian-Jewish refugees who were in bad shape.”
Ironically enough, based on time and location, among the refugees that U.S. Army Lieutenant Thayer liberated was most likely a family from Budapest that included a teenage girl who would later give birth Gene Simmons, Kiss’ outspoken bassist and co-founder.
“My mother was 14-years-old when they took her to the camps of Nazi Germany,” Simmons explained. “If it wasn’t for America, for those who served during World War Two like James Thayer, I wouldn’t be here.”
As a result of this connection, the band has thrown its clout behind the Oregon Military Museum, which will be named in honor of the now 93-year-old Brigadier General Thayer. Tommy Thayer is on the museum’s board, and the band recently played at a private residence in the greater Portland area to raise money and awareness for the effort.
“The idea that Americans enjoy the kind of life that the rest of the world is envious of is made possible – not by politicians – but by the brave men and women of our military,” Simmons said. “The least we could do is have a museum.”
“There is evil being done all over the world,” Simmons said. “And the only thing that keeps the world from falling into complete chaos is our military.”
Beyond supporting the Oregon Military Museum, in the years since 9-11, Simmons has worked as a military veteran advocate. Among some of his more high-profile efforts is the band’s hiring of veterans to work as roadies for Kiss on tour.
While other celebrity vet charities could rightly be criticized as something between Boomer guilt and vanity projects, the bass guitarist’s desire to help vets is fueled by what his mother’s side of the family went through to make it to America a generation ago.
Simmons has a few things to say about national pride, something he thinks the country has lost a measure of.
“When I first came to America as an eight-year-old boy people were quiet when the flag was raised,” Simmons said. “We all stood still.”
To Simmons’ eye that respect is lacking in too many Americans now, particularly younger Americans who are surrounded by information and media but may not appreciate the relationship between history and their daily lives.
“Just stop yakking for at least one minute,” he said. “The rest of the day is all yours to enjoy all the benefits that the American flag gives you.”
Oreo will release “Game of Thrones”-inspired cookies just in time for the series’ final season.
The limited-edition “Game of Thrones” Oreos, which taste like the original cookie, come emblazoned with one of four different decals inspired by the show. Three of the cookies feature the family sigils of the major houses vying for the Iron Throne, while the fourth cookie comes carved with a profile of the Night King.
The House Stark direwolf sigil is embossed on one version of the cookie.
House Stark Oreo.
The Mother of Dragons is represented with a House Targaryen-inspired cookie featuring the iconic three-headed dragon sigil.
House Targaryen Oreo.
Meanwhile, the famous “golden lion” of House Lannister makes an appearance on another version of the “Game of Thrones” Oreo cookies.
House Lannister Oreo.
Finally, the Night King represents the White Walker army with a cookie of his own.
The Night King Oreo.
Oreo is celebrating the collaboration by recreating the show’s title sequence with an animated landscape built entirely out of 2,750 Oreo cookies. Check out the video below:
Fans of the show can visit Oreo’s website or post on Facebook and Twitter using #GameofCookies or #FortheThrone to pledge their loyalty to any of the houses or the White Walker opposition. Oreo will then surprise some lucky participants with a special treat; the company has not yet disclosed what the treat will be.
The new “Game of Thrones” Oreos will hit shelves nationwide starting April 8, 2019, giving fans of the series plenty of time to stock up on the limited-edition snack prior to the hit show’s season eight debut on HBO April 14, 2019.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
The Walt Disney Company lit up the internet on Dec. 10, announcing exciting new projects for Marvel, NatGeo, ESPN, Pixar, and more. But let’s talk about what’s important: Star Wars.
The Star Wars galaxy is expanding into new feature films, live action series, and animated series, so let’s go over everything that’s coming in 2021 and beyond.
1. Rangers of the New Republic
The first of two spinoffs to The Mandalorian, Rangers of the New Republic will take place during the timeline of the Mandalorian. Not much is known about who these rangers will be (my vote is for a Bo-Katan series…others might be hoping for more Timothy Olyphant) but it is rumored to contain crossover events with its sister series, which leads us to…
Chapter 13 of The Mandalorian was just too good to not be a backdoor pilot. Ahsoka Tano, a beloved Jedi drop-out from The Clone Wars and Star Wars: Rebels, will be played by Rosario Dawson as she tracks down Grand Admiral Thrawn.
Starring Diego Luna once more as the titular Cassian Andor (from Rogue One), Andor has already begun filming in London and is set to release in 2022. Watch the trailer above for what few glimpses we’ve been given so far!
4. Obi-Wan Kenobi
We knew that Ewan McGregor would reprise his role as Obi-Wan Kenobi, but now we know that he will be joined by Hayden Christensen as Darth Vader. Set to take place 10 years after Revenge of the Sith (and nine years before A New Hope), the announcement of Vader definitely makes things interesting!
5. The Bad Batch
Fans of The Clone Wars should be excited about The Bad Batch, and if we’ve learned anything from The Mandalorian, it’s that the events of Clone Wars and Rebels have a clear impact on live-action canonical characters. Announced earlier in 2020, The Bad Batch “follows the elite and experimental clones of the Bad Batch as they find their way in a rapidly changing galaxy in the immediate aftermath of the Clone War. Members of Bad Batch — a unique squad of clones who vary genetically from their brothers in the Clone Army — each possess a singular exceptional skill which makes them extraordinarily effective soldiers and a formidable crew. In the post-Clone War era, they will take on daring mercenary missions as they struggle to stay afloat and find new purpose.”
6. Star Wars: Visions
Lucasfilm President Kathleen Kennedy announced that there will be ten “fantastic visions” told through the lens of the world’s best Japanese anime creators. Little else is know about these animated short films, but they will definitely look spectacular.
Remember that moment at the end of Rise of Skywalker when Lando sat down next to the ex-enslaved Stormtrooper, Jannah (Naomi Ackie)? It was kind of a forced moment, but I suspect this is why. Helmed by Justin Simien (Dear White People), the series that can easily launch with Lando helping Jannah look into where she came from.
I still maintain that it’s upsetting to know that so many of the Stormtroopers we’ve watched die are not Imperial volunteers but child soldiers…but…maybe an incredible and enlightened creator like Simien can help this make sense.
8. The Acolyte
Leslye Headland is the creator of Russian Doll, one of the most clever uses of the “groundhog day” device ever. This already has Netflix Jessica Jones or Daredevil vibes all over it. The idea of a darker, grittier, mystery-thrillier Star Wars has me amped.
To prepare you with knowledge about the High Republic era, check out Star Wars: The High Republic, a collection of original stories spanning a variety of comics, books, and more starting in January 2021.
9. A Droid Story
A Droid Story will be an animated series starring R2-D2 and C-3PO for Disney+. Lucasfilm President Kathleen Kennedy announced, “As we continue to develop new stories, the intersection of animation and visual effects offers new opportunities for us to explore. This epic journey will introduce us to a new hero guided by our most iconic duu…on a secret mission known only to them. What could possibly go wrong?”
10. Untitled Taika Waititi feature film
While Jojo Rabbit may have garnered Waititi an Oscar, it was with Thor: Ragnarok that he captured my attention. Waititi is clever, funny, cool, and talented so it’s no surprise that Lucasfilm President Kathleen Kennedy promised his film to be a wild ride.
11. Rogue Squadron
This one is so exciting we wrote an entire article about it. Wonder Woman director Patty Jenkins is determined to create the “greatest fighter pilot movie of all time.” She picked the right airframe — the T-65B X-Wing space superiority fighter has legendary status ever since Luke Skywalker jumped in the cockpit. Survivors of his Red Squadron at the Battle of Yavin would go on to form Rogue Squadron, named for the heroes of Rogue One.
Rogue Squadron was founded by Luke Skywalker and Wedge Antilles, but this film should take place after The Rise of Skywalker and take us into “a new era” of flight.
With three of the four largest names at Timely Comics (which would eventually become Marvel Comics) being U.S. Army veterans, it shouldn’t come as a surprise that many of the biggest names in their story lines center around U.S. Army veterans. Jack Kirby, Stan Lee, and Syd Shores all served in World War II. (The fourth? Joe Simon. And he was in the Coast Guard).
Whether they gained their powers through a Super Soldier project, magic, or even just skill — these Marvel super heroes proved to everyone the enduring strength of Army values.
Steve Rogers (Captain America) – World War II
In case you didn’t already know, the $12 billion film franchise and the most patriotic hero, Steve Rogers, was in the U.S. Army. Being a frail and weak soldier who still wanted to protect his people, he enrolls in the Super Soldier project. This grants him super strength, healing, and reflexes. He is also a master strategist and Earth’s greatest martial artist.
Following the success of the first Captain America, Marvel tried to experiment again with another super soldier serum through an analogy of the real world Tuskegee experiment.
Isaiah Bradley was the only survivor. His powers mimic that of Steve Rogers, but his mind is constantly deteriorating and he became sterile (much like the effects of syphilis).
In the short lived but phenomenally written story “Truth: Red, White & Black” and then “The Crew” Bradley takes on the mantle of Captain America while Rogers was frozen in ice. Through it, the series ends with a man who saved countless lives, saved the world, and is now forgotten to history.
Josiah X “Bradley” (Justice) – Vietnam War
The apple didn’t fall far from the tree with Isaiah Bradley’s son when the story of “The Crew” shifts. Josiah’s story takes place in the backdrop of the Vietnam War and then ’70s violence in Brooklyn. His powers are still the same of the other Captain Americas, and he’s armed with his father’s shield.
Writer’s Note: Seriously, I can’t recommend Christopher Priest’s work on this series enough. It’s one of the best damned comics I’ve ever read.
Bucky Barnes (Winter Soldier) – World War II
Thought killed in the same issue that Captain America joined the Avengers, James Buchanan Barnes was unveiled as the Winter Soldier. The once sidekick to Captain America became a coldblooded assassin and spy. He later regained his humanity and joined his old comrade and friend on the Avengers.
The name “Winter Soldier” is from Thomas Paine’s “The American Crisis” and an organization of Vietnam Veterans against the war. “The summer soldier and the sunshine patriot will, in this crisis, shrink from the service of their country.”
Nick Fury (The Unseen) – World War II
From leading his Howling Commandos to become the Director of S.H.I.E.L.D., to transforming into the silent observer of Earth, Nick Fury has done it all without any actual abilities — and with only one eye. He has the Infinity Formula which kept him from aging, but it was with his mind and skill on the battlefield that allowed him to take down nearly every superhero in the Marvel universe.
Nick Fury — in both the main universe and “Ultimate Universe” (where he’s redesigned to look like Samuel L. Jackson) — many of his Howling Commandos, as well as his son Nick Fury Jr., all served in the U.S. Army.
Professor Charles Xavier (Professor X) and Cain Marko (Juggernaut) – Korean War
The story of both Professor X and Juggernaut’s time in the Korean War go hand in hand, with the stepbrothers both serving in the Army during the Korean war.
Charles had earned his Ph.D. in genetics before he was drafted and assigned to the same unit as his brother. When Cain deserted under fire, Charles went to retrieve him. He found himself in an ancient temple and gained magical powers of strength and immortality — making him an unstoppable force.
Charles, of course, has always had mutant powers.
Charles Xavier has been portrayed in the movies by Sir Patrick Stewart. The son of a regimental sergeant major in the British Army who’s unit was present in the Dunkirk evacuation, Stewart cites his father for inspiration for many of his roles on screen and stage.
Eugene ‘Flash’ Thompson (Agent Venom) – Iraq War
The former bully turned friend of the high school student Peter Parker (Spider-Man) enlisted in the U.S. Army to fight in Iraq where he lost his legs on the battlefield saving his squadmate.
Dealing with depression, alcoholism, and post-traumatic stress, Flash became the new host of the alien Symbiote “Venom.” Mixing the military knowledge of Thompson with the alien abilities of Venom, Agent Venom became one of the newest heroes to Marvel’s line-up in 2008.
I couldn’t tell you what Marvel Studios and Sony Pictures have in mind for Agent Venom after Tom Hardy’s turn as Eddie Brock (Former host of Venom). But I can tell you that I would be 100 percent supportive of Tony Revolori’s depiction taking the oath of enlistment.
What other superheroes from the U.S. Army or military do you love? Let us know in the comment section.
*Bonus* Hal Jordan
He has no super powers, was only in one issue, and only helped Namor the Submariner fly a plane because he became a pilot for the Army Air Service. The only reason why this one-off character is even remembered is because his looks and military pilot background are the same as another character named Hal Jordan created 10 years later by DC.
The 1993 movie “The Sandlot” is a classic American coming-of-age story set in the early 1960s. It’s about nine boys spending their summer days playing baseball in an unkempt piece of land. Their summertime fun takes a wrong turn when the main protagonist of the movie, Scotty Smalls, hits his step-father’s baseball, signed by “The Sultan of Swat” Babe Ruth, into a yard protected by a massive dog known as “The Beast.” The boys must now help Smalls get the ball back before The Beast chews it to pieces. Each character in the film has a different personality and a different skill, but they are bound together by their love of baseball.
Groups of military friends are a lot like the Sandlot kids, especially when they are deployed to the “Sandbox” (mil-speak for the Middle East). And just like any group of friends, each person brings a different dynamic and trait to the group in order to complete a mission. No matter what era you served in, veterans can relate to having their group of battle buddies/shipmates be just like characters from this cult classic film:
Benny “The Jet” Rodriguez
Benny is the group’s leader and everyone looks up to him. He serves as a mentor to the others, especially Smalls. Benny is brave, smart, and a physically fit stud who can out hit and outrun every kid (as well as The Beast) with his trusty P.F. Flyers shoes on. Along with being a great player, Benny is friendly, humble, and a teacher. The best thing about “The Jet” is that he is wise beyond his years and willing to risk life and limb (for instance, hopping over the fence to challenge “The Beast” to get the ball back) to help his friends.
Military Friend: The Leader
Every group of military friends seems to have a clear leader. He or she seems to be good at everything they do. They are physically dominating and willing to take a risk for the betterment of the team. The group leader is not only awesome but selfless. For this person, it’s all about the team.
Scotty Smalls is the new kid in the neighborhood trying to fit in. “The Jet” reaches out to him, like the good leader and person he is, and takes the new kid under his wing. Scotty is introduced to the rest of the guys, but the boys are not too keen on him at first due to his lack of baseball skill. Eventually, the team warms up to him, and is simply referred to him by his surname ‘Smalls.’ Although he is now a part of the team, the boys like to give him grief throughout the movie for his lack of understanding of common things like S’mores, chewing tobacco, and (of course) not knowing who Babe Ruth is. This frustration introduces the classic line “You’re killin’ me, Smalls!” Smalls gets the team into the situation or ‘pickle’ when he hits the baseball signed by “The Great Bambino” over the fence and into the grips of The Beast.
Military Friend: The New Guy/Gal
New people are always cycling into the military. Think of Smalls as the new private/airman joining the unit. The new kid lacks knowledge and always seem to be getting in some sort of dilemma that the rest of the group needs to get him/her out of. It can be frustrating. Despite the growing pains, the “Smalls” of a group of military friends eventually becomes a reliable member.
Hamilton “Ham” Porter
Despite the physique, Ham is the muscle of the team. Don’t let the chunks fool you, Ham is a good athlete and a classic home-run hitter. Ham can also flat out talk trash like the best of them, especially to anyone who challenges his friends. The character’s most famous scene is when he tells a rival ball player that he “plays ball like a girl,” a classic “drop mic” line. Ham tells it like it is and enjoys messing with his teammates from time to time.
Military Friend: The Enforcer
Every group of military buddies has an enforcer. This military friend is probably more muscularly defined than Ham’s “soft belly meat,” but the character traits are the same as the curly haired catcher. This friend will always stand up for his friends and is not afraid of anyone.
Michael “Squints” Palledorous
Squints likes to tell stories although he does seem to exaggerate many of his tales (especially when it comes to talking about “The Beast”). He even claimed the dog ate anywhere between 120-173 guys. (Talk about an imagination!) Squints may look like a classic nerd-bomber with his big-ass birth-control glasses and teeth – on the contrary, he is self-confident, cool, and ballsy. He is so daring, he even pretends to drown at the pool just to kiss his crush, Wendy Peffercorn, who is the prettiest girl in town.
Military Friend: The Storyteller
Veterans always seem to have that friend who likes to tell elaborate stories. Despite their size and look, this friend may also ooze confidence, even if they have eyewear bigger than their face.
With his signature fastball “The Heater,” Kenny DeNunez is the team’s pitcher. He is a dedicated and hard-working ballplayer second only to “The Jet” in terms of baseball skill. He is a solid teammate.
Military Friend: The Dependable One
Most groups of military battle buddies have a great worker who may lack a big personality but is reliable when he/she is needed most.
Alan “Yeah-Yeah” McClennan
Yeah-Yeah is a bit of a smart aleck who started many of his sentences with “Yeah-Yeah.” It’s a perfect nickname for him. He is also a bit of a daredevil when he attempted to retrieve the Ruth ball in an aerial style attack over the fence. It’s disclosed at the end of the film that “Yeah-Yeah” joins the military and later becomes a pioneer of bungee jumping.
Military Friend: The Smartass Daredevil
This friend likes to joke around and do dangerous activities. It is safe to say every group of military buddies has a “Yeah-Yeah” in their group. Maybe even more than one.
Bertram Grover Weeks
Bertram is an infielder who seems like a subdued character for most of the film, but then shows signs of a “bad boy” when he gives his friends some chewing tobacco.
Military Friend: The Quiet Rebel
Don’t mistake his quiet nature for his rebellious side.
Timmy is the architect who helped built the group’s treehouse near the sandlot. He’s a thinker in many ways and comes up with the idea to do the aerial attack.
Military Friend: The Builder
This friend can make anything with spare material and some 550 cord.
Tommy “Repeat” Timmons
Tommy is the smallest kid of the group. He is also the most bothersome because he repeats everything his older brother Timmy says throughout the movie. It’s easy to forget Tommy except for this annoying habit.
Military friend: The Annoying One
Sometimes you just want to choke him out.
Military friends are a unique cast of characters who share a special bond, especially when serving in “The Sandbox.” Eventually, friends go their separate ways but the memories of their time together live “FOR-EV-ER!”
The Yazidi women who have fought the Islamic State of Iraq and Syria will be the subject of a new feature film in production by Amazon Studios and directed by Sarah Gertrude Shapiro.
This will mark Shapiro’s feature film directorial debut.
According to a report by Deadline.com, the exact plot details are unclear, but Shapiro has done much research into the plight of the Yazidi. Among the stories Shapiro has looked into is that of captured humanitarian worker Kayla Mueller.
The report notes that Mueller was forced into sex slavery and a marriage to ISIS leader Abu Bake al-Baghdadi, and that both the humanitarian organization Doctors Without Borders and the Obama Administration failed to negotiate for her release.
Mueller’s parents claimed they were told that if they did make an offer to the terrorist group, they would risk prosecution. Details of Mueller’s captivity were provided by at least one former sex slave who escaped ISIS, and a letter smuggled to her family.
Mueller died in February 2015, with ISIS claiming she had been killed in an air strike carried out by the Royal Jordanian Air Force, after being held for 18 months. Earlier this month, some reports claimed that Al-Baghdadi was also killed by an air strike.
Shapiro is also reportedly researching the so-called “European jihadi brides” in preparation for the project. Some of the worst torture suffered by Yazidi sex slaves has been at the hands of the spouses of ISIS fighters.
Shapiro is best known as the creator of the Lifetime series “UnREAL,” starring Constance Zimmer and Shiri Appleby, and also worked behind the scenes on the ABC Reality show “The Bachelor.”
If you’re a parent, you probably know exactly where your child is and if they are strong with the Force. But for Rey, the questions of where her parents are and who they are remain, after two Star Wars movies, a giant mystery. Chris Terrio, screenwriter of “The Rise of Skywalker,” says important information about Rey’s parents will be revealed in the next big Star Wars film. In fact, he says two questions will be addressed. Will we be happy with the answers? Maybe not! But, that’s not what counts right now.
On Oct. 2, 2019, a new excerpt from an Empire magazine story revealed that J.J. Abrams’s screenwriting partner, Chris Terrio, says there are two big questions that will be answered in “Star Wars: The Rise of Skywalker.” And those questions are:
“Who is Rey?”
“How strong is the Force?”
In terms of the first question, Terrio made it clear that this question is literal as well as philosophical.
Star Wars: The Rise Of Skywalker | D23 Special Look
“‘Who is Rey?’…is a question that people not only wonder about quite literally but wonder about in the spiritual sense,” Terrio told Empire. “How can Rey become the spiritual heir to the Jedi? We kept coming back to, ‘Who is Rey?’ and how can we give the most satisfying answer to that not only factually — because obviously, people are interested in whether there’s more to Rey’s story — but more importantly, who is she as a character? How will she find the courage and will and inner strength and power to carry on what she’s inherited?”
In regards to the other question — “How strong is the Force?” — Terrio says that “It sounds a little simple, but actually, when you get down to it, that is a sort of Zen Koan that we would really meditate on.”
Right now, it’s totally unclear what Terrio means by this, but if you’re placing bets on the answer to “How strong is the Force?” is simply: “about as strong as my toddler when they are resisting bedtime” you’re either very wrong or very right.
“Star Wars: The Rise of Skywalker” is out everywhere on Dec. 20, 2019.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Although some of our favorite films are pretty “out there” when it comes to pulling off some amazing feats, there are quite a few movie moments that Marines would love to train their asses off for and totally pull off.
In a hostage situation, shooting around the victim and nailing the assailant would come in quite handy — if we could master it. But we doubt we ever could.
How awesome would this be?
2. Shooting out the floor (Underworld)
In many cases, service members have to find clever ways to evacuate from a desperate situation. In 2003’s Underworld, Selene (played by Kate Beckinsale) shoots the floor out in order to escape from vicious werewolves.
This is a great idea; you know, if the physics were possible and humans could handle 20-foot drops.
If it worked for her, it should work in real life.
3. Inverting you fighter jet (Top Gun)
When flying in an aerial dogfight, there’s no better way to send the enemy an FU message like Maverick’s in 1986’s Top Gun. He managed to fly inverted and flip the bird to his rival flying ace.
This feat is near impossible, but “Mav” makes it look easy as hell.
They went ballistic!
4. Putting on a parachute in mid-air (Eraser)
In 1996, director Chick Russell took on a stunt that had audience asking, “How did they do that?” when U.S. Marshal John “The Eraser” Kruger threw a parachute outside of a speeding plane at high-attitude then retrieves the “chute” in mid-air.
We think that’s pretty badass.
Who wants to go skydiving?
5. The backbend bullet dodge (The Matrix)
At times, Marines fight in close quarters combat when charging in enemy territory, and, unfortunately, sometimes they get shot. Wouldn’t it be awesome if they could just dodge incoming rounds like Nero? We think so.
6. Shooting someone through their scope (Saving Private Ryan)
Steven Spielberg knows how to tell an effective story, and he did just that directing 1998’s critically-acclaimed Saving Private Ryan.
After showing the world how American troops stormed the beaches of Normandy, he brilliantly captured the moment when Pvt. Jackson (played by Barry Pepper) takes out a German sniper with a perfectly aimed round right through his scope.
Although it’s reported Marine legend Carlos Hathcock made this historic shot, the myth has been both deemed both “busted” and “plausible” by the same people — the Myth Busters. Regardless, we want to be able to pull it off again, and again. Mostly for bragging rights.
Wojtek endeared himself to members of a Polish army unit in 1942 when he alerted them to the presence of a spy in their camp.
The Polish soldiers, who were released by Russia after the German invasion in 1941, were passing through the Middle East on their way back to Europe. Picking up new members on such a trip wouldn’t be unusual, but Wojtek’s case was a little different, because he was a bear.
Wojtek, whose mother is thought to have been shot by hunters, was bought by Polish soldiers while they were in Iran and eventually joined what would become the Polish II Corps’ 22nd artillery supply company in 1942.
He continued with them through Iraq and into Egypt.
To board a ship to Europe in 1943, Wojtek needed to be a soldier, so the Poles formally enlisted him as a private — with his own pay book and serial number.
Wojtek, who eventually weighed well over 400 pounds, also got double rations.
The badge of the 22nd Artillery Support Company of the 2nd Polish Corps.
“He was like a child, like a small dog. He was given milk from a bottle, like a baby. So therefore he felt that these soldiers are nearly his parents and therefore he trusted in us and was very friendly,” Wojciech Narebski, a Polish soldier who spent three years alongside Wojtek during the war, told the BBC in 2011.
They also shared a name — Wojtek is a diminutive form of the name Wojciech, which means “happy warrior.”
Now Wojtek’s story is being documented in an animation feature by Iain Harvey, an animator and the executive producer of the 1982 adaptation of Raymond Brigg’s children’s story “The Snowman,” which was nominated for an Oscar and is still shown every year at Christmas on British television.
The bear smoked, drank, and wrestled with soldiers
When he was told about Wojtek, Harvey thought the story was “pure fantasy,” he told the Times of London this week. “It’s fantastic to have a piece of magic that’s real.”
Wojtek, who eventually rose to the rank of corporal, became a mascot for his unit.
Soldiers would box and wrestle with the bear, who was also fond of smoking and drinking. “For him one bottle was nothing,” Narebski told the BBC. “He was weighing [440 pounds]. He didn’t get drunk.”
He was trained not to be a threat to people and was “very quiet, very peaceful,” Narebski said. But he didn’t get along with another bear and a monkey that were also adopted by the soldiers.
Wojtek was a source of good cheer for the unit, Narebski told the BBC. “For people who are far from families, far from their home country, from a psychological viewpoint, it was very important.”
But he was more than good company during the fighting in Italy.
A British soldier at the Battle of Monte Cassino said he was surprised to see the six-foot bear hauling artillery shells to resupply Allied forces. The company’s patch also featured Wojtek carrying a shell.
Filmmakers released a documentary about Wojtek in 2011. Harvey’s project, “A Bear Named Wojtek,” has secured funding from Poland, but he is still seeking a British partner, telling The Times that he would contact Channel 4 and the BBC as well as companies like Netflix.
Harvey’s project is being set up for release on the 75th anniversary of Victory in Europe Day on May 8, 2020.
According to The Times, it will take 30 animators roughly a year to produce the 30-minute film, hand-drawing each scene on a tablet.
Narebski last saw Wojtek in April 1945, before the Battle of Bologna in Italy.
Once his unit was demobilized in Scotland, the bear was resettled at the Edinburgh Zoo.
A monument to Wojtek in Krakow.
Former members of his unit often visited him at the zoo, where he lived until his death in 1963 at age 21.
Narebski returned to Poland but had trouble keeping in touch with his former comrades — both human and bear — because of restrictions put in place by the Polish government.
He never forgot about Wojtek, however.
“It was very pleasant for me to think about him,” Narebski told the BBC. “I felt like he was my older brother.”
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Jeb Stuart has been a motion picture and television screenwriter, director and producer for over 30 years, and is widely considered one of the great action screenwriters in film history. His first film, Die Hard, was nominated for four Academy Awards and voted the Best Action Film of All Time by Entertainment Weekly (2007). In a 2012 New York Times Magazine article, Adam Sternbergh wrote: “As a genre, the American action film…produced one bone fide masterpiece, Die Hard.” In 1993, Stuart’s suspense thriller, The Fugitive, was nominated for seven Academy Awards including Best Picture. During his career he has worked on over 50 feature and television projects, which have collectively grossed over $2.5 billion dollars worldwide.
Presently, he is the creator and showrunner of two Netflix Original series, The Liberator, a World War Two drama slated for release in the fall of 2020 and Vikings: Vahalla which is currently in production in Ireland. Stuart is a WGA Best Screenplay Nominee as well as a two-time Edgar Allen Poe Nominee for best movie screenplay. He has received recognition for his writing from the American Film Institute and is a recipient of the Nicholl Screenwriting Fellowship, administered by the Academy of Motion Picture Arts and Sciences, of which he has been a member for over 25 years. Stuart received a B.A. and M.A. from the University of North Carolina at Chapel Hill and a M.A. in Communications from Stanford University. He is a former member of the graduate faculty at Northwestern University, where he taught in the Writing for Stage and Screen Program. WATM had the chance to sit down with Stuart to hear more about The Liberator.
WATM: History is full of stories of courage and uncommon valor; how did this story grab your attention to decide that it must be made?
Stuart: The Liberator is based on the book written by Alex Kershaw. It was sent to me by Michael Lynne whose company Unique Features was working on a World War II project for the History Channel. I’m a huge reader, especially U.S. military history, and I thought this would be a great story for a couple of reasons: It deals with Italy primarily and it doesn’t get enough coverage in film and TV. It shows our troops learning to fight instead of the great battles such as D-Day and the French invasion that we know pretty well.
The biggest issue for me, that I was really attracted to, was the diversity part of the story. That a group of native Americans, White cowboys and Mexican Americans could be brought together in an integrated unit in WWII. That really got my attention. The idea that Felix Sparks, a back-office 2nd lieutenant, who works his way up to Lt. Colonel over the course of 500 days is a pretty compelling story within itself. It’s a survivor story and of terrific leadership. That was the start and there was a lot after that but that drew my interest in the story.
WATM: What was your favorite character-building moment in the story?
Stuart: That’s a great question, Ruddy. You know, there are so many moments like that. I think my favorite moments are when the men are really having to pull together in combat situations. Anzio comes to mind, I wanted to tell a story that can show G.I.s under artillery. For most people watching this [war series], I was wondering if there was a way to capture the terrifying aspect of being in a foxhole under bombardment for minutes by the German 8.8 [cm] artillery that was just fearsome.
We were able to do that with Trioscope. What it would feel like is not knowing where a shell would come down, then having American artillery corresponding, going over your head and raining down on your position in order to complete the task – guard the only road into Anzio. Should the Germans capture it, they would have a blank check to move support vehicles and tanks into Anzio. They probably would have driven the Allies back into the sea.
So, this one unit is tasked with holding that road. An incredibly complex task that they should have been overwhelmed by. By pulling the chain as they do in episode two, by putting their own artillery down on themselves, they were able to stop the German advance long enough for the Americans to have a grasp on Anzio and counterattack.
They did win the Presidential Unit Citation Award, which at the time was pretty new. Very few units have ever received that. That’s my favorite character-building moment for the series.
WATM: Warfare is organized chaos, while in production, what was a moment that you experienced your team pulling together and getting the mission done?
Stuart: In that same episode after the Anzio battle, Spark’s unit had to move into a series of places called The Caves. Where these rag tagged pieces of units that were still left, took refuge in this circular mound that they had done more excavation. It was probably more of a mine than a cave and there were civilians in there.
For me, that was the place where they gathered up. Having to recreate this, the audience will see a functioning Trioscope. Trioscope is a hybrid type of animation – we shot the show on a blue screen. When we cast out there, things like leaving the cave and going out into this bombardment under machine gun fire, all have to be imagined by the actor. It calls upon the actor to bring more to the table otherwise it’s just not going to have the feel. What we did a lot of the time is that Grzegorz Jonkajtys, our director, and L.C. Crowley, our producer back in Atlanta, they would put ear pieces into the soldier’s ears that they would pump in machine gun fire from the right or explosion is coming in or you hear the whistle of incoming shells.
After a couple of takes, Ruddy, (laughs) it doesn’t take long for an actor to suddenly start thinking ‘where is that coming from? How am I going to react?’ and they would react naturally. If a shell is coming you just get down, if a foxhole is available you get in, especially when it’s 20 feet from you.
It’s incredibly disorienting for the actor, as it should be, as you’ve said organized chaos. It should shock you; it should surprise you. That fight or flight instinct and adrenaline pumping in and you react that way. I think it was an extremely successful experiment that worked for us.
WATM: The military audience is always hungry for more, more, and more. They will watch content a million times over and always ask ‘what’s next?’
Stuart: I am hoping what you’re saying is a follow up to The Liberator using Trioscope in another conflict such as WWI, Gulf War, Vietnam.
WATM: Yes, absolutely.
Stuart: It is great for this type of format. I hope we can do an anthology series which would be fun because trioscope allows us to recreate great battles, great units, great servicemen, great stories like that. You obviously need the great assets that go only with it like terrific directors and great animators. If you think of WWI and WWII, none of those tanks and planes really operate or exist today outside of museums and private collections.
You couldn’t mount a show of any scale like you could in the 50’s and 60’s like Dirty Dozen or along those lines. You couldn’t do those kinds of things without recreating [vehicles] from scratch. This is an opportunity to find great soldier stories and tell them in a very convincing, authentic way through Trioscope, A+E Studios and School of Humans, and I have been in talks about what we can do together.
WATM: Is there anything that you would like to say to the military audience?
Stuart: The one thing I would like to really tell your audience at We Are The Mighty is that The Liberator has a terrific message but also just great entertainment. It’s the type of thing where everybody who is involved thought it was a very special project. It tells an important part of our military history.
The veterans I’ve talked to, not just Vietnam veterans – my father was a WWII veteran, veterans of the Gulf War and such; the mental endurance that’s required to get through something like that are just as important today as they were 75 years ago. I think there is a lot of resonance in the story and we’re excited about it, we’re proud of it, and I hope people will tune in and watch it.The Liberator Premieres Veterans Day November 11, 2020 on Netflix.