The Falcon and the Winter Soldier finale had a lot of loose ends to tie up — and a lot of Phase 4 fun to set up. The series began with Sam hesitant to accept the legacy left to him by Steve Rogers and Bucky traumatized from his past. By the end of the action-packed finale, both men have found what they were looking for.
The focus of this episode — and one of the most timely and relevant arcs of the series — was Sam’s journey to become Captain America. After a lot of struggle, he became Captain America the same way that Steve Rogers did — through the integrity of his actions. With his new flight suit from Wakanda, Sam was able to hold his own against Super Soldier Flag Smashers, the acrobat, crashing helicopters and plummeting trucks.
In sharp contrast to John Walker’s downfall, Sam’s heroics were also caught on camera and seen by the public. The message was clear: This is what Captain America looks like.
And while for many Black people in America and around the world a happy ending may feel too perfect, too unrealistic, Marvel has made it clear they are bringing messages of hope in their stories.
Sam’s final victory was not in combat: it was in speaking to the lawmakers in the Global Resettlement Council and asking them, “Who is in the room with you when you’re making decisions?” He pointed out unless the people in power consult with the people who need their help, they’ll never actually be of service.
A moment that hits hard is when Bucky, seeing his friend in action, finally calls Sam “Cap.”
Bucky remains a stalwart wingman, an epic fighter and a man of humor throughout this episode, but it’s in the finale’s final moments when we really see his healing come to fruition. He finally crosses the last name off his list: Yori, the father of the man he’d killed as The Winter Soldier. In offering Yori closure, Bucky found some of his own. Seeing him celebrate with Sam’s family, laughing and playing with the children feels like the happy beginning for the World War II vet.
Sam returns to Isaiah’s home, where we can see the healing that has transpired for Isaiah through Sam’s actions. Isaiah acknowledges that Sam accomplished something he’d never dared dream of: a Black man has become Captain America.
More than that, in one of the most touching moments of the show, Sam brings Isaiah to the Captain America exhibit at the Smithsonian and reveals that Isaiah and his men have been included in a tribute of their own, finally telling their story that the world may never forget.
John Walker makes an appearance here in an “the enemy of my enemy is my friend” moment. It was a nice touch to give him a choice between attacking the Flag Smashers or saving a truck filled with hostages. Walker chose to save the hostages, reminding us of the man he was — the man with Medals of Honor who served with valor in the Army.
No one is ready for a full John Walker redemption story — but perhaps he will be more understood going forward. It’s clear Marvel has plans for him. Contessa Valentina Allegra de Fontaine gives Walker his new suit and title — U.S. Agent — and warns us all that “things are about to get weird.” Can’t wait.
When Sharon shows up with WMDs and straight up murders a Flag Smasher with a chemical agent, I knew it wasn’t good. We learn that during her time on the run, Sharon was the eponymous Power Broker, responsible for funding Dr. Nagel’s Super Soldier research, running the criminal underworld of Madripoor, and influencing the actions of the Flag Smashers.
She kills Karli Morgenthau, the teenager she was responsible for radicalizing, and finally earns her pardon from the U.S. government, who offer her a position within the CIA. She accepts and makes a call to an unknown entity, promising access to “government secrets, prototype weapons, you name it.”
Whether Marvel will order more from these heroes remains unknown (though Sebastian Stan has reportedly said he’s down for anything) but it feels great to see the Disney+ title card shift at the end of the episode. Though it would have been even better to see “Captain America and the White Wolf”… just saying…
Video games are extremely popular in the military community. It’s a favorite pastime and even troops who grew up playing outside will take part at some point. But what might surprise you is that it’s not just the nerds among us who’ve made videos games less of a time-killer and more of a hobby.
The military brings people from all different backgrounds together under the same roof — nerds and jocks alike. In fact, in the past two decades, a countless number of young hopefuls have showed up at the recruiter’s office looking to live out fantasies they’ve had while playing games.
Sure, not all of them make it and, yes, the harsh reality of military life sets in and you’ll quickly realize it’s not anywhere close to your favorite video game, but those who make it hold on tightly to their hobby. You just might be surprised at what types of games are popular among troops.
There was a movie that came out recently based on the original game. You should probably just stick to the games, though…
The predecessor to the insanely popular massively multiplayer online role playing game, Warcraft is a real-time strategy series set in a grim fantasy world. If anyone from any walk of life brings this game up in conversation, they are most definitely a nerd — but by that barometer, there are a lot of nerds in the military.
Service members often feel the need for speed after a long week.
Any Mario game
Mario Kart, Mario Party, and Super Smash Brothers are all great games to play in the barracks on the weekend. These bring people together, just like a split-screen game of Call of Duty, but you’d never expect to see the bright colors and cartoony characters of a Nintendo title glowing on the faces of hardened war fighters.
You’ll still find an amazing following within the military, though.
(Sony Interactive Entertainment)
‘God of War’
Judging by the title alone, you’d think this series was a smash hit among service members, but it’s not wildly popular. Here’s why: You might get the opportunity to kill a bunch of gods in a bloody frenzy, but most games in the series follow a linear storyline. Troops generally aren’t interested until it comes time to fight.
This game takes quite a bit of skill, actually.
‘The Last of Us’
Of course a zombie shooter made it onto this list, but the best part of The Last of Us isn’t its gunplay, it’s the engaging and tragic story. Anyone can pickup Call of Duty and get their fill of zombie killing, but it takes a true dork to buy a game for the zombies and stay for the story.
Nerds love fighting giant monsters!
One of the greatest game series to ever be developed, Dragon Age is a fantasy RPG that offers great story that evolves based on player choices. Much like the Witcher series (see below), you wouldn’t expect this to come up in conversation, but if you bring it up in the barracks, you’ll turn a few heads.
(CD Projekt Red)
A role-playing fantasy game based on the novels of the same name by Polish author Andrzej Sapkowski, this series is renowned for its engaging story and open-ended choices. This game requires patience, preparation, and a good amount of reading — and it’s still popular among service members. It’s just that good.
The first footage of Todd Phillips’ origin story tale of DC Comics villain the Joker is finally here.
Warner Bros. released a teaser of the movie on April 3, 2019, starring Joaquin Phoenix as the man before becoming the Clown Prince of Crime. This follows the footage being shown April 2, 2019, at CinemaCon, the annual convention for theater owners in Las Vegas, which Business Insider is attending this week. As part of Warner Bros. showing off its 2019 slate, Phillips came out and introduced the teaser to a packed house of exhibitors and press.
He said the movie was still “taking shape,” and that most of the chatter about the movie online “hasn’t been very accurate.” He added: “I guess that’s what happens when you set out to do an origin story about a character that doesn’t have a definitive origin.”
But he did give a little hint about the movie’s tone, saying “it’s a tragedy.”
The teaser certainly has that feel. Phoenix plays the character Arthur as a sad clown. He’s someone who seems very attached to his mother and finds love at home but outside, in a very grimy and dangerous Gotham City, is often picked on and violently attacked. Then it seems something finally snaps in Arthur, or maybe it was always there and circumstances lead the other side of him to finally come out.
But his descent into madness has a very Travis-Bickle-in-“Taxi-Driver” feel. The only difference is Travis wanted to wipe the scum off the streets of New York, and it seems in “Joker” Arthur wants to be the leader of the scum of Gotham.
We’ll find out what happens when “Joker” hits theaters Oct. 4, 2019.
While typically rooted in true events, war films often take “creative liberties” in the portrayal of military members and their exploits. Heartbreak Ridge is no exception, but there’s one famously far-fetched scene in the cult classic that may have actually happened.
The 1986 film depicts the efforts of Medal of Honor recipient and thoroughly crusty Gunnery Sgt. Tom Highway (Clint Eastwood) as he whips a group of undisciplined Marines into combat shape just in time for the 1983 invasion of Grenada. While Heartbreak Ridge is known for its over-the-top depictions, the scene where Gunny Highway finds himself in a jail cell for bar fighting and urinating on a police cruiser might be the most accurate depiction of a battle-hardened Marine staff NCO in history.
In the film’s depiction of Operation Urgent Fury in Grenada, there is no shortage of hip firing from the highly trained Recon Marines, who use almost no structure or tactical maneuvering. And at a climactic point in the battle, the pinned-down Marines use a house phone and credit card to make a collect call back to Fort Bragg to request air support.
As unlikely as that last one seems, it may have actually happened.
Operation Urgent Fury is infamous for the innumerable blunders and SNAFUs that occurred before and during the operation. The US military of the early ’80s was a largely untested force that was undergoing a large-scale downsizing and restructuring (stop me if this sounds eerily familiar).
President Ronald Reagan sent an initial force of 2,000 troops to rescue the nearly 1,000 Americans in Grenada at the time and settle the turmoil there, but the Pentagon ultimately had to send in roughly 4,000 additional military members to complete the operation. Short notice, bad planning and intel, and poor interservice communication plagued the operation.
US forces ultimately succeeded, and that was due, in no short part, to the boots on the ground doing what they do best — adapting and overcoming. Many stories are told from this operation, but none encapsulate the event and also the versatility of the American warrior quite as well as the legend of the American who called for indirect fire from a pay phone.
As the tale goes, US service members were pinned down by enemy fire and were in dire need of artillery to gain the upper hand. Communication to any kind of support was cut off, spurring one quick-thinking soldier to action. The soldier allegedly took out his credit card and utilized the nearest pay phone to call Fort Bragg. The call was relayed through several channels and the necessary artillery was provided — saving the soldiers and winning the day.
To date, there are a couple of different versions of this legend. One involves a Navy SEAL making the call from a governor’s mansion for air support from an AC-130. However, Marines claimed the fire came from a naval destroyer positioned just off the island. Another involves a member of the 82nd Airborne actually using a pay phone to call his wife back at Fort Bragg who then relayed the message to his command.
We may never know what really went down, but the legend of the phone call for fire inspired screenwriter and Vietnam veteran James Carabatsos to incorporate the impromptu call in his script for Heartbreak Ridge.
At the end of The Dark Knight Rises, Batman is not only alive but happily drinking wine with Anne Hathaway. It seems impossible, but it’s been 11 years since the final Christian Bale and Christopher Nolan Batman movie hit theaters. Since then, Ben Affleck has played Batman and now Robert Pattinson has slipped into the Batsuit for the highly anticipated 2021 film, The Batman. But what if it had all happened differently? What if Christian Bale had done one more turn as Batman?
Speaking to the Toronto Sun about his new film, Ford v. Ferrari, Bale makes it clear that a fourth Batman film was 100 percent in the cards, and certainly something Warner Bros. wanted from both him and director Christopher Nolan.
“Chris [Nolan] had always said to me that if we were fortunate to be able to make three we would stop,” Bale explains, saying the director always wanted it to be a trilogy, no matter what. Though Nolan and Bale always felt lucky each time they were able to make a new installment in their version of Batman. These days, we consider the Dark Knight trilogy to be a modern classic in the superhero genre; movies that stand apart from the Marvel versus cinema debate. But, at the time, Bale points out that doing a new version of Batman was considered to be a fairly risky gamble.
Christian Bale in The Dark Knight Rises.
(Warner Bros. Pictures)
“I literally had people laugh at me when I told them we were doing a new kind of Batman,” Bale says. “I think that the reason it worked was first and foremost Chris [Nolan’s] take on it.”
Still, when the studio wanted a sequel to The Dark Knight Rises, Bale said Nolan turned it down. “Let’s not stretch too far and become overindulgent and go for a fourth…That’s why we, well Chris, stepped away. After that, I was informed my services were no longer required.”
Though this interview makes it sound like Bale was in solidarity with Nolan, that last detail also suggests he would have done another Batman movie in a different capacity if asked. Though Christopher Nolan produced The Man ofSteel and Batman eventually appeared in its sequel, Batman v. Superman, it’s an interesting thought experiment to consider what would have happened if it was Bale’s Batman and not Ben Affleck who battled with Superman? It’s an alternate dimension we’ll never visit; one starring a Batman that we didn’t need, per se, but certainly, the Batman we still think we all deserve.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Jeremy Lee MacKenzie is an artist & filmmaker whose career began after being incarcerated as a teenager. His artwork, “Hidden Blueprints,” is a collection of wood-scrollwork cut from blueprints that were hidden in the prison system. He discovered the blueprints while serving sentences that totaled eight years, for bank robbery & drug trafficking.
He was inspired to become a filmmaker while working as a prison movie projectionist where he studied screenwriting and was released with scholarships to Champlain College. In 2015, he was awarded a screenwriting fellowship to Stowe Story Labs and that same year, won gold in the PAGE International Screenwriting Awards in LA.
In 2017, MacKenzie completed his film “Hidden Blueprints: The Story of Mikey,” and received the James Goldstone Emerging Filmmaker Award. In 2018, he was chosen for the Vermont Symphony Orchestra Award and was then admitted to the USC School of Cinematic Arts to pursue his MFA on a George Lucas Scholarship.
Annenberg Media: Tell me about where you are from and your life growing up?
MacKenzie: I’m from Burlington, VT and my childhood was complicated. I had a lot of challenging things happen while growing up and I ended up in adult prison at the age of 17 for bank robbery. Looking back, it feels like it was 100 years ago, like I’ve lived in quantum time where every year contained the events of five years.
Annenberg Media: What is the most distinct memory you have of your mother and father?
MacKenzie: A positive memory I have of my mother is how she always encouraged me to be an artist and be creative. She was always very honest and encouraging if she thought I was good at something. My father encouraged storytelling and read me a lot of books growing up. He tested me on the stories to see if I was listening. He would reread me the same story and then change certain plot lines to see if I was paying attention. I would stop him and tell him, “no dad, the storyline goes like this…”
Annenberg Media: What challenges did you face at school and in the community?
MacKenzie: My parents separated after my younger sister passed away. I lived with my mother most of the time and my father during summers. When I was really young, I did well in school. At a certain point in my childhood we moved into a trailer park where we were living in poverty. A lot of the people living in that trailer park did not care much about school and were into drugs. Those became really tough years since I valued education but was now being punished for valuing academics.
At first I had to fight kids often when getting off the school bus because I was into focusing on school. My parents always tried focus my attention on education. I was very young and got sick of fighting and being an outsider, so I ended up joining the crowd. I got into drugs to succeed in that world. I often wondered if people around me who chose the drug path, went through those same bad experiences as I did.
At the age of 12 or 13, I transitioned into selling drugs and became a drug dealer. I wanted to excel in a world I was way behind in. By 14-years-old, my parents had lost full control. I had an 18-year-old stripper girlfriend living with me. I was deep into the world of drug dealing: at age 14, it was cocaine, 15, it was opiates, at 16, I was arrested for dealing heroin and at 17, I was locked up for bank robbery.
Bang, that escalated quickly! My parents were baffled at how things changed so rapidly.
Annenberg Media: Where did this lifestyle lead you?
MacKenzie: I served three sentences totaling eight years. During one of those sentences, I earned my high school diploma but was still struggling to separate from the drug world. During the course of one of my sentences, I was sent to a corporate prison in Kentucky. When I got there, I got my first college opportunity. Hazard Community College selected 20 inmates who they gave grants to start college while incarcerated.
Due to overcrowding and the mistreatment of inmates, a lot of violence was going on in the facility. It was a for-profit prison and the administration was not friendly. I had to make a choice between focusing on college or joining an uprising in the prison. A group of inmates were planning a revolt and ended up having a riot at the facility. The riot took over the facility for a night and the administration building was burned which included the education facility. The college opportunity went up in smoke. We were in lockdown for many months while they rebuilt the prison around us. This gained a lot of national media attention.
Annenberg Media: Did you have any creative outlets while incarcerated?
MacKenzie: Isolation can be a powerful tool. After the riot, while in lock down I started designing artwork. I would design blueprints for big pieces of wood-scrollwork. I had learned this wood cutting technique as a teenager from an old clock maker in prison and I taught myself how to design. I was designing on taped-together pieces of paper but we weren’t allowed to have the paper so I had to hide my blueprints until I could bring them home.
Those blueprints came to be my artwork years later. I used them as a tool for storytelling. Many of the blueprints I drew didn’t directly depict prison but told the stories of our experience on the inside through ancient themes. When I was not designing I started getting into TV and movies and I started watching this show called “Medium.” Everybody watched it. It was a way to escape from prison.
MacKenzie: My darkest moment came during my third sentence when I could no longer hide from my darkest truths and my responsibilities. I couldn’t hide the impact my actions had on my friends, family and community; I experienced a paradigm shift. I was in a segregation cell where I had more charges coming. The drug dealers who had been supplying me since I was an adolescent, who I had been protecting my whole life, were not protecting me or anyone else. The whole veil of that world came crashing down.
I realized the effect my life was having on everyone around me and the people I had protected and followed didn’t care about me anymore. I was in the segregation cell and I noticed there was a broken razor blade on the floor. “This is my out,” I thought. This was one of the few moments in my life where I contemplated suicide. But, I looked out the window and thought to myself, “No one could explain this to my dog, she’s never gonna know what happened.” I just wanted to see my dog again. She probably saved my life. Tests find a way of placing themselves in your path, especially at your darkest moments. I needed to let things play out until the end.
Annenberg Media: How was your life impacted after making the decision to stay alive?
MacKenzie: That was a very challenging period of time, but it passed. And I ended up getting a job as a prison movie projectionist. It was a makeshift movie theater with prison walls. We screened everything from the original “Star Wars” to “Casablanca” and “Chinatown.” It was a powerful experience watching “Star Wars” projected onto a prison wall.
While working as a prison movie projectionist, I started writing stories with the women’s prison. The women were relatable and had similar situations to mine. But we weren’t allowed to write to other prisons so I would send the letters to my father and he would re-address them to the women I was writing. I invited them to write a story where the women and I could insert our own characters and set them off on a journey together. I was very grateful to the women for that, as it provided a creative medium that was very valuable. It also provided companionship and helped with loneliness.
Working with the prison movie theater was a crucial time for me. All those earlier years of my father testing me on stories came back to me. I decided I wanted to become a filmmaker. I focused on screenwriting and reached out to different colleges to get the books they used in their screenwriting courses. I was no longer in a corporate prison and I made a deal with teachers to recycle prison paperwork. The education offices would print scripts on the back of the recycled paperwork I brought them. Filmmaking was like life or death- in my previous life I was going to die and this new life was the only way out. There were no other choices.
Annenberg Media: Did you plan on getting further education?
MacKenzie: I got a scholarship to go to college when I came home. The scholarship letter came from Bernie Sanders, which I still have. When I came home I realized there was all this time that I had missed. I did a lot of catching up in college.
As soon as I got to undergrad, I won gold in the Page International Screenwriting Awards for a screenplay. The award and screenplay got me connected with Julie Pacino, Al Pacino’s daughter. I began to excel and was pushed more towards directing. Julie ended up producing my film, “Hidden Blueprints.” Things began to happen much more rapidly and I ended up using “Hidden Blueprints” to apply to USC.
Back then, Ben Stiller was making his show “Escape at Dannemora” and his group reached out to have me in the show as an inmate. I have an escape on my record- at one point I tried to run away from prison- so I was not able to get security clearance to enter prison. But, I took a role as an extra on a different part of his show so I could still be apart of the production. I had this really funny moment where I was standing on set with Ben Stiller to my right and I was quietly watching him work. Then, the main actress comes out and I’m suddenly hit with this really familiar feeling: the actress was Patricia Arquette who I watched in the TV show, “Medium” years ago in that destroyed prison in Kentucky. I realize I’m standing in the middle of a show about escaping from prison starring the actress of the show we all used to watch to escape from the prison we were in. It was an interesting and affirming moment.
I sent the production staff of the show an email about it. It made me reflect on how far my arc had brought me. Within a matter of days the George Lucas Scholarship came in for USC. It gave me chills. I had projected “Star Wars” movies on a prison wall. Now I was headed to LA.
Aron Meinhardt, J. Lee MacKenzie, and Julie Pacino
Annenberg Media: Why Hollywood and why now?
MacKenzie: This is the epicenter of storytelling. I came here to fully engage in storytelling and USC helped me get here. I knew this was the path. This is the place to begin and branch off. This is a time when people from all different places and backgrounds can tell stories. I felt like I was one of those people that could have a place here.
Annenberg Media: What is it like to be a George Lucas Scholar at the School of Cinematic Arts?
MacKenzie: From where I come from, it has been extremely helpful and it has been an honor to have the opportunities I’ve had. I had the opportunity to work with some incredible people like Riley and Austin Lynch, Julie Pacino, Aron Meinhardt and many others. I got to collaborate with C. Craig Patterson who is a great friend, he is on a George Lucas Scholarship as well. I look forward to seeing who else I get to meet and work with.
Annenberg Media: What are your career and life goals?
MacKenzie: I want to direct movies. I direct films not because I love it, but because I feel compelled to. Telling stories was my only way out and it is the only pathway I see forward. I am going to continue on that path and see where it leads. It took a lot of people helping and believing in me to get this far. It didn’t start out that way. I deeply appreciate the people that helped me along the way. Wherever this path goes, I hope it is fruitful for both myself and for those that helped.
Annenberg Media: How is the coronavirus social distancing affecting you and do you have any recommendations?
MacKenzie: As I said, isolation can be a very powerful thing. I know a lot of people are stuck inside right now, for much longer than they are used to. A lot of movies are not getting made. People are scared and they are experiencing their own moments of darkness. But some of the most creative years of my life began with isolation and darkness like this. It wouldn’t surprise me if the solitude of this pandemic inspires and gives birth to a lovely period of filmmaking in its wake, the likes of which the world has perhaps never seen. I really hope to be a part of that movement and I think we will all feel fortunate when we see it happen.
Featured image shows J. Lee and Isabela Penagos—USC arts students.
When building a fantasy world, you draw inspiration from the real world for some of the practical details. In “Game of Thrones” (or “A Song of Ice and Fire” to my fellow book readers), almost every tool of death is based off of an actual weapon.
Excluding mythical things, like the Night King’s ice spear or Daenerys’ dragons (which are totally A-10s), you can usually point to a real weapon that bares a striking resemblance to the one in the series.
Jon Snow’s sword isn’t unique… at all.
Of course, Non-Valerian steel swords like Jon Snow’s exist, and having animal designs on the pommel are nothing new, but the devil is in the details of pinpointing specifically where they originate.
Everyone from the Vikings to Filipino warriors to the Romans made cool designs on the pommel. Those are cool and all, but do they open their eyes? Probably not. And neither did Jon’s.
The Mountain’s sword is an Irish Long Sword
The Mountain, being the strongest man in Westeros and the strongest man on Earth, would need an equally powerful weapon. What stands out about Gregor Clegane’s weapon is the pommel. It’s a symbol common among Irish long swords. It’s also featured prominently in the show as well in Sansa’s necklace as well as Cersei. Just throwing that out there…
Arya’s weapon is a French Rapier
Jon had a tiny sword made for Arya long before she turned into a faceless assassin who knew how to use it. Her blade doesn’t have an edge and is best “sticking them with the pointy end.”
It’s a lot like an actual rapier used as a Main-gauche, or parrying dagger used with the off hand.
Dothraki Arakh is the Egyptian Khopesh
The weapon of choice for the Dothraki and Daario come from the Egyptian sickle-sword. The advantage of using a khopesh is that it serves several purposes. It’s great as a sword, good as an ax, and excellent as a hook.
Wildfire is Greek Fire
The Wildfire used by the Lannisters is devastating. It won the Battle of Blackwater Bay and blew up the Septum. An extremely early version of a napalm thrower was used by the Byzantines for naval combat as early as 672.
Lannister’s Scorpion is the Roman Scorpion
Give it up for my boy Bronn. Sure, there may be heroic battles and perilous combat throughout the series. But to stare down a dragon with an untested weapon after it wrecked havoc on all of your fellow soldiers… Balls of Valerian f*cking Steel.
In real life, Greeks and eventually Romans used a smaller version that was perfect for long range combat.
Benjen Stark (Cold Hands)’s weapon is a burning version of a Japanese Chain Weapon
Most depictions of flails in popular culture are actually debatable for being historically accurate. If they had a chain, it was short for close combat. If it was longer, it’d be two handed and used on horseback (like Benjen).
The closest to reality that Benjen uses is perhaps a variation of the kusarigama, a weapon synonymous with another historically debatable group: ninjas.
Tormund’s Ax is a Mesoamerican Macuahuitl
This one blows my mind for not just its similarly primitive design, but also how it was made. It’s never outright stated in the show, but it looks as if his ax is made of Dragonglass — something we know can kill White Walkers and Wights. Dragonglass is also known as obsidian in the show and lore.
In early Mesoamerica, warriors would use chipped obsidian on sticks to create a devastating sword/ax that could cut through their foes.
Beric has these guys beat by using magic to light their swords on fire, but it’s been a common tactic used in lighting arrows on fire. A burning sword is cool, but impractical for actual fighting because it would need a constant supply of fuel.
This is why it’s just used by circus performers.
But then again. A fan recreated the Shishkebab from Fallout 4, giving it a constant source of fire. So this guy beat him to it.
For more insight into the practicality of the “Game of Thrones” weapons, check out the link below:
Look, it is easy, and deeply enjoyable, to give Oscar Mike host Ryan Curtis boatloads of crap for the shenanigans and mannerisms (shenannerisms?) he regularly deploys in the line of duty. It’s easy because he’s a good sport. It’s enjoyable because, well:
But credit where credit is due, it is no easy thing to drop in on a recording studio unprepared, be played a brand new beat, compose a non-wack verse and then get into the booth and spit your best whiteboy flow in front of a hot producer and a rapper at the top of his game.
TMR served 10 years in the Middle East as a Marine Corps combat correspondent, ala Joker from Full Metal Jacket. Though he started rapping young, he found he had to put his passion on ice during active duty — no time to think, let alone rhyme.
When he finally left the service, the transition was rough.
“It was a reality shock. I didn’t know where to go. You’re like, ‘I have all this time on my hands,’ and you get to thinking… ‘I was such a super hero in the military, but now I’m just a regular civilian. Nobody cares about me. I’m nothing now. Why should I even live?'”
Finding himself in a dark headspace familiar to many vets exiting the military, TMR did a hard thing: he asked for help.
With the assistance of the VA, he was able to reorient, finding an outlet in his long-dormant passion for rap. He now lives in Hollywood, CA, cutting tracks and shooting music videos to support his budding career as a musician.
And, no joke, in a single day of working together, TMR, producer Louden and the Artist Formerly Known as Ryan Curtis may just have succeeded in dropping the U.S. military’s first ever chart-topping hip hop track:
It’s a lock for New Oscar Mike Theme Song at the very least.
Watch as Curtis looks for lyrics in a Magic 8 Ball and TMR proves there’s no room in his game for shame, in the video embedded at the top.
Following World War II, the former Soviet Union and the United States began the ultimate race to space. The Right Stuff series by NATGEO premiering on Disney+ chronicles a period of time filled with excitement, fear and more than anything, hope.
The new series is based on the nonfiction book of the same name written by the late Tom Wolfe. “This book grew out of some ordinary curiosity. What is it, I wondered, that makes a man willing to sit up on top of an enormous Roman candle such as a Redstone, Atlas, Titan or Saturn rocket, and wait for someone to light the fuse?” he wrote in his foreword for the 1983 edition of The Right Stuff.
The Right Stuff brings viewers into the intensity of a monumental time period in United States history. As the NASA space program began, President Eisenhower insisted that the first astronauts be pilots. Although the program stated that they would need decades to get a man on the moon and successfully in space, they were given an ultimatum. Two years.
The series follows the famed Mercury Seven as they began their quest to become the first men in space. When they were introduced to the world publicly, they were immediately idolized and revered by most Americans. What followed after their selection included rigorous training and tests to see who would be the first.
The famed Mercury Seven were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton – fighter pilots for the Air Force, Navy and Marine Corps. The new series boasts actors Jake McDorman, Michael Trotter, Patrick J Adams, James Lafferty, Aaron Staton, Colin O’Donoghue and Micah Stock. Executive producers of the new series include Oscar winning actor Leonardo DiCaprio, founder of Appian Way Productions.
The Right Stuff series follows two men in particular, Major John Glenn, a Marine, and Lieutenant Commander Alan Shepard, highly regarded as the best navy pilot in its history. It also brings the viewer into the around the clock work of the NASA engineers as they fought their way to space, with the timeclock of their deadline continuously ticking ominously in the background.
In an interview with Business Wire, Disney+ weighed in on the excitement of the new series. “As our audiences around the world turn to Disney+ to find inspiration and optimism, we believe the true-life heroism of the Mercury 7 will showcase the tenacity of the human spirit and inspire a new generation to reach for the stars,” said Ricky Strauss, President, Content Marketing, Disney+.
Patrick J Adams as John Glenn. (National Geographic)
In the first episode of season one, the viewer enters into the height of the Cold War in 1958. It opens in the Mojave Desert as the United States reacts to Sputnik and the mission to beat the Soviet Union in the race to space. The premise of the show brings a new generation into the heart of the life and world changing experience of that time. After the seven become overnight celebrities, the series follows their struggles and triumphs on their journey to space.
With the Mercury Seven astronauts constantly in the public eye, each episode digs deep to showcase the PR machine that existed to present the perfect picture, but they were far from it. What will it take to make it to space? The ending of the trailer highlights dramatic events unfolding in an eerily voiced countdown.
The opening line of the compelling trailer says it all, “American’s love stories and this story ends with a climax in space.” The Right Stuff showcases the raw cost of that ambition coming to fruition, as well as the invigorating hope and excitement it all brought to a country in desperate need of both.
In a U.S. territory half a world removed from the continental United States, what does it mean to be American? To find out, Meals Ready To Eat host August Dannehl shipped off to the far reaches of Pacific Micronesia, to Guam.
Guam is a tiny island with a full dance card of seemingly competing cultural histories. Its indigenous people, the Chamorro, called it home for 4000 years, but after the island was “discovered” by Ferdinand Magellan in 1521, it experienced several centuries of European colonization, capture, and rule that heaped Spanish, Catholic, American, and Japanese cultural influence atop the foundations of its identity.
But where other territories with similar fraught histories stumble through the modern era in crisis and without a firm sense of collective “self,” Guamanians wove themselves into the fabric of democratic and multicultural America. They celebrate their 21st century hybridity with exuberance, with fervent patriotism and military service, and with a food culture so funky and delicious, people travel from all over the globe to get in on it.
Why choose? (Meals Ready To Eat screenshot)
In Guam, you find patriotism in its purest form, animated by gratitude for life. Guamanians have earned a deep understanding of how precarious human existence can be, whether it’s an island in the middle of the ocean or an oasis in the heart of the desert or a small, blue planet in the void of space.
Guamanians don’t just feel gratitude, they act on its behalf. As a people, they serve in the U.S. military at a higher rate than any of the 50 states.
When the Americans came and liberated us, they became family. That patriotism from our ancestors or those even living today, it continues on. And that’s an honor to be part of a nation that gives freedom, to be part of something greater than this tiny island…that’s what makes us American. —Sgt. Joleen Castro, U.S. Air Force
Their service reflects their dedication to the American ideal, yes, but it’s also an expression of inafa’maolek, or interdependence, the core value of the Chamorro people. Guamanians, at the deepest level of their tradition, celebrate collective prosperity, unity and togetherness. They celebrate the good.
Unsurprisingly, they throw incredible parties. (Meals Ready To Eat screenshot)
It’s impossible to look at the making of Full Metal Jacket without exploring how Gunny R. Lee Ermey’s famed iconic role helped make Gny. Sgt. Hartman a legend both on and off-screen.
You might know that R. Lee Ermey was a former Marine Corps drill instructor turned actor. He served as a DI for India Company, 3rd Recruit Training Battalion from 1965-1967. He was also the host of a popular YouTube channel, GunnyTime, and an advocate for America’s military. But Ermey’s most notable performance was as Gunnery Sergeant Hartman in the Stanley Kubrick movie, Full Metal Jacket. This famed iconic role helped separate Ermey from the rest of famed military movie actors.
It might be hard to think of him as anything but a hardline, rule-following Marine, but the fact is Gunny didn’t start out that way. In fact, he was a big troublemaker. He got in so much trouble that after being arrested for the second time, a judge told him he could either go to jail or join the military. Fortunately, Gunny made the right choice and enlisted in the Marine Corps. In 1968, Ermey deployed to Vietnam and spent 14 months in country. Ermey served in the Marine Corps for 11 years.
From E-6 to Honorary Gunny in just 30 years
In 1972, he was medically separated from the Marine Corps and officially retired as a staff sergeant. It took 30 years, but in 2002, Ermey was awarded an honorary promotion to gunnery sergeant by the Marine Corps’ commandant. He was the first retiree in Marine Corps history to be promoted after leaving service.
His big break almost didn’t happen
Let’s take a look at how Gunny managed to make the Hartman character such a legend – and what that did for the rest of his acting career.
While attending the University of Manila in the Philippines, Ermey was cast in his first movie. He played a 1st Air Cav chopper pilot and also served as an advisor to director Francis Ford Coppola. Then Ermey landed a role as a drill instructor in The Boys in Company C. For several years, Ermey played in a series of small roles until he landed his big break as Gunnery Sergeant Hartman in Full Metal Jacket. Initially, Ermey was going to serve in a support role for Kubrick.
Adding to the authenticity of the role, Kubrick even let Gunny add and improvise his dialogue throughout the entire movie. That’s huge for a Kubrick film since most of his movies were scripted down to the letter. Or at least, they were until Gunny entered the picture. Without the ad-libbing, it’s possible that Gunny’s famed iconic status might not have ever happened. After all, part of what makes the role so good is how real it feels.
Kubrick said that Ermey didn’t need many takes for each scene. Maybe that’s because playing the role of a drill instructor felt so natural for him. He was able to make the role his own specifically because he’d lived it. He knew exactly how the minds of new Marines would think and worry and react. All of that added to the authenticity of what he brought to the screen, making his performance in Full Metal Jacket one of the most iconic roles in all of film.
If you’re quiet and close you eyes, you can almost hear him shouting:
Ermey went on to star in over 60 films, including roles in Leaving Las Vegas, Se7en, Dead Men Walking, and even stretched his actor’s legs with Saving Silverman and Toy Story.
On April 11th, 1966, three companies of the 1st Infantry Division, known as the “Mud Soldiers,” were pinned down by Viet Cong forces outside of Cam My, Vietnam. Pararescuemen of the 38th Aerospace Rescue and Recovery Squadron were dispatched to evacuate the wounded. The battle raged and the soldiers were taking a heavy beating.
As if an angel were descending from the heavens, Airman First Class William H. Pitsenbarger, lowered onto the battlefield to tend to the wounded. When given the opportunity to fly back to base, he elected to stay and care for the men he didn’t even know that remained in harm’s way.
He did all he could to save his fellow troops before paying the ultimate price. Pitsenbarger’s sacrifice ensured at least nine men made it home. It took him 34 years to be recognized fully for his incredible actions.
The Last Full Measurefaithfully and honestly retells this story — and it’s something that our military community must see and support.
In the aftermath of the battle, Pitsenbarger was awarded the Air Force Cross. However, his fellow PJs and the Mud Soldiers he fought with continued to advocate for the award to be upgraded to the Medal of Honor. It wasn’t until the year 2000 that he was finally bestowed the Congressional Medal of Honor for giving, what President Lincoln said during his Gettysburg Address, his last full measure of devotion.
Keep an eye out for Jeremy Irvine. His portrayal of William Pitsenbarger will catapult him far in Hollywood.
Written and directed by Todd Robinson, The Last Full Measure follows Scott Huffman, a jaded Pentagon lawyer (played by Sebastian Stan) as he is tasked with upgrading Pitsenbarger’s Air Force Cross to the Medal of Honor at the behest of Pitsenbarger’s fellow pararescueman veteran (played by William Hunt) and father (portrayed by Christopher Plummer).
The story unfolds as Huffman pieces together the gallantry of Pitsenbarger by interviewing the soldiers who had been saved back in Vietnam. Samuel L. Jackson, the late Peter Fonda, Ed Harris, and John Savage each portray the Mud Soldiers and give fantastic performances as they crawl through painful memories. The audience watches the fateful day in Vietnam through flashbacks as the veterans recall being saved by Pitsenbarger (portrayed by Jeremy Irvine).
Pictured left to right: Kimberly Breyer, producer of Last Full Measure, Sidney Sherman, and Kimberly’s husband Sean Breyer
(Photo by Eric Milzarski)
Kimberly Breyer, the niece of William Pitsenbarger, was in attendance of the world premiere of The Last Full Measure. She told We Are The Mighty,
“This film means people get to hear the very important true stories of my uncle Billy Pitsenbarger, Frank, Alice, and all the people who fought with him. We want as many people who possibly can so these stories keep being told and retold.”
She also noted how true-to-life Christopher Plummer’s portrayal of her grandfather, Frank Pitsenbarger, felt. “When we saw it, especially my grandma Alice, the hair went up on the back of her neck and she started to cry. He makes me miss Frank so much. We’re very grateful to him for how beautifully he portrayed our grandfather on screen and how hard everyone worked for so many years to get this project to come together because it’s so unique in so many ways.”
(Photo by Eric Milzarski)
The production covers two key time periods, from the jungles of Vietnam to the halls of the Pentagon. The star-studded cast filmed in the United States and Thailand to portray the retelling of Pitsenbarger’s sacrifice. The film stays away from typical action movie tropes and instead dives deep into the psyche of the troops who returned home. It gives an accurate depiction of what goes on behind-the-scenes when a Medal of Honor is to be awarded. The film helps us understand the excruciating lengths (and sheer volume of bureaucratic red tape) that stands between valor and recognition — and leaves you wondering how many heroes haven’t been given the credit they deserve.
Dale Dye, USMC veteran who served in the Vietnam War and military advisor for many of the greatest war films, played a large role in ensuring the film was as accurate as possible. It’s all the perfectly-captured, little moments that help set the stage.
Dye tells We Are The Mighty, “This is a film that goes directly to my heart and soul. And the reason is because it talks about the selfless nature of veterans and the dedication we have towards each other. This is a story of veterans who go to extraordinary lengths to get recognition for one of their own. And that’s the nature of every combat veteran.”
The writer and director of the film, Todd Robinson, tells We Are The Mighty, “The military was very bullish about this film. It promotes a career field called pararescue, which promotes saving lives. So it wasn’t hard for them to get behind this film.“
The Last Full Measure is a beautiful film that is rare in Hollywood. It’s not an action-packed film made with set pieces for the trailers. It’s not an overly played-out drama that uses war as backdrop. It’s the real-life story of a man who gave his all for his fellow troops and those men fighting tooth-and-nail to get him the honor he deserved.
I can’t recommend this film enough for every veteran, active duty troop, their family, and anyone who’s life has been touched by the actions of these brave men and women.
The first trailer for “Top Gun: Maverick” dropped July 18, 2019, at Comic-Con in San Diego and in case there was ever any doubt, Tom Cruise proves that even at 57, he is still one of the most badass action stars on the planet.
We learn little about the actual plot but the trailer is able to give viewers a clear idea of the tone of the sequel, as the titular fighter pilot appears to be as talented, fearless, and reckless as he was when we last saw him over 33 years ago. As one of his superior officers — played by Ed Harris — lists off Maverick’s career accomplishments, we see Maverick has not lost his need for speed, as he flies through a desert at full-throttle before ascending up to the sky at nearly a 90-degree angle.
However, it is also made clear that Maverick’s loose canon persona has likely cost him in his career, as Harris’ character notes “you can’t get a promotion, won’t retire, and, despite your best efforts, you refuse to die.” Perhaps Maverick’s love for the sky has kept him from creating a successful five-year plan? Or maybe he just isn’t interested in getting a fancy title if it means giving up his seat in the cockpit. Only time will tell.
Top Gun: Maverick – Official Trailer (2020) – Paramount Pictures
The rest of the trailer is a lays on the nostalgia pretty thick while giving us brief glimpses of new characters. We see Maverick donning his signature aviators and leather jacket and he even hops on his motorcycle to ride alongside a couple of fighter planes. While Harris is the only new cast member featured prominently in the trailer, we do get to see a few new faces, including Jon Hamm, Monica Barbaro, and Glen Powell as one of the new hotshot pilots playing some shirtless volleyball. The cast also features Val Kilmer returning to reprise his role as Ice Man, Maverick’s frenemy, and Miles Teller, who will be playing the son of Maverick’s deceased co-pilot Goose.
The sequel reportedly focuses on Maverick returning to Top Gun as an instructor, where he trains a group of young pilots, including Goose’s son. But, thankfully, the debut trailer lets viewers know that the film will still feature plenty of Cruise in the sky, which should not come as a surprise to anyone who has followed his career over the past three decades. We can’t wait to see Maverick back in action.
“Top Gun: Maverick” come to theaters on June 26, 2020.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.