So apparently there are talks within the Senate to give each troop who deployed under the Global War on Terrorism $2,500 as part of the AFGHAN Service Act, which would also negotiate the end of the conflict.
On one hand, sure. I’d love the money. Bills suck ass and cash is king. On the other hand, well, let’s look at the lettering of the bill. It’s a one-time payment, and it’d be sent out to every troop who’s deployed anywhere under the Global War on Terrorism. I can only imagine the impending sh*tstorm that’d come when everyone got that check in the mail.
Deploying one time to Kuwait would get you the money, deploying multiple times to Afghanistan still only gets you one check and the older vets who served before 9/11 get nothing. See where I’m going here? The veteran community will turn into the freakin’ Thunderdome. But then again… that is a rent payment…
Anyways, enjoy some memes before the ensuing sh*tstorm!
Tyrannosaurus Rexes may get all the hype but velociraptors are every bit as essential to the success of the Jurassic film franchise. These vicious, brilliant carnivores are always around to cause a little mischief and eat an unsuspecting human using some advanced hunting tactics. But which of the films make the best use of these infamous dinosaurs? Here is our official ranking of the Jurassic Park films, purely based on their velociraptor scenes.
4. The Lost World: Jurassic Park (1997)
There is a fairly obvious reason the first sequel places last on the list: Velociraptors are mostly missing from this movie. The raptors are unsurprisingly badass and slightly terrifying in the film despite their limited presence – fucking up the InGen team of mercenaries – but the bar for this list is simply too high for this maligned sequel to land any higher.
3. TIE: Jurassic World and Jurassic World: Fallen Kingdom
If Jurassic Park III set the stage for the raptor redemption, the Jurassic World films are where they completed their transformation from villain to hero. And that transformation was mostly… fine. In the first Jurassic World, Owen Grady had been able to develop a rapport with a pack of raptors, to the point where they are able to follow his orders.
Sure, it undeniably rules to get to watch a pack of raptors run side-by-side with Chris Pratt on a motorcycle but watching the raptors bow to the will of a human trainer feels fundamentally wrong (not to mention a far cry from their brilliant tactical skills on display the rest of the franchise).
Even their brief team up with the Indominus Rex doesn’t feel nearly as thrilling as it should, as it was fairly obvious they would eventually end up back on Team Owen. We won’t spoil Fallen Kingdom by getting into details but Blue’s role is basically the same as it was in the first Jurassic World, albeit the ending suggests an exciting future for this hyper-intelligent raptor.
2. Jurassic Park III (2001)
The worst movie in the Jurassic franchise? Maybe, but if you’re just looking for some sweet raptor content, Jurassic Park III is right near the top. Raptors are the best part of this otherwise mediocre movie, as the raptors’ remarkable level of intelligence and killer instincts are on full display in this third chapter.
The biggest reveal from the movie revolves entirely around velociraptors, as Dr. Alan Grant is shocked to discover that the pack of raptors are able to communicate in a way that is far more advanced than any other species other than humans. It’s also the beginning of the raptor rebrand, as it is the first time they don’t play the villain role. And while it’s technically just a dream, Grant waking up to a raptor calling his name literally never gets old.
Was there ever any doubt? Whether they are outsmarting Robert Muldoon or hunting for Dr. Hammond’s grandkids in the kitchen, nearly every moment of raptor screentime in Jurassic Park is iconic. Hell, even their offscreen moments – who can forget when the group discovers Samuel L. Jackson’s arm – only helped establish the mythos of these vicious creatures.
And with all do respect to the other films, raptors are just more compelling when they are using their intelligence to hunt down humans, as opposed to helping them. And in this movie, they are in full baddie mode. In fact, they likely would have won the movie if it wasn’t for that pesky T-Rex conveniently showing up at the perfect moment.
Twenty-five years later, it can be easy for all of us to take the popularity of raptors for granted but so much of what we now know about these vicious carnivores stems from this classic blockbuster. Without Jurassic Park, it’s highly unlikely that these clever girls would be a sure-fire first-ballot member of the Dinosaur Hall of Fame.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
The Pentagon will send a proposal to the White House in early May laying out America’s long-term presence in Afghanistan, senior defense officials said May 4. The plan will likely include a request for more U.S. troops.
U.S. military officials have said they need greater forces to meet the growing training and advising mission in Afghanistan, where local forces are fighting a Taliban insurgency. And there is a new push for NATO members to step up their commitments of troops and other resources to help the country in its struggle for stability.
Theresa Whelan, who is currently working as the Pentagon’s assistant defense secretary for special operations, told senators the new plan likely will go to the White House next week.
“We are actually actively looking at adjustments to the approach in Afghanistan right now,” Whelan told the Senate Armed Services Committee. “The interest is to move beyond the stalemate and also to recognize that Afghanistan is a very important partner for the United States in a very tricky region.”
Gen. John Nicholson, the top U.S. commander in Afghanistan, and other senior military leaders have repeatedly described the fight in Afghanistan as a stalemate. Officials have said they need more trainers and advisers to increase the capabilities of Afghan forces.
But the United States doesn’t want to carry the burden by itself.
A senior NATO official said the U.S. has sent letters to allies asking them to increase their commitments. The official was not authorized to discuss the letters publicly and spoke on condition of anonymity.
Appearing with Whelan, Gen. Raymond Thomas, head of U.S. Special Operations Command, told the Senate panel he has enough forces for the military’s counterterrorism mission in Afghanistan, which is targeting Islamic State, al-Qaida and Taliban militants.
Thomas said a critical factor in ongoing discussions about a new Afghanistan strategy is the need for an enduring U.S. presence in the country. The new plan would set the parameters for how that could look.
Army and Air Force veteran Wil Willis arrived in Los Angeles in 2009 to pursue a job as a TV show host for the Discovery Channel. His time as a pararescueman and as a special operator with the Army’s 3rd Ranger Battalion gave him the bona fides to debut in the military reality show “Special Ops Mission.”
In this episode of the WATM Spotlight Series, Wil recounts his unusual transition from door-kicker to TV personality during a photo shoot with Marine photographer Cedric Terrell.
In the military, Wil went from 3rd Ranger battalion to Pararescueman, so when he moved to Los Angeles to become a TV host, he understandably was lacking the adrenaline he was used to. He bought a motorcycle, both to circumvent some of the struggles of LA traffic and for his own peace of mind.
Having wrecked and rebuilt the bike three times, he considers it a piece of himself. It represents the kind of person he is: always prepared for challenges, aware that he’s a cog in a larger wheel, just like he felt when he was in the military. As long as he’s doing his job, the whole plan will come together.
More U.S. troops are headed to Iraq where they will be occupying an airfield that was just recently wrested from ISIS control.
Secretary of Defense Ash Carter announced the new deployment of 560 service members, bringing the total to 4,647, during a surprise visit to Iraq. The Syrian rebels benefitted from a recent troop plus-up as well, climbing from 50 U.S. special operators to 300.
The future arrivals in Iraq will head to Qarayyah Airfield, which sits 25 miles south of Mosul and will serve as the staging area for coalition efforts to retake the important city. Qarayyah was retaken from ISIS during fighting on Jul. 9-10, 2016.
According to reporting in CNN, the U.S. forces will primarily provide logistics support but could also assist with intelligence tasks or provide advice to Iraqi commanders.
Iraqi forces have retaken Fallujah, Ramadi, and Tikrit in just over year and the fall of Mosul would provide another major victory for Iraqi forces. Meanwhile, Syrian rebels and government forces under Bashar al-Assad have squeezed the terror group from the other side.
Retaking all of ISIS’s ground will not end the threat the group poses, but it should degrade it. ISIS relies heavily on income that would be challenging to keep flowing without territory.
It’s nearly impossible to sell large quantities of black market oil without oil fields. And while they could still take donations or blackmail individuals, they can only tax entire cities if they control the cities.
Much to the joy of most airmen and the disdain of most soldiers, it looks like the Air Force is going to officially adopt the Army’s OCP uniform. Meanwhile, I’m just sitting here on the sidelines wondering if they’ll steal the Pinks and Greens as well (since, you know, they technically wore them, too, back when they were the Army Air Corps).
Have a good weekend, everyone! Enjoy yourself. Go see Deadpool 2 if you want. Just don’t do anything that Deadpool would do — that’s how you get random bullsh*t tacked on to safety briefs.
Different weapons serve different purposes in combat, but every fighter in history has looked for an edge – one advantage that could mean the difference between life and death for the combatant. In an era where everyone is cutting each other with increasingly sharp blades of different sizes, wouldn’t it be great if that ax also shot bullets?
If you happened to be the one holding the ax, then yes: that would be great. Unless your opponent was holding a shield – especially if that shield also shot bullets.
If that example sounds far-fetched, that’s because it is — but just because it’s unlikely doesn’t mean it never happened.
Yes, the ax that shoots bullets was only partly a joke. Polish cavalry used a short ax as a weapon for more than 200 years. The tradition spilled over into Hungary as well, presumably because axes that could also shoot bullets were great at killing Turks.
Even better than the handheld pistol ax was the multi-barreled and/or halberd long gun versions used by Germans around the same time.
Knives and swords.
The Germans are back with this hunting knife-pistol combo. From the 16th through the 18th centuries, shooting and stabbing was a popular combination, not just among German civilians, but also among troops belonging to various warlords in a then-ununified Germany.
Pistol knives experienced a rebirth in popularity in Victorian England, probably as a means to not get murdered at night on the streets of London.
Speaking of not getting murdered on the streets of old-timey Europe, French street gangs were keen on using the Apache pistol to do just that: kill to avoid being killed. These were combination brass knuckles, switchblades, and pistols that were really good at being none of those things. The knives were flimsy, the pistol had no trigger guard, and the brass knuckles weren’t big or heavy enough to be a difference maker.
A walking stick.
This is pretty much just Henry VIII’s thing. The big guy carried a walking stick that was also pulling triple duty as both a pistol and a mace. The pistol part was triple-barreled, and Henry used it while walking around his kingdom at night, trying to not get murdered on the streets of London.
I’m starting to sense a theme here…
If the firepower of his walking stick proved to be insufficient for anyone coming at him, Henry had his bodyguards equipped with shields… shields that fired black-powder pistols. Considering their size and iron composition, a weapon so hefty would surely have been difficult to aim.
Destin Sandlin, the former Army engineer behind the YouTube channel Smarter Every Day, shot video of see-through suppressors and then went through the video in slow motion, discussing exactly how these weapon accessories work to mask the location of a shooter.
See Through Suppressor in Super Slow Motion (110,000 fps) – Smarter Every Day 177
Suppressors are often referred to as “silencers” in popular media, but that’s a misnomer that has been clearly debunked in the last few years. So let’s take a quick look at what it does instead of silencing the sound of the weapon.
When is weapon fired, a pocket of cool air and powder is suddenly ignited, creating a massive stream of extremely hot gases that propel the round from the barrel. This process also creates an audible explosion that can alert everyone in the area as to where the shot came from.
Suppressors work by channeling the explosive gases through channels, often cut into a series of chambers, in such a way that the gases escape over a longer period of time, mostly after they’ve already cooled and returned to normal volume. This doesn’t eliminate the sound, but instead turns it from a solid single explosion to a sort of muted thunderclap with a short roll to the sound.
Typically, this process takes place inside a metal “can” that contains the suppressor, making it impossible to see the flow of the gases. But as this video shows, high-quality acrylic can serve the same purpose, allowing you to see the flow of the gases. The best example is the second demonstration in the video, and you can actually see the process in its stages.
First, the suppressor captures the gases leaving the barrel in a large chamber near the muzzle. But then, as that superheated gas is captured, the suppressor channels a lot of the gases over a diamond-patterned area which contains the heat until it dissipates. The gases don’t escape until after the bulk of the heat is gone, making the sound much quieter.
Of course, this process does have some drawbacks. First, a large amount of heat that would normally pass into the air is instead captured in a can near the barrel, increasing the amount of heat that remains in the barrel. This shortens barrel life and reduces how many rounds a shooter can fire in a short period of time without melting the barrel.
It can also affect the ballistics of the round fired and the accuracy of the shooter as it changes the flow of gases and adds weight to the barrel.
After her heroics on the front lines of the Korean War, Lt. Gen. Randolph Pate promoted Reckless to sergeant. Reckless was transported to the U.S. where she became a Marine Corps celebrity, gave birth to four children, and was promoted to staff sergeant before retiring to Camp Pendleton.
Over the course of her career, Reckless received two Purple Hearts, a Good Conduct Medal, the Presidential Unit Citation with star, the National Defense Service Medal, the Korean Service Medal, and the United Nations Service Medal.
Since her death, Reckless has been honored with a memorial at the Camp Pendleton stables, a Dickin Medal for animal bravery, and now a statue at Camp Pendleton.
The USS Missouri has been described as the most famous battleship ever built.
Nicknamed “Mighty Mo,” the Missouri was an Iowa-class battleship that saw combat in World War II, the Korean War and the Gulf War.
Before finally being decommissioned in 1992, the Mighty Mo received three battle stars for its service in World War II, five for the Korean War, as well as two Combat Action Ribbons and several commendations and medals for the Gulf War.
A Japanese A6M Zero Kamikaze about to hit the Mighty Mo off Okinawa on April 11, 1945, as a 40mm quad gun mount’s crew is in action in the lower foreground.
(US Navy photo)
In April 1945, the Missouri took one of its only known hits when a Japanese Kamikaze pilot evaded the Mighty Mo’s anti-aircraft guns and hit the battleship’s side below the main deck. But the impact caused minor damage.
General of the Army Douglas MacArthur signs the Instrument of Surrender on the USS Missouri on Sept. 2, 1945.
(US Navy photo)
The Mighty Mo fires a salvo of 16-inch shells on Chongjin, North Korea, in an effort to cut enemy communications in October 1950.
(US Navy photo)
The Mighty Mo sailed the Mediterranean in 1946 in a show of force against Soviet incursion. Four years later, in September 1950, the battleship joined missions as part of the Korean War.
As the flagship of Vice Adm. A. D. Struble, who commanded the 7th Fleet, the Missouri bombed Wonsan, and the Chonjin and Tanchon areas in October 1950. For the next three years, the Mighty Mo would bombard several other areas too, including Chaho, Wonsan, Hamhung, and Hungnam.
The Mighty Mo was later decommissioned, for the first time, in February 1955 at the Puget Sound Naval Shipyard.
Large harbor tugs assist the battleship USS Missouri into port for recommissioning with the San Francisco skyline in the background in 1986.
(US Navy photo)
But in 1986, with the Cold War still raging, the Mighty Mo was brought back to life as part of the Navy’s new strategy that sent naval task groups into Soviet waters in case of a future conflict.
The Navy also modernized the Mighty Mo as part of its recommissioning, removing some of its five-inch guns and installing Harpoon and Tomahawk cruise missiles, Stinger short-range surface-to-air missiles, and Phalanx close-in weapons systems.
The Mighty Mo fires a Tomahawk cruise missile at an Iraqi target in January 1991.
(US Navy photo)
And these new weapons were put to use during the Gulf War, where the Mighty Mo fired at least 28 cruise missiles, as well as several hundred 16″ rounds, on Iraqi targets.
In fact, the Mighty Mo had a fairly close call when it was firing 16″ rounds in support of an amphibious landing along the Kuwaiti shore.
The Missouri’s loud 16″ guns apparently attracted enemy attention, and the Iraqis fired an HY-2 Silkworm missile at the ship. But the British frigate HMS Gloucester came to its rescue, shooting the missile down with GWS-30 Sea Dart missiles.
The USS Missouri arrives in Pearl Harbor, where it now permanently rests next to the USS Arizona, in June 1998.
In 1992, the Mighty Mo was decommissioned for the second and last time. The battleship was removed from the Navy’s reserve list in 1995, and moved to Pearl Harbor as a museum and memorial ship in 1998.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Tehran says that Robert Levinson, a former FBI agent, left the country “long ago” and doesn’t know where he is, rejecting a claim by his family saying he died in Iranian custody.
“Based on credible evidence, [Levinson] left Iran years ago for an unknown destination,” Foreign Ministry spokesman Abbas Musavi said in a statement on March 26.
He added that officials had done everything possible to find out what happened after Levinson left Iran but had found “no evidence of him being alive.”
“Iran has always maintained that its officials have no knowledge of Mr. Levinson’s whereabouts, and that he is not in Iranian custody. Those facts have not changed,” added Alireza Miryousefi, a spokesman for the Iranian mission at the United Nations.
The Iranian comments come in response to a White House statement saying that the U.S. administration believed Bob Levinson may have passed away “some time ago.”
“Iran must provide a complete accounting of what occurred with Bob Levinson before the United States can fully accept what happened in this case,” White House national-security adviser Robert O’Brien said in a statement about the American, who disappeared in Iran 13 years ago, when he was 58.
Before that statement, Levinson’s family posted on social media that it had received word about his likely fate from the U.S. government.
“We recently received information from U.S. officials that has led both them and us to conclude that our wonderful husband and father died while in Iranian custody,” the Levinson family said in a statement.
“We don’t know when or how he died, only that it was prior to the COVID-19 pandemic,” it added.
Following the family’s announcement and before O’Brien’s comments, President Donald Trump told reporters that “I won’t accept that he’s dead.”
Levinson had been “sick for a long time” before he was detained, Trump said, adding that he felt “terribly” for the family but still had some hope that Levinson was alive.
“It’s not looking great, but I won’t accept that he” dead. They haven’t told us that he’s dead, but a lot of people are thinking that that’s the case,” he said.
Levinson disappeared when he traveled to the Iranian resort of Kish Island in March 2007. He was working for the CIA as a contractor at the time.
The United States has repeatedly called on Iran to help locate Levinson and bring him home, but Iranian officials said they had no information about his fate.
However, when he disappeared, an Iranian government-linked media outlet broadcast a story saying he was “in the hands of Iranian security forces.”
The Levinson family said he would be alive today “if not for the cruel, heartless actions of the Iranian regime.”
“How those responsible in Iran could do this to a human being, while repeatedly lying to the world all this time, is incomprehensible to us. They kidnapped a foreign citizen and denied him any basic human rights, and his blood is on their hands,” the statement added.
Hanson at the GI Film Festival San Diego. Photo credit BH.
Brian Hanson has lived a few lives and succeeded in some of the harder endeavors known to man: earning a Ranger tab and making a movie. He grew up in Southern California, worked in Hollywood for awhile and then felt called to serve in the U.S. Army. He left Hollywood and became a Ranger serving on multiple deployments to Afghanistan. Upon returning from his service he fulfilled his dream by writing, directing and producing his first film, The Black String, starring Frankie Muniz.
WATM: Can you share about your family and your life growing up?
I was born in Detroit then my parents moved to San Diego. They were tired of the snow and wanted a new lifestyle on the West Coast. My father has always been a huge TV, film and history buff. I grew up in Escondido which is a suburb of San Diego. I had a sister that unfortunately was killed in a car accident when she was sixteen so that was a life changing moment in our lives. It was a paradigm shifter. My parents worked hard, and my youth was in many ways the normal SoCal life — riding bikes with friends, enjoying summers and playing sports. I had a real fascination toward movies and telling stories. It was always in me. I played football and baseball in high school. I also did student government. We did a field trip when I was a senior in high school to see a talk show at Paramount Studios to see The Kathy Lee Gifford Show. Seeing the stage, PAs and cameramen showed me that showbiz was a real industry and that I could do it. Even though I did (short) films with my friends it made me aware that I could direct myself toward the industry. It is a real thing.
I graduated that summer and my sister died, so all bets were off on going into the industry at that time. I did one year at San Diego State and then decided to travel abroad with a friend. We worked as bartenders and lived in the United Kingdom. It is what 18 year olds should do— go see the world. I started reading Syd Field books and Robert Rodriguez books like Rebel Without a Crew, watching El Mariachi, Swingers, Reservoir Dogs, Clerks, Blair Witch, The Following…I was really into the big studio movies (Saving Private Ryan, Back to the Future, The Matrix) and the independents. It was like you can do this, get a camcorder and you can do it. I knew I wanted to join the military, but not at that moment in my life so I came back from Europe and transferred up to Cal State Northridge. I graduated and got my proper film school bachelor’s degree. I knew I wanted to be a Writer/Director. My parents were very supportive of my endeavor in making it in Hollywood and telling stories.
Once US Forces entered Iraq in 2003, I had read voraciously about 9/11 and the invasion of Afghanistan. I knew I was going to join the military at some point, but when? I would be pouring drinks for young, good looking Hollywood people at a bar making hundreds of dollars a night where over their shoulder would be a TV on reporting the Battle of Fallujah. I started to not feel right about that, and I wanted to be an honest storyteller. I would like to be a storyteller that speaks truthfully and authentically and didn’t want to be the person that imitates. I didn’t want to be an imitator of Goodfellas or Full Metal Jacket. I knew I needed that life experience to be an authentic storyteller. I did a TV Pilot with some friends that we raised money for, and Brandon Routh was in it. This was right before he was cast as Superman in Superman Returns. Brandon and I bartended together at that time. He was a great guy to work with. I was also bartending at the Playboy mansion during the end of the glory days for Hefner and the Mansion. It’s tough to just walk away from all of that and you are making decent money in Hollywood. You are just one step or script away from “it” happening.
After not much happened with the TV Pilot I started to realize that Hollywood and LA are still going to be here. I wrestled a year or two of how to leave it behind after I had started a life. As I approached 30, I looked in the mirror and decided to join the Army because if I waited longer, the military wouldn’t let me join – I’d be too old. I would have regretted to my dying day if I did not serve. There were no questions in life. I knew joining as an older guy would be different when compared to most recruits. But I wanted to volunteer my time and some of the years of my life to serve my country, but I had to step up and go do it. I gotta do this and gotta do it now. I knew my goal was to come back to LA with this accomplishment and service to my country being complete.
Hanson at Fort Benning. Photo credit BH.
WATM: What made you want to become a Ranger and what was your experience like?
I didn’t know all the details when I enlisted as an 11Bravo (infantry), but I knew that Rangers and Green Berets were the high-speed special-operations units. One day in Basic Training at Fort Benning, the Ranger recruiters came out to ask for volunteers and my Drill Sergeant SFC Metcalfe looked at me and said, “Hanson, you better f’n volunteer.” So, I volunteered on the spot and a few months later I was reporting to Ranger Assessment Selection Program. Unfortunately, SFC Metcalfe was killed in action a year later when he deployed to Afghanistan with the 173rd. I thank SFC Metcalfe for pushing me to go Ranger.
I was stationed at Fort Benning with 3rd Ranger Battalion where it is a high-speed training cycle. You train for six months and then deploy for about 3 to 4 months. There is always a Ranger Battalion deployed. Just operating at that tempo, at all times, is exciting and inspiring to see your NCOs, squad leaders and platoon sergeants are on their sixth or tenth deployment. It was very inspiring to see their commitment to the unit at the cost of their family and personal time. When you are a single young, enlisted person it is very inspiring to see that level of motivation. Rangers hold themselves up to the highest standard of leading the way. You are always being tested. It is uncomfortable and you never have a chance to relax. It is a great way to stay sharp. It is a tough head space to always be in. You are always being watched. The young (new) guys compete like professional athletes to deploy, like trying to make the starting roster. Once you deploy you want to be on that mission every time. I deployed to FOB Salerno in Afghanistan on the border real close to Pakistan. My second deployment was at Camp Leatherneck/Camp Bastion and then my last deployment I was at FOB Shank aka “Rocket City”. That place was hit like all day with nonstop rockets. It’s funny how used to it you get.
The Taliban used a lot of ingenious guerrilla tactics like setting ice on the mortars to eventually melt and then go off at some point during the day. Apaches would launch to try and find the culprits however they were not there. We ran the night shift out there for High Value Targets (HVT) where we went on night raids. To see how targets were acquired and track and intel was gathering where the strike force commander was the CO. From top to bottom the whole thing was a collection of assets. We worked with the Air Force, Navy, Marines, big Army, DIA and had civilians running the drones. It is amazing to see people come together for these task forces where all of these people work together on the fly. Being 30 and seeing this strike force run by young soldiers/civilians is amazing because in Hollywood most 23-year olds close to me are up and coming bartenders/actors/writers/directors. In Afghanistan we had 23-year-old Forward Observers bringing in Chinook helicopters into dangerous LZs to pick us up for a night raid. 24-year-old squad leaders are ensuring that everyone is accounted for and that no one is left behind on the side of a mountain in Afghanistan. It is amazing to see what young people can do where they have been trained at such a high level and have high expectations. They achieve and are motivated. I think Hollywood is an amazing place where things get done, but I think a lot of it is a 10-year delay. It is a bit of an arrested development sometimes.
In a training incident I was a towed jumper. We were doing our yearly training for airfield seizures which is an entire battalion operation to seize an airfield. I was the last guy to jump out of a C-17 at night with a full combat load and got hung up on the plane which made me a towed jumper. I was hanging outside of a C-17 at 1000 to 1500 feet circling Fort Benning banging against the side of the plane and fully conscious. Thinking that I might die at any moment and this is not a normal thing to happen to people. My static line wrapped around my weapons case where when you are jumping your weapons case is attached to your thigh and your harness. Somehow there was too much slack in the static line to where it wrapped around the weapons case so it wouldn’t release me. The static line stays clipped inside the plane and it is supposed to pull the back of the pack tray. You jump and it pulls it out, but it got wrapped around and it pulled me.
I was okay with a tight body position and covered my reserve chute, so it didn’t release. I was out there for six minutes. I thought they were going to cut me loose to where all I have left is my reserve chute to land on some trees at night next to the Chattahoochee River. Then I started looking at my boots flying through the air and thought this is what parasailing must be like. Then I thought, did they forget about me and is the C-17 going to try to land? Do they not know I am out here, and I am going to do some high-speed combat roll on a tarmac as the C-17 lands? You are trained to keep a tight body position out there, so they know you are not unconscious. I kept slamming against the side of the C-17 behind a gigantic turbine engine. I hit the plane and stayed there where I started to get dragged across the skin of the plane. I felt hands underneath my arms and they pulled me in. Everybody was so glad to see I was alive and in one piece. I was just relieved as I was out there so long, I went beyond any initial shock, concern to just cut me loose guys so I can land on a tree with my reserve shoot.
They pulled me in and did a great job making sure I was okay. I had to retell the story for weeks to a lot of soldiers, especially Sgt Majors at the DFAC wanted to hear the story of a towed jumper. It was a very bizarre story because no one wants to be a towed jumper. It is a total nightmare scenario short of both chutes failing. It all ended well and twelve stitches in my chin was it. After all of that my 1stSgt checked on me and made sure I was alright. He then told me, “Get ready you are jumping tomorrow.” We had another jump the next day. The 3rd Ranger Battalion was like you are jumping tomorrow to get over any fear of jumping again. Just get out there and do it. I jumped not 24 hours later and believe me I was concerned. I said, “There is no way that can happen twice.” I got out the door and was fine. There is not a lot of pity or sympathy it is like get back up and do it again unless you are truly hurt, alright get up and do it as there is no time to think about. That is something I take with me to this day.
All of the pre-jump training you do these repetitive and boring things you already know, and I did one of those things without even thinking about it. It dawned on me why I do this training every single time. When that one time does happen, you are ready and have gone over the worst-case scenario. You will be that much quicker to save your own life or someone else. It seems so mundane and so repetitive and a waste of time until you need it. That repetitive action like weapons malfunctions….but when you need that instantaneous second nature habit it is the most important thing you could have known at that point.
Hanson at Camp Leatherneck. Photo credit BH.
Hanson on his last mission at FOB Shank. Photo credit BH.
Paratroopers jumping from C-17 Globemasters.
View of Camp Salerno. Photo credit wikipedia.com.
WATM: What are you most proud of from your service in the Army?
I am proud I stepped up to the challenge of 75th Ranger Regiment (thank you SFC Metcalfe) and made the team. Severing with my Ranger buddies was like the saying goes: “I was no hero, but I walked amongst a few.” I did my part and I know guys that are still out there doing it. I know squad leaders that are now getting their own platoons. Some guys have gone into elite units like Delta Force and the 160th Special Operations Aviation Regiment. I still think about them often and stay in touch. I want to make them proud because of the work they are still doing…I try to keep pushing myself in a way that would do right by the effort they are putting on…I am proud to have been on a team with those guys and seen what leadership means…and at such a young age and for so many people. I am proud to have seen it and been associated with that level of person.
Frankie and Paige Muniz, Kayli, Chelsea and Brian at Dances with Films. Photo credit BH.
WATM: What values have you carried over from the Army into Hollywood?
One thing that you see among some twenty something bartenders or Hollywood newbies that is unacceptable in the Ranger Regiment and also unacceptable in the Army are excuses. It is the same on production, there are no excuses. There are just no excuses. I don’t want to hear it other than a solution. Maybe an, “I’m sorry,” and that is it where I don’t even want to hear an excuse. Unless there is something disastrous you need to untangle. No excuses, just solutions. The high-level professional types of productions have that mentality where I really appreciate it. I do see the correlation between military units and productions. You have one mission where everyone comes together to accomplish it.
Also, you see this in the military and it is a career everything, keep moving forward just like a twenty-mile ruck march. You worry about the next step, then the next phone pole, then the next quarter mile where they will all add up. You can be overwhelmed by all of it if you look at it all at once where if you do it one step at a time you see that you can do it. Those are two crucial lessons I learned in the Army.
Hanson, Frankie and crew at Dances With Films. Photo credit BH.
WATM: What was one of the toughest lessons to learn coming from the service to Hollywood?
Even though I had worked in Hollywood before leaving, I came back a veteran, and still had to learn that there is a system in Hollywood. The system is not as rigid perhaps as the military. It isn’t just this artistic endeavor where you get to be a genius and be Quentin Tarantino or you are Steven Spielberg because you say you are. There is a hierarchy and there is a smart way to navigate. There is a way to get oriented and to a very real map of how this town works and have very realistic expectations. I think that veterans and others think of their prior accomplishments, whether a lawyer or a company commander of an infantry company, where you are not going to be a 1st AD. That is a ten-year path that is very regimented. The biggest challenge is understanding what the path to success is and how to realistically pursue those things. Know that they all take time and embrace that.
***Since leaving the Army I have learned so much by working as a Production Assistant on HBO’s Barry, Silicon Valley, Room 104 and worked as Assistant to Matthew Rhys on Perry Mason. Being on set and working for top level professionals has been an incredible learning experience and given me insight to become a better filmmaker on my own projects. I also greatly appreciate the film/tv mentorships, education and opportunities I was given through Veterans in Media Entertainment (VME), USVAA and WGF. It has been very important to find mentors and work for professionals.
Hanson with members of the cast and production staff at the Austin Film Festival. Photo credit BH.
WATM: What was it like writing, producing and directing your own feature film, The Black String?
The story was percolating for a long time before making the film such as Donnie Darko, Repulsion, Jacobs Ladder, which does a great job of blending horror and military, and Rosemary’s Baby. It was conceived with my bartending buddy Andy Warrener before I joined the Army. We wanted to explore in that story what it is like to be on that edge where you are experiencing something and no one else believes. It is you against the world. How do you convince someone of something that crazy of a witch conspiracy or a coven of witches? Or some really wild, evil cabal? The moment you say those words you already sound like you are having mental problems. Doctors will definitely not be going to believe.
The challenge we wanted was for a character to have to convince his family, his friends and his doctors of something that is inconceivable where no one in the real world is going to believe that. We put that in a genre we enjoyed which was horror. Now we thought maybe we would make that movie, but I joined the Army and Andy got married and moved to Florida. The wild thing is that you never know what you write today may be a movie in five or ten years. I lived a whole crazy life in between thinking of the story while tending bar with my buddy and then going into the Army. The difference in the time gap was about seven years. I could not have guessed that would have happened, especially with Frankie Muniz.
The creative part I was very comfortable with in the directing and writing having made many short films. I got an MFA from Mt. Saint Mary’s University with the GI Bill, which is a beautiful thing, loves the GI Bill. I owe so much to the GI Bill. So, I got very comfortable with the directing portion where you get very creative to bring this vision and feeling and this emotion you have to life in a very technical way. It is running the business, the producing part of things, to where you are starting a business, you are an entrepreneur. My producing partner Richard Handley, he is a Navy veteran and was an officer and Physician’s Assistant, he runs a contracting business with the DoD. We ran a business together where many purely creative types don’t understand what that level of dedication and commitment is.
To this day I have had probably had equal amounts of discussions about corporate taxes, LLCs, investor shares and running a business as I have about storyboarding shots. When you are doing an independent film like this, truly a passion project, you are building a team that is not a whole lot different…then opening a small company. You and your business partner are shouldering the burden if not for months, but for years. You have to love it and I do where it has been a great journey to where we had such great crew members and other producers that have helped us along the way. It is a multiple year endeavor when you do something like that in the independent world. You really are from the very beginning of raising money all the way to negotiating with distributors and foreign distributors and how you cut checks to your investors. It’s a true business education and kind of feels like I got this mini MBA education.
That was unexpected but the directing part was just amazing. Working with such talented people and friends that I had before joining the Army…we really were able to bring a lot of relationships such as Ravi Patel I bartended with as well. Cullen Douglas and Ravi and I did a TV pilot in like 2008. It was amazing to be able to reach back to my pre-Army friends that are so talented and my post Army, new team of filmmaking friends and bring everybody together. We called on so many favors. We had such great support from Mt. Saint Mary’s, VME and Vega Baby. We called in every favor where it is such a positive experience. When we landed in Frankie Muniz where he is a champ.
He brought his “A game” even for the tiny movie it was. He loved the character and the chance to do something different. He gave everything to our tiny project as he would have to our multi-million-dollar project. He treated us with respect, and he treated the script with respect. He came to set daily with a big folder of his personal notes. He was meticulous like a pro and his level of preparation and how he kept track of everything and what he brought was just amazing. He took that movie and made it really something different than perhaps something we thought. Frankie made it his Breaking Bad character. Like his Malcolm in the Middle dad, Bryan Cranston did on Breaking Bad. He was still kind of that funny person but had a much darker take on it. It is a dark twist on that guy you already know. Frankie imbued the role in the film with his Malcolm in the Middle persona, but whoa that is the dark side of it. What happened? Like Breaking Bad, what went wrong? To work with a pro, I learned.
To be able to work with actors like Ravi, Frankie, Cullen, Oded and Chelsea where they are people that do this for a living to be able to work with people like that and be creative partners with them for my first feature was inspiring. To see how a team can really work with everybody really contributing some high-level creativity. Everyone on the team had so much to add. You have to shepherd the project to where everyone stays on track, but still allow personal creative contributions from cast members. A director is like a manager of a company. You have to work with the talent, resources and the money of your company. You still have to get to the goal, but you can’t be resistant to some things that are great new ideas.
Poster for The Black String. Photo credit IMDB.com.
Screen capture of The Black String. Photo credit BH.
Rich and Mari Handley with Yani and Brian. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
Hanson and Handley on stage at the GI Film Festival. Photo credit BH.
WATM: What leadership lessons in life and from the Army have helped you most in your career?
“No excuses” and intense preparation for a project. It is preparing like you are the best and spending hours a day preparing. Don’t assume, always do pre-combat inspections. It is having everything truly ready to go. Because once you arrive on set and once you arrive at that location it needs to be ready and needs to be operational. If not you, need to have a back-up plan. Research and having contingency plans. Checking your equipment and your team. It can be seen as micromanaging, but it doesn’t have to be that bad. In the military everybody checks their troops. It’s just how it is to make sure your guys and your buddies are ready to go. I think that can be transferred to the civilian world and film production.
Frankie Muniz and Richard Handley in The Black String. Photo credit IMDB.com.
More of Muniz in The Black String. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
Screen capture of The Black String. Photo credit BH.
WATM: As a service, how do we get more veteran stories told in the Hollywood arena?
We need support from great organizations to promote veteran voices and veteran creators. Such organizations as We Are The Mighty, Veterans in Media and Entertainment (VME), of which I volunteer heavily with, the USVAA, United States Veteran Artistic Alliance, and the WGA Writer’s Guild Foundation do support veterans. We need the support from industry professionals and organizations. They are out there, and they are growing. I think that with the people in the position in power right now, the producers and executives that can green light things, I do think they do a really good job where there is always a presence of the military and law enforcement. There are always more and different perspectives. To keep in mind and do the rote, stereotypical type of story lines. There are a lot of really nuanced, interesting and unexpected perspectives that veterans can bring to the time-honored tradition of military inspired entertainment. The producers, executives and showrunners should be open to finding those unexpected angles to veteran stories.
Hanson with Steve Fiorina and Handley at the GI Film Festival. Photo credit BH.
WATM: What would you like to do next in your career?
I plan on directing my second film in 2021. My first one was the horror genre where my next one is likely going to be a thriller with a military character. I always want to do things that are thought provoking. I definitely want to challenge viewers and explore philosophies. …Christopher Nolan makes great entertainment and with challenging ideas and philosophies. He is an independent filmmaker making giant movies, which is something to strive for. Since I have completed my first film…I have been working to get on great television shows as a writer. There are so many stories to tell and I joined the Army and lived this life to help tell authentic stories. I would love to be in day in and day out be in a room with other story tellers creating an amazing show. Creating stories with a team. I will continue directing but would love to be in that writer’s room doing innovative television.
Brian Matthew Rhys on “Perry Mason”. Photo credit BH.
WATM: What are you most proud of in life and your career?
I am most proud of serving in the 75th Ranger Regiment. In a sense in my career I may never do anything as meaningful as that even if I make ten more movies or even if nominated for an Academy Award. I don’t think that I’ll ever be prouder than spending those days with my Ranger buddies in Afghanistan or sweating in Fort Benning. I am also proud of making that first movie and everyone that contributed to that colossal effort from nothing. Rich Handley and I being these recent film graduates decided to make a movie where we built that coalition from the ground up. It is an effort we are very proud of and what we did and everybody that was able to help us achieve that.
On the back end we got distribution through Grindstone and Lionsgate to where we had to find everything from scratch. The studio didn’t fund this. Movie making is a risky endeavor and long commitment over many years. The movie has been out now over a year and we are still making producer phone calls and receiving emails four years later. When you divide the money, you might make on the back end of an indie film and divide the hours by what you put in it, there might not be much money so that passion that drives you to keep working. There is a bond between people that have that level of passion to work 15-hour days. You are not really thinking about the paycheck where you are there to get the job done because you believe it is similar to the military mindset.
My wife Yani Navas-Hanson is from Venezuelan; she left the country and I met her in Atlanta when I was at Fort Benning and she was studying at Georgia Tech. She was the accountant by trade and then was our accountant on the movie. She left her country, learned English here in the US and transitioned from corporate accounting to entertainment accounting and from taking on the challenges of an independent film. What someone like her can accomplish if they are driven and keep pushing forward and to be able to accomplish that in a few years is amazing. People do have to surround themselves with the right people. If you are in a relationship with someone who is not supportive with this career path or your family is not supportive, then you might have a tough time during the ups and downs. Family and friend support is crucial. I have fantastic and supportive friends and family.
Brian and Yani at Sitges Film Festival. Photo credit BH.
The Secret Service released a statement on April 2, 2019, responding to the report that a woman was able to get past checkpoints at Mar-a-Lago on Saturday, March 30, 2019, before being stopped by reception and detained by the Secret Service.
The Palm Beach, Florida, golf club is owned by President Donald Trump, who was golfing at another one of his clubs nearby at the time. However, the First Lady Melania Trump and others were present at Mar-a-Lago, according to the Miami Herald.
“The Secret Service does not determine who is invited or welcome at Mar-a-Lago; this is the responsibility of the host entity,” the agency said in a statement. “The Mar-a-Lago club management determines which members and guests are granted access to the property. This access does not afford an individual proximity to the President or other Secret Service protectees.”
President Donald J. Trump and First Lady Melania Tump.
(U.S. Marine Corps photo by Sgt. Gabriela Garcia)
According to the criminal complaint filed by Secret Service agent Samuel Ivanovich, the woman Yujing Zhang, a Chinese national, allegedly told a Secret Service agent that she was going to the pool. Mar-a-Lago staff were then charged with confirming whether she was an authorized guest.
Zhang eventually was screened and made her way to the reception desk, where she allegedly said she was going to an event that was not scheduled at Mar-a-Lago. The receptionist flagged this and according to the complaint, Zhang was taken offsite and questioned by the Secret Service.
Federal prosecutors charged Zhang with making false statements to federal agents and entering a restricted area — the complaint details the multiple signs identifying the area as “Restricted Building or Grounds,” and the signs reportedly state that “Persons entering without lawful authority are subject to arrest and prosecution.”
She was carrying a laptop, four phones, an “external hard drive type device,” and a thumb drive. According to court documents a preliminary check showed the thumb drive contained “malicious malware.”
Woman from China arrested in Mar-a-Lago security breach
Though she was screened for — and was not carrying any — items that could have caused physical harm, the event raised questions about security at Mar-a-Lago, as the club is open to members even when the president is in residence.
“It’s a hard position for Secret Service to be in to potentially deny a million-dollar committee member,” Don Mihalek, the Federal Law Enforcement Officers Association’s executive vice president, told The New York Times. “It puts Secret Service in a very difficult position because we don’t know who are members and who aren’t.”
The Secret Service, which is charged with the protection of the president and first family, said that “additional screening and security measures are employed,” when guests are in close proximity to the president.
But they also stated that “the practice used at Mar-a-Lago is no different than that long-used at any other site temporarily visited by the President or other Secret Service protectees.” It does not have the same permanent security apparatus as the White House.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.