Vietnam was in full swing, peace and love abounded, and the Beatles were the biggest thing known to man — this is the 1960s in a nutshell. It’s also a time where war movies took a main stage, depicting the current battle in Vietnam, as well as throwback era films from wars past.
For filmmakers and military buffs alike, these movies were a chance to peek behind the curtain of how things used to be. And when it comes to wars and battles, the history factor only compounds. Because who doesn’t love a good time piece? It’s a chance to jump back in time and get a glimpse of how things were back in the good ‘ol days — even the times that were actually the not so good ‘ole days.
Join us in giving a big nod of appreciation to some of the best military movies — current or throwbacks — that were made in the 1960s.
The Alamo, 1960
Still an important war film today, The Alamo depicted the 1863 battle of the same name. John Wayne directed and starred in the film as Davy Crocket.
2. Lawrence of Arabia, 1962
Winning seven of its ten Academy Award nominations, Lawrence of Arabia is one of the most decorated war films to date. It covers guerrilla warfare in the Middle East in the 1930s. The film was directed by David Lean and is based off of the life of T.E. Lawrence, a British officer and diplomat.
3. The Manchurian Candidate, 1962
The Manchurian Candidate is a neo-noir psychological thriller movie that covers the subject of the cold war and its spies. Released during the height of the Cold War, it starred Frank Sinatra and Angela Lansbury. John Frankenheimer directed the film, based on the novel of the same name by Richard Condon.
4. The Great Escape, 1963
This film is most widely remembered for its motorcycle chase scene; its jump segment is listed as one of the best stunts in a movie. The plot covers a mass escape by British Commonwealth prisoners of war from a German POW camp. It covers real and fictionalized events. Steve McQueen starred, and this film was also a spin-off from a popular book, a non-fiction title by Paul Brickhill.
5. Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb, 1964
This 1960s classic was directed and co-written by Stanley Kubrick. The film took a black comedy and satirical approach to the Cold War, creating a plot that was full of tension between the U.S. and Soviet Union. It’s loosely based on the 1958 novel, a thriller genre titled Red Alert.
6. The Train, 1964
This American-French war film takes place post WWII, featuring a storyline of artwork that was looted from museums and private collectors during the war. The 1964 movie was directed by John Frankenheimer and written by Franklin Coen, Frank Davis, and Walter Bernstein. It’s loosely based off the non-fiction book, Le front de l’art that was written by Rose Valland.
7. Zulu, 1964
A British film, Zulu is an epic war story that tells the Battle of Rorke’s Drift, a real-life battle between the British Army and the Zulus in 1879. In the battle, 150 British soldiers won against 4,000 Zulus. It was directed by Cy Endfield, an American, and released on the 85th anniversary of the battle.
8. Chimes at Midnight, or Falstaff, 1965
Directed by and starring Orson Welles, Chimes at Midnight is considered a modern-day classic. The film combines various Shakespeare scenes, including a mega battle lasting for 10 minutes of the film. The Battle of Shrewsbury has been listed as the “first great battle scene of the modern era.” In addition, Welles himself called the film his best work.
9. The Dirty Dozen, 1967
This classic war film takes place days before D-Day, behind enemy lines. Including many actors who were real-life veterans, its screenplay was based on E.M Nathanson’s best-selling book. The story to both were inspired by real-life events within the 101st Airborne Division’s “Filthy Thirteen” and their demolition specialists.
The decade of the 1960s certainly produced some classic war films that are still recognized today. It was an era that brought magical war moments to life on the big screen and beyond.
“South Park” fired back at China during the 300th episode after the country banned the long-running Comedy Central animated series.
In the episode, titled “SHOTS!!!,” Towelie forces Randy Marsh to declare “F— the Chinese government.” Marsh is reluctant at first since he’s been selling marijuana in the country.
Last week’s episode, called “Band in China,” mocked Chinese censorship and Hollywood’s reliance on the country’s box office to boost potential blockbusters. It referenced China’s crackdown on Winnie the Pooh, which has become a symbol of resistance against China’s ruling Communist Party and its leader, President Xi Jinping.
China retaliated by shutting down “South Park” discussion forums and removing clips and episodes of the show from its internet, as first reported by The Hollywood Reporter.
“South Park” season 23, episode 2, “Band in China”
“South Park” creators Matt Stone and Trey Parker issued a mock apology to China on Oct. 7, 2019, saying “Like the NBA, we welcome the Chinese censors into our homes and into our hearts. We too love money more than freedom and democracy. Xi doesn’t look just like Winnie the Pooh at all.”
The statement mocked the NBA’s apology to China after the Houston Rockets general manager Daryl Morey tweeted on Oct. 4, 2019, (and then deleted) an image with the slogan “Fight for freedom, stand with Hong Kong” in solidarity with the Hong Kong protesters.
“Band in China” was projected onto screens throughout Hong Kong’s Sham Shui Po district on Oct. 8, 2019, according THR.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
If you’ve seen the flick, then you know that his character, the evil Sith Lord Kylo Ren, has a bit of a temper. Some hilariously associate his character to being emo, which is fitting given the way he spoofed himself on Saturday Night Live. As the sketch goes, Kylo Ren infiltrates Starkiller BaseUndercover Boss style as a radar technician to find out what his employees think of him. It turns out that the truth hurts, and Kylo reacts in typical Kylo fashion.
Today, with its prevalence in pop culture and its sequel waiting in the wings, it’s difficult to imagine that Top Gun was anything but a surefire hit. But, in the time leading up its 1986 release, Top Gun‘s production had its share of problems and setbacks. In fact, plenty of people doubted that the idea of fighter jets would even work as a movie.
1. People didn’t want to be part of Top Gun
After producer Jerry Bruckheimer saw a picture of an F-14 in a magazine, he came up with the idea of a fighter jet movie that would be like “Star Wars on earth.” After their successes with Flashdance and Beverly Hills Cop, Bruckheimer and his production partner, Don Simpson, went around pitching the idea to Hollywood studios. Though they were rejected by studio after studio, Paramount Pictures eventually picked up the movie and cautiously agreed to fund it.
The next challenge was getting actors onboard. At that time, a young Tom Cruise was known only for his role in Risky Business. Bruckheimer and Simpson were adamant that he be cast as their lead actor and sent him script after script to get him to sign on.
Cruise rejected every offer made to him, so Bruckheimer pulled out all the stops.
He called up Navy Admiral Peter Garrow and asked him to send Cruise up in a fighter jet to convince him to join the film. The Admiral arranged for Cruise to ride along in a Blue Angels A-4 Skyhawk and be put through his paces. After a wild ride (during which he reportedly threw up on everything), Cruise stumbled from the jet to the nearest payphone and called Bruckheimer to take the part. The only non-negotiable part in his contract was that he had to fly in an F-14 Tomcat.
Pete and Charlotte sing with the Bradshaws, Nick, Carole, and their son. Weird hearing their real names, isn’t it? (Credit Paramount Pictures)
With no real script and unable to send every potential actor up in a fighter jet, it was difficult for the producers to cast the rest of the movie. The part of Charlie was originally pitched to Ally Sheedy of Brat Pack fame, but she turned it down reportedly saying, “No one would want to see Tom Cruise flying around in an airplane.” Fresh off of filming Witness, Kelly McGillis only signed on because she didn’t expect the film to be the blockbuster hit that it would become. Val Kilmer was actually forced into the role of Iceman due to a contractual obligation with the studio. The rest of the cast like Tim Robbins, Meg Ryan and Anthony Edwards were still years away from becoming household names for their roles in The Shawshank Redemption, When Harry Met Sally and ER, respectively.
2. Danger Zone was attempted by Toto and REO Speedwagon
Bruckheimer and Simpson implemented the same formula that worked for them with Flashdance and Beverly Hills Cop and put together a top-notch soundtrack for Top Gun. Soundtrack producer Giorgio Moroder originally had Toto record the song, “Danger Zone,” but Bruckheimer disliked it and the recording was scrapped. The song was then offered to REO Speedwagon who wanted to be part of the film, but insisted that the song be their own. They recorded an original song and submitted it to the producers, but it was never used.
Kenny Loggins and his collaborators were hot off of their successes with Caddyshack and Footloose and decided to write the song “Playing with the Boys” for the volleyball scene. Assuming that other bands would be vying for the opening song, they figured that this scene would have less competition. While recording “Playing with the Boys,” Loggins was asked by Moroder to give “Danger Zone” a shot. “I walked in and I sang ‘Danger Zone’ and messed with it a little bit, you know, and had a good time with it,” Loggins recalled. The rest is history. “I wasn’t supposed to be the guy to sing it. I just lucked into it.”
Moroder had more luck pitching “Take My Breath Away” to Berlin lead-singer Terry Nunn. After hearing the song and watching the love-making scene that it would be set to, Nunn was on board. Less enthused was her bandmate, John Crawford, who didn’t want to perform a song written by someone else. Their band manager, Perry Watts-Russell, also had his doubts and said that he would shave his head if the song became a number one hit. Of course, Berlin recorded the song and it did reach number one. While Watts-Russell kept his word and shaved his head, Crawford was less pleased with the song’s performance as it meant that Berlin had to play it at every live performance following Top Gun‘s release.
3. There was a constant struggle between the producers, the director, Paramount and the Navy
Director Tony Scott was unpopular in Hollywood after his box office flop The Hunger, and clashed constantly with Paramount Pictures over the creative direction of the film. In fact, Scott was fired and rehired by studio execs three times over the course of Top Gun.
While filming aboard the USSEnterprise on a foggy Sunday morning, Scott lost the ideal lighting for his shot when the carrier altered its course. He implored that the captain return to his previous course so that they could film the scene. When the captain refused, Scott asked, “What does it cost for this aircraft carrier to run per minute?” The captain gave him a figure and Scott retrieved his checkbook from his bunk and wrote the captain a check for ,000. The captain returned the ship to its previous course and Scott was able to get his shot. He later bounced the check.
The opening scene gives me goosebumps every time (Credit Paramount Pictures)
Rear Admiral (ret.) Pete “Viper” Pettigrew, whose callsign was loaned to Tom Skerrit’s character, was hired as the film’s technical advisor for a sum of ,000 and served as a liaison with the Navy. Per his contract, he had a brief cameo in the film as Charlie’s boss, the “older guy” in the bar that she sits down with after Maverick’s rendition of “You’ve Lost That Loving Feeling.” Pettigrew’s job was to keep the film grounded in reality, though his protests to the film’s eccentricities were always overridden by Bruckheimer and Simpson.
He argued against the locker room argument between Maverick and Iceman and the shower scene, saying that pilots just get changed after a hop and go to the bar. However, paying id=”listicle-2646420686″ million to have Cruise in the film, the producers insisted that Cruise show as much skin as possible to appeal to a female audience. As the script took shape, the Navy raised concerns regarding the increased focus on the relationships between the characters over the fighter jets and aerial combat. “Right now, I’m just trying to keep it from turning into a musical,” Pettigrew responded.
Though it played a major role in production, the Navy authorized only two missile shots to be filmed for the movie due to the cost of the weapon system. The shots were filmed from several angles to make the most of them. Additional missile shots were filmed using models of the planes and missiles. However, the company that produced and fired the model missiles did such a good job that the Navy launched an investigation to determine if additional missiles were fired beyond the two that were previously authorized.
One of the two authorized missile shots (Credit Paramount Pictures)
4. More trouble off-screen
Bruckheimer and Simpson worked well together because they complemented each other. While Simpson was bold and brash, Bruckheimer was calm and collected. However, Simpson’s alleged love of fast cars, women, hookers and drugs were reportedly negatively impacting his job as a producer. Having already been to rehab at least twice before, he checked himself in again midway through production. Little had changed by the time he checked out though. After renting a car, he sped down to the production office, crashed the car in the parking lot, barged into a meeting and declared, “We’re not shooting that f***ing scene!” He then proceeded to fire people and start rewrites to the script. Simpson’s self-destructive lifestyle came to a head when he overdosed in 1996.
Though Cruise and McGillis had to maintain a sexual tension and chemistry on set, McGillis had fallen for another actor during the filming of Top Gun. “We were walking across the street and she actually fell down, and I thought it was the funniest thing I’d ever seen,” Barry Tubb remembered of McGillis. “She fell down on her face in the middle of the street and she had my heart.” Tubb played a supporting role in the film as Wolfman.
Tubb and McGillis’ relationship off-screen threatened to weaken Charlie and Maverick’s relationship on-screen. To create more tension and add more lead-up to their eventual chase and kiss on W. Laurel Street, McGillis and Cruise were brought back to film one more scene months after production had wrapped.
In the elevator scene that follows the dinner at Charlie’s Oceanside house, Maverick’s hair is wet and slicked back while Charlie’s is hidden under a hat. Both actors had different hairstyles by that time which needed to be masked in order to preserve the continuity of the film. The scene succeeded though in adding more tension and lead-up to the relationship.
5. A tragedy occurred
Top Gun‘s production also saw a real-life death. While capturing footage for Maverick and Goose’s flat spin, stunt actor Art Scholl lost control of his Pitts S-2 camera plane. Filming about five miles off the coast of Carlsbad, California, Scholl radioed to his ground spotter, “I have a problem – I have a serious problem.” He was unable to recover from the spin and crashed into the ocean. The aircraft and his body were never recovered. As a tribute, Top Gun was dedicated to Scholl.
Scholl and his dog, Aileron (Credit Smithsonian Institution)
6. Bruckheimer and Scott thought the movie was a flop
Having wrapped production, an advance screening of Top Gun was scheduled for January 29, 1986, in Houston, Texas. With the rather lukewarm release of Iron Eagle two weeks before, receiving mixed reviews and grossing just million more at the box office than its budget, Top Gun‘s future as the second fighter jet movie of the year seemed unsure.
The advance screening was also clouded by the Space Shuttle Challenger disaster just the day before. “We’re in that theater, and I tell you, it was like a funeral,” Bruckheimer recalled. “I watched the movie with this audience and nobody reacted. I mean, they didn’t laugh, they didn’t applaud, it was nothing.” As a result of this screening, Bruckheimer thought that the movie would be a disaster upon its full release.
Director Tony Scott felt similarly following the Houston screening. “It was the worst experience of my life,” Scott said. “I can’t remember even hearing the audience.” Thinking he had failed directing another movie, Scott left the screening and went to a bar to get drunk.
However, contradicting the lack-luster advance screening, Top Gun was well-received by the rest of the cast and crew when it was screened for them. During that screening, Kenny Loggins was thoroughly impressed with what they had created. “I just held my wife’s hand and went ‘Holy s**t’,” he recalled.
Of course, Bruckheimer and Scott’s fears were misplaced and the film’s release in the summer of 1986 was perfect; Ronald Reagan was in the White House, the military was cool again and the country was going through a patriotic renaissance. Since its blockbuster release, Top Gun has gone on to become one of the most successful and iconic films of all time.
Movie premieres are usually the same. Celebrities walk the red carpet in glamorous clothes, get their pictures taken thousands of times and maybe give a few interviews. Dec. 12, 2018, at the Aquaman premiere, Jason Momoa and his kids decided to liven up what would have been a typical movie premieres and honor their heritage in the same awesome moment.
Momoa took off his suit jacket and necklace and performed a traditional haka, which is a Māori ceremonial dance that includes chanting and stamping. His Aquaman castmembers, including Temuera Morrison who plays Aquaman’s father in the film, and Momoa’s two children, 11-year-old daughter Lola and 9-year-old son Nakoa-Wolf, joined him.
Together, they showed the red carpet the Māori “Ka Mate,”which is a dance often performed by New Zealand rugby teams before games. Momoa did this dance while holding a golden trident, but Aquaman’s trident was no match for this dance. Moma snapped it easily over his knee.
This energetic and exciting dance set the tone for the rest of the evening. This premiere isn’t going to be forgotten any time soon. No doubt, Momoa is a proud papa that his kids are so enthusiastic about celebrating traditions. In an interview with ET, Momoa revealed that his kids are super fast learners. Although they looked like pros on the red carpet, they were picking it up as they went.
“They just learned right now,” Momoa told ET. “But they’ve done a lot of hakas. I used to do it too when I was little, so they already knew how to do it.”
He also told ET that was a little nervous for his kids to see Aquaman where Momoa plays the titular hero. This is the first stand-alone Aquaman movie that reveals the DC superhero’s origin story.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
I am the target demographic for this film, and I have been ever since my 8-year-old self cuddled up with nerdy/amazing hero novels, like The Rowan or The Song of the Lioness. I have been devouring epics featuring female heroes for as long as I can remember.
So have all the other women out there thirsting for heroes that look like them. Seeing representation on film and television empowers the people who are watching. This is why it’s so important and exciting to have women and people of color finally stepping into hero roles.
Full Metal Obsession.
2. I know the military world
I joined the military after 9/11 (probably as a result of the aforementioned hero literature). I wanted to literally fight evil. I was an Air Force captain, much like ol’ Captain Marvel herself. As a result, I’m very critical of how military women are portrayed in TV and film.
Edge of Tomorrow got it right. My list of who got it so, so wrong is too bitter to share here, but if your character wore a push-up bra, then you’re on it.
I’m an actor and filmmaker. I understand that Hollywood has to take some artistic liberties. I understand that a big name means selling-power for a film. I also understand the work it takes to bring a character to life.
I’d literally stab someone for love the chance to play a role like Captain Marvel — whoever they cast better make me so delighted to watch that I forget my debilitating FOMO about not playing the part myself.
Well guess what, Marvel? YOU NAILED IT.
Brie Larson has been on my radar since the effing fantastic Scott Pilgrim vs. The World.
She’s been on the world’s radar since her Oscar-winning performance in Room. Larson is the kind of actor who effortlessly morphs into a world. She is extremely natural on-camera.
Also, she’s just cool.
In the comics, Carol Danvers is an Air Force officer whose DNA fuses with a Kree, giving her superhuman powers. I don’t know how the MCU will bring her story to life, but I’ve got my fingers crossed that screenwriter Anna Boden will take a cue from comic writer Kelly Sue DeConnick who pitched “…Carol Danvers as Chuck Yeager.”
I believe that she could be powerful. I believe that she could be a leader.
Larson is lovely, but her looks don’t define her. She doesn’t need to be glamorous (though she surely can be when she wants to). This is the same mindset that women in the military have. There’s a comfort level with sacrificing some femininity for the mission. That’s what Hollywood gets wrong so often when they hyper-sexualize their military roles.
But not this time. Marvel crushed it with Larson, and I cannot wait to see this film.
This article should probably start off with a spoiler warning. Then again, if you’re reading things about “Game of Thrones,” you are either caught up, have no intentions of watching the show, or don’t care about spoiler warnings.
If by some reason you aren’t any of those and wouldn’t want this week’s episodes spoiled, here’s an article about MREs.
The final shot of this week’s episode finished with Jon Snow, Gendry, Jorah, The Hound, Tormund, Beric, and Thoros all headed beyond the wall to capture a wight to prove that the dead are a threat.
One thing I noticed was how perfectly everyone in lined up with a modern unit composition.
Bear in mind, they are undermanned compared to an actual fire team, with only seven men out in the field, one garrisoned at Eastwatch, and another in Winterfell. A full SFOD-A team consists of twelve men on mission. Normally, there would also be two communications experts, a medical doc, and an engineering sergeant on the team.
In this exercise at least, all of the key positions are at least filled. Here’s how:
Detachment Commander (18A) — King Jon Snow
Every team needs a dedicated leader. A voice everyone can rally behind. Someone with a clear vision of what the objective is and how to achieve it.
Being King of the North and the one who brought them all together definitely qualifies Jon Snow as the leader of this team.
Assistant Detachment Commander (180A) — Lord Beric Dondarrion
The second in command needs to be a skilled warfighter. If the team separates, the second would step in to lead a group. They must also be willing to assume control of the whole unit if the worst happens to the commander.
Beric lead the Brotherhood Without Banners until they reached the Wall. If anything, he’s still in charge of both Thoros and The Hound.
Operations Sergeant (18Z) — Ser Davos Seaworth
The Operations Sergeant is responsible for the overall organization and functionality of the team. They are also the senior most enlisted advisor on the team.
Although Davos didn’t join them beyond the wall, he was still pivotal in assembling the team and advising Jon Snow on how to carry out the mission.
Assistant Operations and Intelligence Sergeant (18F) — Tormund Giantsbane
The Assistant Operations and Intelligence Sergeant ensures the team is war-fighting capable. They also gather and analyze all the mission-critical information.
Tormund lived his life Beyond the Wall. No one knows the area and the enemy better than him.
Weapons Sergeants (18B) — Sandor “The Hound” Clegane and Ser Jorah Mormont
Weapons Sergeants must be experts in a wide variety of weapon systems. Any weapon they get their hands on can and will be used.
Both Sandor and Jorah are some of the best fighters in Westeros. They have each proven to be lethal no matter what weapon they had — and in any arena.
Engineering Sergeant (18C) — Gendry
Engineering Sergeants are masters of construction and destruction. They can build a bridge just as flawlessly as they can destroy one.
Gendry trained many years under the greatest blacksmith in the series. If Valerian Steel weapons are needed to fight the dead, he’s ready. Afterall, he was trained under Mott (the guy that reforged Ned Stark’s sword into two more Valerian Steel swords.)
Medical Sergeant (18D) — Thoros of Myr
Special Operations Medical Sergeants are experts in treating battlefield trauma. They are tasked with providing life-saving aid to the team.
The Lord of Light has brought back the dead many times in the books, making Thoros a handy guy to have around in battle. It’s not perfect, with each resurrection taking a part of the person that dies, but it is invaluable to keeping his men in the fight.
Communications Sergeant (18E) — Lord Bran Stark the “Three-Eyed Raven”
The Communications Sergeant is the life blood between fire teams and command. They are required to maintain a constant flow of information between all troops.
In the show, Bran wasn’t seen joining the group. He’s still in Winterfell. But in the same episode the group was formed, he was flying around the enemy in raven form.
We may find out until next episode that he’ll be assisting Jon’s team.
All told, it was exciting to see this rag-tag group come together to go beyond the wall.
Many Russia-watchers are questioning or makinglight of the Foreign Ministry’s surprise appointment of Steven Seagal as a special envoy for humanitarian ties with the United States — but not the action-film actor himself.
“I take this honour very seriously,” Seagal tweeted late on Aug 5, a day after the Russian Foreign Ministry announced the appointment on Facebook.
Seagal, who has warm ties with President Vladimir Putin and was granted Russian citizenship in 2016, said he was “deeply humbled and honoured” by the appointment.
“I hope we can strive for peace, harmony, and positive results in the world,” Seagal wrote.
Seagal, 66, starred in Hollywood action movies such as Above The Law (1988), Hard To Kill (1990), and Under Siege (1992). His films were popular in the Soviet Union and then in Russia and other ex-Soviet republics.
Seagal has vehemently defended Putin’s policies, including Moscow’s 2014 annexation of Ukraine’s Crimea Peninsula, along with criticizing the U.S. government.
Kyiv last year banned Seagal from entering Ukraine for five years, citing what it said were national security grounds.
The Russian Foreign Ministry statement said that Seagal’s task will be to “foster the further development of Russian-American relations in the humanitarian sphere, including interactions in… culture, the arts, public and youth exchanges, and so forth.”
The position is not paid and will be similar to the United Nations’ goodwill ambassador positions, the statement said.
Kevin Nash went to the University of Tennessee for one reason: to play basketball, and for three years that’s pretty much what he did. Nash played center, and as a junior he helped the team advance to the Sweet 16 round of the NCAA tournament. But one physical altercation with legendary coach Don Devoe later, he was gone. Who knew he would end up in Magic Mike?
Nash made his way to Europe to play professionally, but during a game in Germany he injured his anterior cruciate ligament, which immediately ended his basketball career. Out of any better ideas, he decided to try something he’d always wanted to do: He joined the Army.
After going through basic at Fort McClellan, Nash wound up assigned to the 202nd Military Police Company in Giessen, Germany and served in a secure NATO facility for two years.
“I enjoyed the life,” Nash said. “I was forced to be disciplined, and that was something I’d lacked to that point to a certain degree.”
During his three years of military service, Kevin Nash rose to the rank of specialist.
“I liked it so much I thought about going to be a drill instructor,” he said. But ultimately he decided not to reenlist. Family matters – including his father’s failing health – took him back to his hometown of Detroit. After working on the assembly line at Ford Motor Company for a while, he decided to enter the world of professional wrestling.
Nash debuted in WCW as the orange-mohawked “Steel”, one half of the tag team known as the “Master Blasters.” His success right out of the gate was followed by more, adopting different personas and adjusting to changes in the organizations around him. He went from “Steel” to “Oz” to “Vinne Vegas” to “Diesel” before going back to his real name.
“The secret to being a pro wrestler, besides having physical abilities, is to pick a good personality,” Nash said. “The closer it is to you the better.”
And as he changed names he went from WCW to WWF and back again a few times before joining the WWE and, finally, signing on with Global Force Wrestling as a “legend” to help promote events and tours. In the process he became one of the industry’s most popular wrestlers. His career culminated with him being inducted into the WWE Hall of Fame as part of the Class of 2015.
Nash also has a host of acting credits on his resume. Beside appearing in movies and on TV, his voice has been used in video games and cartoons. Last year he appeared in “John Wick” with Keanu Reeves, and this year he reprises his role as Tarzan in “Magic Mike XXL.”
“Of all the things I’ve done, the ‘Magic Mike’ series most resembles the comradery of Army life,” Nash said. “Working with the other guys reminds me of being in a squad.” The producers even had the cast do weapons training together as a team-building exercise.
“Magic Mike XXL” was filmed in Savannah, Georgia, which worked out well for Nash as he now makes his home in Daytona, Florida. “Besides, I like to spend as little time as possible in L.A.,” he added.
Nash is happy with the results in the sequel. “It’s better than the first one,” Kevin Nash said. “There’s a lot more going on. It’s more of a road trip and not just hanging in the club.”
Pairing athletes with military veterans just makes sense. Both have a team mentality, dedication to their uniform and all the meaning associated with it, and — most importantly — a deep connection to their fellow teammates. It may (or may not) surprise some to learn that making film and television is very much a team sport as well. The cast and crew have to operate in tandem and rely on one another for success. Physical fitness is also a very important aspect to all three lifestyles.
So, it makes sense that movie stars are getting into the latest social media trend: push-ups for veterans.
In 2015, FOX NFL insider Jay Glazer created the nonprofit Merging Vets and Players to match separated combat veterans and former professional athletes to help the vets deal with transitioning out of their old team — the U.S. military — and into civilian life. He wanted to show that the country cared about what happens to them when the uniform comes off, that the skills they picked up in service to the United States are still applicable in their new lives, and that professional athletes could help show them their true potential.
Glazer was soon joined by Nate Boyer, a U.S. Army Special Forces veteran and player for both the Texas Longhorns and Seattle Seahawks who is very active in the veteran community. He believes the two worlds have a lot in common.
“Both war fighters and football players need something to fight for once the uniform comes off, and your service to country or time on the field is over,” Boyer says. “Without real purpose for the man on your right and left, it can be easy to feel lost.”
With Glazer’s access to the world of the NFL and its players combined with Boyer’s impeccable credentials in the military-veteran community and unique knowledge of the struggles returning veterans face, the nonprofit offers peer support between the athletes and veterans, as well as physical training and challenges at locations across America.
One of those challenges recently caught on with another group: movie stars. Glazer challenged all the members of his elite LA-based training center, Unbreakable Performance, to a 25 push-up challenge. For every member who publicly posts their 25 push-ups, TV personality and NFL alum Michael Strahan will donate fitness equipment to Merging Vets and Players. It immediately got a response.
Chris Pratt, star of Guardians of the Galaxy and Jurassic World was challenged by Strahan specifically. He answered the call, then challenged Jack Ryan star, John Krasinski, who challenged both Captain America Chris Evans and The Rock to pump out 25 for Merging Vets and Players.
They both did their 25. In the days that followed, Pratt’s Guardians of the Galaxy co-star Dave Bautista answered the call, as did Caleb Shaw, and Sylvester Stallone. Recently challenged stars include Mark Walhberg, LeBron James, and even Snoop Dogg.
The 25 push-up challenge didn’t stop with celebrities, though. Veterans who follow Merging Vets and Players, as well as MVP alumni, are also posting their 25 push-up challenge videos on Instagram and Twitter.
Top Gun is an iconic movie, no doubt about it. The action flick, which came out in 1986, was a blockbuster hit and has stayed popular in the three decades since.
The sequel comes out this summer and its trailers have already made us crave the need…. the need for speed.
The movie’s lexicon has permeated into our everyday language over the years. We tell others to “Cover me, Goose,” “Be my wingman anytime,” or “take me to bed or lose me forever.”
If you have ever been stationed in or have visited San Diego, you might have sung “Great Balls of Fire” at Kansas City Barbeque, sang “Highway to the Danger Zone” as you watched jets fly around Miramar, or hummed, “Take my Breath Away” as you hung out on a beach in Oceanside. The San Diego Padres have even tried several times to make “You’ve Lost that Loving Feeling” their version of the Red Sox’s “Sweet Caroline.”
One of the most iconic parts of the movie has to be the call signs.
Everyone loves call signs. They can be badass, cool, funny, and always give some glimmer of personality to a person in a military that tends to dissuade individuality.
(When my unit first got to Iraq, our command floated the idea of letting us pick a call sign. For an afternoon, I went back and forth between “Indian Outlaw” and “Buckeye” (my parents were from India and I left Ohio State to enlist the Marines). Unfortunately, the movie “300” had recently come out, and after having every junior enlisted Marine fight over why they deserved to be called “Spartan” or “Leonidas,” the idea was scrapped, and we were assigned call signs based off our rank and last name.
Hence, instead of “Indian Outlaw,” I became “Echo4Juliet”…puke.)
On the flip side, Top Gun had some amazing call signs.
So let’s rank them from worst to first. We went off how awesome they sound, if they fit the character, and if they resonate with the audience. Here we go!
Charlie, played by Kelly McGillis, was based on a real-life civilian mathematician and maritime air superiority expert Christine “Legs” Fox. Her character did showcase the amount of data and analytical studies that went into studying and perfecting the art of aerial warfare. But the call sign Charlie was pretty lazy (the character’s first name was Charlotte) and really didn’t add anything to her personality.
Chipper is barely in the movie and is more of a seat filler. The lack of character doesn’t really give us much to wonder about his name. Doesn’t look very chipper to me.
When you think of the name Merlin, you think of wizardry and magic. You would think that someone with that call sign would either be doing some type of aviation wizardry. Instead, Merlin, played by Academy Award winner Tim Robbins pretty much looks like he’s about to crap is pants most of the time. Merlin is more apt for Andy Dufrense because of his escape from Shawshank and less Robbins character in Top Gun.
“Slider…. You stink…” Does it have to do with how he gets with the ladies? Or sliding in behind the enemy? Did he slide off a runway when in training and end up in the backseat as a result? Or was he a college baseball player that just had one pitch? I don’t know why this name doesn’t sit well, but it just doesn’t.
Maybe Cougar liked to go after older women. But, he probably was named after a ferocious animal. Its not a bad call sign, but not that original. His character, losing his edge, didn’t help.
Wolfman should have been called Cowboy. He wore a cowboy hat in class, after all. But he does have a personality that shines through all throughout the movie and comes across like an old school radio DJ ala Wolfman Jack. So that pushes him up on the list.
“Your ego is writing checks your body can’t cash!” Lines like that make it obvious why Stinger is well, Stinger. His butt chewings would make him a great First Sergeant, and when he speaks, he means business. “And if you screw up just this much, you’ll be flying a cargo plane full of rubber dog shit out of Hong Kong!”
Hollywood looks good and acts the part. He’s got the shade and swagger and doesn’t seem to lose his cool. The name fits so much that after he is shot down and ends up ejecting and needed to be rescued out of the water, he still looks Hollywood-like.
It might have to do with the fact he is African American. It might have to do with the fact when he flies in, the sun goes down, and darkness arrives. Or both.
Regardless it is an awesome name. The helmet is even more bad ass.
Goose normally would suck, but it fits its characters personality so well. A guy with a callsign, Cobra wouldn’t be serenading women in bars, yelling “Great Balls of Fire” after getting in trouble, or taking Polaroids of MiGs…. WHILE INVERTED. Anthony Edwards, the actor who played Goose, later gave insight on why writers came up with the name.
“You can run kid, but you can’t hide” Jester is probably the perfect name of an instructor. He is wily, knows all the tricks, and is keen to remind you of why you are the student while he is the teacher. He also will break the rules and then throw them back in your face when you break them. (He did go below the hard deck first…..)
Jester was played by veteran actor Michael Ironside, whose own last name should be a call sign.
“That’s right…. Ice…Man… I am dangerous.”
Iceman chomps his teeth at him.
Everyone in the military fashions themselves to be the Iceman type. Cool. Calm. Collected…and Cocky. You keep your cool under pressure and stick to your training and planning. Nothing gets under his skin, and he thrives at the hint of competition.
Iceman looks Maverick right in the face and tells him why he is dangerous but doesn’t go running to higher command. He takes it as a challenge and goes out and wins. The only time he starts to crack is when he’s taking on five MiGs by himself (and can you really blame him on that?)
Based on Vietnam veteran, Top Gun instructor, and technical advisor Rear Admiral Pete “Viper” Pettigrew (holy Harry Potter name), Viper is a bad ass based on a real-life bad ass.
Vipers might look slow and sluggish but will deliver a quick strike. In the same manner, Viper doesn’t go around yelling like Stinger or Jester. He is quiet and calm and gives off the demeanor of tranquility… until he is in the air.
There he makes short work of his pupils.
Did you really think this name wasn’t going to be number one? Maverick has become synonymous with breaking the rules and flaunting the fact you’re doing it. It has been co-opted by politicians, someone you served with, and is now the #73 most popular boy’s name in America.
The name fits the character perfectly.
Jester : His fitness report says it all. Flies by the seat of his pants. Completely unpredictable. Viper : He got you, didn’t he? Jester : [pauses] Yeah.
Maverick knows what it takes to get the job done and has the talent to do it. He also does what drives a lot of the military brass (and Iceman) crazy. He thinks outside the box.
Once he is able to reconcile being a good wingman while still utilizing his talents, it is game over for the enemy MiGs. All we can do is enjoy the ride with the “oh crap” look that Merlin has.
Let us know if you had a great call sign in the military! Comment your call sign and why you got it!
Nevertheless, 2018 does have some upcoming titles worth a look.
All these film titles and release dates are subject to change.
1. “The Last Full Measure”
Directed by Todd Robinson, the film showcases a Pentagon investigator who teams up with a few veterans of “Operation Abilene” to persuade Congress to award deceased Air Force medic, William Pitsenbarger the Medal of Honor 35 years later.
Pitsenbarger is accredited with saving over 60 ambushed service members in one of the bloodiest campaigns of the Vietnam War.
Release date: Sometime in 2018.
2. “12 Strong”
Directed by Nicolai Fuglsig, the film chronicles one of the first Special Forces teams to deploy to Afghanistan after the attacks on 9/11. The SF team joins forces with the Afghan resistance and rides into battle against the Taliban on horseback.
The film stars WATM friend Rob Riggle, Chris Hemsworth, Michael Pena, and Michael Shannon.
Release date: 19 Jan. 2018.
3. “Tough As They Come”
Starring and directed by Sylvester Stallone, the film tracks Travis Mills (played by Marine veteran Adam Driver), a quadriplegic soldier returning from Afghanistan after his horrific injury. Back in the U.S, Mills has to reconcile with his stepfather while coping with his new life using prosthetic legs and arms.
Directed by Hollywood icon Clint Eastwood, the film focuses on the American soldiers who discover a terrorist plot on a train headed to Paris. Reportedly, the three Americans who thwarted a terrorist attack will be playing themselves in the film alongside actress Jenna Fischer.
Directed by Justin Kurzel, the film chronicles a nameless ex-Nazi captain who navigates the ruins of post-WWII Germany to atone for the crimes he committed during the war by hunting the surviving members of his former SS Death Squad.
Gal Gadot is rumored to have a role, but additional information hasn’t been released. So until then, here’s a hot photo of her in a skimpy bikini.
Military stories are popular for many reasons; they celebrate heroes, mourn the fallen, and remind us all that war is heart-wrenching.
The military is one of the most detail-oriented, standardized, and training-intensive operations ever to exist, which should mean that films and shows depicting the military should have that same level of precision. The only way to accomplish that is to hire veterans for your set.
By seeking out real vets whenever possible, you’ll not only elevate your project, but you could be making major strides to “support the troops.”
SEAL Team Celebrates Veterans Day by Honoring Real Life Veterans on the Show
Whether they’re in front of or behind the camera, veterans will make your military film more realistic. There’s nothing worse than watching a film where the star snaps a terrible salute or wears a jacked up uniform. Mistakes like those are not only cringe-worthy for the military audience, but they can also reflect upon actual service members and their experiences.
Technical advisors and producers (like Army Ranger Tyler Grey, featured in the SEAL Team video above) keep shows and films accurate with hard work behind the scenes. Meanwhile, opening auditions to real veterans who transitioned to professional entertainment careers after their service means bringing in actors who already know how to wear the uniform, execute salutes and facing movements, and handle a weapon.
Behind-the-scenes photo from SWAT Season 2 Episode 14 featuring Guest Star (and U.S. Marine) Michael Broderick on-set with a cadre of veterans.
2. They’re a bridge to your military audience
The military is a vocal and well-connected community. When a film or TV show gets something wrong, vets don’t hold back about it. Hiring a veteran to help write your script could not only elevate the story but also help give insight into the military experience — and the military community will thank you for it when they watch the final cut.
Likewise, when Hollywood gets it right, vets are keen to broadcast it and show up in droves to watch. Groups like Veterans in Media and Entertainment provide professional mentorship for veterans in the entertainment industry — and then they amplify the success stories of their members.
The Vets Seen on TV team for the 2019 Run Ranger Run.
3. It’s a great way to actually thank them for their service
Veterans working in the entertainment industry put their creative careers on hold to serve, which means they lost some competitive years to their colleagues who spent that time building networks and fleshing out their resumes in Hollywood.
Vets aren’t asking for special treatment — they’re just eager for the chance to prove they have what it takes to bring a character or story to life. Don’t just give a vet the job; let them audition or interview for it like anyone else. After that, their work will speak for itself, whether they’re hired or not.
From portraying a vet or law enforcement on-screen, working stunts with weapons and hand-to-hand combat, or keeping your set in regs, veterans are instinctively prepared for the military movie life because they’ve already lived that reality.
Plus you know they’re going to show up early and squared away.
Featured Image: Navy veteran Jennifer Marshall playing Lt. Col. Bailey in Hawaii Five-O.