If your life was morphed into a classic war movie, which character would you be? Take this quiz to find out:
Maybe you’re fighting ISIS.
Maybe it’s time to crush it at the gym.
Or maybe someone just pissed you off.
Sometimes you just need an explicit playlist:
“The Double Tap Ensemble” is here for you, starting with Drowning Pool’s “Bodies” and ending with AC/DC’s “Thunderstruck,” it’s like metal and rock teamed up to personally get you through a bad day.
Oh, and it’s got Metallica’s “Enter Sandman.” Obviously.
Check out the full playlist on Spotify, and let us know what songs we should add.
Many Hollywood war movies focus on the action-packed set pieces that go into the film’s trailer, leaving out a lot of room for the character elements that elevate good stories.
When David Ayer’s “Fury” debuted in theaters, the film’s realistic and diverse characters like Gordo, Bible, and the seasoned Don “War Daddy” Collier made audiences feel the dangers of being a tanker in WWII.
Brad Pitt plays the German speaking tank commander War Daddy must to deploy his leadership skills to manage the different personalities that make up his crew.
So check out how War Daddy commanded his troops.
1. Never let them see you cry
No one said you can’t have feelings while you’re deployed in a combat zone, but leaders have to control their emotions to help maintain order. That’s exactly what War Daddy did after losing a crew member as he walked off for a moment of self-reflection.
War Daddy reminds us every great warrior needs a moment. (Images via Giphy)
2. Make your expectations clear
The Army quickly replaces the fallen crew member with an untrained boy named, Norman.
War Daddy gives the newly assigned tanker some sage advice for the hell he’s about to witness.
It sounds cold-hearted, but it’s realistic advice. (Images via Giphy)
3. Rank doesn’t always have its privileges
It not uncommon that war films feature both the war-hardened and the inexperienced “shot caller” tropes. But having a high-rank insignia on your collar or sleeve is only as good as the man wearing the shirt. Write that down.
True leaders get true reactions from their comrades. (Images via Giphy)
4. Live in the moment
Having fought the Germans for a good amount of time and seeing plenty of death, War Daddy knows the importance of embracing a special moment.
To feel alive in a time of death is priceless. (Images via Giphy)
5. Take care of each other
Even though their world is currently under a pile of sh*t, they still have their brotherhood and it’s stronger than ever.
Words only veterans can relate too. (Images via Giphy)
Also Read: 8 life lessons from ‘Major Payne’
6. Never run from a fight
Like War Daddy, many warriors are trained to fight, and fighting is all they know. So running away from a fight just isn’t a part of the plan.
With the odds were stacked up against them. They all stayed and fought. That’s their duty. (Images via Giphy)
In the latest episode of Game of Thrones, Daenerys Targaryen has finally done it. She’s managed to pull off her version of one of “Mad Dog” Mattis’s signature moments — albeit after some serious military blunders and at least one close call.
Early on in the episode “Eastwatch,” Daenerys gave a speech that boiled down to “I come in peace. I didn’t bring artillery. But I’m pleading with you, with tears in my eyes: If you f#ck with me, I’ll kill you all.”
Well, Randyll Tarly and his son Dickon f#cked with the Mother of Dragons and became crispy critters as a result. The demonstration was effective – in essence, the Breaker of Chains is telling Westeros that they can have “no better friend, no worse enemy” than her.
Not so well-known, though is the fact that Jon Snow is obeying another teaching from “St. Mattis of Quantico.”
In 2010, Mattis famously said:
In this age, I don’t care how tactically or operationally brilliant you are, if you cannot create harmony — even vicious harmony — on the battlefield based on trust across service lines, across coalition and national lines, and across civilian/military lines, you need to go home, because your leadership is obsolete. We have got to have officers who can create harmony across all those lines.
Jon Snow has demonstrated this multiple times throughout the series. He’s managed to stitch together numerous alliances over six-plus seasons – to the point that he now has a coalition of Northerners, Free Folk, Knights of the Vale, and is now carrying out a special operation with the Westerosi version of the “Dirty Dozen.”
Now, for a case of the stupids.
Arya Stark is falling for an “AF is low on water” gambit being run by “Littlefinger” Baelish. Unless Arya can keep calm and ask why Littlefinger wants her to have that specific document, it looks like the Stark girls are headed for trouble – and we could see a fight between Brienne and Arya that is for real.
Scottish actor Gerard Butler stopped by the Pentagon in October 2018 to promote his upcoming movie “Hunter Killer” by speaking to the press about how he worked with the Navy to research his role as an submarine captain.
Among the details he revealed about his time aboard the nuclear-powered attack sub USS Houston at Pearl Harbor was a peculiar aspect of how a crew reacts after someone falls overboard.
“I don’t know if I’m allowed to say this, but when you are doing a man overboard, rather than putting a man overboard, they throw a bag of popcorn into the water,” Butler told reporters.
“Then you spend the next — you have four minutes, because if you are in cold water, he’s not going to make it, and neither is the popcorn — because, actually, the bag breaks open,” he added. “So you spend the next four minutes maneuvering an 8,000-ton sub to try and get next to the popcorn so somebody can jump in and rescue it.”
There’s more than a kernel of truth to Butler’s anecdote.
Sailors stand watch on the conning tower of the Ohio-class ballistic missile submarine USS Tennessee as it returns to Naval Submarine Base Kings Bay, Feb. 6, 2013.
(US Navy photo by Mass Comm. Specialist 1st Class James Kimber)
While it isn’t standard, most US submarines do use popcorn for man-overboard drills, Cmdr. Sarah Self-Kyler, a public-affairs officer for the Navy’s Atlantic submarine forces, told Business Insider on Oct. 16, 2018.
The popcorn and the bag it comes in are biodegradable. The bag, once the popcorn is popped, is also about the size of the human head and equally hard to see when its bobbing in the ocean, Self-Kyler added. It will also float for a short period, usually less than 10 minutes, and disappear, adding time pressure to the exercise.
Sometimes crewmen will tape two bags together, but once the popcorn is away, Self-Kyler said, it “most accurately represents what a man overboard looks like from a submarine.”
Though different subs will handle things differently, such drills are typically only done while entering or exiting port, as that is generally the only time subs are surfaced. Many crew members have to be involved to carry it out.
Sailors point to “Oscar,” a training dummy, during a man-overboard drill aboard the guided-missile destroyer USS William P. Lawrence, June 22, 2018.
(US Navy photo by Mass Comm. Specialist 2nd Class Jessica O. Blackwell)
The popcorn, usually pulled from the sub’s general inventory, is popped in a microwave then sent to the top of the conning tower, where it gets thrown overboard.
At that point, Self-Kyler said, sailors on watch will shout that a man has fallen overboard and crew members in the control room will mark its location.
It then becomes the job of navigators and sub drivers on duty to steer the boat back to the location where the popcorn went overboard, “work[ing] together to pinpoint that location.”
Above deck, watch-standers have to keep their eyes on and fingers pointed at the popcorn the whole time, so as to stay focused on the very small object as the submarine manuevers to come back alongside it.
“Every watch-stander is required to be qualified on this kind of operation,” Self-Kyler said. They “have to show the captain they can drive the ship back to that bag of popcorn.”
A sailor throws “Oscar,” a man-overboard training dummy, off the port side of the guided-missile destroyer USS Mahan during a man-overboard drill, Jan. 14, 2017.
(US Navy photo by Mass Comm. Specialist 1st Class Tim Comerford)
In the event of a real man-overboard, the submarine would also send out an alert to all mariners in the area, telling them via a radio call to keep an eye out for a sailor in the water and relaying their last known position. The sub’s crew would also be mustered for a roll call to identify the missing crewman.
Bags of popcorn aren’t the only things submariners use for man-overboard exercises. They can also use cardboard boxes, Self-Kyler said, though whatever they use also has to be biodegradable. There are also specialized floats or mannequins that sailors use for search-and-rescue drills.
Navy ships do not use popcorn in their man-overboard drills, Jim DeAngio, a spokesman for the Navy’s Atlantic surface forces command, said in an email.
“They primarily use what is referred to as a ‘smoke float,’ a canister that, when dropped into salt water, activates itself,” De Angio added. “It floats and smokes and provides an object to target for rescue.”
A sailor going overboard is not a common occurrence, but it does happen.
A Navy search-and-rescue swimmer rescues “Oscar” and brings him back to the guided-missile destroyer USS Stockdale, July 15, 2016.
(US Navy photo by Mass Comm. Specialist 3rd Class David A. Cox)
“In a man overboard situation, obviously, we want to recover the sailor as quickly and efficiently as possible,” DeAngio said.
A decade ago, the Navy introduced a Man Over Board Indicator for the float coats sailors working on deck are required to wear. A transmitter in the coat, a receiver in the ship’s pilot house, and a directional finder on a rigid-hull inflatable boat deployed to pick up the sailor were to be used in conjunction to make the rescue process a matter of minutes.
Aircraft carriers, which have open flight decks and carry more crew members than other Navy ships, have nets along the deck to catch sailors before they hit the water. They don’t always work though.
Peter von Szilassy, an airman on the USS Theodore Roosevelt in 2002, was blown by a jet blast in a bomb-disposal chute, one of the only areas without a safety net. He fell 90 feet into the Persian Gulf and was sucked toward the ship’s 66,000-pound propeller. But he was able to swim free and was picked up with little more than bruises.
Navy search-and-rescue swimmers go through rigorous training to be able to pluck sailors out of the water within minutes — a life-or-death time limit when the sea is freezing.
“When the three whistle blasts are broadcasted you have to be out there. It’s not about you. It’s about the person in the water,” Boatswain’s Mate 3rd Class Adam Tiscareno said in 2018.
“Whoever is out there, it’s their worst day. They don’t know if they’ll make it back.”
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Few things have the power to transport people like the cinema.
Who can forget Robert Williams’ “Good morning, Vietnam” or Marine Corps DI Hartman’s memorable quotes?
The following list is of our favorite military movies to watch over Fourth of July weekend.
“The Longest Day” (1962)
“The Longest Day” tells the story of heroism and loss that marked the Allies’ successful completion of the Normandy Landings on D-Day during World War II.
The film stands out due to its attention to detail, as it employed many Axis and Allied D-Day participants as advisers for how to depict the D-Day landings in the movie.
“Lawrence Of Arabia” (1962)
Based on the exploits of British Army Lieutenant T. E. Lawrence during World War I, “Lawrence of Arabia” tells the story of Lawrence’s incredible activities in the Middle East.
The film captures Lawrence’s daring, his struggles with the horrific violence of World War I, and the incredible British role in the foundation of the modern Middle East and Saudi Arabia.
“The Great Escape” (1963)
“The Great Escape” is based on a novel of the same name, which was a nonfiction account of a mass escape from a German prison camp in Poland during World War II. The film follows several British German prisoners of war as they try to escape from the Nazis and make their way back to Allied-controlled territory.
“The Dirty Dozen” (1967)
Extremely loosely inspired by true acts during World War II, “The Dirty Dozen” tells the story of 12 Army convicts trained for a nearly impossible mission deep in Nazi-occupied France before D-Day, and the film follows their exploits in training and beyond.
“MASH” is a black comedy set on the frontlines of the Korean War. The story follows a group of Mobile Army Surgical Hospital officers as they carry out their mission against the bleak backdrop of the seemingly ceaseless conflict miles from their position.
A movie documenting the life and exploits of General George S. Patton.
A wartime hero of World War II, the film covers Patton’s exploits, accomplishments, and ultimate discharge.
“The Deer Hunter” (1978)
“The Deer Hunter” follows the story of a trio of Russian-American steelworkers both in Pennsylvania before their service and during the Vietnam War.
The film, which stars Robert De Niro, Meryl Streep, and Christopher Walken, won multiple awards, including the Academy Award for best picture, best director, and best supporting actor for Walken.
“Apocalypse Now” (1979)
Featuring an all-star cast (Marlon Brando, Martin Sheen, Robert Duvall, and Dennis Hopper) and directed by Francis Ford Coppola, “Apocalypse Now” is a modern adaptation of Joseph Conrad’s classic “Heart of Darkness.”
Set in Vietnam in 1970, the film shows to what depths men will sink during wartime.
“Das Boot” (1981)
“Das Boot” is a German film depicting the service of German sailors aboard fictional submarine U-96. The story has been lauded for personalizing the characters during World War II by showing both the tension of hunting ships, as well as the tedium of serving aboard submarines.
“Top Gun” (1986)
Starring Tom Cruise and Val Kilmer, “Top Gun” follows Cruise as he attends the Top Gun aviation school. An aggressive but extremely competent pilot, Cruise competes throughout his training to become the best pilot in training. The film was selected in 2015 by the Library of Congress for preservation due to its cultural significance.
“Platoon,” featuring Charlie Sheen, depicts the horrors and difficulties of the Vietnam War. The movie both shows the difficulty in locating potential insurgents in a civilian population, as well as the strains and struggles war can place on brothers-in-arms.
“Good Morning Vietnam” (1987)
Loosely based on a true story, “Good Morning Vietnam” is a comedy-drama starring Robin Williams as a radio DJ in Saigon during the Vietnam War.
Williams earned an Academy Award for best actor.
“Full Metal Jacket” (1987)
Directed by Stanley Kubrick, “Full Metal Jacket” follows two new recruits as they enter bootcamp during the Vietnam War. From depicting the struggles of training to the savagery of war, “Full Metal Jacket” remains a timeless classic.
Featuring Matthew Broderick, Denzel Washington, Cary Elwes, and Morgan Freeman, “Glory” follows the US’s first all African American regiment, the 54th Massachusetts Volunteer Infantry.
Denzel Washington won an Academy Award for his performance.
“The Hunt For Red October” (1990)
Based on Tom Clancy’s bestselling novel, “The Hunt For Red October” is set during the last stages of the Cold War.
The film stars Sean Connery as a rogue Soviet naval captain who is attempting to defect to the US with the Soviet Union’s most advanced nuclear missile submarine.
“Schindler’s List” (1993)
Directed by Steven Spielberg and starring Liam Neeson, “Schindler’s List” tells the true story of how businessman Oskar Schindler evolves from seeing Jews as nothing but human chattel to doing his best to save as many Jews from Nazi death camps as possible during the Holocaust. The film, based on a true story and painfully told, won the Academy Award for best picture.
“Saving Private Ryan” (1998)
Directed by Steven Spielberg and featuring Tom Hanks, “Saving Private Ryan” showcases both the brutality of World War II while also paying tribute to the amazing courage and honor that each person can rise to. The movie won Spielberg an Academy Award in 1999 for best director.
“Three Kings” (1999)
Featuring Ice Cube, Mark Wahlberg, and George Clooney, “Three Kings” shows a stark depiction of life on the ground in Kuwait and Southern Iraq following the end of the Gulf War.
The movie depicts the brutality that Iraqis faced from the regime of Saddam Hussein after trying to rise up against the government at the end of the war.
“Black Hawk Down” (2001)
Directed by Ridley Scott, “Black Hawk Down” follows the tragic exploits of US special forces that were sent into Somalia on a peacekeeping mission in 1993. The movie won the Academy Award for best film editing in 2002.
“Jarhead,” directed by Sam Mendes and starring Jake Gyllenhaal, depicts a realistic look at the mix of drudgery and tension that exists for soldiers in a war zone.
The movie spans from the late 1980s through the US involvement in the Gulf War.
“Downfall” depicts the end of the European stage of World War II from inside Adolf Hitler’s bunker in Berlin. The movie depicts Hitler’s final days as he, and his fellow high-ranking Nazis, realize the futility of their position in the war and the end of the Third Reich.
“Tae Guk Gi: The Brotherhood of War” (2005)
“Tae Guk Gi” follows the tale of two South Korean brothers during the start of the Korean War. Drafted into combat, the older brother continuously volunteers for the most dangerous missions in exchange for his little brother’s safety. But, as the movie depicts, such constant violence takes the toll of all involved.
“Letters From Iwo Jima” (2006)
Directed by Clint Eastwood, “Letters From Iwo Jima” tells the story of the Battle of Iwo Jima from the Japanese perspective. The film is a companion to Clint Eastwood’s film “Flags Of Our Fathers,” which also tells the story of the Battle of Iwo Jima but from the American perspective.
“Beasts Of No Nation” (2015)
Released on Netflix, “Beasts of No Nation” is based on a book of the same name by Uzodinma Iweala. Set in an unnamed West African country, the film depicts the horror of civil war and the use of child soldiers.
The film is told from the point of view of the child soldier Agu, played by Abraham Attah, as he attempts to survive and is forced to fight in the war.
Did the Secretary of State (and CJCS) or the rapper say these things?
Tyrannosaurus Rexes may get all the hype but velociraptors are every bit as essential to the success of the Jurassic film franchise. These vicious, brilliant carnivores are always around to cause a little mischief and eat an unsuspecting human using some advanced hunting tactics. But which of the films make the best use of these infamous dinosaurs? Here is our official ranking of the Jurassic Park films, purely based on their velociraptor scenes.
4. The Lost World: Jurassic Park (1997)
There is a fairly obvious reason the first sequel places last on the list: Velociraptors are mostly missing from this movie. The raptors are unsurprisingly badass and slightly terrifying in the film despite their limited presence – fucking up the InGen team of mercenaries – but the bar for this list is simply too high for this maligned sequel to land any higher.
3. TIE: Jurassic World and Jurassic World: Fallen Kingdom
If Jurassic Park III set the stage for the raptor redemption, the Jurassic World films are where they completed their transformation from villain to hero. And that transformation was mostly… fine. In the first Jurassic World, Owen Grady had been able to develop a rapport with a pack of raptors, to the point where they are able to follow his orders.
Sure, it undeniably rules to get to watch a pack of raptors run side-by-side with Chris Pratt on a motorcycle but watching the raptors bow to the will of a human trainer feels fundamentally wrong (not to mention a far cry from their brilliant tactical skills on display the rest of the franchise).
Even their brief team up with the Indominus Rex doesn’t feel nearly as thrilling as it should, as it was fairly obvious they would eventually end up back on Team Owen. We won’t spoil Fallen Kingdom by getting into details but Blue’s role is basically the same as it was in the first Jurassic World, albeit the ending suggests an exciting future for this hyper-intelligent raptor.
2. Jurassic Park III (2001)
The worst movie in the Jurassic franchise? Maybe, but if you’re just looking for some sweet raptor content, Jurassic Park III is right near the top. Raptors are the best part of this otherwise mediocre movie, as the raptors’ remarkable level of intelligence and killer instincts are on full display in this third chapter.
The biggest reveal from the movie revolves entirely around velociraptors, as Dr. Alan Grant is shocked to discover that the pack of raptors are able to communicate in a way that is far more advanced than any other species other than humans. It’s also the beginning of the raptor rebrand, as it is the first time they don’t play the villain role. And while it’s technically just a dream, Grant waking up to a raptor calling his name literally never gets old.
1. Jurassic Park (1993)
Was there ever any doubt? Whether they are outsmarting Robert Muldoon or hunting for Dr. Hammond’s grandkids in the kitchen, nearly every moment of raptor screentime in Jurassic Park is iconic. Hell, even their offscreen moments – who can forget when the group discovers Samuel L. Jackson’s arm – only helped establish the mythos of these vicious creatures.
And with all do respect to the other films, raptors are just more compelling when they are using their intelligence to hunt down humans, as opposed to helping them. And in this movie, they are in full baddie mode. In fact, they likely would have won the movie if it wasn’t for that pesky T-Rex conveniently showing up at the perfect moment.
Twenty-five years later, it can be easy for all of us to take the popularity of raptors for granted but so much of what we now know about these vicious carnivores stems from this classic blockbuster. Without Jurassic Park, it’s highly unlikely that these clever girls would be a sure-fire first-ballot member of the Dinosaur Hall of Fame.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Russia is working on its own TV show about the Chernobyl nuclear disaster — but this version focuses on a conspiracy theory that a CIA agent sabotaged the reactor.
The Russian show, whose release date is not yet known, comes at the heels of HBO’s successful miniseries, “Chernobyl.”
The HBO show attributes the 1986 nuclear disaster to a combination of reckless decisions made by senior plant staff and Soviet state censorship, which resulted in the government hiding dangerous problems at the plant from the public, as well as other scientists and plant staff.
This portrayal is considered highly accurate. Many former Soviet, however, slammed it as inaccurate and slanderous of the Soviet Union.
Donald Sumpter on HBO’s “Chernobyl” miniseries.
The nuclear disaster propelled radioactive particles over 1,000 square miles of Ukraine and Belarus. The death toll remains unknown, but some studies say tens of thousands of people died as a result of the leak.
Moscow’s version of “Chernobyl” — which is produced by NTV, an arm of Russia’s majority state-owned Gazprom Media — is premised on the theory that CIA agents sabotaged the nuclear reactor, which ultimately led to the accident, NTV said in April 2018.
Specifically, the plot will follow a Russian KGB agent in the town of Pripyat, near the plant, as he tries to track down US spies before they trigger the disaster, director Alexei Muradov told The Moscow Times on June 4, 2019.
Russia’s ministry of culture gave NTV 30 million rubles (2,000) to produce the Russian version of “Chernobyl,” according to The Hollywood Reporter.
The idea for Russia’s version of “Chernobyl” is based from a popular conspiracy theory in the country, Muradov told The Moscow Times.
“One theory holds that Americans had infiltrated the Chernobyl nuclear power plant and many historians do not deny that, on the day of the explosion, an agent of the enemy’s intelligence services was present at the station,” he said.
The US and Soviet Union were in the midst of the Cold War at the time of the explosion, and espionage and mutual mistrust were high.
Digitalization of Chernobyl disaster.
Journalists from former Soviet countries have taken issue with HBO’s adaptation of the nuclear disaster.
One writer from Komsomolskaya Pravda, Russia’s most popular paper, said last month the series was designed to slander Rosatom, Russia’s nuclear energy company.
The same newspaper also ran the headline on a separate story, which said according to The Guardian: “Chernobyl did not show the most important part — our victory.”
Another journalist wrote in Kosovo’s Express Gazeta that HBO had wrongly depicted “ignobility, carelessness and petty tyranny.”
HBO’s “Chernobyl” is the highest-rated TV series of all time, Esquire cited IMDB as saying.
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
The Army-Navy game is a big deal. That said, over the course of this 120-year rivalry, it’s been important for different reasons.
Through World War II, Army and Navy were two college-football powerhouses, able to hold their own against the likes of Rutgers and Norte Dame. Both Army and Navy have won National Championships, but that hasn’t happened for either team since 1946 and 1926, respectively. Currently, across the 117 meetings of these two teams, Navy leads the series 60-50-7, thanks, in part, to a 14-year winning streak that ended with Army’s 21-17 win in 2016.
Times have changed: Today, Army and Navy aren’t regular contenders for the national championship. But even if these teams aren’t competing for a national title, the Army-Navy game, which has been played routinely since 1890, is still a big deal. In fact, it’s the only game played the weekend after conference championships.
Why is this game so fervently followed? There are a number of reasons outside of exciting football, two of which are unique to this match-up. First, while many Division-I college players eye professional football after graduation, those going to military academies are to fulfill a five-year service obligation. The fact is that most professional teams selecting players in the seven-round NFL draft don’t have the luxury of waiting for that service obligation to end.
Although this hasn’t stopped some of the greats in the past, including Roger Staubach, Phil McConkey, and Joe Cardona, it’s not very likely today. That means that the men on the field are playing purely for the love of the sport, not for a contract down the line.
Second, what sets the Army-Navy game apart from other college football matches is the fact that the players in this game, at some point in the next four years, will be defending our country. Each year, first-class cadets and midshipmen storm Lincoln Field in Philadelphia, ready and willing to play for pride, while they’re just months away from joining a military still fighting a global war on terror.
All will serve bravely and, unfortunately, some of them may even make the ultimate sacrifice. In July 2010, former Army quarterback Chase Prasnicki was killed in action while serving in Afghanistan. The Army-Navy game is just as much a celebration of the brave, young service members that defend our home as it is a celebration of sport. That is why the Army-Navy game is such a big deal.
The late-70s and 80s were a pure golden age for horror films. The once goofy genre had new life blown into it after the critical and financial success of such films like 1973’s The Exorcist and 1974’s The Texas Chainsaw Massacre. Audiences were terrified again when they sat comfortably in their seats eating popcorn. The 80s upped the ante even further with The Shining and The Evil Dead.
There were many great films released in this era but there were also plenty of flops, due in large part to filmmakers trying to recreate success without understanding what made the original so popular.
Then came the film that came to define both 80’s horror and action films: Predator.
(20th Century Fox)
On paper, Predator played like an action film. It starred both Carl Weathers and Arnold Schwarzenegger at the top of their game, directed by John McTiernan (who would go on to make Die Hard, The Hunt for Red October, and The 13th Warrior) and produced by Joel Silver (the man who produced nearly every great action film since The Warriors.)
But it wasn’t just an action film. Deep down, Predator was also a horror film.
Instead of the generic teenagers, the film followed the most elite commandos the world had ever seen. They were such hardened badasses that anything wanting to pick them off like flies would need to be that much more badass. The antagonistic killer wasn’t some mustache-twirling prick who’d spout off puns. The predator hunted down each and every one of the commandos (except the lead), which gave the film it’s terrifying core: the humans were being hunted they way we hunt animals.
The script was also worked on by the relatively unknown Shane Black. After scripts are written, they tend to go through plenty of rewrites and usually involve another writer to come in and “doctor” the script — like having a friend proofread it. Shane Black needed to know every little bit of the script down to the punctuation. For his work, he got to play Hawkins, the radio operator that is just brutally killed by the titular character.
(20th Century Fox)
Shane Black would get his big break following the success of Lethal Weapon (which was released three months earlier). He’d go on to make his directorial debut with Kiss Kiss Bang Bang and solidify his Hollywood status with the astronomically successful Iron Man 3.
Now everything comes back full circle. The man who’s been at the heart of the Predator franchise from day one, who has beyond proven his ability as one hell of a writer and director, is now back to return it to its roots — as both an action and a horror film.
Check out the trailer for the updated film below:
Troops are very acquainted with using blank rounds. We slap in a magazine filled with them, screw on a blank-firing adapter (or BFA), and continue training for the day. Without fail, we go out and someone inevitably takes a photo of themselves trying to look all badass like in the movies — but they can’t. That BFA just looks ridiculous and lets everyone know immediately that they’re just training.
So if you really want to look as badass as they do in the movies, you have to look at how the special effects teams on a film set do it. They’re obviously not firing actual, live rounds at each other during the film’s climactic ending — that’d violate so many safety regulations and break countless union rules — but to us, the audience, it feels real.
They’re firing firing blanks, just like the troops in training, but they’ve some ingenious ways of hiding that fact.
When you put the flash hider back on, you can’t tell the difference unless you’re up close and personal.
(Combat Disabled Veteran’s Surplus)
Most semi-automatic firearms use the gas expelled from ejected rounds to cycle in another round. Blank rounds don’t create enough gas pressure in the barrel to make this happen, so, if you’re firing blanks, you need a blank-firing adapter. Firing without a BFA will inevitably cause a failure-to-feed.
The BFA acts more as a plug for the gas. It keeps in just enough gas to build the pressure needed in the chamber for a person to continue shooting without interruption while still letting enough oxygen in.
On a film set, however, you can’t have the actors looking like they’re troops in basic (unless that’s what the film is about). Instead, they screw a tiny blank-firing adapter onto the end of the barrel, underneath the flash hider, as shown below.
If you love ‘Sons of Anarchy’… just don’t hit pause during the gunfights of the first season. Yikes.
Other film sets use entirely decommissioned firearms that have been repurposed as production weapons. Propsmasters will replace most of the assembly with components that require less gas pressure to function. These are close copies, but, ultimately, they’re just replicas — and enthusiasts can tell.
People who’ve been around firearms can quickly spot when filmmakers add an abundance of flash coming out of the muzzle. But it’s a known inaccuracy and it’s done with a purpose. Films, in general, are shown (and often captured) at a rate of 24 frames per second. Without enhancing the muzzle flash, there’s a good chance that the camera won’t capture a flash at all — and that visual bang is an important part of selling the illusion of real gunfire.
But then there are the films crews that skip all of these mechanical steps and add the flashes and sound effects entirely in post-production. It’s comparatively cheaper when you factor in the costs of safety crews and whatnot, but the results aren’t always so great…
An interesting and positive side note: Lee’s stunt double, who’d also replace him for the rest of the film was Chad Stahelski, the man who’d later direct John Wick.
Which leads us to the elephant in the room — the incident that took place on the set of 1994’s The Crow, which lead to the death of the actor Brandon Lee. One of the special effects guys tried to save time and money by making their own blank rounds from live .44 rounds. The weapon they were using on set was an actual handgun and made use these modified rounds. Well, one day, it didn’t work perfectly and a piece of the cartridge broke off and got lodged in the barrel. No one bothered to inspect the firearm or clean it. They tossed it aside and carried on with production.
A few days later, when they needed more firearms for a bigger scene, they grabbed that same handgun. Loaded with another home-made blank and with that fragment of the cartridge still in the barrel, a stunt actor fired it at Lee. Since his character was supposed to react to the shot (and Lee was known for being a gifted actor) no one noticed that Lee had actually been shot until well after the camera stopped rolling.
Though nothing can undo the tragedy that befell Brandon Lee, the silver lining is that firearms have since been treated with more care on set. Many safety regulations are now in place to prevent such a horrible tragedy from happening again.
Actor John Krasinski has been on a steady five-year come up. Even before acclaim was heaped onto both his acting and directorial performance in the 2017 horror movie A Quiet Place, Krasinski had successfully stepped out of the shadow of his more awkward and decidedly less muscular role as Jim Harper on The Office. Give him props, you can only count on one hand how many actors left The Office and convincingly did something that wasn’t comedic. Now Krasinski is doubling down on his newly badass vibes in the first trailer for his new show Jack Ryan where he plays the titular character.
Jack Ryan is set to debut on Amazon Prime and is yet another take on the character from author Tom Clancy’s classic spy novels. Though the character of Jack Ryan has been played by a bunch of actors— Chris Pine in Jack Ryan: Shadow Recruit; Ben Affleck in The Sum of All Fears; Alec Baldwin in The Hunt For Red October, and most notably Harrison Ford in Clear and Present Danger and Patriot Games— no one but Ford has ever mustered a performance that was compelling enough to warrant more than one shot at playing Ryan. Krasinski though, he might have what it takes.
See, the cool thing about Krasinski as an actor sort of mirrors the cool thing about Jack Ryan as a character. Jack Ryan is an ex-soldier, yeah, but by profession, he’s an analyst— the guy who tries to dodge boring meetings, not bullets. But in the novels, Ryan is constantly thrust out of his comfort zone and forced to carry on like a spy, which, even for a soldier, is not remotely the same. HEll, in one of Clancy’s books Ryan even become president of the United States. The duality of Ryan as this brilliant desk jockey with a badass streak in him is what makes the character so good. Similarly, as an actor, Krasinski can be convincingly comical, normal-looking, and smart while also (per his performance in 13 Hours) having the ability to come off like he could kill you with a spork.
Similar to the Chris Pine and Ben Affleck entries into the Jack Ryan canon, the show for Amazon will be an origin story that shows Ryan make his first transition from behind his desk to behind enemy lines as a spy. Unlike other takes on the character though, this will be an episodic show which is good for Krasinski. Because it’s a show, he’ll have the space to come up short sometimes or not always hit the mark, but also to redeem himself episodes later. Movies are so much less forgiving in this regard, you just don’t get another chance at anything if it doesn’t work. Still, Krasinski has proven himself more versatile in the second act of his career, and Jack Ryan looks to be another exciting entry in it.
Jack Ryan debuts on Amazon Prime Video on Aug. 31, 2018.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.